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< Back Titanic 1997 (Film Screening) ˂ Previous Production Next Production ˃ to 7 December 2021 James Cameron’s Titanic is an epic, action-packed romance set against the ill-fated maiden voyage of the R.M.S. Titanic, the pride and joy of the White Star Line and, at the time, the largest moving object ever built. She was the most luxurious liner of her era -- the “ship of dreams” -- which ultimately carried over 1,500 people to their death in the ice cold waters of the North Atlantic in the early hours of April 15, 1912. Our reasonably priced bar will be open before and after the screening. Free car park for customers and in easy walking distance of Altrincham and local tram and train stations. So what are you waiting for? BUY YOUR TICKETS NOW!

< Back Star Wars: the Force Awakens (2015 film) ˂ Previous Production Next Production ˃ to 29 September 2020 Thirty years have passed since the destruction of The Empire and The Death Star; now a new evil regime called The First Order threatens to destroy The New Republic and The Galaxy. Rey, a desert scavenger, and Finn, an ex-Stormtrooper, must join Han Solo, Chewbacca, Leia Organa and her Resistance to search for the one hope of restoring peace: Luke Skywalker, the last surviving Jedi. This 2015 space epic, directed by JJ Abrams, is the perfect film to be seen on our Garrick Big Screen. May The Force Be With You. This screening will (as always) be introduced by Barry Purves with informed trivia, anecdotes and some background of the production. The bar will be open before and after the show. Come and join us in a friendly, informal and Covid-19 safe atmosphere, to take advantage of sensational screening facilities as well as our low prices and free car park.

< Back Death and the Maiden ˂ Previous Production Next Production ˃ to 21 June 2016 Olivier Award Best New Play 1992 Powerful political drama and psychological thriller Paulina Escobar is a political activist in an unnamed South American country that until recently was ruled by a dictatorship. One day a storm forces her husband to ride home with an elderly neighbour called Dr. Miranda. This chance encounter brings up unexpected demons from Paulina's past. She is convinced that Dr. Miranda was, in fact, part of the old fascist regime that had tortured and raped her. Paulina takes the doctor captive to determine the truth, but is torn between her wishes to repress her memories of the experience and her desire to reach the truth. Meanwhile, her husband is torn between his loyalty to his wife and his need to adhere to the rule of law. Dr. Miranda is forced to endure captivity while Paulina and her husband seek out the truth about the clouded past. Cast Paulina Salas - Tracy Burns Gerardo Escobar - John Keen Roberto Miranda - Paul Wilson Photographs by Jacob Samuel [gallery ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/21.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/101.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/71.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/8.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/11.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/12.jpg|"] **** Review by Julia Taylor for Sale and Altrincham Messenger DEATH and the Maiden, Ariel Dorfman?s gripping play at the Garrick?s Lauriston Studio, is not for the faint-hearted. Set in Chile after Pinochet, it is centred around Paulina Escobar (Tracy Burns). Paulina cannot forget what she suffered previously under the Totalitarian regime. A doctor, Roberto Miranda (Paul Wilson) has innocently helped her husband, Gerardo (John Keen), a member of an investigating committee for past ill deeds, when his car breaks down. Gerardo?s wife believes he is the same doctor who assessed the limits of her endurance when she was kidnapped. As soon as she recognises his voice, Paulina?s hackles rise. Tracy plays Paulina in an intense, unforgiving way as her hatred spills out. Her heart beats fast as she executes the exhilarating business of revenge in an unconventional way. Nevertheless, she reveals Paulina?s vulnerability, too. It is a testing role and Tracy rises to the challenge. Her performance can?t be bettered. Piggy in the middle is her human rights lawyer husband, Geraldo, who believes his job as a member of the Truth and Reconciliation Commission is to bring justice to offenders by the rule of law and no other way. John captures this well and creates a character who is shocked and scared by his wife?s apparently irrational behaviour. At times you wonder whether Roberto really was the perpetrator. Paul who plays him spends his time pleading his innocence. However, the discovery of a cassette of the Schubert quartet used to hide Paulina?s screams raises your suspicions. He gives an unforgettable monologue confessing his guilt but was he put up to it? It?s harrowing but worth seeing and certainly keeps you guessing. * Death and the Maiden is at the Lauriston Studio until Saturday, March 4. For tickets, ring 0161 928 1677 or view altrinchamgarrick.co.uk. Star rating: * * * * **** Review by Rick Bowen for Stagestruck? DEATH and the Maiden offers us the two sides of humanity, reminding us of the horrific things we do to each other and the resilience of the human spirit. Then we come to the difficult issue of forgiving our tormentors, as Paulina Escobar comes face to face with the doctor she believes, oversaw her torture while in prison. We're in an unnamed country, a fledgling democracy emerging from the dark days of dictatorship. Paulina (a suitably vengeful Tracy Burns) is a mess, psychologically scared by what happened to her while in prison at the hands of vividly described but never seen state thugs. Her beleaguered husband Gerardo (John Keen) is facing an uphill struggle to keep his wife under control. She wants Dr Roberto Miranda, cultured,?refined and oh so middle class, to pay forwhat he did. Paul Wilson, who has consistently impressed me on the Garrick stage, delivers once again here. All three do have a fantastic script to work with, however, thanks to the intelligent and perceptive writing of Ariel Dorfman. Venues like the Lauriton are vital, providing a welcome alternative to the largely mainstream productions that grace Altrincham Garrick's main stage.? These are important plays that set us thinking, important stories that must be told. Director Steve Williamson ensures his production packs a powerful punch, there are no laughs here. Highly recommended. * Until March 4. The box office is on 0161 928 1677. Star rating - ****

< Back NATIONAL THEATRE LIVE - Othello ˂ Previous Production Next Production ˃ to 1 September 2022 An extraordinary new production of Shakespeare’s most enduring tragedy, directed by Clint Dyer with a cast that includes Giles Terera (Hamilton), Rosy McEwean (The Alienist) and Paul Hilton (The Inheritance). She’s a bright, headstrong daughter of a senator; elevated by her status but stifled by its expectations. He’s refugee of slavery; having risen to the top of a white world, he finds love across racial lines has a cost. Wed in secret, Desdemona and Othello crave a new life together. But as unseen forces conspire against them, they find their future is not theirs to decide.

< Back Jack & the Beanstalk ˂ Previous Production Next Production ˃ to 7 August 2013 The Garrick's absolutely traditional pantomime has been given a rock'n'roll theme by Chris and features all panto's favourite characters - Jack (played, of course, by a woman), Mother Mack, the dame (played, of course, by a man), Simple Simon, the village idiot, the Sheriff (the arch villain) with his two sidekicks Georgy and Porgy, a fairy godmother, Little Bo-Peep, the Giant and his wife and not forgetting Buttercup, the cow. A real family treat. CAST Stephanie Hawthorn as Jack Derek Stuart-Cole as Mother Mac Katherine Whibley as Bo-Peep Brian Howlett as Simple Simon David Reynolds as the Sheriff Richard Frost as Georgie Frank Boylan as Porgie Brian Stoner as the Giant Jane Inglis as the Giant's Wife Marina Anderson as Miranda and the Firy Godmother John Newton & Darren Staunton as Buttercup Stephanie Hampson as Mini Mother Mac Laura Cress as Mini Simple Simon David Peckitt as Mini Sheriff Matthew Gibbon as Mini Georgie Natalie Carr as Mini Porgie Louisa Carr as the Magic Hen Other Villagers, Ghosts & Pixies played by Claudia Hamilton, Rachel Holmes, Louisa Tratalos

< Back Chitty Chitty Bang Bang ˂ Previous Production Next Production ˃ to 20 October 2022 Altrincham Garrick Playhouse presents the most Fantasmagorical musical, Chitty Chitty Bang Bang , for October Half Term… a high-flying, fun-filled adventure for the entire family! An eccentric inventor, Caractacus Potts sets about restoring an old race car from a scrap heap with the help of his children, Jeremy and Jemima. They soon discover the car has magical properties, including the ability to float and take flight. Trouble occurs when the evil Baron Bomburst desires the magic car for himself. The family joins forces with Truly Scrumptious and batty Grandpa Potts to outwit the dastardly Baron and Baroness and their villainous henchman, the Child Catcher. One of the world’s favourite musicals, Chitty Chitty Bang Bang will have audiences of all ages flying high with its mixture of madness, intrigue and exuberance. Based on the beloved 1968 film version of Ian Fleming's children's book, and featuring an unforgettable score by the Sherman Brothers (Mary Poppins ),Chitty Chitty BangBang is one family-friendly show that you’ll find "Truly Scrumptious." Music and Lyrics by Richard M. Sherman and Robert B. Sherman Music by Special Arrangement with Sony/ATV Publishing Adapted for the Stage by Jeremy Sams Based on the MGM Motion Picture Licensed Script Adapted by Ray Roderick This amateur production is presented by arrangement with Music Theatre International All authorised performance materials are also supplied by MTI www.mtishows.co.uk Production shots taken by Martin Ogden REVIEWS StageStruck - Rick Bowen "The production has a dream team of creatives behind it and a cast who are determined the audience, children and adults, are totally swept along by this fun filled evening of classic, feel good musical theatre." "This is an evening of unbridled, unashamed escapism. We the audience find ourselves transported to a world of colourful, larger than life characters." Read the full review: Chitty Chitty Bang Bang - Altrincham Garrick — Stagestruck ---------------------------------------------------------------------------------------------------------------------------------- Free Car Parking. Cosy Bar. Great Prices. ----------------------------------------------------------------------------------------------------------------------------------

< Back The Shadow of Doubt ˂ Previous Production Next Production ˃ to 12 August 2019 Alexander, Irene Grimshaw, Harold Locker, James

< Back The Grinch (2018 film) ˂ Previous Production Next Production ˃ to 1 January 1970 The cantankerous and green-furred Grinch has a heart "two sizes too small", and is the only person in the town of Whoville who is not happy that Christmas is coming. He hatches a plan to disguise himself as Santa and steal Christmas from the Whos. Will he succeed ? What do you think .... ? Benedict Cumberbatch voices the Grinch in this computer-animated fantasy. The Garrick is showing this film twice - on Sunday and Monday afternoons. Each will (as always) be introduced by Barry Purves with informed trivia, anecdotes and some background of the production. Come and join us in a friendly, informal and Covid-19 safe atmosphere, to take advantage of sensational screening facilities as well as our low prices and free car park.

