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The Altrincham Garrick Playhouse recognizes its duty of care under the Children and Young Persons Act 1963, the Child (Performances) Regulations 1968, the Protection of Children Act 1999 and the Criminal Justice and Court Services Act 2000. The Academy Altrincham Garrick Child Protection Policy Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. The Altrincham Garrick Playhouse recognizes its duty of care under the Children and Young Persons Act 1963, the Child (Performances) Regulations 1968, the Protection of Children Act 1999 and the Criminal Justice and Court Services Act 2000.The society recognizes that abuse can take many forms, whether it be physical abuse, emotional abuse, sexual abuse or neglect. The society is committed to practice which protects children from harm. All members of the society accept and recognize their responsibilities to develop awareness of the issues which cause children harm. The society believes that: The welfare of the child is paramount; All children, whatever their age, culture, disability, gender, language, racial origin, religious beliefs and/or sexual identity have the right to protection from abuse; All suspicions and allegations of abuse should be taken seriously and responded to swiftly and appropriately; All members and employees of the society should be clear on how to respond appropriately. The society will ensure that: All children will be treated equally and with respect and dignity; The welfare of each child will always be put first; A balanced relationship based on mutual trust will be built which empowers the children to share in the decision making process; Enthusiastic and constructive feedback will be given rather than negative criticism Bullying will not be accepted or condoned; All adult members of the society provide a positive role model for dealing with other people; Action will be taken to stop any inappropriate verbal or physical behaviour; It will keep up-to-date with health & safety legislation; It will keep informed of changes in legislation and policies for the protection of children; It will undertake relevant development and training; It will hold a register of every child involved with the society and will retain a contact name and number close at hand in case of emergencies. The society has child protection procedures which accompany this policy. This policy should also be read in conjunction with the society’s Theatre Handbook and Health & Safety Policy. The society has a dedicated Child Protection Officer, who is in charge of ensuring that the Child Protection policy and procedures are adhered to. This policy will be regularly monitored by the Executive Committee of the society and will be subject to annual review. Child Protection Procedures Responsibilities of the Society At the outset of any production involving children the society will: Undertake a risk assessment and monitor risk throughout the production process; Identify at the outset the person with designated responsibility for child protection; Engage in effective recruitment of chaperones and other individuals with responsibility for children, including appropriate vetting (if necessary in consultation with the local education authority); Ensure that children are supervised at all times; Know how to get in touch with the local authority social services, in case it needs to report a concern. Parents The society believes it to be important that there is a partnership between parents and the society. Parents/guardians are encouraged to be involved in the activities of the society and to share responsibility for the care of children. All parents will be given a copy the society's Child Protection Policy and procedures .All parents/guardians have the responsibility to collect (or arrange collection of) their children after rehearsals or performances. It is NOT the responsibility of the society to take children home. Unsupervised Contact The society will attempt to ensure that no adult has unsupervised contact with children. If possible there will always be two adults in the room when working with children. If unsupervised contact is unavoidable, steps will be taken to minimize risk. For example, work will be carried out in a public area or in a designated room with a door open. If it is predicted that an individual is likely to require unsupervised contact with children, he or she may be required to obtain a criminal record disclosure. Physical Contact All adults will maintain a safe and appropriate distance from children. Adults will only touch children when it is absolutely necessary in relation to the particular activity. Adults will seek the consent of the child prior to any physical contact and the purpose of the contact shall be made clear. Managing sensitive information The society has a policy and procedures for the taking, using and storage of photographs or images of children. Permission will be sought from the parents/guardians for use of photographic material featuring children for promotional or other purposes. The society’s web-based materials and activities will be carefully monitored for inappropriate use. The society will ensure confidentiality in order to protect the rights of its members, including the safe handling, storage and disposal of any sensitive information such as criminal record disclosures. Suspicion of abuse If you see or suspect abuse of a child while in the care of the society, please make this known to the person with responsibility for child protection. If you suspect that the person with responsibility for child protection is the source of the problem, you should make your concerns known to the Chairman. Please make a note for your own records of what you witnessed as well as your response, in case there is follow-up in which you are involved. If a serious allegation is made against any member of the society, chaperone, venue staff etc., that individual will be suspended immediately until the investigation is concluded. The individual will be excluded from the theatre; rehearsal rooms etc. and will not have any unsupervised contact with any other children in the production. Disclosure of abuse If a child confides in you that abuse has taken place: Remain calm and in control but do not delay taking action. Listen carefully to what has been said. Allow the child to tell you at their own pace and ask questions only for clarification. Don’t ask questions that suggest a particular answer. Don’t promise to keep it a secret. Use the first opportunity you have to share the