We pay tribute and honour our friends at the theatre who are no longer with us. About Us Productions Archive Note: this page is old, but left here for testing and experimentation. Do not link to this page from anywhere on the website. Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. About the Theatre History of the Garrick In Memoriam: Past Members of the Garrick Productions Archive Productions Archive Note: this section is still being transferred from the old web-site and being re-vamped. This is unlikely to be completed before Easter 2025. This section provides an (incomplete) list of the Productions at the Garrick since the first one in 1914. Please contact webmaster@altrinchamgarrick.co.uk if you have any comments or additions. The Early Years : 1914 to the Second World War 39 Steps Find Out More Start Date End Date 12 August 2013 Absurd Person Singular Find Out More Start Date End Date 29 June 2018 Jack & the Beanstalk Find Out More Start Date End Date 7 August 2013 Ladies' Day Find Out More Start Date End Date 8 February 2014 Our Town By Thornton Wilder Find Out More Start Date End Date 1 November 2022 Aladdin and his Wonderful Lamp Find Out More Start Date End Date 9 April 2019 One Man, Two Guvnors Find Out More Start Date End Date 18 August 2015 The Lieutenant of Inishmore Find Out More Start Date End Date 2 June 2014 Brassed Off Find Out More Start Date End Date 16 December 2013 Charley's Aunt Find Out More Start Date End Date 20 June 2016 Hindle Wakes Find Out More Start Date End Date 16 December 2013 Sleeping Beauty Find Out More Start Date End Date 7 February 2014 Daisy Pulls it Off Find Out More Start Date End Date 16 December 2013 Drowning On Dry Land Find Out More Start Date End Date 7 February 2014 Altrincham Garrick Show Choir In Concert Find Out More Start Date End Date 13 June 2023 The Jungle Book Find Out More Start Date End Date 18 May 2022 Recent Years: 2021-Present Join our mailing list Subscribe

Drama, Comedy, Musicals, Films and more in Altrincham. Century-old theatre staging 18 In-House Productions per year and hosting many Visiting Productions of all types. Features plays of all genres, musicals, National Theatre screenings, live tribute bands, stand-up comedy, dance, film screenings, youth theatre and more. Everyone is welcome Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. Garrick Production Blackadder Goes Forth Nov 16, 2026 - Nov 22, 2026 Find out more Book Now What's On See More Do you want to help the Playhouse financially? The Garrick's vital community work provides life-changing experiences and makes exceptional theatre available to all. None of this would be possible without your support. Help us raise funds and reach even more people by donating or becoming a Friend of the Garrick today. Donate Friend of the Garrick Loyalty Scheme Get to know us There’s so much more to the Altrincham Garrick than the performances on our stages. Find out how to get involved in making theatre with us, try an audition or join our academy and truly get behind the scenes. Just follow the links below to explore… Find us Altrincham Garrick Playhouse Barrington Road, Altrincham, Greater Manchester WA14 1HZ Altrincham Interchange and Navigation Road tram stops are each about 10 minutes' stroll away. Free parking available onsite (80 spaces), with additional street parking nearby (free after 5pm). If you'd like to secure a space and relax in the bar before the show starts. we recommend arriving a little early. Box office Drink & relax 0161 928 1677 Monday – Friday : 11am – 4pm & 6pm – 8.30pm Saturday: 9am – 12pm Bar For performances, the bar is open one hour before the show begins, until one hour after it finishes. On days without performances, the bar is open Fridays between 7.30pm and 10.30pm. Note: the theatre is closed to the public from mid July to the end of August, and the bar is not normally open during this time. Find out more Subscribe to our Mailing List

Use this page to search the archive of past productions at the Altrincham Garrick. About Us Productions Archive Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. About the Theatre History of the Garrick In Memoriam: Past Members of the Garrick Productions Archive This part of the website details the In-House Productions at the Garrick since the first one in 1914. Note: this section is being enhanced, as part of our ongoing "Historical Digitisation" programme. Several years of history are not yet available, and full details of some productions may not be available. Note: only In-House Productions are included - i.e. productions produced by the Garrick. Visiting Productions, the Garrick Picturehouse and other activities and events are not included. If you have any photographs, programmes, or other details you’d like to offer to us, or any comments, please contact webmaster@altrinchamgarrick.co.uk . Text to search for Start date (optional) End date (optional) Search Here are the results of your search for between overridden in code overridden in code Nothing found when we searched for overridden in code between overridden in code over-ridden by title Date(s) overridden by from & to dates Subscribe to our Mailing List

This page lists the past productions at the Altrincham Garrick Playhouse. About Us Productions Archive Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. About the Theatre History of the Garrick In Memoriam: Past Members of the Garrick Productions Archive This part of the website details the In-House Productions at the Garrick since the first one in 1914. Note: this section is being enhanced, as part of our ongoing "Historical Digitisation" programme. Several years of history are not yet available, and full details of some productions may not be available. Note: only In-House Productions are included - i.e. productions produced by the Garrick. Visiting Productions, the Garrick Picturehouse and other activities and events are not included. If you have any photographs, programmes, or other details you’d like to offer to us, or any comments, please contact webmaster@altrinchamgarrick.co.uk . Search the Productions Archive The Early Years: 1914 - 1939 The Silver Box The first show that the Altrincham Garrick Society staged. Ran: 18 March 1914 - 21 March 1914 Find out more The Tragedy of Nan No summary available Ran: 1 January 1915 - 1 January 1915 Find out more The East Window No summary available Ran: 2 January 1915 - 2 January 1915 Find out more The Magic Circle No summary available Ran: 3 January 1915 - 3 January 1915 Find out more The Quest No summary available Ran: 4 January 1915 - 4 January 1915 Find out more The Drone The last production before the theatre closed during World War I. Ran: 1 January 1916 - 1 January 1916 Find out more Rutherford and Son The first production after the end of World War I Ran: 1 January 1919 - 1 January 1919 Find out more The Will and The Way No summary available Ran: 1 January 1920 - 1 January 1920 Find out more The Widowing of Mrs Holroyd No summary available Ran: 2 January 1920 - 2 January 1920 Find out more If Four Walls Told No summary available Ran: 4 January 1920 - 4 January 1920 Find out more The White-Headed Boy No summary available Ran: 1 January 1921 - 1 January 1921 Find out more She Stoops to Conquer No summary available Ran: 2 January 1921 - 2 January 1921 Find out more The Tragedy of Nan (1921) No summary available Ran: 3 January 1921 - 3 January 1921 Find out more The Silver Box (1921) No summary available Ran: 4 January 1921 - 4 January 1921 Find out more The Devil's Disciple No summary available Ran: 5 January 1921 - 5 January 1921 Find out more Load more The Post-War Era: 1945 - 1973 Load more The End of the Millennium: 1973 - 1999 The Business of Murder No summary available Ran: 10 February 1997 - 15 February 1997 Find out more Tom Jones (1999) No summary available Ran: 9 June 1999 - 19 June 1999 Find out more Load more The Beginning of the New Millennium: 1999-2020 Camelot The first production on stage after the major Auditorium and Foyer refurbishment of 1999 Ran: 18 October 1999 - 23 October 1999 Find out more Blithe Spirit No summary available Ran: 8 November 1999 - 13 November 1999 Find out more The Office Party No summary available Ran: 29 November 1999 - 4 December 1999 Find out more The Merry Christmas Show No summary available Ran: 11 December 1999 Find out more Scrooge (The Musical) No summary available Ran: 18 December 1999 - 3 January 2000 Find out more Communicating Doors No summary available Ran: 17 January 2000 - 22 January 2000 Find out more The Cemetary Club (sic) No summary available Ran: 31 January 2000 - 5 February 2000 Find out more Neville's Island No summary available Ran: 21 February 2000 - 26 February 2000 Find out more Haywire No summary available Ran: 13 March 2000 - 18 March 2000 Find out more Misery No summary available Ran: 1 May 2000 - 6 May 2000 Find out more Return to the Forbidden Planet No summary available Ran: 22 May 2000 - 27 May 2000 Find out more The Manchester Man No summary available Ran: 9 October 2000 - 14 October 2000 Find out more Jeffrey Bernard is Unwell No summary available Ran: 6 November 2000 - 11 November 2000 Find out more A Murder is Announced No summary available Ran: 5 February 2001 - 10 February 2001 Find out more 'Allo 'Allo No summary available Ran: 3 December 2001 - 8 December 2001 Find out more Vivat! Vivat! Regina! (2002) The Garrick's contribution to the celebrations for the commemoration of the 50th anniversary of the accession to the throne of Queen Elizabeth II. Ran: 4 February 2002 - 9 February 2002 Find out more Curtain Call No summary available Ran: 6 May 2002 - 11 May 2002 Find out more The Hollow No summary available Ran: 20 January 2003 - 25 January 2003 Find out more Then There Were None No summary available Ran: 19 January 2004 - 24 January 2004 Find out more One Flew Over the Cuckoo's Nest No summary available Ran: 7 May 2007 - 12 May 2007 Find out more Load more Season 2021-2022 Curtain Up (Musical) Celebration of all things Musical Theatre Ran: 20 September 2021 - 25 September 2021 Find out more The Lady In The Van Funny, touching and unexpectedly spectacular play Ran: 4 October 2021 - 9 October 2021 Find out more Disney's The Little Mermaid The perfect musical treat for October half term Ran: 25 October 2021 - 31 October 2021 Find out more The Shape of Things No summary available Ran: 9 November 2021 - 14 November 2021 Find out more A Streetcar Named Desire Tennessee Williams's American Masterpiece Ran: 15 November 2021 - 20 November 2021 Find out more Peter Pan - The Garrick Pantomime The High Flying Garrick Pantomime Ran: 10 December 2021 - 3 January 2022 Find out more Frankenstein by Nick Dear Thrilling, gory and deeply disturbing - Please Note: Reduced seating capacity on Tuesday, Wednesday and Thursday evenings. Ran: 17 January 2022 - 22 January 2022 Find out more Constellations No summary available Ran: 1 February 2022 - 6 February 2022 Find out more One Flew Over The Cuckoo's Nest Performed by The Garrick Ensemble / PLEASE NOTE: 50% reduced capacity and socially distanced seating on Tuesday, Wednesday and Thursday evenings Ran: 7 February 2022 - 12 February 2022 Find out more Present Laughter (2022) Lighthearted Comedy Ran: 28 February 2022 - 5 March 2022 Find out more Piaf No summary available Ran: 15 March 2022 - 20 March 2022 Find out more Alice In Wonderland Jr. - A Garrick Academy Production No summary available Ran: 23 March 2022 - 27 March 2022 Find out more The History Girl No summary available Ran: 1 April 2022 - 2 April 2022 Find out more George's Marvellous Medicine Phizz-whizzing Easter half term fun for all the Family! Ran: 7 April 2022 - 24 April 2022 Find out more Jumpers for Goalposts A hilarious and heart-warming comedy Ran: 9 May 2022 - 14 May 2022 Find out more Ross and Rachel Ran: 17 May 2022 - 22 May 2022 Find out more House of Ghosts Calling all Morse fans and super sleuths Ran: 23 May 2022 - 28 May 2022 Find out more Calendar Girls - The Musical A New Musical By Gary Barlow and Tim Firth Ran: 20 June 2022 - 25 June 2022 Find out more Load more Season 2022-2023 Dick Whittington - The Garrick Pantomime The purrrfect Christmas treat! Ran: 9 December 2022 - 2 January 2023 Find out more Load more Season 2023-2024 The Shawshank Redemption No summary available Ran: 14 September 2023 - 23 September 2023 Find out more Bombshells No summary available Ran: 26 September 2023 - 1 October 2023 Find out more Home, I'm Darling No summary available Ran: 2 October 2023 - 7 October 2023 Find out more Chitty Chitty Bang Bang No summary available Ran: 23 October 2023 - 29 October 2023 Find out more A Christmas Carol - A Ghost Story No summary available Ran: 20 November 2023 - 25 November 2023 Find out more Sleeping Beauty - The Garrick Pantomime The Dreamiest Garrick Panto of them all! Ran: 8 December 2023 - 2 January 2024 Find out more The Girl on the Train A Suspense Thriller, based on the bestselling novel by Paula Hawkins. Ran: 15 January 2024 - 20 January 2024 Find out more Pennyroyal The Studio 2023/2024 Season - A Series of All Female Plays. Ran: 23 January 2024 - 28 January 2024 Find out more Let The Right One In A dark coming of age vampire love story, performed by The Garrick Ensemble. Ran: 5 February 2024 - 10 February 2024 Find out more The Vicar of Dibley The deliciously funny TV series live on stage! Ran: 26 February 2024 - 2 March 2024 Find out more Cinderella - A GAPA Spring Pantomime A classic Fairytale Panto style, performed by our Youth Academy Ran: 11 March 2024 - 17 March 2024 Find out more Unravelling the Ribbon The Studio 2023/2024 Season - A Series of All Female Plays. Ran: 19 March 2024 - 24 March 2024 Find out more Treasure Island Robert Louis Stevenson's swashbuckling, action packed story is the perfect treat this Easter! Ran: 3 April 2024 - 14 April 2024 Find out more All the Little Lights The Studio 2023/2024 Season - A Series of All Female Plays. Ran: 23 April 2024 - 28 April 2024 Find out more The Father Psychological Drama by Florian Zeller and translated by Christopher Hampton Ran: 6 May 2024 - 11 May 2024 Find out more The Audience Innovative, multi-award winning play by the acclaimed writer Peter Morgan Ran: 20 May 2024 - 25 May 2024 Find out more Di and Viv and Rose The Studio 2023/2024 Season - A Series of All Female Plays. Ran: 4 June 2024 - 9 June 2024 Find out more Merrily We Roll Along This Olivier Award Winning Musical is a powerful, moving and compelling fable. Ran: 17 June 2024 - 22 June 2024 Find out more Load more Season 2024-2025 The History Boys - By Alan Bennett Set in the 1980's, The History Boys is a coming of age story about a group of 6th formers. Ran: 16 September 2024 - 21 September 2024 Find out more The Beauty Queen of Leenane The Irish Studio Season: A dark, comedic, thriller Ran: 1 October 2024 - 6 October 2024 Find out more Jane Eyre - By Charlotte Bronte A bold and theatrically inventive adaptation of the literary classic. Ran: 7 October 2024 - 12 October 2024 Find out more The Wizard of Oz Journey over the rainbow this October Half Term for an unforgettable family musical. Ran: 28 October 2024 - 3 November 2024 Find out more A Vicar of Dibley Christmas: The Second Coming Following our recent smash hit production, the nations favourite chocolate loving Vicar is back! Ran: 18 November 2024 - 23 November 2024 Find out more Jack & The Beanstalk - The Garrick Pantomime This GIANT adventure is the pantomime you've BEAN waiting for! Ran: 6 December 2024 - 5 January 2025 Find out more Relaxed Performance of Jack & The Beanstalk RELAXED PERFORMANCE includes reduced on stage sound & lighting, no loud bangs, auditorium lights on. Ran: 14 December 2024 Find out more Waiting for Godot The Irish Studio Season: Tragic comedy about the meaning of life and the absurdity of existence Ran: 21 January 2025 - 26 January 2025 Find out more The Curious Incident of the Dog in the Night-Time A touching and bleakly humorous tale, performed by The Garrick Ensemble, Ran: 3 February 2025 - 8 February 2025 Find out more RELAXED PERFORMANCE of The Curious Incident of the Dog in the Night-Time RELAXED PERFORMANCE - A touching and bleakly humorous tale, performed by The Garrick Ensemble Ran: 9 February 2025 Find out more Oppenheimer Bio-drama about J. Robert Oppenheimer, the mastermind of the atomic bomb Ran: 24 February 2025 - 1 March 2025 Find out more The Addams Family: Young@Part - A GAPA Academy Performance This production is being performed by GAPA our Youth Academy of children Ran: 17 March 2025 - 23 March 2025 Find out more A Man of No Importance The Irish Studio Season: A Musical Comedy about an amdram group facing opposition from the Church Ran: 25 March 2025 - 30 March 2025 Find out more The Worst Witch Family fun, action-packed stage adaptation, featuring all of Jill Murphy’s beloved characters. Ran: 4 April 2025 - 17 April 2025 Find out more RELAXED PERFORMANCE of The Worst Witch RELAXED PERFORMANCE of this family fun, stage adaptation of Jill Murphy's classic story Ran: 13 April 2025 Find out more Of Mice and Men A classic story of enduring friendship and hope, with themes of economic migration and racism Ran: 8 May 2025 - 18 May 2025 Find out more Vardy v Rooney: The Wagatha Christie Trial Footballers’ wives drama which will keep you on the edge of your seat Ran: 2 June 2025 - 7 June 2025 Find out more Translations The Irish Studio Season: A Drama about community, culture and language Ran: 10 June 2025 - 15 June 2025 Find out more Beautiful: The Carole King Musical A Musical telling the inspiring true story of King’s remarkable rise to stardom. Ran: 23 June 2025 - 29 June 2025 Find out more Jet Set Go! A high-flying British Musical Comedy Ran: 15 July 2025 - 19 July 2025 Find out more Load more Season 2025-2026 A Chorus Line A musical masterpiece that revolutionised Broadway Ran: 8 September 2025 - 14 September 2025 Find out more A Taste of Honey Altrincham Garrick STUDIO 2025/26 Season - A Series of Manc Plays Ran: 23 September 2025 - 28 September 2025 Find out more Bleak Expectations The story Charles Dickens might have written after drinking too much gin... Ran: 29 September 2025 - 4 October 2025 Find out more Charlie and the Chocolate Factory Escape to a world of pure imagination with our October Musical Ran: 23 October 2025 - 2 November 2025 Find out more Voices of Manchester Altrincham Garrick STUDIO 2025/26 Season - A Series of Manc Plays Ran: 11 November 2025 - 16 November 2025 Find out more It's A Wonderful Life A joyful story of love, hope and community based on the critically acclaimed Christmas film Ran: 17 November 2025 - 23 November 2025 Find out more Goldilocks & The Three Bears A rip-ROARing Panto FUR all the Family! Ran: 5 December 2025 - 4 January 2026 Find out more RELAXED PERFORMANCE of Goldilocks & The Three Bears A rip-ROARing Panto FUR all the Family! Ran: 13 December 2025 Find out more Altrincham Garrick Show Choir presents - Choral Cinema: Music from the Movies Join us for an uplifting evening filled with iconic songs featured in films we know and love Ran: 14 January 2026 Find out more Kindertransport Altrincham Garrick STUDIO 2025/26 Season - A Series of Manc Plays Ran: 20 January 2026 - 27 January 2026 Find out more QUIZ Entertaining comedy drama based on Who Wants To Be A Millionaire performed by the Garrick Ensemble Ran: 2 February 2026 - 7 February 2026 Find out more The Mirror Crack'd Thrilling story of revenge and dark secrets based on Agatha Christie's 1962 novel Ran: 23 February 2026 - 1 March 2026 Find out more Disney's Beauty and the Beast JR. An enchanting musical performed by The Garrick Academy of Performing Art Students (GAPA) Ran: 18 March 2026 - 22 March 2026 Find out more Pomona Altrincham Garrick STUDIO 2025/26 Season - A Series of Manc Plays Ran: 24 March 2026 - 29 March 2026 Find out more The Railway Children Much loved classic story of family, adventure and trains Ran: 8 April 2026 - 18 April 2026 Find out more Hobson's Choice Altrincham Garrick STUDIO 2025/26 Season - A Series of Manc Plays Ran: 28 April 2026 - 3 May 2026 Find out more The Crucible A gripping drama by Arthur Miller about hysteria, fear and the Salem witch trials Ran: 11 May 2026 - 17 May 2026 Find out more The Good Life Comedy stage play, based on the hugely popular sitcom Ran: 1 June 2026 - 7 June 2026 Find out more Punk Rock Altrincham Garrick STUDIO 2025/26 Season - A Series of Manc Plays Ran: 9 June 2026 - 14 June 2026 Find out more My Fair Lady What a smashing, positively dashing Musical, filled with comedy, romance, and dazzling songs Ran: 22 June 2026 - 28 June 2026 Find out more Load more Season 2026-2027 Come From Away 7,000 Stranded Passengers. One Small Town. A Remarkable True Story becomes a hit Musical! Ran: 10 September 2026 - 19 September 2026 Find out more The Son A Season of Connection: Stories that bind us, break us, and bring us back together. Ran: 22 September 2026 - 27 September 2026 Find out more Pride and Prejudice Jane Austen's classic tale of hate to love in this production full of laughter, colour, and life Ran: 28 September 2026 - 4 October 2026 Find out more JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT A joyful musical of vibrant colour, unforgettable music, and thrilling storytelling! Ran: 22 October 2026 - 1 November 2026 Find out more Load more Subscribe to our Mailing List

