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< Back Alty Fringe: Music of the Night ˂ Previous Production Next Production ˃ to 29 October 2020 Direct from their 5-star reviews at the Epstein Theatre, Bill Elms and Liverpool-based company Absolute Opera present a very special evening of the finest musical theatre. This features internationally-acclaimed artist Roy Locke (Phantom of the Opera , Australian Opera ) and his special guest, direct from the West End, soprano Olivia Brereton (Phantom of the Opera , Les Misérables ). Music Of The Night is a spectacular evening of songs and duets from the most popular and best loved West End and Broadway musicals, including Les Misérables , West Side Story , The Lion King and of course The Phantom Of The Opera . This show is part of the Alty Fringe 2021 - socially distanced and safe for all! The theatre has extensive COVID-19 safety measures in place, including a redesigned socially distanced auditorium, contactless tickets, regular deep cleans after each performance, timed entry slots, hand sanitiser stations around the theatre ... and much more. The Alty Fringe is proud to be appearing at the Altrincham Garrick from 12 March to 28 March 2021 . #altyfringe

< Back Hairspray ˂ Previous Production Next Production ˃ to 21 August 2015 "You can't stop the beat " in this enormously successful musical comedy which is the perfect way to end the season. Hairspray is the genuine "feel good" musical. With an explosion of hit songs set in the heady days of the 1960's, the story follows the fortunes of teenager Tracy Turnblad- a big girl with big hair and an even bigger heart as she pursues her dream of stardom on a local TV show. On the way she inspires her mother, Edna, the local communities and of course, wins the boy she loves. Hairspray was nominated for a record breaking eleven Laurence Olivier awards winning Best New Musical and three others. The musical was made into an equally successful film starring Jon Travolta as Edna. This breathtakingly dynamic musical combines the wittiest and funniest of stories, fantastic dancing and a fabulous musical score including Good Morning Baltimore, Big Blonde and Beautiful, Without Love and of course, You Can't Stop the Beat. Relive the fun of the 1960's in this blast of a show! [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/08/IMG_4925-2.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/08/DSC_7041.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/08/DSC_7145.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/08/DSC_7249.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/08/DSC_7528.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/08/DSC_7536.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/08/IMG_4642-2.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/08/IMG_4893-2.jpg|"] Review by Rick Bowen - Stagestruck There's one song in Altrincham Garrick's production of Hairspray that is so stirring, so moving and so well sung it's worth the ticket money on it's own. The number in question is I Know Where I've Been, performed with heartfelt passion by Nicole Battick, who plays Motormouth Marybelle, I was very nearly in tears. With a voice as soulful as this, many Trafford musical societies are sure to be clamouring for the vocal services of this very, very talented performer. The song epitomised the serious story that runs alongside that of Tracy Turnbald, an ordinary girl-next-door who dreams of being famous courtesy of a hilariously superficial teen music show. Hairspray is set in Baltimore in the early 60's and while you're sure to leave the theatre on cloud nine, it also pays tribute to the courage of those involved in the black civil rights movement. As Tracy, the daughter of a mother with flouted dreams, Olivia Tringham is every inch the unlikely heroine as she battles against catty teenage girls and an education system that, despite her tender years, has dumped her on the scrapheap. You're sure to find yourself willing her to live happily ever after with wannabe pop star Link Larkin, played by the likeable and charismatic Michael Twigg. Whether he's on the stage or working behind it, director Charlie Tomlinson is consistently brilliant. So too are Andrew Lee as Tracy's pantomime dame of a mother and Ivor Farley as her equally lovable dad, Wilber. Add an infectious musical score and some laugh out loud jokes and you have the complete musical package. What a way to end your current season, Altrincham Garrick. Congratulations, to you all. Star Rating ★★★★★ Review by Julia Taylor - Altrincham Messenger HAIRSPRAY'S a happy choice for the Garrick's end of season musical. Filmed in 1988 and 2007, it sits more comfortably on a stage. It's so comfortable on the Garrick stage, it makes the Garrick seem more like a musical theatre than a playhouse. Set in 1962 Baltimore, the Marc Shaiman//Scott Wittman musical features big haired, overweight Tracy Turnblad (Olivia Tringham) who longs to become a dancer on the Corny Collins? Show. Eventually, she and her friend, Penny Pingleton (Abigail Harper) are auditioned. Tracy gets the job and eventually the love of teenage heart throb, Link Larkin, (Michael Twigg), a would-be Elvis with a great voice. Olivia Tringham portrays a caring and enthusiastic Tracy who eventually wins her fight against discrimination. She sings catchy songs such as her opening number, Good Morning Baltimore and Welcome to the Sixties with her mum. Tracy's loving parents are played by Andrew Lee as her mum and Ivor Farley as her dad. Their duet Timeless to Me is warm and funny. Andrew does well to dress in glittery frocks, wear high heels and dance. The baddies are Amber Von Tussle and her mother, Velma, racists who resent Tracy?s campaign to promote black talent. These two are portrayed in pantomime fashion by Clare Louise Garrett and Stephanie Niland. Amber's pouting resentment at Tracy's success is classic. Nicole Battick's Motormouth Maybelle has a voice which stands out especially when she sings I know Where I've Been. Thanks to choreographer, Debbie Norris and her assistant, Jess Hill, the non-stop dancing to Daniel McDwyers' musicians, is well co-ordinated in this riot of fun, romance, colourful costumes and dramatic wigs. Star Rating ★★★★ Review by Paul Downham - North West End The Altrincham Garrick have ended the 2015/16 season on a high with their energy filled production of Hairspray. Based on the 1988 film starring John Travolta this musical burst onto the stage in 2002 and has been delighting audience around the world ever since. Later this year a live television version of the show is to be broadcast in the USA starring amongst others Jennifer Hudson. In 1962 Baltimore, Maryland, plump teenager Tracy Turnblad's dream is to dance on The Corny Collins Show, a local TV dance program based on the real-life Buddy Deane Show. When Tracy wins a role on the show, she becomes a celebrity overnight, and meets a colourful array of characters. She then launches a campaign to integrate the show. Hairspray is a social commentary on the injustices of parts of American society in the 1960s. The production at the Garrick has been skillfully and thoughtfully cast and directed by Charlie Tomlinson with each pairing playing perfectly off each other. Tracy (Olivia Tringham) almost steals the show with her high energy portrayal and her relationship with Link Larkin (Michael Twigg) is totally believable from the moment they bump into each other at auditions for the Cory Collins (Jake Robson) Show. Tracy's best friend Penny (Abigail Harper) is also played well although I would have like to see a little more of a transformation from plain Jane to temptress at the end when she finally gets to dance in public with her coloured boyfriend Seaweed (Stephenson Ardern-Sodje). Penny?s mother Prudy is wonderfully portrayed by Christina Williams who also plays the Gym Teacher and Matron during the evening. TV producer and villain of the piece Velma Von Tussle (Stephanie Niland) and her spoilt, selfish daughter Amber (Clare Louise Garrett) are an absolute joy to watch throughout and never once stray out of character even when out of the spotlight. I have been fortunate to see many a production of Hairspray and can honestly say these two were one of the best pairings I have seen. The role made famous on screen by Travolta and later on stage by Michael Ball is that of Tracy's mother Edna. Tonight Andrew Lee took on this role with gusto and confidence. With a great voice and delightful on stage relationship with Wilber (Ivor Farley), her husband, their duet of 'You're Timeless To Me' was one of the highlights of the show. But for me the star of the show was Nicole Battick as Motormouth Maybelle. She commanded the stage whenever she was on it and her performance of 'I Know Where I've Been' was by far the stand out performance of the night. As I mentioned above I have seen many a production of this show and Battick's performance of this number is second only to Brenda Edwards who recently starred in the UK national tour. A simple set, somewhat similar to the last UK touring production served its purpose well and provided ample room to show off the choreography from Debbie Norris which was pretty much faultless in the group numbers. Special mention should also be made to MD Daniel McDwyer and his band. Somewhat too loud in places they sounded incredible and deserved their applause at the end of the night. There however was a frustrating side to this production, the lighting. It seemed to me that they were trying to do too much with it. At times it completely missed the action it was supposed to illuminate and at times it was way too much with seemingly random flashing lights in the audience. The use of the moving lights as spotlights totally failed also as they didn't keep up with their intended targets on stage in most cases. Good old fashioned hand operated spots would have been so much more effective here. However, in criticising the lighting this could not take away the passion and drive of those performing on stage. This show was a joy from start to finish and despite the heat in the auditorium (and many more around the country tonight) it did not lack one ounce of energy, although they must have been melting on stage. I am already looking forward to the 2016/17 season which goes on sale next month at this gem of a theatre.

< Back Sinbad the Sailor ˂ Previous Production Next Production ˃ to 12 August 2013 The story is (very loosely!) based on the Arabian Nights stories, and The Seven Voyages of Sinbad. Sinbad sets off on a hazardous journey to the mysterious island of Colossus. His quest is to break the spell cast over his beloved princess by an evil sinister magician. But before he can save her, Sinbad must encounter an array of mythical obstacles and creatures that stand in his way. A band of cut throat pirates, a shipwreck, sabre-wielding skeletons, a fire breathing dragon, the Giant Roc bird and much more. But with the help of his loyal crew, his well meaning brother, and his doting mother, he will make his fortune, save the Princess, be given half The Caliphs kingdom, and live happily ever after. He's always there in the nick of time - Of course he is, it's Panto Time! Review from Sale & Altrincham Messenger by Rick Bowen Garrick panto will delight all ages PANTOMIME isn't my favourite form of theatre but I have to give credit where credit's due and Altrincham Garrick's seasonal offering,Sinbad The Sailor, is funny, perfectly paced and just the right length to prevent an outbreak of fidgeting among the little ones. It's a difficult task to single out individual performances as there aren't any bad ones and this production is the perfect advertisement for the Garrick's youth theatre. The youngest members of the cast looked impressively self-assured, without that air of precociousness that gets up my nose. Whenever I hear 'Peter England' is involved in a show I always sit up and take notice as he has this gift of getting the best out of a cast vocally and this production is no exception. Thanks to his skills as musical director, the company sounds magnificent, delivering every song with enthusiasm and panache. If I have a criticism it's that some of the jokes are milked far too much, but everything else is flawless. Mike Shaw (The Great Mysterioso) really reminded me of the villainous Professor Snape from the Harry Potter movies, Grace Garside is a likeable Princess Sharizar and Adam Gonet, born to be in panto, had the children in the audience hanging on his every word as the lovable Ali Bonkers. Natalie Hinchcliffe is a charismatic Sinbad and Sean Gonet and Dave Jones are perfect as the daft as a brush duo, Hubble and Bubble. Star Rating ★★★★

< Back Dangerous Liaisons: Northern Ballet (Theatrical Screening) ˂ Previous Production Next Production ˃ to 27 July 2021 In 18th century France, letters fly between the mansions of two bored aristocrats as they spin a web of heartbreak and ruin. It might seem like a game, but lives will be ruined and love irrevocably lost. From the original scandalous novel, the acclaimed film starring John Malkovich and Michelle Pfeiffer and iconic retelling Cruel Intentions, this dangerous story has been thrilling audiences for over 200 years. Northern Ballet's bodice-ripping adaptation is set to Vivaldi’s The Four Seasons, played live by Northern Ballet Sinfonia. You’ll feel every heartbeat of this intimate performance. Age guidance : 12+ Contains scenes of a sexual nature and sexual violence including a rape scene. Running time: 1 hour 35 minutes (including interval, approximately) Our reasonably priced bar will be open before, during the interval and after the show. Free car park for customers and in easy walking distance of Altrincham and local tram and train stations. So what are you waiting for? BUY YOUR TICKETS NOW!

