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Return to Productions Archive Garrick Production RELAXED PERFORMANCE of Goldilocks & The Three Bears A rip-ROARing Panto FUR all the Family! Ran Dec 13, 2025 Age guidance 3+ Venue Main House Running time Tickets Price Range £15 - £19 Description WHAT IS A RELAXED PERFORMANCE? If you are a parent, guardian, or work with people with learning or sensory disabilities – such as those on the autism spectrum – you’ll know how difficult it can sometimes be for them to attend regular theatre performances; loud noises, lighting effects and large crowds can make stage shows overwhelming. At Altrincham Garrick Playhouse, we believe that everyone should be able to experience the magic and wonder of live theatre, and our Relaxed Performance of Goldilocks and the Three Bears will provide the same fantastical Pantomime but with an atmosphere and attitude in the auditorium that makes everyone feel comfortable and safe. WHAT TO EXPECT FROM OUR RELAXED PERFORMANCE: At a Relaxed Performed, you are free to: - Come and go from the auditorium as you wish, even during the show - Express yourself as loudly as you like, or with physical movement, without judgement - Access the Theatre and auditorium early. You’ll also notice that we will reduce the sound and lighting to lessen sensory overload, and no pyrotechnics or loud bangs will appear in the performance. Reviews Stage Struck - Rick Bowen "...a cast who made it their mission to ensure the kids, even the big ones, left the theatre with a smile on their faces." Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Visiting Production Manford's Comedy Club (Friday 10th July 2026) Date range Tickets £13.50 Age guidance Over 18's Venue Main House Trigger warning Find out more Book now Running time TBC Group bookings Find out more Accessibility Find out more It’s Friday Comedy night with another hilarious Manford’s Comedy Club show! Featuring some of the funniest, award-winning comedians on the UK comedy circuit. Every show has a different line-up of four top comedians, all personally chosen by Jason Manford! DANNY MCLOUGHLIN: “His innate comic timing, insightful digressions and ability to think on his feet puts him alongside the most talented and genuinely funny comedians!” THREE WEEKS Danny has been hand picked to support a number of high profile acts on tour including Micky Flanagan, Sarah Millican, Tom Stade, Sean Lock, Paul Smith and Jason Manford. His TV credits include appearing on Al Murray’s One Night Stand (Dave) and the Premier League Show (BBC Two) and he also took to the radio waves to co-host one of Jason Manford’s Sunday morning shows for Absolute Radio. ROB ROUSE: “One of my favourite comics. A very silly and funny man” GREG DAVIES “Bursting with originality, energy and enthusiasm. Eye wateringly hilarious.” THE LIST One of comedy’s most lively, loveable and dynamic performers, Rob’s TV appearances include 8 Out of 10 Cats (Channel 4), Spoons (Channel 4), The Friday Night Project (Channel 4), Celebrity Juice (ITV2), Dave’s One Night Stand (Dave), John Bishop’s Only Joking (Sky) and Live at the Comedy Store (Comedy Central). PAUL TONKINSON: “Hilarious, nobody makes me laugh like Paul Tonkinson…go see him!” MICHAEL MCINTYRE A sensational live performer, Yorkshire man, marathon runner and double award-winning Time Out Comedian of the Year, Paul Tonkinson has long upheld his esteemed reputation as one of the finest stand-ups the UK has to offer. With a unique and distinctive style, Paul is known for his effervescent physicality and skillful impressions, his first class material combined with tremendous charm and infectious energy make for quite a formidable talent. On TV he has performed on Michael Mcintyre’s Comedy Roadshow (BBC 1) and Comedy Central’s The Comedy Store and The World Stands-up. He was a contestant on the hit show Celebrity Come Dine With Me (Ch 4) proving he’s not just a dazzling stand-up talent, but a whizz in the kitchen, scooping first place to win the cash prize for charity. Doors open 7pm. Show starts 8pm. Visiting Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Activities & Events Altrincham Garrick Play Reading Club Date range Tickets £7 Age guidance 16+ Venue Garrick Bar Trigger warning Find out more Book now Running time Refreshments from 12pm, Reading to commence 12.30pm. Approx 3 hours Group bookings Find out more Accessibility Find out more If you like theatre...no, if you love theatre, drama, comedy, musical theatre, play reading, poetry and much more and would relish the opportunity to meet new people, then 'Altrincham Garrick Play Reading Club' is for you. The event is all about relaxed, no pressure reading and the best way to read a play is to do it out loud, so join us and give it a go! The titles we will be enjoying will be as follows: 6th February - The Audience by Peter Morgan 6th March - Our Town by Thornton Wilder April - No Play Reading Easter Break 1st May - Girl on the Train by Duncan Able & Rachel Wagstaff 5th June - The Secret Lives of Henry and Alice by David Tristram 3rd July - Witness for the Prosecution by Agatha Christie August - No Play Reading Summer Break 4th September - The Importance of Being Earnest by Oscar Wilde 2nd October - The Laramie Project by Moises Kaufman 6th November - Blue Stockings by Jessica Swale 4th December - The Good Life by Jeremy Sams Activities & Events Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Return to Productions Archive Garrick Production The Audience Innovative, multi-award winning play by the acclaimed writer Peter Morgan Ran May 20, 2024 - May 25, 2024 Age guidance 10+ Venue Main House Running time 2.5 hours (inc. 20 mins interval) Tickets Price Range £10 - £16 Description “Every week the Queen of the United Kingdom has a private audience with her Prime Minister. It is not an obligation. It is a courtesy extended by the Prime Minister to bring her Majesty up to speed.” Spanning sixty years from the 1950s through to the 21st century, Peter Morgan’s The Audience vividly illustrates what might have happened between the late Queen Elizabeth II and her Prime Ministers behind closed doors during their weekly meetings. From young mother to grandmother, these private audiences chart the arc of the second Elizabethan Age. Politicians come and go through the revolving door of electoral politics, while Queen Elizabeth II remained constant, waiting to welcome her next Prime Minister. A creative mix of historical evidence, back room gossip and literary imaginings, this play is a witty, thought provoking and a highly entertaining piece of unmissable theatre. The Audience has received sell out runs in both London and on Broadway. Altrincham Garrick Playhouse are thrilled to present this multi-award winning play by the acclaimed writer Peter Morgan (“The Queen ” and Netflix’s “The Crown ”). Reviews Rick Bowen from Stagestruck describes 'The Audience' as "Stunning" Read the full review here: https://www.stagestruck.info/blog/2024/5/21/the-audience-altrincham-garrick Paul Wilcox from North West End UK describes 'The Audience' as a “…sumptuous and informative production sprinkled with excellent performances.” Read the full review here: https://northwestend.com/the-audience-altrincham-garrick-playhouse/?fbclid=IwZXh0bgNhZW0CMTEAAR2cYFmwDQs-aTXoHNexgWObyHa--NTlh_9jxNxKTwqojj3E3dYB0zrUy0M_aem_AXSz5EBZdHoPxBRAcxAtoVQLNMt27Csig-zOgZDaWqi9m2U_J7MXr6O-GuEzakcIpbx2prUkQ7YQFQq3SQacV88b Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Productions The Joan Danvers Ran Jan 1, 1930 - Jan 1, 1930 Age guidance Venue Running time Tickets Price Range Description Davies, Dorothy Evans, Gwynn Landon, W Eric Martin, Rita Mendelsohn, Maurice T Simmonds, Kathleen Wilkinson, John Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Previous Next Jan Maddox Jan had been associated with the Garrick all her life, mainly supporting events on the social side of things at the theatre. She was often seen selling Christmas Draw tickets or serving up hot food at the many after-show parties over the years. Jan's maiden name was Byrom - she was part of the family that played such an important part in the formation of the Society and (in time) the theatre itself. All the meetings and rehearsals in the early days took place in her Great Grandfather's premises, known as Byrom's Buildings on Kingsway in Altrincham. Jan's Grandfather was a founder member and remained involved throughout his life and, naturally, introduced her to the theatre. Jan is sadly missed by all her many friends and family, and particularly so by all of at the Garrick. Back to In Memoriam page