Details of all upcoming productions, including in-house plays, musicals and the annual pantomime, as well as visiting tribute bands, mediums, comedians and more. What's on Here is the list of the productions currently scheduled at the theatre. Scroll through the list. Or you can search by name of event, date, or type of production ... or all three ! Find an event Search Choose a date Filter by type Garrick Productions Garrick Academy Visiting Productions Activities & Events Garrick Cinema Clear type filter and date Sorry - no productions found. Please change your search terms. Show title 3 Nov 2026 Find out more Book now Musical Theatre Movers/Beginners: Aimed at beginners or those who want a relaxed pace Activities & Events Show title 3 Nov 2026 Find out more Book now For dancers with previous experience, designed to develop technique, choreography & performance Activities & Events Show title 6 Nov 2026 Find out more Book now If you love theatre and would like to meet new friends; why not join us at our play reading club! Activities & Events Show title 6 Nov 2026 Find out more Book now Friday Night Comedy at the Garrick with another Brilliant Line up! Visiting Production Show title 7 Nov 2026 Find out more Book now Featuring all the classic hits, starring an electrifying band, powerhouse vocals & stellar musicians Visiting Production Show title 8 Nov 2026 Find out more Book now Stylish cabaret, comedy, music, and burlesque - A spectacular extravaganza of glitz and glamour! Visiting Production Show title 16 Nov 2026 Find out more Book now An unforgettable evening of laughter, nostalgia and a fresh perspective on this beloved classic! Garrick Production Show title 24 Nov 2026 Find out more Book now A Season of Connection: stories that bind us, break us, and bring us back together Garrick Production Show title 4 Dec 2026 Find out more Book now The Merry Garrick Panto that really hits the bullseye! Garrick Production Show title 8 Dec 2026 Find out more Book now A family festive treat at Altrincham Garrick Cinema! Garrick Cinema Show more Subscribe to our Mailing List

The Habit of Art - By Alan Bennett at the Altrincham Garrick Theatre. Garrick Production The Habit of Art - By Alan Bennett Ran Invalid Date - May 13, 2022 Age guidance Venue Running time Tickets Price Range Description Production shots taken by Martin Ogden Please note that due to the funeral of her Majesty Queen Elizabeth II, this production will now be opening on Tuesday 20th September and there will be NO production on Monday 19th September. -------------------- The Auditorium will open at 7.10pm, rather than the usual 7pm due to the nature of this production. The bar will be open from 6.30pm. -------------------- Exploring friendship, rivalry and heartache this multi layered masterpiece examines the joy, pain and emotional cost of creativity. Actors are rehearsing a play called “Caliban's Day” at the National Theatre about Benjamin Britten, sailing uncomfortably close to the wind with his new opera “Death in Venice”, who is seeking advice from his former collaborator and friend, W H Auden. During this imagined meeting in 1972, their first for twenty-five years, they are observed and interrupted by, amongst others, their future biographer and a young man from the local bus station. Alan Bennett's play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion's spent: ultimately, on the habit of art. The Habit of Art premiered in November 2009 at the Lyttelton Theatre at the National Theatre, starring by Alex Jennings as Britten and Richard Griffiths as Auden (the latter replacing Michael Gambon, who had to withdraw from the production due to minor ill health). Age Guidance: 15+ Warning: This production contains strong language, adult themes and scenes and dialogue of a sexual nature. [gallery columns="1" size="medium" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2022/05/HB4.jpg |,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2022/05/Habit-B.jpeg |,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2022/05/HB1.jpg |,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2022/05/HB2.jpg |,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2022/05/HB3.jpg |"] North West End UK Rating: ★★★★ Reviewer: Angela Kelly "It is wonderfully devious, shocking, mischievous and downright hilarious." Click HERE for the full review ----- StageStruck Reviewer: Rick Bowen "BILL Platt and Jonathan Black deserve nothing but praise for their performances as the poet WH Auden and the composer Benjamin Britten in this play, which sees the Garrick embark on another memorable outing with Alan Bennett." Click HERE for the full review Cast Fitz (W. H. Auden) - Bill Platt Henry (Benjamin Britten) - Jonathan Black Donald (Humphrey Carpenter) - Stewart Mathers Tim (Stuart) - Patrick O'Brien Nigella (Playwright) - Beverley Stuart-Cole Kay (Stage Manager) - Sarah Kirk George (Asst Stage Manager) - Barry Purves Stage Technician - Elliot Saberton Russian Peasant - Karen Foster Voice of Boy Treble Singer - Stanislav Kurdybakha Production Team Director - John Cunningham Design - Barry Purves Stage Manager - Mark McEwan Assistant Stage Managers - Vi Pope, Karen Foster Rehearsal Prompt - Lara Hancox Lighting Design - James Merrington, Geoff Scullard Lighting Operation - Ian Kitney Sound Design - John Cunningham Sound Operation - Lucy Collins Properties - David Ades Costume Production - Mike Shaw Costume Assistants - Stella Blackburn, Julie Shaw, Betty Farmer, Lynne Saleh, Dallas Bradshaw, Sarah Steer, Helen Phillips, Noel Watson Production Carpenter - Steve Cox Scenic Artist - Mandy Cooke Scenic Assistants - Rob Robinson, Paul Simpson, Phil Cleave Set Construction - Paul Simpson, Trevor McKie, Stephen McKie, Ash McKie, Lynsey McKie, Cliff Mills, Andy McHugh, Dave Bailey, Barry Borgen, John Ross, John Murphy, Mark McEwan, Steve Cox, Bob Green Rehearsal & Production Photography - Martin Ogden Publicity Design - Nick Sample Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Waiting for Godot at the Altrincham Garrick Theatre. The Irish Studio Season: Tragic comedy about the meaning of life and the absurdity of existence Garrick Production Waiting for Godot The Irish Studio Season: Tragic comedy about the meaning of life and the absurdity of existence Ran Jan 21, 2025 - Jan 26, 2025 Age guidance 12+ Venue Altrincham Garrick Studio Running time TBC Tickets Price Range £12.50 - £14.50 Description Written by Samuel Beckett Directed by Celia Bonner Two wandering tramps, Vladimir and Estragon, wait by a lonely tree, to meet up with Mr. Godot, an enigmatic figure in a world where time, place and memory are blurred and meaning is where you find it. The tramps hope that Godot will change their lives for the better. Instead, two eccentric travellers arrive, one man on the end of the other's rope. The results are both funny and dangerous in this existential masterpiece. When Samuel Beckett's play exploded on to the London stage in 1953, it shocked as many people as it delighted. There had never been a play like it; indeed it was said that: "Beckett has achieved a theoretical impossibility—a play in which nothing happens, that yet keeps audiences glued to their seats.” Today, Waiting for Godot is accepted as one of the most significant plays of the 20th century. === Details extracted from the programme === Production Team Director - Celia Bonner Set Design - Barry Purves Stage Manager / Props - Dave Jones A.S.M. / Rehearsal Prompt - Steve Williams Lighting Design - Geoff Scullard Lighting Operation - Jo Myers Sound Coordination - James Merrington With sincere thanks to Ian Kitney Cast Estragon (aka "Gogo") - Richard Sails Vladimir (aka "Didi") - Ben Thomas Pozzo - Robert Crumpton Lucky - Jamie King A Boy - Noah Charlton-Jones Reviews Gallery Trailer Trigger Warning This production includes references to death and suicide, representations of slavery. Documents related to this Production View the Programme View the Advertising Poster

The History Boys - By Alan Bennett at the Altrincham Garrick Theatre. Set in the 1980's, The History Boys is a coming of age story about a group of 6th formers. Garrick Production The History Boys - By Alan Bennett Set in the 1980's, The History Boys is a coming of age story about a group of 6th formers. Ran Sep 16, 2024 - Sep 21, 2024 Age guidance 14 + Venue Main House Running time TBC Tickets Price Range £10.50 - £16.50 Description Written by Alan Bennett Directed by Su Mowat Set in the 1980's, The History Boys is the story of a group of bright, funny and unruly sixth-formers in pursuit of sex, sport and a place at university. Their maverick English teacher is at odds with the young and shrewd supply teacher, whilst their headmaster is obsessed with results and league tables. Staffroom rivalry and the anarchy of adolescence overflow, provoking not only universal questions about the nature of history and how it is taught but also questions about the purpose of education today. Their A Levels may be over, but the real learning has just begun… Celebrating it’s 20th Anniversary and hailed as “one of the finest plays Alan Bennett has ever written”, The History Boys opened at the National Theatre in 2004 to rave reviews, a sell-out run and went on became one of their biggest ever hits, winning over 30 major awards including the Olivier and Tony Awards for Best New Play. In a recent national survey this comic masterpiece was voted the nation’s favourite play. == Details extracted from the programme === Director - Su Mowat Composer - Mark Goggins Set Design - Mandy Cooke Stage Manager -Alan Jones Assistant Stage Managers - Dave Jones, Tracey Mitchell Rehearsal Prompt - Anne O'Reilly Lighting Design & Operation - Geoff Scullard Sound Design - Mark Goggins Properties - Claire Eddleston-Rose Costume Design & Production - Mike Shaw Costume Assistants - Stella Blackburn, Julie Shaw, Lynne Saleh, Helen Phillips, Noel Watson, Betty Farmer, Catherine Phillips, Sarah Steer, Jen McEvoy Production Carpenter - Steve Cox Scenic Artist - Mandy Cooke Scenic Assistants - Barry Purves, Trevor McKie, Jane Milner, Charlotte Leigh, Rob Robinson, Ruth Stocks Cast The Staff Hector - Ivor Farley Irwin - Ben Walsh Mrs Lintott - Lindsey Barker Headmaster - William Teller The Boys Dakin - Martin Fisher Jr. Posner - Myles Ryan Scripps - Luke O'Hara Rudge - Paul Harrison Timms - Luke Grewer Akthar - Advait Chorghade Crowther - Charlie Gallagher Lockwood - Daniel Hickman Non-school Characters TV Producer - Barry Purves Additional Production Credits Rehearsal & Production Photography - Martin Ogden Publicity & Programme Design - Nick Sample Reviews “Alan Bennett’s multi award winning play launches the Garrick’s season in spectacular fashion and the curtain call at the end made me feel I was at a pop concert. The noise, the out pouring of appreciation from the audience very nearly lifted the theatre roof off.” - Rick Bowen Read the full review by StageStruck https://www.stagestruck.info/blog “At its best, The History Boys is thought provoking and challenging. This production is just that….. Audiences still crave an accomplished The History Boys production. The Garrick Playhouse have, once again, delivered.” - Peter Ruddick North West End UK Gallery Trailer Trigger Warning This play contains strong language and adult themes, including sexual misconduct and discussions about sensitive historical events. Documents related to this Production View the Programme View the Advertising Poster

Terms and Conditions for The Altrincham Garrick Playhouse Terms and Conditions T&C’s for Sale of Tickets GDPR Privacy Policy Health and Safety Policy Child Protection Policy Terms and Conditions for the Sale of Tickets The customer’s attention is particularly drawn to the provisions of Clause 2 (basis of contract). Table of Contents Interpretation Basis of contract Tickets & Entry Terms of Admittance Cancellation Delivery Consents and Prohibitions Liability Data Protection Third Parties Governing Law Jurisdiction 1 Interpretation 1.1 Definitions: “Conditions ” Means the conditions for the purchase of Tickets made between a Customer and The Theatre “Customer ” The person or firm who purchases a Ticket from The Theatre “Event ” Means any entertainment event or performance occurring at the Venue in respect of which Tickets are sold “The Theatre ” Altrincham Garrick Playhouse Limited,Barrington Road, Altrincham, Cheshire, WA14 1HZ “Promoter ” Means the entity which is staging/producing the Event. “Staff ” Employees and volunteers of The Theatre “Tickets ” Means any item which confirms the right to attend the Event “Venue ” Altrincham Garrick Playhouse Limited, Barrington Road, Altrincham, Cheshire, WA14 1HZ 1.2 Interpretation: 1.2.1 A reference to a statute or statutory provision is a reference to it as amended or re-enacted. A reference to a statute or statutory provision includes any subordinate legislation made under that statute or statutory provision, as amended or re-enacted. 1.2.2 Any phrase introduced by the terms including, include, in particular or any similar expression, shall be construed as illustrative and shall not limit the sense of the words preceding those terms. 1.2.3 A reference to writing or written includes email. 2 Basis of contract 2.1 All Tickets are sold subject to availability and these Conditions. 2.2 The order constitutes an offer by the Customer to purchase a Ticket in accordance with these Conditions. 2.3 The order shall be deemed as accepted upon purchase of a Ticket. As such the Customer should read these Conditions prior to purchase. 2.4 These Conditions apply to the contract to the exclusion of any other terms that the Customer seeks to impose or incorporate, or which are implied by trade, custom, practice or course of dealing. 2.5 Customers may purchase tickets online at https://www.altrinchamgarrick.co.uk . Completion of the booking process shall constitute an offer to purchase the Tickets subject to these Terms and Conditions. Acceptance of this offer will only take place once a Booking Confirmation has been sent to the registered email address, not when the credit/debit card is charged. 2.6 If a Customer makes a group booking they accept these Terms and Conditions on behalf of all members of the group and are responsible for any payment which may be due as a result of any member of the group’s actions. 3 Tickets & Entry 3.1 The price of all Tickets are specified on The Theatre website at https://www.altrinchamgarrick.co.uk . 3.2 All Customers must produce a valid Ticket for the Event in order to gain entry to the Venue. All valid tickets must be retained by the Customer for the duration of the Event and made available for inspection on request by a member of Staff. Inability to produce a valid Ticket may lead to expulsion from the Venue. 3.3 It is the Customer’s responsibility to contact The Theatre if a Ticket is lost, damaged or destroyed. Duplicate Tickets may be issued at the discretion of The Theatre (on the evening of the performance only). In such instances photographic identification and proof of address may be requested. 3.4 The Customer is responsible for ensuring that the information on their Ticket is correct. Customers are encouraged to bring any error to the attention of The Theatre as soon as possible. 3.5 The Theatre will use reasonable endeavours to contact Customers if an Event is cancelled/postponed. It is the Customer’s responsibility to check for changes to the Event prior to attending. 3.6 All children regardless of age require a Ticket. 4 Terms of Admittance 4.1 The Theatre reserves the right to refuse admission to a Customer or to eject them from the Venue at any point during an event if in The Theatre’s reasonable opinion a Customer’s behaviour is not suitable for the Event. No Ticket refunds will be available is such instances. Such behaviour includes, but is not limited to, a Customer: 4.1.1 acting in an aggressive manner; 4.1.2 being abusive to, or compromising the safety of any member of Staff, Promoters’ representatives, performer or other Customer; 4.1.3 distracting other Customers from enjoying the Event. 4.1.4 being under the influence of alcohol or drugs; 4.1.5 any breach of these Conditions or statutory law. 4.2 Customers are not allowed to smoke or use e-cigarettes at the Venue. 4.3 Whist reasonable efforts shall be made by The Theatre to give warnings to Customers regarding special effects it is the responsibility of each individual to seek further information or medical advice. 4.4 Mobile phones and any other electronic equipment (e.g. cameras) must be switched off during the Event and no unauthorised recording equipment is allowed in the Venue. Any unauthorised recordings or photographs may be confiscated and destroyed. Neither The Theatre nor the Promoter will be responsible for any loss sustained. 5 Cancellation 5.1 No refunds are available unless the Event is cancelled, postponed or if the Event is materially changed. A material change in the context of these Conditions is a change which, in The Theatre’s reasonable opinion, makes the Event materially different from that booked by a Customer. A cast change, use of understudies and alteration of running time are not considered a material change. 5.2 Exchanges are only permitted at the discretion of the theatre manager and due to exceptional circumstances. If so agreed, the exchange must be for the same event and no later than 5 days before the performance takes place. Exchanges are subject to a £1.00 per ticket administration charge. 5.3 If an Event is cancelled Customers will be refunded the face value of the Ticket. The Theatre will endeavour to refund any monies by the same means as it was received. 5.4 If an Event is postponed or rescheduled the Customer will be offered alternative Tickets. If the alternative Ticket is cheaper the Customer shall be reimbursed the difference. Conversely, if the alternative Ticket is more expensive the Customer shall pay the difference. If the Customer does not wish to take up the offer of an alternative Ticket then they shall be refunded the face value of the Ticket for the cancelled Event. 6 Delivery 6.1 If a Customer chooses to receive their Ticket by post or via the print-at-home facility then it is their responsibility to contact The Theatre if no ticket is received within 7 days of booking. If The Theatre is not notified of the non-receipt of the Ticket then no refund, alternative Ticket or duplicate Ticket shall be offered. 6.2 Tickets shall be posted to the Customer by second class post within 48 hours of the booking being made. The Theatre will not accept any liability for any Tickets mislaid or lost by Royal Mail. 6.3 A delivery fee of £1 per transaction shall be applied in addition to the Ticket price in respect of all Tickets sent from the Box Office to a UK address. For deliveries outside of the UK, Customers are encouraged to contact the Box Office to make additional arrangements. 6.4 Any Tickets booked 7 days or less before the Event is scheduled to take place must collect their Tickets from The Theatre Box Office. 6.5 When collecting Tickets from The Theatre Box Office Customers may be required to provide photographic identification and proof of address. 7 Consents and Prohibitions 7.1 The resale of Tickets is prohibited. The Theatre takes no responsibility for the validity of Tickets purchased through unauthorised facilities. 7.2 By purchasing a Ticket, Customers are deemed to consent to being filmed or photographed where the event or performance is being filmed or photographs taken. 8 Liability 8.1 The Theatre shall not be responsible for any injury to the Customer or loss, theft or damage of Customer’s belongings, other than that caused as a direct result of negligence or other breach of statutory duty. 8.2 Subject to clause 8.1, The Theatre’s total liability to the Customer, whether in contract, tort (including negligence), breach of statutory duty, or otherwise, arising under or in connection with the Conditions shall be limited to the total amount paid for Tickets. 8.3 Nothing in clause 8 excludes or limits liability for death, personal injury or fraud. 8.4 Neither party shall be in breach of this Contract nor liable for delay in performing, or failure to perform, any of its obligations under this Contract if such delay or failure result from events, circumstances or causes beyond its reasonable control, such as power or equipment failure. 8.5 Arrangements, including but not limited to, travel and accommodation, are booked at the Customer’s risk and The Theatre shall not be liable for any additional costs associated with the cancellation of the Event. 9 Data Protection 9.1 The Theatre may use your personal information together with other information for providing services marketing administration and training. We may also keep your information for a reasonable period in order to contact you about our services. Although you may decide by giving us notice in writing at any time that you no longer wish to receive marketing materials. By accepting these terms you are giving your consent to these activities. 10 Third Parties 10.1 No one other than a party to the Conditions shall have any right to enforce any of its terms. 11 Governing Law 11.1 The Contract, and any dispute or claim (including non-contractual disputes or claims) arising out of or in connection with it or its subject matter or formation shall be governed by, and construed in accordance with the law of England and Wales. 12 Jurisdiction 12.1 Each party irrevocably agrees that the courts of England and Wales shall have exclusive jurisdiction to settle any dispute or claim (including non-contractual disputes or claims) arising out of or in connection with the Contract or its subject matter or formation. Subscribe to our Mailing List

This page allows you to donate towards out CHILI fund-raising campaign Support the Garrick Financially Cool /Heat It. Love It. Contribute towards the major installation of a Heating, Ventilation and Air Conditioning system. Support us to improve conditions for you ! We're halfway there !!! At the Altrincham Garrick, we pride ourselves on offering unforgettable performances in a space where everyone feels comfortable and cared for. To ensure our audiences and casts can enjoy the very best experience all year round, we are thrilled to be installing a brand-new, energy-efficient Heating, Ventilation and Air Cooling system. This vital upgrade will help us maintain a pleasant temperature in every season and improve overall air quality throughout the theatre. We're halfway there ! We are delighted to report that w e've received over £50,000 in donations already in the first 8 months of our CHILI fund-raising campaign. As a result, Phase 1 can now be completed : we are installing the first new HVAC units in the auditorium by the beginning of December 2026. This is an exciting first step towards improving temperature control and air quality throughout the theatre, and we're very grateful to everyone who has contributed towards us affording to get this installed in time for winter. Phase 2 Our fundraising efforts carry on, however, The Phase 2 target, to install two more units at a cost of an extra £20,000, is well underway. As a community charity, we still need support to complete the wider project, and every donation will help us make the theatre a more comfortable environment for audiences and performers. We can’t make this exciting improvement a reality without your support. By donating to our CHILI campaign, you’ll be helping us create a healthier and more enjoyable environment for everyone who visits the theatre. Show Your Support by Donating to CHILI We are very grateful for all donations. How you donate depends on how much you would like to give. Donate up to £75 For donations up to £75, use the above button and then pay immediately online. Thank you. To donate £75 or more, read on ... For donations £75 or over, complete the form below, and we'll contact you to discuss your donation. We can commemorate your donation (if you wish !) by placing a plaque inside the theatre Bronze Donation £75+ Commemorative Plaque 170mm x 55mm Silver Donation £150+ Commemorative Plaque 170mm x 55mm Gold Donation £300+ Commemorative Plaque 170mm x 110mm Business Donation £75+ Commemorative Plaque including logo 170mm x 110mm Just above the form Thanks for offering to donate ... Please complete this form. Don't forget: SUBMIT at the bottom ! First name* Last name* Company name Email* Phone* Level of Donation* BRONZE (£75+) SILVER (£150+) GOLD (£300+) BUSINESS DONATION (£75+ ... no maximum) Donation Amount* Please enter the amount you would like to donate. We'll contact you and then ask you to make your payment at the Box Office either by phone (0161 928 1677) or in person. Thank you. Would you like us to display a plaque marking your contribution ?* Yes No Submit Top of form Subscribe to our Mailing List

The Altrincham Garrick Playhouse is the beating heart of the community. A 401-seat main auditorium and a 49-seat studio theatre, cinema, many visiting productions and the youth academy make the Garrick community creative social place for all to enjoy. About Us About the Theatre Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. About the Theatre History of the Garrick In Memoriam: Past Members of the Garrick Productions Archive The Garrick Theatre Established in 1914, The Altrincham Garrick Society aims to present Drama, Comedy, Musicals and Pantomime – and is happy to consider presenting other forms of the dramatic arts ! The Playhouse was built through membership donations in 1932 – its main auditorium seats 401 and is typically in use throughout September to July. A Garrick Academy of the Performing Arts runs term-time Saturday classes for children aged 5 to 18, as well as a week-long Summer School in August. The Society typically produces 13 main stage productions per year, including the Pantomime and the annual GAPA (Youth Academy) production. The Playhouse also hosts many shows from professional individuals and professional production companies. In addition, the Garrick Picturehouse comprises a large screen, which is used to show cinema films and “as-live” recordings of professionally-staged productions. Finally, the Studio is a 49-seat venue at the back of the building, in which more experimental and more intimate theatre is staged. The theatre is staffed and managed mainly by volunteers, with a small number of employees in specific areas (for example the Artistic Director and Operations Director, Box Office, Accounting, Maintenance and more). The theatre is a registered charity, so the management of the theatre finances and legal issues is governed by a Board of Trustees. Together this makes up the Garrick Theatre family. The Garrick Studio If you are looking for something more exciting to tickle your theatrical taste buds, why not throw caution to the wind and visit our smaller theatre: The Studio. The Studio is perfect for that feeling of being part of the action and where you can experience the intimacy of the story telling. Here you can get up close and personal with the actors as they wow you with their performances. We do not allow touching or the feeding of our actors, however, as some of them have been known to bite! The Studio has its own private entrance onto the car park and patrons have full use of the Garrick bar and all our facilities in the main building. It seats 49 comfortably and it is also accessible for wheelchairs. The Studio is where we stage productions that are not always suitable for our main stage (401 seats) and therefore our shows often fill up quickly. The Studio’s reputation has continued to grow over the years with its thought-provoking and exciting plays. We regularly experience sell-out shows. These productions can be challenging, deeply moving, hilarious or outrageous! You decide. Subscribe to our Mailing List

GAPA currently runs seven Saturday groups. Six on a Saturday morning for our 8 to 18 year olds, plus our MINI GAPA (5 to 8 year old) class on Saturday afternoons. The Academy Groups and Classes Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. GAPA Saturday Group School Holiday Courses Speech & Drama/ LAMDA Classes GAPA Saturday Groups GAPA currently runs seven Saturday groups: six on a Saturday morning for our 8 to 18 year olds, with our MINI GAPA class, for 5 to 8 year olds, on Saturday afternoons. Throughout the year, the groups work towards the goal of putting a production onto the main stage. The year starts with stagecraft, skills and audition preparation, giving students the opportunity to enhance and develop their performance skills. Then it’s audition time and, once the play is cast, the rehearsals start and all the elements of the show are put together. Working through this process, the students learn the valuable skills required of rehearsing and putting on a production, whilst being surrounded by fun and laughter. The Saturday group times are as follows: Session 1: 9:00-11:00 (Classes 1-3) Session 2: 11:30-13:30 (Classes 4-6) Session 3: 14:00 – 15:30 (Class 7 MINI GAPA) Term Dates The teaching year is broken into three terms. GAPA Term Dates 2026-27 Term 1 5th September 2026 - 5th December 2026 Not including - 24th October 26 and 31st October 2026 Term 2 9th January 2027 20th March 2027 Not including - 20th February 2027 Term 3 17th April 27 - 17th July 2027 Not including - 29th May 2027 and 5th June 2027 Student Area Subscribe to our Mailing List

A large number and huge variety of theatrically-approved Prop Weaponry is available for hire. Garrick Hire Prop Weaponry Hire Hire prop weaponry from the Garrick for Stage, Film and Television About the Armoury Prop Gun & Rifle Hire Prop Swords, Knives & Miscellaneous In 2022, the Altrincham Garrick took over management of the prop weapons hire business from HW Ltd of Denton, Greater Manchester. This includes a complete stock of weapons, including blank-firing and replica firearms (pistols, rifles and more), stage-safe pointed weapons (daggers, swords and more) and a variety of related items. The Garrick offers the same high standard of service that many organisations around the UK enjoyed from HW Ltd. This large collection of theatrical weapons is available to hire from us directly at the Garrick. Supply is from our secure storage in Altrincham. Please Note: we hire only to companies (amateur or professional) for use in stage, film or television productions. By law, our licence does not allow us to provide hire to the general public, or for any other purposes. Hire Form We welcome enquiries of all sorts. Please fill in our online form , hit the button above, call us us on 0161 928 1677 or email hire@altrinchamgarrick.co.uk . About Our Prop Weapon Hire Service Established in 1980, Howorth Weapons Limited supplied stage weapons from its warehouse in Denton. These were hired out to theatre, film, TV and other similar organisations. In 2022 it moved home to the Altrincham Garrick, and the same weaponry hire service is now available via our Hire Department. No project is too small. Please call our knowledgeable and friendly experts to discuss your prop weapon requirements; we are always happy to help. We provide the fastest possible service, however for some items we are legally required to carry out background checks. We may need a minimum of three weeks notice prior to the required dates. Rules & Restrictions Altrincham Garrick does not hire out items for fancy dress, private parties, themed events or carnivals. We do not supply to the general public. All weapons are covered by the Criminal Justice Acts, the Firearms Act or the VCR Act (2006). We do not stock or supply any live weapons. They are all deactivated, non-practical or dummies, for use in stage shows, film, television and photographic/video. We do stock and can supply blank-firing guns (pistols, rifles and more). These come with more stringent handling requirements. We do not supply “fighting weapons”, only costume, set-dressing and non-practical items. This section provides a guide, to you as a hirer, about applicable rules and regulations. We try to keep these up to date, but they change occasionally. Please let us know if you want to check and confirm the rules which apply to your unique circumstances using the form below: FILM / TV / VIDEO Special regulations apply to all Film, TV, Video and Photographic uses for guns and weapons. Click the title above for a copy of the current rules. THEATRE Click the title above for the latest rules regarding the use of weapons and guns in an outdoor scenario for Theatre. TRANSPORT Transport of all weapons has strict rules and regulations which must be adhered to. For a copy of the current transport recommendations click the title above. Hire Form Subscribe to our Mailing List

Altrincham Garrick Playhouse is committed to protecting personal information. This Privacy Policy relates to our use of any personal information we collect. Terms and Conditions T&C’s for Sale of Tickets GDPR Privacy Policy Health and Safety Policy Child Protection Policy The Altrincham Garrick Playhouse Privacy Policy Altrincham Garrick Playhouse is committed to protecting personal information. This Privacy Policy relates to our use of any personal information we collect. Our Privacy Policy relates broadly to these groups of people: Audience : the people who attend our shows, visiting shows and events and/or have requested information about the theatre Friends : people who pay a subscription to the Altrincham Garrick Society Supporters : people who are support the activities of the Society in a particular way. This involvement may include, but is not limited to: scenery construction; costumes; properties; make-up and hair; publicity; front of house; backstage; administration; website; design; technical; directing; sponsorship; donations; consultants; those giving specialist advice to the Altrincham Garrick. Staff : those employed by Altrincham Garrick Suppliers : organisations and businesses that provide goods or services to the theatre Committees : Board of Trustees, Volunteers’ Committees, Play Selection and Casting Committee GAPA Members : members of Garrick Academy of Performing Arts and their parents/guardians/carers The personal information we collect from you Audience : Our email database contains your name and email address. Our box office contains your name, address, email address and telephone numbers so we can contact you with information relating to Altrincham Garrick only. We may hold details on previous bookings, group bookings and any preferences you may share with us. Friends : Our database contains your name, address, phone number/s, email address and data on your subscription preferences. We also hold information on dates joined, renewals and details on payments and your subscription. If you have chosen to pay by standing order or joined our 200 club we will hold those details for processing purposes only. Supporters : We collect basic information such as name, address, telephone number, email address, quotes, emails. Staff : We hold details of your name, address, phone number email address, National Insurance, tax details, payslips and employment history. Suppliers : We collect basic information such as name, address, telephone number, email address, quotes, emails. Committees : We collect basic information such as name, address, telephone number, email address, quotes, emails. For the Board of Trustees, information is also held at Companies House and with the Charity Commission, in line with legal requirements. GAPA Members : We hold basic information such as name, address, telephone number, email address. How we use information and data Audience : We will send you regular bulletins via email with news about the theatre and our shows and other shows and events that appear at the theatre. There is an ‘unsubscribe’ option on every email. We will perform some basic interrogation of our email statistics, such as open-rates and click-through rates via various software. Friends, group bookers and ticket holders may receive limited further information by post and email from time to time. We may contact you by telephone if there is problem with tickets or changes to a performance you are booked to attend. We will not share your information with any third parties without your consent. Friends : We will use your information to send you newsletters, letters or emails to give you details of General Meetings, shows, rehearsals, production meetings, casting, news from meetings and general events that are likely to be of interest to you. Your name, and possibly photograph and biography may appear in newsletters or show programmes, website or other publicity relating to a production you are involved in. Your information may be shared with committee members, staff and heads of departments for use in ‘legitimate interest’ and in line with GDPR regulations. Please be aware that our show programmes, website and publicity are public documents and that our newsletters are shared with supporters of the theatre. We will not share your information with other third parties without your consent. Supporters : We will use your information as and when required to contact you for Garrick matters related to your involvement with us. We will not share your information with other third parties without your consent. Staff : We will use your information as and when required to contact you for Garrick matters related to your involvement with the Garrick and as your employer. We will not share your information with other third parties without your consent. Any personal data relating to your employment will be protected and limited to those involved to line management, Board of Trustees and for payroll purposes. Suppliers : We will use your information as and when required to contact you for Garrick matters related to your involvement with the Garrick. We will not share your information with other third parties without your consent. Committees : We will use your information as and when required to contact you for Garrick matters related to your involvement with the Garrick. We will not share your information with other third parties without your consent. GAPA Members : We will use your information as and when required to contact you for Garrick Academy of Performing Arts such as subscriptions, rehearsals, summer school, productions, ticket offers, newsletters, auditions, changes of dates, nominations. Under 18s will be contacted via their parents. We will not share your information with other third parties without your consent. Your name, and possibly photograph and biography may appear in newsletters or show programmes, website or other publicity relating to a production you are involved in. Your information may be shared with committee members, staff and heads of departments for use in ?legitimate interest? and in line with GDPR regulations. Please be aware that our show programmes, website and publicity are public documents and that our newsletters are shared with supporters of the theatre. We will not share your information with other third parties without your consent. How we use information held by our Box Office Systems The Box office at Altrincham Garrick process tickets and sales by telephone, by email, by post and in person. Processing tickets may display your name, address, email address and telephone number. For reporting purposes, we may interrogate data held in the box office to inform our business planning but personal data will not be shared with any third parties. We may hold your personal details in our records in case we need to contact you with further information if there is a change to performance details, for example. Tickets booked via the website are processed and paid for using Spektrix Ltd, a registered company in England and Wales under registration number 6220078. You can find details of their Privacy Policy here . Security We put in place reasonable security measures to protect against any unauthorised access or damage to, or disclosure or loss of, your information Your Rights Audience, Friends, Supporters, Staff, Committees and GAPA Please let us know if your information changes as it is important that the information we hold about you is accurate and up to date. You have the right to request a copy of all the information we hold about you in a Subject Access Request. To do this, simply write to us at the address below. We will take all reasonable steps to confirm your identity before providing you with details of any information we may hold about you. You can ask us to remove your information from our records at any time and cease any further communication. You can do this by writing to the address below. Friends, Supporters, Committees and GAPA We will keep your information indefinitely after you remain an active Friend, Supporter, sit on a Committee or are a member of GAPA. We keep your information because you may resume your connection with and take part again in our activities. However, you can ask us to remove your information from our records at any time and we will do so and stop sending you any further communications. You can do this by writing to the address below. Changes to our Privacy Policy We may amend this Privacy Policy from time to time; for example, to keep it up to date or to comply with legal requirements. If there will be any significant changes made to the use of your information in a manner different from that stated, we will seek your permission first. How to Contact Us For any questions or concerns relating to this Privacy Policy or our data protection practices, or to make a Subject Access Request, please contact us in one of these ways: By email admin@altrinchamgarrick.co.uk By post Operations Director Altrincham Garrick Theatre Barrington Road Altrincham WA14 1HZ This page was updated on 23 October 2026 by HFE. 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We are always looking for actors of all agesto appear in our productions. No previous experience is necessary, simply sign up here to be auditioned. Get Involved Auditions Come and act in one of the 18 productions that the Altrincham Garrick Society produces each season ! Please refer to the Garrick Actor’s Guide for all information about auditioning for acting roles in our 2025/2026 Season at Altrincham Garrick Playhouse. Download the Actor's Guide for the 2026-2027 Season In addition, each production has a dedicated audition pack, which will be uploaded to our website about 4 weeks before the auditions, and which will include information about what to prepare, character descriptions and more. Note that the Altrincham Garrick is a non-professional organisation, meaning that actors are not paid. If you have any questions about the casting process, please email casting@altrinchamgarrick.co.uk Auditions for Upcoming Productions Auditions for JULIUS CAESAR- Altrincham Garrick Playhouse AUDITIONS FOR "JULIUS CAESAR " - Altrincham Garrick Playhouse The Audition Date for this production is Tuesday 3rd November The Rehearsal Start Date for this production is Sunday 10th January The Production Dates for this production are 22nd - 27th February 2027 There is also be a MIDNIGHT MATINEE on 27th February 2027. The performance will begin at 11.59pm and play into the early hours of the morning. Written by William Shakespeare Directed by Joseph Meighan “The evil that men do lives after them; the good is oft interred with their bones.” Shakespeare’s greatest thriller about political chaos, power struggles and friendship betrayals. Julius Caesar has become a tyrant. Cassius sees the threat. Brutus is torn by loyalty. Together, they conspire to kill Caesar. When Cassius and Brutus murder Caesar in full public view on the Ides of March, they think they have heralded a new political age. Instead, chaos erupts, a civil war begins and these traitorous actions threaten the very stability of Rome. In this striking reimagining of Shakespeare’s famed political thriller, director Joseph Meighan and The Garrick Ensemble bring the story of Julius Caesar’s assassination, and its aftermath, into a world that bears an uncanny resemblance to our own. A Caesar for our time. Content Warning: this production contains depictions of war, murder, self-harm and suicide, violence, stage blood, weapons including guns and knives, and loud noises. JULIUS CAESAR will be performed by THE GARRICK ENSEMBLE. The Garrick Ensemble is a company of aspiring actors in their 20s and 30s from Greater Manchester and Cheshire who perform one production each year as part of the Altrincham Garrick Playhouse Main House Season. The Garrick Ensemble aims to make theatre that is fresh, innovative and exciting. See the very best of local, up and coming talent before they move forward in the next stages of their careers in the Arts. We are a diverse theatre and we welcome auditionees of all ages (over the age of 18) and all genders, ethnicities, sexualities, disabilities and races, to enrich the work of the production. For more information, please check out our Audition Pack below! Download the "JULIUS CAESAR" Audition Pack Auditions for Upcoming Productions Auditions for THE POPE- Altrincham Garrick Studio AUDITIONS FOR "THE POPE " - Altrincham Garrick Studio The Audition Date for this production is Tuesday 1st December The Rehearsal Start Date for this production is Sunday 24th January The Production Dates for this production are 2nd - 7th March 2027 Written by Anthony McCarten Directed by John Cunningham In February 2013, Pope Benedict XVI stunned the world by resigning, the first Pope in 700 years to do so. What drove this arch-conservative to break with sacred tradition and cede the way for Cardinal Bergoglio – a one time tango club bouncer, football-loving reformer with the common touch – to become Pope Francis, one of most powerful men on earth? In this fascinating, gripping and often funny story of two very different men, Pope Benedict and Cardinal Bergoglio grapple with their complex pasts and uncertain futures. From coming of age under dictatorships in Germany and Argentina, to the scandal of sexual abuse by the clergy, The Pope shines a light into one of the world’s most secretive institutions. At its heart lies a timeless question: in moments of crisis, should we follow the rules or our conscience? An intimate story, inspired by true events, of one of the most dramatic transitions of power in the last 2,000 years. This 2019 play by Anthony McCarten (4 time Oscar and Golden Globe Winner, Double BAFTA Winning Screenwriter of The Theory of Everything, Darkest Hour and Bohemian Rhapsody) was also produced as a major Netflix film in the same year, renamed The Two Popes, starring Anthony Hopkins and Jonathan Pryce. Content Warning: this productions contains discussions connected to the Catholic Church child abuse scandals. This production is part of the Garrick Studio 26/27 Season - A Season of Connection: Stories that bind us, break us, and bring us back together. We are a diverse theatre and we welcome auditionees of all ages (over the age of 18) and all genders, ethnicities, sexualities, disabilities and races, to enrich the work of the production. Rehearsals : Every Monday, Wednesday and Friday 7.30pm – 10pm, and every Sunday 2pm – 5.30pm Click on our AUDITION PACK below for more information! Download the "THE POPE" Audition Pack All in-house Garrick productions are cast by auditions. Once you’ve read all the information in the relevant audition pack, and if you wish to audition, then please email casting@altrinchamgarrick.co.uk with the name of the production in the Subject field, and include your name and contact number. By emailing, you will have registered for an audition. To sign up to our Actor’s Mailing List (to receive regular updates about upcoming auditions) please email casting@altrinchamgarrick.co.uk . Auditions are confirmed and announced here on this page. Auditions are also announced on our own Facebook page and Twitter Feed: https://www.facebook.com/AltrinchamGarrick/ https://twitter.com/AltrinchamG Subscribe to our Mailing List

Rent our theatre prop Swords and Daggers - a large variety Available. Garrick Hire Prop Swords, Knives and Miscellaneous The Garrick offers a range of bladed weapons and related miscellaneous items for hire About the Armoury Prop Gun & Rifle Hire Prop Swords, Knives & Miscellaneous Hire prop swords, fake knifes and daggers directly from us, here at The Garrick in Altrincham. We have a large collection suitable for film/movies, TV and all kinds of theatrical performances, from pantomimes to whodunnits and dramas. All of our stage swords and other pointed weapons are stored at a secure location in Altrincham. Note that these are not for fancy dress parties, stag dos or other party events – we do not have a licence to rent out to the general public. There are strict rules and regulation surrounding the hire and carrying of these items. We also have a number of interesting related items for hire that you may require to sit alongside the prop swords and prop guns hire. These items don’t fit neatly into the other sections, so we have separated them out below. Please take a look at the photos below, then contact us and give us an idea of the type of production you are engaged with. We will be happy to advise on which type of weapon(s) you need, and can then give you a quotation and timescale for rental. Alternatively, if you know exactly what you require then please include the reference numbers from the photo. Please fill in our online form , ring us on 0161 928 1677 or send us an e-mail, to hire@altrinchamgarrick.co.uk . Hire Form Prop Swords From prop pirate cutlasses suitable for pantomimes, such as those seen in Peter Pan above, to classic replica gladiator, claymore, classic long swords, epees and Samurai swords (as seen in movies such as like Kill Bill), we have a large collection for hire. Prop Knives & Daggers We have a large collection of prop knifes, stilettoes and daggers including retractable knife props (with retractable blades), suitable for stage, screen and television. There are knives from almost every era, including prop machetes, flick knifes and kirpans. Miscellaneous Items to Hire Other weapons include prop duelling pistols, fake Uzi , prop hand grenades & mortar bomb, Note that items 1& 2 are no longer available. Accessories include prop truncheons, western gun holsters, prop handcuffs, cowboy belts and shoulder holsters. Hire Form Subscribe to our Mailing List

The Garrick has a long and illustrious history from its founding in 1913 to the present day set of offerings that includes non-professional performances, visiting professional productions, the youth Academy and a cinema-quality Picturehouse. About Us History of the Garrick Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. About the Theatre History of the Garrick In Memoriam: Past Members of the Garrick Productions Archive The History of the Theatre The Garrick has a long and illustrious history, from its initial stirrings in November 1913 through the major redevelopment/refurbishment completed in 1999, to the present day set of offerings including amateur performances, professional productions, youth training and a cinema-quality Picturehouse. Those who are interested in a more complete account than is presented here may wish to buy a copy of The Flame Still Burns , the story of Altrincham Garrick Playhouse compiled by a true Garrick stalwart, the late Pamela Knox. Copies are still available from the theatre (at the give-away price of ONE pound only) and cover the tale of the Garrick from its inception to the 1992/93 season. 1913 – 1999 1913, November 25th – Inaugural meeting and formation of a provisional committee, followed by two further meetings in December 1914, January 20th – First meeting proper held in the new headquarters, the cellar of Mr Jack Byrom’s shop in Kingsway. The name of Altrincham Garrick Society adopted 1914, February 17th – First Rehearsal of the First Play, The Silver Box by John Galsworthy 1914, March 18th – First Production ( The Silver Box ) performed at the Public Hall, Altrincham with scenery hired from the Gaiety Theatre, Manchester 1915, May 4th – a number of members were struck off the list for non-payment of subscriptions (a warning for some of us these days!). 1916, May – Productions were suspended because of the difficulties arising from the war. 1920 – Following an attempt to persuade George Bernard Shaw to allow a production of Major Barbara without paying royalties, the great man advised the theatre to become a Repertory Theatre, paying the actors, since this would result in a lower payment of royalties (unless very successful!). As a result of this the play was produced and all actors were paid five shillings, which was promptly taken back by the Treasurer and put into a Building Fund, with the aim of building our own theatre 1923, January – ‘Fred Arnold Enterprises’ wrote to the society offering to stage Garrick productions on a commercial basis. This offer was not accepted! 1924, June – Membership now stood at 813 1926, June – At the AGM it was announced that a plot of land had been acquired on Barrington Road suitable for building the proposed new theatre. The land had been purchased by an anonymous member and the Society would hold it on payment of the chief rent only. It eventually emerged that the benefactor was A.P.Hill, a founder member who had worked tirelessly towards the goal of a theatre in its own grounds. 1927, September – Mr R A Smith, who had produced the vast majority of plays since 1914, resigned as producer 1928, December – the ‘Sell a Brick for 2d’ scheme was inaugurated – by October 1930 the scheme had raised £37. 2. 6d (£37.12 in today’s money!) 1930, September – Membership hit 1000 1931, July 14 – the first sod was cut at Barrington Road by Jack Byrom and the building of today’s theatre was begun 1931, October 29 – Garrick Playhouse Ltd registered as a public company 1932, October 1st – The first play opened at the new playhouse – ‘The Immortal Lady‘ by Clifford Bax 1935, February 13th – Standards of behaviour had clearly deteriorated seriously and the Executive Committee issued the following notice:- The Committee regrets that the unofficial sanction to members of the cast bringing intoxication liquor into the Playhouse is being considerably abused. It is necessary, therefore, to remind members that: 1) Only members actually taking part in a play, stage staff and producer, are allowed to bring beer, etc. into the dressing rooms. 2) All glasses must be washed immediately after use and all bottles, whether full or empty, must be kept in closed bags or receptacles 3) Members in the cast cannot be allowed to offer drinks to their members not in the cast, nor to non-members. 4) Members of the cast are asked to refrain from drinking beer etc. until they have finished their part each evening. 1935, March 11th to 18th – the 21st birthday of the Garrick Society was celebrated by the production of the Chinese play ‘Lady Precious Stream‘ , its first amateur production 1935, August – Ruth Dunning , who first appeared at the Garrick in 1934, took over the role of Sally from Wendy Hiller in ‘Love on the Dole‘ at the Garrick Theatre, London, the first Garrick amateur to be successful as a professional 1939 – The Silver Jubilee play was ‘1066 and all that‘ , with a cast of 150, 27 scenes and 3 levels 1939 – From a piece by ‘John Falstaff‘ of the Manchester Evening Chronicle – The Altrincham Garrick is one of the show places of the British Amateur Movement and its merit is twofold. First, it is secure and permanent; second, not only is the normal standard high, but the achievement also. There are few professional companies with such a striking list of pioneer efforts in plays and authors. 1939 – 1945 – For the duration of the war the theatre was handed over to a professional company, although the Society still provided staff and looked after the running of the building 1945, October – The first post-war production was ‘The Good Companions‘ by J B Priestley 1953 – A new building fund was started to be used for the erection of a small theatre at the rear of the Playhouse for experimental plays etc. 1957, October – the 25th anniversary of the Playhouse was celebrated by a production of ‘Teahouse of the August Moon‘ 1958 – a Young Garrick Club was started for 15 to 18 year olds, soon named ‘Studio G’. Their first production was staged in June 1960 in the rehearsal room. 1961, September – The Garrick Bar opened for the first time, the first bar steward being Reg Hughes. He was succeeded early in 1962 by Albert Riddell who was to remain an indispensible part of the Garrick scene until 1981 1963, May – The first of five years of BBC radio recordings of Music Hall at the Garrick 1963 – 50th Jubilee Season – The theatre was re-decorated inside and out and a new central heating boiler installed – The main Jubilee production was ‘Becket‘ 1965, January – First staging of the now famous Garrick Pantomime – that year it was ‘Aladdin‘ 1968-69 – The ‘collection’ system of raising revenue at performances was finally dispensed with and a charge made for tickets 1972-73 season – The 40th anniversary of the Playhouse – the Foyer was modernised with a new Box Office, there was new decoration and, most important, re-upholstered seating. Supporters were invited to endow a seat in the theatre, with 5 securing a name plate affixed to the seat 1973, May – It was announced that while membership would continue performances would be open to the Public and advertised as such 1976 – A thrust stage installed during the close season 1977, August – The Garrick made its first appearance at the Royal Exchange with ‘Sergeant Musgrave’s Dance‘ 1982, August – First visit to the Edinburgh Fringe with two home-grown Kevin Madley plays and Edward Bond’s ‘Bingo‘ 1982, September – The season opened with a world stage premiere of ‘Psycho‘ 1984, July – The Garrick produced a Music Hall as a part of the Edwardian Extravaganza in Dunham Park 1988-89 – The Society’s 75th Anniversary season – Stage 2 (the natural successor to Studio G) presented ‘Oh What a Lovely War‘ to mark the occasion 1990 – the Northern Amateur Premiere of ‘La Cage Aux Folles‘ – Little did we realise then what had started; this was the first of seven productions of it! 1990, November – Redevelopment fever had started. At an Extraordinary General Meeting an ambitious modernisation project which including selling the land on which the theatre stood and leasing the theatre back at a low rent for 999 years was rejected, but the drive had begun and the S.T.A.G.E. fund was started with the aim of raising £500,000 by December 1992 1992, July – the first Garrick Playathon. A host of members arrived at the theatre on Friday evening to discover that the show they were to perform on Sunday evening was ‘The Boyfriend’ by Sandy Wilson. After a massive amount of work pulled together by four directors, two musical directors, two choreographers and four set designers a superb performance was given on the Sunday evening (requiring a massive three prompts during the entire show!) 1998 – The Garrick’s third bid for National Lottery funding was successful, resulting in a grant of £675,000 as part of the £900,000 project. 1999 – The 1998/99 season finished early, in March, and the gutting of the auditorium began. The artistic side of the enterprise was kept occupied with a major open air production in Dunham Massey Hall of “Tom Jones” while the refurbishment went ahead. The grand (if a little delayed) reopening took place in October with a glittering production of “Camelot” (and a good deal of last minute rushing around!). The verdict was unanimous – Coming to the Garrick for a night out is now a real, and very comfortable, treat. Spread the word! To coincide the start of the first season in the refurbished Playhouse, the Society also started with its own website, created and run by Richard Sails. Richard managed the original website for 14 years until it was relaunched in 2013. 2000 to 2020 2006 – Following the generous donation of some tiered, retractable seating by The Lauriston Trust, the newly-christened Lauriston Studio was officially opened to the public in October 2006 with a memorable production of Two by Jim Cartwright. Seating 49 people, it is an extremely intimate and stimulating theatre space that has become a fully integral part of the Altrincham Garrick Playhouse. Since then the Studio has staged many exciting and cutting edge productions, and has won awards for the quality of work produced there. 2013 – For the start of the 2013/14 Centenary season, the Playhouse relaunched its revamped website. This was overseen and managed by Stephen Bradshaw, who then ran the web-site until mid 2020. 2014 – The Society celebrated its 100th Season. 2019 – The Garrick launched the Picturehouse. A versatile addition to the Garrick’s offerings to the community, this comprises a huge retractable screen plus projection equipment, which allows the auditorium to be used as a cinema. The screen can be set up in minutes, in front of most stage sets, and allows up to 350 people to view the latest cinematic releases, classical films, quirky “independent” productions and, most noticeably, showings of professional stage productions “as-live”. The first season included Kinky Boots , A Woman of No Importance (featuring Jennifer Saunders) and two wonderful modern ballets (Swan Lake and Romeo and Juliet ) from Matthew Bourne. 2020 onwards: COVID and other changes 2020 – The Covid-19 pandemic hit the Garrick just as hard as most theatres. The season was abruptly cut short in the middle of March, with the last “production” being an Illustrated Talk by Garrick stalwart Richard Sails, describing his hike in 1999 from Land’s End to John O’Groats. The building then went dark, as the first lockdown took hold. 2020 - March onwards Due to the "first lockdown", nothing was staged at the Garrick from March until the 14th of August 2020, when the Picturehouse re-opened with 42nd Street (an as-live theatrical screening) and then Aladdin (the 2019 film). From then until the end of October 2020, while indoor live performances were banned due to the pandemic, the Garrick Picturehouse continued to show cinematic and theatrical screenings, at the rate of 3 or 4 a week. In 2020, Joe Meighan became the Artistic Director of the Garrick, working in partnership with Sarah Reilly as the Operations Director. On the 1st of November 2020, when the "second lockdown" took effect, the screening of Paddington was cancelled, and the building went dark again. 2021 – In February 2021, the Garrick hosted a "ghost production". Nothing was produced for an audience, but in memory of the Garrick's first ever production in March 1914 (see above), Garrick members were invited to donate to the theatre. Two "online screenings", allowing audiences to watch previously-recorded Garrick plays from their homes, were shown, in February and May 2021. Alongside these, due to "second lockdown" restrictions, the Garrick could offer only Picturehouse cinematic and as-live screenings. These included many classic films curated by Barry Purves. They required the audience and staff to wear masks throughout the performances, and they conformed to restricted seating (groups of up to 6 could sit next to each other, but had to be separated by 2m from other groups). On the 7th of June 2021, the Garrick showed its first live performance since March 2020: a socially-distanced One Act Musical The Last Five Years . September 2021 saw the opening of the first "normal" season since 2018-2019, although some productions were subject to Covid seating restrictions and face-mask directives as guidelines changed during the winter of 2021-2022. Subscribe to our Mailing List

The Altrincham Garrick Playhouse recognizes its duty of care under the Children and Young Persons Act 1963, the Child (Performances) Regulations 1968, the Protection of Children Act 1999 and the Criminal Justice and Court Services Act 2000. Child Protection Policy T&C’s for Sale of Tickets GDPR Privacy Policy Health and Safety Policy Child Protection Policy The Altrincham Garrick Playhouse recognizes its duty of care under the Children and Young Persons Act 1963, the Child (Performances) Regulations 1968, the Protection of Children Act 1999 and the Criminal Justice and Court Services Act 2000.The society recognizes that abuse can take many forms, whether it be physical abuse, emotional abuse, sexual abuse or neglect. The society is committed to practice which protects children from harm. All members of the society accept and recognize their responsibilities to develop awareness of the issues which cause children harm. The society believes that: The welfare of the child is paramount; All children, whatever their age, culture, disability, gender, language, racial origin, religious beliefs and/or sexual identity have the right to protection from abuse; All suspicions and allegations of abuse should be taken seriously and responded to swiftly and appropriately; All members and employees of the society should be clear on how to respond appropriately. The society will ensure that: All children will be treated equally and with respect and dignity; The welfare of each child will always be put first; A balanced relationship based on mutual trust will be built which empowers the children to share in the decision making process; Enthusiastic and constructive feedback will be given rather than negative criticism Bullying will not be accepted or condoned; All adult members of the society provide a positive role model for dealing with other people; Action will be taken to stop any inappropriate verbal or physical behaviour; It will keep up-to-date with health & safety legislation; It will keep informed of changes in legislation and policies for the protection of children; It will undertake relevant development and training; It will hold a register of every child involved with the society and will retain a contact name and number close at hand in case of emergencies. The society has child protection procedures which accompany this policy. This policy should also be read in conjunction with the society’s Theatre Handbook and Health & Safety Policy. The society has a dedicated Child Protection Officer, who is in charge of ensuring that the Child Protection policy and procedures are adhered to. This policy will be regularly monitored by the Executive Committee of the society and will be subject to annual review. Child Protection Procedures Responsibilities of the Society At the outset of any production involving children the society will: Undertake a risk assessment and monitor risk throughout the production process; Identify at the outset the person with designated responsibility for child protection; Engage in effective recruitment of chaperones and other individuals with responsibility for children, including appropriate vetting (if necessary in consultation with the local education authority); Ensure that children are supervised at all times; Know how to get in touch with the local authority social services, in case it needs to report a concern. Parents The society believes it to be important that there is a partnership between parents and the society. Parents/guardians are encouraged to be involved in the activities of the society and to share responsibility for the care of children. All parents will be given a copy the society's Child Protection Policy and procedures .All parents/guardians have the responsibility to collect (or arrange collection of) their children after rehearsals or performances. It is NOT the responsibility of the society to take children home. Unsupervised Contact The society will attempt to ensure that no adult has unsupervised contact with children. If possible there will always be two adults in the room when working with children. If unsupervised contact is unavoidable, steps will be taken to minimize risk. For example, work will be carried out in a public area or in a designated room with a door open. If it is predicted that an individual is likely to require unsupervised contact with children, he or she may be required to obtain a criminal record disclosure. Physical Contact All adults will maintain a safe and appropriate distance from children. Adults will only touch children when it is absolutely necessary in relation to the particular activity. Adults will seek the consent of the child prior to any physical contact and the purpose of the contact shall be made clear. Managing sensitive information The society has a policy and procedures for the taking, using and storage of photographs or images of children. Permission will be sought from the parents/guardians for use of photographic material featuring children for promotional or other purposes. The society’s web-based materials and activities will be carefully monitored for inappropriate use. The society will ensure confidentiality in order to protect the rights of its members, including the safe handling, storage and disposal of any sensitive information such as criminal record disclosures. Suspicion of abuse If you see or suspect abuse of a child while in the care of the society, please make this known to the person with responsibility for child protection. If you suspect that the person with responsibility for child protection is the source of the problem, you should make your concerns known to the Chairman. Please make a note for your own records of what you witnessed as well as your response, in case there is follow-up in which you are involved. If a serious allegation is made against any member of the society, chaperone, venue staff etc., that individual will be suspended immediately until the investigation is concluded. The individual will be excluded from the theatre; rehearsal rooms etc. and will not have any unsupervised contact with any other children in the production. Disclosure of abuse If a child confides in you that abuse has taken place: Remain calm and in control but do not delay taking action. Listen carefully to what has been said. Allow the child to tell you at their own pace and ask questions only for clarification. Don’t ask questions that suggest a particular answer. Don’t promise to keep it a secret. Use the first opportunity you have to share the information with the person with responsibility for child protection. Make it clear to the child that you will need to share this information with others. Make it clear that you will only tell the people who need to know and who should be able to help. Reassure the child that they did the right thing in telling someone. Tell the child what you are going to do next. Speak immediately to the person with responsibility for child protection. It is that person’s responsibility to liaise with the relevant authorities, usually social services or the police. As soon as possible after the disclosing conversation, make a note of what was said, using the child’s own words. Note the date, time, any names that were involved or mentioned, and who you gave the information to. Make sure you sign and date your record. Recording In all situations, including those in which the cause of concern arises from a disclosure made in confidence, the details of an allegation or reported incident will be recorded, regardless of whether or not the concerns have been shared with a statutory child protection agency. An accurate note shall be made of the date and time of the incident or disclosure, the parties involved, what was said or done and by whom, any action taken to investigate the matter, any further action taken e.g. suspension of an individual, where relevant the reasons why the matter was not referred to a statutory agency, and the name of the persons reporting and to whom it was reported. The record will be stored securely and shared only with those who need to know about the incident or allegation. Rights & Confidentiality If a complaint is made against a member of the society he or she will be made aware of their rights under the society's disciplinary procedures. No matter how you may feel about the accusation, both the alleged abuser and the child who is thought to have been abused have the right to confidentiality under the Data Protection Act 1998. Remember also that any possible criminal investigation could be compromised through inappropriate information being released. In criminal law the Crown or other prosecuting authority has to prove guilt and the defendant is presumed innocent until proven guilty. Accidents To avoid accidents, chaperones and children will be advised of ‘house rules’ regarding health and safety and will be notified of areas that are out of bounds. Children will be advised of the clothing and footwear appropriate to the work that will be undertaken. If a child is injured while in the care of the society, a designated first-aider should administer first aid and the injury will be recorded in the society’s accident book. This record will be counter-signed by the person with responsibility for child protection. If a child joins the production with an obvious physical injury a record of this will be made in the accident book. This record will be counter-signed by the person with responsibility for child protection. Criminal Record Disclosures If the society believes it in is in its best interests to obtain criminal record disclosures for chaperones or other personnel it will inform the individual of the necessary procedures and the level of disclosure required. An Enhanced disclosure will be required. The society will have a written code of practice for the handling of disclosure information and aim to prevent misuse. Chaperones Chaperones will be appointed by the society/appointed persons for the care of children during the production process. By law the chaperone is acting in loco parentis and should exercise the care which a good parent/guardian might be reasonably expected to give to a child. The maximum number of children in the chaperone’s care shall not exceed 12. Potential chaperones may be required to supply photographic proof of identity and two references from individuals with knowledge of their previous work with children, unless already well known to the society. They may also be asked to sign a declaration stating that there is no reason why they would be considered unsuitable to work with children. Chaperones will be made aware of the society’s Child Protection Policy and Procedures. Where chaperones are not satisfied with the conditions for the children, they should bring this to the attention of the director/stage manager. If changes cannot be made satisfactorily the chaperone should consider not allowing the child to continue. If a chaperone considers that a child is unwell or too tired to continue, the chaperone must inform the director/stage manager and not allow the child to continue. No child of compulsory school age is permitted to do anything which may endanger life or limb. This could include working on wires or heavy lifting. Chaperones should tell the director/stage manager to cease using children in this way, and should contact the local authority. During performances, chaperones will be responsible for meeting children at the stage door and signing them into the building. Children will be kept together at all times except when using separate dressing rooms. Chaperones will be aware of where the children are at all times. Children are not to leave the theatre unsupervised by chaperones unless in the company of their parents/guardians. Children will be adequately supervised while going to and from the toilets. Children will not be allowed to enter the adult dressing rooms. Chaperones should be aware of the safety arrangements and first aid procedures in the venue, and will ensure that children in their care do not place themselves and others in danger. Chaperones should ensure that any accidents are reported to and recorded by the society. Chaperones should examine accident books each day. If an accident has occurred, the producer is not allowed to use that child until a medically qualified opinion has been obtained (not just the word of the parent or child). Chaperones should have written arrangements for children after performances. If someone different is to collect the child, a telephone call should be made to the parent/guardian to confirm the arrangements. Children should be signed out when leaving and a record made of the person collecting. If a parent has not collected the child, it is the duty of the chaperone to stay with that child or make arrangements to take them home. This policy is applicable to and focuses on, children of compulsory school age and below. A child is required to attend school unless they are over the age of 16 on 31st of August, or until the last Friday in June after their 16th birthday. Subscribe to our Mailing List

Terms and Conditions for the Sale of Tickets at the Garrick Terms and Conditions T&C’s for Sale of Tickets GDPR Privacy Policy Health and Safety Policy Child Protection Policy Terms and Conditions for the Sale of Tickets The customer’s attention is particularly drawn to the provisions of Clause 2 (basis of contract). Table of Contents Interpretation Basis of contract Tickets & Entry Terms of Admittance Cancellation Delivery Consents and Prohibitions Liability Data Protection Third Parties Governing Law Jurisdiction 1 Interpretation 1.1 Definitions: “Conditions ” Means the conditions for the purchase of Tickets made between a Customer and The Theatre “Customer ” The person or firm who purchases a Ticket from The Theatre “Event ” Means any entertainment event or performance occurring at the Venue in respect of which Tickets are sold “The Theatre ” Altrincham Garrick Playhouse Limited,Barrington Road, Altrincham, Cheshire, WA14 1HZ “Promoter ” Means the entity which is staging/producing the Event. “Staff ” Employees and volunteers of The Theatre “Tickets ” Means any item which confirms the right to attend the Event “Venue ” Altrincham Garrick Playhouse Limited, Barrington Road, Altrincham, Cheshire, WA14 1HZ 1.2 Interpretation: 1.2.1 A reference to a statute or statutory provision is a reference to it as amended or re-enacted. A reference to a statute or statutory provision includes any subordinate legislation made under that statute or statutory provision, as amended or re-enacted. 1.2.2 Any phrase introduced by the terms including, include, in particular or any similar expression, shall be construed as illustrative and shall not limit the sense of the words preceding those terms. 1.2.3 A reference to writing or written includes email. 2 Basis of contract 2.1 All Tickets are sold subject to availability and these Conditions. 2.2 The order constitutes an offer by the Customer to purchase a Ticket in accordance with these Conditions. 2.3 The order shall be deemed as accepted upon purchase of a Ticket. As such the Customer should read these Conditions prior to purchase. 2.4 These Conditions apply to the contract to the exclusion of any other terms that the Customer seeks to impose or incorporate, or which are implied by trade, custom, practice or course of dealing. 2.5 Customers may purchase tickets online at https://www.altrinchamgarrick.co.uk . Completion of the booking process shall constitute an offer to purchase the Tickets subject to these Terms and Conditions. Acceptance of this offer will only take place once a Booking Confirmation has been sent to the registered email address, not when the credit/debit card is charged. 2.6 If a Customer makes a group booking they accept these Terms and Conditions on behalf of all members of the group and are responsible for any payment which may be due as a result of any member of the group’s actions. 3 Tickets & Entry 3.1 The price of Tickets is specified on The Theatre website at https://www.altrinchamgarrick.co.uk . 3.2.1 Tickets may be subject to change and the Venue reserves the right to change the price of Tickets and/or introduce discounts / special offers which cannot be retrospectively applied to Tickets already purchased. 3.2.2 All discounts/promotional offers are offered subject to availability and therefore Tickets may not be available at all advertised prices at all times. 3.2.3 Concession/discounted Ticket prices must be applied for at the time of purchase and cannot be applied to Tickets already purchased. Proof of entitlement to a concession/discount/promotional offer may be requested from the Customer at the time of booking and/or when they attend the Event. Failure to produce reasonable proof of entitlement to a concession/discount may invalidate the Ticket and result in refusal of admittance or ejection from the Venue. 3.3 All Customers must produce a valid Ticket for the event in order to gain entry to the Venue. All valid tickets must be retained by the Customer for the duration of the event and made available for inspection on request by a member of Staff. Inability to produce a valid ticket may lead to expulsion from the venue. 4 a. 3.4 It is the Customer’s responsibility to contact The Theatre if a Ticket is lost, damaged or destroyed. Duplicate Tickets may be issued at the discretion of The Theatre (on the evening of the performance only). In such instances photographic identification and proof of address may be requested. 3.5 The Customer is responsible for ensuring that the information on their Ticket is correct. Customers are encouraged to bring any error to the attention of The Theatre as soon as possible. 3.6 The Theatre will use reasonable endeavours to contact Customers if an Event is cancelled/postponed. It is the Customer’s responsibility to check for changes to the Event prior to attending. 3.7 All children regardless of age require a Ticket. 4 Terms of Admittance 4.1 The Theatre reserves the right to refuse admission to a Customer or to eject them from the Venue at any point during an event if in The Theatre’s reasonable opinion a Customer’s behaviour is not suitable for the Event. No Ticket refunds will be available is such instances. Such behaviour includes, but is not limited to, a Customer: 4.1.1 acting in an aggressive manner; 4.1.2 being abusive to, or compromising the safety of any member of Staff, Promoters’ representatives, performer or other Customer; 4.1.3 distracting other Customers from enjoying the Event. 4.1.4 being under the influence of alcohol or drugs; 4.1.5 any breach of these Conditions or statutory law. 4.2 Customers are not allowed to smoke or use e-cigarettes at the Venue. 4.3 Whist reasonable efforts shall be made by The Theatre to give warnings to Customers regarding special effects it is the responsibility of each individual to seek further information or medical advice. 4.4 Mobile phones and any other electronic equipment (e.g. cameras) must be switched off during the Event and no unauthorised recording equipment is allowed in the Venue. Any unauthorised recordings or photographs may be confiscated and destroyed. Neither The Theatre nor the Promoter will be responsible for any loss sustained. 5 Cancellation 5.1 No refunds are available unless the Event is cancelled, postponed or if the Event is materially changed. A material change in the context of these Conditions is a change which, in The Theatre’s reasonable opinion, makes the Event materially different from that booked by a Customer. A cast change, use of understudies and alteration of running time are not considered a material change. 5.2 Exchanges are only permitted at the discretion of the theatre manager and due to exceptional circumstances. If so agreed, the exchange must be for the same event and no later than 5 days before the performance takes place. Exchanges are subject to a £1.00 per ticket administration charge. 5.3 If an Event is cancelled Customers will be refunded the face value of the Ticket. The Theatre will endeavour to refund any monies by the same means as it was received. 5.4 If an Event is postponed or rescheduled the Customer will be offered alternative Tickets. If the alternative Ticket is cheaper the Customer shall be reimbursed the difference. Conversely, if the alternative Ticket is more expensive the Customer shall pay the difference. If the Customer does not wish to take up the offer of an alternative Ticket then they shall be refunded the face value of the Ticket for the cancelled Event. 6 Delivery 6.1 If a Customer chooses to receive their Ticket by post or via the print-at-home facility then it is their responsibility to contact The Theatre if no ticket is received within 7 days of booking. If The Theatre is not notified of the non-receipt of the Ticket then no refund, alternative Ticket or duplicate Ticket shall be offered. 6.2 Tickets shall be posted to the Customer by second class post within 48 hours of the booking being made. The Theatre will not accept any liability for any Tickets mislaid or lost by Royal Mail. 6.3 A delivery fee of £1 per transaction shall be applied in addition to the Ticket price in respect of all Tickets sent from the Box Office to a UK address. For deliveries outside of the UK, Customers are encouraged to contact the Box Office to make additional arrangements. 6.4 Any Tickets booked 7 days or less before the Event is scheduled to take place must collect their Tickets from The Theatre Box Office. 6.5 When collecting Tickets from The Theatre Box Office Customers may be required to provide photographic identification and proof of address. 7 Consents and Prohibitions 7.1 The resale of Tickets is prohibited. The Theatre takes no responsibility for the validity of Tickets purchased through unauthorised facilities. 7.2 By purchasing a Ticket, Customers are deemed to consent to being filmed or photographed where the event or performance is being filmed or photographs taken. 8 Liability 8.1 The Theatre shall not be responsible for any injury to the Customer or loss, theft or damage of Customer’s belongings, other than that caused as a direct result of negligence or other breach of statutory duty. 8.2 Subject to clause 8.1, The Theatre’s total liability to the Customer, whether in contract, tort (including negligence), breach of statutory duty, or otherwise, arising under or in connection with the Conditions shall be limited to the total amount paid for Tickets. 8.3 Nothing in clause 8 excludes or limits liability for death, personal injury or fraud. 8.4 Neither party shall be in breach of this Contract nor liable for delay in performing, or failure to perform, any of its obligations under this Contract if such delay or failure result from events, circumstances or causes beyond its reasonable control, such as power or equipment failure. 8.5 Arrangements, including but not limited to, travel and accommodation, are booked at the Customer’s risk and The Theatre shall not be liable for any additional costs associated with the cancellation of the Event. 9 Data Protection 9.1 The Theatre may use your personal information together with other information for providing services marketing administration and training. We may also keep your information for a reasonable period in order to contact you about our services. Although you may decide by giving us notice in writing at any time that you no longer wish to receive marketing materials. By accepting these terms you are giving your consent to these activities. 10 Third Parties 10.1 No one other than a party to the Conditions shall have any right to enforce any of its terms. 11 Governing Law 11.1 The Contract, and any dispute or claim (including non-contractual disputes or claims) arising out of or in connection with it or its subject matter or formation shall be governed by, and construed in accordance with the law of England and Wales. 12 Jurisdiction 12.1 Each party irrevocably agrees that the courts of England and Wales shall have exclusive jurisdiction to settle any dispute or claim (including non-contractual disputes or claims) arising out of or in connection with the Contract or its subject matter or formation. Subscribe to our Mailing List

The Altrincham Garrick Playhouse recognizes its duty of care under the Children and Young Persons Act 1963, the Child (Performances) Regulations 1968, the Protection of Children Act 1999 and the Criminal Justice and Court Services Act 2000. The Academy Altrincham Garrick Child Protection Policy Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. The Altrincham Garrick Playhouse recognizes its duty of care under the Children and Young Persons Act 1963, the Child (Performances) Regulations 1968, the Protection of Children Act 1999 and the Criminal Justice and Court Services Act 2000.The society recognizes that abuse can take many forms, whether it be physical abuse, emotional abuse, sexual abuse or neglect. The society is committed to practice which protects children from harm. All members of the society accept and recognize their responsibilities to develop awareness of the issues which cause children harm. The society believes that: The welfare of the child is paramount; All children, whatever their age, culture, disability, gender, language, racial origin, religious beliefs and/or sexual identity have the right to protection from abuse; All suspicions and allegations of abuse should be taken seriously and responded to swiftly and appropriately; All members and employees of the society should be clear on how to respond appropriately. The society will ensure that: All children will be treated equally and with respect and dignity; The welfare of each child will always be put first; A balanced relationship based on mutual trust will be built which empowers the children to share in the decision making process; Enthusiastic and constructive feedback will be given rather than negative criticism Bullying will not be accepted or condoned; All adult members of the society provide a positive role model for dealing with other people; Action will be taken to stop any inappropriate verbal or physical behaviour; It will keep up-to-date with health & safety legislation; It will keep informed of changes in legislation and policies for the protection of children; It will undertake relevant development and training; It will hold a register of every child involved with the society and will retain a contact name and number close at hand in case of emergencies. The society has child protection procedures which accompany this policy. This policy should also be read in conjunction with the society’s Theatre Handbook and Health & Safety Policy. The society has a dedicated Child Protection Officer, who is in charge of ensuring that the Child Protection policy and procedures are adhered to. This policy will be regularly monitored by the Executive Committee of the society and will be subject to annual review. Child Protection Procedures Responsibilities of the Society At the outset of any production involving children the society will: Undertake a risk assessment and monitor risk throughout the production process; Identify at the outset the person with designated responsibility for child protection; Engage in effective recruitment of chaperones and other individuals with responsibility for children, including appropriate vetting (if necessary in consultation with the local education authority); Ensure that children are supervised at all times; Know how to get in touch with the local authority social services, in case it needs to report a concern. Parents The society believes it to be important that there is a partnership between parents and the society. Parents/guardians are encouraged to be involved in the activities of the society and to share responsibility for the care of children. All parents will be given a copy the society's Child Protection Policy and procedures .All parents/guardians have the responsibility to collect (or arrange collection of) their children after rehearsals or performances. It is NOT the responsibility of the society to take children home. Unsupervised Contact The society will attempt to ensure that no adult has unsupervised contact with children. If possible there will always be two adults in the room when working with children. If unsupervised contact is unavoidable, steps will be taken to minimize risk. For example, work will be carried out in a public area or in a designated room with a door open. If it is predicted that an individual is likely to require unsupervised contact with children, he or she may be required to obtain a criminal record disclosure. Physical Contact All adults will maintain a safe and appropriate distance from children. Adults will only touch children when it is absolutely necessary in relation to the particular activity. Adults will seek the consent of the child prior to any physical contact and the purpose of the contact shall be made clear. Managing sensitive information The society has a policy and procedures for the taking, using and storage of photographs or images of children. Permission will be sought from the parents/guardians for use of photographic material featuring children for promotional or other purposes. The society’s web-based materials and activities will be carefully monitored for inappropriate use. The society will ensure confidentiality in order to protect the rights of its members, including the safe handling, storage and disposal of any sensitive information such as criminal record disclosures. Suspicion of abuse If you see or suspect abuse of a child while in the care of the society, please make this known to the person with responsibility for child protection. If you suspect that the person with responsibility for child protection is the source of the problem, you should make your concerns known to the Chairman. Please make a note for your own records of what you witnessed as well as your response, in case there is follow-up in which you are involved. If a serious allegation is made against any member of the society, chaperone, venue staff etc., that individual will be suspended immediately until the investigation is concluded. The individual will be excluded from the theatre; rehearsal rooms etc. and will not have any unsupervised contact with any other children in the production. Disclosure of abuse If a child confides in you that abuse has taken place: Remain calm and in control but do not delay taking action. Listen carefully to what has been said. Allow the child to tell you at their own pace and ask questions only for clarification. Don’t ask questions that suggest a particular answer. Don’t promise to keep it a secret. Use the first opportunity you have to share the information with the person with responsibility for child protection. Make it clear to the child that you will need to share this information with others. Make it clear that you will only tell the people who need to know and who should be able to help. Reassure the child that they did the right thing in telling someone. Tell the child what you are going to do next. Speak immediately to the person with responsibility for child protection. It is that person’s responsibility to liaise with the relevant authorities, usually social services or the police. As soon as possible after the disclosing conversation, make a note of what was said, using the child’s own words. Note the date, time, any names that were involved or mentioned, and who you gave the information to. Make sure you sign and date your record. Recording In all situations, including those in which the cause of concern arises from a disclosure made in confidence, the details of an allegation or reported incident will be recorded, regardless of whether or not the concerns have been shared with a statutory child protection agency. An accurate note shall be made of the date and time of the incident or disclosure, the parties involved, what was said or done and by whom, any action taken to investigate the matter, any further action taken e.g. suspension of an individual, where relevant the reasons why the matter was not referred to a statutory agency, and the name of the persons reporting and to whom it was reported. The record will be stored securely and shared only with those who need to know about the incident or allegation. Rights & Confidentiality If a complaint is made against a member of the society he or she will be made aware of their rights under the society's disciplinary procedures. No matter how you may feel about the accusation, both the alleged abuser and the child who is thought to have been abused have the right to confidentiality under the Data Protection Act 1998. Remember also that any possible criminal investigation could be compromised through inappropriate information being released. In criminal law the Crown or other prosecuting authority has to prove guilt and the defendant is presumed innocent until proven guilty. Accidents To avoid accidents, chaperones and children will be advised of ‘house rules’ regarding health and safety and will be notified of areas that are out of bounds. Children will be advised of the clothing and footwear appropriate to the work that will be undertaken. If a child is injured while in the care of the society, a designated first-aider should administer first aid and the injury will be recorded in the society’s accident book. This record will be counter-signed by the person with responsibility for child protection. If a child joins the production with an obvious physical injury a record of this will be made in the accident book. This record will be counter-signed by the person with responsibility for child protection. Criminal Record Disclosures If the society believes it in is in its best interests to obtain criminal record disclosures for chaperones or other personnel it will inform the individual of the necessary procedures and the level of disclosure required. An Enhanced disclosure will be required. The society will have a written code of practice for the handling of disclosure information and aim to prevent misuse. Chaperones Chaperones will be appointed by the society/appointed persons for the care of children during the production process. By law the chaperone is acting in loco parentis and should exercise the care which a good parent/guardian might be reasonably expected to give to a child. The maximum number of children in the chaperone’s care shall not exceed 12. Potential chaperones may be required to supply photographic proof of identity and two references from individuals with knowledge of their previous work with children, unless already well known to the society. They may also be asked to sign a declaration stating that there is no reason why they would be considered unsuitable to work with children. Chaperones will be made aware of the society’s Child Protection Policy and Procedures. Where chaperones are not satisfied with the conditions for the children, they should bring this to the attention of the director/stage manager. If changes cannot be made satisfactorily the chaperone should consider not allowing the child to continue. If a chaperone considers that a child is unwell or too tired to continue, the chaperone must inform the director/stage manager and not allow the child to continue. No child of compulsory school age is permitted to do anything which may endanger life or limb. This could include working on wires or heavy lifting. Chaperones should tell the director/stage manager to cease using children in this way, and should contact the local authority. During performances, chaperones will be responsible for meeting children at the stage door and signing them into the building. Children will be kept together at all times except when using separate dressing rooms. Chaperones will be aware of where the children are at all times. Children are not to leave the theatre unsupervised by chaperones unless in the company of their parents/guardians. Children will be adequately supervised while going to and from the toilets. Children will not be allowed to enter the adult dressing rooms. Chaperones should be aware of the safety arrangements and first aid procedures in the venue, and will ensure that children in their care do not place themselves and others in danger. Chaperones should ensure that any accidents are reported to and recorded by the society. Chaperones should examine accident books each day. If an accident has occurred, the producer is not allowed to use that child until a medically qualified opinion has been obtained (not just the word of the parent or child). Chaperones should have written arrangements for children after performances. If someone different is to collect the child, a telephone call should be made to the parent/guardian to confirm the arrangements. Children should be signed out when leaving and a record made of the person collecting. If a parent has not collected the child, it is the duty of the chaperone to stay with that child or make arrangements to take them home. This policy is applicable to and focuses on, children of compulsory school age and below. A child is required to attend school unless they are over the age of 16 on 31st of August, or until the last Friday in June after their 16th birthday. Subscribe to our Mailing List

We pay tribute and honour our friends at the theatre who are no longer with us. About Us In Memoriam: Past Members of the Garrick This page pays tribute to and honours our friends at the theatre who are no longer with us. About the Theatre History of the Garrick In Memoriam: Past Members of the Garrick Productions Archive Past Members and Remembrance We pay tribute and honour our friends at the theatre who are no longer with us. There are undoubtedly missing names to be added, so if you have memories, photos and updates to this roll call of past members, please contact us and we will be delighted to include them. Please contact webmaster@altrinchamgarrick.co.uk Alan Rothwell Allan Taylor Anne Chandler Audrey Hughes Audrey Skinner (née Lawson) Barbara Fraser Barry Fletcher Brian Moore Brian Tickle Buff Monck Charles Foster Chris Shepherd Chris Wetherill Christine Sammon (née Adams) David Gonet David Mardon Derek Cleal Derek Killeen Derrick Kay Diana Provan (née Harker) Don Poole Eric Bradshaw Frank Boylan Freda Kilburn Gareth Gwenlan Geoff Bolton Geoff Hinde George Howard George Kilburn Gerry Turnock Gordon Prentice Greta Donahue Harry Williams Ian Appleyard Ian Crownshaw Izzy (Valerie Isabel) Dempsey Jan Maddox Janet Slade Jeanne Anderson Jennie Holman Jim Luckett Jim O'Gara John Chidgey Ken Curragh Ken Weston Liam Sammon Linda Panton Maggie Foy Margaret Norris Marion Eaves Maureen Casket Maureen Halliday Mike Stocks Nick Johnson Norma Noar Pamela Knox Pat Williamson Paula Hall (née Tilbrook) Peter Coatman Peter Jackson Phil Gleave Phil Lynch Richard Honeyman Rita Howard Roger Metcalfe Ron Harvi Sheila Hine Sid Horton Sir Fergus Montgomery Stella Fogg Stella Sails (née Doyle) Stephen Wardale Stevie Salem (née Holt) Sybil Dodds Sylvia Hay Terry Chandler Terry Panton Tony Mathews Val Bacon Val Lynch Val Watkinson Verity Fairclough Subscribe to our Mailing List

If you have an interest in theatre, want to tread the boards or work front or back stage then why not become a Garrick volunteer? Get Involved Volunteering Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. If you have an interest in theatre, want to tread the boards or work front or back stage then why not become a Garrick volunteer ? We are always looking for new talent (of any age) to work in all areas of the theatre – no experience is necessary as you will be given full training by our qualified staff. We promise you that the satisfaction of a job well done will really surprise you, and you will make many new friends. Register your Interest Simply fill in this form to register your interest in getting involved in the theatre. You can also ring us on 0161 928 1677 , or send an e-mail to admin@altrinchamgarrick.co.uk Name Email Telephone Tell us how you would like to get involved, and we'll respond as soon as possible Submit Thanks for registering your interest in getting involved. We aim to get back to you very soon. What else can I do to play my part? Even if you are not able to spend the time time helping the theatre in a more active way (maybe work and other commitments mean that your time is at a premium), there other simple ways you can help your Garrick. When you come and see a show, try to pick up a leaflet or A4 poster from the Box Office or in the Bar. You could display one in your local Library, office/place of work or even your local club or shop (please make sure you have permission to do so). If you have enjoyed a show, tell your friends/colleagues – please spread the word about your theatre! Find us on Social Media and tweet/post your thoughts. This kind of help, however small, can make a huge difference to the theatre. Thank you. Subscribe to our Mailing List

We are looking for creative, talented, pragmatic, friendly and organised team players to join our working volunteer community here at the Garrick. About Us Vacancies Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. Job Vacancy PRODUCTION COORDINATOR /ASSISTANT TO THE ARTISTIC DIRECTOR - Applications Closed Thank you for your interest in the Production Coordinator role. Applications for this position are now closed. We will be reviewing applications and conducting interviews during the week commencing 14th September. Thank you to everyone who took the time to apply. Volunteering If you’re interested in volunteering at Altrincham Garrick Playhouse whether it be front of house or backstage and you wish to find out more, please email us on boxoffice@altrinchamgarrick.co.uk Subscribe to our Mailing List

Rent our theatre prop Guns and Rifles - a large variety Available. Garrick Hire Prop Gun and Rifle Hire Hire blank-firing and non-firing guns and rifles About the Armoury Prop Gun & Rifle Hire Prop Swords, Knives & Miscellaneous The Altrincham Garrick is pleased to offer a large selection of replica guns and rifles as part of our prop gun hire department. This covers a huge selection of fake handguns, pistols, rifles and shot guns available to hire from a many different eras. From eighteenth century flintlocks through western rifles, through 30s Tommy guns, to more modern shotguns and rifles. We also have replica AK47s and more modern looking assault rifles. All can be hired from our secure location in Altrincham. Hire Form We welcome enquiries of all sorts. We have a vast experience of shows and plays, so we can work closely with you to select the correct gun(s) for your production. Please be aware that we do not hire out to member of the public (for example fancy dress parties, themed re-enactments, stag or hen parties). We only rent to bona fide theatres, television and film/movie production companies. If you are interested in prop gun hire from us then please browse the photos and contact us to give us an indication of your enquiries. We will then respond with a quotation built around your requirements. Please give us as much information possible. We may need to carry out certain background checks before hiring to you. Please fill in our online form , call us on 0161 928 1677 or send us an e-mail: hire@altrinchamgarrick.co.uk . Browse Our Prop Gun Collection Long-barrel guns and rifles (non-practical blank-firing) This selection includes replica flintlock carbine rifles, shotguns, Lee Enfields, Winchester rifles and air rifles. Some can be fitted with straps and some with telescopic sights. Hand-guns and pistols (practical blank-firing) All the replica pistols shown are available as blank-firing. Some examples: Number 1 is a modified period percussion cap prop hand pistol. Number 4 is a prop Derringer, which conforms to extra regulations. Long-barrel guns and rifles (non-firing) This is a small selection of our large range of dummy, prop, deactivated and non-practical rifles. Some are exact replica guns; others are simple wooden-profile cut-out shapes (being more suitable for cost-conscious productions). None of this range is able to fire. Hand-guns and pistols (non-firing) These short-barrel handguns are deactivated, non-practical, dummy, replica or prop guns. We cover a comprehensive range, from the earliest flintlock pistol through to modern-day hand automatics. None of this range is able to fire. Submachine guns (non-firing) Shown here is a selection from our stock of these guns, many of which can be supplied with straps. Some examples: Number 1 is the Lewis Gun MK1 that was especially made for our stage production of Dad's Army . Number 2 is an SA80, which can be used with or without telescopic sights. None of this range is able to fire. Hire Form Subscribe to our Mailing List

Brassed Off at the Altrincham Garrick Theatre. Garrick Production Brassed Off Ran Invalid Date - Dec 16, 2013 Age guidance Venue Running time Tickets Price Range Description In existence for a hundred years, Grimley Colliery Brass Band is as old as the mine. Set during the miners' strike of the 80s the miners are deciding whether to fight to keep the pit open. The only hope is for the men to enter the band into the national competition. They believe they have no hope until Gloria appears carrying her flugelhorn. At first mocked for being a woman, she soon becomes the only chance for the band to win. As Danny, the band's leader,continues to exhort them to continue to the national competition, frictions and pressures are all too evident. But whose side is Gloria actually on? Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

One Man, Two Guvnors at the Altrincham Garrick Theatre. Garrick Production One Man, Two Guvnors Ran Invalid Date - Aug 18, 2015 Age guidance Venue Running time Tickets Price Range Description 'One of the greatest ever comedy hits, this award winning play originally produced for The National Theatre by Richard Bean has been seen worldwide.?A magnificent farce of disguise and intrigue. Set in the racy resort of Brighton in the swinging 1960's, the hapless Francis Henshall becomes employed by two men, Roscoe Crabbe, a gangster and Stanley Stubbers, and upper class rogue. Francis needs to keep these two men from meeting to conceal the fact that he is working for someone else. But Roscoe is not all that he seems to be- he is actually Rachel Crabbe in disguise , her twin brother Roscoe having been killed by her lover. Freely adapted from the original classic, The Servant of Two Masters, the audience play their part in the hilariously chaotic chain of events coming to a rousing conclusion. Originally starring James Corden, the Garrick is especially thrilled to present this great comedy . [gallery type="rectangular" columns="7" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/11/DSC_9045.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/11/DSC_8991.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/11/DSC_8973.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/11/DSC_8951.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/11/DSC_8869.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/11/DSC_8828.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/11/DSC_8676.jpg|"] CAST CHARLIE (The Duck) CLENCH - Martin Oldfield PAULINE CLENCH - Charlotte Jobling HARRY DANGLE - Andrew Higson ALAN DANGLE - Callum Anderson DOLLY - Laura Chandler LLOYD Mac BOATENG - John Westbrook RACHAEL/ROSCOE CRABBE - Steph Niland STANLEY STUBBERS - Daniel Ferguson FRANCIS HENSHALL - Barry Spencer GARY BALDI - Bill Platt ALFIE - BRIAN HOWLETT ENSEMBLE - Sandy McGuire, Margaret Kenyon, Sylvia Hay, Adele Higson, Jent Slade, Stuart Slade, Paul Lawrie-Clarkeson SKIFFEL GROUP - Michael, Dave O'Keefe, Rick Sarko Review by Remotegoat.com by Juila Taylor In blissful ignorance I take my usual front row seat to review the Garrick's production of One Man Two Guvnors. It's a big mistake for I spend the first Act quivering in my boots lest I be picked by the actors for some fiendish interaction. At the interval, sighing with relief, I grab an ice-cream to cool me down. It is the woman next to me - a Christine Paterson from Timperley - who gets it - and I laugh at her misfortune along with everyone else. I'm hoping she is a stooge and am pretty sure she was because she mysteriously disappeared during the interval. Not so, the two blokes who precede her. They looked decidedly troubled when they are dragged on stage to move some suitcases. Set in 1963, One Man Two Guvnors is an adaptation by Richard Bean of a much older comedy, by Carlo Goldoni but when it is set is irrelevant for the dilemmas enacted are timeless. It is lead actor, Barry Spencer playing Francis Henshall who brings down the house but he doesn't overshadow other clowns in smaller parts. Francis is the chump who spends most of the evening running round in circles to please his two bosses putting fathomless energy into his performance. The bosses are ex public school boy, Stanley Stubbers (Daniel Ferguson) an upper class buffoon with a far back voice who happens to be a murderer and Rachel Crabbe (Steph Niland) who spends her time pretending to be her deceased brother, one of Stubbers victims. In one of the funniest scenes, Ferguson's Francis attempts to serve food and wine simultaneously to his masters who are in different rooms. Despite the hard work that has obviously gone into this show, on Tuesday night, the audience are unresponsive which I feel is probably due to the script rather than any poor acting. People I spoke to were hesitant in their remarks about the production. Nevertheless, there are lots of amusing moments in One Man, Two Guvnors which are the perfect antedote to poor November weather. The on stage skiffle group made up of Michael Clark, percussion, Dave O'Keefe, Guitar and Vocals and Rick Sarko, Double Bass, goes down well. Star Rating ★★★ Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Relatively Speaking at the Altrincham Garrick Theatre. Garrick Production Relatively Speaking Ran Invalid Date - Jan 9, 2014 Age guidance Venue Running time Tickets Price Range Description When first performed,?Relatively Speaking?was described as "a superbly constructed ...play that gave its audiences total and continuous delight, and established Alan Ayckbourn as the brightest new comic talent in the theatre". Nearly forty years on, the play is as fresh and as funny as when it was first seen. Ginny has just ended an affair with an older man (Philip) and is now engaged to Greg. But Philip won't take no for an answer so she visits him at his home to end it once and for all. But Greg, thinking she is visiting her parents, decides to surprise her and goes there himself. Meeting Philip's wife, Sheila, he assumes she is Ginny's mum; Philip thinks Greg is his wife?s young lover? Opportunities for comic misunderstandings and confusion abound and Ayckbourn handles them with consummate skill. A classic Ayckbourn not to be missed. CAST Neeraj Pathak as Greg Stephanie Hawthorn as Ginny Hugh Everett as Philip Pam Nolan as Sheila Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

A short obituary of Harry Williams, from the Altrincham Garrick Society. Previous Next Harry Williams Harry was a very valued acting member for many years, and appeared in many plays, including the Tin Man in our first production of The Wizard of Oz , and Tony in The Boyfriend . He had a wide scope, appearing in many other productions from Shakespeare to Music Hall. Back to In Memoriam page

Calender Girls at the Altrincham Garrick Theatre. Garrick Production Calender Girls Ran Invalid Date - Jul 29, 2013 Age guidance Venue Running time Tickets Price Range Description When Annie's husband John dies of leukaemia, she and best friend Chris resolve to raise money for a new settee in the local hospital waiting room. They manage to persuade four fellow Women's Institute members, Cora, Celia, Ruth and Jessie, to pose nude with them for an "alternative" calendar, with a little help from hospital porter and amateur photographer Lawrence. The news of the women's charitable venture spreads like wildfire, and hordes of press soon descend on the small village of Knapeley in the Yorkshire Dales. The calendar is a success, but Chris and Annie's friendship is put to the test under the strain of their new-found fame. CAST Cora Carole Carr Chris Beverley Stuart-Cole Annie Janet Slade Jessie Ruth Metcalfe Celia Mandy White Ruth Victoria Johnson Marie Julie Cunningham Brenda Hulse Helen Cowan John Stephen Moss Rod John Westbrook Lady Cravenshire Maureen Casket Lawrence Greg Holt Elaine Francesca Rabar Liam Stephen Moss NODA Review by Kevin Proctor The Calendar Girls by Tim Firth: A compelling story of hope, determination, friendship and considerably bigger buns! A true story based on a group of WI members in Yorkshire who were the originators of the nude charity calendar idea in the mid 90's, this daring idea has been copied many times since, but some would say never bettered. The Calendar Girls film grossed more than £60m at the box office worldwide, while the play which Firth adapted from his film script has taken more than £21m in ticket sales alone. Certainly, as far as the Altrincham Garrick's presentation of this play is concerned, it's a careful mixture of nimble acting skills and canny casting in this story which, while it deals with the dreaded big 'C', is humorous and ultimately uplifting. At the centre of the strong ensemble cast is Beverly Stuart-Cole, who relishes her role as Chris and drives the calendar project with head girl levels of determination, Beverly excelled in her WI conference speech at the beginning of act 2 which received a heart-warming and well deserved applause from the audience. The cast of game actresses worked well as a unit and generated a natural rapport with delightful performances all round radiating a sense of warmth. Annie - the recent widow played by Janet Slade - encourages the ladies to think outside their frocks! Her subtle struggle to remain upbeat through her grief was beautifully portrayed which I imagine could easily be lost amongst Firth's loftier characters and comic one liners, but, Janet kept us all in line reminding us where the heart of this play truly lies. The photography shoot / nude scene was handled with comic bravado which was portrayed not too dissimilar to a silent comedy routine, milking any discomfort the audience (or even the cast) may have about such unseemly revelations! This, and rightly so, was the plays highlight, the enactment was fulfilling and delivered a mix of emotions from fear to accomplishment, laughter to surprise, undoubtedly the peak to the play as I'm sure was intended during its original creation. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Business Affairs at the Altrincham Garrick Theatre. Garrick Production Business Affairs Ran Invalid Date - Feb 7, 2014 Age guidance Venue Running time Tickets Price Range Description To smooth the impending sale of their failing haulage business, Stanley and Norman arrange to complete the deal in a suite at a smart London hotel even arranging the services of two 'sophisticated escorts' to help the new owners celebrate their purchase. Pandemonium ensues and an ever spiraling series of deceptions and lies keeps everyone on their toes. [gallery ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/businessbtn.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/businessctn.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/businessdtn.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/businesse.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/businessf.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/businessg.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/businessj.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/businessk.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/businessm.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/businessn.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/businesso.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/businessh.jpg|"] CAST Stanley Bigley Graham Simmonds Norman Harris Mike Shaw Hilda Bigley Beverley Stuart-Cole Rose Harris Janet Slade Kurt Andrew Higson Sven Martin Creevy Sabrina Mandy White Valerie Sally Egginton Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

The Anniversary at the Altrincham Garrick Theatre. Garrick Production The Anniversary Ran Invalid Date - Jan 9, 2014 Age guidance Venue Running time Tickets Price Range Description This well-known black comedy centres around dear old Mum, a woman whose concern for her sons leads her to a possessiveness that is ? like her ? thoroughly evil. ?Mum glories in destroying anything that is good and kind and pure: for, not being able to enjoy such feelings herself, she is damned if anyone else will. And yet, like the Devil, she has undeniable charm?. Mum is the head of the family building firm and insists that her sons work to standards that are too low to even be called jerry-built! As the family comes together to celebrate her wedding anniversary (regardless of the fact that Dad is long deceased), revolt is in the air and the women in her sons? lives decide to tackle Mum and her long ascendancy head on. CAST Angela Wetherill as Mother Andrew Higson as Tom Bryn Thomas as Terry Mark Edgar as Henry Paula Keen as Shirley Beverley Stuart-Cole as Karen [gallery columns="6" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/01/anniversaryk.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/01/anniversarye.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/01/anniversaryf.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/01/anniversaryq.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/01/anniversaryd.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/01/anniversaryp.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/01/anniversaryr.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/01/anniversaryn.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/01/anniversaryo.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/01/anniversaryj.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/01/anniversaryi.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/01/anniversaryb.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/01/anniversaryh.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/01/anniversaryg.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/01/anniversaryc.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/01/anniversaryl.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/01/anniversarym.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/01/anniversarya.jpg|"] Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Jumpers for Goalposts By Tom Wells at the Altrincham Garrick Theatre. Garrick Production Jumpers for Goalposts By Tom Wells Ran Invalid Date - Nov 1, 2021 Age guidance Venue Running time Tickets Price Range Description A hilarious and heart-warming comedy about football, friendship and finding your way. “Barely Athletic” are part of a four-team five-a-side LGBTQ+ football league which Viv, their bullish head coach, is desperate to win. Or if they can’t win, at least they should try not to lose. Chucked out of the “Lesbian Rovers” for being too bossy, she desperately tries to instil some competitive spirit into the boys. Problem is, Beardy Geoff is copping off with the opposition, Danny is nursing a painful secret, Luke only joined because he fancies Danny and Viv’s brother-in-law Joe is trying to cope with his grief after losing his wife. Together, they might just be able to claw back up from the bottom of the league… Tom Wells’ drama bears the hallmarks of his warm comedic style, which were displayed in his previous hit play “The Kitchen Sink”, and is a paean to the virtues of friendship and love. Jumpers for Goalposts premiered at Watford Palace Theatre in 2013, before touring the UK, including a run at the Bush Theatre, London. Warning: Strong language .............................. Altrincham Garrick Playhouse is proud to support Since 1985, George House Trust has been inspiring people living with HIV to live healthy, confident lives by providing HIV support, advice and advocacy services. For more information email: talk@ght.org.uk -------------------- Review by Rick Bowen at Stagestruck JUMPERS For Goalposts will, on the evidence of Monday night’s performance, attract a different, younger audience. For far too many years Altrincham Garrick has been seen as a safe night out for older people and the appointment of artistic director Joseph Meighan, a dynamic and adventurous twenty something, is about to change that misguided perception. A quiet revolution is taking place on Barrington Road and it feels so exciting and exhilarating to be part of it. But this theatre is working hard to get the message across that the Garrick is a theatre for everybody. All power to their elbow, say I. Jumpers for Goalposts follow the misfortunes of Barely Athletic, a five-a-side team largely made up of gay men who struggle with the basics of the beautiful game. This doesn’t stop Viv, their straight talking coach with a very short fuse, encouraging her clueless charges to try to win the league in which they play. It’s certainly a league with a difference – one team plays in drag! The play takes place in the club’s dressing room, an ideal backdrop for writer Tom Wells to delve into the private lives of the players, including a burgeoning relationship between Danny and Luke. Danny carries a secret that he feels unable to share with the child like Luke, a lovable geek and a study in social awkwardness. Joe Meighan, who directs this engaging, absorbing and heart-warming comedy must have thought all his birthdays had come at once when Dan Ellis and Mason Lockwood turned up to audition for these roles. If anyone was ever born to play these parts it’s these two actors and Lockwood, who gets the funniest lines as Luke, displays a sense of comic timing that is simply second to none. Beverley Stuart-Cole is highly believable as Viv, Sebastian Farrell is also enjoyable as the team’s token straight man Joe, aka the keeper who couldn’t catch a cold and Lewis Sewell is perfect as the crackpot Beardy Geoff. Throughout the production the cast convinces the audience they’re watching a real football team, complete with the personality clashes you find in all organisations, sporting or otherwise. They say football is a game of two halves and that old adage can certainly be applied to Jumpers for Goalposts, with the best one liners saved for the second half. While this play contains some strong language it’s in context and gives the play a realistic feel. It’s sure to strike a chord with anyone whose set foot inside a sports club’s dressing room while not alienating those who haven’t. Great fun, with a dash of poignancy thrown in. Until May 14. Tickets are available from 0161 928 1677. Star rating - **** In aid of The George House Trust. ------------------------------------------------------------------------------------------------------------------------------------ Free Car Parking. Cosy Bar. Great Prices. ------------------------------------------------------------------------------------------------------------------------------------ Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Ladies in Lavender at the Altrincham Garrick Theatre. Garrick Production Ladies in Lavender Ran Invalid Date - Apr 11, 2017 Age guidance Venue Running time Tickets Price Range Description An award winning love story with a difference Set in Cornwall in the mid-1930s, the play tells of two ageing spinster sisters, Ursula and Janet Widdington. Their lives are turned upside down when they discover a young man washed ashore on the beach, close to death. They nurse him back to health and discover he is a talented Polish violinist, on his way to seek a career in the USA. Despite her sister?s concerns, Ursula falls in love with Andrea. It leads to a journey of discovery for her and a poignant ending. This production is proudly sponsored by [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_1950.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_1890.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSCF5301.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSCF4898.jpg|"] [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_2110.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_2036.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_2009.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_1969.jpg|"] Photographs by Vish Sharma CAST Janet Widdington - MAGS JOHNSTON Ursula Widdington - MARGARET LESLIE Dr Henry Mead - JOHN KEEN Andrea Marowski - CHRIS WAGSTAFF Dorcas - RUTH METCALFE Olga Danilof - FIONA PRIMROSE With BEN HANLEY Review by Julia Taylor for Sale and Altrincham Messenger Ladies are sounding great! LADIES in Lavender, is, thanks to a new Garrick sound system, awash with echoes of the sea. It also enhances Nigel Hess's original film music. The first play of the season, is Shaun McKenna's stage adaptation of the 2004 film. Set in Cornwall before the Second World War, it's about two single sisters set in their ways in their seaside cottage. Things change when Andrea (Chris Wagstaff) a Polish violinist is washed up on their beach. 20-year-old Chris captures the sensitivity of his character and genuine affection for the sisters who rescue him. His presence provokes rivalry between the siblings. Ursula and Janet Wittington. Margaret Leslie and Mags Johnston show how the years roll away with the young man's presence. Mag's Janet, is the obvious leader of the two whilst Margaret's Ursula is comparatively naive. The sisters convey undercurrents of emotion in subtle ways which makes their performance exceptional. Then Olga, a Russian appears. Played by Fiona Primrose, her accent is near perfect and she, too, casts her spell. The local doctor (John Keen) fancies her. Ruth Metcalf's Dorcus, the housekeeper adds colour and humour. Her straight talking contrasts well with the others. Barry Purvis, the director and designer, encourages the essential interaction between characters and devises a three tier set with jetty which will long be remembered. Star rating ★★★★★ Review by Rick Bowen for Stagestruck Ladies In Lavender is a story told with the most gentle brush strokes and it really does play on your emotions, without trying to do so. Two sisters, living together in their dotage, have their lives transformed when a handsome and charismatic young man enters their lives. He''s foreign too, which adds to his appeal. We also have the widower GP Dr Henry Mead, a respected and well known figure in the Cornish village he so dutifully serves. His affable nature hiding his loneliness. What a pity then, he's drawn to that study in aloofness, Olga Danilof. I was overcome with excitement when I heard Barry Purves was directing and designing this production for Altrincham Garrick. Not only has he coaxed some memorable and moving performances from his cast, he's also created a set equally deserving of the audience's applause. The Garrick are so lucky to have him and his bottomless pit of creative skills. Mags Johnston and Margaret Leslie exhibit a natural and convincing chemistry as sisters Janet and Ursula Widdington, trapped in a safe, dull domestic routine. Chris Wagstaff, who is only 20, delivers a performance way beyond his years, yet again, as their mysterious house guest Andrea Marowski. If Chris wants to turn professional he has the talent to do it. John Keen delivers a beautifully understated performance as the disarmingly decent Dr Henry Mead, not the only lonely heart in this engrossing piece. The role of Dorcas, the sisters' straight talking housekeeper is a gift for Ruth Metcalfe and Fiona Primrose has quite a presence as Olga Danilof. But you're certain to hate the way she treats the nice Dr Henry. Once again Altrincham Garrick sets the standard but really, what do you expect with Barry Purves at the helm? Unmissable, a triumph. Star rating ★★★★★ Review by Max Eden for North West End Great theatre is not just confined to the big city theatres and the west end productions, you often find some fantastic gems unexpectedly in small local theatres all around the region, one theatre that rarely disappoints is the Garrick Theatre in Altrincham, last season I witnessed some fantastic top notch acting from productions; Handbagged and Gaslight to name just two. Now kicking off a new season, the Garrick's latest production could be its most impressive yet as Ladies in Lavender opens the new season and raises the bar for this local theatre, Ladies in Lavender is based on the 2004 film of the same name which famously starred Judi Dench and won huge critical praise, a few changes have been made to the original film with it being adapted for the stage by Shaun McKenna but the Garrick has done a fantastic job at submerging you right into the story with a splendid set which features the sisters cottage and garden which sprawls out to the auditorium, making it a lot easier to get hooked in to this heartfelt tale of love and prejudice. The plot follows the same guise as the film, set on the brink of World War Two in Cornwall with two spinster sisters finding a barely conscious man (Andrea played by Chris Wagstaff) washed up on their private beach, the sisters; 'Ursula' played by Margaret Leslie and 'Janet' played by Mags Johnson nurse the unknown man back to life from their cottage with the help of Dorcas played by Ruth Metcalfe, but they face backlash for harbouring a foreigner from their local community and from the local doctor played by John Keen. Fiona Primrose completes the line up playing Olga, the sister of a famous musician who promises to make Andrea a star. The story is moving and heartfelt while still managing to maintain comedic moments at just the right points to provide you with that much needed light relief. The acting from the entire cast is commendable, it felt very real and raw, something which theatre achieves much better than a motion picture, none more evident than the formidably talented Margaret Leslie as a distressed Ursula. The Garrick has definitely established itself now as a powerhouse for local theatre in the Greater Manchester Area, as a venue it keeps improving and is starting to attract big names in the world of comedy and music, and I can see why - the sound tonight was crystal clear and seems to have improved significantly since last time I visited, with it being very authentic to have the original score from the film accompanying this production, written by Nigel Hess bellowing during scene changes. Ladies in Lavender is wonderfully produced, performed and executed, a credit to all who made it possible. Star rating ★★★★ Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

My Fair Lady at the Altrincham Garrick Theatre. What a smashing, positively dashing Musical, filled with comedy, romance, and dazzling songs Garrick Production My Fair Lady What a smashing, positively dashing Musical, filled with comedy, romance, and dazzling songs Ran Jun 22, 2026 - Jun 28, 2026 Age guidance Venue Main House Running time TBC Tickets Price Range £19 - £24 Description What a smashing, positively dashing finale to the 2025/2026 Altrincham Garrick Season - Lerner and Loewe ’s classic rags to riches tale, MY FAIR LADY . MY FAIR LADY follows Eliza Doolittle, a cockney flower seller in Covent Garden, who by chance meets phonetics professor, Henry Higgins. As part of a wager with a fellow phonetician, Higgins sets out to teach Eliza how to speak like a lady of high society – but learns a few lessons of his own along the way. Filled with comedy, romance, and dazzling songs such as The Rain in Spain , Wouldn’t It Be Loverly and I Could Have Danced All Night , this will be an unmissable production. A beautiful musical adaptation of George Bernard Shaw’s 1913 play PYGMALION, MY FAIR LADY was first performed on Broadway in 1956 starring Julie Andrews and adapted into a 1964 Oscar-winning film starring Audrey Hepburn. It’s going to be bloomin’ loverly! Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT at the Altrincham Garrick Theatre. A joyful musical of vibrant colour, unforgettable music, and thrilling storytelling! Garrick Production JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT A joyful musical of vibrant colour, unforgettable music, and thrilling storytelling! Ran Oct 22, 2026 - Nov 1, 2026 Age guidance Recommended 6+ Strictly No Under 4's Venue Main House Running time TBC Tickets Price Range £19 - £24 Description Step into a world of vibrant colour, unforgettable music, and thrilling storytelling with Joseph and the Amazing Technicolor Dreamcoat ! This beloved musical by Andrew Lloyd Webber and Tim Rice is a dazzling all-singing and all-dancing journey of dreams, resilience, and joy! Joseph and the Amazing Technicolor Dreamcoat is the enduring reimagining of the Bible story about Joseph, his family and the famous “coat of many colours”. Filled with catchy songs in a plenitude of styles, including the well-known hits “Any Dream Will Do ” and “Close Every Doo r”, and perfect for all ages, this family-friendly production combines humour, heart, and show-stopping songs in a way that’s truly timeless. Whether you’re a lifelong fan or discovering it for the first time, Joseph is a theatrical treat not to be missed. Directed by Joseph Meighan Reviews “This technicolour treat is a fabulous celebration of live theatre at its very best, and one the whole family can enjoy.” - Grace Leicester Read the full 5 Star Review by North West End UK HERE “…this show has lost none of its feelgood power nearly 60 years after its premiere on the professional stage!” - Rick Bowen Read the full review from StageStruck HERE Gallery Out of gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

A short obituary of Chris Wetherill, from the Altrincham Garrick Society. Previous Next Chris Wetherill Chris was yet another Garrick stalwart who did an immense lot of work in many areas of the theatre. Acting on stage was not his main contribution, although his participation in the bloodthirsty mob during The Scarlet Pimpernel will never be forgotten by those who were there. Chris was Chair of the Board of Trustees and an invaluable Executive Committee member, and he also worked in Lighting, Sound and Set Construction. His professional background in civil engineering helped enormously when such work at the Garrick was needed, and he was vital to the refurbishment of 1999. Chris project-managed the 1999 refurbishment, dealing with architects and contractors, completing the entire job on budget and in time. A miracle worker! The opening show of the refurbished Garrick was Camelot , as a tribute to the company running the National Lottery at the time, because they provided a large portion of the funding. Chris was also an accomplished trumpeter, and he was still scuba-diving when he and his wife Angie moved to Cornwall in his 60s. He is sorely missed. Back to In Memoriam page

Prescription For Murder at the Altrincham Garrick Theatre. Garrick Production Prescription For Murder Ran Invalid Date - Aug 14, 2013 Age guidance Venue Running time Tickets Price Range Description Set in the sleepy town of Bere Knighton, Dr Richard Forth leads a chaotic life, juggling his hectic work schedule, his friendship with his ex-girlfriend and tending to his wife Barbara's constant ailments. Events become more sinister when a stranger calls claiming to have known Richard's second fiancee - a woman who Richard insists doesn't exist. As Barbara's health worsens the plot thickens. An exciting thriller guaranteed to keep you on the edge of your seat. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

The East Window at the Altrincham Garrick Theatre. Garrick Production The East Window Ran Jan 2, 1915 - Jan 2, 1915 Age guidance Venue Running time Tickets Price Range Description By Walter R Matthews CAST Bonson, John P Hough, B G Megson, Miss Margaret Slinn, Ella Warburton, George A Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Oppenheimer at the Altrincham Garrick Theatre. Bio-drama about J. Robert Oppenheimer, the mastermind of the atomic bomb Garrick Production Oppenheimer Bio-drama about J. Robert Oppenheimer, the mastermind of the atomic bomb Ran Feb 24, 2025 - Mar 1, 2025 Age guidance Age: 14 + Venue Main House Running time TBC Tickets Price Range £10.50 - £16.50 Description By Tom Morton-Smith Directed by John Cunningham Associate Direction by Carole Carr 1939: fascism spreads across Europe, Franco marches on Barcelona and two German chemists discover the processes of atomic fission. In Berkeley, California, theoretical physicists recognise the horrendous potential of this new science: a weapon that draws its power from the very building blocks of the universe. Struggling to cast off his radical past and thrust into a position of power and authority, the charismatic J Robert Oppenheimer races to win the 'battle of the laboratories' and create a weapon so devastating that it would bring about an end not just to the Second World War but to all war. Originally written for the RSC in 2015, Tom Morton-Smith's play takes us into the heart of science, politics and humanity clashing in the propulsive story of the Manhattan Project and the development of the world’s first nuclear bombs. Reviews Gallery Trailer Trigger Warning This production contains strong language, sexual references and adult themes, including suicide, references to racism and other challenging themes. The production also contains graphic descriptions of the Hiroshima and Nagasaki nuclear attacks and aftermath, which may cause upset or distress. Documents related to this Production View the Programme View the Advertising Poster

The Curious Incident of the Dog in the Night-Time at the Altrincham Garrick Theatre. A touching and bleakly humorous tale, performed by The Garrick Ensemble, Garrick Production The Curious Incident of the Dog in the Night-Time A touching and bleakly humorous tale, performed by The Garrick Ensemble, Ran Feb 3, 2025 - Feb 8, 2025 Age guidance 12+ Venue Main House Running time TBC Tickets Price Range £10.50 - £16.50 Description Written by Mark Haddon Adapted by Simon Stephens Directed by Joseph Meighan Christopher, fifteen years old, stands beside Mrs Shears’ dead dog. It has been speared with a garden fork, it is seven minutes after midnight, and Christopher is under suspicion. He records each fact in the book he is writing to solve the mystery of who murdered Wellington. He has an extraordinary brain and is exceptional at maths, but he is ill-equipped to interpret everyday life. He has never ventured alone beyond the end of his road, he detests being touched, and he distrusts strangers. But Christopher’s detective work, forbidden by his father, takes him on a frightening journey that turns his world upside-down. Simon Stephens’ adaptation of Mark Haddon’s bestselling, award-winning novel, The Curious Incident of the Dog in the Night-Time offers a richly theatrical exploration of this touching and bleakly humorous tale. This production is performed by THE GARRICK ENSEMBLE. The Garrick Ensemble is a company of 18 – 30 year old aspiring actors from Greater Manchester and Cheshire who perform one production each year as part of the Altrincham Garrick Playhouse Main House Season. The production will be directed by Artistic Director Joseph Meighan. The Garrick Ensemble aims to make theatre that is fresh, innovative and exciting. See the very best of local, up and coming talent before they move forward in the next stages of their careers in the Arts. Altrincham Garrick Playhouse are proud to be supporting I AM with this production. At I AM , we’re dedicated to supporting autistic individuals to thrive, connect, and achieve their full potential. Based in the heart of Manchester, we provide tailored programmes, inclusive activities, and vital resources that empower autistic children, young people, and adults, as well as their families. Together, we’re building a more understanding and inclusive community - because every voice matters. For more information visit: https://i-am-autism.org.uk Reviews FIVE STAR REVIEW - Paul Wilcox at North West End UK “Despite its apparently serious subject matter, ‘Curious Incident’ is a wonderfully positive and life affirming play that has been adapted beautifully by a strong cast, crew and creative team and topped with an excellent central performance.” Read the Full Review from North West End: CLICK HERE ANOTHER FIVE STARS - Rick Bowen at StageStruck “the storm of applause that swept through the auditorium and came seriously close to lifting the theatre’s roof off at the end.” Read the Full Review by Stage Struck: CLICK HERE Gallery Trailer Trigger Warning This production contains themes and depictions that may be distressing to some audience members, including descriptions of physical and emotional abuse, discussions of mental health and disability, and strong language. The production also features loud noises and some moments of sensory intensity, reflecting the content of the novel and autistic experience. Documents related to this Production View the Programme View the Advertising Poster