< Back Anne of a Thousand Days ˂ Previous Production Next Production ˃ to 29 July 2013 Anne of the Thousand Days covers three of the most turbulent years in our country's history. Henry VIII, desperate for a son to secure the succession, starts to court Anne Boleyn while he is still married to Catherine of Aragon - and while he is having an affair with Anne's sister! The play explores the relationships of the central characters as the crisis develops: the shattering outcome is the creation of a new Church of England, the looting of Catholic monasteries and abbeys and a seismic change in England's relationships with Rome and other major European powers. And a show-trial ... CAST Anne Boleyn Ali Davenport Henry the Eighth Scott Ransome Cardinal Wolsey Nick Sample Thomas Boleyn Geoff Noar Henry Norris Jon White Mark Smeaton Joe Meighan Duke of Norfolk Bill Platt Lord Percy, Duke of Northumberland Andrew Higson Elizabeth Boleyn Sandy McGuire Mary Boleyn Di Boyer Jane Seymour Paula Keen Thomas Cromwell Trevor McKie Ensemble Cast: Kathryn Worthington, David Ades Jonathan Black, Paul Wilson Review from Sale & Altrincham Messenger by Rick Bowen Fit for a King - Anne at Altrincham Garrick If you're expecting a dry and dull history lesson when you go to see 'Anne of the Thousand Days' you'll be very pleasantly surprised. There's plenty of humour in Maxwell Anderson's expertly constructed play, Altrincham Garrick's latest production, and Anderson also humanises King Henry VIII and Anne Boleyn. So much so you do feel for her when the court conspires against her and she ultimately ends up with her head on the chopping block. It's worth paying the ticket money just to see Scott Ransome play Henry - what a stage presence this man has and there's an emotional intensity between him and Ali Davenport who plays Anne. So much so they seem, to all intents and purposes, like a real couple. The production's success is also down to director Geoff Holman who is highly adept when it comes to getting the best out of a cast. Anne of the Thousand Days' grips, moves and amuses in equal measure and not a word of the rich, intelligent and accessible dialogue is wasted. It would be impossible to review this without mentioning the lavish costumes designed by Mike Shaw and his team. Eye poppingly lavish, these costumes certainly wouldn't look out of place on the Manchester professional stage. Anne of the Thousand Days 'might not instantly appeal to some, but if you stay at home you'll be missing out on a truly memorable theatrical experience. A play fit for a king. Star Rating ★★★★ Review of Anne Of The Thousand Days by Julia Taylor for remotegoat Anne Boleyn, Queen and victim I wonder if Elizabeth 1st ever forgave her father for engineering the execution of her mother, Anne Boleyn? We don't find the answer in Maxwell Anderson's Anne of the Thousand Days because we don't actually see her, just her cradle. But no-one would blame her if she held that resentment for life. Henry VIII's scheming, lusting and attitude to religion are presented graphically in this production centred on the coupling of the King with Anne even though he has already seduced her sister and she is only 18 and engaged to someone else. This play depends, not only on superb acting provided by a cast which exceed even the Garrick's high standard of performance, but also on the accuracy and intricacy of the costumes Mike Shaw and his wardrobe department are to be congratulated. Ali Davenport, who is on stage most of the time in the role of Anne, captures well the emotion of a girl who at first resents Henry's approaches but then falls if not for him, for his power. In the thousand days after her coronation as queen , there is only one day when they come together equally in love. For the rest she is a feisty tease until Henry bores of her. Yet, even when he visits her in the Tower of London, you can still detect the sexual chemistry between them. Anne revels in wealth and position only to be dragged down into fear and outrage at the way she is treated when, after giving birth to a daughter and a stillborn son, Henry's lusting eyes turn elsewhere. Betrayed by her uncle, the Duke of Norfolk (Bill Platt) she faces execution bravely. Henry is played by Scott Ransome. He illustrates the selfishness of a man who murders Roman Catholic clergy and burns down monasteries just to have Anne whom he later casts aside like a toy thrown out of the bath. Petulant, bitter and aging, he is surrounded by sycophants, yet all he craves is love and a son. He says so in a wonderful speech which receives audience applause. In his maltreatment of Anne, he is assisted by, not only the scheming Duke of Norfolk, but also the snake-like Thomas Cromwell (Trevor McKie) who tortures several men whom he accuses of committing adultery with the Queen. This play is worth seeing just to be reminded of the cataclysmic time when our relationship with Rome was broken and the Church of England created. The relationship between Henry VIII and Anne Boleyn is one which changed the course of history and, in this production, directed by Geoff Holman, the Garrick have changed the course of their own history. NODA Review by Kevin Proctor The Altrincham Garrick presents this production of Maxwell Anderson's 1948 historical drama which details the relationship, eventual marriage and tragic climax between Henry VIII and Anne Boleyn. The story of how Henry, eager to end his marriage to Catherine of Aragon so he may legitimately marry Anne Boleyn, comes into conflict with the Pope and eventually breaks with the Catholic Church, is indeed powerful material and delivered with excellence by yet another of the Garrick's thriving casts. The entire performance was full of grand pageantry, the set was a collection of simple columns and arches with drapes while the back wall of the stage was used to project colour and images to enhance the mood of each particular scene, as well as keep us in line with dates to follow the story, all working to full effect. Making one of the grandest statements, yet again were Mike Shaw?s collection of magnificent costumes. Ali Davenport - never failing to impress - portrayed Anne Boleyn with vigour as did Scott Ransome as King Henry VIII. Scott's emphasis on the character was pushed to all the right levels, he was powerful, charismatic and arrogant equally exposing the Kings softer, more loving side to outstanding results. Henry can easily become the Lead in this play but both the Director Geoff Holman and Scott as Henry understood that this is ultimately Anne?s story and held back Henry's character which could easily overtake and become the front runner, kudos for this! The text is no walk in the park, keeping the audience engaged was an immense effort from both the players and the director, to which they succeeded. Personally I would've liked Anne?s death to have been a little more creative and gruesome instead of symbolic, but that?s me, any excuse for a bit of gore and slaughter, well, it is Tudor after all! The cast of 14 supporting roles each delivered competent performances of high calibre, particularly Nick Sample as Cardinal Wolsey who performed with ease and demonstrated a formidable interpretation. Another thoroughly enjoyable evening at the Garrick, Thank you and Congratulations!

< Back For Better or Worse ˂ Previous Production Next Production ˃ to 12 August 2019 Billcliff, Lillian Blackhurst, Ernest Caldwell, Pamela Carter, Harold Pearse, Bette Stockton, Reg

< Back Octopia - GAPA Half Term Drama Workshop (WEDNESDAY) ˂ Previous Production Next Production ˃ to 26 September 2023 October Half Term Drama Workshop The Garrick Academy of Performing Arts WEDNESDAY 25th October 2023 10:00am - 16:00pm Ages 6-18 BOOK THE FULL 5 DAYS AND RECEIVE £25 DISCOUNT Join us during this October half term holiday for a day or for the full week to enjoy theatrical fun: combining music, movement, monologues and much much more! GAPA’s half term workshops encourage the participants to explore their creative side, and promote teamwork in a safe and friendly environment. Our aim is to deliver exciting drama workshops for students aged 6-18, where they can learn drama skills, gain confidence and above all have fun. Workshops start each day at 10.00am and finish at 4.00pm. Attendees are required to bring their own refreshments to see them through the day. Attendees are also requested to wear clothes suitable for movement and appropriate footwear, which will enable them to engage in all of the daily activities. Students will be required to read text unaided. If you need a fun-filled week in a high energy, performance based environment, then we'd love for you to join us at the Altrincham Garrick Playhouse. PLEASE NOTE - Once you have signed up, please click on the attachment in the email you receive. You will be provided with a link to complete a 'Registration Form'. This is required before your child can gain access to the workshop.

< Back GAPA Term 1 - Group 4 ˂ Previous Production Next Production ˃ to 10 August 2023 GAPA – Garrick Academy of Performing Arts TERM 1 Enrolment: 9th September to 9th December 12 week term - Saturday Class Not including: 21/10/23 and 28/10/23 - October Half Term Dates Group 4 - 11.30am to 1.30pm for students aged 8 - 11 years The Garrick Academy of Performing Arts runs classes for ages 5 to 18 on Saturday and is the place to be if you love acting, singing or dancing. IMPORTANT: Please do not sign up to this class if your child does not fall within this age bracket. If you are enrolling more than one student, please ensure the correct Group is selected for each child. Due to limited spaces, if you select the incorrect group we cannot guarantee your child a place at GAPA this term. PLEASE NOTE: We will be advertising any remaining spaces in all 7 Groups to new students after 29th August 2023.