information with the person with responsibility for child protection. Make it clear to the child that you will need to share this information with others. Make it clear that you will only tell the people who need to know and who should be able to help. Reassure the child that they did the right thing in telling someone. Tell the child what you are going to do next. Speak immediately to the person with responsibility for child protection. It is that person’s responsibility to liaise with the relevant authorities, usually social services or the police. As soon as possible after the disclosing conversation, make a note of what was said, using the child’s own words. Note the date, time, any names that were involved or mentioned, and who you gave the information to. Make sure you sign and date your record. Recording In all situations, including those in which the cause of concern arises from a disclosure made in confidence, the details of an allegation or reported incident will be recorded, regardless of whether or not the concerns have been shared with a statutory child protection agency. An accurate note shall be made of the date and time of the incident or disclosure, the parties involved, what was said or done and by whom, any action taken to investigate the matter, any further action taken e.g. suspension of an individual, where relevant the reasons why the matter was not referred to a statutory agency, and the name of the persons reporting and to whom it was reported. The record will be stored securely and shared only with those who need to know about the incident or allegation. Rights & Confidentiality If a complaint is made against a member of the society he or she will be made aware of their rights under the society's disciplinary procedures. No matter how you may feel about the accusation, both the alleged abuser and the child who is thought to have been abused have the right to confidentiality under the Data Protection Act 1998. Remember also that any possible criminal investigation could be compromised through inappropriate information being released. In criminal law the Crown or other prosecuting authority has to prove guilt and the defendant is presumed innocent until proven guilty. Accidents To avoid accidents, chaperones and children will be advised of ‘house rules’ regarding health and safety and will be notified of areas that are out of bounds. Children will be advised of the clothing and footwear appropriate to the work that will be undertaken. If a child is injured while in the care of the society, a designated first-aider should administer first aid and the injury will be recorded in the society’s accident book. This record will be counter-signed by the person with responsibility for child protection. If a child joins the production with an obvious physical injury a record of this will be made in the accident book. This record will be counter-signed by the person with responsibility for child protection. Criminal Record Disclosures If the society believes it in is in its best interests to obtain criminal record disclosures for chaperones or other personnel it will inform the individual of the necessary procedures and the level of disclosure required. An Enhanced disclosure will be required. The society will have a written code of practice for the handling of disclosure information and aim to prevent misuse. Chaperones Chaperones will be appointed by the society/appointed persons for the care of children during the production process. By law the chaperone is acting in loco parentis and should exercise the care which a good parent/guardian might be reasonably expected to give to a child. The maximum number of children in the chaperone’s care shall not exceed 12. Potential chaperones may be required to supply photographic proof of identity and two references from individuals with knowledge of their previous work with children, unless already well known to the society. They may also be asked to sign a declaration stating that there is no reason why they would be considered unsuitable to work with children. Chaperones will be made aware of the society’s Child Protection Policy and Procedures. Where chaperones are not satisfied with the conditions for the children, they should bring this to the attention of the director/stage manager. If changes cannot be made satisfactorily the chaperone should consider not allowing the child to continue. If a chaperone considers that a child is unwell or too tired to continue, the chaperone must inform the director/stage manager and not allow the child to continue. No child of compulsory school age is permitted to do anything which may endanger life or limb. This could include working on wires or heavy lifting. Chaperones should tell the director/stage manager to cease using children in this way, and should contact the local authority. During performances, chaperones will be responsible for meeting children at the stage door and signing them into the building. Children will be kept together at all times except when using separate dressing rooms. Chaperones will be aware of where the children are at all times. Children are not to leave the theatre unsupervised by chaperones unless in the company of their parents/guardians. Children will be adequately supervised while going to and from the toilets. Children will not be allowed to enter the adult dressing rooms. Chaperones should be aware of the safety arrangements and first aid procedures in the venue, and will ensure that children in their care do not place themselves and others in danger. Chaperones should ensure that any accidents are reported to and recorded by the society. Chaperones should examine accident books each day. If an accident has occurred, the producer is not allowed to use that child until a medically qualified opinion has been obtained (not just the word of the parent or child). Chaperones should have written arrangements for children after performances. If someone different is to collect the child, a telephone call should be made to the parent/guardian to confirm the arrangements. Children should be signed out when leaving and a record made of the person collecting. If a parent has not collected the child, it is the duty of the chaperone to stay with that child or make arrangements to take them home. This policy is applicable to and focuses on, children of compulsory school age and below. A child is required to attend school unless they are over the age of 16 on 31st of August, or until the last Friday in June after their 16th birthday. Join our mailing list Subscribe