Habeas Corpus at the Altrincham Garrick Theatre. Garrick Production Habeas Corpus Ran Invalid Date - Feb 4, 2014 Age guidance Venue Running time Tickets Price Range Description A gorgeously vulgar farce that is a celebration of sex and the human body. A satirical merry-go-round in the home of the WICKSTEED family, where all the characters move in and out through a maze of mistaken identities and sexual encounters. As Dr. Wicksteed says ?HE WHOSE LUST LASTS LASTS LONGER?. Just the right medicine for those dark January nights. CAST Geoff Holman as Dr Arthur Wicksteed Alison Davis as Muriel Wicksteed Mark Butt as Dennis Wicksteed Caroline Hickey as Constance Wicksteed Leila Glancy as Mrs Swabb Alex Wilson as Cannon Throbbing Sonia Dykstra as Lady Rumpers Nikki Smith as Hon Felicity Rumpers Mark Edgar as Mr Shanks Brian Stoner as Sir Percy Shorter David Leathlean as Mr Purdue [gallery columns="5" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/habeasa.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/habeasb.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/habeasc.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/habeasd.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/habease.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/habeasf.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/habeasm.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/habeasl.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/habeask.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/habeasj.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/habeasi.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/habeash.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/habeasg.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/habeasn.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/habeaso.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/habeasp.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/habeasq.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/habeasr.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/habeass.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/habeast.jpg|"] Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Dick Barton - Special Agent at the Altrincham Garrick Theatre. Garrick Production Dick Barton - Special Agent Ran Invalid Date - Feb 8, 2014 Age guidance Venue Running time Tickets Price Range Description Gabardine collar up, trilby at rakish angle, intrepid sleuth Dick Barton faces arch enemies Baron Scarheart and Marta Heartburn in a series of exotic, action-packed adventures, aiming to rid the world of evil in the name of decency and patriotism. Based on the 1940's BBC radio serial this critically acclaimed and hugely successful play is 'Deliriously funny' poking fun at English hearts-of-oak heroics with all the attendant class distinctions and tender regard for the little woman. It walks a very fine line between homage and camp spoof. The result is something that captures all the patriotic fervour of Hunhating post-war Britain even as it sends it up rotten. [gallery ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/dicka.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/dickb.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/dickc.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/dicke.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/dickf.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/dicki.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/dickj.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/dickg.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/dickk.jpg|"] CAST Dick Barton/ Snowy White Adam Whittle Baron Scarheart Nick Sample Viper?sNestMC/ Sir Stanley Fritters David Gonet Lady Laxington/ Marta Heartburn/ Daphne Fritters Laura Chandler Jock Anderson Sean Gonet BBC Announcer/ Colonel Gardener Barry Spencer Sale & Altrincham Messenger's Review by Rick Bowen Mission accomplished - Dick Barton entertains at the Garrick Dick Barton - Special Agent is quite unlike anything I've ever seen before. It's a sort of musical adult pantomime with some Carry On style jokes thrown in. When I say 'adult' I don't mean seedy and you could take granny to see this gloriously daft, cartoonish caper. Being a child of the 60's the archetypal English hero who inspired the piece means nothing to me, but I could really appreciate what is being sent up here. The sort of Englishman who's retains a stiff upper lip in a crisis, uses phrases like 'Johnny foreigner' and drinks tea from bone china cups. Spoofs can get on your nerves but this Altrincham Garrick production, expertly directed by Charlie Cook, is perfectly pitched, with a strong, animated and energetic cast effortlessly bringing their characters to life and making the most of the fun dialogue. Laura Chandler plays - among other roles - Martha Heartburn, henchwoman of Barton's arch enemy, Baron Scarheart. For me, this is Laura?s finest performance on this stage to date and her late dad Terry, a stalwart of this theatre, would have been proud of her. Adam Whittle is also very impressive as Barton and his cockney sidekick, Snowy. Dick Barton - Special Agent simply sets out to entertain and it's definitely a case of mission accomplished in a production that's a real antidote to the February gloom. Enjoy. Star Rating ★★★★ Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Cleo, Camping, Emmanuelle and Dick at the Altrincham Garrick Theatre. Garrick Production Cleo, Camping, Emmanuelle and Dick Ran Invalid Date - May 30, 2019 Age guidance Venue Running time Tickets Price Range Description [gallery ids="|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/11/DSCF4001.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/11/DSC_9189.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/11/DSCF4217.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/11/DSCF4159.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/11/DSCF4276.jpg|"] In 1964 a fifty-one year old man meets a twenty-seven year old woman at work. She's young, buxom, blonde, pretty. And about to get married... Over the years, as they work together, the two grow closer; become friends. She promises him one night of lust in Brighton. Just a night. Just to get it out of his system. He takes her up on her offer and then begins one of the most well-known secret affairs of the twentieth century. He was Sid James. She was Barbara Windsor. Terry Johnson's sharp, biographical play follows the affair to its conclusion. Focusing on the events during the making of four Carry On films, it’s funny, touching and ultimately tragically sad as the lives of these icons of British comedy are put under the theatrical microscope. CAST Sid - Mark Butt Kenneth - Steven Finney Barbara - Dawn Flint Sally - Lottie Warburton Imogen - Arianna Glenton Eddie - Ivor Farley Rick Bowen - Stagestruck - 5 STAR Review It takes a great deal of courage for any actor, amateur or professional, to play three much loved icons of British comedy. They also need the talent and believe me, Mark Butt, Steven Finney and Dawn Flint certainly have it. In spades. Finney is as scream as Kenneth Williams, the master of the double entendre in Terry Johnson’s heartfelt and heart warming love letter to that most British of institutions, the Carry On films. This, for me, is the complete comic package, from the demeanour to that unmistakable nasal twang. Steven gets it just right. Dawn Flint also delivers a fine performance as Barbara Windsor, complete with her cheeky, cockney giggle. Then there’s Mark Butt as Sid James, who really comes into his own when he’s highlighting the star’s loneliness and deep seated love for Babs. The humour of the Carry On generation may be dated and unashamedly not PC but the stars of these sometimes saucy flicks had a mystique about them shared by very few of today’s so-called celebrities. It’s brilliantly directed by Charlie Tomlinson, one of the Garrick’s leading talents both on and off the stage and designed with his trademark creativity by Barry Purves, whose clever set is dominated by Sid James’ caravan/passion wagon. So, what’’s not to like? If the early Christmas shopping and the impending election are starting to get you down, I have the perfect cure. Highly recommended - a must see. Rating: ★★★★★ Cleo, Camping, Emmanuelle and Dick - Altrincham Garrick Reviewer: Angela Kelly - North West End UK Directed by Charlie Tomlinson, ‘Cleo, Camping, Emmanuelle and Dick’ is a biographical play that was written by Terry Johnson and highlights the era that covered the span of the creation of four ‘Carry on’ Films. Having premiered in 1998 at The National Theatre and having won an Oliver award, it would be interesting to see how this was interpreted on stage at The Garrick. The story is set in 1964 and is about a middle aged man who becomes close to a woman half his age whom he meets at work. They become good friends and, as they grow closer, she promises him a night of lust in Brighton. As the story continues, they both then begin to have a very secret love affair. Knowing that the characters in the play are about the infamous ‘Carry on’ duo Sid James and Barbara Windsor, there is immediately a very clear visual image in our heads and so the cast were presented with a tall order on stage to deliver these characters to the audience as soon as we set eyes on them. ‘Sid’, performed by Mark Butt portrayed Sid very accurately indeed. Whilst I would have loved more of the Sid James gravel sounding chuckle, Butt portrayed the sex obsessed Sid James very well. In many ways Sid came across as a troubled soul, not wanting to face his own reality with respect to the fact he was married and his life on stage was clearly the life he preferred. Butt portrayed Sid’s difficulty in accepting his own mortality and that any longevity with Barbara was merely a dream. Dawn Flint’s role as ‘Barbara’ was captivating. If you closed your eyes ‘Babs’ was on stage. Flint had the walk, the smutty conversation and even demonstrated her direct approach to tackling Sid’s advances. She even walked as Babs would walk sticking her chest out at all times. The yellow ‘pinging bikini top’ scene was hilarious to watch. However, the stand out performance of the night was undoubtedly Steven Finney’s portrayal of Kenneth Williams. His stage presence was magnificent and Finney carried off all of ‘Kennys’ mannerisms to perfection. Nasal, dulcet tones, nose in the air (mainly at the utter disapproval of Sid’s antics), he had all the mannerisms of the complicated character that defined who Kenneth Williams was. He was unhappy with the low budget aspect to the parts he was to play in the Carry On films and always threatened to leave. His one liners and put downs, plus his obsession with his haemorrhoids were hilarious. A particularly endearing aspect to the play was the relationship between Barbara and Kenneth or ‘Kenny’ as she fondly called him. With shared humour and giggles unique to each of them this was perhaps the most meaningful and sincere relationship on stage. The Set construction team must be applauded for a wonderful stage set. The caravan was outstanding right down to having a toilet, bathroom and bedroom. It was a wonderful focal point to the entire play. In many ways the play, representing three infamous individuals of the comedy world, echoes the tragedy of many of today’s stars whose private lives are examined and publicised for all to pull apart, discuss and dissect. This incredible play written by Terry Johnson was as amusing as it was tragic and provides the audience with a valuable ‘behind the scenes’ view of the real personalities of the characters in these films. If you are a fan of Carry on and more so a fan of the characters that defined this wonderful genre of comedy, than ‘Cleo, Camping, Emmanuelle and Dick’ is for you. Rating: ★★★★ Number 9 Review - Reviewer - Johanna Hassouna-Smith I have to confess that I had no idea what I was going to watch with this production. I remember my mum was a huge ‘Carry On’ film fan but I already felt they were dated in the mid-1980s! So how does a company reproduce a ‘Carry On’ as a play, which is relevant to an audience in 2019?... Thankfully, they did not attempt to. This original script, written by Terry Johnson in 1998 was a huge hit at the National Theatre and spans 14 years of the love affairs, successes and tragedies in the lives of some of our best known ‘Carry On’ film actors: Sid James, Kenneth Williams and Barbara Windsor. The play is a comedy and is set against the back drop (quite literally) of filming locations used during the ‘Carry On’ films. The locations are less than glamourous, in muddy fields and pub car parks and most interior scenes are set inside Sid’s leaking caravan, which serves as his green room. Once again, the design concept of this play gave the whole production a slick and professional feel. From the brilliantly shabby-chic leaking caravan to the simple moving flats, the set was sophisticated yet uncomplicated. The costume design helped to give a sense of the ‘Carry On’ era from the ridiculous Roman soldier costumes to the spangled bras, displaying just enough cleavage to remind us of the frivolously raunchy ‘Carry On’ genre. The reality of this was that the saucy nature of the performers on screen, was mirrored in the actors’ lives off screen and certainly between filming takes with many love affairs and fumbling moments between the sheets of Sid’s leaking caravan. . .if the script is true to reality!? But sadly, this is where I felt the production really faltered. In a post-Weinstein, post-Operation Yewtree society, there were moments where I felt extremely uncomfortable with the lecherous ways of Sid James and the young girls in his backstage caravan. I’m not suggesting they be edited out, I’m just not sure how ‘entertaining’ these moments were and might even call this entire play premature to be produced in 2019. . .remember, when it was written, there was no Yewtree or Weinstein in the media! But credit, where credit is due, the three main actors in the cast were wonderful to say the least. Portraying such well known and loved real life actors was always going to be a tough task, but each of the performers were brilliant at portraying every well-known nuance and tick of these lively performers. Sid James, played by Mark Butt, was energetic and passionate yet full of the pathos for the unrequited love he felt for Barbara. Steven Finney’s portrayal of Kenneth Williams was absolutely spot-on in his characterisation: from the naughty cackle to the brilliantly comedic, wide-eyed facial expressions, I just loved this performance. Finally, Barbara Windsor, played by Dawn Flint was warm yet entertaining and full of the naughty charm she is known for in reality . . . just perfect casting. The main performers were supported by a sterling cast and one of which stood out for me was a beautiful portrayal of Sally, the costume girl by, Lottie Warburton. Well done all! At four acts long, the performance did seem lengthy and I wondered if whether the farcical pace might have been lifted at points to up the energy in the first half, to make way for the slower pace in the tragic second half. One punter was overheard leaving the theatre at the end saying, “Well, it was a bit morbid!” This ‘Carry On’ didn’t try to emulate the on screen farce (although there were moments of that), but merely told the story of the actors and the lives they led and relationships they forged, whilst filming, thus creating a very touching piece of theatre which educates us that not all is what it seems. Once again the Garrick have staged a semi-professional production of the highest standard for a fraction of the cost and in a local theatre with great facilities. The productions are always brilliantly supported by local sponsorship and perform to sell-out audiences and it’s clear to see from this one, why! Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

A short obituary of Don Poole, from the Altrincham Garrick Society. Previous Next Don Poole A Timperley lad and plumber by trade, Don was a wonderful comedy performer who took part in over 50 productions in a 30-year career. His first roles on stage, in 1967, were as Reverend Mercer in When We Are Married and as a character in Toad of Toad Hall. He is best remembered for playing the Dame in pantomime, and as the Chairman and Master of Ceremonies in the theatre's popular Old Time Music Halls in the 1970s and 80s. He played the Dame a total of eight times, the first being in Jack and the Beanstalk in 1970 and the last as Widow Twankey (whom he played three times) in Aladdin in 1998 before hanging up his frocks. He occasionally took on other roles in the pantomime such as Ugly Sister Tuti in Cinderella in 1997. Don was Chairman of the Music Hall seven times from 1976-85, and is shown in this photograph in his Music Hall 'uniform'. On one memorable occasion he helped organise the evacuation of the theatre, gavel in hand, when a curtain started smouldering because it was too close to a lamp. He also took part in many other productions, mostly but not exclusively comedies, such as The Owl and the Pussycat , The Ritz , Oh! What a Lovely War , Last Tango in Whitby , Run for Your Wife , and Oliver! (playing Mr Sowerberry) in 1997. Don was also a well-known stand-up comedian and, in the early 1990s, he helped organise 'Comedy Clubs in the Bar' as part of the STAGE Appeal to renovate the theatre. Unsurprisingly they were always packed out. He also appeared on television (his credits including Coronation Street , Crown Court , The Mallons , and Brideshead Revisited ) and onstage at the Royal Exchange. In addition he was an accomplished film-maker, casting many Garrick actors of his era. As well as all this, Don was thoroughly likeable and sociable and was wonderful company in the bar with his jokes and stories. A true Garrick character. Back to In Memoriam page

The Lady In The Van - By Alan Bennett at the Altrincham Garrick Theatre. Garrick Production The Lady In The Van - By Alan Bennett Ran Invalid Date - May 30, 2021 Age guidance Venue Running time Tickets Price Range Description It is said that charity begins at home. For Alan Bennett, it began at the bottom of his drive with a yellow custard van inhabited by an irascible eccentric who refused to budge. The Lady in the Van is the true story of Miss Shepherd, an offbeat woman of uncertain origins, who “temporarily” parked her broken-down van in writer Alan Bennett's London driveway, and proceeded to live there for the next 15 years. Miss Shepherd’s stay may have been a blight on Bennett’s front garden, but it eventually allowed him to unravel the fascinating story of her life - for which we are all eternally indebted. Rick Bowen - Stage Struck https://www.stagestruck.info AS I left the Garrick on Monday night one question was running through my mind - why doesn’t Celia Bonner do more acting? She gives a captivating performance as Miss Shepherd, the enigmatic down and out taken in by Alan Bennett and who lived on his driveway for what was supposed to be a temporary basis. But “temporary” turned into 15 years and an unlikely friendship grew between the genius playwright and an old woman whose outlook on life was, to put it mildly, unique. It soon emerges that Miss Shepherd has a past, psychologically she’s damaged goods and her unapologetic attitude to personal cleanliness had the audience wincing with disgust when I saw this on opening night. Celia’s sense of timing is flawless and, under the astute direction of Carole Carr, she’s ably supported by Mike Shaw and Jonathan Black, who share the role of Bennett himself. Nobody tells a story quite like this national treasure and has turn of phrase is quite brilliant. But you have to be prepared to listen. It’s a case of blink and you’ll miss his priceless witticisms. Barry Purves’ and Amanda Cooke’s spartan set captures perfectly the suburban London in which this remarkable story unfolds, a tale which can be summed up in the phrase “you couldn’t make this up.” While Miss Shepherd’s lack of personal hygiene repulsed me at times, I found myself drawn to someone who refused to live by society’s rules. Alan Bennett was similarly drawn and he got a play out of it. Star rating - 3.5 out of 5. Photos by Martin Ogden ------------------------------------------------------------------------------------------------------------------------------------ Free Car Parking. Cosy Bar. Great Prices. ------------------------------------------------------------------------------------------------------------------------------------ Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Disposing of the Body at the Altrincham Garrick Theatre. Garrick Production Disposing of the Body Ran Invalid Date - Dec 11, 2013 Age guidance Venue Running time Tickets Price Range Description From the pen of the playwright who gave us "Pack of Lies" and "Breaking the Code" comes this elegant and tantalising new play. For Henry Preece, embarking on early retirement with his attractive wife, things start to unravel. "All my life", he says, "I've either been looking back at happy times that have gone or looking forward to the happiness to come." When an unexpected passion is given full rein Henry realises that the door he's just flung open should have remained tightly shut. This is an intriguing play, full of unexpected happenings. CAST Dick Sails as Henry Preece Jeryl Whitelock as Angela, his wife Charlie Tomlinson as Ben, their son David Beddy as Alexander Barley Tracy Burns as Joanna, his wife Alison Davis as Kate, Henry's sister Martin Oldfield as Detective Inspector Clive Poole Richard Frost as Bassett, an hotel manager ? Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

A Streetcar Named Desire at the Altrincham Garrick Theatre. Tennessee Williams's American Masterpiece Garrick Production A Streetcar Named Desire Tennessee Williams's American Masterpiece Ran Nov 15, 2021 - Nov 20, 2021 Age guidance Venue Running time Tickets Price Range Description By Tennessee Williams Directed by John Cunningham Winner of the Pulitzer Prize One of the greatest American plays Fading Southern belle Blanche DuBois depends on the kindness of strangers and is adrift in the modern world. When she arrives to stay with her sister, Stella, in a crowded, boisterous corner of New Orleans, her delusions of grandeur bring her into conflict with Stella’s crude, brutish husband Stanley. Eventually their violent collision course causes Blanche’s fragile sense of identity to crumble, threatening to destroy her sanity and her one chance of happiness. Reviews Angela Kelly - North West End UK First performed on Broadway in 1947, Tennessee Williams ‘A Streetcar Named Desire’ is a tragedy that highlights the inequalities of society in post war America. The play particularly shares the negative effects experienced by women during this time. Associated by many as one of the most significant of all American plays, it is certainly a brave step that the Altrincham Garrick Playhouse have undertaken in performing this epic tale. For those unfamiliar with the story, the play relays the story of Blanche Dubois (Kathryn Worthington) who arrives in New Orleans from Laurel, Mississippi having been given “a leave of absence” from her teaching role. She moves into her sister Stella’s apartment (Fiona Primrose) in the unbearable heat of New Orleans that she shares with Stella’s husband, the formidable Stanley Kowalski (Matthew Barnell). The antagonistic relationship between Blanche and Stanley from the moment she arrives in New Orleans provides the audience with a relationship that is uneasy to watch yet at the same time, extremely hard not to watch. Kathryn Worthington must be applauded for her excellent performance as Blanche Dubois, Stella’s estranged sister. Her portrayal of Blanche as a vulnerable woman from Mississippi, desperate to be loved and accepted by all was phenomenal. Her character crumbles as the play progresses and her fragility is heightened when finally, her sanity is questioned towards a dramatic ending. Worthington displays an almost “musical” southern states accent and her portrayal of Blanche's happy go lucky, innocence versus her deep-rooted insecurities was executed to perfection. Fiona Primrose, who portrayed the part of the dutiful wife Stella Kowalski, in some ways demonstrated the hopelessness of a woman in this era. Primrose displayed the internal struggle to fight the desperation to please her husband whilst battling with her need to provide Blanche with stability, love and understanding. Primrose demonstrated clearly to the audience that she was in turmoil between her need to protect Blanche and her duty to stay married to Stanley, even when violence ensued. Primrose’s representation of the character was exemplary. Matthew Barnell gave a solid performance as Stanley Kowalski and his unwavering masculinity, anger, pride and insistence on consistently being “top dog”. The poker scenes were well executed, and the drunken behaviour made it clear to the audience that whatever state Stanley Kowalski was in he always was to be “the man in charge.” With an abundance of stage presence, Barnell ensured Stanley was viewed as man hard to love, even by his friends at times. The set and staging worked very well in that it was consistent throughout. Impressive that even the bathroom which was a key reference point (and in reality, actually only showed the actors walking in and out of a door) demonstrated how well this was carried out. The various areas on stage were all meaningful to the entire play so it was a positive decision that they appeared to be fluidly utilised. The outside of the apartment of a noisy New Orleans and the inside of the apartment were closely connected which was key to the entire play. The deterioration of Blanche's mental health was also displayed by the clever use of jazz music on the set and Christine Mills on sound designed by director John Cunningham must be congratulated for this. The music continued during Blanche's eventual demise but eventually the sounds were almost entirely only experienced by Blanche. It did not go unnoticed that even the sound of the doorbell on set needed to be executed to perfection. A Streetcar named Desire is a story about types of love alongside fantasy versus the harsh reality of society. It is evident that Director John Cunningham has produced another fabulous piece of theatre and must be congratulated. It is no easy feat to produce such an iconic piece of theatre and A Streetcar Named Desire has given a much loved play a very positive nod. A play that is as thrilling to watch as it is uncomfortable, if you are a fan of this classic play by Tennessee Williams it is essential viewing for sure. An excellent production. Reviewed: 15th November 2021 Rating: ★★★★★ Rick Bowen - Stagestruck Director John Cunningham and his cast take the audience on an emotional journey in a captivating and at times touching and deeply moving production of this American classic. Unless you don’t have a heart, it’s impossible not to be affected by what unfolds on stage, in this absorbing piece of theatre from the pen of the great Tennessee Williams. Watching the play is draining at times, so goodness knows what performing it must be like for a tight knit and talented cast who make it their mission to make sure not a word of the wonderful Williams dialogue isn’t wasted. Blanche goes to stay with her sister, Stella, in the seedily seductive French quarter of New Orleans, where she finds her sibling living in a dingy two bedroom flat with her husband, Stanley. It’s a strange set up because the family has known the meaning of the word ‘affluence’ in the past and mystery surrounds just what happened to the former family home. Stanley quickly resents having Blanche around, with what he sees as her dubious past and irritating airs and graces. She compares the self-proclaimed king of his castle to an ape, branding him ‘common.’ But that really is an insult to our closest relatives. While I was naturally repulsed by the way Stanley treats his visitor and women in general, maybe I’m being a little too 21st century about it and ignoring the fact there were and surely still are many men like him who make the lives of those around them utterly miserable. Cunningham’s accomplished direction has drawn out fine performances from Matthew Banwell as Stanley and Kathryn Worthington and Fiona Primrose as Blanche and Stella, who evoke an authentic and endearing sisterly bond on stage. I also liked Paul Cuddy as Mitch, one of Stanley’s poker player pals who is by far the most gentlemanly of a motley crew. Cuddy ensures you feel for Mitch as he attempts to woo Blanche as she toys with his affection. Don’t miss this memorable production of an all American classic. Exceptional. Star rating **** Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

A short obituary of Jennie Holman, from the Altrincham Garrick Society. Previous Next Jennie Holman Jennie, along with husband Geoff, was a great supporter of the Garrick for over 50 years. She joined the theatre in 1966 and became a long serving ASM, being involved in more than fifty productions, the first being An Ideal Husband in her first season. She was always keen on 'getting things right', a quality much appreciated by both actors and directors. Her life outside the Garrick was as a work counsellor. She helped groups of people - for example enabling 52 workers made redundant from Pilkington’s Glass to find new jobs - and individuals - for example assisting a redundant Veterinary Surgeon find a new job at Chester Zoo. Jennie was always smiling with a positive outlook and was a pleasure to work with. Back to In Memoriam page

Outside Edge at the Altrincham Garrick Theatre. Garrick Production Outside Edge Ran Invalid Date - Dec 11, 2013 Age guidance Venue Running time Tickets Price Range Description Conscientious Roger has trouble enough getting together a cricket team to play against British Railways Maintenance Division Yeading East Cricket Club without the troubles between husbands and wives, husbands and girlfriends, husbands and ex-wives. Even his own ever-loyal and long-suffering wife Miriam finally rebels when Roger's peccadillo in Dorking is discovered The 'Oh, such a perfect day' comes to a fitting conclusion when ... The play was memorably produced on television with Paul Eddington, Prunella Scales and Maureen Lipman and subsequently spawned a TV series with Brenda Blethyn, Josie Laurence and Tim Spall. CAST Bill Platt as Roger Helen Cowan as Miriam Peter de la Wyche as Bob Dave Midgley as Dennis Ros Greenwood as Maggie Trevor McKie as Kevin Beverley Stuart-Cole as Ginnie Matthew Foster as Alex Paula Taylor as Sharon Lighting -?Fred Issac-Dixon Sound Design -?Trevor McKie Sound Operation -?Steve Williamson ? Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

The Beauty Queen of Leenane at the Altrincham Garrick Theatre. The Irish Studio Season: A dark, comedic, thriller Garrick Production The Beauty Queen of Leenane The Irish Studio Season: A dark, comedic, thriller Ran Oct 1, 2024 - Oct 6, 2024 Age guidance 16+ Venue Altrincham Garrick Studio Running time TBC Tickets Price Range £12.50 - £14.50 Description Written by Martin McDonagh Directed by Mark Goggins “Sometimes I dream… of anything! Of anything. Other than this.” In the mountains of Connemara, County Galway, Maureen Folan – a plain, lonely woman, tied to her manipulative and ageing mother, Mag – comes alive at her first and possibly last prospect of a new life. But Mag has other ideas; and her interference sets in motion a train of events that leads inexorably towards the play’s breathtaking conclusion. The Beauty Queen of Leenane is one of playwright Martin McDonagh’s (Three Billboards Outside Ebbing, Missouri, The Lieutenant of Inishmore) finest achievements. Winner of four Tony Awards on Broadway and nominated for an Olivier Award, the play conjures up the unbearable tension and loneliness of an isolated existence. A dark, comedic, thriller. Reviews Gallery Trailer Trigger Warning This production includes scenes of violence, cruelty and strong language. The production also contains sexual references and themes of loneliness, abuse and mental health. Documents related to this Production View the Programme View the Advertising Poster