Return to Productions Archive Garrick Production RELAXED PERFORMANCE of The Curious Incident of the Dog in the Night-Time RELAXED PERFORMANCE - A touching and bleakly humorous tale, performed by The Garrick Ensemble Ran Feb 9, 2025 Age guidance 12+ Venue Main House Running time TBC Tickets Price Range £10.50 - £12.50 Description Christopher, fifteen years old, stands beside Mrs Shears’ dead dog. It has been speared with a garden fork, it is seven minutes after midnight, and Christopher is under suspicion. He records each fact in the book he is writing to solve the mystery of who murdered Wellington. He has an extraordinary brain and is exceptional at maths, but he is ill-equipped to interpret everyday life. He has never ventured alone beyond the end of his road, he detests being touched, and he distrusts strangers. But Christopher’s detective work, forbidden by his father, takes him on a frightening journey that turns his world upside-down. Simon Stephens’ adaptation of Mark Haddon’s bestselling, award-winning novel, The Curious Incident of the Dog in the Night-Time offers a richly theatrical exploration of this touching and bleakly humorous tale. Age: 12 + Warning: This production contains themes and depictions that may be distressing to some audience members, including descriptions of physical and emotional abuse, discussions of mental health and disability, and strong language. The production also features loud noises and some moments of sensory intensity, reflecting the content of the novel and autistic experience. These will be heavily toned down or removed for the Relaxed Performance. WHAT IS A RELAXED PERFORMANCE? If you are a parent, guardian, or work with people with learning or sensory disabilities – such as those on the autism spectrum – you’ll know how difficult it can sometimes be for them to attend regular theatre performances; loud noises, lighting effects and large crowds can make stage shows overwhelming. At Altrincham Garrick Playhouse, we believe that everyone should be able to experience the magic and wonder of live theatre, and so we are proud to be producing a Relaxed Performance for THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME which will deliver the same theatrical experience but with an atmosphere and attitude in the auditorium that makes everyone feel comfortable and safe. Relaxed Performances are open to anyone who would benefit from a more relaxed performance environment. This may include children, young people and adults with neurodivergence such as autism, learning disabilities and other sensory or communication needs. WHAT TO EXPECT FROM OUR RELAXED PERFORMANCE: A number of adaptations will be made to the show to ensure a comfortable and enjoyable environment for everyone. These include: - Come and go from the auditorium as you wish, even during the show. - Express yourself as loudly as you like, or with physical movement, without judgement. - Access the Theatre and auditorium early. - Extra Staff on hand to support audiences during their time with us. - A quiet breakout space available before, during and after the performance. - Changes to the production’s lighting and sound including reducing the sound levels and removing any lighting that could be overpowering to lessen sensory overload. There’ll be no loud bangs during the performance. - Auditorium lighting will remain on throughout the performance. - Elements of surprise will be reduced. Altrincham Garrick Playhouse are proud to be supporting I AM with this production. At I AM , we’re dedicated to supporting autistic individuals to thrive, connect, and achieve their full potential. Based in the heart of Manchester, we provide tailored programmes, inclusive activities, and vital resources that empower autistic children, young people, and adults, as well as their families. Together, we’re building a more understanding and inclusive community - because every voice matters. For more information visit: https://i-am-autism.org.uk Reviews Gallery Trailer Trigger Warning Age: 12 + Warning: This production contains themes and depictions that may be distressing to some audience members, including descriptions of physical and emotional abuse, discussions of mental health and disability, and strong language. The production also features loud noises and some moments of sensory intensity, reflecting the content of the novel and autistic experience. These will be heavily toned down or removed for the Relaxed Performance. Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Previous Next Peter Jackson Peter was Head of Workshop throughout the 1990s and 2000s. Apprenticed for 7 years from the age of 14, he became a Master Joiner working in the domestic and commercial fields. After joining the Garrick, he worked on over 400 mainstage and studio shows building and helping to design sets and making props plus working, and collaborating, with stage crew, designers and directors. He was much appreciated by all of them for his expert knowledge. He also was involved with helping to put on the one-night shows performed by visiting professional acts. Outside the Garrick, he took a keen interest in country sports and activities. Back to In Memoriam page

Previous Next Janet Slade Janet joined the Garrick in 1986. She appeared in over 70 plays on the Mainstage, in the Studio and at the Edinburgh Fringe. She was a primary school teacher who, for 14 very successful years, became heavily involved in gymnastics, primarily as a choreographer to international level. Her first protégé, Kathy Williams MBE, competed at the Los Angeles Olympics in 1984. After she retired from the sport, and because she had studied Drama and Dance at Didsbury College, it was natural that she should try her hand at acting. Following a successful Garrick audition, she very quickly showed her versatility by being cast in 4 productions in her first season including as 15-year-old Ruby in 'When we are Married' and as 60-year-old Aunt Edie in 'Sailor Beware'. Known as a director's dream, with immaculate comic timing, she was cast in many comedies and farces, and she used to say that one of her greatest thrills on stage was delivering a laugh line and then waiting a split second to hear the audience explode with laughter. A GMDF and NODA award winning actress, she was also heavily involved off-stage, prompting many productions, serving pints behind the bar, choreographing several musicals, and serving on the Play Selection and Casting Committee. One theatre critic wrote 'Janet Slade might be small in stature but she absolutely fills the stage'. Audiences agreed. Back to In Memoriam page

Previous Next Val Watkinson Val was a highly valued member of the Garrick, having joined in 1991. She was multi-talented and became involved in every branch of theatre production : actress, director, technical assistant (sound and lights), stage manager, deputy stage manager, ASM, prompt, and producer - as well as being one of the longest-serving members of the Play Selection and Casting Committee. Val was also well known as the Garrick trouble-shooter, solving issues as and when they arose. Most notably, she stepped in at the last moment to direct Aladdin, following the very sad, very sudden death of Terry Chandler in 2013. Val appeared in many plays at the Garrick, including The Pocket Dream , There Goes the Bride , one of the three witches in Macbeth , An Ideal Husband , Fur Coat and No Knickers , and Love on the Dole. Most memorably, she played Vera Duckworth and Ena Sharples in Corrie (her last performance on stage). Her credits as director and assistant director are impressive, and include Private Lives , Return to the Forbidden Planet (three times !), Amadeus , The Sunshine Boys , Hindle Wakes , Catherine Howard and Snow White . After 2012, she was either Assistant Director or Deputy Stage Manager for some of the biggest Garrick musicals and Pantomimes (first with Adam Whittle and then Joe Meighan) such as Acorn Antiques , Grease , Cats , Priscilla, Queen of the Desert , The Little Mermaid , Peter Pan , Chitty Chitty Bang Bang , Aladdin , Dick Whittington , and The Wizard of Oz . Val was also very well known in amateur dramatic circles and was associated with CHADS, Tyldesley Little Theatre, the Wilmslow Guild and especially the Wilmslow Green Room. Every summer between 1991 and 2007, she was involved in the Green Room's productions at Gawsworth Hall, as an actress and, most importantly, back stage working as stage manager or sound or lighting technician. Back to In Memoriam page

Return to Productions Archive Garrick Productions Simon and Laura Ran Jan 1, 1957 - Jan 1, 1957 Age guidance Venue Running time Tickets Price Range Description Bradshaw, Ernest Caldwell, Pamela Downs, James Dunn, Elizabeth Greir, Alma Grimshaw, Harol Harris, Frank Pratt, Graham Ellis Sykes, Constance D Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

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Previous Next Greta Donahue Greta was a true Garrick all-rounder, undertaking numerous roles from the 1960s onwards into the 90s. She first performed on the Garrick stage in The Marriage Go Round in 1967 and followed that, shortly afterwards in the same year, by directing When We Are Married . In the 1970s, she acted in Oliver , The Wizard of Oz , and as Maria Helliwell in When We Are Married , as well as many others. She continued directing plays, such as A Curious Savage , ...and a Little Love Besides , and A Woman of No Importance . She also worked in the Wardrobe, acted as an occasional ASM, and choreographed the STAGE 2 production of Godspell . However, Greta's best-known role was as the Director of the Drama School (the precursor to GAPA) throughout the 1980s into the 90s. She produced Senior Drama School shows such as Free as Air in 1989 and Our Day Out by Willy Russell in 1990. When she retired from the Drama School, she was made a worthy Honorary Life Member for all her many contributions to the life of the theatre. Back to In Memoriam page

Previous Next Mike Stocks Mike was a talented set designer, with many of his sets gracing the stage between the 1980s and the early 2000s. Mike spent most of his working life in the profession, designing and working on sets for theatre and TV. He worked in the design department at Granada TV on such classics as Brideshead Revisited until his retirement. Happily for the Garrick, he spent his latter years volunteering. Mike had a great sense of humour and a very quick wit. Having run his own dance band after the war, he was no mean performer on the drums ... as Garrickers often witnessed at the Christmas Draw. Back to In Memoriam page

The Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. About Us Find Us and Get In Touch Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. Find Us Altrincham Garrick Playhouse Barrington Road Altrincham WA14 1HZ By Public Transport The Garrick is about 800m (a 10-minute stroll) from each of the following stations, served by both Northern trains and Manchester Metrolink trams: Altrincham Interchange Navigation Road Barrington Road is a major bus route, and there are bus stops on both sides of the road very close to the theatre. Parking at the Garrick We have a reasonably-sized car park, which offers free parking including spaces reserved for disabled parking. You are advised that this can quickly become full for the most popular performances – filling up sometimes half an hour before a show begins. Alternatively, there are numerous opportunities for parking on residential side streets within a couple of minutes’ walking distance. Parking there can also sometimes be limited and again you are advised to come as early as possible if you want to park particularly close to the theatre. Please park considerately, avoiding blocking any access for our local residents – thank you. Don’t forget: our bar is normally open at least 45 minutes before each performance, so our advice is: arrive early, park early, and relax in our cosy bar before the show ! Contact Us Call: 0161 928 1677 Mon – Fri 11am – 4pm & 6pm – 8.30pm Sat 9am – 12pm Email: boxoffice@altrinchamgarrick.co.uk Join our mailing list Subscribe