< Back Summer School ˂ Previous Production Next Production ˃ to 17 July 2019 Once again, the GAPA Summer School will be held at Altrincham Garrick Playhouse for one week during the 2019 Summer holidays. In the course of the week we will introduce the participants to a range of stage skills as part of putting together a performance that will be shown back to parents, friends and family on the final day. If you wish to enrol your child, please speak to our box office staff or contact the Playhouse for further information and an application form. The Summer School will run on Monday to Friday from 10.00am until 4.00pm and on the Friday evening the children will put on a performance at 5.30pm for parents/guardians. ‘I had a fantastic week!’ ‘Thank you to the GAPA staff for a brilliant summer school’ ‘Can we come back next week, too?’ 'See you in September when I join GAPA’

< Back All Our Yesterdays (Postponed) ˂ Previous Production Next Production ˃ to 18 August 2015 Coronavirus (COVID-19) Closure Update In line with Government instructions we are classed as a non-essential business and no member of staff is able to continue working at the theatre until Government restrictions ease. Please be assured that the vast majority of events have been postponed and not cancelled so therefore all tickets remain valid. Once we are able to operate again we will be in touch with you with details of the rescheduled dates. You can then transfer your current tickets to the new date, however if you are unable to transfer to the new date or don’t wish to have your ticket transferred to another production you will be given a full refund. You will not lose any money. This is an unprecedented event for our venue, and we thank you for your continued support and loyalty. Best wishes Your Garrick Playhouse Team. Another sensational show from the producers of ‘Memory Lane’, ‘Rolling back the Years’, and ‘Memories are Made of This’. One of the biggest shows of its kind in the UK, taking the audience on a breathtaking musical journey through the 50’s, 60’s, and some of the brilliant sounds of the 1970’s. Including songs by Barry Manilow, Buddy Holly, Frank Sinatra, Petula Clark, The Drifters, Elvis Presley, Abba, Queen and many more. Over 160 amazing costumes and choreographed for each decade, performed by ‘West End’ and international vocalists, along with the stunning ‘Timeless Showgirls’.

< Back Rebecca ˂ Previous Production Next Production ˃ to 12 August 2013 Maxim de Winter, still troubled by the death of his first wife Rebecca, falls in love with a shy ladies' companion. They get married, but on arriving at the country seat, Manderley, the second Mrs de Winter discovers that Rebecca still has a strong hold on everyone in the house, particularly on Mrs Danvers, the housekeeper, who begins driving the young wife to madness. A classic story which unfolds to a dramatic conclusion. CAST Frith Geoff Noar Beatrice Lacy Sarat Parker-Broughton Giles Lacy Victor Hassan Frank Crawley Steve Williamson Maxim de Winter Bryn G Thomas Mrs de Winter Emily Heyworth Mrs Danvers Celia Bonner Jack Favell Jason Dunk Colonel Julyan Michael Bullimore William Tabb John Westbrook

< Back Octopia - GAPA Half Term Drama Workshop (TUESDAY) ˂ Previous Production Next Production ˃ to 26 September 2023 October Half Term Drama Workshop The Garrick Academy of Performing Arts TUESDAY 24th October 2023 10:00am - 16:00pm Ages 6-18 BOOK THE FULL 5 DAYS AND RECEIVE £25 DISCOUNT Join us during this October half term holiday for a day or for the full week to enjoy theatrical fun: combining music, movement, monologues and much much more! GAPA’s half term workshops encourage the participants to explore their creative side, and promote teamwork in a safe and friendly environment. Our aim is to deliver exciting drama workshops for students aged 6-18, where they can learn drama skills, gain confidence and above all have fun. Workshops start each day at 10.00am and finish at 4.00pm. Attendees are required to bring their own refreshments to see them through the day. Attendees are also requested to wear clothes suitable for movement and appropriate footwear, which will enable them to engage in all of the daily activities. Students will be required to read text unaided. If you need a fun-filled week in a high energy, performance based environment, then we'd love for you to join us at the Altrincham Garrick Playhouse. PLEASE NOTE - Once you have signed up, please click on the attachment in the email you receive. You will be provided with a link to complete a 'Registration Form'. This is required before your child can gain access to the workshop.

< Back The Adult Panto: Cinderella and her Naughty Buttons! ˂ Previous Production Next Production ˃ to 30 September 2022 Back on the road for their 19th year, the Market Theatre Company are out to corrupt another fairy-tail classic beyond recognition with an Adult Panto like no other. The fearless company of 3 actors return to bring you an evening of corny jokes, raunchy plots and blatant sexual innuendo using a minimum of set props and costume. Get ready for another evening of slick, fast-moving, farcical fun and bawdy sexual innuendo (did we mention the innuendo?) for adults only. Not suitable for under 16’s. PRESS ‘It’s fast, furious and very funny…’ – Choice Radio, Worcester (on Hansel & Gretel Go Down in the Woods) ‘Some of the sketches are worthy of The Two Ronnies with their extensive wordplay, faultlessly delivered.’ – Choice Radio, Worcester (on Peter Panties) ‘Quintessentially British…Like a Carry On film made by a Rugby Club!’ - The Stage Newspaper A FEW OF THE MANY AUDIENCE COMMENTS – From Facebook and Instagram ‘Absolutely brilliant show tonight in Swindon – well worth a trip to see these amazing guys do what they do so well’ Steve Wilson (audience member watching ‘Little Red Riding…’) ‘Watched last night. Omg I cried laughing. Should come with a health warning for ladies of a certain age, too many tena lady moments! Fantastic timing! Fantastic cast and kudos to the writer too!’ Alison Marie (audience member watching ‘Little Red Riding…’) ‘A brilliant night out at the Castle. The trio worked tirelessly to bring us all a great show. Well done to them and we shall be there next year.’ Christopher Jones (audience member watching ‘Little Red Riding…’) ‘One of the best shows I’ve ever seen!!! I laughed so much I’ve pulled a muscle in my chest!’ Stacey Amy Callier (audience member watching ‘Little Red Riding…!’) Our reasonably priced bar will be open before, during the interval and after the show. Free car park for customers and in easy walking distance of Altrincham and local tram and train stations. So what are you waiting for? BUY YOUR TICKETS NOW!

< Back Caroline, or the Unattainable ˂ Previous Production Next Production ˃ to 12 August 2019 Bramwell, Madge Cracknell, C J Fullerton, Irene Hill, Arthur P Leadstone, Irene Wilson, Kathleen Whitehead, Gerald

< Back Di and Viv and Rose ˂ Previous Production Next Production ˃ to 21 April 2023 “How do you want to live here? I mean we could come and go and lead separate lives. Or we could really live together. What do you think?” Three women are thrown together in their late teens. They are very different people but it isn’t long before they are living in each other’s pockets. Life is a blast and together they can do anything. But life also has unexpected plans for them... A funny, moving and surprising story of friendship’s impact on life, and life’s impact on friendship.

< Back Once a Catholic ˂ Previous Production Next Production ˃ to 7 February 2014 A comedy set in the convent of our Lady of Fatima Grammar School for Girls. Meet some of the fifth formers, their boyfriends and most importantly The Nuns who are responsible for the education, both religious and secular, and emotional welfare of their charges. A trip down memory lane for those educated at similar establishments during the fifties and an eye-opener for everyone else. [gallery columns="6" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/catholica-1.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/catholicb-1.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/catholicc-1.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/catholicd-1.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/catholice-1.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/catholicf-1.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/catholicg-1.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/catholich-1.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/catholici-1.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/catholicj-1.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/catholick.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/catholicl.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/catholicn.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/catholicm.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/catholicp.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/catholico.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/catholicq.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/catholicr.jpg|"] CAST Mother Thomas Aquinas Pat Williamson Mother Peter Patsy Roberts Mother Basil Tracy Burns Mary Mooney Rosi Hunter Mary McGinty Laura Whitehurst Mary Gallagher Kathryn Worthington Father Mullarky John Westbrook Mr Emanuelli David Richardson Derek Anthony Morris Cuthbert Oliver Marsh Pupils of 5A Ashley Foster, Hannah Pond.Megan Royle. Grace Smith Sale & Altrincham Messenger 's review by Rick Bowen Top marks for thought-provoking play WHETHER you've attended a strict Catholic convent school or not, or you simply remember what it was like to be young with an insatiable thirst for rebellion, you'll really enjoy Once A Catholic. It's a well crafted and beautifully observed piece of writing that recalls the fire and brimstone theology that was one a hallmark of the church. At this particular school, the nuns, Hitlers in habits, want to control every aspect of the girls behaviour - from the thoughts in their head to the type of knickers they wear. But the play, currently being performed at Altrincham Garrick, also makes the serious point that keeping young people in the dark makes them ill-equipped to cope in the big bad world beyond the school gates. One girl, for instance, receives the mother of all reprimands when she "dares" to ask one of the nuns about the facts of life. Alan Rothwell's production is perfectly paced and although the play is quite long - it's curtain down at 10.10pm - my attention didn't wander one iota. All the cast convince, and when the nuns address the audience, you sit up and take notice. Slouching will definitely not be tolerated! This is one of those pieces that requires a strong ensemble cast and Rothwell has certainly got that, because everyone on stage convinces. They all make full use of Mary O'Malley's believable and thoughtful script. A play with humour, a heart and a brain, 'Once A Catholic' is definitely not to be missed. And if you turn up late to the Garrick, make sure you have a note from your mum. Star Rating ★★★★ M.E.N.'s Review by Julia Taylor SCHOOLS in the fifties were much stricter than today, But Catholic girls' schools were probably the toughest of the lot. The Garrick's production of Mary O'Malley's play, Once A Catholic, takes you to the heart of one of these institutions - The Convent of our Lady of Fatima, Grammar School for Girls. The Catholic teenagers would much rather think about Elvis and boys than learn their catechisms. Their teachers instill in them that it is wrong to associate with the opposite sex. Indeed, they accuse the girls of so many petty misdemeanours that it is almost a sin to breathe. Some of the nuns are practically sadistic in their insistence on discipline and decorum. But this is a comedy. Girls will be girls and a bunch of lively fifth formers whose banter provides a laugh a minute don't let a few nuns inhibit their fun. Director, Alan Rothwell, tells the story in well-grouped small scenes. So, we go from the chapel to the classroom and to the home of protestant teddy boy, Derek, in film-like succession. Derek (Anthony Morris) seduces schoolgirl Mary Mooney (Rosi Hunter) after enticing her to watch his new-fangled TV. Innocent Mary is overcome with remorse and one of the funniest scenes is when she confesses her sin to Father Mullarkey (John Westbrook) whilst he eats sausages. Rosi, who hopes to become a professional actress, shows her future promise when her Mary fumbles to find the words to expressive the enormity of her crime. For not only has she committed an abominable offence, she has done it with her friend's boyfriend. Three groups of characters stand out. They are the three leading schoolgirls, three strict nuns and four men. They all get into the skin of their characters, interact well and make us laugh by just being who they are. There is one thing that we know won?t happen even to the girl who is engaged to a non-Catholic they won't leave the church. As the saying goes 'Once a Catholic, always a Catholic'. Star Rating ★★★★

