Garrick Production Blackadder Goes Forth Date range Tickets £14 - £19.50 Age guidance 12+ Venue Main House Trigger warning Find out more Book now Running time TBC Group bookings Find out more Accessibility Find out more A stage adaptation based on the original BBC Television Series. Created by Richard Curtis, Rowan Atkinson, Ben Elton and John Lloyd. Directed by Charlie Tomlinson. One of TV’s most enduringly popular comedies returns to the Garrick stage, after our memorable production in 2018. Here, in all of their BAFTA-winning hilarity, are the adventures of the cynical Captain Edmund Blackadder, in his forlorn quest to survive the madness and buffoonery of all who surround him. The play weaves together moments of uproarious comedy and poignant reflection, exploring the absurdity of war and the indomitable human spirit that persists even in the face of adversity. With impeccable timing and a stellar cast, “Blackadder Goes Forth ” promises an unforgettable evening of laughter, nostalgia, and a fresh perspective on the timeless humour of this beloved classic. Age Guidance: 12+ Presented by permission of United Agents Limited, with all royalty payments going to Comic Relief. Content Warning: This production contains the use of theatrical haze and smoke, loud explosions, and live gunfire. Garrick Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Return to Productions Archive Garrick Productions A Murder is Announced Ran Feb 5, 2001 - Feb 10, 2001 Age guidance Venue Running time Tickets Price Range Description An intriguing whodunnit from the masterly pen of perhaps the world's best-known crime writer, the "Duchess of Death" as she has been called. Generous and caring Letitia Blacklock provides shelter for an assorted cast of misfits and life is proceeding uneventfully until the announcement in the local rag that a murder will tame place, in their very home, that evening at six-thirty pm. Who is the victim and who the perpetrator of this dastardly crime? All will be revealed at the end of the play. CAST Sarat Broughton as Julia Simmons Jane Marsh as Letitia Blacklock Mollie Woodbine as Dora Brunner Hugh Everett as Patrick Simmons Juliette Wilson as Mitzi Ann McKenna as Miss Marple Lisa Barker as Phillipa Haymes Margaret Booth as Mrs Swettenham Matthew Foster as Edmund Swettenham Dave Midgley as Rudi Scherz Mike Shaw as Inspector Crtaddock Colin Bowles as Sergeant Mellors Directed by Helen Parry Designer: Mike Stocks Sound Design: Dave Healey Sound Operation: Chris Wetherill Lighting Design: Mike North Lighting Operation: Charlotte Scullard Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Previous Next Sylvia Hay Sylvia was involved in most aspects of the Garrick: on stage, as a set designer, serving behind the Bar, working in the workshop - tireless working to help the Garrick in all ways she could. Back to In Memoriam page

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Garrick Production JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT Date range Tickets £19 - £24 Age guidance Recommended 6+ Strictly No Under 4's Venue Main House Trigger warning Find out more Book now Running time TBC Group bookings Find out more Accessibility Find out more Step into a world of vibrant colour, unforgettable music, and thrilling storytelling with Joseph and the Amazing Technicolor Dreamcoat ! This beloved musical by Andrew Lloyd Webber and Tim Rice is a dazzling all-singing and all-dancing journey of dreams, resilience, and joy! Joseph and the Amazing Technicolor Dreamcoa t is the enduring reimagining of the Bible story about Joseph, his family and the famous “coat of many colours”. Filled with catchy songs in a plenitude of styles, including the well-known hits “Any Dream Will Do ” and “Close Every Doo r”, and perfect for all ages, this family-friendly production combines humour, heart, and show-stopping songs in a way that’s truly timeless. Whether you’re a lifelong fan or discovering it for the first time, Joseph is a theatrical treat not to be missed. Directed by Joseph Meighan Garrick Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Return to Productions Archive Garrick Productions Bonaventure Ran Jan 1, 1951 - Jan 1, 1951 Age guidance Venue Running time Tickets Price Range Description Bramwell, Madge Caldwell, Pamela Clephan, Gay Ely, Michael D Grimshaw, Harold Hobbs, Olive Nellie Morrison, Elspeth Richardson, George Walker, Kathleen Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Previous Next Val Watkinson Val was a highly valued member of the Garrick, having joined in 1991. She was multi-talented and became involved in every branch of theatre production : actress, director, technical assistant (sound and lights), stage manager, deputy stage manager, ASM, prompt, and producer - as well as being one of the longest-serving members of the Play Selection and Casting Committee. Val was also well known as the Garrick trouble-shooter, solving issues as and when they arose. Most notably, she stepped in at the last moment to direct Aladdin, following the very sad, very sudden death of Terry Chandler in 2013. Val appeared in many plays at the Garrick, including The Pocket Dream , There Goes the Bride , one of the three witches in Macbeth , An Ideal Husband , Fur Coat and No Knickers , and Love on the Dole. Most memorably, she played Vera Duckworth and Ena Sharples in Corrie (her last performance on stage). Her credits as director and assistant director are impressive, and include Private Lives , Return to the Forbidden Planet (three times !), Amadeus , The Sunshine Boys , Hindle Wakes , Catherine Howard and Snow White . After 2012, she was either Assistant Director or Deputy Stage Manager for some of the biggest Garrick musicals and Pantomimes (first with Adam Whittle and then Joe Meighan) such as Acorn Antiques , Grease , Cats , Priscilla, Queen of the Desert , The Little Mermaid , Peter Pan , Chitty Chitty Bang Bang , Aladdin , Dick Whittington , and The Wizard of Oz . Val was also very well known in amateur dramatic circles and was associated with CHADS, Tyldesley Little Theatre, the Wilmslow Guild and especially the Wilmslow Green Room. Every summer between 1991 and 2007, she was involved in the Green Room's productions at Gawsworth Hall, as an actress and, most importantly, back stage working as stage manager or sound or lighting technician. Back to In Memoriam page

Return to Productions Archive Garrick Productions The Desperate Hours Ran Jan 1, 1960 - Jan 1, 1960 Age guidance Venue Running time Tickets Price Range Description Allen, R Carter, Lyndsay Gee, Ian McDowall, Joyce Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Previous Next Diana Provan (née Harker) Diana and her husband Joe joined the theatre in the early 1960s, and she soon proved her worth as a very talented actress. She presented many outstanding performances at the Garrick before moving on to professional theatre. She then returned to the Garrick some few years later to direct many of our plays, and once again her exceptional talent shone through with some wonderful productions. Wonderfully imaginative, artistic, dedicated and with a refusal to accept nothing but the best, she became a much loved character at the Garrick. Many actors considered Diana as the best person they ever acted with or performed for. Diana and Joe moved to their beloved Italy in the early 2000s when Joe retired, and lived there very happily, visited regularly by their children Jeremy, Julia and Nicholas and their respective families. Rick Bowen wrote this Tribute to Diana in the Sale and Altrincham Messenger in March 2013. Back to In Memoriam page

Activities & Events LEVEL 3: Intermediate/Advanced Musical Theatre Dance Classes Date range Tickets Monthly Block Bookings of either £30 or £40 Age guidance 17+ Venue Annexe Trigger warning Find out more Book now Running time 1 hour per session Group bookings Find out more Accessibility Find out more Get Ready to Move, Dance & Have Fun! Join our Musical Theatre Dance Classes at the Altrincham Garrick Playhouse ! Whether you're a complete beginner, returning to dance, or looking to build your confidence and skills, these friendly, energetic classes are perfect for anyone aged 17+ who loves musical theatre and wants to dance in a fun, supportive environment. Monthly Booking Classes are booked and paid for monthly . The number of classes each month varies depending on the schedule. Spaces are limited, so book early to secure your place! September–December schedule September: 1st, 8th, 15th, 22nd (no class on 29th) October: 6th, 13th, 20th (no class on 27th) November: 3rd, 10th, 17th, 24th December: 1st, 8th, 15th 3-week block = £30 4-week block = £40 Level 3: Intermediate/Advanced (7.45-8.45pm) Designed for more experienced dancers looking to further develop and maintain their technique. Refine your precision, style, and performance while continuing to build strength, stamina, and the ability to pick up choreography quickly. Classes led by Louise Pettitt Louise trained at the Northern School of Contemporary Dance, graduating with a degree in dance and the performing arts. She holds a Master’s Degree in Creative Practice and Education and a Post Graduate Certificate in Education. Her professional theatre credits include Cats (UK, Italy, Portugal Tours), Beauty and the Beast understudy Belle (UK Tour), Starlight Express understudy Pearl (Bochum, Germany), Verve (UK Tour), Aura Dance Company (UK), and Cinemagique (Costa Cruises). Television and recording credits include Casualty 1909 (BBC), Nightmare in Suburbia (Nine Lives Media), Holland’s Meat Pies Commercial (MTP), and Starlight Express New Songs (Universal Music). Louise has choreographed numerous shows and musicals for leading vocational dance and performing arts colleges, including Move it , Sadler’s Wells Making Moves , Rambert Elements , Chicago (Waterside Arts), A Chorus Line , Guys and Dolls , The Phantom of the Opera , and Scrooge! The Musical . She has held prestigious roles as a Senior Lecturer and Programme Leader at leading Higher Education institutions. Her choreography for Altrincham Garrick Playhouse includes A Chorus Line , Beautiful , Merrily We Roll Along , Chitty Chitty Bang Bang , The Sound of Music , and Priscilla Queen of the Desert . Movers/Beginners and Improvers classes are also available to book. So whether you’re taking your first dance steps or looking to brush up your skills, there’s a place for you at the Altrincham Garrick Playhouse Musical Theatre Dance Classes . Come move, dance, and discover your rhythm ! Activities & Events Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Return to Productions Archive Garrick Productions Alice Thomas and Jane Ran Jan 1, 1936 - Jan 1, 1936 Age guidance Venue Running time Tickets Price Range Description Agar, Marie Alexander, Tom Billcliff, Lillian Brierley, Norman Brown, Sydney A Davenport, Alfred Fletcher, Joan Godby, Jack Gooby, Roy Hall, Irene Hall, Margaret Hughes, Geoffrey Justice, Margery King, Diana M King, John G King, M Inez Landon, Graham Litherland, Cyril L Matthews, Walter R Osborne, Edgar Pennington, Muriel Pennington, Wyn Ross, Jean Rourke, Norah J Wilson, Kathleen Willan, John P Willan, Robert M Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Activities & Events LEVEL2: Improvers Musical Theatre Dance Classes Date range Tickets Monthly Block Bookings of either £30 or £40 Age guidance 17+ Venue Annexe Trigger warning Find out more Book now Running time 1 hour per session Group bookings Find out more Accessibility Find out more Get Ready to Move, Dance & Have Fun! Join our Musical Theatre Dance Classes at the Altrincham Garrick Playhouse ! Whether you're a complete beginner, returning to dance, or looking to build your confidence and skills, these friendly, energetic classes are perfect for anyone aged 17+ who loves musical theatre and wants to dance in a fun, supportive environment. Monthly Booking Classes are booked and paid for monthly . The number of classes each month varies depending on the schedule. Spaces are limited, so book early to secure your place! September–December schedule September: 1st, 8th, 15th, 22nd (no class on 29th) October: 6th, 13th, 20th (no class on 27th) November: 3rd, 10th, 17th, 24th December: 1st, 8th, 15th 3-week block = £30 4-week block = £40 Level 2: Improvers (6.30-7.30pm) Ideal for dancers with some previous experience. Continue to develop your basic technique, coordination, choreography retention, and performance skills in a supportive and enjoyable environment. Classes led by Louise Pettitt Louise trained at the Northern School of Contemporary Dance, graduating with a degree in dance and the performing arts. She holds a Master’s Degree in Creative Practice and Education and a Post Graduate Certificate in Education. Her professional theatre credits include Cats (UK, Italy, Portugal Tours), Beauty and the Beast understudy Belle (UK Tour), Starlight Express understudy Pearl (Bochum, Germany), Verve (UK Tour), Aura Dance Company (UK), and Cinemagique (Costa Cruises). Television and recording credits include Casualty 1909 (BBC), Nightmare in Suburbia (Nine Lives Media), Holland’s Meat Pies Commercial (MTP), and Starlight Express New Songs (Universal Music). Louise has choreographed numerous shows and musicals for leading vocational dance and performing arts colleges, including Move it , Sadler’s Wells Making Moves , Rambert Elements , Chicago (Waterside Arts), A Chorus Line , Guys and Dolls , The Phantom of the Opera , and Scrooge! The Musical . She has held prestigious roles as a Senior Lecturer and Programme Leader at leading Higher Education institutions. Her choreography for Altrincham Garrick Playhouse includes A Chorus Line , Beautiful , Merrily We Roll Along , Chitty Chitty Bang Bang , The Sound of Music , and Priscilla Queen of the Desert . Movers/Beginners and Intermediate/Advanced classes are also available to book. So whether you’re taking your first dance steps or looking to brush up your skills, there’s a place for you at the Altrincham Garrick Playhouse Musical Theatre Dance Classes . Come move, dance, and discover your rhythm ! Activities & Events Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Previous Next Peter Jackson Peter was Head of Workshop throughout the 1990s and 2000s. Apprenticed for 7 years from the age of 14, he became a Master Joiner working in the domestic and commercial fields. After joining the Garrick, he worked on over 400 mainstage and studio shows building and helping to design sets and making props plus working, and collaborating, with stage crew, designers and directors. He was much appreciated by all of them for his expert knowledge. He also was involved with helping to put on the one-night shows performed by visiting professional acts. Outside the Garrick, he took a keen interest in country sports and activities. Back to In Memoriam page