Return to Productions Archive Garrick Productions Matingold Ran Jan 1, 1949 - Jan 1, 1949 Age guidance Venue Running time Tickets Price Range Description Billcliff, Arthur Bramwell, Madge Carter, Harold Greenhalgh, Eunice Kamberian, Tahouhi Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Activities & Events Musical Theatre Adult Dance Classes - Taster Session Date range Tickets £10 Age guidance 18+ Venue Annexe Trigger warning Find out more Book now Running time 1 hour Group bookings Find out more Accessibility Find out more Get Ready to Move, Dance and Have Fun at the Altrincham Garrick Playhouse! Introducing our brand new Musical Theatre Dance Classes. Perfect for anyone aged 18+ who wants to learn, improve, or simply enjoy the joy of dance. Classes start Tuesday 17th February with our taster class, followed by a six-week block running 23rd February – 31st March. First week just £10. Thereafter a block of six classes is £60. Spaces are limited, so secure your place now! Musical Theatre Adult Dance Classes: Musical Movement: 5pm – 6pm Perfect for the older generation or anyone who wants to move with no experience necessary. Gentle, fun, and social, this class encourages you to try a new hobby, make friends, or return to dancing after a break. No audition, no pressure, all abilities welcome. Why not come and have a cuppa and a chat afterwards in the Garrick bar? Beginners: 6:30pm – 7:30pm Learn to dance in a relaxed, no-pressure environment alongside like-minded individuals. Discover a new skill, gain confidence, and most importantly – have fun! Intermediate / Advanced: 7:45pm – 8:45pm For those with some experience looking to refine technique, brush up skills for an audition and enjoy more challenging routines. Classes led by Louise Pettitt Louise trained at the Northern School of Contemporary Dance, graduating with a degree in dance and the performing arts. She holds a Master’s Degree in Creative Practice and Education and a Post Graduate Certificate in Education. Her professional theatre credits include Cats (UK, Italy, Portugal Tours), Beauty and the Beast understudy Belle (UK Tour), Starlight Express understudy Pearl (Bochum, Germany), Verve (UK Tour), Aura Dance Company (UK), and Cinemagique (Costa Cruises). Television and recording credits include Casualty 1909 (BBC), Nightmare in Suburbia (Nine Lives Media), Holland’s Meat Pies Commercial (MTP), and Starlight Express New Songs (Universal Music). Louise has choreographed numerous shows and musicals for leading vocational dance and performing arts colleges, including Move it , Sadler’s Wells Making Moves , Rambert Elements , Chicago (Waterside Arts), A Chorus Line , Guys and Dolls , The Phantom of the Opera , and Scrooge! The Musical . She has held prestigious roles as a Senior Lecturer and Programme Leader at leading Higher Education institutions. Her choreography for Altrincham Garrick Playhouse includes A Chorus Line , Beautiful , Merrily We Roll Along , Chitty Chitty Bang Bang , The Sound of Music , and Priscilla Queen of the Desert . Whether you’re taking your first dance steps or looking to brush up your skills, there’s a place for you at the Altrincham Garrick Playhouse Musical Theatre Dance Classes . Come move, dance, and discover your rhythm ! Activities & Events Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Visiting Production Dinosaur Adventure Live Presents The Big Jurassic Storm Date range Tickets £17 - £20 Age guidance Fun for all the family. No age limit but at parental/guardian discretion for little ones who might get scared easily. Aimed at parents of 4 - 8 year olds but lot’s of ages attend the show. Venue Main House Trigger warning Find out more Book now Running time 1 hour Group bookings Find out more Accessibility Find out more Are you ready for a BRAND NEW ADVENTURE with DINOSAUR ADVENTURE LIVE?! When a satellite tasked with controlling the island's weather systems malfunctions, chaos erupts. The island's tropical climate spirals leading to one big JURASSIC STORM. If not stopped, it will erase all existence of the island… forever! The mission: find the code hidden deep within the island, reboot the satellite and save the Dinosaurs before it's too late. The adventure of a lifetime awaits… bring the family on a T-REX-IFFIC journey with our BRAND NEW dinosaurs, meet their ROAR-SOME babies and help the rangers save the Island. Are you brave enough to face the Jurassic Storm! Visiting Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Return to Productions Archive Garrick Productions Alice Thomas and Jane Ran Jan 1, 1936 - Jan 1, 1936 Age guidance Venue Running time Tickets Price Range Description Agar, Marie Alexander, Tom Billcliff, Lillian Brierley, Norman Brown, Sydney A Davenport, Alfred Fletcher, Joan Godby, Jack Gooby, Roy Hall, Irene Hall, Margaret Hughes, Geoffrey Justice, Margery King, Diana M King, John G King, M Inez Landon, Graham Litherland, Cyril L Matthews, Walter R Osborne, Edgar Pennington, Muriel Pennington, Wyn Ross, Jean Rourke, Norah J Wilson, Kathleen Willan, John P Willan, Robert M Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production The Will and The Way Ran Jan 1, 1920 - Jan 1, 1920 Age guidance Venue Running time Tickets Price Range Description By Walter R Matthews CAST Gorman, Dora Gorman, Philip?Norris Hough, B G Llewellyn, Helen M Lowe, Edgar M Matthews, Marion Thwaite Nixon, Walter S Owen, Gwen Winn, Rex Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Previous Next Val Bacon Val Bacon was a regular performer with a number of local dramatic societies, including Urmston Musical Theatre, Sale Nomads, Edge Fold Players, All Saints and Salford Operatic. In her later years she concentrated all her attention to the Garrick, and was an acting member for over a decade from the late 1990s. Val also worked as an ASM, and helped out Front of House. Val's TV credits include Coronation Street , Emmerdale and Linda Green (with Lisa Tarbuck). She also appeared in television advertisements (for example Hotter Shoes and Sheerings Holidays. Back to In Memoriam page

Visiting Production K-POP PARTY Date range Tickets £17 (Family of 4 group discount price) - £18 Age guidance N/A Venue Main House Trigger warning Find out more Book now Running time TBC Group bookings Find out more Accessibility Find out more The Non-Stop K-POP Concert Experience! 🎤 Get ready to sing, dance, and party like never before with K-POP PARTY – the ultimate live celebration of Korea’s global music phenomenon! Featuring the BIGGEST hits and fan-favourite tracks from the smash-hit film K-POP DEMON HUNTERS 🗡️🩸💫 , this high-energy, family-friendly show is packed with electrifying performances, iconic choreography, and non-stop music from your favourite idols. With songs from BLACKPINK, AESPA, BTS, TWICE, NEW JEANS, STRAY KIDS and more, this party show is for all ages whether you’re a hardcore fan or brand new to the K-Pop wave. ✨ The stage is set. It's time to shine like you’re born to be. Make the Honmoon Golden at the K-POP PARTY! 💫 Visiting Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Garrick Production Come From Away Date range Tickets £19 - £24 Age guidance Recommended: 10 + Venue Main House Trigger warning Find out more Book now Running time 1 Hour and 45 Minutes, with no interval Group bookings Find out more Accessibility Find out more 7,000 Stranded Passengers. One Small Town. A Remarkable True Story. This smash hit show shares the incredible real-life story of the 7,000 air passengers from all over the world who were grounded in Canada during the wake of 9/11, and the small Newfoundland community that invited these ‘come from aways’ into their lives with open hearts. Experience this joyous story and soaring music as spirited locals and global passengers come together to forge friendships that will stay with them forever. The first female American Airlines captain, the quick-thinking town mayor, the mother of a New York firefighter and the eager local news reporter are among the many real characters caught at the start of the moment that changed the course of history and whose stories became a true celebration of hope, humanity and unity. Winner of four Olivier Awards including Best New Musical and the Tony Award for Best Direction of a Musical on Broadway, now experience this new production at Altrincham Garrick Playhouse, 25 Years on from the events of 9/11. Directed by Joseph Meighan. Performance Schedule: Thursday 10th September - 8pm Friday 11th September - 8pm Saturday 12th September - 3pm Saturday 12th September - 8pm Sunday 13th September - 4pm Wednesday 16th September - 8pm Thursday 17th September - 8pm Friday 18th September - 8pm Saturday 19th September - 3pm Saturday 19th September - 8pm Garrick Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Return to Productions Archive Lauriston Studio Betrayal Ran May 23, 2016 - May 28, 2016 Age guidance Venue Running time Tickets Price Range Description Perhaps the greatest and most moving of all Pinter's plays. It concerns the devious workings of the human heart, love, guilt and passion. It begins with the embers of an adulterous relationship and traces the train of events through the previous years - the betrayal between wife and husband, mistress and lover and even between the rival men. The sweaty panic of the adulterer mixes thrillingly with the barely contained emotional violence of the situation. The play was famously based on Pinter's own affair with Joan Bakewell and has been constantly revived since its first production in 1978. Cast Emma - Jacqui Wheble Jerry - Malcolm Cooper Robert - Paul Wilson Waiter - Leon McKenna Reviews **** Review by Rick Bowen - Stagestruck YOU never feel totally comfortable watching a Harold Pinter play. The characters teeter on the brink of unpredictability, formula driven the work of this bespectacled genius most definitely isn’t. Leave your comfort zone at the theatre door, please. Jerry and Emma meet for a catch up at a pub and it soon becomes apparent they have a past, even if they keep a tight rein on their emotions. It could be two former work colleagues having a catch up, but it isn’t. The play takes us back in time nine years and we see far more passion then, with Jerry behaving like an infatuated schoolboy towards Emma, worshipping her like a goddess. While the pace of Betrayal is positively forensic at times, it is an engrossing, intriguing and grown up piece of theatre featuring some fabulous, witty and insightful lines from a master playwright. I’ve always been attracted to the work of artists who refuse to bow to convention and it goes without saying Pinter was a true enigma. For me, this is Jacqueline Wheble’s best performance to date at the Garrick, breezing across the stage with supreme confidence as Emma. She and Malcolm Cooper, who plays Jerry are really good together and very, very believable. Paul Wilson, an actor I rate very highly, gives his reputation yet another major boost as Emma’s hubby, Robert. This is a major achievement for all concerned, including the production’s director, Richard Sails. * Until May 28. The box office is on 0161 928 1677. Star rating – **** *** Review by Julia Taylor THE Lauriston Studio at Altrincham Garrick present the Harold Pinter classic, Betrayal, for their last play of the season. It is aptly named for it illustrates three kinds of betrayal. That of husband and wife, lover and mistress and two best friends and there are interesting duologues between each of these pairs. Pinter craftily makes the action begin two years after the end of an affair and takes us gradually backwards to its titillating start seven years beforehand. A screen with dates establishes the chronological order. An excellent twosome scene takes place in 1973 when Jacqui Wheble's Emma confesses to her husband, Robert (Paul Wilson) that she has been having an affair with his best friend Jerry (Malcolm Cooper) since 1968. Jacqui and Paul are real life partners which might have helped this difficult scene to run smoothly. It is not until that point that Robert, an adulterer himself, has any idea that his wife spends passionate afternoons with Jerry, The men remain disturbingly close despite the affair. The cast interact well and show mastery of the Pinter pause but the pace is just a fraction slow. Jacqui's Emma masters the work/home balance, yet remains attractive to men. After Jerry falls for her you can feel their sexual chemistry and yet, at times they seem set in their ways. Malcolm Cooper's facial expressions are telling as he indicates Jerry's fear of being found out. Until Saturday, May 28 For tickets, telephone 0161 928 1677 or book online at altrinchamgarrick.co.uk. Star rating:? * * * Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Wheelchair spaces are available in the Auditorium and there is a toilet and a lift for disabled patrons. We do require advanced booking for Wheelchair spaces and please tell our Box Office if you have any special requirements when booking. There is also a loop system for patrons. About Us Booking and Access Information Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. Booking Fees There is £2.50 transaction fee for each individual payment made by telephone or online. Refunds or Exchanges The Box Office will try to re-sell unused tickets subject to a £1 per ticket exchange fee, on the understanding that the sale of the Garrick’s own available seats takes priority. Concessions This include, Adults 60+, Students (Student Card required), Unemployed, NHS and Fire Service (last three – ON PRESENTATION OF RELEVANT PROOF) Disabled Facilities There are 2 disabled parking spaces to the left of the Playhouse entrance, 1 to the right and 2 directly in front of the Foyer, plus additional spaces outside our Studio Theatre. Please display permits at all times and only use these spaces if you have a current permit. Wheelchair spaces are available in the Auditorium and there is a toilet and a lift for disabled patrons. The main auditorium can accommodate 4 wheelchairs and the Studio 1 wheelchair. We do require advanced booking for Wheelchair spaces and please tell our Box Office if you have any special requirements when booking. There is also a loop system for patrons. Join our mailing list Subscribe