< Back Cranford ˂ Previous Production Next Production ˃ 1 January 1960 to 1 January 1960 Pearse, Bette

< Back The Legends of American Country Show ˂ Previous Production Next Production ˃ 27 April 2025 to Now seen by over 350,000 fans live and watched by millions on TV, Europe’s No.1 multi-award-winning show "The Legends of American Country", this hit country show returns for another fantastic night of toe-tapping Country nostalgia! The upcoming tour will showcase highly acclaimed tributes to Dolly Parton, Johnny Cash, Don Williams, Patsy Cline, Hank Williams, Tammy Wynette and Kenny Rogers and new tributes to icons Alan Jackson, Shania Twain, Garth Brooks, The Chicks and the new kid on the block Luke Combs with countless other well-known singalong hit songs in this must-see musical extravaganza. The show also features three superb singers who are all accompanied by a fantastic live band of musicians. Watch that real authentic Tennessee sound coupled with an authentic stage set and state-of-the-art production that is guaranteed to transport you all the way, hand clapping and toe-tapping, to Nashville and back in one night. One thing is for sure, if it’s Country music you like then this is the only show in town! Over 2,000 5-star reviews! Country Music Northern Ireland “As good as Country show that you will see live anywhere outside Nashville“ CMT “Pure Raw Country at its Best“ Hot Country TV “fantastic show of nostalgic country at its best with superb vocalists and musicians“.

Visiting Production Don't Stop Believin' Date range Tickets £31 Age guidance Venue Main House Trigger warning Find out more Book now Running time 2 hours inc. interval Group bookings Find out more Accessibility Find out more DON’T STOP BELIEVIN’ The End-of-the-Night Anthems Show Jump aboard the midnight train–as the greatest end-of-the-night anthems spectacular roars into town. One way, or another, nothing’s gonna stop us now... the brand-new, feel-good show of the year guarantees a crazy, crazy night of non-stop, singalong favourites. It’s the night out you have been waiting for–from the producers of smash hit show, Lostin Music–the boys and girls are well and truly back in town. And this time, live on stage, they’re breathing life into the music of Bryan Adams, Blondie, Cher, Rainbow, Bon Jovi, Kate Bush, Starship, Europe and Belinda Carlisle... and that’s just for starters! This electrifying, high-energy theatre production brings you 30 of the biggest end-of-night anthems–all brought to life in full colour with a sizzling cast, fantastic costumes and amazing light show. It’s time to let your hair down and come dressed to impress as we bring you the biggest party night EVER! With songs including, Summer of’69, I Love Rock ‘n’ Roll, Livin’ on a Prayer, Sweet Child O’ Mine, China in Your Hand, You Shook Me All Night Long, Sweet Home Alabama and many more. Visiting Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

< Back GAPA - Group 6 ˂ Previous Production Next Production ˃ 26 April 2025 to The Garrick Academy of Performing Arts Saturday Class - Term 3 2024/25 Season Group 6: 11:30am - 1:30pm, Ages 14 - 18 years GAPA Saturday Groups GAPA currently runs seven Saturday groups: six on a Saturday morning for our 8 to 18 year olds, with our MINI GAPA class, for 5 to 8 year olds, on Saturday afternoons. Throughout the year, the groups work towards the goal of putting a production onto the main stage. The year starts with stagecraft, skills and audition preparation, giving students the opportunity to enhance and develop their performance skills. Then it’s audition time and, once the play is cast, the rehearsals start and all the elements of the show are put together. Working through this process, the students learn the valuable skills required of rehearsing and putting on a production, whilst being surrounded by fun and laughter.

Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. About Us About the Theatre Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. About the Theatre History of the Garrick In Memoriam: Past Members of the Garrick Productions Archive The Garrick Theatre Established in 1914, The Altrincham Garrick Society aims to present Drama, Comedy, Musicals and Pantomime – and is happy to consider presenting other forms of the dramatic arts ! The Playhouse was built through membership donations in 1932 – its main auditorium seats 401 and is typically in use throughout September to July. A Garrick Academy of the Performing Arts runs term-time Saturday classes for children aged 5 to 18, as well as a week-long Summer School in August. The Society typically produces 13 main stage productions per year, including the Pantomime and the annual GAPA (Youth Academy) production. The Playhouse also hosts many shows from professional individuals and professional production companies. In addition, the Garrick Picturehouse comprises a large screen, which is used to show cinema films and “as-live” recordings of professionally-staged productions. Finally, the Studio is a 49-seat venue at the back of the building, in which more experimental and more intimate theatre is staged. The theatre is staffed and managed mainly by volunteers, with a small number of employees in specific areas (for example the Artistic Director and Operations Director, Box Office, Accounting, Maintenance and more). The theatre is a registered charity, so the management of the theatre finances and legal issues is governed by a Board of Trustees. Together this makes up the Garrick Theatre family. The Garrick Studio If you are looking for something more exciting to tickle your theatrical taste buds, why not throw caution to the wind and visit our smaller theatre: The Studio. The Studio is perfect for that feeling of being part of the action and where you can experience the intimacy of the story telling. Here you can get up close and personal with the actors as they wow you with their performances. We do not allow touching or the feeding of our actors, however, as some of them have been known to bite! The Studio has its own private entrance onto the car park and patrons have full use of the Garrick bar and all our facilities in the main building. It seats 49 comfortably and it is also accessible for wheelchairs. The Studio is where we stage productions that are not always suitable for our main stage (401 seats) and therefore our shows often fill up quickly. The Studio’s reputation has continued to grow over the years with its thought-provoking and exciting plays. We regularly experience sell-out shows. These productions can be challenging, deeply moving, hilarious or outrageous! You decide. Join our mailing list Subscribe

Previous Next Frank Boylan Frank Boylan had been a member and regular performer until a couple of years before his death in 2006. His comic timing was superb - he could stop the show by just walking across the stage, as he did notably in A Funny Thing Happened on the way to the Forum . His performance in The Diary of Anne Frank (1976/77) as Anne's father was particularly memorable for its tenderness and humility. He will be remembered mostly for being Frank : a gentle man in all senses of the words. Back to In Memoriam page

Visiting Production MANIA Date range Tickets £26 Age guidance Venue Main House Trigger warning Find out more Book now Running time TBC Group bookings Find out more Accessibility Find out more Direct from London’s West End, MANIA is accepted as the world’s number one ABBA tribute show. A special concert which celebrates the music of ABBA in a respectful and enjoyable way, this production revives memories of when ABBA ruled the airwaves. It is more than 40 years since ABBA won the Eurovision Song Contest and they have filled our lives with music ever since. Now it’s your chance to thank them for the music! MANIA brings fans old and new, a memorable night not to be missed. If you’re looking for an excuse to party, reminisce or simply be entertained, then MANIA: the ABBA tribute is the show for you! Dig out those platforms, dust down those flares, and join in with such classics as ‘Mamma Mia’, ‘Voulez Vous’, ‘Dancing Queen’, ‘Winner Takes It All’, ‘Super Trouper’ and many, many more. Visiting Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

< Back The Tragedy of Nan ˂ Previous Production Next Production ˃ 1 January 1915 to 1 January 1915 By John Masefield CAST Blackburn, Lydia Bonson, John P Byrom, Mrs Jack Hall, S Lyndon Higgs, Elsie Hill, Arthur P Jones, Lily Nixon, Walter S Noble, Miss May Warburton, George A Wilson, Tom Wilkinson, John

Previous Next Richard Honeyman Richard acted in plays and also directed several, between the 1970s and his death in the 1990s. Back to In Memoriam page

< Back What Happened to George ˂ Previous Production Next Production ˃ 1 January 1947 to 1 January 1947 Abbott, Amy Beck, June Blackhurst, Ernest Brown, Sydney Creacall, Edward Daltry, Joyce Dean, Kenneth W Falkner, Robert Green, Joyce Hibbert, Sydney Lightowler, Ronnie R Neil, Ian Neild, Barry Pimlott, (Allman) Emmie Poole, Brian Stroud, Barbara Walsh, Katie Warrington, Betty Wood, Barrie Wood, Michael Whyatt, Egerton G

< Back The Cemetary Club (sic) ˂ Previous Production Next Production ˃ 31 January 2000 to 5 February 2000 By: Ivan Menchal Directed By: Bill Clancy THE GOLDEN GIRLS - Ida, Lucille and Doris are - The Cemetary Club (sic). Every month they meet at Ida's to go and visit their respective husbands, graves. They gossip, bitch a little and prepare to become joint bridesmaids at a friend's umpteenth wedding and ... prepare for the future. A delightful comedy of romance. CAST Maureen Casket Leila Glancy Adele Singer Roger Metcalfe