< Back Alty Fringe: Deathly Confessions ˂ Previous Production Next Production ˃ to 29 October 2020 A series of chilling dark comedy monologues starring Crissy Rock, Samantha Alton, Thomas Galashan and James Templeton. Four stories to make you laugh, cry, and send a shiver down your spine… Sometimes the only person you can share your secret with is the dead. This show is part of the Alty Fringe 2021 - socially distanced and safe for all! The theatre has extensive COVID-19 safety measures in place, including a redesigned socially distanced auditorium, contactless tickets, regular deep cleans after each performance, timed entry slots, hand sanitiser stations around the theatre ... and much more. The Alty Fringe is proud to be appearing at the Altrincham Garrick from 12 March to 28 March 2021 . #altyfringe

< Back Three Tall Women ˂ Previous Production Next Production ˃ to 10 February 2014 A Pulitzer prize winning play from one of America's finest playwrights. Critics called it 'electrifying and heart rending'. Three amazing actresses give us a portrait of a women, her life, memories and beliefs with unflinching intensity. Like Albee's play 'Who's afraid of Virginia Woolf?' this play is full of humour and truths all delivered in an elegant, engaging and shockingly truthful style. CAST Woman A Sandra Thomas Woman B Jacqueline Wheble Woman C Kate Millington ASM - Linda Crawford

< Back California Dreamers ˂ Previous Production Next Production ˃ to 26 October 2021 The sounds of the late 1960s and early 1970s will be recreated during a nostalgic evening at Norden Farm when California Dreamers pay homage to the Woodstock generation. Classic songs by The Eagles, James Taylor, The Monkees, The Byrds, Joni Mitchell, Mamas and Papas, Creedence Clearwater Revival, Carole King and more are in store. America’s West Coast was at the heart of a cultural revolution as flower power struck and fans can release their inner hippie during an evening with California Dreamers. Our reasonably priced bar will be open before, during the interval and after the show. Free car park for customers and in easy walking distance of Altrincham and local tram and train stations. So what are you waiting for? BUY YOUR TICKETS NOW!

< Back GAPA Term 3 - Group 1 (Call Box office 0161 928 1677 to BOOK) ˂ Previous Production Next Production ˃ to 22 March 2023 (Call Box office 0161 928 1677 to BOOK) GAPA – Garrick Academy of Performing Arts TERM 3 Enrolement: 22nd April 2023 – 8th July 2023 10 week term - Saturday Class Not including: 27/05/2023 & 03/06/2023 Group 1 - 9am to 11am for students aged 8 - 11 years The Garrick Academy of Performing Arts runs classes for ages 5 to 18 on Saturday and is the place to be if you love acting, singing or dancing. IMPORTANT - Please do not sign up to this class if your child does not fall within this age bracket. If you are enroling more than one student, please ensure the correct Group is selected for each child.Due to limited spaces, if you select the incorrect group we cannot guarantee your child a place at GAPA this term. Existing GAPA students will have priority booking and a place secured for them for a period of 2 weeks until Thursday 6th April. Following which any remaining spaces in all 7 Groups will be made available to our waiting list. Enrolement will be available to new students after 20th April.

< Back Titanic 1997 (Film Screening) ˂ Previous Production Next Production ˃ to 7 December 2021 James Cameron’s Titanic is an epic, action-packed romance set against the ill-fated maiden voyage of the R.M.S. Titanic, the pride and joy of the White Star Line and, at the time, the largest moving object ever built. She was the most luxurious liner of her era -- the “ship of dreams” -- which ultimately carried over 1,500 people to their death in the ice cold waters of the North Atlantic in the early hours of April 15, 1912. Our reasonably priced bar will be open before and after the screening. Free car park for customers and in easy walking distance of Altrincham and local tram and train stations. So what are you waiting for? BUY YOUR TICKETS NOW!

< Back Star Wars: the Force Awakens (2015 film) ˂ Previous Production Next Production ˃ to 29 September 2020 Thirty years have passed since the destruction of The Empire and The Death Star; now a new evil regime called The First Order threatens to destroy The New Republic and The Galaxy. Rey, a desert scavenger, and Finn, an ex-Stormtrooper, must join Han Solo, Chewbacca, Leia Organa and her Resistance to search for the one hope of restoring peace: Luke Skywalker, the last surviving Jedi. This 2015 space epic, directed by JJ Abrams, is the perfect film to be seen on our Garrick Big Screen. May The Force Be With You. This screening will (as always) be introduced by Barry Purves with informed trivia, anecdotes and some background of the production. The bar will be open before and after the show. Come and join us in a friendly, informal and Covid-19 safe atmosphere, to take advantage of sensational screening facilities as well as our low prices and free car park.

< Back Death and the Maiden ˂ Previous Production Next Production ˃ to 21 June 2016 Olivier Award Best New Play 1992 Powerful political drama and psychological thriller Paulina Escobar is a political activist in an unnamed South American country that until recently was ruled by a dictatorship. One day a storm forces her husband to ride home with an elderly neighbour called Dr. Miranda. This chance encounter brings up unexpected demons from Paulina's past. She is convinced that Dr. Miranda was, in fact, part of the old fascist regime that had tortured and raped her. Paulina takes the doctor captive to determine the truth, but is torn between her wishes to repress her memories of the experience and her desire to reach the truth. Meanwhile, her husband is torn between his loyalty to his wife and his need to adhere to the rule of law. Dr. Miranda is forced to endure captivity while Paulina and her husband seek out the truth about the clouded past. Cast Paulina Salas - Tracy Burns Gerardo Escobar - John Keen Roberto Miranda - Paul Wilson Photographs by Jacob Samuel [gallery ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/21.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/101.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/71.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/8.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/11.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/12.jpg|"] **** Review by Julia Taylor for Sale and Altrincham Messenger DEATH and the Maiden, Ariel Dorfman?s gripping play at the Garrick?s Lauriston Studio, is not for the faint-hearted. Set in Chile after Pinochet, it is centred around Paulina Escobar (Tracy Burns). Paulina cannot forget what she suffered previously under the Totalitarian regime. A doctor, Roberto Miranda (Paul Wilson) has innocently helped her husband, Gerardo (John Keen), a member of an investigating committee for past ill deeds, when his car breaks down. Gerardo?s wife believes he is the same doctor who assessed the limits of her endurance when she was kidnapped. As soon as she recognises his voice, Paulina?s hackles rise. Tracy plays Paulina in an intense, unforgiving way as her hatred spills out. Her heart beats fast as she executes the exhilarating business of revenge in an unconventional way. Nevertheless, she reveals Paulina?s vulnerability, too. It is a testing role and Tracy rises to the challenge. Her performance can?t be bettered. Piggy in the middle is her human rights lawyer husband, Geraldo, who believes his job as a member of the Truth and Reconciliation Commission is to bring justice to offenders by the rule of law and no other way. John captures this well and creates a character who is shocked and scared by his wife?s apparently irrational behaviour. At times you wonder whether Roberto really was the perpetrator. Paul who plays him spends his time pleading his innocence. However, the discovery of a cassette of the Schubert quartet used to hide Paulina?s screams raises your suspicions. He gives an unforgettable monologue confessing his guilt but was he put up to it? It?s harrowing but worth seeing and certainly keeps you guessing. * Death and the Maiden is at the Lauriston Studio until Saturday, March 4. For tickets, ring 0161 928 1677 or view altrinchamgarrick.co.uk. Star rating: * * * * **** Review by Rick Bowen for Stagestruck? DEATH and the Maiden offers us the two sides of humanity, reminding us of the horrific things we do to each other and the resilience of the human spirit. Then we come to the difficult issue of forgiving our tormentors, as Paulina Escobar comes face to face with the doctor she believes, oversaw her torture while in prison. We're in an unnamed country, a fledgling democracy emerging from the dark days of dictatorship. Paulina (a suitably vengeful Tracy Burns) is a mess, psychologically scared by what happened to her while in prison at the hands of vividly described but never seen state thugs. Her beleaguered husband Gerardo (John Keen) is facing an uphill struggle to keep his wife under control. She wants Dr Roberto Miranda, cultured,?refined and oh so middle class, to pay forwhat he did. Paul Wilson, who has consistently impressed me on the Garrick stage, delivers once again here. All three do have a fantastic script to work with, however, thanks to the intelligent and perceptive writing of Ariel Dorfman. Venues like the Lauriton are vital, providing a welcome alternative to the largely mainstream productions that grace Altrincham Garrick's main stage.? These are important plays that set us thinking, important stories that must be told. Director Steve Williamson ensures his production packs a powerful punch, there are no laughs here. Highly recommended. * Until March 4. The box office is on 0161 928 1677. Star rating - ****

< Back NATIONAL THEATRE LIVE - Othello ˂ Previous Production Next Production ˃ to 1 September 2022 An extraordinary new production of Shakespeare’s most enduring tragedy, directed by Clint Dyer with a cast that includes Giles Terera (Hamilton), Rosy McEwean (The Alienist) and Paul Hilton (The Inheritance). She’s a bright, headstrong daughter of a senator; elevated by her status but stifled by its expectations. He’s refugee of slavery; having risen to the top of a white world, he finds love across racial lines has a cost. Wed in secret, Desdemona and Othello crave a new life together. But as unseen forces conspire against them, they find their future is not theirs to decide.