Previous Next Liam Sammon Liam was a well-known local estate agent. He joined the Garrick in the early 1990s and was already an established leading man on the local amateur operatic circuit. He took part in many musicals including one of the Garrick's smash hit productions of La Cage Aux Folles as George, the night club owner. He also often appeared on-stage with Christine Adams , who later became his wife : a true Garrick romance. Back to In Memoriam page

Previous Next Paula Hall (née Tilbrook) Paula Tilbrook married husband, Les Hall, in Altrincham in 1952 and they both joined the Garrick in the 1960s, with Les in the Sound Box and Paula on stage. Her first Garrick appearances were in 1963 in The Hostage by Brendan Behan, and as Maggie in When We Are Married . Throughout the 1960s, she appeared in numerous productions such as Spring and Port Wine and another production of When We Are Married (this time as Clara Soppitt). She was also a regular ASM backstage and an occasional director. In addition, she played a full part in the social life of the Garrick, her final appearance being in an Old Time Music Hall, when she performed, as a guest, in the Bar in 1976. When she turned professional in 1969 as Paula Tilbrook, she became a household name, appearing first in The Dustbinmen, then in Last of the Summer Wine , Open All Hours , and Coronation Street. Her most famous role, from was as Betty Eagleton in Emmerdale , a part she played from 1994 for 21 years. Back to In Memoriam page

