< Back Mini GAPA Term 1 - Group 7 ˂ Previous Production Next Production ˃ to 10 August 2023 GAPA – Garrick Academy of Performing Arts TERM 1 Enrolment: 9th September to 9th December 12 week term - Saturday Class Not including: 21/10/23 and 28/10/23 - October Half Term Dates Mini GAPA - Group 7: 2pm to 3.30pm for students aged 5 - 8 years The Garrick Academy of Performing Arts runs classes for ages 5 to 18 on Saturday and is the place to be if you love acting, singing or dancing. IMPORTANT: Please do not sign up to this class if your child does not fall within this age bracket. If you are enrolling more than one student, please ensure the correct Group is selected for each child. Due to limited spaces, if you select the incorrect group we cannot guarantee your child a place at GAPA this term. PLEASE NOTE: We will be advertising any remaining spaces in all 7 Groups to new students after 29th August 2023.

< Back Dreamcoat Stars ˂ Previous Production Next Production ˃ to 7 October 2022 Experience powerful star vocals in a musical evening of West End and Broadway classics. Starring Any Dream Will Do’s, Keith Jack; the world’s longest playing Joseph, Mike Holoway; Broadway’s Glenn Carter; and London West End’s Jonathan Dudley. Journey into a colourful production featuring vibrant and energetic songs from the most loved shows. Joseph, Jesus Christ Superstar, SIX, Wicked, Phantom of the Opera, Mamma Mia, We Will Rock You, Jersey Boys, Les Misérables, Moulin Rouge and more. Draw back the curtains, sing along and relive all your favourite musicals in one epic show. This mega mix production contains new vocal harmonies and stories from the stars’ time in the role of Joseph. Grab your coat of many colours and join our Josephs on an emotional journey where Any Dream Will Do. With some of the biggest musical songs of a generation, this show will raise your spirits in a night of theatre you’ll never forget. Go Go Go get your tickets now! Our reasonably priced bar will be open before, during the interval and after the show. Free car park for customers and in easy walking distance of Altrincham and local tram and train stations. So what are you waiting for? BUY YOUR TICKETS NOW!

< Back The House with the Twisty Window ˂ Previous Production Next Production ˃ to 12 August 2019 Bell, Victor Daltry, Joyce Dunn, Frederick

< Back Wit ˂ Previous Production Next Production ˃ to 10 February 2014 Vivian Bearing, Ph.D., a renowned specialist in the brilliantly difficult Holy Sonnets of John Donne, has been diagnosed with stage four metastatic ovarian cancer. Her approach to her illness is not unlike her approach to Donne: aggressively probing and intensely rational. But during the course of her illness ? and her stint as a prize patient in an experimental chemotherapy programme ? she comes to reassess her life and her work with profundity and an unbearably moving wry humour? CAST Vivian Bearing Ruth Evans Harvey Kelekian/Mr Bearing Brian Stoner Jason Posner Richard Haynes Susie Monohan Rosi Hunter E.M.Ashford Margaret Leslie Lab Techs/Students/ Residents/Code Team Kirstin Mack Xander Warden Francesca Smith ASM Kirstin Mack [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/wita.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/witb.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/witc.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/witd.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/wite.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/witf.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/witg.jpg|"] Photographer: Martin Oldfield

< Back Lavender at Dusk ˂ Previous Production Next Production ˃ to 12 August 2019 Grimshaw, Harold Hunter, Mollie John, Laurie Kamberian, Tahouhi Lee, Kay McGlone, Walter Roberts, A E Tudor

< Back The House in Fern Road ˂ Previous Production Next Production ˃ to 12 August 2019 Heap, Marjorie Hunter, Mollie Lee, Edna Gordon Lightowler, Ronnie R

< Back The Lady in the Van (Postponed) ˂ Previous Production Next Production ˃ to 19 August 2019 Coronavirus (COVID-19) Closure Update In line with Government instructions we are classed as a non-essential business and no member of staff is able to continue working at the theatre until Government restrictions ease. Please be assured that the vast majority of events have been postponed and not cancelled so therefore all tickets remain valid. Once we are able to operate again we will be in touch with you with details of the rescheduled dates. You can then transfer your current tickets to the new date, however if you are unable to transfer to the new date or don’t wish to have your ticket transferred to another production you will be given a full refund. You will not lose any money. This is an unprecedented event for our venue, and we thank you for your continued support and loyalty. Best wishes Your Garrick Playhouse Team. Adapted from Alan Bennett’s own short story, this play is based on his real-life experience with an elderly homeless old woman living in his front garden for fifteen years. Miss Shepherd's stay of fifteen years might have been a blight on Bennett's front garden but it eventually allowed him to unravel the fascinating story of her life - for which we are all eternally indebted to him. It is said that charity begins at home. For Alan Bennett it began at the bottom of his drive with a custard yellow van inhabited by an irascible eccentric who refused to budge.

< Back The Merry Wives of Windsor ˂ Previous Production Next Production ˃ to 12 August 2019 Alexander, Tom Boardman, Joan Boardman, Marjorie Bramwell, Madge Brierley, Norman Brown, Sydney A Brunyer, Nancy Bullivant, R A Clare, Eva Cutler, James E De Prez, Raymond Edward, Margaret Evans, Gwynn Harris, Betty Harvey, R Hill, Arthur P Mason, Edward Matthews, Marion Thwaite Muir, W B Osborne, Edgar Pye, George H Royle, Mary Shepherd, J E Waddington, R R

< Back Dick Barton & the Curse of the Pharaoh's Tomb ˂ Previous Production Next Production ˃ to 14 August 2013 Last year a thrilled audience were left on the edge of their seats as they were asked to 'Tune in to the next exciting instalment of Dick Barton Special Agent'. Well it's arrived!! Carrying on with the adventure with friends and foes of Dick Barton. We visit the Colony Rooms & Buckingham Palace, Meet Julian 'Piggy' Pethrington & Queen Nefatartie to name but two of the exciting characters. Dick Barton captures all the patriotic fervour of Hun-hating post war Britain even as it sends it up rotten in this completely new episode. [gallery ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/08/play9n.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/08/play9m.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/08/play9j.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/08/play9i.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/08/play9g.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/08/play9f.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/08/play9e.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/08/play9d.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/08/play9c.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/08/play9b.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/08/play9l.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/08/play9a.jpg|"] CAST Dick Barton/King George VI Kieran Buckeridge Marta/Nefatartie/Muriel Laura Chandler Piggy/Ahkan Rah Richard Sails Swanker/Vizier/MC David Leathlean Jock/Mummy Robert Watson BBC Announcer/Snowy Barry Spencer See this link for Youtube.com Sale & Altrincham Messenger's review Rick Bowen Good clean(ish) fun at the Garrick Do you think life is too serious these days? Are you tired of all the doom and gloom? If the answer to these questions is yes, I think I might be able to help. Dick Barton and the Curse of the Pharaoh's Tomb is an evening of unbridled silliness, with puns and clever comedy songs inspired by familiar favourites. Charlie Cook's production goes off like a bullet from a gun and the enthusiasm of the cast certainly transmitted to the Altrincham Garrick audience on Tuesday night. This theatre boasts many fine actors but it's always exciting to come across a new talent. Kieran Buckeridge is charismatic and likeable as Barton, the most English of heroes. Laura Chandler is absolutely brilliant as the villainess of the piece, Marta Heartburn. Her singing voice is equally impressive and versatile. Richard Sails is also very good value as the other baddie, Piggy. The humour in this laugh out loud spoof is of the saucy, seaside postcard/Carry On variety and this is the sort of show you could take both granny and older kids to see. Each member of the cast makes the most of every line and I feel bad about singling out individual performances because there aren't any bad ones. The cast exhibit a sense of timing that the professionals would be envious of. Enjoy. Star Rating ★★★★