< Back Jack & the Beanstalk ˂ Previous Production Next Production ˃ to 7 August 2013 The Garrick's absolutely traditional pantomime has been given a rock'n'roll theme by Chris and features all panto's favourite characters - Jack (played, of course, by a woman), Mother Mack, the dame (played, of course, by a man), Simple Simon, the village idiot, the Sheriff (the arch villain) with his two sidekicks Georgy and Porgy, a fairy godmother, Little Bo-Peep, the Giant and his wife and not forgetting Buttercup, the cow. A real family treat. CAST Stephanie Hawthorn as Jack Derek Stuart-Cole as Mother Mac Katherine Whibley as Bo-Peep Brian Howlett as Simple Simon David Reynolds as the Sheriff Richard Frost as Georgie Frank Boylan as Porgie Brian Stoner as the Giant Jane Inglis as the Giant's Wife Marina Anderson as Miranda and the Firy Godmother John Newton & Darren Staunton as Buttercup Stephanie Hampson as Mini Mother Mac Laura Cress as Mini Simple Simon David Peckitt as Mini Sheriff Matthew Gibbon as Mini Georgie Natalie Carr as Mini Porgie Louisa Carr as the Magic Hen Other Villagers, Ghosts & Pixies played by Claudia Hamilton, Rachel Holmes, Louisa Tratalos

< Back Chitty Chitty Bang Bang ˂ Previous Production Next Production ˃ to 20 October 2022 Altrincham Garrick Playhouse presents the most Fantasmagorical musical, Chitty Chitty Bang Bang , for October Half Term… a high-flying, fun-filled adventure for the entire family! An eccentric inventor, Caractacus Potts sets about restoring an old race car from a scrap heap with the help of his children, Jeremy and Jemima. They soon discover the car has magical properties, including the ability to float and take flight. Trouble occurs when the evil Baron Bomburst desires the magic car for himself. The family joins forces with Truly Scrumptious and batty Grandpa Potts to outwit the dastardly Baron and Baroness and their villainous henchman, the Child Catcher. One of the world’s favourite musicals, Chitty Chitty Bang Bang will have audiences of all ages flying high with its mixture of madness, intrigue and exuberance. Based on the beloved 1968 film version of Ian Fleming's children's book, and featuring an unforgettable score by the Sherman Brothers (Mary Poppins ),Chitty Chitty BangBang is one family-friendly show that you’ll find "Truly Scrumptious." Music and Lyrics by Richard M. Sherman and Robert B. Sherman Music by Special Arrangement with Sony/ATV Publishing Adapted for the Stage by Jeremy Sams Based on the MGM Motion Picture Licensed Script Adapted by Ray Roderick This amateur production is presented by arrangement with Music Theatre International All authorised performance materials are also supplied by MTI www.mtishows.co.uk Production shots taken by Martin Ogden REVIEWS StageStruck - Rick Bowen "The production has a dream team of creatives behind it and a cast who are determined the audience, children and adults, are totally swept along by this fun filled evening of classic, feel good musical theatre." "This is an evening of unbridled, unashamed escapism. We the audience find ourselves transported to a world of colourful, larger than life characters." Read the full review: Chitty Chitty Bang Bang - Altrincham Garrick — Stagestruck ---------------------------------------------------------------------------------------------------------------------------------- Free Car Parking. Cosy Bar. Great Prices. ----------------------------------------------------------------------------------------------------------------------------------

< Back The Shadow of Doubt ˂ Previous Production Next Production ˃ to 12 August 2019 Alexander, Irene Grimshaw, Harold Locker, James

< Back The Grinch (2018 film) ˂ Previous Production Next Production ˃ to 1 January 1970 The cantankerous and green-furred Grinch has a heart "two sizes too small", and is the only person in the town of Whoville who is not happy that Christmas is coming. He hatches a plan to disguise himself as Santa and steal Christmas from the Whos. Will he succeed ? What do you think .... ? Benedict Cumberbatch voices the Grinch in this computer-animated fantasy. The Garrick is showing this film twice - on Sunday and Monday afternoons. Each will (as always) be introduced by Barry Purves with informed trivia, anecdotes and some background of the production. Come and join us in a friendly, informal and Covid-19 safe atmosphere, to take advantage of sensational screening facilities as well as our low prices and free car park.

< Back Another Round 2021 (Film Screening) ˂ Previous Production Next Production ˃ to 7 December 2021 There is an obscure philosophical theory that humans should have been born with a small amount of alcohol in our blood; that modest inebriation opens our minds to the world around us, diminishing problems and increasing creativity. Intrigued, Martin (Mads Mikkelsen) and three of his friends, all weary high school teachers, embark on a risky experiment to maintain a constant level of intoxication throughout the workday. Initial results are positive, but as the units are knocked back and stakes are raised, it becomes increasingly clear that some bold acts carry severe consequences. In Danish with English subtitles. Winner of 25 major Film Awards including Academy Award Winner of Best International Film and BFI London Film Festival Best Film Winner. Our reasonably priced bar will be open before and after the screening. Free car park for customers and in easy walking distance of Altrincham and local tram and train stations. So what are you waiting for? BUY YOUR TICKETS NOW!

< Back OHMS ˂ Previous Production Next Production ˃ to 12 August 2019 Beck, June Mulraine, Helen

< Back The Turn of the Screw ˂ Previous Production Next Production ˃ to 16 December 2013 Based on Henry James' tour de force, The Turn of the Screw is an atmospheric story set in 1875 of two orphaned children apparently haunted by the ghosts of a pair of servants who wish them ill. Miss Grey, a young governess, arrives at Bly to take care of them, but soon begins to see strange figures - a man and a young woman. Are they the ghosts of Quint and Miss Jessel, the former valet and governess at Bly? Only Miss Grey seems to see the ghosts. Is she a hopeless neurotic who hallucinates the figures of Peter Quint and Miss Jessel? Or is she a plucky young woman battling to save her charges from destruction and damnation? CAST Holly Salmon as Flora Ros Greenwood as Miss Grey Adam Lewis as Miles Joan Hughes as Mrs Grose Bryn Thomas as Mr Crimond Jon White as Peter Quint Ros George as Miss Jessel

< Back Robert's Wife ˂ Previous Production Next Production ˃ to 12 August 2019 Atkin, Eric Carter, Harold Coombs, J Creacall, Edward Green, Joyce Harris, Frank Lightowler, Madge Pearce, Tom Sykes, Constance D Wallace, Jean Wheelwright, Stewart

< Back Street Scene ˂ Previous Production Next Production ˃ to 12 August 2019 Abbott, Amy Allman, William Angell, Jean Armitage, Graham Barratt, Norman Bayliss, Tony Beck, Eve Beswick, Kendrew Blackhurst, Ernest Brettelle, Roy Burgess, May Butler, Eileen Clarkson, Norma Clegg, Alma Clephan, Gay Coventry, Philip Gillespie, Robert Gregory, Kathleen Gutermann, Henry Healey, Tom Heap, Marjorie Kamberian, Tahouhi Lightowler, Ronnie R Morrison, Elspeth Osborne, Edgar Patterson, Anne Pimlott, (Allman) Emmie Richardson, George Sanders, Hugh Shields, W R Snape, Joyce Starkey, Raymond Stockdale, Leslie Warrington, Betty Wilson, Frank Wiltshire, H John Wood, Barrie Whyatt, Egerton G

< Back Oliver! (Postponed) ˂ Previous Production Next Production ˃ to 17 July 2019 Coronavirus (COVID-19) Closure Update In line with Government instructions we are classed as a non-essential business and no member of staff is able to continue working at the theatre until Government restrictions ease. Please be assured that the vast majority of events have been postponed and not cancelled so therefore all tickets remain valid. Once we are able to operate again we will be in touch with you with details of the rescheduled dates. You can then transfer your current tickets to the new date, however if you are unable to transfer to the new date or don’t wish to have your ticket transferred to another production you will be given a full refund. You will not lose any money. This is an unprecedented event for our venue, and we thank you for your continued support and loyalty. Best wishes Your Garrick Playhouse Team. Ashton on Mersey School in Sale presents Oliver! The classic musical by Lionel Bart, based on the Charles Dickens’ novel Oliver Twist will be brought to life on the stage for Ashton’s school show. We will transport you to the streets of Victorian England where you’ll meet Oliver, an orphan who escapes to London and he becomes part of a group of pickpockets led by the infamous Fagin. Oliver is caught for a crime he did not commit, however the kind Mr Brownlow takes pity on him. Will Fagin, Bill Sikes and Nancy be able to kidnap him to help with their thieving exploits, or will Oliver have the chance of finding a real family to love? Coronavirus (COVID-19) Closure Update Following the official government notification issued on Monday 16th and Tuesday 17th March 2020, which stipulates that people should avoid public buildings, including theatres, we regret to announce that Altrincham Garrick Playhouse will close from today to help slow the spread of Coronavirus and to protect our patrons, staff and volunteers. All public performances will cease/be postponed from Wednesday 18th March 2020 and we hope to be able to present this seasons remaining productions at a future date. We will be in touch regarding options available to you for credit notes or transfers to other future performances, but as you will appreciate, we will prioritise the performances closest to today then be in touch with customers who have tickets booked for future shows as the length of closure becomes clearer. Please bear with us – we will contact customers on an ongoing basis. Our customer service team will be very busy so please do not email or telephone regarding your booking, you will hear from us in due course. This is an unprecedented event for our venue, and we thank you for your continued support and loyalty. Best wishes Your Garrick Playhouse Team.