Return to Productions Archive Activities & Events GAPA - Group 6 The Garrick Academy of Performing Arts - Group 6: Ages 14-18 years (11.30am-1.30pm) Ran Sep 5, 2026 Age guidance Ages: 14 - 18 years Venue Rehearsal Room Running time 2 hours Tickets Price Range £222 Description GAPA - The Garrick Academy of Performing Arts – Term 1 2026/27 Join GAPA and become part of our exciting Saturday Academy, where young performers build confidence, develop their theatre skills and experience the thrill of performing on a professional stage. GAPA runs seven Saturday groups throughout the academic year, with classes for children and young people aged 5–18. Our six morning groups cater for students aged 8–18, while MINI GAPA provides a fun and engaging afternoon class for children aged 5–8. Throughout the year, every group works towards the shared goal of performing in our annual main stage production. The first term begins with stagecraft, acting, singing, movement and audition preparation, giving students the opportunity to develop their performance skills and confidence. Once auditions are complete, rehearsals begin as the cast works together to bring the production to life in the second term. As well as learning the discipline and teamwork involved in rehearsing and staging a full-scale production, students make lasting friendships in a supportive, creative environment filled with fun, laughter and encouragement. Term 1 Dates 5 September – 5 December 2026 (12 weeks) No classes on 24 October or 31 October 2026. Fees Groups 1–6: £222 per term (£18.50 per session) Group 7 – MINI GAPA: £111 per term (£9.25 per session) Before You Book Please ensure you select the correct GAPA Group (1–7) when booking to ensure your child is enrolled in the appropriate class for their age and session time. If you are booking for more than one student, please check that the correct group has been selected for each child. Places are limited, and selecting the wrong group could result in your preferred class becoming full before your booking can be amended. Reviews Gallery Trailer Trigger Warning - Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Productions Under Milk Wood Ran Jan 1, 1958 - Jan 1, 1958 Age guidance Venue Running time Tickets Price Range Description Allman, William Blackhurst, Ernest Byren, Peter Carter, Felicity Carter, Harold Clarkson, Norma Davidson, Sally Fowler, Leslie Hughes, Edward D Jones, Sulaned Plant, Susan Yuille, Tom Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production The Mirror Crack'd Thrilling story of revenge and dark secrets based on Agatha Christie's 1962 novel Ran Feb 23, 2026 - Mar 1, 2026 Age guidance 12+ Venue Main House Running time TBC Tickets Price Range £13 - £18 Description THE MIRROR CRACK’D Written by Agatha Christie Adapted by Rachel Wagstaff Directed by Mike Shaw 1960s England, and a wind of change is blowing through the land. It has even reached the sleepy village of St. Mary Mead. There’s a new housing estate to make the villagers curious and fearful. And even stranger, a rich American film star has bought the Manor House. Jane Marple, confined to a chair after an accident, is wondering if life has passed her by. Then there is a vicious murder, and Miss Marple must unravel a web of lies, tragedy and danger. This adaptation of Agatha Christie’s 1962 novel, The Mirror Crack’d , brings real emotional depth and psychological insight to a thrilling story of revenge and the dark secrets that we all hide. But can anything be hidden from Miss Marple, the sweet old lady with mind like a steel trap? Reviews S tagestruck - Rick Bowen “… the Garrick has a sure fire hit on its hands.” - Rick Bowen Read the 4.5 star review HERE Gallery Trailer Trigger Warning This production references to murder, criminal activity, mental illness, grief, infertility, and self-harm. Age Guidance: 12 + Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Previous Next Derrick Kay Derrick joined the theatre in the 1960's. He acted in, and especially directed, many productions, and played an important role in the development of the theatre. He was best known as the Chairman of the Play Selection and Casting Committee for many years, setting a style that was very similar to that used later by Alan Sugar. Garrick auditions could be nerve-wracking experiences for anyone attempting to get onto the acting list, and Derrick retained the final say as to who would be accepted. He would write personal letters to each person who had auditioned, using either "congratulations" or "regrets". It was considered a great honour among the local amateur acting fraternity to receive one of his congratulatory letters. Derrick was determined to maintain the highest acting abilities at the Garrick, an ambition which, to his credit, he achieved. Back to In Memoriam page

Previous Next Audrey Skinner (née Lawson) Audrey's main contribution to the Garrick was on-stage, portraying many larger-than-life characters in both comedic and serious roles for many years. She and her husband Mike were fully involved in the social life of the theatre until they moved away from Altrincham in the late 2000s. Audrey proudly won the competition to invent a catchy name for the fund raising effort in the early 1990's (to raise funds for the theatre renovation). She came up with the S.T.A.G E APPEAL : Support The Altrincham Garrick Enterprise Appeal. Her prize? A bottle of bar steward Gerry Turnock 's champagne ! Back to In Memoriam page

We are always looking for actors of all agesto appear in our productions. No previous experience is necessary, simply sign up here to be auditioned. Get Involved Auditions Come and act in one of the 18 productions that the Altrincham Garrick Society produces each season ! Please refer to the Garrick Actor’s Guide for all information about auditioning for acting roles in our 2025/2026 Season at Altrincham Garrick Playhouse. Download the Actor's Guide for the 2026-2027 Season In addition, each production has a dedicated audition pack, which will be uploaded to our website about 4 weeks before the auditions, and which will include information about what to prepare, character descriptions and more. Note that the Altrincham Garrick is a non-professional organisation, meaning that actors are not paid. If you have any questions about the casting process, please email casting@altrinchamgarrick.co.uk Auditions for Upcoming Productions Auditions for CLOSER- Altrincham Garrick Studio AUDITIONS FOR "CLOSER " - Altrincham Garrick Studio The Audition Date for this production is Tuesday 29th September The Rehearsal Start Date for this production is Sunday 6th December The Production Dates for this production are 19th - 24th January 2027 Written by Patrick Marber Directed by Pete Brassington Four characters—Dan, Anna, Larry, and Alice—navigate love, desire, and betrayal. A quartet of strangers in a sexual square dance, their story unfolds over the span of four years. Closer presents a biting commentary on intimacy, connection, and the often destructive consequences of human interaction. It is an unflinching examination of love’s darker side. As relationships spark, fracture, and shift, the characters circle each other in a brutal game of seduction and confession. Through this roller-coaster of infidelity and deceit, Marber’s anti-romantic romantic comedy offers a cynical, and painfully accurate analysis of love in the modern day. Closer premiered at the Royal National Theatre's Cottesloe Theatre in London in 1997. The play has been described as a work that gets under its audience's skin, and “not for the emotionally squeamish, a work in which Marber is alert to the cruel inequalities of love...” Age Guidance: 15 + Content Warning: this production contains strong and sexually explicit language, adult themes, and scenes of a sexual and violent nature. We are a diverse theatre and we welcome auditionees of all ages (over the age of 18) and all genders, ethnicities, sexualities, disabilities and races, to enrich the work of the production. For more information, please check out our Audition Pack below! Download the "CLOSER" Audition Pack Auditions for Upcoming Productions Auditions for CLUDEO- Altrincham Garrick Playhouse COMING SOON! We are a diverse theatre and we welcome auditionees of all ages (over the age of 18) and all genders, ethnicities, sexualities, disabilities and races, to enrich the work of the production. Rehearsals : Every Monday, Wednesday and Friday 7.30pm – 10pm, and every Sunday 2pm – 5.30pm Click on our AUDITION PACK below for more information! Download the "BLACKADDER GOES FORTH" Audition Pack All in-house Garrick productions are cast by auditions. Once you’ve read all the information in the relevant audition pack, and if you wish to audition, then please email casting@altrinchamgarrick.co.uk with the name of the production in the Subject field, and include your name and contact number. By emailing, you will have registered for an audition. To sign up to our Actor’s Mailing List (to receive regular updates about upcoming auditions) please email casting@altrinchamgarrick.co.uk . Auditions are confirmed and announced here on this page. Auditions are also announced on our own Facebook page and Twitter Feed: https://www.facebook.com/AltrinchamGarrick/ https://twitter.com/AltrinchamG Join our mailing list Subscribe