Return to Productions Archive Garrick Production Calendar Girls - The Musical A New Musical By Gary Barlow and Tim Firth Ran Jun 20, 2022 - Jun 25, 2022 Age guidance Venue Running time Tickets Price Range Description By Gary Barlow and Tim Firth Directed by Joseph Meighan Musical Direction by Mark Goggins “To unexplored horizons in the mind and new coastlines in the heart…” The death of a much loved husband prompts a group of ordinary women in a small Yorkshire Women’s Institute to do an extraordinary thing. Blasting away all preconceptions of what it is to be in a women’s institute, they decide to do an artistic nude calendar to raise money for charity. Upturning preconceptions is a dangerous business and none of them expect the emotional and personal ramifications, but gradually the making of the fabulous and funny calendar brings each woman unexpectedly into flower. The true story of the Calendar Girls launched a global phenomenon, a million copycat calendars, a record breaking movie, stage play and now a musical written by Tim Firth and Gary Barlow which coined the term “craughing” – the act of crying and laughing at the same time. With unforgettable songs, every performance continues to add to the millions already raised for charity and also prove that there is no such thing as an ordinary woman. Reviews Rick Bowen - StageStruck - 5 Star Review If you thought the WI was all jam and Jerusalem, Calendar Girls – The Musical is sure to shatter that particular misconception. The production, currently playing at Altrincham Garrick, also provides a much needed antidote to these gloomy times. Even Victor Meldrew’s grumpier twin brother would enjoy this. If he had one of course. When one of their group loses a husband to cancer, her best friend and fellow WI member comes up with an idea to raise funds for research into this appalling illness and it’s a fundraising idea that can be summed up in one word – unique. She persuades the women, many of whom are embarrassed by the bodies, to pose for a nude calendar. But it’s all done in the best possible taste, to pinch a catchphrase from the late, great comedy genius Kenny Everett. There’s nothing seedy about this show at all. It’s an uplifting tale of love, friendship and the most unlikely camaraderie. All of human life can be found at the WI. Created by Take That ’s Gary Barlow and Tim Firth, it’s also about women of a certain age re-discovering their sex appeal. You don’t have to be a stick insect to be sexy. Musically, the score is a mixed bag, with the best numbers saved for the second half. But the acting here is exemplary and you the audience member, will find warming to the characters requires very little effort. You’ll want to live in the picture postcard Yorkshire Dales among warm and friendly people like this and experience at first hand the extra dry wit for which the inhabitants of this fabulous county are famous. By far the best performances come from Sarah Kirk as Annie, grieving the death of her husband John and Dawn Flint as her friend of 40 years, Chris. You’ll laugh and cry with them and feel like you’re watching two real pals, so engaging they are together. But I also like Charlie Tomlinson as Chris’s husband Rod and it’s impossible not to warm to Adam Byrne’s Danny, drawn to the rebellious new girl at his school. Celia Bonner is quite brilliant as the retired schoolteacher Jessie, putting people in their place with classic put downs. It somehow feels wrong to single out individual performances as all the actors excel here, even those with relatively small parts. A tribute then, to director Joseph Meighan and musical director Mark Goggins who ensure the exciting season at the Garrick ends on a spectacular high. You couldn’t make it up is the only way to describe the true story that inspired Barlow and Firth’s show. Trafford has a long and proud tradition when it comes to producing top quality musicals and this raises the bar even higher. Not to be missed. Tickets are available from 0161 928 1677 or www.altrinchamgarrick.co.uk . Star rating ***** Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Terms and Conditions for the Sale of Tickets at the Garrick Terms and Conditions T&C’s for Sale of Tickets GDPR Privacy Policy Health and Safety Policy Child Protection Policy Terms and Conditions for the Sale of Tickets The customer’s attention is particularly drawn to the provisions of Clause 2 (basis of contract). Table of Contents Interpretation Basis of contract Tickets & Entry Terms of Admittance Cancellation Delivery Consents and Prohibitions Liability Data Protection Third Parties Governing Law Jurisdiction 1 Interpretation 1.1 Definitions: “Conditions ” Means the conditions for the purchase of Tickets made between a Customer and The Theatre “Customer ” The person or firm who purchases a Ticket from The Theatre “Event ” Means any entertainment event or performance occurring at the Venue in respect of which Tickets are sold “The Theatre ” Altrincham Garrick Playhouse Limited,Barrington Road, Altrincham, Cheshire, WA15 1HZ “Promoter ” Means the entity which is staging/producing the Event. “Staff ” Employees and volunteers of The Theatre “Tickets ” Means any item which confirms the right to attend the Event “Venue ” Altrincham Garrick Playhouse Limited, Barrington Road, Altrincham, Cheshire, WA15 1HZ 1.2 Interpretation: 1.2.1 A reference to a statute or statutory provision is a reference to it as amended or re-enacted. A reference to a statute or statutory provision includes any subordinate legislation made under that statute or statutory provision, as amended or re-enacted. 1.2.2 Any phrase introduced by the terms including, include, in particular or any similar expression, shall be construed as illustrative and shall not limit the sense of the words preceding those terms. 1.2.3 A reference to writing or written includes email. 2 Basis of contract 2.1 All Tickets are sold subject to availability and these Conditions. 2.2 The order constitutes an offer by the Customer to purchase a Ticket in accordance with these Conditions. 2.3 The order shall be deemed as accepted upon purchase of a Ticket. As such the Customer should read these Conditions prior to purchase. 2.4 These Conditions apply to the contract to the exclusion of any other terms that the Customer seeks to impose or incorporate, or which are implied by trade, custom, practice or course of dealing. 2.5 Customers may purchase tickets online at https://www.altrinchamgarrick.co.uk . Completion of the booking process shall constitute an offer to purchase the Tickets subject to these Terms and Conditions. Acceptance of this offer will only take place once a Booking Confirmation has been sent to the registered email address, not when the credit/debit card is charged. 2.6 If a Customer makes a group booking they accept these Terms and Conditions on behalf of all members of the group and are responsible for any payment which may be due as a result of any member of the group’s actions. 3 Tickets & Entry 3.1 The price of Tickets is specified on The Theatre website at https://www.altrinchamgarrick.co.uk . 3.2.1 Tickets may be subject to change and the Venue reserves the right to change the price of Tickets and/or introduce discounts / special offers which cannot be retrospectively applied to Tickets already purchased. 3.2.2 All discounts/promotional offers are offered subject to availability and therefore Tickets may not be available at all advertised prices at all times. 3.2.3 Concession/discounted Ticket prices must be applied for at the time of purchase and cannot be applied to Tickets already purchased. Proof of entitlement to a concession/discount/promotional offer may be requested from the Customer at the time of booking and/or when they attend the Event. Failure to produce reasonable proof of entitlement to a concession/discount may invalidate the Ticket and result in refusal of admittance or ejection from the Venue. 3.3 All Customers must produce a valid Ticket for the event in order to gain entry to the Venue. All valid tickets must be retained by the Customer for the duration of the event and made available for inspection on request by a member of Staff. Inability to produce a valid ticket may lead to expulsion from the venue. 4 a. 3.4 It is the Customer’s responsibility to contact The Theatre if a Ticket is lost, damaged or destroyed. Duplicate Tickets may be issued at the discretion of The Theatre (on the evening of the performance only). In such instances photographic identification and proof of address may be requested. 3.5 The Customer is responsible for ensuring that the information on their Ticket is correct. Customers are encouraged to bring any error to the attention of The Theatre as soon as possible. 3.6 The Theatre will use reasonable endeavours to contact Customers if an Event is cancelled/postponed. It is the Customer’s responsibility to check for changes to the Event prior to attending. 3.7 All children regardless of age require a Ticket. 4 Terms of Admittance 4.1 The Theatre reserves the right to refuse admission to a Customer or to eject them from the Venue at any point during an event if in The Theatre’s reasonable opinion a Customer’s behaviour is not suitable for the Event. No Ticket refunds will be available is such instances. Such behaviour includes, but is not limited to, a Customer: 4.1.1 acting in an aggressive manner; 4.1.2 being abusive to, or compromising the safety of any member of Staff, Promoters’ representatives, performer or other Customer; 4.1.3 distracting other Customers from enjoying the Event. 4.1.4 being under the influence of alcohol or drugs; 4.1.5 any breach of these Conditions or statutory law. 4.2 Customers are not allowed to smoke or use e-cigarettes at the Venue. 4.3 Whist reasonable efforts shall be made by The Theatre to give warnings to Customers regarding special effects it is the responsibility of each individual to seek further information or medical advice. 4.4 Mobile phones and any other electronic equipment (e.g. cameras) must be switched off during the Event and no unauthorised recording equipment is allowed in the Venue. Any unauthorised recordings or photographs may be confiscated and destroyed. Neither The Theatre nor the Promoter will be responsible for any loss sustained. 5 Cancellation 5.1 No refunds are available unless the Event is cancelled, postponed or if the Event is materially changed. A material change in the context of these Conditions is a change which, in The Theatre’s reasonable opinion, makes the Event materially different from that booked by a Customer. A cast change, use of understudies and alteration of running time are not considered a material change. 5.2 Exchanges are only permitted at the discretion of the theatre manager and due to exceptional circumstances. If so agreed, the exchange must be for the same event and no later than 5 days before the performance takes place. Exchanges are subject to a £1.00 per ticket administration charge. 5.3 If an Event is cancelled Customers will be refunded the face value of the Ticket. The Theatre will endeavour to refund any monies by the same means as it was received. 5.4 If an Event is postponed or rescheduled the Customer will be offered alternative Tickets. If the alternative Ticket is cheaper the Customer shall be reimbursed the difference. Conversely, if the alternative Ticket is more expensive the Customer shall pay the difference. If the Customer does not wish to take up the offer of an alternative Ticket then they shall be refunded the face value of the Ticket for the cancelled Event. 6 Delivery 6.1 If a Customer chooses to receive their Ticket by post or via the print-at-home facility then it is their responsibility to contact The Theatre if no ticket is received within 7 days of booking. If The Theatre is not notified of the non-receipt of the Ticket then no refund, alternative Ticket or duplicate Ticket shall be offered. 6.2 Tickets shall be posted to the Customer by second class post within 48 hours of the booking being made. The Theatre will not accept any liability for any Tickets mislaid or lost by Royal Mail. 6.3 A delivery fee of £1 per transaction shall be applied in addition to the Ticket price in respect of all Tickets sent from the Box Office to a UK address. For deliveries outside of the UK, Customers are encouraged to contact the Box Office to make additional arrangements. 6.4 Any Tickets booked 7 days or less before the Event is scheduled to take place must collect their Tickets from The Theatre Box Office. 6.5 When collecting Tickets from The Theatre Box Office Customers may be required to provide photographic identification and proof of address. 7 Consents and Prohibitions 7.1 The resale of Tickets is prohibited. The Theatre takes no responsibility for the validity of Tickets purchased through unauthorised facilities. 7.2 By purchasing a Ticket, Customers are deemed to consent to being filmed or photographed where the event or performance is being filmed or photographs taken. 8 Liability 8.1 The Theatre shall not be responsible for any injury to the Customer or loss, theft or damage of Customer’s belongings, other than that caused as a direct result of negligence or other breach of statutory duty. 8.2 Subject to clause 8.1, The Theatre’s total liability to the Customer, whether in contract, tort (including negligence), breach of statutory duty, or otherwise, arising under or in connection with the Conditions shall be limited to the total amount paid for Tickets. 8.3 Nothing in clause 8 excludes or limits liability for death, personal injury or fraud. 8.4 Neither party shall be in breach of this Contract nor liable for delay in performing, or failure to perform, any of its obligations under this Contract if such delay or failure result from events, circumstances or causes beyond its reasonable control, such as power or equipment failure. 8.5 Arrangements, including but not limited to, travel and accommodation, are booked at the Customer’s risk and The Theatre shall not be liable for any additional costs associated with the cancellation of the Event. 9 Data Protection 9.1 The Theatre may use your personal information together with other information for providing services marketing administration and training. We may also keep your information for a reasonable period in order to contact you about our services. Although you may decide by giving us notice in writing at any time that you no longer wish to receive marketing materials. By accepting these terms you are giving your consent to these activities. 10 Third Parties 10.1 No one other than a party to the Conditions shall have any right to enforce any of its terms. 11 Governing Law 11.1 The Contract, and any dispute or claim (including non-contractual disputes or claims) arising out of or in connection with it or its subject matter or formation shall be governed by, and construed in accordance with the law of England and Wales. 12 Jurisdiction 12.1 Each party irrevocably agrees that the courts of England and Wales shall have exclusive jurisdiction to settle any dispute or claim (including non-contractual disputes or claims) arising out of or in connection with the Contract or its subject matter or formation. 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Return to Productions Archive Garrick Productions Misery Ran May 1, 2000 - May 6, 2000 Age guidance Venue Running time Tickets Price Range Description By Stephen King. Directed by Angie Wetherill. The greatest horror master of our time turns the screws of suspense to lock us into terrifying tension. Best selling fiction writer, Paul Sheldon, is cut off from civilisation by blizzards and is increasingly crippled by the tender loving care of No. 1 fan and nurse, Annie Wilkes. Annie is intent on using all her demonic skills to persuade Paul to change the ending of his latest novel - MISERY. She takes her time, won't be hurried, sparing neither details nor feelings in her quest for satisfaction. Remember the Oscar winning performance by Kathy Bates in the Hollywood movie? This stage version is even scarier... so be warned. Those of our patrons with a nervous disposition are advised to stay at home!! A two hander, it will feature Alison Davis and Dick Sails These two Garrick Stalwarts seem to have been cast as a couple on a number of occasions:- In "A Chorus of Disapproval" as Dafydd ap Llewellyn and Hannah Llewellyn In "When we are Married" as Albert and Clara Parker In "Company" (for Stages & Co) as Joanne and Larry Reviews SAM's view on "Misery" Welcome to Fright Night If you go to see Misery, the latest Altrincham Garrick show, I guarantee you'll shudder every time you hear the words "I'm your number one fan" after watching this dark, at times unbearably tense, psychological thriller. Alison Davis is at the top of her form as Annie Wilkes, the mad medic who makes Nurse Ratchett look like Florence Nightingale. When writer Paul Sheldon has a car crash he wakes up in the home of Annie and soon discovers that his carer needs a check from the neck up. She's crazy about his work to the point of obsession, is prone to the most violent mood swings and loves to play cruel mind games with her patient cum captive. We also discover that this frumpy wacko left her former profession under something of a cloud, suspected of causing the deaths of patients and colleagues alike. Altrincham Garrick audiences will know Alison more for her numerous appearances in amateur musicals but, as far as straight acting is concerned, she's been hiding her light under a bushel for far too long. She's so menacing my stomach turned over several times, and like many of you I winced during the harrowing "hobbling" scene. The acting jobs will flood in after this performance. Dick Sails (Paul) further cements his reputation as one of the Garrick's finest actors and he's highly accomplished when it comes to conveying both total despair and the black humour which brings welcome relief to a depressing script. Director Angie Wetherill must have had a ball working with these two. If you've seen the film you won't be disappointed by this stage version of Misery. The suspense is certainly there and like their big screen counterparts, Davis and Sails are a formidable double act. Unmissable. Rick Bowen Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Previous Next Phil Gleave Phil's working background didn't really indicate an interest in theatre, with his jobs including miner, fireman, coach driver and bus inspector. However, he first came to the Garrick in the late 1980s, to build sets as a member of the stage crew, and stayed to become a highly valued and legendary Stage Manager actively involved in hundreds of productions. Greatly respected by his peers, he was a straight-talking and very competent person, essential qualities in ensuring productions of the highest standard. Phil had only one obvious weakness : Jelly Babies (see picture) ... especially at Panto time. Outside the Garrick, he had a passion for diesel railway engines and worked as a volunteer at East Lancashire Railways as Responsible Officer, in charge of the running of the engines when the public was in attendance. Back to In Memoriam page

Previous Next Don Poole A Timperley lad and plumber by trade, Don was a wonderful comedy performer who took part in over 50 productions in a 30-year career. His first roles on stage, in 1967, were as Reverend Mercer in When We Are Married and as a character in Toad of Toad Hall. He is best remembered for playing the Dame in pantomime, and as the Chairman and Master of Ceremonies in the theatre's popular Old Time Music Halls in the 1970s and 80s. He played the Dame a total of eight times, the first being in Jack and the Beanstalk in 1970 and the last as Widow Twankey (whom he played three times) in Aladdin in 1998 before hanging up his frocks. He occasionally took on other roles in the pantomime such as Ugly Sister Tuti in Cinderella in 1997. Don was Chairman of the Music Hall seven times from 1976-85, and is shown in this photograph in his Music Hall 'uniform'. On one memorable occasion he helped organise the evacuation of the theatre, gavel in hand, when a curtain started smouldering because it was too close to a lamp. He also took part in many other productions, mostly but not exclusively comedies, such as The Owl and the Pussycat , The Ritz , Oh! What a Lovely War , Last Tango in Whitby , Run for Your Wife , and Oliver! (playing Mr Sowerberry) in 1997. Don was also a well-known stand-up comedian and, in the early 1990s, he helped organise 'Comedy Clubs in the Bar' as part of the STAGE Appeal to renovate the theatre. Unsurprisingly they were always packed out. He also appeared on television (his credits including Coronation Street , Crown Court , The Mallons , and Brideshead Revisited ) and onstage at the Royal Exchange. In addition he was an accomplished film-maker, casting many Garrick actors of his era. As well as all this, Don was thoroughly likeable and sociable and was wonderful company in the bar with his jokes and stories. A true Garrick character. Back to In Memoriam page