< Back Stags and Hens (The Remix) ˂ Previous Production Next Production ˃ to 11 April 2017 Makes Saturday night in Blackpool look tame! The play is set in a trashy 70's disco in Liverpool, England. The action is mainly in the gents and women's toilets of the disco where both Linda (The Bride) and Dave (The Groom) have decided to hold their stags and hens nights, not knowing that their other half is at the same place. When Linda's ex-boyfriend, Peter, arrives this causes an uproar between Linda and Dave's friends and when Linda's hen party get a say in all that's happening the two groups gang together to stop Linda taking up the offer of an escape with her ex Peter she is then forced with a difficult decision - to stay or to go. [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_4404-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_4428-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_4651-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_4687-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_4713-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_4749-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_4925-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_4955-Small.jpg|"] Production Photographs by Vish Sharma CAST Linda - Francesca Smith Maureen - Megan Royle Bernadette - Fiona Primrose Carol - Tabitha Hughes Frances - Parissa Zamanpour Dave - Adam Rogers Robbie - ChrisWagstaff Billy - Charlie Gallagher Kav - Josh Evans-Smith Eddy - Josh Leach Peter - Ethan Martin Roadie - Adam Rogers Review by Rick Bowen for Stagestruck Designer Lesley McKie skilfully transforms the Garrick's main stage into nightclub toilets for Willy Russell's reworked comedy Stags & Hens. This is the scene of much booze fuelled drama and while the play has a serious theme, about the need to sometimes break away from the familiar when "the familiar" is holding you back, most people will I imagine, go to see this to watch a group of young people letting their hair down and the inevitable carnage that follows such drinking sprees. While the repetitive strong language becomes boring, it does add authenticity to the piece and so do the lively and energetic performances of a cast who really convinced me there in party mood. Although most of the high jinks take place among Linda and her curious collection of mates, from the weepy Maureen to Bernie, a woman who has, to coin the phrase, been round the block a few times. Fiona Primrose is outstanding in this role and Francesca Heraghty-Smith equally impressive as Linda. Her evening takes a very complicated turn when an old flame turns up on her hen night. Josh Leach is very intimidating as Eddy, a frightening, thuggish control freak who thinks he can bully Linda into going down the aisle when she starts to have her doubts. Stags & Hens may not be Shakespeare but it's a play with no pretensions that's sure to strike a chord with anyone whose been on a stag or a hen do. While Russell over does the swearing - and I am definitely no prude - there are some brilliant comic lines to enjoy. Lines that offer us a reminder of just why this Scouse playwright is one of our greatest. Star rating ★★★★ Review by Julia Taylor for The Messenger Stags and hens create plenty of laughs Stagsand Hens (The Remix), Willy Russell's comedy, fills the Garrick Playhouse with laughter. We laugh as Stag and Hen Nights for Dave and Linda's forthcoming marriage take place in a run-down Liverpool Club in 1977. What's more, the bride, played by Francesca Heraghty-Smith and her friend, Megan Royle, who is Maureen, are both getting married for real in the next 12 months.The bride-to-be and groom-to-be, have no idea of each other's presence. Well done Leslie Mckie for the effective split set revealing men's and ladies' lavatories, where the action takes place. Francesca's Linda starts to have doubts about her nuptials when she meets an old flame, booked for that night's gig and doing well. He is Peter. Charismatic Ethan Martin makes him stand apart from the other lads who want his autograph. Adam Rogers' Dave is already inebriated when he arrives after downing a curry swilled down with alcohol. He spends his time throwing up in the loo and ends up semi-comatose. His best mate, Eddy, who insists that your own happiness should come first, is anti-celebrity. Linda's best friend is Frances, played by Parissa Zamanpour. She always puts Linda's interests first and remains loyal. Megan Royle's portrayal of naive Maureen is good. All she wants is for everything to be nice including the joining together of bride and groom. Her sheltered life comes out every time she bursts into tears until Brandy and Babycham come to the rescue. The Garrick players retain and project their Liverpool accents throughout and indicate good teamwork. As for the bride, her friends think she has come to her senses but has she?

< Back Jerusalem ˂ Previous Production Next Production ˃ to 11 April 2017 Extraordinary play that breaks every single rule in the book Jez Butterworth's Jerusalem set on St. George's Day in a Wiltshire village, has been described as an instant modern classic, a hymn to both the old England of folk tales and rural mystery and a lament for the housing estates and petty officialdom that are screwing it up. It is a defiant celebration of freedom, yet at the same time one feels an undoubted sympathy for any proud householder who finds himself living near a man like Rooster Byron. Rooster is a charismatic gypsy character, loved and admired by many, despised by a few and a thorn in the side of the local authority. A brand new production of a Tony and Olivier Award winning play. [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_1774-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_1814-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_1854-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_1922-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_2040-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_2120-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_2241-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_2278-Small.jpg|"] Production Photographs by Vish Sharma CAST Phaedra - Zoe Cummins-White Ms Fawcett - Lindsey Barker Mr Parsons - David Lemberg Johnny 'Rooster' Byron - Scott Ransome Ginger - Mark Butt Professor - Steve Searcy Lee - Adam Rogers Davey - Tim Cooper Pea - Isabelle Greensmith Tanya - Laura Crow Wesley - Matthew Banwell Dawn - Ali Davenport Marky - Sebastian Ross Troy Whitworth - David Lemberg Review by Rick Bowen for Stagestruck I have been reviewing at this theatre for more than 20 years and in that time I've had the privilege of seeing some truly great performances. But I can't remember the last time a performance actually brought me to my feet. That said, actors of the calibre of Scott Ransome don't come along very often, do they. He plays Johnny "Rooster" Byron, a charmless, amoral waster who refuses to live by society's rules quite brilliantly. He expertly tackles the sort of character who'd sell his own grandmother if e thought he'd gain from the transaction but, despite his many faults its hard not to be captivated by this larger than life low life. For the local young people, for "local young people" read waifs and strays, he's like the Pied Piper, his shabby caravan a Mecca for drug using party animals. But his drug and booze fuelled existence is under threat, by developers desperate to get their hands on the land he lives on. Byron is one of the most fascinating characters in contemporary drama for me and Ransome gives him the five star treatment when it comes to bringing Jez Butterworth's classic creation yo life. However, it would be wrong to refer to John Cunningham's perfectly observed production as the Scott Ransome Show. A strong ensemble also plays it's part in making this trip to the other side of the social tracks a truly memorable one. I really liked Matthew Banwell as the rule bending landlord Wesley and the always watchable Mark Butt as Ginger, who dreams of being a celebrity DJ one day. I hope this play, a masterpiece in so many ways, gets the houses it deserves and people are brave enough to see beyond the strong language. Some of Butterworth's dialogue is superb. Star rating ★★★ ★★ Review by Julia Taylor for The Messenger The Garrick's powerful, dark drama is not for the faint hearted THE Garrick's latest production is Jez Butterworth's controversial Jerusalem, a dark, adult comedy. The Garrick is brave to put on such a controversial play which is like a breath of fresh air. The central figure, Johnny 'Rooster' Byron is played uninhibitedly by Scott Ransome. He?s a wastrel and modern day Pied Piper, an alcoholic, drug dealing teller of tales. Rooster is threatened with eviction from his Gypsy-style caravan and curses Kennet and Avon Council. It's the annual St George's Day Flintlock Fair and his 10-year-old son (Sebastian Ross) wants his father to take him but, in his usual antagonistic fashion, he refuses to do so. Scott, an utterly believable tough cookie, looks down on Wesley, the publican (Matthew Banwell), who has to wear morris dance gear in order to re-enact an old custom. Rooster almost becomes a folk hero since eccentric losers and kids who he rescues from unpleasant fates, adore him. Scott's performance is one of the most powerful, emotional acting displays I've seen in a long time.Then there is the sadistic stepfather of Phaedra (Zoe Cummins-White), the May Queen. He is played outstandingly by David Lemberg. Ginger, an old friend, who mixes in the same motley circle and sticks by Rooster is another great character.It?s hard to believe that this ruffian is the same Mark Butt who was Thomas Cromwell in Wolf Hall. Well done, Mark.They all contribute to a host of colourful village characters but the most colourful has to be Rooster. The set is designed by Trevor McKie and John Cunningham who also imaginatively directs the play. It illustrates Rooster's caravan home, and the scattered scruffy furniture outside in Rooster's wood. Star rating ★★★★★

< Back The Ritz ˂ Previous Production Next Production ˃ to 16 December 2013 On the run from the Mob, a nervous New York heterosexual takes what he hopefully thinks is refuge in a gay bathhouse. Peopled by outrageous characters and a predatory Latin songstress, our hero's troubles are just beginning. Although extremely funny, be warned that this play does contain violence, swearing and sex scenes, including male nudity. Unmissable!

< Back Sabrina Fair ˂ Previous Production Next Production ˃ to 12 August 2019 Allman, William Caldwell, Pamela Collins, Kathleen Corness, Ian Oddey, John Studley, Freda

< Back Love's a Luxury ˂ Previous Production Next Production ˃ to 12 August 2019 Allman, William Clark, Hettie John, Joan Oddey, John Pearce, Rosemary Stockton, Reg

< Back Seussical Jr ˂ Previous Production Next Production ˃ to 24 August 2015 5 to 8's and 8 to 11 year olds - Saturday 19th March at 2:30pm 12 to 16 year olds ?- Friday 18th and Saturday 19th March at 7:00pm Transporting audiences from the Jungle of Nool to the Circus McGurkus, the Cat in the Hat, our narrator, tells the story of Horton, an elephant who discovers a speck of dust containing tiny people called the Whos, including Jojo, a Who child who gets in trouble for thinking too many "thinks." Horton's challenge is twofold - not only must he protect the Whos from a world of naysayers and dangers, but he must also guard an abandoned egg that's been left in his care by the irresponsible Mayzie La Bird. Although Horton faces ridicule, danger, kidnapping, and a trial, the intrepid Gertrude McFuzz never loses faith in him. Ultimately, the powers of friendship, loyalty, family, and community are challenged and emerge triumphant! ?

< Back Daisy Pulls it Off ˂ Previous Production Next Production ˃ to 16 December 2013 DAISY PULLS IT OFF engagingly captures the uncomplicated innocence of Angela Brazil's schoolgirl novels. It is about the attempts of superachiever Daisy Meredith to submerge her poor elementary school background and find acceptance in the snobby confines of Grangewood School for Young Ladies. Our plucky heroine undergoes a number of tribulations (including possible expulsion) before, by being honourable and straight in all things, all comes right in the end with Daisy saving the lives of sneaky Monica and toady Sybil - her arch enemies - discovering the treasure of Grangewood, scoring the winning goal at hockey and finding her long-lost father!

< Back The Upbeat Beatles ˂ Previous Production Next Production ˃ to 29 April 2021 Did you miss The Beatles first time around? Don’t miss them now! The Upbeat Beatles are second to none - powerhouse vocals, precision harmonies and tight musicianship. The guys have an easy, happy rapport with any crowd, giving them a reputation to be envied as the best in the business. There isn’t a band to touch them - 8 bars of “Twist and Shout” and you will know why! No other band can perform this song like The Upbeat Beatles! The show takes you through the Fab Four’s long and winding road from the early Cavern days through Beatlemania, America, Sergeant Pepper to Abbey Road, with narrative and full multi-media presentation. If you love the Beatles you'll love this show, and if you don't love the Beatles you'll love this show! Our reasonably priced bar will be open before, during the interval and after the show. Free car park for customers and in easy walking distance of Altrincham and local tram and train stations. So what are you waiting for? BUY YOUR TICKETS NOW!