< Back Gasping ˂ Previous Production Next Production ˃ to 16 December 2013 Ben Elton's first play is a fast-moving, witty satire of big business. "Lockheart Industries are making senior money. If God wanted to buy into their stock, he'd have to think twice and talk to his people. They have a profit curve wound so far round the room it looks like a Blue Peter Christmas Appeal". But they're bored, they want more. New ideas, new products - the next Pot Noodle! That's when whizzkid Philip comes up with Suck and Blow... Designer air! Perrier for the nostrils! Thanks to sassy advertising exec, Kirsten, the machines are a huge success, and sales massively exceed all projections. But when the world starts gasping, only the biggest suckers survive..." As one reviewer said, "a very British look at man?s effect on the earth. It had me laughing from beginning to end". CAST Mark Butt as Philip Caroline Hickey as Kirsten Matt Stead as Sandy David Reynolds as Sir Chiffley Lockheart

< Back The King And I - Theatrical Picturehouse Screening ˂ Previous Production Next Production ˃ to 13 April 2021 This multi-award winning and critically acclaimed Lincoln Center Theater’s production of Rodgers and Hammerstein’s The King And I was recorded live at London’s iconic Palladium. From the whatsonstage.com review: "Glinting and gliding, it waltzes glamorously across the huge Palladium stage with effortless grace." The Garrick team is delighted to show this lovely production to you on our big screen as if live. Come and join us in a friendly, informal and Covid-19 safe atmosphere, to take advantage of sensational screening facilities as well as our low prices and free car park. Our bar will be open before and after the screening.

< Back Babes in the Woods ˂ Previous Production Next Production ˃ to 13 March 2017 Sorry, we have no information on this item as of now. We apologise and will update this as soon as possible.

< Back Accidental Death of an Anarchist ˂ Previous Production Next Production ˃ to 8 August 2013 When a suspected anarchist insurgent dies after ?falling? from the fourth floor of a police station, the truth of the incident becomes shrouded in a massive bureaucratic conspiracy and cover-up.? But into this world of corruption enters a man who stands alone as a bastion of honour and justice... who also happens to be a notorious liar, conman and certified maniac. This riotous comedy fused the spirit and energy of Italian Comedia Dell?Arte with the madcap farce of a Marx Brothers film to create one of the most acclaimed pieces of comic theatre of the twentieth century. Based on true events in 1960s Italy, Nobel-prize winning Dario Fo?s original production became an instant classic, performing to over half a million people in just two years on the stage.? Simon Nye?s timely update mixes Fo?s biting satire and pinpoint social commentary with cutting, laugh-out-loud dialogue to create an outrageous, high-octane spectacle of sleaze, scapegoats, deception and disguises. CAST Maniac Mark Butt Bertozzo Ian Fensome Constable Ali Davenport Inspector Gary Collins Superintendent Martin Oldfield Journalist Caroline Hickey Prompt - Janet Slade [gallery ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/08/anarchista.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/08/anarchistb.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/08/anarchistc.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/08/anarchiste.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/08/anarchistd.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/08/anarchistf.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/08/anarchistg.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/08/anarchisth.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/08/anarchisti.jpg|"]

< Back The Virgin Goddess ˂ Previous Production Next Production ˃ to 12 August 2019 Alexander, Tom Balshaw, H Billcliff, Arthur Billcliffe, Lillian Brennand, Dulcie Brown, Sydney A Chapman, B Coventry, Betty Crompton, E Cummings, Amy Cutler, James E De Prez, Raymond Godby, Jack Gooby, Kathleen Harvey, R Iredale, Emmie Iredale, W R King, D W McLean, H Mansbridge, Brenda Medcalf, Barbara Osborne, Edgar Owen, M Pennington, Muriel Pye, George H Robinson, Doreen Ross, Donald A Shepherd, J E Slinn, Ella Spencer, Ralph Thompson, Brenda Thompson, Freda Walker, Lilian B Wood, Ivy Wrigley, Kenneth Whiting, G

< Back Relative Values ˂ Previous Production Next Production ˃ to 12 August 2019 Clark, Hetty Frost, Kenneth Glazebrook, K Harry Maybury, Donald Pratt, Graham Ellis Speakman, Diane Sykes, Constance D Terras, Kenneth

< Back Arthur Christmas (2011 animation) ˂ Previous Production Next Production ˃ to 1 January 1970 Santa's clumsy son Arthur sets out on a mission with Grandsanta to give out a misplaced present to a young girl ... in less than two hours. With a host of well-establshed British actors providing the main voices, including James McAvoy, Hugh laurie, Bill Nighy, Jim Broadbent, Imelda Staunton and Michael Palin, this is "a clever and earnest holiday film with surprising emotional strength." (Rotten Tomatoes review). This screening will (as always) be introduced by Barry Purves with informed trivia, anecdotes and some background of the production. Come and join us in a friendly, informal and Covid-19 safe atmosphere, to take advantage of sensational screening facilities as well as our low prices and free car park.

< Back Twelfth Night ˂ Previous Production Next Production ˃ to 12 August 2019 Baker, Rosina Coursh, Kathleen Edwards, Carol Hanily, Peter Hughes, Edward D Jones, Gordon Lightowler, Ronnie R Marsland, David Meadowcroft, Pamela Smeaton, Evelyn Sutherland, Gavin

< Back Independent Means ˂ Previous Production Next Production ˃ to 8 February 2014 By the author of 'Hindle Wakes'. The Forsythes are a well-to-do family in a North Country town in the early part of the nineteen hundreds. But speculation and bad investments cause their 'ruin' and it is left to a progressive Daughter-in-law to point the way to the future. [gallery columns="7" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/independenta.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/independentb.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/independentc.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/independentd.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/independente.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/independentf.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/independentg.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/independenth.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/independenti.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/independentj.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/independentk.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/independentl.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/independentm.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/independentn.jpg|"] CAST John Westbrook as John Craven Forsyth Carole Carr as Mrs Forsyth Nicholas Curror as Edgar Forsyth Sally Eggington as Sidney Forsyth Martin Oldfield as Samuel Ritchie Tracey Burns as Jane Gregory Sale & Altrincham Messenger's Review by Rick Bowen A right good night at the Garrick By 'eck, they don't write 'em like this anymore. Therein lies the contradiction - while #Independent Means# was first performed in 1909 it's remarkable how fresh and modern it sounds to a 21st century ear. Ashton on Mersey born Stanley Houghton may depict a Manchester that has long since vanished, but this play, currently being performed at Altrincham Garrick, was, in many ways, years ahead of its time. This is such a lively and warmly witty piece of writing I can forgive Houghton for the dull as dishwater Hindle Wakes. The Forsyths are a comfortable middle class family whose cosy lifestyle is shattered when they lose their wealth. The head of the household, John Craven Forsyth, turns to the bottle for comfort, while his son Edgar and his feisty wife Sidney turn to Forsyth family friend Samuel Ritchie, your archetypal self made man, for help. Director Barry Hall's production is perfectlly pitched and there are some wonderful performances to enjoy from Martin Oldfield as Ritchie, a sobering voice of reason and calm and Sally Egginton as Sidney, a woman who steadfastly refuses to be the 'little wife'. I also liked Nicholas Curror as the useless Edgar and Tracey Burns as the Forsyth's devoted maid Jane, a woman whose life is radically transformed for the better. An absolute gem of a play from a home grown talent, a must see. Star Rating ★★★★

< Back Theatre of Blood (1973 film) ˂ Previous Production Next Production ˃ to 31 August 2020 When a theatre actor is mocked by his critics, he seeks revenge through acting out the most brutal scenes from his last Shakespearean season. Featuring a suitably ripe Vincent Price and a versatile Diana Rigg, the film boasts a cast of actors all gamely entering into the most perfect mixture of full horror and the blackest of comedy. WARNING: this film contains some gruesome scenes that may upset sensitive people. Dame Diana Rigg (1938 - 2020) In his introduction to this screening, Barry Purves will pay tribute to one of its cast: truly one of the great and versatile of British actresses, Dame Diana Rigg, who died on September 10th 2020. She leaves behind a wealth of stunning performances, on TV, film, and stage, from The Avengers , through Bond, Eliza Doolittle, Cleopatra, Lady Macbeth, Medea to The Detectorists , Game of Thrones and the current series of All Creatures Great and Small . Please come and enjoy her extraordinary performances in this wickedly dark Theatre of Blood. The bar will be open before and after the show. Come and join us in a friendly, informal and Covid-19 safe atmosphere, to take advantage of sensational screening facilities as well as our low prices and free car park.