Previous Next Audrey Skinner (née Lawson) Audrey's main contribution to the Garrick was on-stage, portraying many larger-than-life characters in both comedic and serious roles for many years. She and her husband Mike were fully involved in the social life of the theatre until they moved away from Altrincham in the late 2000s. Audrey proudly won the competition to invent a catchy name for the fund raising effort in the early 1990's (to raise funds for the theatre renovation). She came up with the S.T.A.G E APPEAL : Support The Altrincham Garrick Enterprise Appeal. Her prize? A bottle of bar steward Gerry Turnock 's champagne ! Back to In Memoriam page

Return to Productions Archive Garrick Productions The Sun and I Ran Jan 1, 1952 - Jan 1, 1952 Age guidance Venue Running time Tickets Price Range Description Abbott, Amy Ablewhite, Stanley Allman, William Bayliss, Tony Carter, Harold Ellis, Eric Ferguson, Alan Hamblin, Mary Holden, Margaret Kennedy, Brenda Kinsey, Judith Knowles, Margaret Meadowcroft, Pamela Pimlott, (Allman) Emmie Royle, Dudley Schofield, Daphn Sewell, Brenda Stockton, Reg Talbot, Ernest K Waterhouse, Ann Wiltshire, H John Winning, Brenda Wyton, Doreen Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

The Garrick has a long and illustrious history from its founding in 1913 to the present day set of offerings that includes non-professional performances, visiting professional productions, the youth Academy and a cinema-quality Picturehouse. About Us History of the Garrick Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. About the Theatre History of the Garrick In Memoriam: Past Members of the Garrick Productions Archive The History of the Theatre The Garrick has a long and illustrious history, from its initial stirrings in November 1913 through the major redevelopment/refurbishment completed in 1999, to the present day set of offerings including amateur performances, professional productions, youth training and a cinema-quality Picturehouse. Those who are interested in a more complete account than is presented here may wish to buy a copy of The Flame Still Burns , the story of Altrincham Garrick Playhouse compiled by a true Garrick stalwart, the late Pamela Knox. Copies are still available from the theatre (at the give-away price of ONE pound only) and cover the tale of the Garrick from its inception to the 1992/93 season. 1913 – 1999 1913, November 25th – Inaugural meeting and formation of a provisional committee, followed by two further meetings in December 1914, January 20th – First meeting proper held in the new headquarters, the cellar of Mr Jack Byrom’s shop in Kingsway. The name of Altrincham Garrick Society adopted 1914, February 17th – First Rehearsal of the First Play, The Silver Box by John Galsworthy 1914, March 18th – First Production ( The Silver Box ) performed at the Public Hall, Altrincham with scenery hired from the Gaiety Theatre, Manchester 1915, May 4th – a number of members were struck off the list for non-payment of subscriptions (a warning for some of us these days!). 1916, May – Productions were suspended because of the difficulties arising from the war. 1920 – Following an attempt to persuade George Bernard Shaw to allow a production of Major Barbara without paying royalties, the great man advised the theatre to become a Repertory Theatre, paying the actors, since this would result in a lower payment of royalties (unless very successful!). As a result of this the play was produced and all actors were paid five shillings, which was promptly taken back by the Treasurer and put into a Building Fund, with the aim of building our own theatre 1923, January – ‘Fred Arnold Enterprises’ wrote to the society offering to stage Garrick productions on a commercial basis. This offer was not accepted! 1924, June – Membership now stood at 813 1926, June – At the AGM it was announced that a plot of land had been acquired on Barrington Road suitable for building the proposed new theatre. The land had been purchased by an anonymous member and the Society would hold it on payment of the chief rent only. It eventually emerged that the benefactor was A.P.Hill, a founder member who had worked tirelessly towards the goal of a theatre in its own grounds. 1927, September – Mr R A Smith, who had produced the vast majority of plays since 1914, resigned as producer 1928, December – the ‘Sell a Brick for 2d’ scheme was inaugurated – by October 1930 the scheme had raised £37. 2. 6d (£37.12 in today’s money!) 1930, September – Membership hit 1000 1931, July 14 – the first sod was cut at Barrington Road by Jack Byrom and the building of today’s theatre was begun 1931, October 29 – Garrick Playhouse Ltd registered as a public company 1932, October 1st – The first play opened at the new playhouse – ‘The Immortal Lady‘ by Clifford Bax 1935, February 13th – Standards of behaviour had clearly deteriorated seriously and the Executive Committee issued the following notice:- The Committee regrets that the unofficial sanction to members of the cast bringing intoxication liquor into the Playhouse is being considerably abused. It is necessary, therefore, to remind members that: 1) Only members actually taking part in a play, stage staff and producer, are allowed to bring beer, etc. into the dressing rooms. 2) All glasses must be washed immediately after use and all bottles, whether full or empty, must be kept in closed bags or receptacles 3) Members in the cast cannot be allowed to offer drinks to their members not in the cast, nor to non-members. 4) Members of the cast are asked to refrain from drinking beer etc. until they have finished their part each evening. 1935, March 11th to 18th – the 21st birthday of the Garrick Society was celebrated by the production of the Chinese play ‘Lady Precious Stream‘ , its first amateur production 1935, August – Ruth Dunning , who first appeared at the Garrick in 1934, took over the role of Sally from Wendy Hiller in ‘Love on the Dole‘ at the Garrick Theatre, London, the first Garrick amateur to be successful as a professional 1939 – The Silver Jubilee play was ‘1066 and all that‘ , with a cast of 150, 27 scenes and 3 levels 1939 – From a piece by ‘John Falstaff‘ of the Manchester Evening Chronicle – The Altrincham Garrick is one of the show places of the British Amateur Movement and its merit is twofold. First, it is secure and permanent; second, not only is the normal standard high, but the achievement also. There are few professional companies with such a striking list of pioneer efforts in plays and authors. 1939 – 1945 – For the duration of the war the theatre was handed over to a professional company, although the Society still provided staff and looked after the running of the building 1945, October – The first post-war production was ‘The Good Companions‘ by J B Priestley 1953 – A new building fund was started to be used for the erection of a small theatre at the rear of the Playhouse for experimental plays etc. 1957, October – the 25th anniversary of the Playhouse was celebrated by a production of ‘Teahouse of the August Moon‘ 1958 – a Young Garrick Club was started for 15 to 18 year olds, soon named ‘Studio G’. Their first production was staged in June 1960 in the rehearsal room. 1961, September – The Garrick Bar opened for the first time, the first bar steward being Reg Hughes. He was succeeded early in 1962 by Albert Riddell who was to remain an indispensible part of the Garrick scene until 1981 1963, May – The first of five years of BBC radio recordings of Music Hall at the Garrick 1963 – 50th Jubilee Season – The theatre was re-decorated inside and out and a new central heating boiler installed – The main Jubilee production was ‘Becket‘ 1965, January – First staging of the now famous Garrick Pantomime – that year it was ‘Aladdin‘ 1968-69 – The ‘collection’ system of raising revenue at performances was finally dispensed with and a charge made for tickets 1972-73 season – The 40th anniversary of the Playhouse – the Foyer was modernised with a new Box Office, there was new decoration and, most important, re-upholstered seating. Supporters were invited to endow a seat in the theatre, with 5 securing a name plate affixed to the seat 1973, May – It was announced that while membership would continue performances would be open to the Public and advertised as such 1976 – A thrust stage installed during the close season 1977, August – The Garrick made its first appearance at the Royal Exchange with ‘Sergeant Musgrave’s Dance‘ 1982, August – First visit to the Edinburgh Fringe with two home-grown Kevin Madley plays and Edward Bond’s ‘Bingo‘ 1982, September – The season opened with a world stage premiere of ‘Psycho‘ 1984, July – The Garrick produced a Music Hall as a part of the Edwardian Extravaganza in Dunham Park 1988-89 – The Society’s 75th Anniversary season – Stage 2 (the natural successor to Studio G) presented ‘Oh What a Lovely War‘ to mark the occasion 1990 – the Northern Amateur Premiere of ‘La Cage Aux Folles‘ – Little did we realise then what had started; this was the first of seven productions of it! 1990, November – Redevelopment fever had started. At an Extraordinary General Meeting an ambitious modernisation project which including selling the land on which the theatre stood and leasing the theatre back at a low rent for 999 years was rejected, but the drive had begun and the S.T.A.G.E. fund was started with the aim of raising £500,000 by December 1992 1992, July – the first Garrick Playathon. A host of members arrived at the theatre on Friday evening to discover that the show they were to perform on Sunday evening was ‘The Boyfriend’ by Sandy Wilson. After a massive amount of work pulled together by four directors, two musical directors, two choreographers and four set designers a superb performance was given on the Sunday evening (requiring a massive three prompts during the entire show!) 1998 – The Garrick’s third bid for National Lottery funding was successful, resulting in a grant of £675,000 as part of the £900,000 project. 1999 – The 1998/99 season finished early, in March, and the gutting of the auditorium began. The artistic side of the enterprise was kept occupied with a major open air production in Dunham Massey Hall of “Tom Jones” while the refurbishment went ahead. The grand (if a little delayed) reopening took place in October with a glittering production of “Camelot” (and a good deal of last minute rushing around!). The verdict was unanimous – Coming to the Garrick for a night out is now a real, and very comfortable, treat. Spread the word! To coincide the start of the first season in the refurbished Playhouse, the Society also started with its own website, created and run by Richard Sails. Richard managed the original website for 14 years until it was relaunched in 2013. 2000 to 2020 2006 – Following the generous donation of some tiered, retractable seating by The Lauriston Trust, the newly-christened Lauriston Studio was officially opened to the public in October 2006 with a memorable production of Two by Jim Cartwright. Seating 49 people, it is an extremely intimate and stimulating theatre space that has become a fully integral part of the Altrincham Garrick Playhouse. Since then the Studio has staged many exciting and cutting edge productions, and has won awards for the quality of work produced there. 2013 – For the start of the 2013/14 Centenary season, the Playhouse relaunched its revamped website. This was overseen and managed by Stephen Bradshaw, who then ran the web-site until mid 2020. 2014 – The Society celebrated its 100th Season. 2019 – The Garrick launched the Picturehouse. A versatile addition to the Garrick’s offerings to the community, this comprises a huge retractable screen plus projection equipment, which allows the auditorium to be used as a cinema. The screen can be set up in minutes, in front of most stage sets, and allows up to 350 people to view the latest cinematic releases, classical films, quirky “independent” productions and, most noticeably, showings of professional stage productions “as-live”. The first season included Kinky Boots , A Woman of No Importance (featuring Jennifer Saunders) and two wonderful modern ballets (Swan Lake and Romeo and Juliet ) from Matthew Bourne. 2020 onwards: COVID and other changes 2020 – The Covid-19 pandemic hit the Garrick just as hard as most theatres. The season was abruptly cut short in the middle of March, with the last “production” being an Illustrated Talk by Garrick stalwart Richard Sails, describing his hike in 1999 from Land’s End to John O’Groats. The building then went dark, as the first lockdown took hold. 2020 - March onwards Due to the "first lockdown", nothing was staged at the Garrick from March until the 14th of August 2020, when the Picturehouse re-opened with 42nd Street (an as-live theatrical screening) and then Aladdin (the 2019 film). From then until the end of October 2020, while indoor live performances were banned due to the pandemic, the Garrick Picturehouse continued to show cinematic and theatrical screenings, at the rate of 3 or 4 a week. In 2020, Joe Meighan became the Artistic Director of the Garrick, working in partnership with Sarah Reilly as the Operations Director. On the 1st of November 2020, when the "second lockdown" took effect, the screening of Paddington was cancelled, and the building went dark again. 2021 – In February 2021, the Garrick hosted a "ghost production". Nothing was produced for an audience, but in memory of the Garrick's first ever production in March 1914 (see above), Garrick members were invited to donate to the theatre. Two "online screenings", allowing audiences to watch previously-recorded Garrick plays from their homes, were shown, in February and May 2021. Alongside these, due to "second lockdown" restrictions, the Garrick could offer only Picturehouse cinematic and as-live screenings. These included many classic films curated by Barry Purves. They required the audience and staff to wear masks throughout the performances, and they conformed to restricted seating (groups of up to 6 could sit next to each other, but had to be separated by 2m from other groups). On the 7th of June 2021, the Garrick showed its first live performance since March 2020: a socially-distanced One Act Musical The Last Five Years . September 2021 saw the opening of the first "normal" season since 2018-2019, although some productions were subject to Covid seating restrictions and face-mask directives as guidelines changed during the winter of 2021-2022. Join our mailing list Subscribe