< Back Swan Song By Jonathan Harvey ˂ Previous Production Next Production ˃ to 18 December 2020 Swan Song , is a hilarious bittersweet comedy, re-imagined by award-winning Liverpool playwright Jonathan Harvey. Following its critically acclaimed sell-out premiere run at Liverpool Theatre Festival, Swan Song is heading out on tour to coincide with LGBT history month. Starring T.V. and stage actor Andrew Lancel (The Bill, Coronation Street and Cilla The Musical) and directed by BAFTA award-winning Noreen Kershaw (Our Girl, Scott and Bailey, Shameless, Coronation Street and Emmerdale). Produced by Bill Elms Production. Set in Liverpool, it is Christmas 1997, the world is changing and in the staff room, gay forty-something English teacher, Dave Titswell finds that not all change is welcome. He has a crush but life, love, and work are never straight forward for Dave. Will a school trip to The Lakes change things for the better, or make things decidedly worse? Swan Song will make you laugh, but equally pull at your heartstrings. Everyone knows someone like Dave or could even be a Dave themselves. ★★★★ “A piece that is painstakingly crafted and superbly delivered ” North West End.

< Back Salute to Sinatra & the Swing Legends (Postponed) ˂ Previous Production Next Production ˃ to 28 January 2020 Coronavirus (COVID-19) Closure Update In line with Government instructions we are classed as a non-essential business and no member of staff is able to continue working at the theatre until Government restrictions ease. Please be assured that the vast majority of events have been postponed and not cancelled so therefore all tickets remain valid. Once we are able to operate again we will be in touch with you with details of the rescheduled dates. You can then transfer your current tickets to the new date, however if you are unable to transfer to the new date or don’t wish to have your ticket transferred to another production you will be given a full refund. You will not lose any money. This is an unprecedented event for our venue, and we thank you for your continued support and loyalty. Best wishes Your Garrick Playhouse Team. A Salute to Sinatra and the Swing Legends with Foden's Brass Band featuring Matt Ford - as seen on the BBC Proms with the BBC Big Band, John Wilson Orchestra & the Syd Lawrence Orchestra

< Back Swallow ˂ Previous Production Next Production ˃ to 30 July 2019 A play that delves deep into the lives of three uniquely complicated women, Sam, Rebecca, and Anna, exploring their insecurities, anxieties, and passions for life. The play is poetic and contemporary in style, gliding in between the lives of these spirited women, exposing the hard truths of everyday life aided by love, sex, tears, dark humour, and of course, wine! Rehearsal Photos [gallery columns="7" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/10/IMG_7534.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/10/IMG_7533.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/10/IMG_7555.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/10/IMG_7563.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/10/IMG_7547.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/10/IMG_7539.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/10/IMG_7536.jpg|"] Review by Johanna Hassouna-Smith for Number 9 Reviews Steph Smith’s play ‘Swallow’ is a poetic masterpiece which was premiered at the 2015 Edinburgh Festival. In true Edinburgh style the play is only one hour in length but covers a multitude of issues cleverly and at a fast pace, without drowning in its own misery. Being a ‘three hander’ play, the script is hefty for such a small cast but moved with an energy which felt much more like you were watching a piece of professional theatre...but that is something I have come to expect from the Altrincham Garrick productions. The play examines three extremely damaged women and how they deal with what life has thrown at them. Complex issues from mental health to gender fluidity and domestic violence are dealt with head-on but with such a lightness of touch, it almost shocks you when you find yourself shedding a tear at the emotion of it. The play begins as a series of monologues which interweave with one another until two of the characters eventually meet and form friendships. It is a social commentary about people existing but never really interacting with one another and there is a sense that by the end of the play when the characters talk to one another, many of their issues are resolved. Director, Parissa Zamanpour’s artistic vision for this piece is wonderful. The incredible set design looked, on first glance like a hodgepodge of items thrown into a heap and littered with fairy lights but were in fact a beautiful metaphor for the chaotic lives of the central characters. Use of this intricate design created a fabulous backdrop to this high energy performance and the pace of the wonderful script and the talent of the three actresses on stage were clearly testament to great direction. Portia Dobbs’ portrayal of the mentally ill and housebound Anna was mesmerising to watch. Every tiny nuance of her character had been brilliantly thought through with believability and a lovely sense of humour. Alex Marie Edge had an incredible sense of naturalism in her acting style and I could watch her perform all day. And Hannah Weiner dealt with her gender storyline of Sam with complete pathos and credibility. Three wonderful performers who I would love to see on stage again. Altrincham Garrick have a steady stream of brilliant productions to entertain their wide and varied audiences and this production was no exception to the rule. Performed in the close quarters of the Lauriston Studio theatre with a capacity of less than 50, this tiny theatre space felt intimate but didn’t scrimp on the quality of production. However, if I was to offer any criticism at all it would be that the breakdown of set from last week’s main stage production could be clearly heard from above the space during the performance. . .but that would be picky! Sparrow is a powerful play acted superbly and directed with wonderful attention to detail. This season's productions in our Lauriston STUDIO have been sponsored by

< Back The Taming of the Shrew ˂ Previous Production Next Production ˃ to 12 August 2019 Alexander, Tom Bradshaw, James H Brown, Sydney A Chorley, J W A Courtney, Donald Fletcher, Joan Gregory, Mary P Hall, Rene Hartley, Robert Haycock, John Hooper, Alfred Hughes, Geoffrey Iredale, W R Jackson, P M James, Barbara Justice, Margery Litherland, Cyril L Lowe, Joan Osborne, Edgar Roberts, Eunice Robinson, Dorothy A Rourke, Norah J Ruse, Marjorie T Salisbury, W Shepherd, J E Trigg, L R Wilson, E R Wood, Joan Wood, R Craig