< Back As You Like It ˂ Previous Production Next Production ˃ to 12 August 2019 Bayliss,Tony Caldwell, Pamela Carter, Harold Christie, Alan Davey, Roger Davies, Rose Dean, Ken Farebrother, Arthur F Gaisford, John Gee, Ian Gee, Peter Greir, Alma Grimshaw, Harold John, Laurie Larbalestier, Jacqueline Lightowler, Ken Oddey, John Sandeman, Thelma Smart, Brian Talbot, Ernest K White, Beatrice Powell Winning, Joyce

< Back The Woman Who Cooked Her Husband ˂ Previous Production Next Production ˃ to 13 August 2013 The story of a woman scorned. A man goes to dinner with his new wife on their third wedding anniversary to the house of his first wife (of 19 years) for a reconciliatory meal but has no idea what is on the menu! CAST Vicky Johnson Malcolm Cooper Laura Whitehurst

< Back Into the Woods ˂ Previous Production Next Production ˃ to 18 May 2022 In a modern world, a fairytale adventure is never far away… be careful what you wish for. A baker and his wife desperately yearn to have a child, but have been cursed by the Witch who lives next door, thanks to the actions of the baker’s father. The only way to lift the curse is to find four obscure yet strangely familiar items – a cow as white as milk, a slipper as pure as gold, a cape as red as blood and hair as yellow as corn. With only three nights to find them before the curse becomes irreversible, the couple head deep into the mysterious nearby woods , only to discover more about themselves than they might ever have expected... and that actions have consequences, and sacrifices must be paid. One of Stephen Sondheim’s most acclaimed works, this Tony and Olivier Award-winning musical interweaves Little Red Riding Hood, the Wolf, Cinderella, Rapunzel, two Princes (and two step-sisters), Jack, and - of course - a Witch into a timeless, yet relevant, piece... and a rare modern classic! Artistic Director Joseph Meighan brings a contemporary vision of Sondheim's enchanting and touching masterpiece. Age Guidance: 12+ Warning: This production contains scenes and depictions of murder, blood, loss, depression, infidelity and death. It is worth noting that the characters and stories that are familiar to most audiences through the Disney films (including their own adaptation of "Into The Woods"), Pantomime, or various other fables will not be represented in the same way in this version. The musical focuses on the original Brothers Grimm versions of the stories which tend to be darker and less “happy ending” focused. Mainly for the sake of preserving the innocence of these beloved stories as younger people may know them we recommend that this production is for 12+. "Into the Woods" is a beautiful, clever, profound, frequently funny, sometimes somber, and ultimately uplifting take on the classic Brothers Grimm fables, but it is not aimed at a Family audience. Reviews - 5 Stars “Absolutely outstanding - a major musical triumph for all concerned.” - Rick Bowen Read the full review from Rick Bowen at StageStruck HERE - 4 Stars “A satisfyingly strong interpretation of a Sondheim classic, which beautifully portrays both the humour and musicality but emphasises the darkness at the heart of this fairy tale.” Read the Full Review by Paul Wilcox at North West End HERE "...this was a consummate and professionally produced musical, whose production values were exceedingly high." Matthew Dougall at Number9 Production Shots taken by Martin Ogden ------------------------------------------------------------------------------------------------------------------------------------ Free Car Parking. Cosy Bar. Great Prices. ------------------------------------------------------------------------------------------------------------------------------------

< Back The Indifferent Shepherd ˂ Previous Production Next Production ˃ to 12 August 2019 Clark, Hetty Farebrother, Arthur F Hunter, Mollie Smart, Brian Sykes, Constance D

< Back Skin Deep ˂ Previous Production Next Production ˃ to 12 August 2019 Bramwell, Madge Gatley, Edith Lawley, Mollie Palmer, Jack A Settle, Minnie Stevens, Catherine Welsh, Malcolm

< Back Red Letter Day ˂ Previous Production Next Production ˃ to 12 August 2019 Collins, Kathleen Duran, Frederick Glazebrook, K Harry Hobbs, Olive Nellie Kench, Denise Oddey, John Smart, Brian Walker, Kathleen Walton, Barbara Waterhouse, Ann

< Back The Rainmaker ˂ Previous Production Next Production ˃ to 12 August 2019 Clarkson, Norma Harris, Frank

< Back Any Old Iron ˂ Previous Production Next Production ˃ to 12 August 2019 Allen, Michael Caldwell, Pamel Stansfield, John Wiltshire, H John

< Back Bohemian Rhapsody (2018 film) ˂ Previous Production Next Production ˃ to 14 September 2020 This film charts Freddie Mercury's volatile journey from his early days as a singer to forming one of the best bands ever, Queen. We watch as they prepare, with tantrums and turmoil, for the legendary Live Aid concert and that performance of the song that has no equal : Bohemian Rhapsody . The film is packed with Queen's music, thrillingly delivered and led by an astonishing performance from Rami Malek. Bohemian Rhapsody is the highest-selling biographical film. It won four Oscars in February 2019 (including Best Actor) and won three Best Film accolades - including at the 2019 Golden Globes event and from BAFTA. This screening will (as always) be introduced by Barry Purves with informed trivia, anecdotes and some background of the production. The bar will be open before and after the show. Come and join us in a friendly, informal and Covid-19 safe atmosphere, to take advantage of sensational screening facilities as well as our low prices and free car park.

< Back Doctor Knock ˂ Previous Production Next Production ˃ to 1 July 2014 CAST Booth, Elsie Booth, G Frederick Bramwell, Madge Briggs, Harry Downs, A Hill, Arthur P Iredale, W R Iredale, W R Irving, Ella Jackson, George Kirton, C H Mounfield, Frank Owen, Gwen

< Back Top of the Ladder ˂ Previous Production Next Production ˃ to 12 August 2019 Carter, Doreen Clark, Hettie Cullen, Leslie Griffiths, Jeanne Hanson, Gwen Heap, Marjorie Martin, Jean Oddey, John Walker, Kathleen White, Beatrice Powell

< Back Comic Potential ˂ Previous Production Next Production ˃ to 11 December 2013 We are pleased to be able to present this latest release by the master of comedy, Alan Ayckbourn. Comic Potential shows he is on form again to amuse and divert. The setting is a third-rate TV studio churning out low budget daytime soaps. The difference is that the time is the foreseeable future and cheap actors in the form of programmable "actoids" provide the drama. But human nature will out with a result that will hurt with the sheer exuberance of its unexpectedness. CAST John Keen as Adam Trainsmith Terry Chandler as Chandler Tate Alex Wilson as Lester Trainsmith Mark Edgar as Doctor/Farmer/Man in Dress Shop/Turkey Eric Vogel as The Son/Marmion Laura Chandler as Jacie Triplethree Stephanie Hawthorn as Trudi Floote Beverley Stuart-Cole as Prim Spring Angela Wetherill as Carla Pepperbloom Jeryl Whitelock as Dress Shop Assistant/Prostitute Julie Broadbent as the Mother Carole Gibson as the Farmer's Wife

< Back Gallows Glorious ˂ Previous Production Next Production ˃ to 12 August 2019 Billcliff, Arthur Blackden, W L Briggs, Harry Bullivant, R A Crabb, Joan Cutler, James E Galloway, E L C Gow, Ronald Haken, Bessie Jones, Noel F Landon, Henry Mason, Edward Norman, A Osborne, Edgar Waddington, R R Waide, W L Winn, Rex Wood, Ivy Wilkinson, John