< Back Robert's Wife ˂ Previous Production Next Production ˃ to 12 August 2019 Atkin, Eric Carter, Harold Coombs, J Creacall, Edward Green, Joyce Harris, Frank Lightowler, Madge Pearce, Tom Sykes, Constance D Wallace, Jean Wheelwright, Stewart

< Back Street Scene ˂ Previous Production Next Production ˃ to 12 August 2019 Abbott, Amy Allman, William Angell, Jean Armitage, Graham Barratt, Norman Bayliss, Tony Beck, Eve Beswick, Kendrew Blackhurst, Ernest Brettelle, Roy Burgess, May Butler, Eileen Clarkson, Norma Clegg, Alma Clephan, Gay Coventry, Philip Gillespie, Robert Gregory, Kathleen Gutermann, Henry Healey, Tom Heap, Marjorie Kamberian, Tahouhi Lightowler, Ronnie R Morrison, Elspeth Osborne, Edgar Patterson, Anne Pimlott, (Allman) Emmie Richardson, George Sanders, Hugh Shields, W R Snape, Joyce Starkey, Raymond Stockdale, Leslie Warrington, Betty Wilson, Frank Wiltshire, H John Wood, Barrie Whyatt, Egerton G

< Back Oliver! (Postponed) ˂ Previous Production Next Production ˃ to 17 July 2019 Coronavirus (COVID-19) Closure Update In line with Government instructions we are classed as a non-essential business and no member of staff is able to continue working at the theatre until Government restrictions ease. Please be assured that the vast majority of events have been postponed and not cancelled so therefore all tickets remain valid. Once we are able to operate again we will be in touch with you with details of the rescheduled dates. You can then transfer your current tickets to the new date, however if you are unable to transfer to the new date or don’t wish to have your ticket transferred to another production you will be given a full refund. You will not lose any money. This is an unprecedented event for our venue, and we thank you for your continued support and loyalty. Best wishes Your Garrick Playhouse Team. Ashton on Mersey School in Sale presents Oliver! The classic musical by Lionel Bart, based on the Charles Dickens’ novel Oliver Twist will be brought to life on the stage for Ashton’s school show. We will transport you to the streets of Victorian England where you’ll meet Oliver, an orphan who escapes to London and he becomes part of a group of pickpockets led by the infamous Fagin. Oliver is caught for a crime he did not commit, however the kind Mr Brownlow takes pity on him. Will Fagin, Bill Sikes and Nancy be able to kidnap him to help with their thieving exploits, or will Oliver have the chance of finding a real family to love? Coronavirus (COVID-19) Closure Update Following the official government notification issued on Monday 16th and Tuesday 17th March 2020, which stipulates that people should avoid public buildings, including theatres, we regret to announce that Altrincham Garrick Playhouse will close from today to help slow the spread of Coronavirus and to protect our patrons, staff and volunteers. All public performances will cease/be postponed from Wednesday 18th March 2020 and we hope to be able to present this seasons remaining productions at a future date. We will be in touch regarding options available to you for credit notes or transfers to other future performances, but as you will appreciate, we will prioritise the performances closest to today then be in touch with customers who have tickets booked for future shows as the length of closure becomes clearer. Please bear with us – we will contact customers on an ongoing basis. Our customer service team will be very busy so please do not email or telephone regarding your booking, you will hear from us in due course. This is an unprecedented event for our venue, and we thank you for your continued support and loyalty. Best wishes Your Garrick Playhouse Team.

< Back Stags and Hens (The Remix) ˂ Previous Production Next Production ˃ to 11 April 2017 Makes Saturday night in Blackpool look tame! The play is set in a trashy 70's disco in Liverpool, England. The action is mainly in the gents and women's toilets of the disco where both Linda (The Bride) and Dave (The Groom) have decided to hold their stags and hens nights, not knowing that their other half is at the same place. When Linda's ex-boyfriend, Peter, arrives this causes an uproar between Linda and Dave's friends and when Linda's hen party get a say in all that's happening the two groups gang together to stop Linda taking up the offer of an escape with her ex Peter she is then forced with a difficult decision - to stay or to go. [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_4404-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_4428-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_4651-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_4687-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_4713-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_4749-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_4925-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_4955-Small.jpg|"] Production Photographs by Vish Sharma CAST Linda - Francesca Smith Maureen - Megan Royle Bernadette - Fiona Primrose Carol - Tabitha Hughes Frances - Parissa Zamanpour Dave - Adam Rogers Robbie - ChrisWagstaff Billy - Charlie Gallagher Kav - Josh Evans-Smith Eddy - Josh Leach Peter - Ethan Martin Roadie - Adam Rogers Review by Rick Bowen for Stagestruck Designer Lesley McKie skilfully transforms the Garrick's main stage into nightclub toilets for Willy Russell's reworked comedy Stags & Hens. This is the scene of much booze fuelled drama and while the play has a serious theme, about the need to sometimes break away from the familiar when "the familiar" is holding you back, most people will I imagine, go to see this to watch a group of young people letting their hair down and the inevitable carnage that follows such drinking sprees. While the repetitive strong language becomes boring, it does add authenticity to the piece and so do the lively and energetic performances of a cast who really convinced me there in party mood. Although most of the high jinks take place among Linda and her curious collection of mates, from the weepy Maureen to Bernie, a woman who has, to coin the phrase, been round the block a few times. Fiona Primrose is outstanding in this role and Francesca Heraghty-Smith equally impressive as Linda. Her evening takes a very complicated turn when an old flame turns up on her hen night. Josh Leach is very intimidating as Eddy, a frightening, thuggish control freak who thinks he can bully Linda into going down the aisle when she starts to have her doubts. Stags & Hens may not be Shakespeare but it's a play with no pretensions that's sure to strike a chord with anyone whose been on a stag or a hen do. While Russell over does the swearing - and I am definitely no prude - there are some brilliant comic lines to enjoy. Lines that offer us a reminder of just why this Scouse playwright is one of our greatest. Star rating ★★★★ Review by Julia Taylor for The Messenger Stags and hens create plenty of laughs Stagsand Hens (The Remix), Willy Russell's comedy, fills the Garrick Playhouse with laughter. We laugh as Stag and Hen Nights for Dave and Linda's forthcoming marriage take place in a run-down Liverpool Club in 1977. What's more, the bride, played by Francesca Heraghty-Smith and her friend, Megan Royle, who is Maureen, are both getting married for real in the next 12 months.The bride-to-be and groom-to-be, have no idea of each other's presence. Well done Leslie Mckie for the effective split set revealing men's and ladies' lavatories, where the action takes place. Francesca's Linda starts to have doubts about her nuptials when she meets an old flame, booked for that night's gig and doing well. He is Peter. Charismatic Ethan Martin makes him stand apart from the other lads who want his autograph. Adam Rogers' Dave is already inebriated when he arrives after downing a curry swilled down with alcohol. He spends his time throwing up in the loo and ends up semi-comatose. His best mate, Eddy, who insists that your own happiness should come first, is anti-celebrity. Linda's best friend is Frances, played by Parissa Zamanpour. She always puts Linda's interests first and remains loyal. Megan Royle's portrayal of naive Maureen is good. All she wants is for everything to be nice including the joining together of bride and groom. Her sheltered life comes out every time she bursts into tears until Brandy and Babycham come to the rescue. The Garrick players retain and project their Liverpool accents throughout and indicate good teamwork. As for the bride, her friends think she has come to her senses but has she?

< Back Jerusalem ˂ Previous Production Next Production ˃ to 11 April 2017 Extraordinary play that breaks every single rule in the book Jez Butterworth's Jerusalem set on St. George's Day in a Wiltshire village, has been described as an instant modern classic, a hymn to both the old England of folk tales and rural mystery and a lament for the housing estates and petty officialdom that are screwing it up. It is a defiant celebration of freedom, yet at the same time one feels an undoubted sympathy for any proud householder who finds himself living near a man like Rooster Byron. Rooster is a charismatic gypsy character, loved and admired by many, despised by a few and a thorn in the side of the local authority. A brand new production of a Tony and Olivier Award winning play. [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_1774-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_1814-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_1854-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_1922-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_2040-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_2120-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_2241-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_2278-Small.jpg|"] Production Photographs by Vish Sharma CAST Phaedra - Zoe Cummins-White Ms Fawcett - Lindsey Barker Mr Parsons - David Lemberg Johnny 'Rooster' Byron - Scott Ransome Ginger - Mark Butt Professor - Steve Searcy Lee - Adam Rogers Davey - Tim Cooper Pea - Isabelle Greensmith Tanya - Laura Crow Wesley - Matthew Banwell Dawn - Ali Davenport Marky - Sebastian Ross Troy Whitworth - David Lemberg Review by Rick Bowen for Stagestruck I have been reviewing at this theatre for more than 20 years and in that time I've had the privilege of seeing some truly great performances. But I can't remember the last time a performance actually brought me to my feet. That said, actors of the calibre of Scott Ransome don't come along very often, do they. He plays Johnny "Rooster" Byron, a charmless, amoral waster who refuses to live by society's rules quite brilliantly. He expertly tackles the sort of character who'd sell his own grandmother if e thought he'd gain from the transaction but, despite his many faults its hard not to be captivated by this larger than life low life. For the local young people, for "local young people" read waifs and strays, he's like the Pied Piper, his shabby caravan a Mecca for drug using party animals. But his drug and booze fuelled existence is under threat, by developers desperate to get their hands on the land he lives on. Byron is one of the most fascinating characters in contemporary drama for me and Ransome gives him the five star treatment when it comes to bringing Jez Butterworth's classic creation yo life. However, it would be wrong to refer to John Cunningham's perfectly observed production as the Scott Ransome Show. A strong ensemble also plays it's part in making this trip to the other side of the social tracks a truly memorable one. I really liked Matthew Banwell as the rule bending landlord Wesley and the always watchable Mark Butt as Ginger, who dreams of being a celebrity DJ one day. I hope this play, a masterpiece in so many ways, gets the houses it deserves and people are brave enough to see beyond the strong language. Some of Butterworth's dialogue is superb. Star rating ★★★ ★★ Review by Julia Taylor for The Messenger The Garrick's powerful, dark drama is not for the faint hearted THE Garrick's latest production is Jez Butterworth's controversial Jerusalem, a dark, adult comedy. The Garrick is brave to put on such a controversial play which is like a breath of fresh air. The central figure, Johnny 'Rooster' Byron is played uninhibitedly by Scott Ransome. He?s a wastrel and modern day Pied Piper, an alcoholic, drug dealing teller of tales. Rooster is threatened with eviction from his Gypsy-style caravan and curses Kennet and Avon Council. It's the annual St George's Day Flintlock Fair and his 10-year-old son (Sebastian Ross) wants his father to take him but, in his usual antagonistic fashion, he refuses to do so. Scott, an utterly believable tough cookie, looks down on Wesley, the publican (Matthew Banwell), who has to wear morris dance gear in order to re-enact an old custom. Rooster almost becomes a folk hero since eccentric losers and kids who he rescues from unpleasant fates, adore him. Scott's performance is one of the most powerful, emotional acting displays I've seen in a long time.Then there is the sadistic stepfather of Phaedra (Zoe Cummins-White), the May Queen. He is played outstandingly by David Lemberg. Ginger, an old friend, who mixes in the same motley circle and sticks by Rooster is another great character.It?s hard to believe that this ruffian is the same Mark Butt who was Thomas Cromwell in Wolf Hall. Well done, Mark.They all contribute to a host of colourful village characters but the most colourful has to be Rooster. The set is designed by Trevor McKie and John Cunningham who also imaginatively directs the play. It illustrates Rooster's caravan home, and the scattered scruffy furniture outside in Rooster's wood. Star rating ★★★★★