Previous Next Sir Fergus Montgomery Sir Fergus Montgomery, our President for over 30 years, was held in great esteem and affection by all of us. He worked tirelessly to ensure that our efforts to fund the refurbishment of the Garrick (in 1999) were successful. We owe him a huge debt of gratitude, as without him the Garrick would not be the jewel it is today. His love of the theatre was immense and his encouragement was an inspiration. Back to In Memoriam page

Return to Productions Archive Garrick Production Peter Pan - The Garrick Pantomime The High Flying Garrick Pantomime Ran Dec 10, 2021 - Jan 3, 2022 Age guidance Venue Running time Tickets Price Range Description By Tom Whalley Directed by Joseph Meighan and Val Watkinson Musical Direction by Peter England Choreography by Vanessa Cockburn OUR FESTIVE SHOW FOR 2021/22 IS OUR PANTOMIME VERSION OF ‘PETER PAN’ The High Flying Garrick Pantomime BOOKING NOW! Journey to Neverland for a high-flying Pantomime adventure you’ll never forget! The forever-young Peter Pan sails through the skies to bring Wendy and the Darling children to the Lost Boy’s enchanted island, where the fearsome Captain Hook rules over the high seas. Written by Tom Whalley and based on the timeless book by JM Barrie, the Altrincham Garrick Playhouse brings you a perfect Pantomime for all the family. Fairies, mythical creatures, pirates, singing, dancing and flying! Take the second star to the right and keep straight on ’til morning and we’ll see you in Neverland! Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Previous Next Derek Killeen Derek became Artistic Director of the Garrick in 1979 and, during his three-year tenure, he also became Theatre Administrator in 1980. His directorial credits include Charley's Aunt , Abigail's Party , When We Are Married , The Merchant of Venice , and The Importance of Being Earnest . Prior to joining the Garrick, he worked in the Drama Department at Bristol University and as Production Manager at Liverpool Playhouse. Later in his career, after leaving the Garrick, he became the Artistic Director of the Peterborough Key Theatre from 1992- 2001, where he used his Garrick experience to the full by starting a Drama School and introducing Musical Theatre. Derek died in 2004. Back to In Memoriam page

Return to Productions Archive Garrick Production Di and Viv and Rose The Studio 2023/2024 Season - A Series of All Female Plays. Ran Jun 4, 2024 - Jun 9, 2024 Age guidance 14+ Venue Studio Running time TBC Tickets Price Range £12 - £14 Description “How do you want to live here? I mean we could come and go and lead separate lives. Or we could really live together. What do you think?” Three women are thrown together in their late teens. They are very different people but it isn’t long before they are living in each other’s pockets. Life is a blast and together they can do anything. But life also has unexpected plans for them... A funny, moving and surprising story of friendship’s impact on life, and life’s impact on friendship. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Productions Blithe Spirit Ran Nov 8, 1999 - Nov 13, 1999 Age guidance Venue Running time Tickets Price Range Description By: Noel Coward Directed By: Maureen Casket In celebration of the centenary of the birth of "The Master" we proudly present one of his most famous plays. Charles Condomine, whose first wife Elvira has been dead for seven years, has been happy with his second wife, Ruth. After he invites the legendary Madame Arcati, a local medium, to conduct a seance at his home, Elvira returns from the dead. Determined to get Charles to herself forever, she arrranges an accident in which Ruth joins Elvira. Now plagued by the two spirits, Charles attempts to rid himself of them. Full of brilliant dialogue and hilarious situations, this is one not to be missed. CAST ... includes John Keen as Charles Ros Greenwood as Ruth Angela Wetherill as Madame Arcati Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Our regular newsletters contain details of forthcoming shows, news about the theatre and updates on our various groups and activities. It's absolutely FREE. Mailing List Enter your email address and we'll keep you updated with what's going on at the Altrincham Garrick Playhouse. This will sign you up to receive communications from the Garrick including: emails about future events and offers, postal mailings about future events and offers, opportunities to support the Garrick, and Creative Engagement information opportunities and news. You'll receive one or two emails per week. To choose which communications you’d like to receive, log in to your account to update your contact preferences, after you’ve signed up. Sign up for our mailing list First Name Last Name Email Address Please confirm that you have read our privacy policy? * I have read and accepted the privacy policy Submit Thanks for submitting!

Return to Productions Archive Garrick Production Disney's The Little Mermaid The perfect musical treat for October half term Ran Oct 25, 2021 - Oct 31, 2021 Age guidance Venue Running time Tickets Price Range Description Directed by Joseph Meighan Musical Direction by Mark Goggins Choreography by Koda Holland-Smith The perfect Musical treat for October Half Term! In a magical kingdom beneath the sea, the beautiful young mermaid Ariel longs to leave her ocean home to live in the world above. Ariel is fascinated with life on land. On one of her visits to the surface, which are forbidden by her controlling father, King Triton, she falls for a human Prince. Determined to be with her new love, Ariel makes a dangerous deal with the sea witch Ursula to become human for three days. But when plans go awry for the star-crossed lovers, a showdown begins between good and evil that only love can remedy. Based on one of Hans Christian Andersen’s most beloved stories and the classic animated 1989 film, Disney’s The Little Mermaid is a hauntingly beautiful love story for the ages. With music by eight-time Academy Award winner Alan Menken, lyrics by Howard Ashman and Glenn Slater, and a compelling book by Doug Wright, this fishy fable will capture your heart with its irresistible songs including “Under the Sea,” “Kiss the Girl,” and “Part of Your World.” Altrincham Garrick Playhouse are proud to be producing the Northern Premiere of this Disney classic! Music by ALAN MENKEN Lyrics by HOWARD ASHMAN & GLENN SLATER Book by DOUG WRIGHT Based on the Hans Christian Andersen story and the Disney film produced by Howard Ashman & John Musker and written & directed by John Musker and Ron Clements Originally Produced by Disney Theatrical Productions Reviews Rick Bowen – Stagestruck.info If ever we needed a dose of Disney magic, it must surely be now, as we continue to live in unprecedented times. One little girl, sitting close to the stage, was so captivated by Emily Leeland’s Ariel it prompted her to say with childlike spontaneity, “Hi Ariel” during one of the scenes in this colourful, upbeat, feel-good family show. But rest assured, she was not the only one to be captivated for, as the lovesick mermaid pining for her Prince, Leeland plays the part brilliantly and has a voice that wouldn’t sound out of place on a professional stage. We really root for her as she desperately seeks to find her Prince Eric, played by Shane Gibb who furthers his reputation as one of the most exciting talents around. If Ariel is the heroine of the piece, inspired by the classic fairy tale, Dawn Flint is absolutely perfect as its villainess, the scheming and wicked Ursula. Flint’s sense of timing is as flawless as her singing voice ensuring that her character’s comic barbs hit their target with pinpoint accuracy. What impressed me about this musical – which I was seeing for the first time – was how the songs were far more sophisticated than shows of a similar kind. I’m referring to musicals like Joseph and his Amazing Technicolour Dreamcoat which families tend to flock to see because of the hum along appeal of its score. While the numbers are one step up from Joseph, they remain very accessible. There are echoes of pantomime in The Little Mermaid, minus the cringeworthy jokes that make the “gags” we find in Christmas crackers every year sound side splitting. Then there’s musical director Mark Goggins whose involvement with any production guarantees it will always be well worth watching. Together with Joe Meighan, the production’s director, serve up a show that will leave audiences floating on air as they leave the theatre. Star rating ***** Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