< Back Wolf Hall ˂ Previous Production Next Production ˃ to 11 April 2017 Epic, unmissable, historical drama - huge television hit. England, 1527. The court of Henry VIII is in upheaval as the King rages over his lack of a male heir. But when Henry's anger turns to passion for the alluring Anne Boleyn, the Pope refuses to grant him an annulment from his wife, Katherine of Aragon. Into the fray steps Thomas Cromwell, a shrewd and ambitious politician, who realizes that the man who gets Anne into Henry's bed will win the favour of the Crown. Using charm, deception and wit, Cromwell will climb the thorny ladder of power and bring the King what he most desires. This production is proudly sponsored by [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_5307.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_5486.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_5502.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_5529.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_5160.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_5216.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_5233.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_5288.jpg|"] Photographs by Vish Sharma CAST Stephen Gardiner Secretary to Cardinal Wolsey, later Bishop of Winchester - Simon Garland Thomas Cromwell An ambitious commoner in Cardinal Wolsey's household - Mark Butt Cardinal Thomas Wolsey The Lord Chancellor - Geoff Holman Mark Smeaton His Lutenist - Ben Hanley Rafe Sadler A young gentleman - Cromwell's ward and secretary - Chris Wagstaff Elizabeth (Liz) Cromwell Thomas Cromwell's wife - Sarat Broughton Christophe A French boy and thief - Cromwell's manservant - Paul Butcher Thomas More later Lord Chancellor - David Baxendale Sir Thomas Boleyn Anne's father, later The Earl of Wiltshire - Paul Wilson George Boleyn Anne's brother, later Lord Rochford - Sam Hey Jane Boleyn, Lady Rochford Wife of George Boleyn - Sarat Broughton Harry Percy A young lord later Earl of Northumberland - Anthony Morris King Henry VIII King of England for the last 20 years - Sean Duvall Anne BoleynLady-in-waiting to Queen Katharine - later the Queen - Lara Hancox Katharine of Aragon The Queen. Henry's first wife - Emily Duffy Eustace Chapuys Imperial Ambassador to the court of King Henry - Simon Garland Gregory Cromwell Son of Thomas and Elizabeth Cromwell - Oliver Knowles The Duke of Suffolk Charles Brandon, the King's friend and brother-in-law - Jonathan Black Thomas Wyatt A young poet, friend to King Henry - Luke Robinson The Duke of Norfolk Thomas Howard, England's premier nobleman, Anne Boleyn's uncle - Matthew Banwell Sir Henry Norris The King's Groom of the Stool - David Baxendale Sir William Brereton A gentleman of the King's Chamber - Dave Richardson Mary Boleyn Anne's sister, King Henry's mistress - Sara Nelson Jane Seymour Lady-in-waiting to Anne Boleyn - Elizabeth Lomas Archbishop William Warham Archbishop of Canterbury - Geoff Holman Thomas Cranmer Anne's Chaplain later Archbishop of Canterbury - Paul Wilson Francis Weston One of the King's gentlemen - Paul Butcher Princess Mary Daughter of King Henry VIII and Queen Katharine - Elizabeth Lomas An Ambassador from France - Ben Hanley Ensemble - Margaret Armstrong. Holly Gibson, Pippa Greenhalgh, Alan Lomas, Ruth Metcalfe, Scott Ransome,Dave Richardson, Sue Richardson, Rose Wilson Servants, Dancers, Lords, Ladies, Guards, Plunderers, Attendants etc. all played by members of the Company. Altrincham Garrick Playhouse's Wolf Hall production is a masterpiece Review by Julia Taylor for Sale and Altrincham Messenger The familiar characters of Elizabethan times come to life in Mike Poulton?s adaptation of Hilary Mantel?s Wolf Hall, directed by Nick Sample at the Altrincham Garrick Playhouse this week. Overwhelmed with lust for Anne Boleyn and longing for a son, he appeals for help from the scheming Thomas Cromwell who, in return for power, gets him the divorce from Katherine of Aragon that he desires. Henry VIII is played by a tempestuous Sean Duvall whilst Mark Butt gets into the mindset of Thomas Cromwell so well you can almost hear his scheming whispers to the King. Mark is on stage most of the time and he gives an outstanding performance. Cromwell remains loyal to Cardinal Wolsey (Geoff Holman), a man he respects even when the Cardinal falls from grace. Lara Hanco's Anne Boleyn is almost as bad as Cromwell, when she conceals a secret marriage to Harry Percy (Anthony Morris). The King?s former wife, played exactly right by Emily Duffy, continues to call Anne ;a concubine' and fears, rightly, for her own daughter, Mary. The King is ruthless with those who disagree with him. In one case he shows mercy by substituting decapitation for being hung, drawn and quartered. The costume department deserves praise for a shimmering array of costumes. Henry VIII's is a fur endorsed masterpiece. The Elizabethan dancing is the icing on the cake. Star rating ★★★ ★★ Review by Rick Bowen for StageStruck THE costumes in this production are stunning and richly deserving of the heartfelt applause that greeted their first appearance on Monday night. Mike Shaw and his wardrobe team have been working their magic at this theatre for decades and their latest creations have to rank among the best I've seen at this theatre, the cast resplendent in their Tudor finery. But there's plenty more to admire in this very watchable adaptation of Hilary Mantel's novel, skilfully adapted for the stage by Mike Poulton. Most notably Mark Butt who is never offstage as Thomas Cromwell. I also really enjoyed Geoff Holman as Cardinal Thomas Wolsey, with Geoff putting in the sort of performance tat left me asking one question - why doesn't he do more at the Garrick? The play is a living, breathing and completely absorbing history lesson with King Henry VIII (Sean Duvall) fighting the Catholic church to get the divorce that will allow him to marry Ann Boleyn played by an at times frighteningly feisty Lara Hancox. At three hours including an interval this sounds like a marathon but for me the time flew. While Nick Sample's production has one or two flaws it a fascinating tale well told. I hope potential audiences aren't put off by the subject matter which is never dry or boring and there's even a dash of humour to keep the audience amused. A history lesson with jokes. Whatever next. Enjoy. Star rating ★★★

< Back Fur Coat and No Knickers ˂ Previous Production Next Production ˃ to 7 August 2013 Extravagantly funny, this play centres round the wedding of Deidre Ollerenshaw and Mark Greenhalgh, introducing first the Ollerenshaw clan, then the Greenhalgh family. We go with the lads on their increasingly disastrous stag night followed the next day by a chaotic wedding when half the guests, including the priest conducting the wedding, are suffering from blinding hangovers. The events are brought to an unnatural conclusion with the final entrance of Father Molloy most inappropriately dressed and embracing a blow-up, talking doll. The perfect antidote to December blues CAST The Ollerenshawe Family: Edith - Janet Slade Deirdre - Paula Taylor Nip - Geoff Noar Harry - Nev Roby Kevin - Charlie Tomlinson Peter - John Keen The Greenhalgh Family: Mark - Andrew Higson Muriel - Ruth Metcalfe Ron - Roger Metcalfe Hamish - Trevor Lee Brown Kirsten - Ellie Greenwood Wendy - Emma Robinson Jimmy/Policeman - Mike Shaw Father Molloy - Bill Platt Speciality Dancer - Paula Taylor Bouncers/Waiters/Old Men/Barmaids played by: Ian Richardson, David Walton, Roger Metcalfe, Sandy Maguire, Juliette Wilson, Carol Gibson, Stella Fogg.

< Back Jonah and the Whale ˂ Previous Production Next Production ˃ to 12 August 2019 Angell, Laura Billcliff, Arthur Blackburn, Lydia Blore, Noreen Bond, Mary Burton Ruth Cary, C W E Coventry A F Cummings, Amy Duncan, E D Fullerton, Irene Gow, Ronald Haken, Bessie Marsh, Russell Matley, Henry (Harry) Mendelsohn, Maurice T Pennington, Muriel Waddington, R H Wood, Pamela Whitehead, Gerald

< Back Oklahoma! - Film Screening ˂ Previous Production Next Production ˃ to 23 May 2023 Oh, what a beautiful day! This July, the magic and energy of National Theatre’s acclaimed, Olivier Award-winning production of Rodgers & Hammerstein’s Oklahoma! is coming to the Garrick Picturehouse and will be shown as though live on the big screen in our Main Auditorium. Starring then - newcomer Hugh Jackman ( Les Misérables, The Greatest Showman) as Curly, alongside Maureen Lipman , Josefina Gabrielle and Shuler Hensley , this riveting stage production was filmed during its record - breaking 1998 run in London. Directed by theatre legend Trevor Nunn ( CATS, Les Misérables ) with new choreography by Susan Stroman, Oklahoma! features some of musical theatre’s most delightfully hummable songs, including “Oh, What a Beautiful Mornin’,” “The Surrey With The Fringe On Top” and the joyous title tune, “Oklahoma” . N ow one of the most beloved musicals ever to grace the stage is coming to the big screen 80 years after it first premiered on Broadway . Grab your friends and ride your surrey to a cinema near you! Photo Credit: Rodgers & Hammerstein: a Concord Company

< Back The Clare Tanner School of Dancing Proudly Presents: 'A Night At The Musicals' ˂ Previous Production Next Production ˃ to 30 September 2022 The Clare Tanner School of Dancing, Timperley is celebrating its 20th Birthday with a spectacular show! Join us for a journey through musicals old and new, and prepare to be entertained by our students aged 3 years to 80! Our reasonably priced bar will be open before, during the interval and after the show. Free car park for customers and in easy walking distance of Altrincham and local tram and train stations. So what are you waiting for? BUY YOUR TICKETS NOW!