< Back Gypsy ˂ Previous Production Next Production ˃ to 2 June 2014 This is one of the most outstanding comedy musicals ever written. Based on the true memoires of Gypsy Rose Lee, it tells the story of the fiercely ambitious show business mother, Mama Rose and her daughters June and Louise. It is the late 1920's and the world of vaudeville is fast dying out. When June falls in love with a boy in the act, Rose turns her attention to the seemingly less talented Louise, but it is not in a tacky vaudeville that Louise is destined. Louise gets her break in the new sensation which is the spectacular and glamorous world of burlesque. With a score packed with hits like, 'Everything?s coming up roses', 'Let me entertain you', 'Together, wherever we go' and the show stopping, 'You've Got to get a gimmick'- Not to be missed! [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/10/DSC_5293.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/10/DSC_5340.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/10/DSC_5307.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/10/DSC_5250.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/10/DSC_5116.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/10/DSC_5049.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/10/DSC_2257.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/10/DSC_2191.jpg|"] CAST ROSE - Dawn Flint HERBIE -Steven Finney LOUISE -Megan-Hollie Robertson DAINTY JUNE -Bethan Jacks MAZEPPA - Laura Chandler ELECTRA - Alexandra Howarth TESSIE TURA / MISS CRATCHITT - Stephanie Niland UNCLE JOCKO / MR. KRINGELEIN - Mike Shaw TULSA - Sam Jones POP / CIGAR / MR. GOLDSTONE - Bill Platt YONKERS / PASTEY - Elliot Horler ANGIE - Jack Hales L.A - Jon Walker DOLORES - Katie Thorpe MARJORIE - Megan Flanagan THELMA - Bethany-Jayne Dalton AGNES - Bethan Jacks Messenger Review Flawless - Gypsy at Altrincham Garrick Can somebody tell me, what actors have to do to get a standing ovation these days? I really thought we were on the verge of witnessing one at Altrincham Garrick on Monday night, after the audience had been treated to a production of Gypsy that was flawless in every respect. But the audience, appreciative throughout nearly three hours of unadulterated musical pleasure, somehow managed to stay in their seats. The show is inspired by the memoirs of Gypsy Rose Lee who made her name as a burlesque entertainer and unusually for musicals of this genre you do care about the leading characters. Mama Rose may be the archetypal pushy parent as she strives to turn her daughters into showbiz stars but it's impossible not to like this larger than life, no nonsense character. Dawn Flint is fabulous in the role and she certainly does justice to the big numbers with her awesome vocal range. There's a great chemistry between her and her loyal daughter Louise, played to perfection by Megan-Hollie Robertson. Megan-Hollie has a fabulous voice and is a very gifted actress, conveying her character's transformation from frightened rabbit to demanding diva quite brilliantly. Steven Finney is highly likeable as Rose's love interest, Herbie. The production's other big selling point is the choreography which makes for some truly exhilarating and memorable dance routines. Choreographer David Needham, who is also the stage director, deserves an enormous amount of credit for this. Sometimes children look as if they're performing in front of a firing squad when they're on stage. The youngsters in this production look like they've been acting, singing and dancing forever and I was particularly impressed with Isabelle Smith and Chloe Radford and Baby Louise and Baby June. If there were ever two children who were born to perform, it's these two. When word gets out as to just how good this Gypsy is, it is sure to sell out. So, make sure you don't miss the best musical to hit Trafford in years. Brilliant. Star Rating ★★★★★ Remotegoat Review of Gypsy by Julia Taylor A Show to stop Hearts The Garrick's production of Jule Styne and Stephen Sondheim's Gypsy is a show and heart stopper to beat anything they've done before. The sheer professionalism of all concerned takes your breath away. As well as the cast, that goes for the seven piece orchestra, the 10 strong wardrobe department, the set designer, lighting and sound engineers and even the unnamed make up artist. This musical based on a book by Arthur Laurents is about real life star Gypsy Rose Lee. Rarely seen since 1959 it pinpoints a familiar theme the desire of parents to bask in their offspring's glory. This time the parent is Rose, a red-headed hunk of womanhood who cannot be ignored and leaves you in no doubt that show business is her business. She has two daughters. One, a lively, beautiful child, June, is a chip off the old block. The other, Louise is so quiet she is virtually ignored by her mother but eventually turns the tables on her in a spectacular way. The three times married Rose preens herself before men and one rather weak man, Herbie (Steven Finnie) falls for her charms. That's the set up. And it's an excuse for some lovely singing and dancing. The pivotal role is, of course, that of Rose. Dawn Flint is the perfect choice. She is pushy and brassy and has a fantastic voice. There are a couple of songs she sings with Steven Finney's Herbie. They are Small World and You'll Never Get Away from Me performed movingly by both. Her piece de resistance is Everything's coming up Roses, as she stands in front of the apron which extends the stage, opens her arms and virtually envelops the audience into her bosom resulting in rapturous applause. The other two leading roles are played by Bethan Jacks and Megan-Hollie Robertson. Bethan's June is a regular little Shirley Temple as, wearing a blonde wig, she belts out Vaudeville songs as well as tap dancing and doing the splits. The role of Louise is even more taxing because Megan-Hollie has to transform her from a shy violet to an outgoing charismatic woman. The pair do well in their duet If Mamma was Married. There is an appealing scene when three strippers, played by Laura Chandler, Alexandra Howarth and Stephanie Niland sexily perform You Gotta get a Gimick. Sam Jones in the small role of Tulsa tap dances his way through All I need is a Girl in an unforgettable way. This is a great night's entertainment and well worth seeing. There' s a Saturday matinee, too. Star Rating ★★★★★ NODA Review by Kevin Proctor I once heard it said that this show shouldn't ever be mentioned as a possibility unless you know you have someone who was born to play 'her', following on from that, I once read in an article talking about 'Gypsy'; should the topic of the orchestra budget being reduced ever come up 'it's time to close! If these two belting statements should tell you anything, it's how vital these two components are to the success of this show!? Gypsy is not a project to be approached lightly, it's a show which has everything and therefore needs everything throwing at it. Whenever I discover that I'm going to see a show I hold so dear to my heart, it's not uncommon for me to sense a rush of nerves (and excitement). The excitement - well, that's a given - but the nerves?? Could it be because I hold such high esteem and expectations towards the shows I adore most? This production was delivered with a modern outlook which is always an exciting prospect for me and something I always admire. Upon entering the auditorium it was clear, in an instant, that this production had been given a bold new stamp - however, I can?t deny that such a bold and new statement for this show made me feel a little nervous (that word again) ? and this is even before the houselights had begun to fade! Yes, I'm talking about the design of the show, and a masterpiece it was. The ?look?, created by Barry Purves was not what you?d expect for this show, it had a modern / contemporary feel and a fresh outlook; A distressed flag of the USA swooped across the stage suggesting that this piece is set against a time when America was suffering, a broken proscenium arch framed half of the stage to suggest that this was also a time when theatres and live entertainment were also wounded. The design of the staging was minimal with no real set changes, just the required furniture which worked and erased any unnecessary fuss and allowed the show to keep moving like the freight train it is! Dawn Flint (returning to the Garrick after a few years off) tackled what is arguably the most demanding female role in Musical Theatre?ever; Mama Rose! Dawn indeed demonstrated qualities required for Rose and interpreted this iconic Broadway figure with a good punch. Dawns highlights were in all the right places; 'Everything's Coming Up Roses' & 'Roses Turn' were indeed her strongest moments. It would be unfair for me to grill this performance too deeply - I could go on forever - but what cannot be denied is the stamina to hold her own. With this epic and mammoth delight of a part, just to carry out what the book and score asks alone is a mighty achievement in itself on which she must be congratulated! The production was gorgeously directed (and choreographed) with tenderness and empathy by David Needham - the humour, drama and poignancy of this show were all impeccably exposed. Referring back to a statement I made at the start of this report, I was surprised to learn upon perusing the programme before taking my seat that instead of an orchestra, we were being given a seven piece band this, for me, was the shows biggest mistake. The Septet were indeed a strong and tight collection of musicians, though, no matter how well they each play an instrument, they cannot be expected to make up for so many missing parts. The marvellous Gypsy Overture (in fact; the very best of all Broadway Overtures) sounded empty and incomplete, as did all of the instrumentals throughout the show - though, giving them their due they did manage to fill out the sound for more of the show than I'd have thought possible considering they were approximately twenty musicians too few. This, the first musical presented by the Garrick under the new creative supervision of Paul Kerryson has attracted an influx of new blood to the company, this draw has enabled the Garrick to vividly broaden the scope of production genres they can now present, opening up an entire new and exciting catalogue of possible future productions, exciting times indeed! Before I get carried away back to the production in hand! - As important as new blood is to any aspiring theatre group, the part which stole this production of 'Gypsy' and ultimately brought the house down was 'Gotta Get A Gimmick' which featured two Garrick stalwarts (Laura Chandler & Stephanie Niland) and one new face to the Garrick, albeit a regular face amongst the local scene (Alexandra Howarth) these three girls nailed this sequence, undoubtedly the productions top highlight for me! Megan-Hollie Robertson took the role of Louise, at the tender age of just 19, Megan delivered the journey and telling of this character with such maturity and understanding, way beyond her years a beautiful actress with a voice to match.? The relatively short lived role of Dainty June was delivered on fine form by Bethan Jacks as was the two tots playing Baby June and Baby Louise (Isabelle Smith & Chloe Radford). Bill Platt and Mike Shaw presented many humorous faces throughout the production injecting good energy and fun into the proceedings popping up as Uncle Jocko, Pop & Mr. Goldstone et al. Though, Stephanie Niland as Tessie (and making a delightful cameo appearance in Act I as Miss Cratchitt) stood out, her calibre as an actress is second to none with a command and charisma so infectious, a superb performer! This production was indeed mighty, the overall delivery of this classic was presented to a very high standard which was indeed impressive and worthy of high praise indeed, many congratulations. Preview in the Messenger - First published Monday 29 September 2014 byRick Bowen Gypsy about to cast its spell at Altrincham Garrick Pictured are Dawn Flint (left) as Mama Rose and Megan-Hollie Robertson (right) as Louise With a famous score that includes lyrics by one of the giants of the modern musical Stephen Sondheim, Gypsy is sure to cast a spell over Trafford audiences. The musical, Altrincham Garrick's next production, tells the story of burlesque entertainer Gypsy Rose Lee and has a score boasting showstoppers like Everything's Coming Up Roses and You've Got To Get A Gimmick. The show was inspired by the memoir of Gypsy Rose Lee - entertainer, actress, author and playwright.

< Back Jason and the Argonauts (1963 film) ˂ Previous Production Next Production ˃ to 31 August 2020 We present our screening of this wonderful film in tribute to the master of stop-motion animation, Ray Harryhausen, who would have been 100 this summer. This beautifully detailed film is an unforgettable journey crammed full of monsters, bickering gods, mighty heroes in peril ... and, of course, those rampaging skeletons ... It is now considered a cult classic, being described by the Rotten Tomatoes website as "an outlandish, transportive piece of nostalgia whose real star is the masterful stop-motion animation work of Ray Harryhausen". This screening will (as always) be introduced by Barry Purves with informed trivia, anecdotes and some background of the production. Our kiosk will be open for you to buy those naughty treats before the film starts. Come and join us in a friendly, informal and Covid-19 safe atmosphere, to take advantage of sensational screening facilities as well as our low prices and free car park.

< Back Whipping It Up ˂ Previous Production Next Production ˃ to 8 February 2014 Black ties; cigar smoke; whisky in cut glass. Westminster runs the country, but the Whips run Westminster. It's a week before Christmas, and the new Tory government is facing dissent over its latest Bill. With a majority of only three, the Whips' office is out in full force, and they'll stop at nothing to keep the strays in line. But they're in for a long night: boy scouts are rioting in Whitehall, the PM's golfing with the President, five Tory rebels are on the loose and the Chief Whip's playing at Santa - could this be the beginnings of a leadership challenge. The scandalously funny Whipping It Up blows the lid off the Despatch box and reveals the true secrets locked in the Whips' safe. In the year of a General Election and without a word about EXPENSES this play is not to be missed. ** WARNING - Contains strong language** [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/whippinge.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/whippinga.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/whippingb.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/whippingc.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/whippingd.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/whippingf.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/whippingg.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/whippingh.jpg|"] CAST Geoff Holman as The Chief David Beddy as Alastair Hugh Draycott as Tim Jonathan Black as Guy Claire Brookes as Maggie Pam Nolan as Delia Sale & Altrincham Messenger's Review by Rick Bowen Whipping It Up - Altrincham Garrick play tries too hard to be controversial Some of the audience voted with their feet when the interval arrived for 'Whipping It Up', the patchy political play currently playing at Altrincham Garrick. It was a shame, because while the script has several weaknesses - such as the over use of expletives by writer Steve Thompson - the acting in Celia Bonner's production is first rate. Particularly good is Geoff Holman as The Chief Whip, a parliamentary bruiser who doesn't suffer rebel MPs gladly. A rottweiler in a sharp suit you might say, Alastair - an excellent David Beddy - is his second in command and he prefers a more softly softly approach when it comes to dealing with those who aren't toeing the party line. It's the political equivalent of the classic good cop/bad cop routine and great fun to watch. Hugh Draycott is also eminently watchable as Tim, the young whippersnapper who, like his two colleagues, has had his conscience surgically removed. For me, those three actors hold the production together, making the best of a script that tries a little bit too hard to be controversial at times. There were occasions when I felt I was drowning in bile. Neither of the main political parties emerge in a particularly favourable light. This play could have been so much funnier and for its writer this is a classic case of opportunity missed.Star Rating ★★

< Back Romeo and Juliet (Streaming) ˂ Previous Production Next Production ˃ 18 March 2021 to 29 March 2021 This was a home-streaming event during the "second Covid-19 lockdown". By William Shakespeare Adapted by Joseph Meighan Directed by Joseph Meighan In a world of music, fame and money, Shakespeare’s classic play about love is brought to life in a brand new telling. The Montague and Capulet families are embroiled in a long-running feud and the hatred seems to be impossible to shift. When Romeo, a Montague, attends a Capulet ball in disguise, he falls in love with the beautiful Juliet, and she returns the love. A secret marriage takes place between the two young lovers, but happiness and harmony are not quite in reach as circumstances and fate continue to keep them apart. Perhaps one of the most famous plays of all time exploded onto the Altrincham Garrick Playhouse Main Stage in 2016, marking the 400th anniversary of Shakespeare’s death. Now, for the first time, it will be streamed into your homes! Experience the power of this tragic love story.