Terms and Conditions for The Altrincham Garrick Playhouse Terms and Conditions T&C’s for Sale of Tickets GDPR Privacy Policy Health and Safety Policy Child Protection Policy Terms and Conditions for the Sale of Tickets The customer’s attention is particularly drawn to the provisions of Clause 2 (basis of contract). Table of Contents Interpretation Basis of contract Tickets & Entry Terms of Admittance Cancellation Delivery Consents and Prohibitions Liability Data Protection Third Parties Governing Law Jurisdiction 1 Interpretation 1.1 Definitions: “Conditions ” Means the conditions for the purchase of Tickets made between a Customer and The Theatre “Customer ” The person or firm who purchases a Ticket from The Theatre “Event ” Means any entertainment event or performance occurring at the Venue in respect of which Tickets are sold “The Theatre ” Altrincham Garrick Playhouse Limited,Barrington Road, Altrincham, Cheshire, WA15 1HZ “Promoter ” Means the entity which is staging/producing the Event. “Staff ” Employees and volunteers of The Theatre “Tickets ” Means any item which confirms the right to attend the Event “Venue ” Altrincham Garrick Playhouse Limited, Barrington Road, Altrincham, Cheshire, WA15 1HZ 1.2 Interpretation: 1.2.1 A reference to a statute or statutory provision is a reference to it as amended or re-enacted. A reference to a statute or statutory provision includes any subordinate legislation made under that statute or statutory provision, as amended or re-enacted. 1.2.2 Any phrase introduced by the terms including, include, in particular or any similar expression, shall be construed as illustrative and shall not limit the sense of the words preceding those terms. 1.2.3 A reference to writing or written includes email. 2 Basis of contract 2.1 All Tickets are sold subject to availability and these Conditions. 2.2 The order constitutes an offer by the Customer to purchase a Ticket in accordance with these Conditions. 2.3 The order shall be deemed as accepted upon purchase of a Ticket. As such the Customer should read these Conditions prior to purchase. 2.4 These Conditions apply to the contract to the exclusion of any other terms that the Customer seeks to impose or incorporate, or which are implied by trade, custom, practice or course of dealing. 2.5 Customers may purchase tickets online at https://www.altrinchamgarrick.co.uk . Completion of the booking process shall constitute an offer to purchase the Tickets subject to these Terms and Conditions. Acceptance of this offer will only take place once a Booking Confirmation has been sent to the registered email address, not when the credit/debit card is charged. 2.6 If a Customer makes a group booking they accept these Terms and Conditions on behalf of all members of the group and are responsible for any payment which may be due as a result of any member of the group’s actions. 3 Tickets & Entry 3.1 The price of all Tickets are specified on The Theatre website at https://www.altrinchamgarrick.co.uk . 3.2 All Customers must produce a valid Ticket for the Event in order to gain entry to the Venue. All valid tickets must be retained by the Customer for the duration of the Event and made available for inspection on request by a member of Staff. Inability to produce a valid Ticket may lead to expulsion from the Venue. 3.3 It is the Customer’s responsibility to contact The Theatre if a Ticket is lost, damaged or destroyed. Duplicate Tickets may be issued at the discretion of The Theatre (on the evening of the performance only). In such instances photographic identification and proof of address may be requested. 3.4 The Customer is responsible for ensuring that the information on their Ticket is correct. Customers are encouraged to bring any error to the attention of The Theatre as soon as possible. 3.5 The Theatre will use reasonable endeavours to contact Customers if an Event is cancelled/postponed. It is the Customer’s responsibility to check for changes to the Event prior to attending. 3.6 All children regardless of age require a Ticket. 4 Terms of Admittance 4.1 The Theatre reserves the right to refuse admission to a Customer or to eject them from the Venue at any point during an event if in The Theatre’s reasonable opinion a Customer’s behaviour is not suitable for the Event. No Ticket refunds will be available is such instances. Such behaviour includes, but is not limited to, a Customer: 4.1.1 acting in an aggressive manner; 4.1.2 being abusive to, or compromising the safety of any member of Staff, Promoters’ representatives, performer or other Customer; 4.1.3 distracting other Customers from enjoying the Event. 4.1.4 being under the influence of alcohol or drugs; 4.1.5 any breach of these Conditions or statutory law. 4.2 Customers are not allowed to smoke or use e-cigarettes at the Venue. 4.3 Whist reasonable efforts shall be made by The Theatre to give warnings to Customers regarding special effects it is the responsibility of each individual to seek further information or medical advice. 4.4 Mobile phones and any other electronic equipment (e.g. cameras) must be switched off during the Event and no unauthorised recording equipment is allowed in the Venue. Any unauthorised recordings or photographs may be confiscated and destroyed. Neither The Theatre nor the Promoter will be responsible for any loss sustained. 5 Cancellation 5.1 No refunds are available unless the Event is cancelled, postponed or if the Event is materially changed. A material change in the context of these Conditions is a change which, in The Theatre’s reasonable opinion, makes the Event materially different from that booked by a Customer. A cast change, use of understudies and alteration of running time are not considered a material change. 5.2 Exchanges are only permitted at the discretion of the theatre manager and due to exceptional circumstances. If so agreed, the exchange must be for the same event and no later than 5 days before the performance takes place. Exchanges are subject to a £1.00 per ticket administration charge. 5.3 If an Event is cancelled Customers will be refunded the face value of the Ticket. The Theatre will endeavour to refund any monies by the same means as it was received. 5.4 If an Event is postponed or rescheduled the Customer will be offered alternative Tickets. If the alternative Ticket is cheaper the Customer shall be reimbursed the difference. Conversely, if the alternative Ticket is more expensive the Customer shall pay the difference. If the Customer does not wish to take up the offer of an alternative Ticket then they shall be refunded the face value of the Ticket for the cancelled Event. 6 Delivery 6.1 If a Customer chooses to receive their Ticket by post or via the print-at-home facility then it is their responsibility to contact The Theatre if no ticket is received within 7 days of booking. If The Theatre is not notified of the non-receipt of the Ticket then no refund, alternative Ticket or duplicate Ticket shall be offered. 6.2 Tickets shall be posted to the Customer by second class post within 48 hours of the booking being made. The Theatre will not accept any liability for any Tickets mislaid or lost by Royal Mail. 6.3 A delivery fee of £1 per transaction shall be applied in addition to the Ticket price in respect of all Tickets sent from the Box Office to a UK address. For deliveries outside of the UK, Customers are encouraged to contact the Box Office to make additional arrangements. 6.4 Any Tickets booked 7 days or less before the Event is scheduled to take place must collect their Tickets from The Theatre Box Office. 6.5 When collecting Tickets from The Theatre Box Office Customers may be required to provide photographic identification and proof of address. 7 Consents and Prohibitions 7.1 The resale of Tickets is prohibited. The Theatre takes no responsibility for the validity of Tickets purchased through unauthorised facilities. 7.2 By purchasing a Ticket, Customers are deemed to consent to being filmed or photographed where the event or performance is being filmed or photographs taken. 8 Liability 8.1 The Theatre shall not be responsible for any injury to the Customer or loss, theft or damage of Customer’s belongings, other than that caused as a direct result of negligence or other breach of statutory duty. 8.2 Subject to clause 8.1, The Theatre’s total liability to the Customer, whether in contract, tort (including negligence), breach of statutory duty, or otherwise, arising under or in connection with the Conditions shall be limited to the total amount paid for Tickets. 8.3 Nothing in clause 8 excludes or limits liability for death, personal injury or fraud. 8.4 Neither party shall be in breach of this Contract nor liable for delay in performing, or failure to perform, any of its obligations under this Contract if such delay or failure result from events, circumstances or causes beyond its reasonable control, such as power or equipment failure. 8.5 Arrangements, including but not limited to, travel and accommodation, are booked at the Customer’s risk and The Theatre shall not be liable for any additional costs associated with the cancellation of the Event. 9 Data Protection 9.1 The Theatre may use your personal information together with other information for providing services marketing administration and training. We may also keep your information for a reasonable period in order to contact you about our services. Although you may decide by giving us notice in writing at any time that you no longer wish to receive marketing materials. By accepting these terms you are giving your consent to these activities. 10 Third Parties 10.1 No one other than a party to the Conditions shall have any right to enforce any of its terms. 11 Governing Law 11.1 The Contract, and any dispute or claim (including non-contractual disputes or claims) arising out of or in connection with it or its subject matter or formation shall be governed by, and construed in accordance with the law of England and Wales. 12 Jurisdiction 12.1 Each party irrevocably agrees that the courts of England and Wales shall have exclusive jurisdiction to settle any dispute or claim (including non-contractual disputes or claims) arising out of or in connection with the Contract or its subject matter or formation. 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Return to Productions Archive Garrick Production A Streetcar Named Desire Tennessee Williams's American Masterpiece Ran Nov 15, 2021 - Nov 20, 2021 Age guidance Venue Running time Tickets Price Range Description By Tennessee Williams Directed by John Cunningham Winner of the Pulitzer Prize One of the greatest American plays Fading Southern belle Blanche DuBois depends on the kindness of strangers and is adrift in the modern world. When she arrives to stay with her sister, Stella, in a crowded, boisterous corner of New Orleans, her delusions of grandeur bring her into conflict with Stella’s crude, brutish husband Stanley. Eventually their violent collision course causes Blanche’s fragile sense of identity to crumble, threatening to destroy her sanity and her one chance of happiness. Reviews Angela Kelly - North West End UK First performed on Broadway in 1947, Tennessee Williams ‘A Streetcar Named Desire’ is a tragedy that highlights the inequalities of society in post war America. The play particularly shares the negative effects experienced by women during this time. Associated by many as one of the most significant of all American plays, it is certainly a brave step that the Altrincham Garrick Playhouse have undertaken in performing this epic tale. For those unfamiliar with the story, the play relays the story of Blanche Dubois (Kathryn Worthington) who arrives in New Orleans from Laurel, Mississippi having been given “a leave of absence” from her teaching role. She moves into her sister Stella’s apartment (Fiona Primrose) in the unbearable heat of New Orleans that she shares with Stella’s husband, the formidable Stanley Kowalski (Matthew Barnell). The antagonistic relationship between Blanche and Stanley from the moment she arrives in New Orleans provides the audience with a relationship that is uneasy to watch yet at the same time, extremely hard not to watch. Kathryn Worthington must be applauded for her excellent performance as Blanche Dubois, Stella’s estranged sister. Her portrayal of Blanche as a vulnerable woman from Mississippi, desperate to be loved and accepted by all was phenomenal. Her character crumbles as the play progresses and her fragility is heightened when finally, her sanity is questioned towards a dramatic ending. Worthington displays an almost “musical” southern states accent and her portrayal of Blanche's happy go lucky, innocence versus her deep-rooted insecurities was executed to perfection. Fiona Primrose, who portrayed the part of the dutiful wife Stella Kowalski, in some ways demonstrated the hopelessness of a woman in this era. Primrose displayed the internal struggle to fight the desperation to please her husband whilst battling with her need to provide Blanche with stability, love and understanding. Primrose demonstrated clearly to the audience that she was in turmoil between her need to protect Blanche and her duty to stay married to Stanley, even when violence ensued. Primrose’s representation of the character was exemplary. Matthew Barnell gave a solid performance as Stanley Kowalski and his unwavering masculinity, anger, pride and insistence on consistently being “top dog”. The poker scenes were well executed, and the drunken behaviour made it clear to the audience that whatever state Stanley Kowalski was in he always was to be “the man in charge.” With an abundance of stage presence, Barnell ensured Stanley was viewed as man hard to love, even by his friends at times. The set and staging worked very well in that it was consistent throughout. Impressive that even the bathroom which was a key reference point (and in reality, actually only showed the actors walking in and out of a door) demonstrated how well this was carried out. The various areas on stage were all meaningful to the entire play so it was a positive decision that they appeared to be fluidly utilised. The outside of the apartment of a noisy New Orleans and the inside of the apartment were closely connected which was key to the entire play. The deterioration of Blanche's mental health was also displayed by the clever use of jazz music on the set and Christine Mills on sound designed by director John Cunningham must be congratulated for this. The music continued during Blanche's eventual demise but eventually the sounds were almost entirely only experienced by Blanche. It did not go unnoticed that even the sound of the doorbell on set needed to be executed to perfection. A Streetcar named Desire is a story about types of love alongside fantasy versus the harsh reality of society. It is evident that Director John Cunningham has produced another fabulous piece of theatre and must be congratulated. It is no easy feat to produce such an iconic piece of theatre and A Streetcar Named Desire has given a much loved play a very positive nod. A play that is as thrilling to watch as it is uncomfortable, if you are a fan of this classic play by Tennessee Williams it is essential viewing for sure. An excellent production. Reviewed: 15th November 2021 Rating: ★★★★★ Rick Bowen - Stagestruck Director John Cunningham and his cast take the audience on an emotional journey in a captivating and at times touching and deeply moving production of this American classic. Unless you don’t have a heart, it’s impossible not to be affected by what unfolds on stage, in this absorbing piece of theatre from the pen of the great Tennessee Williams. Watching the play is draining at times, so goodness knows what performing it must be like for a tight knit and talented cast who make it their mission to make sure not a word of the wonderful Williams dialogue isn’t wasted. Blanche goes to stay with her sister, Stella, in the seedily seductive French quarter of New Orleans, where she finds her sibling living in a dingy two bedroom flat with her husband, Stanley. It’s a strange set up because the family has known the meaning of the word ‘affluence’ in the past and mystery surrounds just what happened to the former family home. Stanley quickly resents having Blanche around, with what he sees as her dubious past and irritating airs and graces. She compares the self-proclaimed king of his castle to an ape, branding him ‘common.’ But that really is an insult to our closest relatives. While I was naturally repulsed by the way Stanley treats his visitor and women in general, maybe I’m being a little too 21st century about it and ignoring the fact there were and surely still are many men like him who make the lives of those around them utterly miserable. Cunningham’s accomplished direction has drawn out fine performances from Matthew Banwell as Stanley and Kathryn Worthington and Fiona Primrose as Blanche and Stella, who evoke an authentic and endearing sisterly bond on stage. I also liked Paul Cuddy as Mitch, one of Stanley’s poker player pals who is by far the most gentlemanly of a motley crew. Cuddy ensures you feel for Mitch as he attempts to woo Blanche as she toys with his affection. Don’t miss this memorable production of an all American classic. Exceptional. Star rating **** Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Productions The Winslow Boy Ran Nov 14, 2011 - Nov 19, 2011 Age guidance Venue Running time Tickets Price Range Description England 1912. Based on a real life legal case, the play concerns 13 year old cadet Ronnie Winslow, who is expelled from military college for the theft of a five shilling postal order. His father, believing in his son's innocence and moreover that the boy has not received a fair hearing, will not let the matter lie. He embarks on a case that will last several years and becomes the source of much attention from the press and public with some admiring Winslow's perseverance and others perplexed by his unwillingness to drop what they see as a trivial matter, especially given what is brewing in Europe. Set in the years leading up to the First World War, the play has a familiar English drawing room feel. There is a sense of events taking place during a brighter, better time that exists no longer, and this is echoed in the light, airy set - but it is also an utterly compelling piece of theatre. CAST Ronnie Winslow - Daniel Shaw Grace Winslow - Jane Marsh Arthur Winslow - David Reynolds Catherine Winslow - Ali Davenport Dickie Winslow - Chris Mawson John Watherstone - Jon White Desmond Curry - David Ades Miss Barnes - Sandy McGuire Freda - Di Boyer Sir Robert Morton - Martin Oldfield Violet - Lindsey Andrews Reviews Review by Rick Bowen in the Sale & Altrincham Messenger Blood is Thicker Than Water in The Winslow Boy The crime that gets Ronnie Winslow kicked out of naval cadet school wouldn't raise any eyebrows these days. What does make an impression when watching The Winslow Boy is the way his family fight like tigers to clear his name. Particularly his father, Arthur, whose appetite for the struggle remains undiminished even when his health starts failing him. There are some touching scenes between Ronnie and his dad, a character hopelessly set in his ways and these are perfectly played by Daniel Shaw and David Reynolds in Altrincham Garrick's latest production. David has the sort of voice I could listen to for hours and they look and sound like a real father and son. The Winslow Boy tells an uplifting story at a sedate pace and there are some wonderful lines in Rattigan's thoughtful and at times witty script. In Catherine Winslow, Ronnie's sister, the writer gives us a woman who dares to speak her mind in an age where many were still subservient to the men in their life. For me, this is Ali Davenport's best performance to date on the Garrick stage and Catherine memorably clashes with cold fish of a lawyer Sir Robert Morton, played by Martin Oldfield. I'm rapidly coming to the conclusion that this man is incapable of a bad performance. The Winslow Boy is based on a true story which ends far more sadly than this hugely enjoyable play. Star Rating ★★★★ Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Previous Next Pat Williamson Pat was a Headmistress at a large infant school in Manchester who joined the Garrick in 1983. Remembered for her warm and friendly personality, she was a hugely talented actress playing a wide variety of roles on the Garrick stage, starting with Miriam in Outside Edge and finishing with Lady Tressilian in Towards Zero in 2019. In comedic roles, which she excelled at, she was often cast as "a batty old lady" (her words) such as Miss Skillen in See How They Run , Miss Whitchurch in The Happiest Days of Your Life , the inebriated Mrs McGee in Corpse , Mrs Verrinder-Gedge in Glorious and, of course, Letticia Cropley in The Vicar of Dibley . She also took on many serious roles, such as Mrs Birling in An Inspector Calls , George in The Killing of Sister George , Hesther Salomon in Equus , Madge in The Dresser , and Marion Bishop in Nightmare (for which she won a NODA Best Actress award). In pantomime, she played the Wicked Witch in Mother Goose and an air-guitar playing Fairy Godmother in Cinderella . Off stage, she freely gave her time volunteering as a Front of House usher and sewing on sequins in wardrobe, and she never missed a social event. She was also involved with Cheadle Players, and the Altrincham Little Theatre for whom she won the GMDF Best Actress award playing in Stevie and she took part in a radio play on Radio Manchester. In short: Pat was a memorable actress on stage and played an integral part in the success of the Garrick for over 40 years. Back to In Memoriam page