< Back The Altrincham Garrick Show Choir (Please Book At Book Office) ˂ Previous Production Next Production ˃ to 28 March 2023 Places are still available but as this term has now started, please contact our box office to book on 0161 928 1677. The Altrincham Garrick Show Choir 2023 Summer - Term 3 Could this be for you? Altrincham Garrick Show Choir is all about the joy of singing together and creating music in a relaxed, fun and social environment. This is a non-stress and non audition community Show Choir at your local theatre! As well as joy, laughs, music and harmony, Altrincham Garrick Show Choir will build and encourage a healthier and safer way of singing and improve musicality by working on vocal technique, rhythm, pitch and harmony part singing in every rehearsal, and boost your confidence! You'll soon find that singing together is a hugely wonderful and exciting experience and it is a great social activity, with our Garrick Theatre Bar open after each rehearsal! -------------------- Open to all ages (over 18) and all abilities! Conducted by Dan McDwyer Every Thursday with 2 class times (subject to availability) 7pm until 8pm or 8.15pm until 9.15pm TERM 3 : 13 weeks Thursday 13th April - Thursday 20th July (No Class on 1st June and 8th June). Cost of term 2: £65 Payment to be made upfront. -------------------- Dan is an RNCM graduate and established Musical Director, arranger and vocal coach working across the UK. He currently holds the position of Musical Director for Manchester Lesbian and Gay Chorus, The RNCM Northern Session Choir, Deloitte Staff Choir, and is the founder of The Choir Project and Manchester Mental Health Choir (Bee Vocal). He has worked as Musical Director for shows in both London and Manchester as well as several shows at the Altrincham Garrick Playhouse including "The Phantom of the Opera", "Hairspray" and "Romeo & Juliet". Dan has appeared on several TV shows across BBC, ITV and Channel 5 including Children in Need, One Love Manchester, Songs of Praise and the prestigious Royal Variety Performance as well as working with and arranging for artists including Ariana Grande, Emeli Sandè, The Script, Katherine Jenkins, LuLu, Jane McDonald, Kerry Ellis and many more. Dan is passionate about singing for well-being and a strong believer that everyone can sing and should be given the opportunity to use their voice.

< Back The Rise and Fall of Little Voice ˂ Previous Production Next Production ˃ to 18 August 2015 This is a wonderful heartwarming northern comedy play about a shy reclusive girl with hidden talent. Living alone with her larger than life and sometimes raucous mother Mari, "little voice" escapes from her loud blouse mother to her bedroom where she immerses herself with her late and greatly missed father's LPs. Here she discovers the voices of Piaf, Shirley Bassey, Judy Garland and many more. She discovers a unique talent to copy these sounds. Enter Mari's new rough diamond boyfriend, and would be club agent Ray and Little Voice is in danger of being exploited in his ambition to make her a "star" and hit the big time. But will anyone ask Little Voice what she wants. This award winning play by the incredibly talented northern playwright, Jim Cartwright mixes northern grit with Hollywood glamour, hilarious characters and iconic songs in this story of emotion and earthy comedy. CAST Mari Hoff - Lise Banks Little Voice - Olivia Archbold Phone Man - Paul Clarkson Billy - Rob Dutton Sadie - Roz Ford Ray Say - Andrew Higson Mr. Boo - Martin Oldfield [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/01/DSC_2672.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/01/DSC_2941.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/01/DSC_2902.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/01/DSC_2844.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/01/DSC_2843.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/01/DSC_2858.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/01/DSC_3123.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/01/DSC_2696.jpg|"] Review - Rick Bowen PAINFULLY timid, Little Voice spends most of her time shut away in her bedroom, playing her late father's beloved vinyl collection on a museum piece?of a record player. She's so quiet in company you could forget she's there, but beneath her mousy exterior lies a remarkable talent that nobody can ignore. Altrincham Garrick launches its new season with a modern day classic, in the shape of Jim Cartwright's The Rise and Fall of Little Voice. One of my favourite writers, Cartwright's script is as laugh out loud funny as it is poignant and he makes you care about Little Voice, a fragile flower who also has a domineering drunk of a mother to contend with as well?as her socially debilitating hang ups. This is a tribute to Cartwright's writing, the direction of Peter Birch and the performance of Olivia Archbold as Little Voice. I really enjoyed the way she developed the character and I'm sure I wasn't the only one willing her and the lovable Billy, LV's male equivalent, to strike up a romance, It was like watching?a northern Romeo and Juliet, for the balcony we had this young girl's bedroom window. These scenes, humorous and touching, were beautifully played by Olivia and Rob Dutton. Lise Banks was also very good value as LV's mother, Mari Hoff, a good-time-girl whose appetite for the booze is as insatiable as her appetite for the men. I?use the word 'girl' in its loosest possible sense, by the way. Lise also managed to make the awful Marie sympathetic and nowhere is this more evident when Mari is given a brutal dressing down by the sleazy showbiz talent scout Ray Say (Andrew Higson). She looks like a wounded animal after Say's verbal assault.By far?the funniest character is Sadie, Mari's daft as a brush next door neighbour. No wonder Mari never has anything in her fridge as this good soul seems to be on a "see food and eat it" diet. While this play isn't wall to wall hilarity it provides an enjoyable start to?a gloomy time of year,?when many of us are coming to terms with eye watering post Christmas credit card bills. More Jim Cartwright at the Garrick, please. REVIEW - NORTH WEST END by Mark Dee Written in 1992 by Bolton born playwright, Jim Cartwright, this play has seen success on the West End and Broadway stages with a great 1998 film version starring the original West End Little Voice of Jane Horrocks and Michael Caine. With such a progeny it is no wonder that many companies fight shy of producing the play these days, and so when one dares to stand up and be counted, it naturally produces quite a buzz. And who better than Altrincham Garrick to do just that; an amateur theatre company that thinks big and has lofty ambitions.I last saw the play myself in 2012 at The Octagon Theatre in Bolton, and so it was definitely time for me to reacquaint myself with it. The play is set in the early 1990s in a northern town not dissimilar to the one where you are now; we see a teenage girl, timid and unsociable, retreating into herself after the death of her father and her overbearing and rather out of control alcoholic mother, Mari, who neither understands nor really knows how to show affection to her daughter just compounding the situation and there is a rift between them. One keeping the house in a permanent state of untidiness with never any food in the cupboards, but plenty of booze in the drink's cabinet; whilst the other keeps her bedroom spotless and tidy, and amasses a huge collection of records which she will sing along to and imitate the singers she hears, finding escape and solace there. When Mari starts dating a small-time talent scout Ray, and brings him home one evening; he hears Little Voice singing in the bedroom and realises that he has found a hidden talent and gets to work on bringing her to the local club to sing there. Ray has seen the pound-signs in his eyes and sees this as a ticket to his fame, Mari sees Ray as her ticket to a better life and clings on to him whatever the cost to her daughter's health and happiness; and all her daughter really wants is to feel loved and be happy. It's not going to end well! In this production I felt the first act worked better than the second. One reason for this was the set. In the first act, the play is set entirely in Mari's house, and we were presented with a rather interesting and clever two-storey design with the kitchen and living room below and LV's bedroom above. It was fitted with period furniture and appliances and looked very good indeed. I really loved the wallpaper of record-sleeve spines - an ingenious touch! The problems I did have with this though were that it was set on the revolve, and so it was a little too far from the front of the stage if the revolve was not being used - which it wasn't, and the distinction between the house interior and exterior was often blurred and unclear, especially when characters had to go up or down the stairs behind the living room. There was an area of stage right which became both part of the house and also the path outside. In the second act though, the constant bringing in of the glitter curtain for the night club seemed to be less well thought through. There was absolutely no night club atmosphere, and the only addition to the curtain was a sunken area at the front of the stage where two tables had been set up for the cast to sit at and watch LV's performance. I was sitting on the very back row of the raked auditorium and still was unable to see this to any great extent. The front row would have seen only the very tops of the actors' heads. No attempt was made to create an 'audience' for the club and the whole thing lacked an atmosphere. It was sparse, minimalist, and after such a realistic and well-thought out first act set, it seemed almost as though you'd run out of budget and decided to simply bring in the tabs. Why wasn't the revolve used? Surely that would have been better. The other criticism I have of the second act is that after the fire, which started well, but all too quickly got out of control and was far too big, happening in the neighbouring houses too, for such a little after-effect once the smoke cleared. The house should not get burnt-out, the upstairs rooms being damaged but not badly so, and downstairs being in cinders. However, once the smoke cleared on stage last night, we could see that a black piece of material had been used to cover the sofa, some more strands to cover the standard lamp, and a burnt kitchen table had replaced the original. Once again, after such a magnificent start in set design, this was a huge let-down. I simply did not believe this to be fire-damaged at all, nor that the cast were walking though after-burn smoke. They made no attempt at covering their mouths or coughing and spluttering as you would when faced with this in reality. The acting, at least from the three main principals was though absolutely solid and first class. Very wisely choosing not to try and imitate the famous performances that have gone before them, finding new and interesting nuances in the writing and bringing their own personalities into the mix to give three extremely well-rounded and bravura performances. Olivia Archbold, a very naturalistic actress, who did some rather credible mimicry of Shirley Bassey, Edith Piaf and others, played Little Voice; Lisa Banks played the last-chance lush Mari Hoff to comedic perfection, and Andrew Higson, the agent of no-hopers dreaming of the big time. His little asides showing us his true feelings about Mari were lovely and we enjoyed the complicity of this. These three were ably assisted by Rob Dutton, who played a young electrician Billy who becomes LV's love interest and, through their mutual understanding of each other, builds up a lovely trust between them, their long silences extremely well played. Rosalind Ford is the friendly neighbour who pops in for a cup of sugar with some tea, Sadie; and Martin Oldfield is Mr. Boo, the owner of the club.It was a very good play and I enjoyed rekindling my enthusiasm for it. This though is now the third Garrick production I have seen in the last month or so, the first being Snow White, and then only last week watching The Price. Had this play been produced by any other society I would probably have given it 5 stars, however, after seeing what the Garrick is truly capable of, I can only put this production in a worthy third place.