< Back The Ritz ˂ Previous Production Next Production ˃ to 16 December 2013 On the run from the Mob, a nervous New York heterosexual takes what he hopefully thinks is refuge in a gay bathhouse. Peopled by outrageous characters and a predatory Latin songstress, our hero's troubles are just beginning. Although extremely funny, be warned that this play does contain violence, swearing and sex scenes, including male nudity. Unmissable!

< Back Sabrina Fair ˂ Previous Production Next Production ˃ to 12 August 2019 Allman, William Caldwell, Pamela Collins, Kathleen Corness, Ian Oddey, John Studley, Freda

< Back Love's a Luxury ˂ Previous Production Next Production ˃ to 12 August 2019 Allman, William Clark, Hettie John, Joan Oddey, John Pearce, Rosemary Stockton, Reg

< Back Seussical Jr ˂ Previous Production Next Production ˃ to 24 August 2015 5 to 8's and 8 to 11 year olds - Saturday 19th March at 2:30pm 12 to 16 year olds ?- Friday 18th and Saturday 19th March at 7:00pm Transporting audiences from the Jungle of Nool to the Circus McGurkus, the Cat in the Hat, our narrator, tells the story of Horton, an elephant who discovers a speck of dust containing tiny people called the Whos, including Jojo, a Who child who gets in trouble for thinking too many "thinks." Horton's challenge is twofold - not only must he protect the Whos from a world of naysayers and dangers, but he must also guard an abandoned egg that's been left in his care by the irresponsible Mayzie La Bird. Although Horton faces ridicule, danger, kidnapping, and a trial, the intrepid Gertrude McFuzz never loses faith in him. Ultimately, the powers of friendship, loyalty, family, and community are challenged and emerge triumphant! ?

< Back Another Round 2021 (Film Screening) ˂ Previous Production Next Production ˃ to 7 December 2021 There is an obscure philosophical theory that humans should have been born with a small amount of alcohol in our blood; that modest inebriation opens our minds to the world around us, diminishing problems and increasing creativity. Intrigued, Martin (Mads Mikkelsen) and three of his friends, all weary high school teachers, embark on a risky experiment to maintain a constant level of intoxication throughout the workday. Initial results are positive, but as the units are knocked back and stakes are raised, it becomes increasingly clear that some bold acts carry severe consequences. In Danish with English subtitles. Winner of 25 major Film Awards including Academy Award Winner of Best International Film and BFI London Film Festival Best Film Winner. Our reasonably priced bar will be open before and after the screening. Free car park for customers and in easy walking distance of Altrincham and local tram and train stations. So what are you waiting for? BUY YOUR TICKETS NOW!

< Back OHMS ˂ Previous Production Next Production ˃ to 12 August 2019 Beck, June Mulraine, Helen

< Back The Turn of the Screw ˂ Previous Production Next Production ˃ to 16 December 2013 Based on Henry James' tour de force, The Turn of the Screw is an atmospheric story set in 1875 of two orphaned children apparently haunted by the ghosts of a pair of servants who wish them ill. Miss Grey, a young governess, arrives at Bly to take care of them, but soon begins to see strange figures - a man and a young woman. Are they the ghosts of Quint and Miss Jessel, the former valet and governess at Bly? Only Miss Grey seems to see the ghosts. Is she a hopeless neurotic who hallucinates the figures of Peter Quint and Miss Jessel? Or is she a plucky young woman battling to save her charges from destruction and damnation? CAST Holly Salmon as Flora Ros Greenwood as Miss Grey Adam Lewis as Miles Joan Hughes as Mrs Grose Bryn Thomas as Mr Crimond Jon White as Peter Quint Ros George as Miss Jessel

< Back Daisy Pulls it Off ˂ Previous Production Next Production ˃ to 16 December 2013 DAISY PULLS IT OFF engagingly captures the uncomplicated innocence of Angela Brazil's schoolgirl novels. It is about the attempts of superachiever Daisy Meredith to submerge her poor elementary school background and find acceptance in the snobby confines of Grangewood School for Young Ladies. Our plucky heroine undergoes a number of tribulations (including possible expulsion) before, by being honourable and straight in all things, all comes right in the end with Daisy saving the lives of sneaky Monica and toady Sybil - her arch enemies - discovering the treasure of Grangewood, scoring the winning goal at hockey and finding her long-lost father!

< Back The Upbeat Beatles ˂ Previous Production Next Production ˃ to 29 April 2021 Did you miss The Beatles first time around? Don’t miss them now! The Upbeat Beatles are second to none - powerhouse vocals, precision harmonies and tight musicianship. The guys have an easy, happy rapport with any crowd, giving them a reputation to be envied as the best in the business. There isn’t a band to touch them - 8 bars of “Twist and Shout” and you will know why! No other band can perform this song like The Upbeat Beatles! The show takes you through the Fab Four’s long and winding road from the early Cavern days through Beatlemania, America, Sergeant Pepper to Abbey Road, with narrative and full multi-media presentation. If you love the Beatles you'll love this show, and if you don't love the Beatles you'll love this show! Our reasonably priced bar will be open before, during the interval and after the show. Free car park for customers and in easy walking distance of Altrincham and local tram and train stations. So what are you waiting for? BUY YOUR TICKETS NOW!

< Back Swan Song By Jonathan Harvey ˂ Previous Production Next Production ˃ to 18 December 2020 Swan Song , is a hilarious bittersweet comedy, re-imagined by award-winning Liverpool playwright Jonathan Harvey. Following its critically acclaimed sell-out premiere run at Liverpool Theatre Festival, Swan Song is heading out on tour to coincide with LGBT history month. Starring T.V. and stage actor Andrew Lancel (The Bill, Coronation Street and Cilla The Musical) and directed by BAFTA award-winning Noreen Kershaw (Our Girl, Scott and Bailey, Shameless, Coronation Street and Emmerdale). Produced by Bill Elms Production. Set in Liverpool, it is Christmas 1997, the world is changing and in the staff room, gay forty-something English teacher, Dave Titswell finds that not all change is welcome. He has a crush but life, love, and work are never straight forward for Dave. Will a school trip to The Lakes change things for the better, or make things decidedly worse? Swan Song will make you laugh, but equally pull at your heartstrings. Everyone knows someone like Dave or could even be a Dave themselves. ★★★★ “A piece that is painstakingly crafted and superbly delivered ” North West End.

< Back Salute to Sinatra & the Swing Legends (Postponed) ˂ Previous Production Next Production ˃ to 28 January 2020 Coronavirus (COVID-19) Closure Update In line with Government instructions we are classed as a non-essential business and no member of staff is able to continue working at the theatre until Government restrictions ease. Please be assured that the vast majority of events have been postponed and not cancelled so therefore all tickets remain valid. Once we are able to operate again we will be in touch with you with details of the rescheduled dates. You can then transfer your current tickets to the new date, however if you are unable to transfer to the new date or don’t wish to have your ticket transferred to another production you will be given a full refund. You will not lose any money. This is an unprecedented event for our venue, and we thank you for your continued support and loyalty. Best wishes Your Garrick Playhouse Team. A Salute to Sinatra and the Swing Legends with Foden's Brass Band featuring Matt Ford - as seen on the BBC Proms with the BBC Big Band, John Wilson Orchestra & the Syd Lawrence Orchestra