The Garrick offers several sponsorship packages, suitable for small businesses, for large businesses and for individuals. Get Involved Advertising and Sponsorships Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. Sponsorship Packages The Garrick offers several sponsorship packages, suitable for small businesses, for large businesses and for individuals. These include: Full Theatre Sponsorship (All Main Stage Garrick Productions) Individual Production Sponsorship (Garrick Main Stage) Studio Production Sponsorship (Our Season of Lauriston Studio Productions) Be involved in supporting the very best in local community theatre, and boost your own community profile. To find out what we can do for you, please contact: Operations Director on 0161-928-1677 or email admin@altrinchamgarrick.co.uk (Please include your name, phone number and any other contact details, and a brief idea of your requirements.) Join our mailing list Subscribe

A large number and huge variety of theatrically-approved Prop Weaponry is available for hire. Garrick Hire Prop Weaponry Hire Hire prop weaponry from the Garrick for Stage, Film and Television About the Armoury Prop Gun & Rifle Hire Prop Swords, Knives & Miscellaneous In 2022, the Altrincham Garrick took over management of the prop weapons hire business from HW Ltd of Denton, Greater Manchester. This includes a complete stock of weapons, including blank-firing and replica firearms (pistols, rifles and more), stage-safe pointed weapons (daggers, swords and more) and a variety of related items. The Garrick offers the same high standard of service that many organisations around the UK enjoyed from HW Ltd. This large collection of theatrical weapons is available to hire from us directly at the Garrick. Supply is from our secure storage in Altrincham. Please Note: we hire only to companies (amateur or professional) for use in stage, film or television productions. By law, our licence does not allow us to provide hire to the general public, or for any other purposes. Hire Form We welcome enquiries of all sorts. Please fill in our online form , hit the button above, call us us on 0161 928 1677 or email hire@altrinchamgarrick.co.uk . About Our Prop Weapon Hire Service Established in 1980, Howorth Weapons Limited supplied stage weapons from its warehouse in Denton. These were hired out to theatre, film, TV and other similar organisations. In 2022 it moved home to the Altrincham Garrick, and the same weaponry hire service is now available via our Hire Department. No project is too small. Please call our knowledgeable and friendly experts to discuss your prop weapon requirements; we are always happy to help. We provide the fastest possible service, however for some items we are legally required to carry out background checks. We may need a minimum of three weeks notice prior to the required dates. Rules & Restrictions Altrincham Garrick does not hire out items for fancy dress, private parties, themed events or carnivals. We do not supply to the general public. All weapons are covered by the Criminal Justice Acts, the Firearms Act or the VCR Act (2006). We do not stock or supply any live weapons. They are all deactivated, non-practical or dummies, for use in stage shows, film, television and photographic/video. We do stock and can supply blank-firing guns (pistols, rifles and more). These come with more stringent handling requirements. We do not supply “fighting weapons”, only costume, set-dressing and non-practical items. This section provides a guide, to you as a hirer, about applicable rules and regulations. We try to keep these up to date, but they change occasionally. Please let us know if you want to check and confirm the rules which apply to your unique circumstances using the form below: FILM / TV / VIDEO Special regulations apply to all Film, TV, Video and Photographic uses for guns and weapons. Click the title above for a copy of the current rules. THEATRE Click the title above for the latest rules regarding the use of weapons and guns in an outdoor scenario for Theatre. TRANSPORT Transport of all weapons has strict rules and regulations which must be adhered to. For a copy of the current transport recommendations click the title above. Hire Form Join our mailing list Subscribe

Visiting Production Andy Parsons: Please #@!$ off to Mars Date range Tickets £17 - £19 Age guidance Strictly 14 + Venue Main House Trigger warning Find out more Book now Running time Approx. 1 hour 50 mins (inc. Interval) Group bookings Find out more Accessibility Find out more Life is hard. Come and have a laugh about it. After his nationwide critical-smash sellout 2023/24 Tour, Andy is back with a brand-new show. As seen on Netflix, Amazon Prime, BBC iPlayer, Live At The Apollo, Mock The Week and his 2025 NextUp standup special. ‘Hysterical. Andy Parsons is on fire’ The Mirror ‘Very funny’ The Times ‘Laugh Out Loud Funny’ Sunday Telegraph ‘It's great to welcome sharp, topical comedy and Parsons remains one of its most skilful exponents’ The Guardian ‘Potato-headed’ Evening Standard Visiting Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Previous Next Jim Luckett Jim was a member of the Garrick for over 35 years, starting in the 1950s. He was an Honorary Life Member and a very hard-working volunteer, having served on most committees both Front of House and Backstage, as well as appearing in many plays. He won a Manchester Evening News Oscar in 1960 for his performance in Hot Summer Night and also appeared in The Rainmaker, which was the first Garrick play to win MEN's "Best Play" Oscar in 1958. This was a time when the MEN took a keen interest in amateur theatre ... sadly no longer the case. Back to In Memoriam page

Return to Productions Archive Garrick Productions The Office Party Ran Nov 29, 1999 - Dec 4, 1999 Age guidance Venue Running time Tickets Price Range Description The office can be a minefield of social and sexual politics and the advertising group of Chapman and Howard is no exception. This hilarious look at the office Christmas party is innocent enough to begin with, but when the drinks flow and the good times roll the party soon threatens to get out of hand. As the evening reaches its climax, the party lurches from one disaster to another and the facade of the advertising business and the staff's private lives is stripped away. Another brilliant piece by John Godber. Directed by Richard Sails. CAST Steve Williamson as Gavin Hugh Everett as Andy Barry Spencer as Bob Stephanie Hawthorn as Pippa Laura Mottram as Patty Carl Walker as Lee Helen Busby as Jo Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production Dick Whittington - The Garrick Pantomime The purrrfect Christmas treat! Ran Dec 9, 2022 - Jan 2, 2023 Age guidance Venue Running time Tickets Price Range Description OUR FESTIVE SHOW FOR 2022/23 IS OUR PANTOMIME VERSION OF ‘DICK WHITTINGTON’ The Garrick Pantomime Paved With Gold! BOOKING NOW! Dick Whittington’s heading to that there London to seek his fame and fortune – he’s heard the streets are paved with gold! With his trusty cat by his side, he gets a job at Alderman Fitzwarren’s Store but the city is under attack from the most villainous vermin of them all; King Rat! With the help of his new love Alice, Fairy Bow Bells, Sarah the Cook and her silly son Idle Jack, will Dick be able to vanquish the vermin? Oh Yes he will! For this is a Garrick Pantomime after all! Book now for this purrfect Christmas treat – it’ll be a Whitting-tonne of fun! Reviews Rick Bowen at Stagestruck ALL good pantos live or die by their leads and in Conor Collins, who plays King Rat, the Garrick has an actor born to be a baddie. When I saw this. on its freezing cold opening night, Collins managed to provoke the audience into booing and hissing him with little effort on his part every time he walked onstage. Even big kids like me couldn’t resist the temptation to join in, even though us critics are meant to be a snooty, buttoned up bunch. At the other end of the spectrum there are the goodies. Ethan Beer as Dick and Hannah Dorothy as the evening’s love interest, Alice Fitzwarren. Unless you’ve had a sense of humour bypass you’ll find it impossible not to warm to Phil Edwards as Sarah the Cook and there’s a kooky bond between this panto natural and Daniel Ellis who plays his son, Idle Jack. I also really also enjoyed Bev Stuart Cole’s Fairy Bow Bells as the action careers towards it climax. It’s hard to believe Cole has been member at this theatre for more than 30 years, so fresh and invigorating is her performance. Tom Whalley’s script is a mixture of daft dad jokes and a healthy smattering of saucier lines which are aimed obviously at the adults and are sure to go over the heads of the kids. Pantos are a great way to introduce children to the theatre and there was dancing in the aisle during the musical numbers in the second half, courtesy of a group of tots who’d made it their mission to have a good time. Also, how good it was to escape from the pressures of modern life and enjoy an evening of unbridled fun. Until January 2. Tickets are available from 0161 928 1677 or www.altrinchamgarrick.co.uk Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Previous Next Geoff Bolton Geoff was a long-standing serving member of the Front of House team, He held the role of Front of House Manager in the 1980s, when it was customary to wear a DJ and black bow tie. Back to In Memoriam page

Return to Productions Archive Visiting Production Jet Set Go! A high-flying British Musical Comedy Ran Jul 15, 2025 - Jul 19, 2025 Age guidance Venue Studio Running time TBC Tickets Price Range £14 - £16 Description Book and Lyrics by Jake Brunger Music and Lyrics by Pippa Cleary Directed by Richard Ross JET SET GO! Is a high-flying British musical comedy from the writers of ‘The Great British Bake Off Musical’ and ‘The Secret Diary of Adrian Mole Aged 13¾ The Musical’. Join Nicola and her fun-loving transatlantic cabin crew, as they sing up the aisles on a flight to New York you’ll never forget! Ready for take-off is new girl Melanie, who has trouble finding her feet in the air but catches the attention of lovable First Officer Paul. Fiery Puerto-Rican stewardess Julia continues her spicy love affair with arrogant pilot Jim, meanwhile Welsh Valley girl, Hayley is desperate not to be left on the shelf. Also onboard is outrageously camp Ryan who has the hots for fellow flight attendant, Richard. Unfortunately, he is more interested in the Italian sitting in 26C. Head flight attendant, Nicola is tasked to keep control of this larger than life crew – but is she getting too old for the drama? JET SET GO! is witty, tongue-in-cheek and full of catchy tunes. It ran at Edinburgh Fringe before transferring for two sell-out seasons in London. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive