Century-old theatre staging new Altrincham Garrick productions and classics, plus comedy and musicals. Everyone is welcome Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. Garrick Production JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT Oct 22, 2026 - Nov 1, 2026 Find out more Book Now What's On See More Do you want to help the Playhouse financially? The Garrick's vital community work provides life-changing experiences and makes exceptional theatre available to all. None of this would be possible without your support. Help us raise funds and reach even more people by donating or becoming a Friend of the Garrick today. Donate Friend of the Garrick Loyalty Scheme Get to know us There’s so much more to the Altrincham Garrick than the performances on our stages. Find out how to get involved in making theatre with us, try an audition or join our academy and truly get behind the scenes. Just follow the links below to explore… Find us Altrincham Garrick Playhouse Barrington Road, Altrincham, Greater Manchester WA14 1HZ Altrincham Interchange and Navigation Road tram stops are each about 10 minutes' stroll away. Free parking available onsite (80 spaces), with additional street parking nearby (free after 5pm). If you'd like to secure a space and relax in the bar before the show starts. we recommend arriving a little early. Box office Drink & relax 0161 928 1677 Monday – Friday : 11am – 4pm & 6pm – 8.30pm Saturday: 9am – 12pm Bar For performances, the bar is open one hour before the show begins, until one hour after it finishes. On days without performances, the bar is open Fridays between 7.30pm and 10.30pm. Note: the theatre is closed to the public from mid July to the end of August, and the bar is not normally open during this time. Find out more Join our mailing list Subscribe

Details of all upcoming productions, including in-house plays, musicals and the annual pantomime, as well as visiting tribute bands, mediums, comedians and more. What's on Here is the list of the productions currently scheduled at the theatre. Scroll through the list. Or you can search by name of event, date, or type of production ... or all three ! Find an event Search Choose a date Filter by type Garrick Productions Garrick Academy Visiting Productions Activities & Events Garrick Cinema Clear type filter and date Sorry - no productions found. Please change your search terms. Show title 6 Oct 2026 Find out more Book now Musical Theatre Movers/Beginners: Aimed at beginners or those who want a relaxed pace Activities & Events Show title 22 Oct 2026 Find out more Book now A joyful musical of vibrant colour, unforgettable music, and thrilling storytelling! Garrick Production Show title 26 Oct 2026 Find out more Book now Holiday Club for 6-18 year olds - All welcome! Activities & Events Show title 27 Oct 2026 Find out more Book now Holiday Club for 6-18 years - All welcome! Activities & Events Show title 28 Oct 2026 Find out more Book now Holiday Club for 6-18 years - All welcome! Activities & Events Show title 29 Oct 2026 Find out more Book now Holiday Club for 6-18 years - All welcome! Activities & Events Show title 30 Oct 2026 Find out more Book now Holiday Club for 6-18 years - All welcome! Activities & Events Show title 4 Nov 2026 Find out more Book now Filmed live on stage at the National Theatre and brought to life at the Garrick Cinema Garrick Cinema Show title 5 Nov 2026 Find out more Book now Direct from London’s West End - A thrilling and intriguing night of psychic mediumship! Visiting Production Show title 6 Nov 2026 Find out more Book now If you love theatre and would like to meet new friends; why not join us at our play reading club! Activities & Events Show more Join our mailing list Subscribe

Garrick Production The Silver Box (Hypothetical Production) Ran Invalid Date - Jan 19, 2021 Age guidance Venue Running time Tickets Price Range Description ------------------------------ During a typical Season at Altrincham Garrick Playhouse we produce, on average, 12 productions in our Main House and 5 productions in our Lauriston Studio. Although we do have plans to reopen to live performances safely as soon as we are permitted to do so, the effects of not being able to generate our usual income is taking its toll on us. As part of our survival campaign, we’re launching a hypothetical production week, where you can buy tickets by way of donation. For every ticket purchased, the ticket holder will be entered into a raffle to win a prize from the Altrincham Garrick Playhouse. This performance will not actually be taking place; it is a fictional production. The buying of tickets is purely a way of supporting Altrincham Garrick Playhouse through this difficult time. “The Silver Box” was the first production ever to be produced by Altrincham Garrick Society, in 1914. The very first rehearsal took place on 17th February 1914, with the production opening on 18th March 1914 at the Public Hall, Altrincham. Tickets: £5 ------------------------------ All tickets purchased will be entered into a raffle with the following prizes: - 4 complimentary tickets to the Garrick’s 2021/2022 Pantomime “Peter Pan” - 2 complimentary tickets for a Garrick production of your choice in the Autumn/Winter Season 2021 (two of these prizes available) - 1 Complimentary Garrick Membership lasting 12 months. (This allows you to purchase 2 member priced tickets for any of the Garrick's in house Playhouse and Lauriston Productions and also Picturehouse Screenings Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production All My Sons Ran Invalid Date - Dec 16, 2013 Age guidance Venue Running time Tickets Price Range Description Written in 1947, just after the end of World War 2, this play brought Miller his first major success. The setting is the unremarkable backyard in a comfortable ordinary American suburb. Joe Keller, now retired from running his factory, which had been given over to the production of airplane parts during the war, is an especially popular figure and the Keller's home is a drop-in for all the neighbours. But Joe harbours a half-forgotten secret and his son Chris cannot forgive but must expose the wartime profiteering. A searing drama of conflict between father and son. CAST Martin Oldfield as Joe Keller - SAM Best Actor Award 2006 Carole Carr as Kate Keller John Keen as Chris Keller Duncan Battman as George Deever Graham Simmonds as Dr Jim Bayliss David Leathlean as Frank Lubey Paula Keen as Lydia Lubey Natalie Horne as Ann Deever Ruth O'Hara as Sue Bayliss Daniel Waxman as Bert Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Peter Pan - The Garrick Pantomime The High Flying Garrick Pantomime Ran Dec 10, 2021 - Jan 3, 2022 Age guidance Venue Running time Tickets Price Range Description OUR FESTIVE SHOW FOR 2021/22 IS OUR PANTOMIME VERSION OF ‘PETER PAN’ The High Flying Garrick Pantomime BOOKING NOW! Journey to Neverland for a high-flying Pantomime adventure you’ll never forget! The forever-young Peter Pan sails through the skies to bring Wendy and the Darling children to the Lost Boy’s enchanted island, where the fearsome Captain Hook rules over the high seas. Written by Tom Whalley and based on the timeless book by JM Barrie, the Altrincham Garrick Playhouse brings you a perfect Pantomime for all the family. Fairies, mythical creatures, pirates, singing, dancing and flying! Take the second star to the right and keep straight on ’til morning and we’ll see you in Neverland! By Tom Whalley Directed by Joseph Meighan and Val Watkinson Musical Direction by Peter England Choreography by Vanessa Cockburn Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production One Flew Over the Cuckoo's Nest Ran May 7, 2007 - May 12, 2007 Age guidance Venue Running time Tickets Price Range Description The novel is a modern American classic. What happens when an irresistible force meets an immoveable object in the persons of R. P. McMurphy, a boisterous petty criminal, and Nurse Ratched, who conceals her natural attractiveness under an icy-cold veneer? To avoid a prison sentence, McMurphy has elected to appear crazy and believes he can 'buck the system'. He becomes irretrievably involved with the many and varied fellow inmates as he fights to free them from the tyranny of 'Big Nurse'. In turns shocking, moving and funny, this play tells a wonderful story and will hold your attention throughout. An absolute MUST for all lovers of good drama. CAST Jon White as Chief Bromden Hugh Everett as Dale Harding Mark Butt as Billy Bibbit Alex Wilson as Scanlon David Gonet as Cheswick Graham Simmonds as Martini Barry Purves as Ruckley Tony Turner as R P McMurphy Tracy Burns as Nurse Ratched Paula Keen as Nurse Flynn Victor Hassan as Dr Spivey Bryn Thomas as Aide Warren Martin Creevey as Aide Williams Frank Boylan as Aide Turkel Natalie Horne as Candy Melissa Cupid Brown as Sandra Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Activities & Events Altrincham Garrick Play Reading Club Date range Tickets £7 Age guidance 16+ Venue Garrick Bar Trigger warning Find out more Book now Running time Refreshments from 12pm, Reading to commence 12.30pm. Approx 3 hours Group bookings Find out more Accessibility Find out more If you like theatre...no, if you love theatre, drama, comedy, musical theatre, play reading, poetry and much more and would relish the opportunity to meet new people, then 'Altrincham Garrick Play Reading Club' is for you. The event is all about relaxed, no pressure reading and the best way to read a play is to do it out loud, so join us and give it a go! The titles we will be enjoying will be as follows: 6th November - Blue Stockings by Jessica Swale 4th December - The Good Life by Jeremy Sams Activities & Events Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Garrick Production Oppenheimer Bio-drama about J. Robert Oppenheimer, the mastermind of the atomic bomb Ran Feb 24, 2025 - Mar 1, 2025 Age guidance Age: 14 + Venue Main House Running time TBC Tickets Price Range £10.50 - £16.50 Description By Tom Morton-Smith Directed by John Cunningham Associate Direction by Carole Carr 1939: fascism spreads across Europe, Franco marches on Barcelona and two German chemists discover the processes of atomic fission. In Berkeley, California, theoretical physicists recognise the horrendous potential of this new science: a weapon that draws its power from the very building blocks of the universe. Struggling to cast off his radical past and thrust into a position of power and authority, the charismatic J Robert Oppenheimer races to win the 'battle of the laboratories' and create a weapon so devastating that it would bring about an end not just to the Second World War but to all war. Originally written for the RSC in 2015, Tom Morton-Smith's play takes us into the heart of science, politics and humanity clashing in the propulsive story of the Manhattan Project and the development of the world’s first nuclear bombs. Reviews Gallery Trailer Trigger Warning This production contains strong language, sexual references and adult themes, including suicide, references to racism and other challenging themes. The production also contains graphic descriptions of the Hiroshima and Nagasaki nuclear attacks and aftermath, which may cause upset or distress. Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Into the Woods Ran Invalid Date - May 18, 2022 Age guidance Venue Running time Tickets Price Range Description In a modern world, a fairytale adventure is never far away… be careful what you wish for. A baker and his wife desperately yearn to have a child, but have been cursed by the Witch who lives next door, thanks to the actions of the baker’s father. The only way to lift the curse is to find four obscure yet strangely familiar items – a cow as white as milk, a slipper as pure as gold, a cape as red as blood and hair as yellow as corn. With only three nights to find them before the curse becomes irreversible, the couple head deep into the mysterious nearby woods , only to discover more about themselves than they might ever have expected... and that actions have consequences, and sacrifices must be paid. One of Stephen Sondheim’s most acclaimed works, this Tony and Olivier Award-winning musical interweaves Little Red Riding Hood, the Wolf, Cinderella, Rapunzel, two Princes (and two step-sisters), Jack, and - of course - a Witch into a timeless, yet relevant, piece... and a rare modern classic! Artistic Director Joseph Meighan brings a contemporary vision of Sondheim's enchanting and touching masterpiece. Age Guidance: 12+ Warning: This production contains scenes and depictions of murder, blood, loss, depression, infidelity and death. It is worth noting that the characters and stories that are familiar to most audiences through the Disney films (including their own adaptation of "Into The Woods"), Pantomime, or various other fables will not be represented in the same way in this version. The musical focuses on the original Brothers Grimm versions of the stories which tend to be darker and less “happy ending” focused. Mainly for the sake of preserving the innocence of these beloved stories as younger people may know them we recommend that this production is for 12+. "Into the Woods" is a beautiful, clever, profound, frequently funny, sometimes somber, and ultimately uplifting take on the classic Brothers Grimm fables, but it is not aimed at a Family audience. Reviews - 5 Stars “Absolutely outstanding - a major musical triumph for all concerned.” - Rick Bowen Read the full review from Rick Bowen at StageStruck HERE - 4 Stars “A satisfyingly strong interpretation of a Sondheim classic, which beautifully portrays both the humour and musicality but emphasises the darkness at the heart of this fairy tale.” Read the Full Review by Paul Wilcox at North West End HERE "...this was a consummate and professionally produced musical, whose production values were exceedingly high." Matthew Dougall at Number9 Production Shots taken by Martin Ogden ------------------------------------------------------------------------------------------------------------------------------------ Free Car Parking. Cosy Bar. Great Prices. ------------------------------------------------------------------------------------------------------------------------------------ Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production The Graduate Ran Invalid Date - Feb 7, 2014 Age guidance Venue Running time Tickets Price Range Description The play was a sensation in London's West End and on Broadway. A cult novel, a classic film, a quintessential hit of the 60's. It is now time to be seduced by the graduate all over again. Based on the novel by Charles Webb and the motion picture screenplay by Calder Willingham and Buck Henry, the play has been adapted for stage by multi award winning author and director Terry Johnson. Benjamin has excellent grades, very proud parents and, since he helped Mrs Robinson with her zipper, a fine future behind him. WARNING: THE PLAY CONTAINS NUDITY. M.E.N.'s Review by Julia Taylor NUDITY is becoming a habit with Altrincham Garrick. Its first show of the season 'The Full Monty' displayed the male full frontal variety and in this week's production, The Graduate, the, shall we call it, half frontal female version. Although genuine, both revelations are, in a sense, illusory. Blinding white light blanked out the Full Monty version. Likewise, dim lighting partly hides the exposure of the seductive Mrs Robinson in The Graduate Based on Charles Webb;s novel, the role of Mrs Robinson was made famous by Anne Bancroft in Mike Nichols? 1967 film version and, in the subsequent stage version, by Kathleen Turner and then Jerry Hall, Mick Jagger's ex. Jerry played to full houses for six months though one wonders whether the audience were more interested in her body than her acting ability! She was later followed by Amanda Donahoe, Anne Archer and Linda Gray of Dallas fame. What leads to all this nakedness? Basically, it?s because Mrs Robinson, the wife of his father's business partner seduces a dilatory student after his homecoming party. The student, Benjamin Braddock, is a perplexed 21-year-old who resents the wealth-acquisition of his affluent parents. To add to the puzzle, Ben falls for Mrs Robinson?s daughter, Elaine. Well-known Garrick performer, Beverley Stuart-Cole brings swathes of sensuality to the role of Mrs Robinson. Here is a woman who must not be ignored, a woman of the world with an unfulfilled appetite for sex. She is all fur coat and no knickers, a cool, world weary bitch. You can?t ignore Mrs Robinson especially in Beverley's hands. And what of the hapless Benjamin - Phil Duncan (22), making his debut at the Garrick, portrays a young man who doesn't know what he wants of life though he does know that he wants Elaine. Both Phil and Sinead Parker who plays Elaine spell out their characters well and you can sense very clearly their mutual attraction and youthful uncertainty. I wondered how the Garrick would tackle the scene where Benjamin stands at the bottom of the family pool wearing a scuba outfit in order to find time for his hobby, thinking. The answer is simple. He doesn't get as far as the pool but tries on the comical outfit in his bedroom. Another good scene was where Mrs Robinson and her daughter become impossibly drunk and Mrs R teaches naive Elaine how to cope with the effects. Bryn Thomas's production is a remarkable example of how scenery can be used to good effect. Set designer Barry Fletcher's use of a revolving stage enables the audience to follow the action in ten different settings. The play is almost as effective as the movie when it comes to locations. Another backroom boy, Mike North also deserves praise for his pastel lighting and subtle sound effects. In the words of the background song 'Mrs Robinson' I can only add 'Here's to you Mrs Robinson', for 'The Graduate' is full of humour presented in a professional way. Star Rating ★★★★ ★ Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Previous Next Allan Taylor Allan, who joined the theatre in the early 1970's, was undoubtedly one of the finest actors to grace the Garrick stage. With his wonderfully commanding voice, he played the lead in many varied types of roles such as Dr. Bryant in Educating Rita (see photo), Captain Mainwaring in Dad's Army, Georges opposite Terry Chandler 's Albin in many productions of La Cage Aux Folles, Danny in Brassed Off and, one of his biggest roles, Salieri in Amadeus . Offstage, he was a pivotal figure in the running of the theatre, both as Chairman of the Executive Committee and (inevitably, given his background as a bank manager) as Treasurer overseeing the finances of the theatre. Allan was a giant of the Garrick whose overall contribution to its success cannot be underestimated. Back to In Memoriam page

Garrick Production The Curious Incident of the Dog in the Night-Time A touching and bleakly humorous tale, performed by The Garrick Ensemble, Ran Feb 3, 2025 - Feb 8, 2025 Age guidance 12+ Venue Main House Running time TBC Tickets Price Range £10.50 - £16.50 Description Written by Mark Haddon Adapted by Simon Stephens Directed by Joseph Meighan Christopher, fifteen years old, stands beside Mrs Shears’ dead dog. It has been speared with a garden fork, it is seven minutes after midnight, and Christopher is under suspicion. He records each fact in the book he is writing to solve the mystery of who murdered Wellington. He has an extraordinary brain and is exceptional at maths, but he is ill-equipped to interpret everyday life. He has never ventured alone beyond the end of his road, he detests being touched, and he distrusts strangers. But Christopher’s detective work, forbidden by his father, takes him on a frightening journey that turns his world upside-down. Simon Stephens’ adaptation of Mark Haddon’s bestselling, award-winning novel, The Curious Incident of the Dog in the Night-Time offers a richly theatrical exploration of this touching and bleakly humorous tale. This production is performed by THE GARRICK ENSEMBLE. The Garrick Ensemble is a company of 18 – 30 year old aspiring actors from Greater Manchester and Cheshire who perform one production each year as part of the Altrincham Garrick Playhouse Main House Season. The production will be directed by Artistic Director Joseph Meighan. The Garrick Ensemble aims to make theatre that is fresh, innovative and exciting. See the very best of local, up and coming talent before they move forward in the next stages of their careers in the Arts. Altrincham Garrick Playhouse are proud to be supporting I AM with this production. At I AM , we’re dedicated to supporting autistic individuals to thrive, connect, and achieve their full potential. Based in the heart of Manchester, we provide tailored programmes, inclusive activities, and vital resources that empower autistic children, young people, and adults, as well as their families. Together, we’re building a more understanding and inclusive community - because every voice matters. For more information visit: https://i-am-autism.org.uk Reviews FIVE STAR REVIEW - Paul Wilcox at North West End UK “Despite its apparently serious subject matter, ‘Curious Incident’ is a wonderfully positive and life affirming play that has been adapted beautifully by a strong cast, crew and creative team and topped with an excellent central performance.” Read the Full Review from North West End: CLICK HERE ANOTHER FIVE STARS - Rick Bowen at StageStruck “the storm of applause that swept through the auditorium and came seriously close to lifting the theatre’s roof off at the end.” Read the Full Review by Stage Struck: CLICK HERE Gallery Trailer Trigger Warning This production contains themes and depictions that may be distressing to some audience members, including descriptions of physical and emotional abuse, discussions of mental health and disability, and strong language. The production also features loud noises and some moments of sensory intensity, reflecting the content of the novel and autistic experience. Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Grease Ran Invalid Date - Jun 12, 2013 Age guidance Venue Running time Tickets Price Range Description Rydell High's spirited class of '59' gum-chewing, hub-cap-stealing, hot-rod loving boys with D.A.s and leather jackets and their wise-cracking girls in teased curls, bobby sox, and pedal pushers capture the look and sound of the 1950's in a rollicking musical that salutes the rock?n?roll era. While hip Danny and wholesome Sandy resolve the problems of their mutual attraction for each other, the gang sings and dances its way through such nostalgic scenes as the pyjama party, the prom, the burger palace, and the drive-in movie. Too many unforgettable songs to mention - Grease is STILL the word! [gallery columns="9" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/10950587396_908e27334d_z.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/10950811093_aa6149ec8d_z.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/10950856634_d25c704a5d_z.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/10950690905_b6ce2478b0_z.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/10950668135_777e187297_z.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/10950901653_7c1417b480_z.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/10950615526_06ccd61582_z.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/10950665516_b9595a934d_z.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/10950799144_01412dea26_z.jpg|"] CAST LIST Sandy - Rachel Mayon Danny - Gabriel Walker Kennickie - Ashley Ball Roger - Michael Gardiner Doody - Matthew Roughley Sonny - Tom Oliver Rizzo - Tori Green Marty - Vicki Harrison Frenchy - Katie Bond Jan - Hannah Williams Patty - Emily Barnett Vince Fontaine - Michael Muldoon Eugene - Josh Mosiuk Ms Lynch - Margaret Leslie Johnny Casino & Teen Angel - Matt Darsley Cha Cha - Jennifer O'Neill Cheerleader/Freshman - Laura Slater Cheerleader/Freshman - Shelley Frankland Cheerleader/Freshman - Rebecca Cooper-Bagnall Assistant to the Director Val Watkinson Musical Director Mark Goggins Choreographer Lorna Sales ASM Carol Gibson Messenger Review by Rick Bowen Grease is still the word at the Garrick - cast delivers a vibrant show VIBRANT, energetic and uplifting, Altrincham Garrick's production of Grease is the perfect antidote to these depressingly dark autumn. Particularly impressive is the dancing and I'm sure many members of the audience will be aching to join in as the cast really let their hair down. The lead roles of the strutting high school gang leader Danny Zuko and the squeaky clean Sandy Dubrowski are, of course, inextricably linked to John Travolta and Olivia Newton John who brought the characters so engagingly to life in the classic film version. But there's plenty to admire in Gabriel Walker and Rachel Elizabeth Mayon who play the parts in the Garrick's production. Gabriel is especially good at bringing out the comedy elements of the role - Zuko works desperately hard to maintain his super cool image - and Rachel has a singing voice with an astonishing range. Sandy's transformation from an up tight square to a leather clad seductress is very convincing thanks to Rachel's acting skills. Tori Green excels as Rizzo, the all knowing leader of the gloriously bitchy Pink Ladies and her rendition of There Are Worse Things I Could Do, for me one of the best songs in the entire, dream of a score, is worth the ticket money on its own. An evening of infectious 50's style music and irreverent teenage humour, this giant of a musical is still well worth a watch. Review of Grease by Julia Taylor for remotegoat 'Lights up like Greased Lightnin' The Garrick's production of Grease lightens up the auditorium making the usually restrained audience whoop, whistle and clap. It's about two kids who meet up in High School after spending a magical summer holidays together. Unfortunately, at school, things are not so magical. One of the high points of the show is when the boy gang T-Birds and the girlie group, The Pink Ladies, sing that throbbing hit Summer Nights. Another good one from the entire company is We Go Together at the end of both acts Tori Green, as Rizzo, firmly in charge of the Pink Ladies, sings There are Worse Things I Could do in an unforgettable way. She is the girlfriend of Kennickie, a prominent member of the T-Birds. Ashley Ball who plays him makes you wonder which he loves most, Rizzo or his new car. The imaginative folks backstage come up with a shiny red vehicle complete with working headlights which slides gracefully on to the stage. Director, Adam Whittle does well to use the services of Lorna Sales as choreographer. The result is some lively dancing especially in the scene where Danny and Cha-Cha (Jennifer O'Neill) win a hand jiving competition. It was also a good idea, to place the band, led by Mark Goggins, on stage. The leads, Gabriel Walker as bad boy Danny and Rachel Elizabeth Mayon as Sandy, do a great job. I love the way Gabriel conveys the feelings of a testosterone filled teenager just through looks and movements. We sure know when he thinks he's on a winner! Rachel is just right for Sandy. She sings Hopelessly Devoted with great feeling. Another good singer is Vicki Harrison's Marty. Smiling throughout, her Freddy My Love is great to listen to. The young cast are so good they could easily call themselves the Garrick Musical Theatre. NODA Review by Kevin Proctor It goes without saying that the musical 'Grease' by Jim Jacobs and Warren Casey is a very popular one, It's had many successful revivals on Broadway and in the West End as well as countless tours and it even won the title of 'the world's best musical' thanks to a public vote a few years ago! Can you believe!? Grease is, for me, an ultimate guilty pleasure show (and film) and was probably one of my most played CD's during my early teens (yup, it?s true!)? Set in the late 1950's - Grease follows the exploits of a graduating class who inhabit Rydel High. The show, in its original form, was not considered 'family entertainment' - it's plot was not as thin as it's become as it tackled issues about teenage drinking, smoking, under age pregnancy and also included a fair amount of physical violence, however, 42 years later with a smash film and countless stage revivals to its name, although still touching on the topics, what's left is a much more sanitised and 'family friendly' version of a once edgy musical offering. The one static set for this production was simple and worked well, I liked the 50's pop art design and the split levels helped to create some nice visual moments. The Garrick welcome first time choreographer Lorna Sales to the production team making this show her debut with AG. Lorna set some great routines which were very visual and striking at times. The dancing was tackled head on by her cast, though I think the strain of a short rehearsal period was exposed when it comes to the choreography delivery as quite a few movement hiccups were noticeable at several points. A main ingredient for this show is energy' you cannot have enough and this production served up plenty of it! It was evident that the entire cast were having a blast which was key to its success. Particular stand outs for me were Josh Mosiuk who gave a quirky Eugene- Josh was extremely engaging whenever on stage, as was Vicki Harrison as Marty who not only looked perfect for this role she gave a strong all round delivery. This show was indeed stolen by Tori Green as Rizzo, Tori was the one you heard people talking about as they left the theatre, vocally, 'Worst Things I Could Do' was flawless - fabulous! Sandy, played by Rachel Elizabeth Mayon was as sweet as she should be and sung a good rendition of 'Hopelessly Devoted'. I enjoyed Gabriel Walker's Danny, he had the characters clumsy and slightly gawky side to perfection which gained him some worthy laughs - very likeable! Mark Goggins band sounded fantastic! This just confirmed to me that, whenever possible, the musicians should either be on stage or in the pit ? the sound of the live musicians sounds so much more alive and exciting compared to when they're channelled through from the studio. Great job! Lighting wise, there were a number of black spots across the set and I felt that the design wasn't colourful or vibrant enough for this style of show. Sticking with technical, the sound levels had weak spots as we could hardly hear the boys during 'Summer Nights' and mic levels were erratic during company numbers. Director, Adam Whittle had created some lively and comical scenes and had, wisely, taken inspiration from the film while still able to include flashes of his own vision too, though some of the blocking decisions were questionable and at times didn't seem to have purpose but still, a laudable job with a strong result for this high energy and electrifyin' show! Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Sleeping Beauty Ran Invalid Date - Feb 7, 2014 Age guidance Venue Running time Tickets Price Range Description All the fairies have been invited to Princess Beauty's christening except one, the evil Carabosse. She gate-crashes the party and casts a terrible spell. Only the power of Fairy Crystal can help but to do so she must cast her own spell and send a whole castle and everybody in it to sleep for 100 years. Will the handsome prince be able to defeat Carabosse and wake Beauty with a kiss. A traditional pantomime for all the family, with music, glamour, magic and a bit of time-travel. Every year our panto is a sell out so don't wait to book your tickets and possibly miss out, book now as soon as the Box Office opens, you won't be disappointed. [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/sleepinga.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/sleepingb.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/sleepingc.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/sleepingd.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/sleepingl.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/sleepingr.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/sleepingo.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/sleepingt.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/sleepingk.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/sleepingj.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/sleepingf.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/sleepingq.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/sleepingn.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/sleepings.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/sleepingg.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/sleepingu.jpg|"] CAST Mandy White as Fairy Crystal Siobhan Morgan as Fairy Rose Hannah Pond as Fairy Columbine Mike Shaw as Carabosse Rosi Hunter as Prince Florizel David Gonet as King Wayne Julie Broadbent as Queen Coleen Lucy Parkinson as Princess Beauty Don Poole as Lord Chamberlain David Reynolds as Dame Cookie, the Cook Anthony Morris as Robbie, her son Adam Gonet as Wuffles 23rd, a dog and?Wuffles 25th Courtiers, Goblins etc Laura Whitehurst, Lizzie Carr, Megan Royle Felicity Jones, Alice Connelly, Imogen Jones Anna Aslanova, Grace Smith, Gaby Scott Stuart Bilson, James McMenamin, Lewis Woodward, Jamie Boughen Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Annie Ran Invalid Date - Jun 21, 2016 Age guidance Venue Running time Tickets Price Range Description Based on Little Orphan Annie, the popular comic strip by Harold Gray, Annie has become a worldwide sensation. Winner of seven Tony Awards, including Best Musical, the beloved show features a wonderful score written by Charles Strouse and Martin Charnin, including the Broadway smash hit, 'Tomorrow'. With a perfect combination of street-smarts and optimism, Annie warms the hearts of the audience as we witness her rise from next-to-nothing in New York City. She is determined to find her parents, who left her at the orphanage years ago. Though things don't quite work out the way she has planned, she does manage to thwart the plans of the evil Miss Hannigan and find a new family with billionaire Oliver Warbucks, his secretary Grace Farrell, and her lovable pooch, Sandy. The production is proudly sponsored by The Greenhouse Vegetarian Restaurant [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/Annie_2791.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/Annie_1111.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/Annie_0551.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/Annie_0201.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/Annie_468.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/Annie_427.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/Annie_338.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/Annie_310.jpg|"] Photographs by Vishal Sharma CAST The Child Company Annie - Caitlin Reeves Duffy - Chloe Radford July - Olivia Streeter Kate - Anna Peart Molly - Alice Cross Pepper - Daisy Higgins Tessie - Chloe Sudworth Orphans: Rosy O'Connor, Nicole Astbury, Ellen Thomas- Anderson, Jemima Kloss, Eva Briggs, Pippa Banford, Lily Pearson, Sophie Whittingham, Grace Dougall The Adult Company Miss. Hannigan - Laura Aremia Oliver Warbucks - Richard Sails Grace Farrell - Sasha Carrillo de Albornoz Rooster Hannigan/ Hooverville Man - Sam Berrie Lily St. Regis/ Hooverville Woman - Claire Garrett Hooverville Man/ Fred McCracken and Wacky/Dog Catcher/ Cordell Hull/ Servant/ New York Citizen - Chris Wagstaff Bert Healy/ Hooverville Man/Assistant Dog Catcher/ Louis Howe/Servant/ New York Citizen - Danny McCarrick Annette/ Star To Be/ Connie/ Hooverville Woman - Hannah Cound Bundles McCloskey/ Harold Ickes/ Hooverville Man/ Servant/ New York Citizen - Brendan Cunningham Mrs. Greer/ Sophie/ Jimmy Johnson/ New York Citizen - Samantha O'Connor Drake/ Henry Morgenthau/ Eddie/ Sound Effects Man/ New York Citizen - Joshua Crook President FD Roosevelt/ LT Ward/ Announcer/Servant/ New York Citizen - Dave Midgley Francis Perkins/ Mrs Pugh/ Hooverville Woman/New York Citizen - Sarah Reilly Ronnie/ Hooverville Woman/ New York Citizen - Rachel Gerring Bonnie/ Usherette/ Hooverville Woman/ Servant - Kitty West Cecille/ Hooverville Woman/ New York Citizen/Politician - Susan Mowat Apple Seller/ Justice Brandeis/ Kaltenborn Voice/ Politician/ Servant/ New York Citizen - Dave Richardson Hooverville-ites/ Servants/ New York Citizens - Rebecca Hanley, Lottie Warburton, Niamh Green, Lauren Whiteley, Ian Daubeney REVIEW by Julia Taylor for Sale and Altrincham Messenger The Garrick's production of Annie is full of warmth THE Garrick Playhouse is full of excitement as people wait to see their favourite musical and the theatre's last production of the year, Annie. The story about the orphan who rises from rags to riches is full of warmth and the triumph of the human spirit over adversity. The director, Joseph Meighan, his superb adult cast and a host of little girls, not to mention a dog, win round the audience immediately. The dog, the younger brother of the original dog who was ill, took his bow, or should I say bow-wow, by launching himself off the stage practically into my husband?s lap! The choice of 12-year-old Caitlin Reeves as Annie is inspired. She is naively optimistic about finding her parents and keeps the other kids happy, especially nine-year-old Alice Cross who plays little Molly who misses her mummy. Caitlin can dance, and sing songs like Tomorrow with perfect diction and feeling. Her saviour, Oliver Warbucks, is played by charismatic Richard Sails. His attraction to his PA Grace Farrell (Sasha Carrillo de Albornoz), when they dance, is clear. All these lovely people would be boring if there wasn't a wicked one. That comes from child hating, self-loving, gin swilling Miss Hannigan. She?s a witch in the hands of Laura Aremia who adds humour to the role. Both the adult and junior choruses sing well and, thanks to choreographer, Alexandra Howarth, are well positioned, excellent dancers, too. Star Rating ★★★★ REVIEW by Nicky Lambert for North West End Most people are familiar with the story of 'Annie', the well known tale of an orphan girl who runs away from the orphanage run by the awful Miss Hannigan and is subsequently adopted by a billionaire. In all honesty, it's never appealed to me but I left the Altrincham Garrick Theatre tonight on an absolute show high. This production has a professional edge from start to finish. The ensemble pieces are absolutely wonderful and perfectly executed so that they create a very pure musical theatre sound. I would say they are up there with some of the best I have ever seen. "It's The Hard Knock Life" is the first that we see and it really sets the tone – the girls are fierce and angry and it's really exciting to watch. Miss Hannigan, played so expertly by Laura Aremia, is the Social Services nightmare who runs the orphanage and she's the pantomime baddie that I sneakily really liked (is that so wrong?!) Miss Hannigan is no stranger to the gin bottle, so is therefore inebriated most of the time and Laura played this absolutely perfectly: it's very easy to overdo drunken acting but she absolutely got it right and it was hilarious. I loved the way she just had absolute contempt for everyone and she even carried this through to the curtain call, telling the audience to "shut up". Brilliant! In the current West End production of 'Annie', this part is played by Miranda Hart and I can't imagine she could do a better job than Laura! The relationship between Oliver Warbucks (Richard Sails) and Annie (Caitlin Reeves) is absolutely charming and they have superb chemistry. I particularly liked "I Don't Need Anything But You" which he sings to Annie and which is very touching. They are so good together and perfectly matched. Caitlin has a beautiful singing voice and it was a pleasure to listen to her. Richard's portrayal of the kindly billionaire was really lovely to watch and their scenes together were very sweet. I do have to give a special mention to Alice Cross who played "Molly" and who executed an astounding hands-free cartwheel which was precariously near the drop to the orchestra pit! Alice is an extremely talented performer who is quite captivating to watch and I look forward to seeing her in future productions. I would also like to congratulate Sasha Carrillo de Albornoz for her totally credible performance as Grace, everything about her performance was excellent and she has an amazing singing voice. However, the show-stealer is Sandy – Annie's dog – who, although he wasn't in many scenes, certainly stole all of them...by barking at the audience and taking a flying leap off the stage at the end into the front row! The cast handled his excitement admirably and he was a favourite with the audience who loved his participation. I'm sure all this was opening night excitement and by Saturday, he'll be taking it all in his stride and probably signing autographs. I would like to congratulate everyone involved in this entertaining and heart-warming production. The ensemble are particularly strong – the stand out performer for me being Brendan Cunningham who, as my theatre companion remarked "really gives value for money" with his completely rounded performance comprising great facial expressions and total immersion in the choreography. I loved the scene with the Presidential aides where he jumps on the table and sings, it was pure entertainment! The costumes, lighting and sets were wonderful. I did like the use of the jigsaw piece motif – keep your eye open as one by one, the missing jigsaw pieces appear as we draw near to the end of the story, a very nice touch indeed. This really is a musical theatre treat and one that should not be missed. Star Rating ★★★★★ REVIEW by Nigel Carr for Hale and Altrincham Life Annie played by Caitlin Reeves, the eponymous red headed central character is a child in the Hudson Street Orphanage where she has been since 1922 The musical opens to slides depicting the Great Depression following the Wall Street crash in 1929. Hooverville, the homeless persons village that grew up in Central Park, New York was a shanty town constructed of cardboard, tar paper, glass, wood, tin and whatever other materials people could find. It’s 1933 and President Herbert Hoover has just been replaced by F D Roosevelt. The play opens with the all the children making the most of life in the cramped dormitory faux kowtowing to the evil Miss Hannigan, the conniving, gin swilling supervisor. Miss Hannigan (Laura Aremia) & Grace (Sasha Carrillo De Albonoz) The plot follows Annie’s escape from the Orphanage and her planned adoption by Oliver Warbucks, the billionaire industrialist owner of a number of factories, who doesn’t seem to have fared too badly in the crash. Friends with the president and a host of other famous politicians and sportsmen, (‘how’d you like to meet Babe Ruth ? – Annie, erm?’). He is played by Richard Sails, who brings warmth and gravitas to the boy from the wrong side of town made good. The children’s singing is completely professional and hugely entertaining. From the opening It’s a Hard Knock Life and the highlight You’re Never Fully Dressed Without A Smile, with accompanying dance routine and acrobatics. Special mention must be made of Caitlin who never misses a beat and Sasha Carrillo de Albornoz as Warbucks’ PA Grace, whose incredible range and tone is on the scale of a young Julie Andrews. Frankly all of the children deserve a special mention as they were just so enchanting and entertaining! Laura Aremia’s portrayal of the drunken Miss Hannigan is hilarious – she staggers around the stage, managing an almost calamitous curtsy to the wheelchair bound president. Annie (Caitlin Reeves) & President FD Roosevelt (Dave Midgely) With song after familiar song including Tomorrow and Easy Street, spot on American accents and a hyperactive shaggy Dulux dog, the musical went down a storm. The audience was on its feet at the end in a well deserved standing ovation. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production The Sound of Music Ran Invalid Date - May 18, 2022 Age guidance Venue Running time Tickets Price Range Description The inspirational story, based on the memoir of Maria Augusta Trapp, follows an ebullient postulant who serves as governess to the seven children of the imperious Captain von Trapp, bringing music and joy to the household. But, as the forces of Nazism take hold of Austria, Maria and the entire von Trapp family must make a moral decision. Featuring a trove of cherished songs, including "Climb Ev'ry Mountain," "My Favourite Things," "Do Re Mi," "Sixteen Going on Seventeen" and the title number, The Sound of Music won the hearts of audiences worldwide, earning five Tony Awards and five Oscars. The final collaboration between Rodgers & Hammerstein was destined to become the world's most beloved musical and The Sound of Music has inspired audiences since it first opened in 1959 with its story of love and freedom. The Altrincham Garrick Playhouse brings you a Musical for October Half Term that is perfect for all generations. Music by Richard Rodgers Lyrics by Oscar Hammerstein II Book by Howard Lindsay and Russel Crouse Suggested by "The Trapp Family Singers” by Maria Augusta Trapp Age Guidance: 6+ ------------------------------------------------------------------------------------------------------------------------------------ Free Car Parking. Cosy Bar. Great Prices. ------------------------------------------------------------------------------------------------------------------------------------ We have received high praise indeed and 5 Star reviews from our critics. Click on the links below to find out more: “They don’t write them like this anymore - do not miss this dose of musical magic.” Stagestruck - Rick Bowen “simply exquisite” North West End Uk - Katie Leicester “With Neil Bennett in the pit with his "chamber orchestra", a solid ensemble of Garrick thespians, and Joe Meighan's direction, this is a truly wonderful half-term treat, and a real feather in the Garrick's cap.”Number 9 - Matthew Dougal Production shots taken by Martin Ogden (We have two teams of Children that play the Von Trapps; Team Rodgers and Team Hammerstein. The two teams alternate performances.) Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production A Streetcar Named Desire Tennessee Williams's American Masterpiece Ran Nov 15, 2021 - Nov 20, 2021 Age guidance Venue Running time Tickets Price Range Description By Tennessee Williams Directed by John Cunningham Winner of the Pulitzer Prize One of the greatest American plays Fading Southern belle Blanche DuBois depends on the kindness of strangers and is adrift in the modern world. When she arrives to stay with her sister, Stella, in a crowded, boisterous corner of New Orleans, her delusions of grandeur bring her into conflict with Stella’s crude, brutish husband Stanley. Eventually their violent collision course causes Blanche’s fragile sense of identity to crumble, threatening to destroy her sanity and her one chance of happiness. Reviews Angela Kelly - North West End UK First performed on Broadway in 1947, Tennessee Williams ‘A Streetcar Named Desire’ is a tragedy that highlights the inequalities of society in post war America. The play particularly shares the negative effects experienced by women during this time. Associated by many as one of the most significant of all American plays, it is certainly a brave step that the Altrincham Garrick Playhouse have undertaken in performing this epic tale. For those unfamiliar with the story, the play relays the story of Blanche Dubois (Kathryn Worthington) who arrives in New Orleans from Laurel, Mississippi having been given “a leave of absence” from her teaching role. She moves into her sister Stella’s apartment (Fiona Primrose) in the unbearable heat of New Orleans that she shares with Stella’s husband, the formidable Stanley Kowalski (Matthew Barnell). The antagonistic relationship between Blanche and Stanley from the moment she arrives in New Orleans provides the audience with a relationship that is uneasy to watch yet at the same time, extremely hard not to watch. Kathryn Worthington must be applauded for her excellent performance as Blanche Dubois, Stella’s estranged sister. Her portrayal of Blanche as a vulnerable woman from Mississippi, desperate to be loved and accepted by all was phenomenal. Her character crumbles as the play progresses and her fragility is heightened when finally, her sanity is questioned towards a dramatic ending. Worthington displays an almost “musical” southern states accent and her portrayal of Blanche's happy go lucky, innocence versus her deep-rooted insecurities was executed to perfection. Fiona Primrose, who portrayed the part of the dutiful wife Stella Kowalski, in some ways demonstrated the hopelessness of a woman in this era. Primrose displayed the internal struggle to fight the desperation to please her husband whilst battling with her need to provide Blanche with stability, love and understanding. Primrose demonstrated clearly to the audience that she was in turmoil between her need to protect Blanche and her duty to stay married to Stanley, even when violence ensued. Primrose’s representation of the character was exemplary. Matthew Barnell gave a solid performance as Stanley Kowalski and his unwavering masculinity, anger, pride and insistence on consistently being “top dog”. The poker scenes were well executed, and the drunken behaviour made it clear to the audience that whatever state Stanley Kowalski was in he always was to be “the man in charge.” With an abundance of stage presence, Barnell ensured Stanley was viewed as man hard to love, even by his friends at times. The set and staging worked very well in that it was consistent throughout. Impressive that even the bathroom which was a key reference point (and in reality, actually only showed the actors walking in and out of a door) demonstrated how well this was carried out. The various areas on stage were all meaningful to the entire play so it was a positive decision that they appeared to be fluidly utilised. The outside of the apartment of a noisy New Orleans and the inside of the apartment were closely connected which was key to the entire play. The deterioration of Blanche's mental health was also displayed by the clever use of jazz music on the set and Christine Mills on sound designed by director John Cunningham must be congratulated for this. The music continued during Blanche's eventual demise but eventually the sounds were almost entirely only experienced by Blanche. It did not go unnoticed that even the sound of the doorbell on set needed to be executed to perfection. A Streetcar named Desire is a story about types of love alongside fantasy versus the harsh reality of society. It is evident that Director John Cunningham has produced another fabulous piece of theatre and must be congratulated. It is no easy feat to produce such an iconic piece of theatre and A Streetcar Named Desire has given a much loved play a very positive nod. A play that is as thrilling to watch as it is uncomfortable, if you are a fan of this classic play by Tennessee Williams it is essential viewing for sure. An excellent production. Reviewed: 15th November 2021 Rating: ★★★★★ Rick Bowen - Stagestruck Director John Cunningham and his cast take the audience on an emotional journey in a captivating and at times touching and deeply moving production of this American classic. Unless you don’t have a heart, it’s impossible not to be affected by what unfolds on stage, in this absorbing piece of theatre from the pen of the great Tennessee Williams. Watching the play is draining at times, so goodness knows what performing it must be like for a tight knit and talented cast who make it their mission to make sure not a word of the wonderful Williams dialogue isn’t wasted. Blanche goes to stay with her sister, Stella, in the seedily seductive French quarter of New Orleans, where she finds her sibling living in a dingy two bedroom flat with her husband, Stanley. It’s a strange set up because the family has known the meaning of the word ‘affluence’ in the past and mystery surrounds just what happened to the former family home. Stanley quickly resents having Blanche around, with what he sees as her dubious past and irritating airs and graces. She compares the self-proclaimed king of his castle to an ape, branding him ‘common.’ But that really is an insult to our closest relatives. While I was naturally repulsed by the way Stanley treats his visitor and women in general, maybe I’m being a little too 21st century about it and ignoring the fact there were and surely still are many men like him who make the lives of those around them utterly miserable. Cunningham’s accomplished direction has drawn out fine performances from Matthew Banwell as Stanley and Kathryn Worthington and Fiona Primrose as Blanche and Stella, who evoke an authentic and endearing sisterly bond on stage. I also liked Paul Cuddy as Mitch, one of Stanley’s poker player pals who is by far the most gentlemanly of a motley crew. Cuddy ensures you feel for Mitch as he attempts to woo Blanche as she toys with his affection. Don’t miss this memorable production of an all American classic. Exceptional. Star rating **** Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production An Ideal Husband Ran Invalid Date - Feb 8, 2014 Age guidance Venue Running time Tickets Price Range Description Sir Robert Chiltern is a successful government minister well-off and with a loving wife. This is threatened when Mrs. Cheveley appears with evidence of a past misdeed. [gallery columns="7" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/ideala.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/idealb.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/idealc.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/idealn.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/ideald.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/idealf.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/idealg.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/idealh.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/ideali.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/idealj.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/ideale.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/ideall.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/idealk.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/idealm.jpg|"] CAST Geoff Noar as The Earl of Caversham,KG John Keen as Sir Robert Chiltern Bryn Thomas as Lord Goring Ros Greenwood as Lady Chiltern Ali Davenport as Mrs. Cheveley Sarah Leigh as Mabel Chiltern Sandra Thomas as Lady Markby Kirsty Hogarth as Lady Basildon Ruth Phelan as Mrs. Marchmont Stuart Bilson as Mr.Montford/ Phipps Craig Barrett as Viscount De Nancjac /James the footman Mark Rowlands as Mason (Butler to Sir Robert Chiltern) Sale & Altrincham Messenger's Review by Rick Bowen The Ideal night out - sparkling Wilde comedy at the Garrick Do you ever wonder what Oscar Wilde, had he been alive today, would have made of the recent MPs expenses scandal? He would have had a field day with it. By contrast I think he's rather gentle with Robert Chiltern, a man who's built his political career by selling a Cabinet secret. You feel Wilde, a man who likewise didn't play by society's rules, wants Chiltern to salvage his marriage and cling on to his spotless reputation in?An Ideal Husband. This sparkling comedy is currently being staged at Altrincham Garrick and is for me, the society's best production of the season to date. John Keen and Ros Greenwood are exceptional as the under fire Chilterns and there are some priceless one liners to enjoy, most of which are delivered by the gloriously irreverent and ruthlessly cutting Lord Goring, played to perfection by Bryn Thomas. The exchanges between him and his father The Earl of Caversham (Geoff Noar) are pure comedy gold. But the performance of the evening comes from the elegant Ali Davenport as the blackmailer Mrs Laura Cheveley. Watching Chiltern squirm in her presence is a real pleasure but this is a woman who, as we later discover in the play, can't lay claim to the moral high ground. This is a masterpiece but you must be prepared to listen. Otherwise you'll miss some brilliant, brilliant lines. Star Rating ★★★★ Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Previous Next Nick Johnson Nick was one of the real characters at the Garrick, who joined in the early 1960's. His forte was comedy, and he was outstanding in numerous plays such as Hay Fever , How the Other Half Loves , Having a Ball , Hobson's Choice , Lettice and Lovage , and An Ideal Husband . He was also a talented writer, writing and performing in many shows and cabarets, some of which he produced in the Garrick bar to raise funds for the STAGE Appeal. These were often zany events, but always highly entertaining. Even after he had his leg amputated, he still performed and was able to access the stage via the lift from the dressing room installed after the 1999 renovation. Nick was a great patron of the bar, where his conversations were always highly amusing. He is fondly remembered for his sense of humour and his indomitable spirit despite his handicap. Back to In Memoriam page

Garrick Production The History Boys - By Alan Bennett Set in the 1980's, The History Boys is a coming of age story about a group of 6th formers. Ran Sep 16, 2024 - Sep 21, 2024 Age guidance 14 + Venue Main House Running time TBC Tickets Price Range £10.50 - £16.50 Description Written by Alan Bennett Directed by Su Mowat Set in the 1980's, The History Boys is the story of a group of bright, funny and unruly sixth-formers in pursuit of sex, sport and a place at university. Their maverick English teacher is at odds with the young and shrewd supply teacher, whilst their headmaster is obsessed with results and league tables. Staffroom rivalry and the anarchy of adolescence overflow, provoking not only universal questions about the nature of history and how it is taught but also questions about the purpose of education today. Their A Levels may be over, but the real learning has just begun… Celebrating it’s 20th Anniversary and hailed as “one of the finest plays Alan Bennett has ever written”, The History Boys opened at the National Theatre in 2004 to rave reviews, a sell-out run and went on became one of their biggest ever hits, winning over 30 major awards including the Olivier and Tony Awards for Best New Play. In a recent national survey this comic masterpiece was voted the nation’s favourite play. Reviews “Alan Bennett’s multi award winning play launches the Garrick’s season in spectacular fashion and the curtain call at the end made me feel I was at a pop concert. The noise, the out pouring of appreciation from the audience very nearly lifted the theatre roof off.” - Rick Bowen Read the full review by StageStruck https://www.stagestruck.info/blog “At its best, The History Boys is thought provoking and challenging. This production is just that….. Audiences still crave an accomplished The History Boys production. The Garrick Playhouse have, once again, delivered.” - Peter Ruddick North West End UK Gallery Trailer Trigger Warning This play contains strong language and adult themes, including sexual misconduct and discussions about sensitive historical events. Documents related to this Production View the Programme View the Advertising Poster

Altrincham Garrick Playhouse is committed to protecting personal information. This Privacy Policy relates to our use of any personal information we collect. Terms and Conditions T&C’s for Sale of Tickets GDPR Privacy Policy Health and Safety Policy Child Protection Policy The Altrincham Garrick Playhouse Privacy Policy Altrincham Garrick Playhouse is committed to protecting personal information. This Privacy Policy relates to our use of any personal information we collect. Our Privacy Policy relates broadly to these groups of people: Audience : the people who attend our shows, visiting shows and events and/or have requested information about the theatre Friends : people who pay a subscription to the Altrincham Garrick Society Supporters : people who are support the activities of the Society in a particular way. 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GAPA Members : We will use your information as and when required to contact you for Garrick Academy of Performing Arts such as subscriptions, rehearsals, summer school, productions, ticket offers, newsletters, auditions, changes of dates, nominations. Under 18s will be contacted via their parents. We will not share your information with other third parties without your consent. Your name, and possibly photograph and biography may appear in newsletters or show programmes, website or other publicity relating to a production you are involved in. Your information may be shared with committee members, staff and heads of departments for use in ?legitimate interest? and in line with GDPR regulations. Please be aware that our show programmes, website and publicity are public documents and that our newsletters are shared with supporters of the theatre. We will not share your information with other third parties without your consent. How we use information held by our Box Office Systems The Box office at Altrincham Garrick process tickets and sales by telephone, by email, by post and in person. Processing tickets may display your name, address, email address and telephone number. For reporting purposes, we may interrogate data held in the box office to inform our business planning but personal data will not be shared with any third parties. We may hold your personal details in our records in case we need to contact you with further information if there is a change to performance details, for example. Tickets booked via the website are linked to Tickets.com. You can find details of their Privacy Policy here . Security We put in place reasonable security measures to protect against any unauthorised access or damage to, or disclosure or loss of, your information Your Rights Audience, Friends, Supporters, Staff, Committees and GAPA Please let us know if your information changes as it is important that the information we hold about you is accurate and up to date. You have the right to request a copy of all the information we hold about you in a Subject Access Request. To do this, simply write to us at the address below. We will take all reasonable steps to confirm your identity before providing you with details of any information we may hold about you. You can ask us to remove your information from our records at any time and cease any further communication. You can do this by writing to the address below. Friends, Supporters, Committees and GAPA We will keep your information indefinitely after you remain an active Friend, Supporter, sit on a Committee or are a member of GAPA. We keep your information because you may resume your connection with and take part again in our activities. However, you can ask us to remove your information from our records at any time and we will do so and stop sending you any further communications. You can do this by writing to the address below. Changes to our Privacy Policy We may amend this Privacy Policy from time to time; for example, to keep it up to date or to comply with legal requirements. If there will be any significant changes made to the use of your information in a manner different from that stated, we will seek your permission first. How to Contact Us For any questions or concerns relating to this Privacy Policy or our data protection practices, or to make a Subject Access Request, please contact us in one of these ways: By email admin@altrinchamgarrick.co.uk By post Operations Director Altrincham Garrick Theatre Barrington Road Altrincham WA14 1HZ This page was updated on 8 September 2022 by HFE. 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Garrick Production Punk Rock Altrincham Garrick STUDIO 2025/26 Season - A Series of Manc Plays Ran Jun 9, 2026 - Jun 14, 2026 Age guidance 16+ Venue STUDIO Theatre Running time TBC Tickets Price Range £13 - £15 Description Written by Simon Stephens Directed by Meg Brassington “I hate normal people. Normal people should be eviscerated.” Tucked away in a library in a Stockport grammar school, half-a-dozen sixth formers, on the cusp of adulthood, are whiling away the hours… A clatter of teenage thoughts tumble out between the friends. Dreams of Oxbridge, contempt for the locals and of course: sex, sex, sex. But as exams approach and pressures rise, real brutality emerges from behind their playful barbs. And soon there is nothing left but violence. From Manchester power-house playwright, Simon Stephens, Punk Rock is a brutal and urgent examination of contemporary adolescence. Intelligent. Articulate. F***ed. Age Guidance: 16 + Warning: This production contains strong and offensive language, and discussions of self-harm, sexual abuse, racism, homophobia, ableism, body shaming, gun violence, murder, and mental health issues. Reviews ⭐️⭐️⭐️⭐️⭐️ 5 STARS! "It provides a fittingly powerful conclusion to an outstanding Studio season and confirms once again that the Garrick's investment in young talent continues to pay remarkable dividends." – Paul Wilcox, North West End UK Click HERE to read the full review Gallery Trailer Trigger Warning Warning: This production contains strong and offensive language, scenes of extreme violence, and discussions of self-harm, sexual abuse, racism, homophobia, ableism, body shaming, murder, and mental health issues. Documents related to this Production View the Programme View the Advertising Poster

Garrick Production The Price Ran Invalid Date - Dec 16, 2013 Age guidance Venue Running time Tickets Price Range Description One of Arthur Miller's best plays. In a soon-to-be-demolished family house in New York two brothers meet again after many years to dispose of their dead parents' property. Solomon, a phenomenon, a man nearly ninety but with an air of authority and straight-backed still, finds himself in the middle of an uneasy reunion. The two brothers are estranged and haunted by the memory of the American Depression. The brothers' confrontation leads them to examine the events and qualities of their very different lives, and the price that each of them has had to pay. An intelligent play by the greatest living dramatist in the English language. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Gasping Ran Invalid Date - Dec 16, 2013 Age guidance Venue Running time Tickets Price Range Description Ben Elton's first play is a fast-moving, witty satire of big business. "Lockheart Industries are making senior money. If God wanted to buy into their stock, he'd have to think twice and talk to his people. They have a profit curve wound so far round the room it looks like a Blue Peter Christmas Appeal". But they're bored, they want more. New ideas, new products - the next Pot Noodle! That's when whizzkid Philip comes up with Suck and Blow... Designer air! Perrier for the nostrils! Thanks to sassy advertising exec, Kirsten, the machines are a huge success, and sales massively exceed all projections. But when the world starts gasping, only the biggest suckers survive..." As one reviewer said, "a very British look at man?s effect on the earth. It had me laughing from beginning to end". CAST Mark Butt as Philip Caroline Hickey as Kirsten Matt Stead as Sandy David Reynolds as Sir Chiffley Lockheart Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

The Altrincham Garrick Playhouse recognizes its duty of care under the Children and Young Persons Act 1963, the Child (Performances) Regulations 1968, the Protection of Children Act 1999 and the Criminal Justice and Court Services Act 2000. Child Protection Policy T&C’s for Sale of Tickets GDPR Privacy Policy Health and Safety Policy Child Protection Policy The Altrincham Garrick Playhouse recognizes its duty of care under the Children and Young Persons Act 1963, the Child (Performances) Regulations 1968, the Protection of Children Act 1999 and the Criminal Justice and Court Services Act 2000.The society recognizes that abuse can take many forms, whether it be physical abuse, emotional abuse, sexual abuse or neglect. The society is committed to practice which protects children from harm. All members of the society accept and recognize their responsibilities to develop awareness of the issues which cause children harm. The society believes that: The welfare of the child is paramount; All children, whatever their age, culture, disability, gender, language, racial origin, religious beliefs and/or sexual identity have the right to protection from abuse; All suspicions and allegations of abuse should be taken seriously and responded to swiftly and appropriately; All members and employees of the society should be clear on how to respond appropriately. The society will ensure that: All children will be treated equally and with respect and dignity; The welfare of each child will always be put first; A balanced relationship based on mutual trust will be built which empowers the children to share in the decision making process; Enthusiastic and constructive feedback will be given rather than negative criticism Bullying will not be accepted or condoned; All adult members of the society provide a positive role model for dealing with other people; Action will be taken to stop any inappropriate verbal or physical behaviour; It will keep up-to-date with health & safety legislation; It will keep informed of changes in legislation and policies for the protection of children; It will undertake relevant development and training; It will hold a register of every child involved with the society and will retain a contact name and number close at hand in case of emergencies. The society has child protection procedures which accompany this policy. This policy should also be read in conjunction with the society’s Theatre Handbook and Health & Safety Policy. The society has a dedicated Child Protection Officer, who is in charge of ensuring that the Child Protection policy and procedures are adhered to. This policy will be regularly monitored by the Executive Committee of the society and will be subject to annual review. Child Protection Procedures Responsibilities of the Society At the outset of any production involving children the society will: Undertake a risk assessment and monitor risk throughout the production process; Identify at the outset the person with designated responsibility for child protection; Engage in effective recruitment of chaperones and other individuals with responsibility for children, including appropriate vetting (if necessary in consultation with the local education authority); Ensure that children are supervised at all times; Know how to get in touch with the local authority social services, in case it needs to report a concern. Parents The society believes it to be important that there is a partnership between parents and the society. Parents/guardians are encouraged to be involved in the activities of the society and to share responsibility for the care of children. All parents will be given a copy the society's Child Protection Policy and procedures .All parents/guardians have the responsibility to collect (or arrange collection of) their children after rehearsals or performances. It is NOT the responsibility of the society to take children home. Unsupervised Contact The society will attempt to ensure that no adult has unsupervised contact with children. If possible there will always be two adults in the room when working with children. If unsupervised contact is unavoidable, steps will be taken to minimize risk. For example, work will be carried out in a public area or in a designated room with a door open. If it is predicted that an individual is likely to require unsupervised contact with children, he or she may be required to obtain a criminal record disclosure. Physical Contact All adults will maintain a safe and appropriate distance from children. Adults will only touch children when it is absolutely necessary in relation to the particular activity. Adults will seek the consent of the child prior to any physical contact and the purpose of the contact shall be made clear. Managing sensitive information The society has a policy and procedures for the taking, using and storage of photographs or images of children. Permission will be sought from the parents/guardians for use of photographic material featuring children for promotional or other purposes. The society’s web-based materials and activities will be carefully monitored for inappropriate use. The society will ensure confidentiality in order to protect the rights of its members, including the safe handling, storage and disposal of any sensitive information such as criminal record disclosures. Suspicion of abuse If you see or suspect abuse of a child while in the care of the society, please make this known to the person with responsibility for child protection. If you suspect that the person with responsibility for child protection is the source of the problem, you should make your concerns known to the Chairman. Please make a note for your own records of what you witnessed as well as your response, in case there is follow-up in which you are involved. If a serious allegation is made against any member of the society, chaperone, venue staff etc., that individual will be suspended immediately until the investigation is concluded. The individual will be excluded from the theatre; rehearsal rooms etc. and will not have any unsupervised contact with any other children in the production. Disclosure of abuse If a child confides in you that abuse has taken place: Remain calm and in control but do not delay taking action. Listen carefully to what has been said. Allow the child to tell you at their own pace and ask questions only for clarification. Don’t ask questions that suggest a particular answer. Don’t promise to keep it a secret. Use the first opportunity you have to share the information with the person with responsibility for child protection. Make it clear to the child that you will need to share this information with others. Make it clear that you will only tell the people who need to know and who should be able to help. Reassure the child that they did the right thing in telling someone. Tell the child what you are going to do next. Speak immediately to the person with responsibility for child protection. It is that person’s responsibility to liaise with the relevant authorities, usually social services or the police. As soon as possible after the disclosing conversation, make a note of what was said, using the child’s own words. Note the date, time, any names that were involved or mentioned, and who you gave the information to. Make sure you sign and date your record. Recording In all situations, including those in which the cause of concern arises from a disclosure made in confidence, the details of an allegation or reported incident will be recorded, regardless of whether or not the concerns have been shared with a statutory child protection agency. An accurate note shall be made of the date and time of the incident or disclosure, the parties involved, what was said or done and by whom, any action taken to investigate the matter, any further action taken e.g. suspension of an individual, where relevant the reasons why the matter was not referred to a statutory agency, and the name of the persons reporting and to whom it was reported. The record will be stored securely and shared only with those who need to know about the incident or allegation. Rights & Confidentiality If a complaint is made against a member of the society he or she will be made aware of their rights under the society's disciplinary procedures. No matter how you may feel about the accusation, both the alleged abuser and the child who is thought to have been abused have the right to confidentiality under the Data Protection Act 1998. Remember also that any possible criminal investigation could be compromised through inappropriate information being released. In criminal law the Crown or other prosecuting authority has to prove guilt and the defendant is presumed innocent until proven guilty. Accidents To avoid accidents, chaperones and children will be advised of ‘house rules’ regarding health and safety and will be notified of areas that are out of bounds. Children will be advised of the clothing and footwear appropriate to the work that will be undertaken. If a child is injured while in the care of the society, a designated first-aider should administer first aid and the injury will be recorded in the society’s accident book. This record will be counter-signed by the person with responsibility for child protection. If a child joins the production with an obvious physical injury a record of this will be made in the accident book. This record will be counter-signed by the person with responsibility for child protection. Criminal Record Disclosures If the society believes it in is in its best interests to obtain criminal record disclosures for chaperones or other personnel it will inform the individual of the necessary procedures and the level of disclosure required. An Enhanced disclosure will be required. The society will have a written code of practice for the handling of disclosure information and aim to prevent misuse. Chaperones Chaperones will be appointed by the society/appointed persons for the care of children during the production process. By law the chaperone is acting in loco parentis and should exercise the care which a good parent/guardian might be reasonably expected to give to a child. The maximum number of children in the chaperone’s care shall not exceed 12. Potential chaperones may be required to supply photographic proof of identity and two references from individuals with knowledge of their previous work with children, unless already well known to the society. They may also be asked to sign a declaration stating that there is no reason why they would be considered unsuitable to work with children. Chaperones will be made aware of the society’s Child Protection Policy and Procedures. Where chaperones are not satisfied with the conditions for the children, they should bring this to the attention of the director/stage manager. If changes cannot be made satisfactorily the chaperone should consider not allowing the child to continue. If a chaperone considers that a child is unwell or too tired to continue, the chaperone must inform the director/stage manager and not allow the child to continue. No child of compulsory school age is permitted to do anything which may endanger life or limb. This could include working on wires or heavy lifting. Chaperones should tell the director/stage manager to cease using children in this way, and should contact the local authority. During performances, chaperones will be responsible for meeting children at the stage door and signing them into the building. Children will be kept together at all times except when using separate dressing rooms. Chaperones will be aware of where the children are at all times. Children are not to leave the theatre unsupervised by chaperones unless in the company of their parents/guardians. Children will be adequately supervised while going to and from the toilets. Children will not be allowed to enter the adult dressing rooms. Chaperones should be aware of the safety arrangements and first aid procedures in the venue, and will ensure that children in their care do not place themselves and others in danger. Chaperones should ensure that any accidents are reported to and recorded by the society. Chaperones should examine accident books each day. If an accident has occurred, the producer is not allowed to use that child until a medically qualified opinion has been obtained (not just the word of the parent or child). Chaperones should have written arrangements for children after performances. If someone different is to collect the child, a telephone call should be made to the parent/guardian to confirm the arrangements. Children should be signed out when leaving and a record made of the person collecting. If a parent has not collected the child, it is the duty of the chaperone to stay with that child or make arrangements to take them home. This policy is applicable to and focuses on, children of compulsory school age and below. A child is required to attend school unless they are over the age of 16 on 31st of August, or until the last Friday in June after their 16th birthday. Join our mailing list Subscribe

Previous Next George Howard George was an accountant with Altrincham accounting firm Allen, Mills, Howard. He became heavily involved with the Garrick, alongside his wife Rita, and from the 1960s onwards he was an enthusiastic member of the Social Committee that ran numerous events each year. He famously organised two raffles to raise money for the building fund, with the first prize each time being a BMC Mini car. In addition he helped the Executive apply for numerous grants. He worked as Front of House manager in the 1980s, and was Treasurer to the Executive Committee from the 1980s until his death in 1992. Back to In Memoriam page

Visiting Production Manchester Tenor Martin Toal's - A Night at the Summer Proms Date range Tickets £18 - £22 Age guidance Venue Main House Trigger warning Find out more Book now Running time TBC Group bookings Find out more Accessibility Find out more MANCHESTER TENOR MARTIN TOAL’s A NIGHT AT THE SUMMER PROMS INCLUDING FAVOURITE SONGS, MUSIC & DANCE FROM THE WORLD OF OPERA, MUSICALS & POP, AND CONCLUDING WITH A LAST NIGHT OF THE PROMS AUDIENCE SINGALONG Manchester tenor Martin Toal brings you his ever-popular one night only summer concert of favourite songs, music and dance from the world of opera, musicals and pop, concluding with a singalong and flag-waving Last Night of the Proms Finale! Returning as Martin’s special guests are Lord of the Dance fiddle player Richard Sanderson, stunning soprano Millie Royle, and after an absence of three years, the children’s choir of All Saints RC Primary school. And Martin is delighted to announce that appearing for the first time in his concert will be the brilliant LA School of Dance. Performing at the highest level since 2003, tenor Martin Toal is a top class vocalist and entertainer who has sung at all the major UK sporting venues including Old Trafford & the Etihad in Manchester, Headingley and Elland Road in Leeds, and Twickenham & Wembley in London! He has performed with some of Europe’s top artists including fellow tenor Alfie Boe, sopranos Lesley Garrett and Laura Wright, and Ireland’s Chris de Burgh who described Martin’s voice as “phenomenal”. Book early to avoid disappointment! “His beautiful voice and perfect expression sometimes brought tears to your eyes but just as you were feeling totally carried away with the romance of it all, he would switch to a foot-tapping rendition of La Donna e Mobile and instantly change your mood". (Concert review by Julia Taylor) Visiting Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Previous Next Audrey Skinner (née Lawson) Audrey's main contribution to the Garrick was on-stage, portraying many larger-than-life characters in both comedic and serious roles for many years. She and her husband Mike were fully involved in the social life of the theatre until they moved away from Altrincham in the late 2000s. Audrey proudly won the competition to invent a catchy name for the fund raising effort in the early 1990's (to raise funds for the theatre renovation). She came up with the S.T.A.G E APPEAL : Support The Altrincham Garrick Enterprise Appeal. Her prize? A bottle of bar steward Gerry Turnock 's champagne ! Back to In Memoriam page

Garrick Production Rough Justice Ran Invalid Date - Dec 11, 2013 Age guidance Venue Running time Tickets Price Range Description No information available at this time Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production The Cemetary Club (sic) Ran Jan 31, 2000 - Feb 5, 2000 Age guidance Venue Running time Tickets Price Range Description By: Ivan Menchal Directed By: Bill Clancy THE GOLDEN GIRLS - Ida, Lucille and Doris are - The Cemetary Club (sic). Every month they meet at Ida's to go and visit their respective husbands, graves. They gossip, bitch a little and prepare to become joint bridesmaids at a friend's umpteenth wedding and ... prepare for the future. A delightful comedy of romance. CAST Maureen Casket Leila Glancy Adele Singer Roger Metcalfe Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Kafka's Dick Ran Invalid Date - Dec 16, 2013 Age guidance Venue Running time Tickets Price Range Description It is 1919 and the tubercular Kafka insists that best friend Max burn all his writings after his death. Max, of course, goes on to publish Kafka's work and also writes Kafka's biography - thereby setting the ball rolling on the subsequent Kafka hysteria. We are transported to present day and the sitting room of Sydney, a Kafka-besotted insurance agent who is working on his "definitive" article on Kafka for the Journal of Insurance Studies, while his sexually frustrated wife, Linda, stares morosely out of the window and his elderly father is reading up on current affairs in his effort to convince social workers and family that he isn't gaga. If you have enjoyed Bennett on the small (or large) screen, this will give you greater insight into one of our finest contemporary (and Northern) writers. It is well worth the while and yes, the title means what you think. Poor Kafka, overendowed with paranoia, underendowed with ... CAST Mark Butt as Kafka Trevor McKie as Brod Caroline Hickey as Linda Allan Taylor as Father David Beddy as Sydney Martin Oldfield as Hermann K Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Previous Next Jim Luckett Jim was a member of the Garrick for over 35 years, starting in the 1950s. He was an Honorary Life Member and a very hard-working volunteer, having served on most committees both Front of House and Backstage, as well as appearing in many plays. He won a Manchester Evening News Oscar in 1960 for his performance in Hot Summer Night and also appeared in The Rainmaker, which was the first Garrick play to win MEN's "Best Play" Oscar in 1958. This was a time when the MEN took a keen interest in amateur theatre ... sadly no longer the case. Back to In Memoriam page

Garrick Production The Quest Ran Jan 4, 1915 - Jan 4, 1915 Age guidance Venue Running time Tickets Price Range Description By Matthew Boulton CAST Nixon, Walter S Noble, Miss May Slinn, Ella Wilkinson, John Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Altrincham Garrick Show Choir In Concert Ran Invalid Date - Jun 13, 2023 Age guidance Venue Running time Tickets Price Range Description After the huge success of Altrincham Garrick Show Choir's first Main Stage Concert last year, they are returning to the stage bigger and better to bring you a choral journey through musical favourites from Film and Stage. This Concert is packed with show stopping songs from some of the very best smash hit musicals; from Chess, & Juliet, Waitress, Come From Away, Chitty Chitty Bang Bang, Fiddler on the Roof and many, many more! The evening will also be host to a professional guest soloist and a live band. Come and enjoy and celebrate all things musical! Guaranteed to have you leaving the Theatre on a musical high. Our reasonably priced bar will be open before, during the interval and after the show. Free car park for customers and in easy walking distance of Altrincham and local tram and train stations. So what are you waiting for? BUY YOUR TICKETS NOW! Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Previous Next Marion Eaves Marion was a nurse by profession, so she brought a demeanour of calm and super efficiency to her Garrick volunteering role as a member of the Props team. She worked closely with John Newton, and some referred to them as 'The Dynamic Duo'. Marion worked for over 30 years from the early 1990's, on countless productions and was also occasionally an ASM. Her contribution to the success of productions on stage cannot be over emphasised. Though generally quiet and reserved, she took a full part in all the social activities at the theatre. Back to In Memoriam page

Garrick Production The Winslow Boy Ran Nov 14, 2011 - Nov 19, 2011 Age guidance Venue Running time Tickets Price Range Description England 1912. Based on a real life legal case, the play concerns 13 year old cadet Ronnie Winslow, who is expelled from military college for the theft of a five shilling postal order. His father, believing in his son's innocence and moreover that the boy has not received a fair hearing, will not let the matter lie. He embarks on a case that will last several years and becomes the source of much attention from the press and public with some admiring Winslow's perseverance and others perplexed by his unwillingness to drop what they see as a trivial matter, especially given what is brewing in Europe. Set in the years leading up to the First World War, the play has a familiar English drawing room feel. There is a sense of events taking place during a brighter, better time that exists no longer, and this is echoed in the light, airy set - but it is also an utterly compelling piece of theatre. CAST Ronnie Winslow - Daniel Shaw Grace Winslow - Jane Marsh Arthur Winslow - David Reynolds Catherine Winslow - Ali Davenport Dickie Winslow - Chris Mawson John Watherstone - Jon White Desmond Curry - David Ades Miss Barnes - Sandy McGuire Freda - Di Boyer Sir Robert Morton - Martin Oldfield Violet - Lindsey Andrews Reviews Review by Rick Bowen in the Sale & Altrincham Messenger Blood is Thicker Than Water in The Winslow Boy The crime that gets Ronnie Winslow kicked out of naval cadet school wouldn't raise any eyebrows these days. What does make an impression when watching The Winslow Boy is the way his family fight like tigers to clear his name. Particularly his father, Arthur, whose appetite for the struggle remains undiminished even when his health starts failing him. There are some touching scenes between Ronnie and his dad, a character hopelessly set in his ways and these are perfectly played by Daniel Shaw and David Reynolds in Altrincham Garrick's latest production. David has the sort of voice I could listen to for hours and they look and sound like a real father and son. The Winslow Boy tells an uplifting story at a sedate pace and there are some wonderful lines in Rattigan's thoughtful and at times witty script. In Catherine Winslow, Ronnie's sister, the writer gives us a woman who dares to speak her mind in an age where many were still subservient to the men in their life. For me, this is Ali Davenport's best performance to date on the Garrick stage and Catherine memorably clashes with cold fish of a lawyer Sir Robert Morton, played by Martin Oldfield. I'm rapidly coming to the conclusion that this man is incapable of a bad performance. The Winslow Boy is based on a true story which ends far more sadly than this hugely enjoyable play. Star Rating ★★★★ Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Bronte Ran Invalid Date - Jun 29, 2018 Age guidance Venue Running time Tickets Price Range Description A PLAY VIVIDLY EVOKING THE LIVES OF THE BRONTES Three actresses, in modern dress, are discussing the Brontes and their work. As they don their costumes, they assume the identities of Charlotte, Emily and Anne. A revealing story, which moves back and forth in time, it attempts to show the difficulties the writers had in their private and literary lives. Some of the characters from their novels also appear occasionally to add to the mystique of the family. Their poor health lead to the untimely deaths of the sisters and their brother, Branwell, who also features in this modern yet historical drama. This Production is proudly sponsored by [gallery ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_1478.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_1499.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_2084.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_1960.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_1872.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_1851.jpg|"] CAST Patrick, Rochester & Helgen - Andrew Higson Charlotte - Parissa Zamanpour Anne - Portia Dodds Emily - Amy Harris Branwell, Heathcliffe - Anthony Morris Bertha, Cathy - Marcella Hazel Review by Rick Bowen for Stagestruck CHARLOTTE, Emily and Anne Bronte dream pf literary fame, three disarmingly decent Yorkshire lasses living with their clergyman father on the cusp of the bleak but beautiful moors. It’s impossible not to warm to them, thanks to the engaging and heart-felt performances given by Parissa Zamanpour, Amy-Lou Harris and Portia Dodds. When tragedy strikes, you will, unless you have a heart of stone, feel like you’ve undergone a bereavement. For these are performances full of warmth and intensity that give you no option but to care and care deeply about what happens to them. They feel like our very own siblings. Add a jealous, drunken brother who shares his sisters’ desire to have his writings published and you have the recipe for an evening of theatre that’s totally compelling and at times, deeply moving. Anthony Morris is perfect as this tortured soul, staggering about the stage in a haze of booze fuelled self-pity. We also are treated to extracts from the string of classics that proved to be the Bronte sisters legacy, my favourite being the scene from Jane Eyre in which Jane confronts the now blind Mr Rochester, expertly played by Andrew Higson, whose equally at home as the Bronte’s clergyman father, Patrick. Marcella Haze also impresses in the roles of Cathy and Bertha. nThe success of this rich and captivating production ultimately rests with its director/designer Barry Purves who serves up something that wouldn’t look out of place on a professional stage. His set is starkly atmospheric and the opening of Polly Teale’s piece breathtaking. Which begs the question why were there empty seats on Tuesday night? It was a travesty and my only hope is the box office will be doing very brisk business once word gets out as to just how good Bronte is. Brilliant - another major triumph for Altrincham Garrick. Star rating ★★★★★ Review by Julia Taylor for MessengerNewspapers THE success of The Garrick’s Bronte by Polly Teale s down to the smooth blending of fact with fiction and moving effortlessly through time. It’s about the creativity of the Bronte siblings and their relationship with each other. In this case they are not the gentle sisters usually portrayed but are full of melodramatic passion which goes for their brother, too. Their books were written at a time when women writers were frowned upon yet the sisters light the spark of genius. This is the time when brother Branwell returns home in disgrace after a passionate affair with his employer’s wife, and turns to the bottle. Charlotte and Emily write of fictional characters such as Bertha Rochester and Cathy Earnshaw who return to haunt them. These are the most difficult scenes in a difficult play to make convincing but Marcella Haze who plays them both, succeeds perfectly. The two leading novelists are played by Parissa Zamanpour as Charlotte and Amy-Lou Harris as Emily who convey well the differences in their characters. We also learn more about Anne Bronte who acts as peacemaker between her two warring sisters. She is played by Portia Dodds whose portrayal of her final illness and last visit to the seaside is sad. Andrew Higson is authoritative as Patrick Bronte, whose role reflects the patriarchal society in which they live, as well as three other characters. The roles of Branwell, Heathcliff and Arthur Huntingdon go to Anthony Morris whose passionate portrayal of the inebriated Branwell is unforgettable. Geoff Scullard’s lighting is exceptional especially when creating the effect of burning pages. This play could easily become confusing but director, Barry Purvis ensures that it never does. Star rating ★★★ ★ Review by Johanna Hassouna-Smith for Number 9 Polly Teale’s Bronte is based loosely on the lives of the famous Bronte sisters: Charlotte, Emily and Anne. Set in the small Yorkshire village of Hawarth in the 19th century, where the girls’ imaginations grow to become literary giants of their time, despite their secluded life with their father (the village pastor) and their over privileged brother, Branwell. The story tells their life of poverty as they struggle to become writers in a world dominated by male literary scholars and one where they have never been allowed to travel outside of their small village to explore the world. Teale’s depiction of the three sisters is cleverly told by cross-cutting between the real world of the sisters' lives and that of their famed characters. We see how the real life events helped to create the characters such as Charlotte’s time working as a nanny, being instrumental in her creation of the character of Jane Eyre. That said, there is a sense of the story jumping around in time and fiction a little too much as there are moments in the production which are difficult to place in the chronology of the story and can become rather confusing for the audience. I have to confess to that I am a novice to a Bronte novel, although I have seen Jane Eyre on stage, so this production was always going to teach me something. However, this wasn’t the reason for my confusion: the dialogue often refers to events which happen two scenes later and there was very little change in costume, setting or lights to give the audience some sense that time had lapsed or moved backwards. This must not be seen as a critique of the direction but the playwright as the actual script itself dictates so many changes in time and without written stage direction of changes in lighting states nor costume. I would have been interested to see how Teale herself directed it for Shared Experience Theatre Company when she first published the play in 2005. I think director, Barry Purves did a sterling job on this production and mustn’t be blamed for a sometimes cumbersome and confusing script. With a cast of only six, the performers had a really tough job as the dialogue was full of monologues and scenes dominated by the three quarrelsome sisters: Emily played by Amy-Lou Harris, Charlotte played by Parissa Zamanpour and Anne, by Portia Dodds. These three actresses proved their stage presence with commendable portrayals of the threesome. Zamanpour’s depiction of the passionate Charlotte was powerful and showed a bitter resentment toward the male dominated world she desperately wanted to break into. This was particularly apparent toward her brother Branwell, who was given all of the family’s wealth to make it big in London but squandered it on a frivolous lifestyle of alcohol and fancy goods. Branwell, played by Anthony Morris played a very good ‘drunk’ and his physicality of the role had the audience entertained and at other times gasping in horror that he may land on the laps of the front row audience! Although the middle sister Emily had a clear talent for writing, her gentle personality prevented her from wanting the fame of being known as a writer. In this role, Amy-Lou Harris had a sense of pathos for the character which was very easy to empathise with as the gentler, soft spoken sister. The youngest and lesser known of the Bronte sisters, Anne was depicted by Portia Dodds with a youthful innocence and charm, often lifting the lengthy script’s pace with her energy. All three performers had a wonderful rapport with one another and had the audience captivated throughout. Undoubtedly the most successful part of this production was the design. Everything was beautiful to watch. Even the stage laid bare before the house lights went down was full of the mystery of the West Yorkshire Moors, with a projected sky on the backcloth and an imposing tree stump on a raised level, centre stage. The atmosphere was ready to beckon Cathy and Heathcliffe at any moment as it looked and felt like a scene Wuthering Heights. The set design reference to books strewn across the stage created a contemporary air to the production and the opening scene of pages raining down on the actresses as they dressed themselves as the three sisters was absolutely stunning. The entire design team (of whom the list is understandably long), must be commended on all aspects of the design as this was what gave this production its professional quality. I must confess that I love the Altrincham Garrick Theatre and the quality of their productions never lets me down. From the brilliant direction and design team to the wonderful performers, this production did not disappoint and was the professional standard I have come to expect from recent shows. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Visiting Production House of Fun - The Ultimate 2Tone & Ska Revival Experience Date range Tickets £32 Age guidance - Venue Main House Trigger warning Find out more Book now Running time TBC Group bookings Find out more Accessibility Find out more The Ultimate 2Tone & Ska Revival Experience House of Fun is a full-throttle touring theatre show celebrating the sound, style and attitude of the UK’s legendary 2Tone and Ska era. This high-energy live show brings to life the iconic hits of Madness, Bad Manners, The Beat, The Specials, The Selecter, The Bodysnatchers and more. A vibrant, feel-goodnight at the theatre that captures the spirit of the movement and the excitement of a live gig. Whether you were there the first time around or you’re discovering 2Tone and Ska revival for the first time, expect non-stop dancing, hands-in-the-air choruses and serious feel-good vibes from start to finish. So dig out your sharpest suit, lace up your dancing shoes and get ready...Welcome to the House of Fun! Visiting Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Previous Next Terry Chandler Terry Chandler was a very well-known figure throughout Manchester dramatics, and the theatre is very proud that he called the Garrick "home". He performed on the Garrick stage many times, and will always be remembered for the role of Albin in La Cage Aux Folles , which became his from the first moment he pulled on his frock. La Cage Aux Folles was such a success that it was performed for a total of 8 times, due to unprecedented public demand. A Garrick record. Many in the audience came to multiple performances, often in fancy dress. The show created an electric atmosphere and the finale was always greeted by a standing ovation. Terry also performed his Albin at Oldham Coliseum. . Terry also served on the Executive Committee, and directed many plays and musicals at the Garrick and elsewhere. He won awards from NODA and GMDF both for acting and directing, and NODA established "The Terry Chandler Award for Best All Round Performer" in his memory. Terry died tragically too early, of a heart attack in 2008, leaving his wife Anne and daughter Laura to carry on his support for the Garrick. See also this tribute from the Manchester Evening News. Back to In Memoriam page

Activities & Events Octopia - Half Term Drama Workshop (WEDNESDAY) Date range Tickets £35 per day or £30 per day if book all 5 days in same transaction Age guidance 6 - 18 years Venue Rehearsal Room Trigger warning Find out more Book now Running time 6 hours per day - 10am to 4pm Group bookings Find out more Accessibility Find out more Octopia - October Half-Term: 26th - 30th October 2026 Looking for something to keep your kids entertained this October half term? Then sign them up to join us for Octopia Drama Club this Half Term – Fun, Creativity & Confidence! Each day is packed with theatrical adventures - music, movement, monologues, and more! Our GAPA Holiday Workshops inspire participants to explore their creative side while promoting teamwork in a safe and friendly environment . Students will learn drama skills, gain confidence, and most importantly, have fun! Workshop Details: 🎭 Open to students aged 6 – 18 🕙 Daily sessions: 10.00am – 4.00pm 💷 £35 per day OR book all five days and save £25! (You can sign up to half-term holidays for a day or for the full week) 📅 Dates: Monday 26th – Friday 30th October Activities & Events Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Previous Next Chris Wetherill Chris was yet another Garrick stalwart who did an immense lot of work in many areas of the theatre. Acting on stage was not his main contribution, although his participation in the bloodthirsty mob during The Scarlet Pimpernel will never be forgotten by those who were there. Chris was Chair of the Board of Trustees and an invaluable Executive Committee member, and he also worked in Lighting, Sound and Set Construction. His professional background in civil engineering helped enormously when such work at the Garrick was needed, and he was vital to the refurbishment of 1999. Chris project-managed the 1999 refurbishment, dealing with architects and contractors, completing the entire job on budget and in time. A miracle worker! The opening show of the refurbished Garrick was Camelot , as a tribute to the company running the National Lottery at the time, because they provided a large portion of the funding. Chris was also an accomplished trumpeter, and he was still scuba-diving when he and his wife Angie moved to Cornwall in his 60s. He is sorely missed. Back to In Memoriam page

Garrick Production Pennyroyal The Studio 2023/2024 Season - A Series of All Female Plays. Ran Jan 23, 2024 - Jan 28, 2024 Age guidance 14+ Venue Studio Running time 1 hour and 20 minutes with no Interval Tickets Price Range £12 - £14 Description “I think of my body sometimes like it's stubborn. We're not good friends. Like it's a spooky hotel, and I'm a ghost haunting it. 'Cause you don't live in a hotel, you just pass through.” When Daphne is diagnosed with Premature Ovarian Insufficiency at the age of nineteen, her sister Christine steps in to help in the only way she knows how: by donating her eggs. For a while, the world seems corrected. But as the years go by – and Daphne sets out on the long road of IVF – the sisters' relationship begins to twist. Pennyroyal is a heartrending new play by Lucy Roslyn about sisterhood and motherhood, enduring love, and regrets many years in the making. Inspired by Edith Wharton's 1922 novella The Old Maid , it premiered at the Finborough Theatre, London, in 2022. This play runs at 1 hour and 20 minutes with No Interval. Reviews 5 Stars from Rick Bowen at Stagestruck who describes the play as "Exceptional, a must see" To read the full review, CLICK HERE: https://www.stagestruck.info/blog/2024/1/23/pennyroyal-lauriston-studio Gallery Trailer Trigger Warning This production contains very strong language and some upsetting themes including infertility and IVF Treatment. Documents related to this Production View the Programme View the Advertising Poster

Previous Next Diana Provan (née Harker) Diana and her husband Joe joined the theatre in the early 1960s, and she soon proved her worth as a very talented actress. She presented many outstanding performances at the Garrick before moving on to professional theatre. She then returned to the Garrick some few years later to direct many of our plays, and once again her exceptional talent shone through with some wonderful productions. Wonderfully imaginative, artistic, dedicated and with a refusal to accept nothing but the best, she became a much loved character at the Garrick. Many actors considered Diana as the best person they ever acted with or performed for. Diana and Joe moved to their beloved Italy in the early 2000s when Joe retired, and lived there very happily, visited regularly by their children Jeremy, Julia and Nicholas and their respective families. Rick Bowen wrote this Tribute to Diana in the Sale and Altrincham Messenger in March 2013. Back to In Memoriam page

Garrick Production Rebecca Ran Invalid Date - Aug 12, 2013 Age guidance Venue Running time Tickets Price Range Description Maxim de Winter, still troubled by the death of his first wife Rebecca, falls in love with a shy ladies' companion. They get married, but on arriving at the country seat, Manderley, the second Mrs de Winter discovers that Rebecca still has a strong hold on everyone in the house, particularly on Mrs Danvers, the housekeeper, who begins driving the young wife to madness. A classic story which unfolds to a dramatic conclusion. CAST Frith Geoff Noar Beatrice Lacy Sarat Parker-Broughton Giles Lacy Victor Hassan Frank Crawley Steve Williamson Maxim de Winter Bryn G Thomas Mrs de Winter Emily Heyworth Mrs Danvers Celia Bonner Jack Favell Jason Dunk Colonel Julyan Michael Bullimore William Tabb John Westbrook Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

This page is part of the Booking Journey, for booking events and tickets at the Altrincham Garrick Playhouse. Your Basket Your selection Basket Checkout Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Garrick Production Little Shop of Horrors Ran Invalid Date - Feb 7, 2014 Age guidance Venue Running time Tickets Price Range Description For years now, this gleefully gruesome musical, has made audiences scream with laughter. Seymour, a poor florists assistant, allows his craving for fame and fortune to seduce him into playing nursemaid to a man-eating plant. The show includes parodies of 60's music and between bites, the carnivorous Audrey II brings down the house singing Rhythm and Blues a la Otis Reading or James Brown. CAST Chiffon Laura Chandler Crystal Stephanie Nyland Ronnette Vicky Stott Mushnik David Gonet Audrey Dawn Flint Seymour Adam Whittle Derelict Robert Watson Orin, Bernstein, Snip, Luce &c David Leithlean Audrey II Manipulation Stuart Munro Voice Martin Creevy Customers Brian Howlett, Andrew Lambe, Helen Cowan, Julie Broadbent, Hannah Pond Sale & Altrincham Messenger's review by Rick Bowen Buddy hell, this plant takes some feeding Little Shop of Horrors has many attractions, but the main one for me is the fact that it's a show that doesn't take itself seriously. This off the wall, at times anarchic musical has its tongue firmly planted in its cheek, although I did get the impression that some of the black humour was lost on the Altrincham Garrick audience on Tuesday night. For instance, the scene in which we meet the crazed dentist Orin (David Leathlean) for the first time was greeted with pockets of laughter, while I've been in theatres when the same scene has brought the house down. You'll probably enjoy 'Little Shop' more if you don't know what's coming - the geeky Seymour creates the floral equivalent of Frankenstein's monster - but even if you do this show is still sufficiently kooky to keep you entertained. Director John Cunningham has assembled a cast who are on a mission to do just that and there are some fine performances to enjoy from Dawn Flint as Audrey, a character who is a sort of down market Marilyn Monroe type, Adam Whittle as the lovable Seymour and David Gonet as the hard boiled flower shop owner Mushnik. Laura Chandler, Stephanie Nyland and Vicki Stott sound great as the singing trio who guide us through the strange events that unfold on stage. It was pleasing to see some children in the audience on Tuesday night - why should they only set foot in the theatre only during panto season. Some of the jokes are slightly adult in nature but there's subtle enough to go over kids heads, so there's no need to worry on that score. Great fun - this really is a show with a difference. If it has a message, it's probably be careful what you wish for. Star Rating ★★★★ Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Complete this form for hiring stage weaponry (guns, swords and more), costumes and props. You can also hire our auditoria and meeting rooms - or even the whole Playhouse itself. Garrick Hire Altrincham Garrick Hire Form Complete this form to start an enquiry about hiring from the Garrick To initiate a new hire request of the Altrincham Garrick, please complete the following form. Don’t forget the Submit button at the end! We will reply to you as soon as possible, which should be within one working day. (Note: we aren’t likely to process requests over a weekend.) Hire Form Organisation Contact Name Telephone Email How did you hear about us? Production Title Hire Dates Enquiry Submit Thank you for asking about hiring from the Altrincham Garrick. We aim to get back to you very soon. Join our mailing list Subscribe

Garrick Production The Tragedy of Nan (1921) Ran Jan 3, 1921 - Jan 3, 1921 Age guidance Venue Running time Tickets Price Range Description By John Masefield CAST Blackburn, Lydia Bonson, John P Brierley, Norman Calderbank, Arthur Fullerton, Enid Heywood, Ewart Landon, W Eric Nixon, Beryl Nixon, Walter S Noble, Jack Redford, Alice Wilkinson, John Gee, Mary H Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production How The Other Half Loves Ran Invalid Date - Feb 7, 2014 Age guidance Venue Running time Tickets Price Range Description First produced in 1972, How the Other Half Loves had a long and successful run in the West End and is Ayckbourn at his comedic best. Three surburban couples are linked by the work of the husbands. Frank and business subordinates Bob and William, get together with their wives for two dinner parties held on consecutive nights but happening on stage at the same time! As with so many of Ayckbourn's hits, the clever staging is almost an extra character, providing for unusual goings-on and plenty to laugh at infidelity, unfortunate blunders and finally, utter confusion! [gallery ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/otherhalfn.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/otherhalfi.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/otherhalfo.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/otherhalfk.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/otherhalfc.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/otherhalfq.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/otherhalfd.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/otherhalfa.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/otherhalfp.jpg|"] CAST Victor Hassan as Frank Foster Ros Greenwood as Fiona Foster Simon Royce as Bob Phillips Victoria Johnson as Teresa Phillips Gary Collins as William Featherstone Pam Nolan as Mary Featherstone Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

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