Return to Productions Archive Garrick Production One Flew Over The Cuckoo's Nest Performed by The Garrick Ensemble / PLEASE NOTE: 50% reduced capacity and socially distanced seating on Tuesday, Wednesday and Thursday evenings Ran Feb 7, 2022 - Feb 12, 2022 Age guidance Venue Running time Tickets Price Range Description By Dale Wasserman From the Novel by Ken Kesey Directed by Joseph Meighan Please Note – Reduced capacity and socially distanced seating for our Tuesday, Wednesday and Thursday evening performances of this production. Boisterous, ribald and ultimately shattering, One Flew Over the Cuckoo‘s Nest is the unforgettable story of a mental hospital and its inhabitants. When a brash new inmate arrives, the rigid program of the ward, headed by the tyrannical Nurse Ratched, is thrown up for grabs. In a world where sanity means conformity and following the rules is the only way to survive, One Flew Over the Cuckoo‘s Nest is a powerful exploration of both the beauty and the danger of being an original. Volatile and dark, humorous, thought-provoking and with strong language, this play (based on the classic 1962 novel by Ken Kesey and the 1972 film starring Jack Nicholson, which won five major Academy awards) is a true cult classic and will be an unforgettable evening at Altrincham Garrick Playhouse, performed by The Garrick Ensemble. WARNING – this production contains strong language and adult themes. The Garrick Ensemble is a company of 18 – 30 year old aspiring actors from Greater Manchester and Cheshire who perform one production each year as part of the Altrincham Garrick Playhouse Main House Season. The production will be directed by Artistic Director Joseph Meighan. The Garrick Ensemble aims to make theatre that is fresh, innovative and exciting. See the very best of local, up and coming talent before they move forward in the next stages of their careers in the Arts. Reviews Rick Bowen - Stagestruck WHEN the criminal Randle Patrick McMurphy is admitted to a cheerless psychiatric hospital, he doesn’t simply rock the boat. He capsizes it. This American classic, from the pen of Ken Kesey, has lost none of its power to shock, move or captivate in a stage adaptation that certainly succeeds in capturing the spirit of the original, rather wonderful novel. McMurphy, in a bid to avoid a jail sentence, pleads insanity and ends up in a grim institution presided over by one of contemporary literature’s most horrendous baddies, the notorious Nurse Ratched. She hides behind a veneer of care and compassion. In reality of course, she has no concept of either is particularly cruel to the stammering Billy, knowing exactly which buttons to press when it comes to making him feel guilty when this sad and sympathetic character has a glimpse of normality courtesy of the rebellious new arrival McMurphy. In him she finds a formidable adversary, as he reminds his fellow patients what it feels like to live again, organising a number of events that fly in the face of the hospital’s draconian rules. For those of you who are new to this tale I won’t be a party pooper. Let me just say McMurphy’s antics lead to a number of unforgettable scenes on the Garrick stage. Director Joe Meighan must have thought all his birthdays had come at once when Joseph Morgan auditioned for the role of Randle P McMurphy. Morgan brings a freshness and an individuality to the part immortalised on the big screen by the legendary Jack Nicholson. Matthew Spilsbury is simply outstanding as the towering Chief Bromden, offering us a heart breaking reminder of the appalling treatment meted out to the native Americans in ‘the land of the free.’ Returning to Ratched, I really admire Madeleine Healey for the way she resisted the temptation to take the pantomime villainess route when playing the role and I challenge anyone not to be moved by the scene with Billy – an excellent Charlie Gallagher – in which she crushes him by re-visiting the character’s innate sense of guilt. One Flew Over The Cuckoo’s Nest is yet another triumph for this theatre’s dynamic and exciting young actors group, the Garrick Ensemble. This a production not to be missed. Boy, how I wish I could write like Ken Kesey. Flawless – in every respect. Star rating ***** Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Productions What Happened to George Ran Jan 1, 1947 - Jan 1, 1947 Age guidance Venue Running time Tickets Price Range Description Abbott, Amy Beck, June Blackhurst, Ernest Brown, Sydney Creacall, Edward Daltry, Joyce Dean, Kenneth W Falkner, Robert Green, Joyce Hibbert, Sydney Lightowler, Ronnie R Neil, Ian Neild, Barry Pimlott, (Allman) Emmie Poole, Brian Stroud, Barbara Walsh, Katie Warrington, Betty Wood, Barrie Wood, Michael Whyatt, Egerton G Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production Pennyroyal The Studio 2023/2024 Season - A Series of All Female Plays. Ran Jan 23, 2024 - Jan 28, 2024 Age guidance 14+ Venue Studio Running time 1 hour and 20 minutes with no Interval Tickets Price Range £12 - £14 Description “I think of my body sometimes like it's stubborn. We're not good friends. Like it's a spooky hotel, and I'm a ghost haunting it. 'Cause you don't live in a hotel, you just pass through.” When Daphne is diagnosed with Premature Ovarian Insufficiency at the age of nineteen, her sister Christine steps in to help in the only way she knows how: by donating her eggs. For a while, the world seems corrected. But as the years go by – and Daphne sets out on the long road of IVF – the sisters' relationship begins to twist. Pennyroyal is a heartrending new play by Lucy Roslyn about sisterhood and motherhood, enduring love, and regrets many years in the making. Inspired by Edith Wharton's 1922 novella The Old Maid , it premiered at the Finborough Theatre, London, in 2022. This play runs at 1 hour and 20 minutes with No Interval. Reviews 5 Stars from Rick Bowen at Stagestruck who describes the play as "Exceptional, a must see" To read the full review, CLICK HERE: https://www.stagestruck.info/blog/2024/1/23/pennyroyal-lauriston-studio Gallery Trailer Trigger Warning This production contains very strong language and some upsetting themes including infertility and IVF Treatment. Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Productions Fatal Attraction Ran Jan 20, 2020 - Jan 25, 2020 Age guidance Venue Main House Running time Tickets Price Range Description While at her beach house, (a remote cliff side cottage on Nantucket Island) sorting out her divorce, movie star Blair Griffin spots a paparazzo who has been stalking her. She takes a bold step to shake him loose, setting in motion a series of shocking and terrifying events. The unconventional Lieutenant Braden delves into sinister motivations to unravel the plots within plots in this thrill-a-minute action mystery. A Fantastic Mystery Thriller (not to be confused with the film of the same name). Reviews Review by Rick Bowen for StageStruck FIRST things first. This is nothing to do with the steamy thriller starring Michael Douglas but rest assured dear theatregoer, it is just as compelling and just as captivating. We meet one of the most fascinating female characters I’ve seen on any stage, amateur or professional, in the shape of actress Blair Griffin, who apparently witnesses the murder of her ex husband at her hilltop retreat. But all is not what it seems in Bernard Slade’s cleverly crafted and darkly funny thriller as we see another side of the enigmatic fading film star, brought so engagingly to life here by Garrick debutante Antonia Whitehead. Even I felt spooked as she played the victim - Blair just never stops acting and can turn on emotions as easily as most of us would turn on a tap. Whitehead’s performance is so convincing I’m certain her first performance on this stage won’t be her last. But has Blair met her match in seasoned and cynical cop Gus Braden - an outstanding Nick Sample - in a play that’s sure to get the audience’s tongues wagging afterwards? Beverley Stuart Cole gives her best acting performance to date as Blair’s lush of an agent, Maggie Stratton. Fatal Attraction is a major triumph for Director Bill Platt and his creative team and it would be a crime - pun intended - if theatre as good as this failed to play to packed houses. You really have no idea what’s coming next in a piece that’s perfect for dark, winter nights.. A real tale of the unexpected, this one. Highly recommended. Rating: ★★★★ Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Productions Free as Air Ran Jan 1, 1960 - Jan 1, 1960 Age guidance Venue Running time Tickets Price Range Description Bell, Richard Burgess, Pamela Caldwell, Pamela Evison, Ray Grimshaw, Joan Harrop, David Holt, Margaret Lee, Muriel Lee, Reg Lewis, Cynthia Loveday, Harry Owen, Barbara Price, Mair Shaw, John Walton, Barbara Wilkinson, Wallace Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Complete this form for hiring stage weaponry (guns, swords and more), costumes and props. You can also hire our auditoria and meeting rooms - or even the whole Playhouse itself. Garrick Hire Altrincham Garrick Hire Form Complete this form to start an enquiry about hiring from the Garrick To initiate a new hire request of the Altrincham Garrick, please complete the following form. Don’t forget the Submit button at the end! We will reply to you as soon as possible, which should be within one working day. (Note: we aren’t likely to process requests over a weekend.) Hire Form Organisation Contact Name Telephone Email How did you hear about us? Production Title Hire Dates Enquiry Submit Thank you for asking about hiring from the Altrincham Garrick. We aim to get back to you very soon. Join our mailing list Subscribe

Previous Next Stella Sails (née Doyle) Stella was a wonderfully versatile actress, first performing at the Garrick in 1975 in Who killed Santa Claus . Her other credits include After the Fall by Arthur Miller, Twelfth Night (playing Maria), A Man for All Seasons , Fifteen Streets , Move Over Mrs Markham , and The Winslow Boy . She also appeared with the Garrick company at the Edinburgh Fringe in 1982. Backstage, Stella was heavily involved in wardrobe, as an ASM and prompt, and she took a full part in the social life of the theatre. Back to In Memoriam page

Return to Productions Archive Garrick Production Ross and Rachel Home Streaming via YouTube Ran May 17, 2022 - May 22, 2022 Age guidance Suitability: 14+ Venue Running time Tickets Price Range Description By James Fritz Directed by Carole Carr Performed by Fiona Primrose No one told them life was gonna be this way… Ross & Rachel . You know the ones. Will they? Won’t they? On. Off. On again. Off again. On a break. Vegas. Emma. “I got off the plane”… Ross & Rachel tells the mind-bending, heart-breaking story of what happens when a couple that was always meant to be together, gets together. And stays together. James Fritz’s play isn’t about Ross Geller and Rachel Green, the ultimate Friends-turned-lovers. But it’s not – not about them. A dark and uncompromising play that explores romance, expectation and mortality, and the idea of ‘happy-ever-after’ – sold to us by rom-coms and sitcoms, whether it’s Ross and Rachel or Romeo and Juliet – and how this affects our real-life relationships. Suitability: 14+ Contains strong language and adult themes which some viewers may find disturbing. Reviews Gallery Trailer Trigger Warning Contains strong language and adult themes which some viewers may find disturbing. Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

The Altrincham Garrick Playhouse is the beating heart of the community. A 401-seat main auditorium and a 49-seat studio theatre, cinema, many visiting productions and the youth academy make the Garrick community creative social place for all to enjoy. About Us About the Theatre Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. About the Theatre History of the Garrick In Memoriam: Past Members of the Garrick Productions Archive The Garrick Theatre Established in 1914, The Altrincham Garrick Society aims to present Drama, Comedy, Musicals and Pantomime – and is happy to consider presenting other forms of the dramatic arts ! The Playhouse was built through membership donations in 1932 – its main auditorium seats 401 and is typically in use throughout September to July. A Garrick Academy of the Performing Arts runs term-time Saturday classes for children aged 5 to 18, as well as a week-long Summer School in August. The Society typically produces 13 main stage productions per year, including the Pantomime and the annual GAPA (Youth Academy) production. The Playhouse also hosts many shows from professional individuals and professional production companies. In addition, the Garrick Picturehouse comprises a large screen, which is used to show cinema films and “as-live” recordings of professionally-staged productions. Finally, the Studio is a 49-seat venue at the back of the building, in which more experimental and more intimate theatre is staged. The theatre is staffed and managed mainly by volunteers, with a small number of employees in specific areas (for example the Artistic Director and Operations Director, Box Office, Accounting, Maintenance and more). The theatre is a registered charity, so the management of the theatre finances and legal issues is governed by a Board of Trustees. Together this makes up the Garrick Theatre family. The Garrick Studio If you are looking for something more exciting to tickle your theatrical taste buds, why not throw caution to the wind and visit our smaller theatre: The Studio. The Studio is perfect for that feeling of being part of the action and where you can experience the intimacy of the story telling. Here you can get up close and personal with the actors as they wow you with their performances. We do not allow touching or the feeding of our actors, however, as some of them have been known to bite! The Studio has its own private entrance onto the car park and patrons have full use of the Garrick bar and all our facilities in the main building. It seats 49 comfortably and it is also accessible for wheelchairs. The Studio is where we stage productions that are not always suitable for our main stage (401 seats) and therefore our shows often fill up quickly. The Studio’s reputation has continued to grow over the years with its thought-provoking and exciting plays. We regularly experience sell-out shows. These productions can be challenging, deeply moving, hilarious or outrageous! You decide. Join our mailing list Subscribe

Return to Productions Archive Garrick Production The Beauty Queen of Leenane The Irish Studio Season: A dark, comedic, thriller Ran Oct 1, 2024 - Oct 6, 2024 Age guidance 16+ Venue Altrincham Garrick Studio Running time TBC Tickets Price Range £12.50 - £14.50 Description Written by Martin McDonagh Directed by Mark Goggins “Sometimes I dream… of anything! Of anything. Other than this.” In the mountains of Connemara, County Galway, Maureen Folan – a plain, lonely woman, tied to her manipulative and ageing mother, Mag – comes alive at her first and possibly last prospect of a new life. But Mag has other ideas; and her interference sets in motion a train of events that leads inexorably towards the play’s breathtaking conclusion. The Beauty Queen of Leenane is one of playwright Martin McDonagh’s (Three Billboards Outside Ebbing, Missouri, The Lieutenant of Inishmore) finest achievements. Winner of four Tony Awards on Broadway and nominated for an Olivier Award, the play conjures up the unbearable tension and loneliness of an isolated existence. A dark, comedic, thriller. Reviews Gallery Trailer Trigger Warning This production includes scenes of violence, cruelty and strong language. The production also contains sexual references and themes of loneliness, abuse and mental health. Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Visiting Production Terry Christian - Confessions of an Irish Catholic Date range Tickets £18.50 Age guidance 18+ Venue Main House Trigger warning Find out more Book now Running time TBC Group bookings Find out more Accessibility Find out more A bitingly funny journey through the inner-city childhood of one of Britain’s most outspoken TV presenters, Terry Christian. Terry bares all in his stand-up show, ‘Confessions of an Irish Catholic’, lifting the lid on Catholicism ; Madchester; The Word; Hollywood Stars; and Celebrity . “Christian himself is a natural and fantastically self-deprecating stand-up. He has found a natural home on the stage – a welcome reinvention for him and a great evening of laughs for those in the audience. As someone who is also from a massive Irish-Mancunian Catholic family, there was so much I could relate to and Christian's very cheeky and spikey pops at the Catholic Church would make my Irish mammy blush (but chuckle too) and for anyone who has ever know a nasty nun or pompous priest, there are lots of laughs to be had. I grew up watching my parents howl with laughter at the Irish comedian Dave Allen and parts of Christian's set echo some of Allen's philosophy that it is healthy to laugh not just at yourself but of course, at the Church and those in power.” (The Huffington Post) “Easy to watch, intelligent and funny for that. A great night out.” (Yorkshire Times). “This hilarious romp through the guilt ridden, and occasionally dark, realms of life is another brave step for Terry. He brings all the maverick qualities that made him a media bête noire in the 90s, via C4’s The Word, to deliver an honest, funny and sometimes profound stand-up performance.” (The Yorkshire Post) Visiting Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

The Altrincham Garrick Playhouse recognizes its duty of care under the Children and Young Persons Act 1963, the Child (Performances) Regulations 1968, the Protection of Children Act 1999 and the Criminal Justice and Court Services Act 2000. Child Protection Policy T&C’s for Sale of Tickets GDPR Privacy Policy Health and Safety Policy Child Protection Policy The Altrincham Garrick Playhouse recognizes its duty of care under the Children and Young Persons Act 1963, the Child (Performances) Regulations 1968, the Protection of Children Act 1999 and the Criminal Justice and Court Services Act 2000.The society recognizes that abuse can take many forms, whether it be physical abuse, emotional abuse, sexual abuse or neglect. The society is committed to practice which protects children from harm. All members of the society accept and recognize their responsibilities to develop awareness of the issues which cause children harm. The society believes that: The welfare of the child is paramount; All children, whatever their age, culture, disability, gender, language, racial origin, religious beliefs and/or sexual identity have the right to protection from abuse; All suspicions and allegations of abuse should be taken seriously and responded to swiftly and appropriately; All members and employees of the society should be clear on how to respond appropriately. The society will ensure that: All children will be treated equally and with respect and dignity; The welfare of each child will always be put first; A balanced relationship based on mutual trust will be built which empowers the children to share in the decision making process; Enthusiastic and constructive feedback will be given rather than negative criticism Bullying will not be accepted or condoned; All adult members of the society provide a positive role model for dealing with other people; Action will be taken to stop any inappropriate verbal or physical behaviour; It will keep up-to-date with health & safety legislation; It will keep informed of changes in legislation and policies for the protection of children; It will undertake relevant development and training; It will hold a register of every child involved with the society and will retain a contact name and number close at hand in case of emergencies. The society has child protection procedures which accompany this policy. This policy should also be read in conjunction with the society’s Theatre Handbook and Health & Safety Policy. The society has a dedicated Child Protection Officer, who is in charge of ensuring that the Child Protection policy and procedures are adhered to. This policy will be regularly monitored by the Executive Committee of the society and will be subject to annual review. Child Protection Procedures Responsibilities of the Society At the outset of any production involving children the society will: Undertake a risk assessment and monitor risk throughout the production process; Identify at the outset the person with designated responsibility for child protection; Engage in effective recruitment of chaperones and other individuals with responsibility for children, including appropriate vetting (if necessary in consultation with the local education authority); Ensure that children are supervised at all times; Know how to get in touch with the local authority social services, in case it needs to report a concern. Parents The society believes it to be important that there is a partnership between parents and the society. Parents/guardians are encouraged to be involved in the activities of the society and to share responsibility for the care of children. All parents will be given a copy the society's Child Protection Policy and procedures .All parents/guardians have the responsibility to collect (or arrange collection of) their children after rehearsals or performances. It is NOT the responsibility of the society to take children home. Unsupervised Contact The society will attempt to ensure that no adult has unsupervised contact with children. If possible there will always be two adults in the room when working with children. If unsupervised contact is unavoidable, steps will be taken to minimize risk. For example, work will be carried out in a public area or in a designated room with a door open. If it is predicted that an individual is likely to require unsupervised contact with children, he or she may be required to obtain a criminal record disclosure. Physical Contact All adults will maintain a safe and appropriate distance from children. Adults will only touch children when it is absolutely necessary in relation to the particular activity. Adults will seek the consent of the child prior to any physical contact and the purpose of the contact shall be made clear. Managing sensitive information The society has a policy and procedures for the taking, using and storage of photographs or images of children. Permission will be sought from the parents/guardians for use of photographic material featuring children for promotional or other purposes. The society’s web-based materials and activities will be carefully monitored for inappropriate use. The society will ensure confidentiality in order to protect the rights of its members, including the safe handling, storage and disposal of any sensitive information such as criminal record disclosures. Suspicion of abuse If you see or suspect abuse of a child while in the care of the society, please make this known to the person with responsibility for child protection. If you suspect that the person with responsibility for child protection is the source of the problem, you should make your concerns known to the Chairman. Please make a note for your own records of what you witnessed as well as your response, in case there is follow-up in which you are involved. If a serious allegation is made against any member of the society, chaperone, venue staff etc., that individual will be suspended immediately until the investigation is concluded. The individual will be excluded from the theatre; rehearsal rooms etc. and will not have any unsupervised contact with any other children in the production. Disclosure of abuse If a child confides in you that abuse has taken place: Remain calm and in control but do not delay taking action. Listen carefully to what has been said. Allow the child to tell you at their own pace and ask questions only for clarification. Don’t ask questions that suggest a particular answer. Don’t promise to keep it a secret. Use the first opportunity you have to share the information with the person with responsibility for child protection. Make it clear to the child that you will need to share this information with others. Make it clear that you will only tell the people who need to know and who should be able to help. Reassure the child that they did the right thing in telling someone. Tell the child what you are going to do next. Speak immediately to the person with responsibility for child protection. It is that person’s responsibility to liaise with the relevant authorities, usually social services or the police. As soon as possible after the disclosing conversation, make a note of what was said, using the child’s own words. Note the date, time, any names that were involved or mentioned, and who you gave the information to. Make sure you sign and date your record. Recording In all situations, including those in which the cause of concern arises from a disclosure made in confidence, the details of an allegation or reported incident will be recorded, regardless of whether or not the concerns have been shared with a statutory child protection agency. An accurate note shall be made of the date and time of the incident or disclosure, the parties involved, what was said or done and by whom, any action taken to investigate the matter, any further action taken e.g. suspension of an individual, where relevant the reasons why the matter was not referred to a statutory agency, and the name of the persons reporting and to whom it was reported. The record will be stored securely and shared only with those who need to know about the incident or allegation. Rights & Confidentiality If a complaint is made against a member of the society he or she will be made aware of their rights under the society's disciplinary procedures. No matter how you may feel about the accusation, both the alleged abuser and the child who is thought to have been abused have the right to confidentiality under the Data Protection Act 1998. Remember also that any possible criminal investigation could be compromised through inappropriate information being released. In criminal law the Crown or other prosecuting authority has to prove guilt and the defendant is presumed innocent until proven guilty. Accidents To avoid accidents, chaperones and children will be advised of ‘house rules’ regarding health and safety and will be notified of areas that are out of bounds. Children will be advised of the clothing and footwear appropriate to the work that will be undertaken. If a child is injured while in the care of the society, a designated first-aider should administer first aid and the injury will be recorded in the society’s accident book. This record will be counter-signed by the person with responsibility for child protection. If a child joins the production with an obvious physical injury a record of this will be made in the accident book. This record will be counter-signed by the person with responsibility for child protection. Criminal Record Disclosures If the society believes it in is in its best interests to obtain criminal record disclosures for chaperones or other personnel it will inform the individual of the necessary procedures and the level of disclosure required. An Enhanced disclosure will be required. The society will have a written code of practice for the handling of disclosure information and aim to prevent misuse. Chaperones Chaperones will be appointed by the society/appointed persons for the care of children during the production process. By law the chaperone is acting in loco parentis and should exercise the care which a good parent/guardian might be reasonably expected to give to a child. The maximum number of children in the chaperone’s care shall not exceed 12. Potential chaperones may be required to supply photographic proof of identity and two references from individuals with knowledge of their previous work with children, unless already well known to the society. They may also be asked to sign a declaration stating that there is no reason why they would be considered unsuitable to work with children. Chaperones will be made aware of the society’s Child Protection Policy and Procedures. Where chaperones are not satisfied with the conditions for the children, they should bring this to the attention of the director/stage manager. If changes cannot be made satisfactorily the chaperone should consider not allowing the child to continue. If a chaperone considers that a child is unwell or too tired to continue, the chaperone must inform the director/stage manager and not allow the child to continue. No child of compulsory school age is permitted to do anything which may endanger life or limb. This could include working on wires or heavy lifting. Chaperones should tell the director/stage manager to cease using children in this way, and should contact the local authority. During performances, chaperones will be responsible for meeting children at the stage door and signing them into the building. Children will be kept together at all times except when using separate dressing rooms. Chaperones will be aware of where the children are at all times. Children are not to leave the theatre unsupervised by chaperones unless in the company of their parents/guardians. Children will be adequately supervised while going to and from the toilets. Children will not be allowed to enter the adult dressing rooms. Chaperones should be aware of the safety arrangements and first aid procedures in the venue, and will ensure that children in their care do not place themselves and others in danger. Chaperones should ensure that any accidents are reported to and recorded by the society. Chaperones should examine accident books each day. If an accident has occurred, the producer is not allowed to use that child until a medically qualified opinion has been obtained (not just the word of the parent or child). Chaperones should have written arrangements for children after performances. If someone different is to collect the child, a telephone call should be made to the parent/guardian to confirm the arrangements. Children should be signed out when leaving and a record made of the person collecting. If a parent has not collected the child, it is the duty of the chaperone to stay with that child or make arrangements to take them home. This policy is applicable to and focuses on, children of compulsory school age and below. A child is required to attend school unless they are over the age of 16 on 31st of August, or until the last Friday in June after their 16th birthday. Join our mailing list Subscribe

Previous Next Terry Chandler Terry Chandler was a very well-known figure throughout Manchester dramatics, and the theatre is very proud that he called the Garrick "home". He performed on the Garrick stage many times, and will always be remembered for the role of Albin in La Cage Aux Folles , which became his from the first moment he pulled on his frock. La Cage Aux Folles was such a success that it was performed for a total of 8 times, due to unprecedented public demand. A Garrick record. Many in the audience came to multiple performances, often in fancy dress. The show created an electric atmosphere and the finale was always greeted by a standing ovation. Terry also performed his Albin at Oldham Coliseum. . Terry also served on the Executive Committee, and directed many plays and musicals at the Garrick and elsewhere. He won awards from NODA and GMDF both for acting and directing, and NODA established "The Terry Chandler Award for Best All Round Performer" in his memory. Terry died tragically too early, of a heart attack in 2008, leaving his wife Anne and daughter Laura to carry on his support for the Garrick. See also this tribute from the Manchester Evening News. Back to In Memoriam page

This page is part of the Booking Journey, for booking events and tickets at the Altrincham Garrick Playhouse. Your Selection Your selection Basket Checkout The girl on the train 18 - 26 October 2023 Please select the performance Thu 19 Oct 14:00 PM Book Now Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Return to Productions Archive Garrick Production David Ballard Ran Jan 3, 1920 - Jan 3, 1920 Age guidance Venue Running time Tickets Price Range Description By Charles McEvoy CAST Bonson, John P Booth, G Frederick Gordon, Eleanor Higgs, Elsie Lowe, Lois M Nixon, Walter S Warburton, George A Warburton, Ida Wilson, Tom Wilkinson, John Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production A Man of No Importance The Irish Studio Season: A Musical Comedy about an amdram group facing opposition from the Church Ran Mar 25, 2025 - Mar 30, 2025 Age guidance 12+ Venue Altrincham Garrick Studio Running time TBC Tickets Price Range £14.50 - £16.50 (Studio Musical) Description Book by Terrance McNally Music by Stephen Flaherty Lyrics by Lynn Ahrens Directed by Barry Purves In Dublin in 1964, bus conductor and Oscar Wilde fan Alfie has ambitions to stage Salome , despite the objections of the church hierarchy at St Imelda's, where his amateur theatre group is based. When a newcomer to town, Adele, joins his passengers, he realises he has found the right person for the title role and starts to assemble his cast. Meanwhile Alfie's sister Lily mistakes her brother's interest in Adele as romantic - she longs to have him off her hands so she can be free to marry. Little does Lily realise that Alfie's love "dare not speak its name" and the object of his affections is in fact bus driver Robbie. As opening night draws near, secrets come spilling out which threaten to shake this little community to its core. But camaraderie and the redeeming power of theatre offer a thread of hope in this story of friendship, forbidden love and finding our place in the world. Winner of the 2003 Outer Critics Circle Award for Best Musical, A Man Of No Importance is the second successful collaboration by the team of Terrence McNally, Lynn Ahrens and Stephen Flaherty, all of whom won Tony Awards for Ragtime . Reviews Rick Bowen - Stagestruck - 5 Stars Please visit: https://www.stagestruck.info/blog/2025/3/26/a-man-of-no-importance-lauriston-studio Gallery Trailer Trigger Warning This production contains depictions and themes of violence and homophobia and includes and mild language. Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Our regular newsletters contain details of forthcoming shows, news about the theatre and updates on our various groups and activities. It's absolutely FREE. Mailing List Enter your email address and we'll keep you updated with what's going on at the Altrincham Garrick Playhouse. This will sign you up to receive communications from the Garrick including: emails about future events and offers, postal mailings about future events and offers, opportunities to support the Garrick, and Creative Engagement information opportunities and news. You'll receive one or two emails per week. To choose which communications you’d like to receive, log in to your account to update your contact preferences, after you’ve signed up. Sign up for our mailing list First Name Last Name Email Address Please confirm that you have read our privacy policy? * I have read and accepted the privacy policy Submit Thanks for submitting!

Garrick Production Cluedo Date range Tickets £14 - £19.50 Age guidance Venue Main House Trigger warning Find out more Book now Running time TBC Group bookings Find out more Accessibility Find out more Written by Sandy Rustin. Based on the Paramount Pictures Motion Picture and the Hasbro Board Game. Directed by Nick Sample. The hilarious whodunnit play! It’s a dark and stormy night, and you’ve been invited to a very unusual dinner party. Each of the guests has an alias, the butler offers a variety of weapons, and the host is, well . . . dead. So whodunnit? Join the iconic oddballs known as Scarlet, Plum, White, Green, Peacock, and Mustard as they race to find the murderer in Boddy Manor before the body count stacks up. Based on the cult classic film and the popular board game, Cluedo is a madcap comedy that will keep you guessing until the final twist. Murder and blackmail are on the menu! Based on the Screenplay by Jonathan Lynn Additional Material by Hunter Foster and Eric Price “CLUEDO is presented by special arrangement with Broadway Licensing, LLC, servicing the Dramatists Play Service Collection. (www.dramatists.com ) Garrick Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Rent our theatre prop Guns and Rifles - a large variety Available. Garrick Hire Prop Gun and Rifle Hire Hire blank-firing and non-firing guns and rifles About the Armoury Prop Gun & Rifle Hire Prop Swords, Knives & Miscellaneous The Altrincham Garrick is pleased to offer a large selection of replica guns and rifles as part of our prop gun hire department. This covers a huge selection of fake handguns, pistols, rifles and shot guns available to hire from a many different eras. From eighteenth century flintlocks through western rifles, through 30s Tommy guns, to more modern shotguns and rifles. We also have replica AK47s and more modern looking assault rifles. All can be hired from our secure location in Altrincham. Hire Form We welcome enquiries of all sorts. We have a vast experience of shows and plays, so we can work closely with you to select the correct gun(s) for your production. Please be aware that we do not hire out to member of the public (for example fancy dress parties, themed re-enactments, stag or hen parties). We only rent to bona fide theatres, television and film/movie production companies. If you are interested in prop gun hire from us then please browse the photos and contact us to give us an indication of your enquiries. We will then respond with a quotation built around your requirements. Please give us as much information possible. We may need to carry out certain background checks before hiring to you. Please fill in our online form , call us on 0161 928 1677 or send us an e-mail: hire@altrinchamgarrick.co.uk . Browse Our Prop Gun Collection Long-barrel guns and rifles (non-practical blank-firing) This selection includes replica flintlock carbine rifles, shotguns, Lee Enfields, Winchester rifles and air rifles. Some can be fitted with straps and some with telescopic sights. Hand-guns and pistols (practical blank-firing) All the replica pistols shown are available as blank-firing. Some examples: Number 1 is a modified period percussion cap prop hand pistol. Number 4 is a prop Derringer, which conforms to extra regulations. Long-barrel guns and rifles (non-firing) This is a small selection of our large range of dummy, prop, deactivated and non-practical rifles. Some are exact replica guns; others are simple wooden-profile cut-out shapes (being more suitable for cost-conscious productions). None of this range is able to fire. Hand-guns and pistols (non-firing) These short-barrel handguns are deactivated, non-practical, dummy, replica or prop guns. We cover a comprehensive range, from the earliest flintlock pistol through to modern-day hand automatics. None of this range is able to fire. Submachine guns (non-firing) Shown here is a selection from our stock of these guns, many of which can be supplied with straps. Some examples: Number 1 is the Lewis Gun MK1 that was especially made for our stage production of Dad's Army . Number 2 is an SA80, which can be used with or without telescopic sights. None of this range is able to fire. Hire Form Join our mailing list Subscribe

Return to Productions Archive Garrick Production RELAXED PERFORMANCE of The Curious Incident of the Dog in the Night-Time RELAXED PERFORMANCE - A touching and bleakly humorous tale, performed by The Garrick Ensemble Ran Feb 9, 2025 Age guidance 12+ Venue Main House Running time TBC Tickets Price Range £10.50 - £12.50 Description Christopher, fifteen years old, stands beside Mrs Shears’ dead dog. It has been speared with a garden fork, it is seven minutes after midnight, and Christopher is under suspicion. He records each fact in the book he is writing to solve the mystery of who murdered Wellington. He has an extraordinary brain and is exceptional at maths, but he is ill-equipped to interpret everyday life. He has never ventured alone beyond the end of his road, he detests being touched, and he distrusts strangers. But Christopher’s detective work, forbidden by his father, takes him on a frightening journey that turns his world upside-down. Simon Stephens’ adaptation of Mark Haddon’s bestselling, award-winning novel, The Curious Incident of the Dog in the Night-Time offers a richly theatrical exploration of this touching and bleakly humorous tale. Age: 12 + Warning: This production contains themes and depictions that may be distressing to some audience members, including descriptions of physical and emotional abuse, discussions of mental health and disability, and strong language. The production also features loud noises and some moments of sensory intensity, reflecting the content of the novel and autistic experience. These will be heavily toned down or removed for the Relaxed Performance. WHAT IS A RELAXED PERFORMANCE? If you are a parent, guardian, or work with people with learning or sensory disabilities – such as those on the autism spectrum – you’ll know how difficult it can sometimes be for them to attend regular theatre performances; loud noises, lighting effects and large crowds can make stage shows overwhelming. At Altrincham Garrick Playhouse, we believe that everyone should be able to experience the magic and wonder of live theatre, and so we are proud to be producing a Relaxed Performance for THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME which will deliver the same theatrical experience but with an atmosphere and attitude in the auditorium that makes everyone feel comfortable and safe. Relaxed Performances are open to anyone who would benefit from a more relaxed performance environment. This may include children, young people and adults with neurodivergence such as autism, learning disabilities and other sensory or communication needs. WHAT TO EXPECT FROM OUR RELAXED PERFORMANCE: A number of adaptations will be made to the show to ensure a comfortable and enjoyable environment for everyone. These include: - Come and go from the auditorium as you wish, even during the show. - Express yourself as loudly as you like, or with physical movement, without judgement. - Access the Theatre and auditorium early. - Extra Staff on hand to support audiences during their time with us. - A quiet breakout space available before, during and after the performance. - Changes to the production’s lighting and sound including reducing the sound levels and removing any lighting that could be overpowering to lessen sensory overload. There’ll be no loud bangs during the performance. - Auditorium lighting will remain on throughout the performance. - Elements of surprise will be reduced. Altrincham Garrick Playhouse are proud to be supporting I AM with this production. At I AM , we’re dedicated to supporting autistic individuals to thrive, connect, and achieve their full potential. Based in the heart of Manchester, we provide tailored programmes, inclusive activities, and vital resources that empower autistic children, young people, and adults, as well as their families. Together, we’re building a more understanding and inclusive community - because every voice matters. For more information visit: https://i-am-autism.org.uk Reviews Gallery Trailer Trigger Warning Age: 12 + Warning: This production contains themes and depictions that may be distressing to some audience members, including descriptions of physical and emotional abuse, discussions of mental health and disability, and strong language. The production also features loud noises and some moments of sensory intensity, reflecting the content of the novel and autistic experience. These will be heavily toned down or removed for the Relaxed Performance. Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Productions And Then There Were None Ran Jan 13, 2014 - Jan 18, 2014 Age guidance Venue Running time Tickets Price Range Description Adapted from one of the bestselling books of all time, Agatha Christie's classic, spine-chilling thriller sees a disparate group of people invited to a house party on a remote and inaccessible island. As dinner is served, the guests begin to realise that their host, the mysterious Mr Owen, is absent. After dinner, the guests hear an eerie voice accusing each of them in turn of murder, and it soon becomes apparent that they've not been invited for the jolly sojourn they had thought. Before long, the bodies are stacking up. Banish the January doldrums with a night of thrilling suspense. CAST Rogers - Brian Howlett Mrs Rogers - Margaret Kenyon Fred Narracott/Narrator - David Richardson Vera Claythorne - Kate Millington Phillip Lombard - Jonathan Black Anthony Marston - Stuart Bilson William Blore - Mark Edgar General MacKenzie - John Westbrook Emily Brent - Sandra Thomas Dr Armstrong - David Ades Sir Lawrence Wargrave - David Reynolds Prompt - John Chidgey ASM - Anne O'Reilly Reviews NODA Review by Kevin Proctor While many playwrights bring out the best in their characters, Christie is unafraid to mine the worst in hers. The story involves eight guests who have never met each other lured by a cryptic invitation to a deserted island and marooned, along with two house servants. A nursery rhyme suggestively embossed above ten little statuettes tells them how each of them will die. After a mysterious voice accuses each of the Guests having gotten away with murder the group begins dwindling one-by-one, but who has it in for this odd collection of individuals invited to spend a weekend mini-break on an exclusive remote island. Direction by Ros Greenwood enhances the plot and the personality of the play as well as the energy and chemistry of the cast. Ros had approached the piece as a revival rather than a re-enactment presenting the piece for a modern audience which translated really nicely and without any impede to the style and intended delivery of the text. Ros also took charge of designing the set, rather than sticking to the traditional three wall parlour set as instructed in the script, she'd gone for a more contemporary feel as she'd included the outdoors with her staging which created something a little more interesting given the setting and script refer to the island and the surrounds of the house, it created some attractive visuals and added to the eerie ambiance. From the modern approach to the staging, the piece didn't feel as dated as I'd have expected it to; it seemed more of a morality play than a whodunit romp and an examination of the nature of justice. It's very difficult to mention the performances without giving too much of the plot away to anyone who may not have seen or read the piece before but the cast is uniformly excellent and boasting some well-known Garrick faces. In particular David Reynolds is tremendous, playing Lawrence Wargrave with just the right mixture of pillar-of-the-community uprightness and subtle sadism. Kate Millington gave a strong delivery as the secretary who adds a touch of glamour to the gathering and Jonathan Black gave strength as the morally ambiguous Phillip Lombard, but, in all, the entire ensemble cast worked incredibly well as a team and bar the odd exception, no one really out shone anyone else which is commendable. I appreciate that the eerie chills approach is more in keeping with Dame Agatha, and we certainly got them in bucket loads but for the deaths, I like to see some gore, it's a thriller, right? Perhaps being a little more gruesome (wherever possible) would have been fun, but I appreciate that may just be my morbid side creeping to the surface. David Richardson as the Narrator/Fred Narracott certainly was mysterious and brought the perfect tone and haunting stare to his performance which was perfectly understated as it needed to be but quite discomfiting, lovely! It is enormous fun witnessing the ten little sailor boys getting their comeuppance. Old-fashioned hokum you may say, but by the end, this makeover mystery with a moral twist leaves you feeling that the Queen of Crime has, in her own understated way, gunned down an entire class of decadent Brits. Congratulations AG! Messenger Review by Rick Bowen When you think about it, it's perfectly logical who the baddie is in And Then There Were None. The character, whose identity I won't reveal, is just too calm and collected as the assembled party guests start falling like nine pins. As the other characters try to make sense of the macabre events, this cool customers disects them with the calm rationale of a forensic scientist. But Agatha Christie being Agatha Christie, she does throw in a red herring and I'm sure some members of the Altrincham Garrick audience will be fooled by her trickery. The production has been directed by Ros Greenwood who has designed a set that makes us feel just as trapped and claustrophobic as the poor souls marooned on the island. It conjurs the atmosphere of a funeral which is rather apt when you consider the fate awaiting most of the unfortunates lured to the coastal retreat. The suspense is largely maintained throughout and I particularly liked David Reynolds as Sir Lawrence Wargrave and Sandra Thomas as the horrendous Emily Brent, a good Christian woman who seems to have forgotten the compassionate part of Christianity. David Richardson also has quite a presence as the Narrator, with a singing voice that is as pleasurable as it is chilling. I'm not an Agatha Christie fan but this is an enjoyable night out, with moments of genuine shock and surprise that just might make certain audience members jump. Star Rating ★★★ Review by Julia Taylor of remotegoat Classic Whodunnit keeps you guessing The Garrick, in their centenary year, shine their spotlight on a writer who has been going almost as long as they have. She is Agatha Christie and they have chosen And Then There were None, previously known as Ten Little Indians and, before that, Ten Little N..s, to represent her work. It is set in Soldier Island in 1938 where a group of well-heeled guests have answered the invitation of Mr and Mrs U N Owen. It transpires that the eight arrivals and their two servants are all responsible for the deaths of others as one by one, they are seen off. At the same time, ten ornamental little sailor boys are individually despatched. The first to pop his clogs is the car mad Anthony Marston. Stuart Billson comes up with a realistic choking fit and dies. The next death, to servant Mrs Rogers (Margaret Kenyon), is far less dramatic. She apparently dies in her sleep. More dramatically, John Westbrook's General Mackenzie, who threatens Kate Millington's Vera. is stabbed in the back. And so it continues. Their chief suspect, Rogers, the butler, (Brian Howlett) is ruled out when he is mown down by an axe. I am particularly impressed with Kate Millington's portrayal of the glamorous Vera Claythorne especially since she is on stage most of the time. I also like David Reynolds as Sir Lawrence Wargrave. You look every inch a judge in those robes, David. Sandra Thomas does well, too, as the humourless Miss Brent. I am disappointed with the colourless set designed by Ros Greenwood who also directed. It leaves the large cast with nowhere to sit and often standing in an uncomfortable line. For that reason I was on the verge of giving the play three stars. That was before the final scene where the dead return as ghosts and the living, before they expire, reveal who the culprit is. A tribute to Ros's directing skills, this excellent scene upped my review to four stars. It's more like doing a puzzle than watching a play but equally enjoyable. Star Rating ★★★★ Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Lauriston Studio Betrayal Ran May 23, 2016 - May 28, 2016 Age guidance Venue Running time Tickets Price Range Description Perhaps the greatest and most moving of all Pinter's plays. It concerns the devious workings of the human heart, love, guilt and passion. It begins with the embers of an adulterous relationship and traces the train of events through the previous years - the betrayal between wife and husband, mistress and lover and even between the rival men. The sweaty panic of the adulterer mixes thrillingly with the barely contained emotional violence of the situation. The play was famously based on Pinter's own affair with Joan Bakewell and has been constantly revived since its first production in 1978. Cast Emma - Jacqui Wheble Jerry - Malcolm Cooper Robert - Paul Wilson Waiter - Leon McKenna Reviews **** Review by Rick Bowen - Stagestruck YOU never feel totally comfortable watching a Harold Pinter play. The characters teeter on the brink of unpredictability, formula driven the work of this bespectacled genius most definitely isn’t. Leave your comfort zone at the theatre door, please. Jerry and Emma meet for a catch up at a pub and it soon becomes apparent they have a past, even if they keep a tight rein on their emotions. It could be two former work colleagues having a catch up, but it isn’t. The play takes us back in time nine years and we see far more passion then, with Jerry behaving like an infatuated schoolboy towards Emma, worshipping her like a goddess. While the pace of Betrayal is positively forensic at times, it is an engrossing, intriguing and grown up piece of theatre featuring some fabulous, witty and insightful lines from a master playwright. I’ve always been attracted to the work of artists who refuse to bow to convention and it goes without saying Pinter was a true enigma. For me, this is Jacqueline Wheble’s best performance to date at the Garrick, breezing across the stage with supreme confidence as Emma. She and Malcolm Cooper, who plays Jerry are really good together and very, very believable. Paul Wilson, an actor I rate very highly, gives his reputation yet another major boost as Emma’s hubby, Robert. This is a major achievement for all concerned, including the production’s director, Richard Sails. * Until May 28. The box office is on 0161 928 1677. Star rating – **** *** Review by Julia Taylor THE Lauriston Studio at Altrincham Garrick present the Harold Pinter classic, Betrayal, for their last play of the season. It is aptly named for it illustrates three kinds of betrayal. That of husband and wife, lover and mistress and two best friends and there are interesting duologues between each of these pairs. Pinter craftily makes the action begin two years after the end of an affair and takes us gradually backwards to its titillating start seven years beforehand. A screen with dates establishes the chronological order. An excellent twosome scene takes place in 1973 when Jacqui Wheble's Emma confesses to her husband, Robert (Paul Wilson) that she has been having an affair with his best friend Jerry (Malcolm Cooper) since 1968. Jacqui and Paul are real life partners which might have helped this difficult scene to run smoothly. It is not until that point that Robert, an adulterer himself, has any idea that his wife spends passionate afternoons with Jerry, The men remain disturbingly close despite the affair. The cast interact well and show mastery of the Pinter pause but the pace is just a fraction slow. Jacqui's Emma masters the work/home balance, yet remains attractive to men. After Jerry falls for her you can feel their sexual chemistry and yet, at times they seem set in their ways. Malcolm Cooper's facial expressions are telling as he indicates Jerry's fear of being found out. Until Saturday, May 28 For tickets, telephone 0161 928 1677 or book online at altrinchamgarrick.co.uk. Star rating:? * * * Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Previous Next Izzy (Valerie Isabel) Dempsey Izzy was an invaluable volunteer member of the Front of House team, which she joined in 2011. She quickly learnt the ropes of the role : usher, ticket collector and programme seller. In 2014, despite poor health, she started running the kiosk in conjunction with Eileen Smith, following the retirement of Brian Moore . This is a vital role, especially in Panto season when the sales of ice cream absolutely rocket. Later, she and Eileen even redecorated the kiosk. With her excellent organisational skills, in 2018/19 Izzy began managing the merchandise stand during the Pantomime (see picture) and, in 2023 (following the Covid lockdowns), set up the very successful and revamped coffee bar. Never complaining, and always positive, Izzy was fun loving and compassionate with a wonderful sense of humour - absolutely nothing was too much trouble. Back to In Memoriam page

Join us during the half term holidays for a day or for the full week to enjoy theatrical fun: combining music, movement, monologues and much much more! The Academy Groups and Classes Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. GAPA Saturday Group School Holiday Courses Speech & Drama/ LAMDA Classes School Holiday Courses Half term and Easter Holiday Clubs Octopia - October Half-Term (5 days) : 26th - 30th October 2026 Febtastic - February Half-Term (5 days) : 15th – 19th February 2027 Easter Eggstravaganza (5 days) : 5th - 9th April 2027 Juneboree (4 days) : 1st - 4th June 2027 Join us during the holidays to enjoy theatrical fun: combining music, movement, monologues and much much more! (Nb: You can sign up to half- term holidays for a day or for the full week.) GAPA’s half-term workshops encourage the participants to explore their creative side and promote teamwork, in a safe and friendly environment. Our aim is to deliver exciting drama workshops for students aged 6-18, where they can learn drama skills, gain confidence and above all have fun. Classes run 10am - 4pm and cost £35 per day, or book the full 5 days and receive a £25 discount. Summer Holiday Courses Summer School Week 1 (full 5 days) : 26th July - 30th July 2027 Summer School Week 2 (full 5 days) : 2nd - 6th August 2027 Sign up for the full week, 10am - 4pm. Cost £185 per week. For more information please contact our box office on boxoffice@altrinchamgarrick.co.uk Join our mailing list Subscribe

Previous Next George Howard George was an accountant with Altrincham accounting firm Allen, Mills, Howard. He became heavily involved with the Garrick, alongside his wife Rita, and from the 1960s onwards he was an enthusiastic member of the Social Committee that ran numerous events each year. He famously organised two raffles to raise money for the building fund, with the first prize each time being a BMC Mini car. In addition he helped the Executive apply for numerous grants. He worked as Front of House manager in the 1980s, and was Treasurer to the Executive Committee from the 1980s until his death in 1992. Back to In Memoriam page

Return to Productions Archive Garrick Production The Devil's Disciple Ran Jan 5, 1921 - Jan 5, 1921 Age guidance Venue Running time Tickets Price Range Description By George Bernard Shaw CAST Blackburn, Lydia Briggs, Harry Crabb, Florence Creaton V Dykes, Tom Gorman, Philip?Norris Landon, W Eric Lowe, Edgar M Mason, Edward Matthews, Marion Thwaite Owen, Tom Stickland, Lil Stone, Suzanne Warburton, George A Wilkinson, John Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

The Altrincham Garrick is a registered charity and your kind donations will support future developments. Support the Altrincham Garrick Playhouse. To donate generally towards the Garrick, please enter your donation amount below and select Add To Basket . If you'd like to donate explicitly towards our CHILI campaign for Heating, Ventilation and Air-Conditioning at the Garrick, select this link instead . Setting up a Regular Donation The Altrincham Garrick is a registered charity, and we receive no public funding from any other organisation, or from our regional or local council. Our income comes mainly from the tickets that our audience buys, with smaller contributions from elsewhere in the Garrick (for example: from our GAPA education programme, and from daytime rental of the Car Park). The building dates from 1933, with ever-increasing operational and production costs. Our energy bills are high (productions use a lot of electricity; our bills are sometimes over £3,000 per month) and we have a small number of dedicated staff whom we pay. Our programme of building improvements is currently aimed at reducing winter heating bills. However, maintenance and urgent repairs take precedence, and this can often cost 10s of thousands of pounds per year. On top of all this, we have to continue investing in the equipment that a theatre needs, to keep on presenting productions of the high quality that our audiences deserve. Two major infrastructure projects are currently urgently required.Our roof is in very poor condition and needs a major overhaul. We also need to find money to install air-conditioning in the main auditorium. The Garrick aims to do all the above while still maintaining our low ticket prices. Occasional increases are unavoidable, but our goal is to make sure that theatre is available to all in the community, at a price that they can afford. We exist today due to the generosity and support of local people and businesses. We are very grateful to those who not only pay to see a show, but who also buy a drink in the bar, buy a programme, and indulge in sweets or an ice-cream from our kiosk. We need you and the local community to support us, so we can continue doing what we do so well. Business sponsorships are also very welcome, click here for more . Please donate now what you can, and please also add a donation to your ticket purchases. If you would like to set up a regular donation then ask at our Box Office or fill in the form below. Name* Email address Phone How would you like to set up a regular donation ? Submit