< Back The Stones ˂ Previous Production Next Production ˃ to 17 July 2019 Since forming in 2007, ‘The Stones’ show has grown into a full-scale Rolling Stones concert, leaving audiences mesmerised up and down the UK, Europe, and further abroad. The group have experienced audiences of over 30,000 people while headlining festivals, and also regularly tour Europe, embarking on Theatre and Festival Tours of Holland, Belgium, Germany and Spain. ‘The Stones’ perform the music of The Rolling Stones faithfully, accurately, and with all the excitement an audience expects from ‘The World’s Greatest Rock and Roll Band’.

< Back Jersey Boys - Picturehouse Screening ˂ Previous Production Next Production ˃ to 13 April 2021 In the 1960s, four scrappy young men from New Jersey ‑ Frankie Valli, Bob Gaudio, Nick Massi and Tommy DeVito ‑ have the magic sound that propels them from singing under streetlights to singing in spotlights. With songs like 'Sherry,' 'Big Girls Don't Cry' and 'Walk Like A Man', Frankie Valli and The Four Seasons changed music forever and became legends. This is their unforgettable story. Clint Eastwood directs this feature film adaptation of the multi- award winning Broadway musical “Jersey Boys”. Come and join us in a friendly, informal and Covid-19 safe atmosphere, to take advantage of sensational screening facilities as well as our low prices, cosy bar and free car park.

< Back Alty Fringe: Hurrah For The Pirate King ˂ Previous Production Next Production ˃ to 24 October 2020 This feast of entertainment comes direct from its smash-hit seasons at The Just So! Festivals (2018, 2019) and Liverpool Theatre Festival (2020). Follow the great Pirate King‘s adventures as he takes us on a magical and musical journey to find a treasure beyond gold and jewels! Mysterious places shall ye see, mateys, from Hushabye Mountain, via mysterious and exciting places over the Briney Sea, to Cat Island where the Queen of the Cats holds her court. With her help, can the Pirate King entice the legendary Unicorn, keeper of the magical Unicorn Diamond to appear? Experience opera, ballet and art-song in a fun and inclusive way designed for children and their grown-ups, from ages 0-99. Buckle yer swash, ye landlubbers! This show is part of the Alty Fringe 2021 - socially distanced and safe for all! The theatre has extensive COVID-19 safety measures in place, including a redesigned socially distanced auditorium, contactless tickets, regular deep cleans after each performance, timed entry slots, hand sanitiser stations around the theatre ... and much more. The Alty Fringe is proud to be appearing at the Altrincham Garrick from 12 March to 28 March 2021 . #altyfringe

< Back The Graduate ˂ Previous Production Next Production ˃ to 7 February 2014 The play was a sensation in London's West End and on Broadway. A cult novel, a classic film, a quintessential hit of the 60's. It is now time to be seduced by the graduate all over again. Based on the novel by Charles Webb and the motion picture screenplay by Calder Willingham and Buck Henry, the play has been adapted for stage by multi award winning author and director Terry Johnson. Benjamin has excellent grades, very proud parents and, since he helped Mrs Robinson with her zipper, a fine future behind him. WARNING: THE PLAY CONTAINS NUDITY. M.E.N.'s Review by Julia Taylor NUDITY is becoming a habit with Altrincham Garrick. Its first show of the season 'The Full Monty' displayed the male full frontal variety and in this week's production, The Graduate, the, shall we call it, half frontal female version. Although genuine, both revelations are, in a sense, illusory. Blinding white light blanked out the Full Monty version. Likewise, dim lighting partly hides the exposure of the seductive Mrs Robinson in The Graduate Based on Charles Webb;s novel, the role of Mrs Robinson was made famous by Anne Bancroft in Mike Nichols? 1967 film version and, in the subsequent stage version, by Kathleen Turner and then Jerry Hall, Mick Jagger's ex. Jerry played to full houses for six months though one wonders whether the audience were more interested in her body than her acting ability! She was later followed by Amanda Donahoe, Anne Archer and Linda Gray of Dallas fame. What leads to all this nakedness? Basically, it?s because Mrs Robinson, the wife of his father's business partner seduces a dilatory student after his homecoming party. The student, Benjamin Braddock, is a perplexed 21-year-old who resents the wealth-acquisition of his affluent parents. To add to the puzzle, Ben falls for Mrs Robinson?s daughter, Elaine. Well-known Garrick performer, Beverley Stuart-Cole brings swathes of sensuality to the role of Mrs Robinson. Here is a woman who must not be ignored, a woman of the world with an unfulfilled appetite for sex. She is all fur coat and no knickers, a cool, world weary bitch. You can?t ignore Mrs Robinson especially in Beverley's hands. And what of the hapless Benjamin - Phil Duncan (22), making his debut at the Garrick, portrays a young man who doesn't know what he wants of life though he does know that he wants Elaine. Both Phil and Sinead Parker who plays Elaine spell out their characters well and you can sense very clearly their mutual attraction and youthful uncertainty. I wondered how the Garrick would tackle the scene where Benjamin stands at the bottom of the family pool wearing a scuba outfit in order to find time for his hobby, thinking. The answer is simple. He doesn't get as far as the pool but tries on the comical outfit in his bedroom. Another good scene was where Mrs Robinson and her daughter become impossibly drunk and Mrs R teaches naive Elaine how to cope with the effects. Bryn Thomas's production is a remarkable example of how scenery can be used to good effect. Set designer Barry Fletcher's use of a revolving stage enables the audience to follow the action in ten different settings. The play is almost as effective as the movie when it comes to locations. Another backroom boy, Mike North also deserves praise for his pastel lighting and subtle sound effects. In the words of the background song 'Mrs Robinson' I can only add 'Here's to you Mrs Robinson', for 'The Graduate' is full of humour presented in a professional way. Star Rating ★★★★ ★

