Corrie!

World Amateur Premier

The first and most iconic TV soap began in December 1960. This play covers the period from that first episode and for 50 more years. Do you remember the legendary rows between Elsie Tanner and Ena Sharples, Hilda Ogden’s ‘murial’ and Gail’s many husbands? They are all here alongside the Ken, Deidre and Mike Baldwin affair and there is Alan Bradley’s demise under a Blackpool tram plus Richard Hillman’s fatal car crash into the canal.

Humour, excitement and tragedy are all part of this wonderful celebration of 50 years of Corrie!

CAST

Martin Oldfield
Janet Slade
Beverley Stuart-Cole
Val Watkinson
Adele Higson
Graham Simmonds
Charlie Gallagher
Ruth Metcalfe
Sam Evans
Laura Therese
Carmel Price
Andy Withers
Andrew Higson
James Merrington
Sarah Kirk
Kim Armston
Michael Gallagher
Josh Bluer
Lottie Warburton
Eddie Beasley
Natalie Hinchliffe
Adam Rogers

REVIEW by Nicky Lambert for North West End

Coronation Street is a national institution, set in the fictional area of Weatherfield in Salford – and if you don’t know that, then you must have been hiding under a rock (or a cobble) for the past 60 years. “Corrie” is a play featuring characters from 1960-2010. Written by Jonathan Harvey, himself a Coronation Street writer with over 200 episodes to his credit, it promises to be a celebration of the first 50 years, featuring many familiar and much loved characters. Tonight was the World Amateur Premiere and it was surprising and disappointing to see the very low attendance on opening night – at a rough estimate, I think were less than 60 people in tonight’s audience.  I wasn’t really sure what to expect and I have to say I found the premise quite odd to start off with. There is a narrator (Martin Oldfield) who also doubles as St Peter at the pearly gates and the opening scene is him debating with Blanche Hunt (Deirdre’s mother) whether she can get into heaven or not.  It was all a little surreal.  Elsie Tanner (Beverley Stuart-Cole) then appears under a street lamp and says a few words about the street itself, then the play begins in earnest and that most archetypal of stern, northern women, Ena Sharples (Val Watkinson – who also played Vera Duckworth absolutely superbly), makes her presence known in a scene from the very first episode of Coronation Street. The play is a compilation of vignettes really.   We are literally hurled down the cobbles as numerous iconic scenes are recreated, including the confrontation between Ken, Mike and Deirdre when Mike and Deirdre’s affair came to light and also the demise of Alan Bradley under a Blackpool tram! Some of the scenes worked very well and were absolutely hilarious but I do think this play will only hit the mark for those who have watched Coronation Street over the years and are familiar with the characters and storylines.   There is a lot of humour in some of the linking narrative and asides by the characters which will be lost on people who aren’t fans.   A lot of the interlinking humour relies on the audience already having knowledge of the storylines otherwise it probably wouldn’t make sense or be that funny on a standalone basis. As someone who watched Coronation Street through the 70s, 80s and 90s, I found the asides absolutely hilarious. A lot of the scenes crammed in potted versions of various storylines and the pace was sometimes frenzied and a little chaotic but once you realise this is how it’s going to be, you really get into it. By contrast, however, I found a couple of the scenes in Act 2 to be overlong and I was surprised they had been chosen over others.  Most of the actors played various roles tonight to great effect.   The nuances of the characters were, on the whole, captured perfectly.   Many of them were instantly recognisable even if they didn’t look like them. Beverley Stuart-Cole as Elsie Tanner and Bet Lynch caught the essence of these two man-eaters perfectly.   Her Elsie Tanner was particularly impressive and realistic. Andrew Higson’s Ken Barlow was eerily similar and as for Eddie Beasley’s Roy Cropper, well, he absolutely nailed the part, right down to the shopping bag which he never let out of his clutches!  I think my favourites, however, were Michael Gallagher as the sinister and homicidal pantomime baddie, Richard Hillman and also Charlie Gallagher as Hilda. Hilda had one of the best lines of all time and Charlie paid tribute to it superbly: after Stan has kissed her and asks “what’s that lipstick taste of?”, Hilda replies “woman, Stanley. Woman!” The set was imaginatively done using railway arches to great effect with the actors appearing out of them on sliding scenery and the infamous tram crash from December 2010 was recreated in such a way that it got the loudest laugh of the night but no spoilers here, you’ll have to go and see it! By the end we have gone full circle and are back with Blanche and St Peter to round it all off.  It might be grim up north but it’s also laugh-at-yourself hilarious at times and to sum up, I would say that this is a warm and affectionate tribute which doesn’t take itself seriously and is a wonderful trip down a cobbled memory lane. Star Rating: ★★★★

REVIEW by Rick Bowen for Stagestruck 

All your favourite soap characters are here in Jonathan Harvey’s love letter to Weaterfield, as are some of the story lines that helped turn the show into a much loved TV institution. While I’ve not watched the programme on a regular basis since I was a student – more years ago than I can remember – I really loved spending time with its lovable clown figures like Jack and Vera Duckworth (pictured being played here). It is fair to say that none of today’s characters have the same mystique as Elsie Tanner, who always looked so out of place on those world famous cobbles. It’s as if she’s just stepped out of one of those old black and white films they used to show on soggy Saturday afternoons when I was a kid. Harvey takes a largely lighthearted look at the famous plot lines but managed to add a dash of poignancy too, such as the scene in which we find Hilda Ogden mourning her late husband, Stan. Oh yes, the mural provides the backdrop of course. We also see Rita’s dodgy beau Alan Bradley meet his end when he’s hit by a tram in Blackpool. Guiding us through proceedings is Martin Oldfield. While some of the actors are more successful than others when it comes to capturing the mannerisms and look of the Coronation Street characters, I’m sure I’ve not the only one who relished an opportunity to escape the long running farce that is British politics at the moment.

By ‘eck, this is great fun. Star Rating: ★★★★

REVIEW by John Kristof for Number 9 reviews

‘A national institution’, northern soap opera Coronation Street approaches its celebration of 60 years on our TV screens; in our living rooms; in our lives; and in our hearts, and many characters have duly earned the title of ‘national treasure’. To mark the golden milestone of 50 years, back in 2010, long-standing scriptwriter for the show, Jonathan Harvey, penned Corrie!, the play looking back on a period of 2,000 thousand storylines, 37 births, 115 deaths, 86 marriages and countless iconic and memorable characters, emulating and mirroring normality and real life.

The comedic play, written as a string of scenes from the serial drama, premiered at The Lowry in Salford Quays in August 2010 and a musical of similar style followed, written by a co-writer, entitled ‘Street of Dreams’ – it opened for the only time at Manchester Arena for a surprisingly short run and was matched by an almost unheard album called ‘Rogues, Angels, Heroes & Fools’ which also featured iconic characters and scenes. Another institution is that of the arts, particularly theatre, and those within a society or company could indeed be local heroes and treasurers. That is true for one Altrincham Garrick Playhouse, who/which plays host to the play for its World Amateur Premiere!

With stalwarts of the theatre’s own society, newcomers and those who have performed there as members of both theatre itself and the various societies who have used it as a receiving house, the cast – doubling up on some parts – of 22 are brilliant at portraying a whole selection of characters, aided by wigs, accents and carefully matched mannerisms. It really is a joy to behold.

Directed by seasoned performer himself, Bill Platt, we are treated to narrator Martin Oldfield guiding us through the scenes, starting with the unforgettable “battleaxe”, Blanche Hunt (played by Janet Slade) at the pearly gates of Heaven, with Oldfield as St Peter. With reference to her renowned presence at the funerals of strangers, often for the free buffet, and attendance at the court trials of murderers, complete with a packed lunch, her portrayal is the first of many perfect replications of the originals. We also experience the reminiscence of {apologises for some of the missing pieces} Ena Sharples (Val Watkinson), Elsie Tanner (Beverley Stuart-Cole), Gail Potter/Tilsley/Platt/Hillman/etc. (Kim Armston), Brian Tilsley and Denis Tanner (Sam Evans), Sarah-Lou Platt (Lottie Warburton), Martin Platt (James Merrington), Ken Barlow (Andrew Higson) and Deidre Rashid/Barlow (Sarah Kirk), Valerie Barlow, Ray Langton (Jame Merrington), Raquel (Kim Armston), Mike Baldwin (Graham Simmonds), Audrey Roberts, Ivy Tilsley and Rita Littlewood/Tanner/Fairclough (Carmel Price), Len Fairclough (Andy Withers) and Alan Bradley/Richard Hillman (Michael Gallagher), Hilda Ogden (Charlie Gallagher) and Stan (Andy Withers), Jack and Vera Duckworth (Andy Withers and Val Watkinson), Minnie Caldwell (Graham Simmonds), Martha Longhurst (Adele Higson), Roy (Eddie Beasley) and Hayley Cropper, Hylda Baker, Annie Walker (Ruth Metcalfe), Peter Barlow (Sam Evans), Tracy Barlow, Steve McDonald (Adam Rogers) and one-time wife Karen and Shelley Unwin (both Beverley Stuart-Cole), florist Lucy (Laura Therese), Becky Grainger/McDonald (Kim Arnston), Eileen Grimshaw (Ruth Metcalfe) and sons Jason (Adam Rogers) and Todd (Charlie Gallagher), and even Fred Elliott and son Ashley Peacock, wife Maxine, Emily Bishop, Tony Gordon (Andy Withers), Carla and Michelle Connor, as well as the only reference to the John Stape/Colin Fishwick fraud saga, Gail’s many husbands and lovers – we forgot boat-sailing fraudster Joe – and Peter’s son Simon and his many love triangles, Tracy’s daughter Amy and her tricking Roy and Hayley into paying to look after her before admitting her biological father s Steve McDonald,
Hayley’s ‘coming out’ to Roy as transgender, the Sally-Kevin/Molly-Tyrone hoo-har, as well as Ken and canal boat/barge owner/writer, Martha. {Sorry I have omitted Josh Bluer and Laura Therese and the actress playing Hayley}

The clever use of the well-though out and constructed set for scene changes via rolling platforms through archways was slick and effective, contributing to the comedy at times. These depicted the famous living rooms, Blackpool (including tram), a Metrolink tram that derailed off the viaduct, the florist, corner shop and, of course, The Rovers Return, among other nostalgic event settings.