< Back Swallow ˂ Previous Production Next Production ˃ to 30 July 2019 A play that delves deep into the lives of three uniquely complicated women, Sam, Rebecca, and Anna, exploring their insecurities, anxieties, and passions for life. The play is poetic and contemporary in style, gliding in between the lives of these spirited women, exposing the hard truths of everyday life aided by love, sex, tears, dark humour, and of course, wine! Rehearsal Photos [gallery columns="7" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/10/IMG_7534.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/10/IMG_7533.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/10/IMG_7555.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/10/IMG_7563.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/10/IMG_7547.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/10/IMG_7539.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/10/IMG_7536.jpg|"] Review by Johanna Hassouna-Smith for Number 9 Reviews Steph Smith’s play ‘Swallow’ is a poetic masterpiece which was premiered at the 2015 Edinburgh Festival. In true Edinburgh style the play is only one hour in length but covers a multitude of issues cleverly and at a fast pace, without drowning in its own misery. Being a ‘three hander’ play, the script is hefty for such a small cast but moved with an energy which felt much more like you were watching a piece of professional theatre...but that is something I have come to expect from the Altrincham Garrick productions. The play examines three extremely damaged women and how they deal with what life has thrown at them. Complex issues from mental health to gender fluidity and domestic violence are dealt with head-on but with such a lightness of touch, it almost shocks you when you find yourself shedding a tear at the emotion of it. The play begins as a series of monologues which interweave with one another until two of the characters eventually meet and form friendships. It is a social commentary about people existing but never really interacting with one another and there is a sense that by the end of the play when the characters talk to one another, many of their issues are resolved. Director, Parissa Zamanpour’s artistic vision for this piece is wonderful. The incredible set design looked, on first glance like a hodgepodge of items thrown into a heap and littered with fairy lights but were in fact a beautiful metaphor for the chaotic lives of the central characters. Use of this intricate design created a fabulous backdrop to this high energy performance and the pace of the wonderful script and the talent of the three actresses on stage were clearly testament to great direction. Portia Dobbs’ portrayal of the mentally ill and housebound Anna was mesmerising to watch. Every tiny nuance of her character had been brilliantly thought through with believability and a lovely sense of humour. Alex Marie Edge had an incredible sense of naturalism in her acting style and I could watch her perform all day. And Hannah Weiner dealt with her gender storyline of Sam with complete pathos and credibility. Three wonderful performers who I would love to see on stage again. Altrincham Garrick have a steady stream of brilliant productions to entertain their wide and varied audiences and this production was no exception to the rule. Performed in the close quarters of the Lauriston Studio theatre with a capacity of less than 50, this tiny theatre space felt intimate but didn’t scrimp on the quality of production. However, if I was to offer any criticism at all it would be that the breakdown of set from last week’s main stage production could be clearly heard from above the space during the performance. . .but that would be picky! Sparrow is a powerful play acted superbly and directed with wonderful attention to detail. This season's productions in our Lauriston STUDIO have been sponsored by

< Back The Taming of the Shrew ˂ Previous Production Next Production ˃ to 12 August 2019 Alexander, Tom Bradshaw, James H Brown, Sydney A Chorley, J W A Courtney, Donald Fletcher, Joan Gregory, Mary P Hall, Rene Hartley, Robert Haycock, John Hooper, Alfred Hughes, Geoffrey Iredale, W R Jackson, P M James, Barbara Justice, Margery Litherland, Cyril L Lowe, Joan Osborne, Edgar Roberts, Eunice Robinson, Dorothy A Rourke, Norah J Ruse, Marjorie T Salisbury, W Shepherd, J E Trigg, L R Wilson, E R Wood, Joan Wood, R Craig

< Back Gypsy ˂ Previous Production Next Production ˃ to 2 June 2014 This is one of the most outstanding comedy musicals ever written. Based on the true memoires of Gypsy Rose Lee, it tells the story of the fiercely ambitious show business mother, Mama Rose and her daughters June and Louise. It is the late 1920's and the world of vaudeville is fast dying out. When June falls in love with a boy in the act, Rose turns her attention to the seemingly less talented Louise, but it is not in a tacky vaudeville that Louise is destined. Louise gets her break in the new sensation which is the spectacular and glamorous world of burlesque. With a score packed with hits like, 'Everything?s coming up roses', 'Let me entertain you', 'Together, wherever we go' and the show stopping, 'You've Got to get a gimmick'- Not to be missed! [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/10/DSC_5293.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/10/DSC_5340.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/10/DSC_5307.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/10/DSC_5250.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/10/DSC_5116.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/10/DSC_5049.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/10/DSC_2257.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/10/DSC_2191.jpg|"] CAST ROSE - Dawn Flint HERBIE -Steven Finney LOUISE -Megan-Hollie Robertson DAINTY JUNE -Bethan Jacks MAZEPPA - Laura Chandler ELECTRA - Alexandra Howarth TESSIE TURA / MISS CRATCHITT - Stephanie Niland UNCLE JOCKO / MR. KRINGELEIN - Mike Shaw TULSA - Sam Jones POP / CIGAR / MR. GOLDSTONE - Bill Platt YONKERS / PASTEY - Elliot Horler ANGIE - Jack Hales L.A - Jon Walker DOLORES - Katie Thorpe MARJORIE - Megan Flanagan THELMA - Bethany-Jayne Dalton AGNES - Bethan Jacks Messenger Review Flawless - Gypsy at Altrincham Garrick Can somebody tell me, what actors have to do to get a standing ovation these days? I really thought we were on the verge of witnessing one at Altrincham Garrick on Monday night, after the audience had been treated to a production of Gypsy that was flawless in every respect. But the audience, appreciative throughout nearly three hours of unadulterated musical pleasure, somehow managed to stay in their seats. The show is inspired by the memoirs of Gypsy Rose Lee who made her name as a burlesque entertainer and unusually for musicals of this genre you do care about the leading characters. Mama Rose may be the archetypal pushy parent as she strives to turn her daughters into showbiz stars but it's impossible not to like this larger than life, no nonsense character. Dawn Flint is fabulous in the role and she certainly does justice to the big numbers with her awesome vocal range. There's a great chemistry between her and her loyal daughter Louise, played to perfection by Megan-Hollie Robertson. Megan-Hollie has a fabulous voice and is a very gifted actress, conveying her character's transformation from frightened rabbit to demanding diva quite brilliantly. Steven Finney is highly likeable as Rose's love interest, Herbie. The production's other big selling point is the choreography which makes for some truly exhilarating and memorable dance routines. Choreographer David Needham, who is also the stage director, deserves an enormous amount of credit for this. Sometimes children look as if they're performing in front of a firing squad when they're on stage. The youngsters in this production look like they've been acting, singing and dancing forever and I was particularly impressed with Isabelle Smith and Chloe Radford and Baby Louise and Baby June. If there were ever two children who were born to perform, it's these two. When word gets out as to just how good this Gypsy is, it is sure to sell out. So, make sure you don't miss the best musical to hit Trafford in years. Brilliant. Star Rating ★★★★★ Remotegoat Review of Gypsy by Julia Taylor A Show to stop Hearts The Garrick's production of Jule Styne and Stephen Sondheim's Gypsy is a show and heart stopper to beat anything they've done before. The sheer professionalism of all concerned takes your breath away. As well as the cast, that goes for the seven piece orchestra, the 10 strong wardrobe department, the set designer, lighting and sound engineers and even the unnamed make up artist. This musical based on a book by Arthur Laurents is about real life star Gypsy Rose Lee. Rarely seen since 1959 it pinpoints a familiar theme the desire of parents to bask in their offspring's glory. This time the parent is Rose, a red-headed hunk of womanhood who cannot be ignored and leaves you in no doubt that show business is her business. She has two daughters. One, a lively, beautiful child, June, is a chip off the old block. The other, Louise is so quiet she is virtually ignored by her mother but eventually turns the tables on her in a spectacular way. The three times married Rose preens herself before men and one rather weak man, Herbie (Steven Finnie) falls for her charms. That's the set up. And it's an excuse for some lovely singing and dancing. The pivotal role is, of course, that of Rose. Dawn Flint is the perfect choice. She is pushy and brassy and has a fantastic voice. There are a couple of songs she sings with Steven Finney's Herbie. They are Small World and You'll Never Get Away from Me performed movingly by both. Her piece de resistance is Everything's coming up Roses, as she stands in front of the apron which extends the stage, opens her arms and virtually envelops the audience into her bosom resulting in rapturous applause. The other two leading roles are played by Bethan Jacks and Megan-Hollie Robertson. Bethan's June is a regular little Shirley Temple as, wearing a blonde wig, she belts out Vaudeville songs as well as tap dancing and doing the splits. The role of Louise is even more taxing because Megan-Hollie has to transform her from a shy violet to an outgoing charismatic woman. The pair do well in their duet If Mamma was Married. There is an appealing scene when three strippers, played by Laura Chandler, Alexandra Howarth and Stephanie Niland sexily perform You Gotta get a Gimick. Sam Jones in the small role of Tulsa tap dances his way through All I need is a Girl in an unforgettable way. This is a great night's entertainment and well worth seeing. There' s a Saturday matinee, too. Star Rating ★★★★★ NODA Review by Kevin Proctor I once heard it said that this show shouldn't ever be mentioned as a possibility unless you know you have someone who was born to play 'her', following on from that, I once read in an article talking about 'Gypsy'; should the topic of the orchestra budget being reduced ever come up 'it's time to close! If these two belting statements should tell you anything, it's how vital these two components are to the success of this show!? Gypsy is not a project to be approached lightly, it's a show which has everything and therefore needs everything throwing at it. Whenever I discover that I'm going to see a show I hold so dear to my heart, it's not uncommon for me to sense a rush of nerves (and excitement). The excitement - well, that's a given - but the nerves?? Could it be because I hold such high esteem and expectations towards the shows I adore most? This production was delivered with a modern outlook which is always an exciting prospect for me and something I always admire. Upon entering the auditorium it was clear, in an instant, that this production had been given a bold new stamp - however, I can?t deny that such a bold and new statement for this show made me feel a little nervous (that word again) ? and this is even before the houselights had begun to fade! Yes, I'm talking about the design of the show, and a masterpiece it was. The ?look?, created by Barry Purves was not what you?d expect for this show, it had a modern / contemporary feel and a fresh outlook; A distressed flag of the USA swooped across the stage suggesting that this piece is set against a time when America was suffering, a broken proscenium arch framed half of the stage to suggest that this was also a time when theatres and live entertainment were also wounded. The design of the staging was minimal with no real set changes, just the required furniture which worked and erased any unnecessary fuss and allowed the show to keep moving like the freight train it is! Dawn Flint (returning to the Garrick after a few years off) tackled what is arguably the most demanding female role in Musical Theatre?ever; Mama Rose! Dawn indeed demonstrated qualities required for Rose and interpreted this iconic Broadway figure with a good punch. Dawns highlights were in all the right places; 'Everything's Coming Up Roses' & 'Roses Turn' were indeed her strongest moments. It would be unfair for me to grill this performance too deeply - I could go on forever - but what cannot be denied is the stamina to hold her own. With this epic and mammoth delight of a part, just to carry out what the book and score asks alone is a mighty achievement in itself on which she must be congratulated! The production was gorgeously directed (and choreographed) with tenderness and empathy by David Needham - the humour, drama and poignancy of this show were all impeccably exposed. Referring back to a statement I made at the start of this report, I was surprised to learn upon perusing the programme before taking my seat that instead of an orchestra, we were being given a seven piece band this, for me, was the shows biggest mistake. The Septet were indeed a strong and tight collection of musicians, though, no matter how well they each play an instrument, they cannot be expected to make up for so many missing parts. The marvellous Gypsy Overture (in fact; the very best of all Broadway Overtures) sounded empty and incomplete, as did all of the instrumentals throughout the show - though, giving them their due they did manage to fill out the sound for more of the show than I'd have thought possible considering they were approximately twenty musicians too few. This, the first musical presented by the Garrick under the new creative supervision of Paul Kerryson has attracted an influx of new blood to the company, this draw has enabled the Garrick to vividly broaden the scope of production genres they can now present, opening up an entire new and exciting catalogue of possible future productions, exciting times indeed! Before I get carried away back to the production in hand! - As important as new blood is to any aspiring theatre group, the part which stole this production of 'Gypsy' and ultimately brought the house down was 'Gotta Get A Gimmick' which featured two Garrick stalwarts (Laura Chandler & Stephanie Niland) and one new face to the Garrick, albeit a regular face amongst the local scene (Alexandra Howarth) these three girls nailed this sequence, undoubtedly the productions top highlight for me! Megan-Hollie Robertson took the role of Louise, at the tender age of just 19, Megan delivered the journey and telling of this character with such maturity and understanding, way beyond her years a beautiful actress with a voice to match.? The relatively short lived role of Dainty June was delivered on fine form by Bethan Jacks as was the two tots playing Baby June and Baby Louise (Isabelle Smith & Chloe Radford). Bill Platt and Mike Shaw presented many humorous faces throughout the production injecting good energy and fun into the proceedings popping up as Uncle Jocko, Pop & Mr. Goldstone et al. Though, Stephanie Niland as Tessie (and making a delightful cameo appearance in Act I as Miss Cratchitt) stood out, her calibre as an actress is second to none with a command and charisma so infectious, a superb performer! This production was indeed mighty, the overall delivery of this classic was presented to a very high standard which was indeed impressive and worthy of high praise indeed, many congratulations. Preview in the Messenger - First published Monday 29 September 2014 byRick Bowen Gypsy about to cast its spell at Altrincham Garrick Pictured are Dawn Flint (left) as Mama Rose and Megan-Hollie Robertson (right) as Louise With a famous score that includes lyrics by one of the giants of the modern musical Stephen Sondheim, Gypsy is sure to cast a spell over Trafford audiences. The musical, Altrincham Garrick's next production, tells the story of burlesque entertainer Gypsy Rose Lee and has a score boasting showstoppers like Everything's Coming Up Roses and You've Got To Get A Gimmick. The show was inspired by the memoir of Gypsy Rose Lee - entertainer, actress, author and playwright.

< Back Jason and the Argonauts (1963 film) ˂ Previous Production Next Production ˃ to 31 August 2020 We present our screening of this wonderful film in tribute to the master of stop-motion animation, Ray Harryhausen, who would have been 100 this summer. This beautifully detailed film is an unforgettable journey crammed full of monsters, bickering gods, mighty heroes in peril ... and, of course, those rampaging skeletons ... It is now considered a cult classic, being described by the Rotten Tomatoes website as "an outlandish, transportive piece of nostalgia whose real star is the masterful stop-motion animation work of Ray Harryhausen". This screening will (as always) be introduced by Barry Purves with informed trivia, anecdotes and some background of the production. Our kiosk will be open for you to buy those naughty treats before the film starts. Come and join us in a friendly, informal and Covid-19 safe atmosphere, to take advantage of sensational screening facilities as well as our low prices and free car park.

< Back Whipping It Up ˂ Previous Production Next Production ˃ to 8 February 2014 Black ties; cigar smoke; whisky in cut glass. Westminster runs the country, but the Whips run Westminster. It's a week before Christmas, and the new Tory government is facing dissent over its latest Bill. With a majority of only three, the Whips' office is out in full force, and they'll stop at nothing to keep the strays in line. But they're in for a long night: boy scouts are rioting in Whitehall, the PM's golfing with the President, five Tory rebels are on the loose and the Chief Whip's playing at Santa - could this be the beginnings of a leadership challenge. The scandalously funny Whipping It Up blows the lid off the Despatch box and reveals the true secrets locked in the Whips' safe. In the year of a General Election and without a word about EXPENSES this play is not to be missed. ** WARNING - Contains strong language** [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/whippinge.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/whippinga.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/whippingb.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/whippingc.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/whippingd.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/whippingf.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/whippingg.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/whippingh.jpg|"] CAST Geoff Holman as The Chief David Beddy as Alastair Hugh Draycott as Tim Jonathan Black as Guy Claire Brookes as Maggie Pam Nolan as Delia Sale & Altrincham Messenger's Review by Rick Bowen Whipping It Up - Altrincham Garrick play tries too hard to be controversial Some of the audience voted with their feet when the interval arrived for 'Whipping It Up', the patchy political play currently playing at Altrincham Garrick. It was a shame, because while the script has several weaknesses - such as the over use of expletives by writer Steve Thompson - the acting in Celia Bonner's production is first rate. Particularly good is Geoff Holman as The Chief Whip, a parliamentary bruiser who doesn't suffer rebel MPs gladly. A rottweiler in a sharp suit you might say, Alastair - an excellent David Beddy - is his second in command and he prefers a more softly softly approach when it comes to dealing with those who aren't toeing the party line. It's the political equivalent of the classic good cop/bad cop routine and great fun to watch. Hugh Draycott is also eminently watchable as Tim, the young whippersnapper who, like his two colleagues, has had his conscience surgically removed. For me, those three actors hold the production together, making the best of a script that tries a little bit too hard to be controversial at times. There were occasions when I felt I was drowning in bile. Neither of the main political parties emerge in a particularly favourable light. This play could have been so much funnier and for its writer this is a classic case of opportunity missed.Star Rating ★★

< Back Romeo and Juliet (Streaming) ˂ Previous Production Next Production ˃ 18 March 2021 to 29 March 2021 This was a home-streaming event during the "second Covid-19 lockdown". By William Shakespeare Adapted by Joseph Meighan Directed by Joseph Meighan In a world of music, fame and money, Shakespeare’s classic play about love is brought to life in a brand new telling. The Montague and Capulet families are embroiled in a long-running feud and the hatred seems to be impossible to shift. When Romeo, a Montague, attends a Capulet ball in disguise, he falls in love with the beautiful Juliet, and she returns the love. A secret marriage takes place between the two young lovers, but happiness and harmony are not quite in reach as circumstances and fate continue to keep them apart. Perhaps one of the most famous plays of all time exploded onto the Altrincham Garrick Playhouse Main Stage in 2016, marking the 400th anniversary of Shakespeare’s death. Now, for the first time, it will be streamed into your homes! Experience the power of this tragic love story.

< Back Hattie off the Rails ˂ Previous Production Next Production ˃ to 1 July 2014 CAST Bramwell, Madge Brotherton, Annie A Higgs, Elsie Kirton, C H Landon, W Eric Lowe, Edgar M Mason, Edward Mason, Edith A Tomlinson, Ronald Warburton, Ida Woods, Lily V Williams, Nancy

< Back Octopia - GAPA Half Term Drama Workshop (MONDAY) ˂ Previous Production Next Production ˃ to 26 September 2023 October Half Term Workshop MONDAY 23rd October 2023 10:00am - 16:00pm Ages 6-18 Join us during this October half term holiday for a day or for the full week to enjoy theatrical fun: combining music, movement, monologues and much much more! GAPA’s half term workshops encourage the participants to explore their creative side, and promote teamwork in a safe and friendly environment. Our aim is to deliver exciting drama workshops for students aged 6-18, where they can learn drama skills, gain confidence and above all have fun. Workshops start each day at 10.00am and finish at 4.00pm. Attendees are required to bring their own refreshments to see them through the day. Attendees are also requested to wear clothes suitable for movement and appropriate footwear, which will enable them to engage in all of the daily activities. Students will be required to read text unaided. If you need a fun-filled week in a high energy, performance based environment, then we'd love for you to join us at the Altrincham Garrick Playhouse. PLEASE NOTE - Once you have signed up, please click on the attachment in the email you receive. You will be provided with a link to complete a 'Registration Form'. This is required before your child can gain access to the workshop.

< Back Hyacinth Halvey ˂ Previous Production Next Production ˃ to 1 July 2014 CAST Bullivant Erick Jackson, George Kirton, C H Ross, Dora Toder, Mrs Eva

< Back Only Fools And Boycie ˂ Previous Production Next Production ˃ to 10 May 2019 Only Fools And Boycie – An intimate evening with Only Fools And Horses actor John Challis. Enjoy an intimate evening with John Challis, one of the nation's greatest comedy actors, best known as Boycie in BBC1's Only Fools and Horses. In this one-off show the national treasure will reveal secrets from the set with stories and anecdotes from his dazzling career. Having worked with some of the biggest names in show business, he'll be spilling the beans about Only Fools and Horses co-stars like Sir David Jason and Nicholas Lyndhurst and friends and fellow performers like The Beatles, The Rolling Stones, Oliver Reed and George Best. He’ll also recall tales from his time in Dr Who, Coronation Street and other TV classics. Mr Challis will also meet fans after the show to sign autographs and pose for pictures, while signing copies of his autobiography, Being Boycie, and novel, Reggie: A Stag At Bay.

< Back The Lieutenant of Inishmore ˂ Previous Production Next Production ˃ to 2 June 2014 Father Ted meets Reservoir Dogs - winner of the best comedy Olivier award This great play by Martin McDonagh won the Laurence Olivier award for Best Comedy in 2003 and was nominated for a Tony award in America. Wee Thomas was a friendly cat. Who knocked him over on a lonely road on the island of Inishmore, and was it an accident? His owner, handsome and dangerous Padriac, will want to know when he returns from across the border- he loves his cat more than life itself! Combining razor sharp, outrageously funny dialogue with a fast moving plot with twists and turns, this is a wild night at the theatre not to be missed. Martin McDonagh?s other award winning plays include The Pillowman, The Beauty Queen of Leenane and The Cripple of Inishmaan recently seen in London starring Daniel Ratcliffe. His films include In Bruges and Seven Psychopaths. [gallery columns="4" type="rectangular" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/03/DSC_0975.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/03/DSC_1197.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/03/DSC_5513.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/03/DSC_0825.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/03/DSC_0809.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/03/DSC_0912.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/03/DSC_0860.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/03/DSC_0903.jpg|"] CAST DONNY - Michael Gallagher DAVEY - Charlie Gallagher PADRAIC - Adam Gonet [3, 5 & 7th March] & Anthony Morris [2, 4 & 6th March] MAIREAD - Megan Johnstone JAMES - Adam Gonet [2, 4 & 6th] & Anthony Morris [3, 5 & 7th] CHRISTY - Charlie Tomlinson BRENDAN - Adam Gonet [2, 4 & 6th] & Anthony Morris [3, 5 & 7th] JOEY - Leif Black LIGHTING & SOUND - Mike North, Pete Jones, Natasha Klein,?Christine Mills COSTUME DESIGN - Garrick Wardrobe PROPERTIES / FURNITURE - John Newton and Jo Myers COMPANY STAGE MANAGER - Dan Ferguson ASSISSTANT STAGE - Anne O'Reilly, Jo Myers [gallery columns="5" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/02/Inishmore.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/02/Inishmore-06.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/02/Inishmore-05.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/02/Inishmore-04.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/02/Inishmore-03.jpg|"] PLEASE NOTE: This production contains frequent strong language, adult humour and does include the use of very loud and sudden noises, including gunshots Review by Remotegoat by Julia Taylor Horror and Humour combine well The Lieutenant of Inishmore is gut wrenching in two senses of the word. Set amid the troubles in Northern Ireland, it features blood and gore yet is also gut wrenchingly funny, it's a strange combination but if you can stomach torture and bloodied dead bodies, not to mention one being chopped up, the humour takes you by surprise and makes a nice contrast. The writer, Martin McDonagh, is a skilled playwright who has won many awards. He hasn't introduced violence for violence's sake but is quietly outlining a moral. It is that whatever section of the community violence comes from, it is never going to win any battles for the perpetrators. In this black comedy, the main perpetrator is INLA member Padraic who breaks off from torturing a Belfast drug pusher and rushes home to comfort his sick cat. This an indication of the humour to come although the violence erupts again when he discovers his 'wee Thomas' has died a sadistic death. The cat reveals a soft centre in this gangster. Alternating on different nights with Adam Gonet, I see Anthony Morris play the psychopathic Padraic in a way that makes you wonder what makes him tick. He is aided and abetted by his mol, the tough yet vulnerable Mairead played by Megan Johnstone. Still only 16 and handy with a gun, she longs to form her own terrorist splinter group. They have in common a morbid love of both violence and cats! The funniest characters are Padraic's father, Donny (Michael Gallagher) and Charlie Gallagher's Davey, Mairead's brother. They feel responsible for the death of wee Thomas which embroils them in some terrifying tangles. I especially love Charlie's Davey. He never fails to come up with an innocently amusing remark even when shaking with terror. In a fine piece of acting, his every mood is reflected in his face as well as his voice. The accents seem OK to me although the Irish friend who accompanies me is less convinced. Nevertheless, a great deal of skill goes into what appears simple particularly in the deadly scenes after the interval performed with perfect timing. You'll be surprised and perhaps a little guilty to discover you enjoy this play but enjoy it you will not least because it is directed by the Garrick's Executive Producer, Paul Kerryson. Star Rating ★★★★ ★ Review by The Messenger by Rick Bowen Classy black comedy at the Garrick Adam Gonet (Padraic) and Megan Johnstone (Mairead). Photo by Vishal Sharma Just when I thought risk taking was a thing of the past in commercially driven live theatre, Altrincham Garrick takes the brave decision to stage The Lieutenant of Inishmore. From a cat loving terrorist to a trigger happy teenage girl, all of human life is here in Martin McDonagh's classy black comedy. Adam Gonet expertly plays Padraic, a role he's sharing with Anthony Morris. He may be ruthless when it comes to dealing with his enemies but he's a big softie when it comes to his beloved pet cat. Adam is highly convincing when it comes to conveying both sides of this crazy character and for me, this is his best Garrick performance to date. Imagine his anger when Padraic discovers his moggy has come to harm and poor Davey (Charlie Gallagher) who looks like he's just stepped out of an Irish version of Wayne's World, ends up taking the blame. While the script contains strong language it is also extremely clever and laugh out loud funny in places and McDonagh frequently demonstrates a wonderful turn of phrase, even if the second act is far better than the first. Megan Johnstone is also very good value as the gun toting Miread, inextricably drawn to small town bad boy Padraic. She also has a lovely singing voice. Director Paul Kerryson obviously has a deep seated affection for this play and it shows in this highly watchable production. The Lieutenant of Inishmore might not be everyone's pint of Guinness, but this Irish masterpiece certainly makes for a very different night of theatre, rounded off with a brilliant twist that you definitely won't see coming. Enjoy. Star Rating ★★★★ NODA Review by Kevin Procter Should you have stopped by The Altrincham Garrick for this production, you may have appreciated a warning that a stronger stomach than usual may be required; The Lieutenant of Inishmore is Martin McDonagh's black (and blood-spattered) comedy directed by the recently appointed Chief Exec of the AG, Paul Kerryson. Paul certainly makes a stamp and shakes up the usual drama followers of the Garrick with his 'official' debut as director with the theatre, this show will have most definitely left an impression like a dollop of marmite; you'll either love this raw and gory contemporary drama/comedy or you may be one who's hoping for the return of the traditional slapstick, sexist farce. This title is not one which is particularly popular for am dram societies than it is with universities and fringe theatre groups (which I think is what makes it all the more appealing for the AG) - it's a modern creation which challenges and pushes boundaries, such a decision to venture into new ground is surely going to displease some folk but my view is it's never a bad thing to experiment and wake things up a bit, and ultimately, to ensure you present as wider variety of styles and genres as possible. As with the previous AG production (Oliver!), the casting committee have obviously struggled to come to a decision with who to choose for a role (though obviously not as extreme as previously) as the part of Padraic is shared by two actors and the one who is not 'on' as Padraic will take smaller roles in that particular performance, such a ruling seems slightly ludicrous for a production running for just one week and can only, surely, present more of a nuisance to the process than contributing something which works as an advantage to the production, but perhaps I'm missing something! On the performance I attended, Anthony Morris took the role of Padraic who delivered a tame psycho, I felt there was room to explore the maniac qualities of this individual to present the intimidating terrorist he is. The abattoir inspired set was an original approach to the shows design, steering away from the obvious description of the location given by the cast. Some of the Irish accents dropped somewhat which made the quick paced dialogue hard to catch but this is an incredibly tricky accent to replicate, an accent which is in fact renowned for being one of the most difficult to master which I do appreciate. Most impressive was Charlie Gallagher as Davey; the younger, dim brother who creates the chaos! A truly hilarious and alluring performance delivering the most natural and riveting of the bunch, a new face to the Garrick who is undoubtedly one to watch! Come the interval, I wasn't sure if this play was for me (on a personal level) but it wasn't until act two when the piece really shows its true colours, yes, it gets more gruesome but equally more comical. The balance of the script veers from violence to the ridiculous in an instant which, arguably, softens its vicious premise, however, we howl with laughter as members of the cast are brutally tortured then murdered and kittys are shot and slaughtered before our very eyes. One trait which is sure to make any creative team nervous is when a play requires a living cat to appear on stage, I could not help but find this rather impressive but also, given what we'd already witnessed, felt anxious for the cat's fate! High drama and explorations of the human condition are not to be found here, credit to the AG team for being bold and bringing a play as dark and guiltily entertaining as this to the local stage, showing they're not afraid of putting on something to cater for every taste. Sardines Review by Michael Cove Set in 1993, against a backdrop of the Irish troubles, Martin McDonagh's masterful Olivier Award winning black comedy is brought boldly to life in the Altrincham Garrick Playhouse's impressive new staging. Helmed by former Leicester Curve Artistic Director Paul Kerryson, the direction may on the odd occasion lack a necessary spark of imagination, with Barry Fletcher's set design feeling a little too clinical to effectively represent the warm rural cottage in which the majority of the action takes place, however it is the performances from the 7-strong non-Irish cast which really elevate this production. I have been reviewing both professional and amateur theatre for over 35 years now, and not often do you see a performance as complete and dynamic in such a young actor as Adam Gonet's Padraic. His performance as the eponymous madman is nothing short of outstanding. His journey through the various character traits from amiable to explosive - is conveyed with expert skill, charisma and intelligence rarely seen these days. I cannot imagine he will be hanging around too long on the amateur stage. As the air-rifle toting tomboy, Mairead (the lading lady, if you can call Mairead that!), Megan Johnstone is equally as impressive, again demonstrating a commanding presence, expert characterisation and a sparkling, passionate chemistry with Gonet's Padraic. As the audience surrogate's Davey and Donny, the real-life father and son pairing of Charlie and Michael Gallagher are perfectly suited to their respective roles, two relatable everyman characters caught up in the most surreal and nightmarish of situations. Charlie Tomlinson's one-eyed Christy cuts an unnerving presence as the head of IRA splinter group the INLA with fine support from Anthony Morris sarcastic Brendan and Leif Black's naive Joey. Tomlinson really comes in to his own during the big scene 8 set piece and the hilarious country lane sequence. The latter seeing the three INLA boys discussing a whole host of surreal subjects and literary quotes over a couple of tin of Heinz beans.Mike North's pulsing sound design and atmospheric lighting perfectly enhance the various undertones of the piece. The auditorium at last night?s (Tuesday night) performance was just over half full, which is criminal in a production as accomplished as this proves. I urge anyone with an interest in theatre to book tickets immediately PRESS RELEASE Martin McDonagh's hilarious, brutal and deadly multi-award winning black comedy opens at the Altrincham Garrick playhouse on Monday 2nd March, running until Saturday 7th March. It is directed by award winning director Paul Kerryson. Paul Kerryson says: "During my recent time at Curve theatre in Leicester, a highlight was directing local talent in exciting plays and musicals, so I am especially thrilled to be working with such a young, talented cast in this community production of one of my favourite plays. Wee Thomas was a friendly cat. Who knocked him over on a lonely road on the island of Inishmore, and was it an accident? His owner, the handsome and very mad Padraig, will want to know when he gets back from a stint of torture and mayhem in the North. Padraig loved Wee Thomas more than life itself! Combining razor sharp, outrageously funny dialogue with a dash of violence, this is a wild night at the theatre not to be missed! The Lieutenant of Inishmore was first performed by the Royal Shakespeare Company in 2001 where it won the Olivier Award for Best New Comedy. The sell out Broadway run also received five Tony Award nominations, including Best Play. The Lieutenant of Inishmore workshops and pre and post show discussions with the director and the cast are available on request. Please Note: The production contains violence, adult humour and frequent strong language.

< Back The Haunting ˂ Previous Production Next Production ˃ to 30 July 2013 On a wild night a young book-dealer, David Filde, is at work in the dark library of an ancient, crumbling mansion, while outside the wind howls across the desolate moorland. But as he tries to catalogue the estate's collection of rare and antiquated books a series of strange, unexplained events and apparitions threatens to unnerve him. David's employer, the forbidding owner of the mansion, denies that anything is amiss. As he strives to convince Lord Gray that the mysterious phenomena and ghostly visitations are real David finds they must face together the source of the manifestations, the awful secrets that lie behind them and David's own link to the terrors that haunt the house. Adapted from Charles Dickens' gripping ghost stories, this spine-chilling new play will have you on the edge of your seat. Dare you watch it alone? [gallery ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/The-Haunting-1.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/The-Haunting-3.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/The-Haunting-2.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/The-Haunting-5.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/The-Haunting-4.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/The-Haunting-6.jpg|"] CAST David Filde Sean Gonet Lord Gray Mark Edgar Mary Grace Garside Review by Julia Taylor Ghoulish and Spooky at Hallowe'en It's ghoulish; it's spooky and it's Hallowe'en. If The Haunting, a mainly two hander by Hugh Janes based on Charles Dickens' ghost stories doesn't send chills down your spine, I'll be spooked. You feel trepidation just by seeing Stephen Bradshaw's darkened, cobwebbed set, never mind the unexplained screams and thunder created by Christine Mills and David Williams. Then there is the phenomena of books inexplicably flying off shelves, and doors apparently locking themselves not to mention Geoff Scullard's lighting effects put to good use as lightening or creating the atmosphere for the actual appearance of the ghost dressed in tattered bridal apparel (Grace Garside). The person who finds himself ensconced in the library of an English country house is young book dealer, David Filde (Sean Gonet) who innocently turns up to catalogue and value some antique books which once belonged to his uncle's colleague, the recently deceased Lord Gray. His co-actor, Mark Edgar, plays his successor, the new Lord Gray. He's a sceptic of all things spectral until David gradually convinces him of the macabre goings on in the house. The special effects are spectacular but the play would get nowhere without the interaction between David Filde and Lord Gray. Both actors speak with expression or simply use a well-timed pause to make you hold your breath. It turns out that the pair have more in common than at first thought and there is a thought-provoking twist in the tale. My reservation is that Janes' script is a little too wordy although both actors cope well. The backstage staff ensure that you'll journey to the edge of terror in this play so well directed by Celia Bonner. NODA Review by Kevin Proctor Adapted by Hugh Janes from various short stories and ideas from Charles Dickens novels, the tale of ghostly goings-on at a secluded manor house on the edge of a foggy moor has echoes of Susan Hills 'The Woman in Black' (21 years in the West End and counting) with its similar central character in David Filde - played by Sean Gonet - who arrives to sort out its owner's affairs, in this case a book collection belonging to Lord Gray - played by Mark Edgar. As the book dealer ' and we' soon discover, the house is haunted by the ghost of a young woman. This script is no walk in the park for the technical crew; Director Celia Bonner and her team deliver technical genius with military precision as we have shocks and sudden noises, swirling mists, sombre lighting effects, a spinning chair, doors opening and slamming shut by themselves, false walls, flying books, almost a constant wild track of howling and breezes, Music, 30 + sound effects and all that is just in the first 20 minutes! Celia and her dream team created an air of melancholy and one of the biggest statements of them all was the ingenious, creepy old library set. Both Mark & Sean - who were aptly cast gave strong performances indeed. The role of the refined and diffident aristocratic Lord Gray sits very convincingly on Marks shoulders, complete with some nice dry humour on occasion. Sean is very convincing as the enthusiastic bookworm and gave us a very mature and accomplished performance, a great duo who evidently work well together. There is an undertone throughout the play a ghostly hum, as of wind, which may be forgotten by the audience occasionally, but which gives even the moments of silence an eerie sense of supernatural. This is the second 3-hander this season presented by the Garrick which is refreshing and unusual but obviously works and manages to sell enough tickets. Bravo to the team at Altrincham Garrick who succeed to run such an inspirational company. Yet again, I say congratulations on another triumph!

< Back "Keeping the Faith" - The Billy Joel Collection ˂ Previous Production Next Production ˃ to 23 June 2021 Billy Joel is one of the best selling music artists of all time having sold over 150 million albums worldwide. His 12 studio albums include 33 Top 40 hits and have earned him 6 Grammy Awards, as well as induction into the Rock and Roll Hall of Fame. Keeping The Faith is a collection of Billy’s greatest hits, including "Just The Way You Are", "Uptown Girl", "Tell Her About It", "River Of Dreams", "We Didn’t Start The Fire", "My Life", "She’s Always A Woman", and the ever- popular, "Piano Man". Gaz Jenkins brings the passion and fire of New York’s favourite son to the stage in a way that will ignite audiences and have them begging for more. Gaz has trained in Musical Theatre and has professional theatre credits. Book tickets now - you will not want to miss this!!! [embed]https://www.youtube.com/watch?v=-pOG30m3USs[/embed] Our reasonably priced bar will be open before, during the interval and after the show. Free car park for customers and in easy walking distance of Altrincham and local tram and train stations. So what are you waiting for? BUY YOUR TICKETS NOW!

< Back June Rendell Dance Academy Presents: DON'T STOP THE MUSIC ˂ Previous Production Next Production ˃ to 7 June 2023 June Rendell Altrincham Dance Academy presents a dance production that’ll take you on a journey through different time periods, musical genres, and dance styles, and popular tales will be cleverly told through the art of dance. Spectacular costumes, props, and featuring dancers of all ages and abilities who train at June Rendell Altrincham Dance Academy. Suitable for all the family, an entertaining weekend of dance revues – you’ll leave wanting to dust of your old dancing shoes! Please note, we have different casts performing at different dates/times as follows: Matinee (15 Jul): 13:00 - 15:30 (Cast A & C) Evening (15 Jul): 17:30 - 20:00 (Cast B & C) Matinee (16 Jul): 13:00 - 15:30 (Cast B & C) Evening (16 Jul): 17:30 - 20:00 (Cast A & C) Our reasonably priced bar will be open before, during the interval and after the show. Free car park for customers and in easy walking distance of Altrincham and local tram and train stations. So what are you waiting for? BUY YOUR TICKETS NOW!

< Back Hi-De-Hi ˂ Previous Production Next Production ˃ to 16 December 2013 The National Premiere Following the enormous success of "Dad's Army" last season, we are thrilled to have been given special permission, by the writers, to present the stage version of this very successful and long-running TV series. Come back with us to the late 50s/early 60s and enjoy once again all the simple humour of a bygone age. With the words "Hello, Campers" ringing in your ears meet again Gladys Pugh, Jeffrey Fairbrother, Ted Bovis and of course Spike and Peggy and others. Relive a time when Yellow Coats, Chalets with bunk beds, canteen type meals and talent shows were the order of the day. All the characters are here waiting to entertain you and after the "Dad's Army" sell out don't leave it too late to order your tickets for this one. CAST Alex Wilson as Jeffrey Fairbrother Brian Tickle as Ted Bovis Caroline Hickey as Gladys Pugh David Leathlean as Spike Dixon Brian Howlett as Fred Quilly Juliet Wilson as Peggy Mike Shaw as Barry Stuart-Hargreaves Natalie Horne as Yvonne Stuart-Hargreaves Frank Boylan as Uncle Benjamin Graham Simmonds as Stanley Robert Watson as Bruce Yellowcoats Mandy White Jane Gallagher Ashley Foster Laura Whitehurst Robin Coulthard as Bert Swanley

< Back A Murder Has Been Arranged ˂ Previous Production Next Production ˃ to 29 June 2018 A UNIQUE THRILLER AND GHOST STORY Is this a thriller or a ghost story? It is a seat gripping drama with a murder and its consequences. There are many people involved in the production which takes place in a supposedly haunted theatre. There have been several mysterious deaths in the theatre in the past. A party on stage reveals a missing relative, an untimely death and a ghost like figure. This is a superb play from Emlyn Williams, definitely not to be missed! This Production is proudly sponsored by CAST Miss Groze – Fiona Primrose Mrs. Wragg - Christine Perry Jimmy North - Chris Wagstaffe Beatrice Jasper - Chloe Malandra Mrs. Arthur - Caroline Knight Sir. Charles Jasper - David Baxendale Maurice Mullins - Anthony Morris A Woman - Mandy White

< Back Gang Show 2019 ˂ Previous Production Next Production ˃ to 18 August 2015 Gang Show 2019 presented by Sale Scouts and Guides

< Back Blackbird ˂ Previous Production Next Production ˃ to 27 July 2013 Following the successful tour of 'Jordan', performed at the Edinburgh Festival, with great reviews, Stickleback Theatre Company return with their latest production, 'Blackbird' by David Harrower, an equally gripping and powerful piece of studio theatre. A fascinating and un-nerving tale of revenge and intrigue. Fifteen years ago Una and Ray had a relationship. They haven't set eyes on each other since. Now, years later, she's found him again. This electrifying and explosive play has Ray confronting his past when Una arrives unannounced at his place of work. Guilt and raw emotions run high as they unpick their passionate, forbidden love affair. CAST Una - Sian Weedon Ray - Chris Saunders Girl ?- Grace Garside BLACKBIRD was performed at the Lowry in Manchester on Thursday on Thursday 19th June ? 1 night only.

< Back ODYSSEY & JUNIOR GISCOMBE ˂ Previous Production Next Production ˃ to 17 May 2021 ODYSSEY & JUNIOR GISCOMBE Join us at the Altrincham Garrick Playhouse on Friday 3rd September, when Disco Legends; ODYSSEY will be performing all their hits live, including – ‘Use it Up, Wear it Out’ , ‘Native New Yorker’ , ‘Inside Out’ & ‘Going Back to My Roots’. Odyssey will be joined by UK R&B Star; JUNIOR GISCOMBE who was one of the first British R&B artists to be successful in America with his incredible hit’ Mama Used to Say’ and his hit ; Another Step (Closer to You) recorded with Kim Wilde. Please note that this production has a full capacity seating plan, with a percentage of tickets being sold by the producers of this show. Our reasonably priced bar will be open before, during the interval and after the show. Free car park for customers and in easy walking distance of Altrincham and local tram and train stations. So what are you waiting for? BUY YOUR TICKETS NOW!

< Back Mirandolina ˂ Previous Production Next Production ˃ to 1 July 2014 CAST Bullivant Erick Jackson, George Lowe, Edgar M Mason, Edward Matthews, Marion Thwaite Warburton, George A

< Back The Custody of Parents ˂ Previous Production Next Production ˃ to 12 August 2019 Bateman, Brian Coventry, Betty Gough, Eva Kay R H Matley, Henry (Harry) Monkhouse, Mary H Shaw, A Keble Stevens, Catherine

< Back Run for Your Wife ˂ Previous Production Next Production ˃ to 24 July 2013 Run for your Wife is described by the critics as 'British comedy at its best'. Ever popular, Ray Cooney's award-winning play tells the hilarious tale of John Smith, a London cab driver, who literally has two lives, complete with two different wives! Somehow, he manages to juggle them both without arousing suspicion until he gets caught up in a mugging, and he wakes up in a hospital which is where his unscrupulous world starts to unravel and hilarity ensues ! One of the most successful farces in the Garrick's back-catalogue made this play a must for the 100th season. Seen again, or for the first time it's bound to be a hilarious night out. [gallery ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/Riun-For-You-Wife-1.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/Riun-For-You-Wife-9.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/Riun-For-You-Wife-2.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/Riun-For-You-Wife-3.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/Riun-For-You-Wife-5.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/Riun-For-You-Wife-6.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/Riun-For-You-Wife-7.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/Riun-For-You-Wife-4.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/Riun-For-You-Wife-8.jpg|"] CAST Mary Smith - Beverley Stuart-Cole Barbara Smith - Ros Greenwood John Smith - Jonathan Black Detective Sergeant Troughton - Andrew Higson Stanley Gardner - Mike Shaw Newspaper Reporter - Alan Rothwell Detective Sergeant Porterhouse - Brian Tickle Bobby Franklin - Brian Howlett Prompt - Helen Cowan ASM - Pat Head Messenger Review By Julia Taylor Alttrincham Garrick's Run for Your Wife is one of their best Run for Your Wife, the Ray Cooney farce, is one of the best productions I've seen at the Garrick this centenary season. It's about a bigamist attempting to keep his two spouses apart. The miscreant, John Smith, a taxi driver, uses his shifts to alternate time with Mary in Wimbledon and Barbara in Streatham. What a mess Jonathan Black's character gets into as, at an increasingly fast pace, he invents far-fetched lies to keep his secret. He's a lucky fellow to have two such adoring wives. Beverley Stuart-Cole's Mary and Ros Greenwood's Barbara both enjoy some hanky panky. They react like lightening to unexplained happenings. Two other blokes add to the mayhem. One is Stanley, Mary's unemployed neighbour. played with amusing bewilderment by Mike Shaw as he, too, gets caught up in the deception. The other is Barbara's neighbour, the effeminate, Bobby, a camp Brian Howlett Brian delicately flicks his hair with his hand just like Mr Humphries in Are You Being Served! Two Detective Sergeants played by Andrew Higson and Brian Tickle also get entangled in the web. Without physically splitting the homes, Set Designer Stephen Bradshaw clarifies who lives where. The ending is happy though unexpected.This masterpiece, directed by professional actor Alan Rothwell, who also has a small part, follows the rules of farce to a tee. The teamwork is exceptional, the timing immaculate and, of course, it's all played straight. Highly recommended! Star Rating ★★★★★ NODA Review by Kevin Proctor I was surprised to learn that this farce is relatively modern in comparison to others, the piece was written at such a turning point in society in terms of opinions which has resulted in this piece not ageing well which is a tremendous shame as (despite its un-PC views) it's actually quite a good one! Director, Alan Rothwell quite rightly mentions in his directors note that a lot of actors look down on farces as being down-market, but 'Run for your Wife' is certainly a hidden gem, though I can see why it doesn't often get an airing with its dated camp humour and offensive views on same sex relations and transvestites etc. The times when people used a limp wrist and popped knee to symbolise someone is 'that way!' quite cringe worthy for a modern theatre goer. It's also not so easy to update the play with mobile phone technology making it easy to communicate with people out and about, the play (unless completely re-worked) wouldn't believably translate to modern times. Ray Cooney (writer) has indeed updated this play as a screenplay (under the same title) which starred Danny Dyer and Denise Van Outen in 2013, this was an attempt to rework it and place it in modern times though, unfortunately, critics still slammed it as being 30 years out of date. The opening 'mime' with the two wife's (Beverley Stuart-Cole & Ros Greenwood) anxiously waiting for their husband (Jonathan Black), who is late home, set the scene beautifully - this, followed by the first two pages of dialogue between the two wife's was comic farce writing at its best - magic! The casting was 'obvious' and I felt it was a little on the safe side, however - no question about it - we had a fine selection of skill on display with a cast more than capable, each of them delivered their parts as they should be and as required. The the real comic turn of the piece for me is Mike Shaw as Stanley, the well-meaning attempts to help only lead to even more misunderstandings which resulted with the biggest laughs, my personal favourite being when the detective asks; 'Do you know what an accessory is'? to which he replies 'Handbag!'?'Run For Your Wife' may be a dated play but the mix-up comedy format works very well today in the hands of this talented cast and crew.

< Back Cock Robin ˂ Previous Production Next Production ˃ to 12 August 2019 Bankes, Eric Courtney, Donald Gooby, Kathleen Iredale, W R Osborne, Edgar Robinson, Doreen Smith, J B Smith, Rosetta H White, Leo Zorian, Satinig

< Back Something to Hide ˂ Previous Production Next Production ˃ to 12 August 2019 Blackhurst, Ernest Grimshaw, Joan Preston, Penny Taylor, Pegeen

< Back The Wizard of Oz (1939 film) ˂ Previous Production Next Production ˃ to 1 January 1970 Characterised by its use of Technicolor, fantasy storytelling, musical score and memorable characters, the film has become a pop culture icon. It features high in the British Film Institute May 2020 list of "50 films to be seen by the age of 15". A tornado whisks Judy Garland's Dorothy (and her dog Toto) from Kansas to Munchkinland in the Land of Oz. With her new friends the Scarecrow, the Tin Woodman and the Cowardly Lion, she journeys through several adventures to finally expose the real Wizard of Oz. This is a film that so many people know of, and from which you will instantly recognise scenes, quotes and songs ... but when did you last see it from start to finish in a real auditorium ? This screening will (as always) be introduced by the Garrick's very own stop-motion Oscar-nominee, Barry Purves, with informed trivia, anecdotes and some background of the production. Come and join us in a friendly, informal and Covid-19 safe atmosphere, to take advantage of sensational screening facilities as well as our low prices and free car park.

< Back Cinema Paradiso (1988 Oscar-winner) ˂ Previous Production Next Production ˃ to 31 August 2020 A perfect film about the power and joy of cinema and memory, made by Giuseppe Tomatore in 1988. A winner of multiple awards, this film is accompanied by one of the most luscious and evocative of scores, by Ennio Morricone who died last month. Breaking through anti-arthouse prejudice with its simple love of cinema, this is worth a look even for those who can't stand foreign films. And then there's the exhilarating kiss-clip finale. Full review Ian Nathan, Empire This bittersweet film is a bit slow for teens, but anyone with a true love of cinema who doesn't mind some syrupy moments will be charmed. Full review Scott G. Mignola, Common Sense Media We are presenting this film in its original Italian, with English subtitles. This screening will (as always) be introduced by Barry Purves with informed trivia, anecdotes and some background of the production. The bar will be open before and after the show. Come and join us in a friendly, informal and Covid-19 safe atmosphere, to take advantage of sensational screening facilities as well as our low prices and free car park.