< Back GAPA Term 3 - Group 5 (Call Box office 0161 928 1677 to BOOK) ˂ Previous Production Next Production ˃ to 22 March 2023 GAPA – Garrick Academy of Performing Arts TERM 3 Enrolement: 22nd April 2023 – 8th July 2023 10 week term - Saturday Class Not including: 27/05/2023 & 03/06/2023 Group 5 - 11.30am to 1.30pm for students aged 11 - 14 years The Garrick Academy of Performing Arts runs classes for ages 5 to 18 on Saturday and is the place to be if you love acting, singing or dancing. IMPORTANT - Please do not sign up to this class if your child does not fall within this age bracket. If you are enroling more than one student, please ensure the correct Group is selected for each child. Due to limited spaces, if you select the incorrect group we cannot guarantee your child a place at GAPA this term. Existing GAPA students will have priority booking and a place secured for them for a period of 2 weeks until Thursday 6th April. Following which any remaining spaces in all 7 Groups will be made available to our waiting list. Enrolement will be available to new students after 20th April.

< Back Sherlock Holmes - The Final Case ˂ Previous Production Next Production ˃ to 12 August 2013 Having foiled the plans of his nemesis, Professor Moriarty (The Napoleon of Crime), Holmes and Watson are pursued by Moriarty and his cohorts across Europe. After many adventures Holmes and Moriarty come face to face on top of the Reichenbach Falls in Switzerland. The final contest between the two men ends Act One, with them locked in each other's arms and reeling over to surely certain death into the fearful torrent below. Act Two opens with the surprise return of Holmes and the introduction of another Sherlock Holmes favourite, Inspector Lestrade of Scotland Yard. Holmes, Watson and Lestrade are intrugued by the coincidences connecting events from Act One and a murder that has just occurred at Birlstone Manor in Sussex. They are resolved to investigate and solve the mystery. You will not be surprised to learn that they do! In fact, as Holmes explains, 'It was elementary, Watson.' On the last page of the play they learn that Professor Moriarty has also survived the Reichenbach Falls, so both men live to fight another day.

< Back The Blue Harlequin ˂ Previous Production Next Production ˃ to 1 July 2014 CAST Bullivant Erick Flexon, Leslie G Gow, Ronald Nixon, Walter S Walton, Mary Wilson, Tom

< Back Murder in the Cathedral ˂ Previous Production Next Production ˃ to 12 August 2019 Baker, Rosina Burgess, May Carter, Harold Davenport, Claire Downs, James Garland, Lorna Hamblin, Phyllis Richardson, Amy T Winning, Joyce

< Back Romeo and Juliet ˂ Previous Production Next Production ˃ to 20 June 2016 In a world of music, fame and money, Shakespeare's classic play about love is brought to life in a brand new telling. The Montague and Capulet families are embroiled in a long-running feud and the hatred seems to be impossible to shift. When Romeo, a Montague, attends a Capulet ball in disguise, he falls in love with the beautiful Juliet, and she returns the love. A secret marriage takes place between the two young lovers, but happiness and harmony are not quite in reach as circumstances and fate continue to keep them apart. Perhaps one of the most famous plays of all time will be brought to the main stage in 2016, marking the 400th anniversary of Shakespeare's death. [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_6494.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSCF0817.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSCF0704.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_6651.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_6829.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_6882.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_7069.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_7110.jpg|"] CAST Friar Laurence - Mark Butt Juliet Capulet - Becky Myers Romeo Montague - Haroun Al Jeddal Nurse - Beverley Stuart-Cole Lady Capulet - Sarah Roberts Lord Capulet - Geoff Holman Lord Montague - Steve Williamson Lady Montague - Sandy McGuire Prince Escalus - John Westbrook Count Paris - Harry Jackson Mercutio - Tom Oliver Tybalt - Jackson Hayes Benvolio - James London Sampson - Kathryn Morris Gregory - Ben Hanley Balthazar - Emily Sibley Abram - Aidan Burgess Chorus - Barry Purves Chorus of singers, musicians and fighters, Tabitha Hughes, Rebecca Hanley, Ella Kirk, Tara Kitson, Sam Hey, Lara Hancox, Matthew Spilsbury, Simon Liversidge, Olivia Newhouse, Jack Gibson, Michael Twigg, Daniel McDwyer, Chis Wagstaff ASM - Sue Berry [gallery columns="6" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/09/IMG_3759.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/09/IMG_3764.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/09/IMG_3763.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/09/IMG_3762.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/09/IMG_3770.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/09/IMG_3769.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/09/IMG_3768.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/09/IMG_3767.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/09/IMG_3765.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/09/IMG_3766.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/09/IMG_3761.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/09/IMG_3771.jpg|"] REVIEW by Julia Taylor for Altrincham and Sale Messenger Romeo and Juliet production leaps to life at Altrincham Garrick I HAVE never seen a Shakespeare play move an audience so much as Joe Meighan's production of Romeo and Juliet at Altrincham Garrick. Joe has used imagination to create a play that, while sticking to Shakespeare's immortal words, uses modern dress, and a moral to make this play, presented 400 years after Shakespeare's death, leap to life. Set at the millennium, the Montagues and Capulets run rival record companies. The striking feature is the fight scenes. We have a huge battle at the start which is nothing compared with the stag-like conflicts between Tybalt (Jackson Hayes) and Mercutio (Tom Oliver) who dies. In revenge, Romeo kills Tybalt in another violent fight. These fights are graphic, disturbing, full of anger and, at times, even clumsy but they are realistic. Added to this, the 23-year-old director has introduced music including a remarkable unaccompanied harmony. Juliet was originally 13 but Joe has realistically upped her age to 16. Rebecca Myers, who plays her, is only 17. She gives a passionate performance as she and 17-year-old Haroun Al Jeddal illustrate how life?s strongest emotion, love, can overcome body and mind. The part of Juliet's nurse is interesting, made more so by Beverley Stuart-Cole. Deeply caring of Juliet, she adds ripples of humour. Mark Butt's Friar Laurence is played well as a wise mediator. The surprise ending makes you realise that attitudes, unchanged since the sixteenth century, need changing. Star rating ★★★★★ Review by Rick Bowen for Stagestruck DYNAMIC young director Joseph Meighan returns to the Trafford stage with a Romeo and Juliet for the Internet generation. But despair not - oldies like me certainly didn't feel excluded from a production with a soundtrack of pop songs. If I have a criticism I think the opening fight scene was a little over done, descending into comedy by the end. This is, after all, a play about two rival. feuding families who hate the bones of each other. JM is a very promising talent and the fact that Romeo and Juliet are close to the age they're meant to be gives the classic teen love story added authenticity. The two leads struggle to keep a lid on their emotions when Cupid's arrow strikes. Haroun Al Jeddal's Romeo is very much "one of the boys" and his performance is sure to strike a chord with the teenagers in the theatre - there were nearly 100 in the auditorium on Monday night - and those of us who can just about remember what it felt like to be young. With Rebecca Myers (Juliet) there are some memorable scenes to enjoy and the duo perfectly capture the awkwardness and emotional highs of young love. After seeing this production I really hope we see more of Geoff Holman on the Garrick stage for, as Juliet's tyrant of a father Lord Capulet, he is outstanding. The scene in which he rips into his daughter is quite frightening, as she dares to go against his marital decree. Don't be a stranger Geoff - you have a very strong stage presence. Any production that features Barry Purves as its designer is always something to write home about and he delivers yet again with a set that's a positive visual treat. What the purists will make of this I don't know and don't really care as live theatre is forever evolving. It's also a welcome return to Mark Butt whose Friar Laurence seems to have converted to Buddhism. Looking like he's dropped off a 60's album cover, Mark gives a very credible performance as a character full of eloquent authority - Star rating ★★★ Review by Mark Dee for North West End I suppose that one must come to accept that modern adaptations, reworkings and updatings of Shakespeare are not only acceptable but preferable to both modern actors and audiences. My personal feeling towards this is that if the work is to be changed to bring it more 'up-to-date', then don't just change the setting and the costumes, but the language also needs to change too... in other words, do as Shakespeare himself did with most of his plays... find a good story already in existence, and then write your own version. West Side Story is a classic example. A contemporary Musical set in New York using original dialogue and song. All too often do I see a modern interpretation of a Shakespeare play to find that the spoken word is at odds with action and costume. And so whilst the themes of Shakespeare's plays way well be timeless, the setting and language certainly are not. I am very happy to report then that despite my misgivings, Joseph Meighan's reworking and adapting of possibly Shakespeare's most famous play, and certainly his most universal, works really quite well indeed. And in a year that marks the 400th anniversary of the death of the great man himself, and with countless Shakespeare productions happening throughout the year, productions of his work this year especially need to have something different about them to make them stand out. This did, and did. I feel certain that I do not need to tell anyone the storyline, do I? However tonight's setting was Fair Verona, a nightclub, a short while before the 2000 Millennium chimes, and we could be very 'artsy' and say that perhaps the chimes of the new year were also the tragic death knells for our ill-fated protagonists. Although once the prologue had been spoken and the action moved away from the rather BGT-style opening, the Fair Verona sign should have been moved since we never returned to this nightclub again. The set was both excellent and constrictive at one and the same time. Consisting of a raised triangular dais centre stage upon which majority of the acting for each scene took place and two walls angled outwards either side at the same angle as the lengths of the triangle and lit with magentas and reds with occasional green light tubes appearing it was non-naturalistic and ultra-modern. Doors, windows, cabinets etc all were cleverly 'hidden' within these two wall flats and were operated seamlessly and quietly every time. The problem with Shakespeare's plays in general is that there are many scenes, often very short scenes, and this can be a director's and designer's nightmare. Here. however, director Joseph Meighan had chosen to incorporate into his cast a 'chorus' of young actors and actresses to sing some songs at opportune moments throughout the play, and it was these performers who also acted very much like background artists on a film set, filling out the scenes as necessary, and also bringing on and taking off the items of set and design for each scene. The scene changes were swift, but after a while became very predictable and I suppose more obvious too because of this. Before I turn to the main acting, I have mentioned the singing chorus so let me stay with them for a while. What a fantastic idea, and despite my conservatism and traditionalist values when it comes to The Bard, I have to admit to really enjoying this aspect of the adaptation. Starting with a Boy Band wowing the partygoers, to singing some beautiful complimentary songs (all from the chosen period of 1999 / 2000) throughout. The candlelit sung vigil at the tomb of Juliet was simply breathtaking. In general, the acting was of a high standard, and Meighan used a mostly young cast. It was a high-energy production and really quite 'raw'. There was lots of shouting and fighting....yes, lots of fighting, and the fight scenes were extremely well directed. For me there were certainly some stand-out performances in this very large and well chosen cast. Not only that but some highly original interpretations too. In the order they appear in the programme..... Mark Butt's Friar Lawrence was as original an interpretation as I have seen. A weed-smoking Buddhist! However, I think he made the right choices in playing this character very seriously and angst-ridden and I enjoyed the candidness and simplicity of this character who can all too often be seen as a comedy role. The programme next credits Beverley Stuart-Cole as the Nurse. Although in this reworking perhaps calling her a governess might have been more appropriate). Again, a unique interpretation, full of fun, sincerity, love, and indeed humanity. Stuart-Cole found both humour and gravitas in her role and it was one of the most enjoyable interpretations of Nurse I have ever seen. Next comes Rebecca Myers, playing a young teenage girl in love to a Tee. Her Juliet was giddy, naive, bouncy and immature when it should have been, and mature, tragic-heroic, and serene when it should have been; and goodness knows how many emotions she had to portray in between. A notoriously difficult role for any actress, since the part requires a maturity of acting prowess not normally available in the age of the character, and within the space of only 2 hours has to go through every emotion known to man. Shakespeare didn't write many truly great female roles, but when he did, boy, oh boy, he made them extremely difficult for the actress! Again, a most sensible and enjoyable interpretation. Juliet's love rivals were played by a love-sick and tormented but at times rather phlegmatic Harroun Al Jeddal (Romeo) and Harry Jackson (Paris), with a rather enigmatic and brazen interpretation of Mercutio by Tom Oliver. There were also a couple of odd choices too. I was uncertain as to why Lady Capulet (Sarah Roberts) was the only one with a southern accent when all the rest of the cast were most obviously northern. The part of Chorus (Barry Purves) also needed some highlighting. From an excellent beginning using his 'power' to freeze the action and for him to speak and explain the story, to him wandering about the set, lurking and silent. This 'presence' as not just a commentator but manipulator [in a smaller but similar way as the Emcee is in the Musical Cabaret] was a nice idea but underdeveloped and perhaps went unnoticed or uncomprehended by most. Perhaps a more obvious way of doing this might be to morph this role with Prince Escalus? (Just a thought..!) Joseph Meighan's directing was consistent and tight, and although I found a couple of his choices a little odd, they worked in context and with his utilisation of such a large and majority youthful cast did a wonderful job of making this story relevant and enjoyable, appealing greatly this evening to a capacity audience filled in the main with a whole group of A-level students from a local high school who are studying this text for their A levels. Modernising Shakespeare I guess is a little like Marmite - you either love it or you hate it - and as a traditionalist at heart I always find it very difficult to appraise modern interpretations. However this evening's offering was accessible to all - mostly! Maybe it was just first night nerves, but the beginning dialogues were rushed and quiet, and this naturalistic way of speaking Shakespeare is at odds with the declamatory and poetic writing style. With some simple but effective lighting, and a 'rough-diamond' feel to the whole show, this is one of the best modern reworkings I have seen in a long while, and although the older generation of audience members may not find much in this 'Godfather'-esque modernisation, it certainly appealed greatly to the younger generations, and, since it is a very long time since the Garrick's season included any Shakespeare (GAPA notwithstanding), it was a very welcome addition to their season and will undoubtedly prove to be a huge success.

< Back Altrincham Garrick Play Reading Club ˂ Previous Production Next Production ˃ to 29 July 2022 PLEASE NOTE NEW START TIME Refreshments: 12pm Reading to commence: 12.30pm Friday 1st December - C omfort and Joy by Mike Harding The cost of this event is £5 per session. -------------------- If you like theatre...no, if you love theatre, drama, comedy, musical theatre, play reading , poetry and much more and would relish the opportunity to meet new people, then the new 'Altrincham Garrick Play Reading Club' is for you. Here is an opportunity for you to have fun whether you are an enthusiast, a participant or something else altogether. No matter if you have never read a play before, if you studied a play or two in school or are a die-hard enthusiast, all are welcome to join us as we read our way through an extensive list of plays and musicals new and old. The event is all about relaxed, no pressure reading , so don't worry about not reading things correctly or a certain way. We're all working through it together. Whilst some of us have taken part in plays , we're not about deep intellectual debate either. We may discuss a play but no one is ever expected to have previous knowledge of a play . So when and where is this new club taking place... WHEN: First Friday of every month. TIME: Doors open at 12pm with readings to take place between 12.30pm and 3pm. WHERE: Altrincham Garrick Playhouse Bar. COST: £5 to include tea/coffee and biscuits upon arrival. The best way to read a play is to do it out loud, so join us and give it a go!

< Back Questions and Answers ˂ Previous Production Next Production ˃ to 12 August 2019 Clegg, Robina Dean, Kenneth W Heap, Marjorie Jennings, Dorothy Matthias Mary