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< Back The Happiest Days of Your Life ˂ Previous Production Next Production ˃ to 12 August 2019 Atkin, Eric Bayliss, Tony Clark, Hetty Glazebrook, K Harry Greir, Alma Howat, Robert (Bob) A Pimlott, (Allman) Emmie Royle, Dudley Whyatt, Egerton G

< Back Funny Money ˂ Previous Production Next Production ˃ to 7 August 2013 Jean is preparing a birthday dinner for her mild-mannered accountant husband Henry. Good friends Betty and Vic are expected any minute and Jean is frantic because Henry is late. When he eventually arrives Jean finds him not quite the man he used to be. He has inadvertently picked up the wrong briefcase on the Underground and the contents have the potential to change his life. Life is never simple, however, and the separate arrivals of two detectives pursuing separate lines of enquiry coupled with an irate cabby leads to a frantic game of cat and mouse full of hilarious innuendo and a bizarre succession of assumed identities. CAST Bill Platt as Henry Perkins Jane Marsh as Jean Perkins Dave Richardson as Davenport Brian Stoner as Slater Carole Carr as Betty Johnson Dick Sails as Vic Johnson Gary Collins as Bill Eric Vogel as the Passer-by

< Back The Zeal of Thy Plan ˂ Previous Production Next Production ˃ to 12 August 2019 Cueplan, G

< Back Dial M for Murder ˂ Previous Production Next Production ˃ to 12 August 2019 Corness, Ian Kench, Denise Pratt, Graham Ellis Wilson, George E

< Back Dirty Dancing (1987 film) ˂ Previous Production Next Production ˃ to 31 August 2020 A film that is responsible for many a dodgy back, after that dance lift. Come and wallow in a truly iconic film, laced with great dance and songs. (I've had) The Time of My Life won an Oscar, a Golden Globe and a Grammy, as well as charting at number 1 in many countries of the world. This screening will (as always) be introduced by Barry Purves with informed trivia, anecdotes and some background of the production. The bar will be open before and after the show. Come and join us in a friendly, informal and Covid-19 safe atmosphere, to take advantage of sensational screening facilities as well as our low prices and free car park.

< Back Cavalcade ˂ Previous Production Next Production ˃ to 12 August 2019 Ablewhite, Stanley Allman, William Arnoll, Sidonie Barton, Roger Baxter, Ena Babbington, Ann Beck, Marjorie Berisford, Dorothy Bigland-Day, P Billcliff, Lillian Brettelle, C Caldwell, Pamela Carter, Felicity Clark, Hetty Clarke, Marion E Clephan, Gay Cullen, Leslie Cullen, M Dean, Margaret Downes, Elsie Dunton, Mona Ellis, Eric Farebrother, Arthur F Frost, Kenneth Garland, Lorna Gregory, Mary P Greir, Alma Grimshaw E Hagon, E Hamblin, Anthony Hamblin, Mary Hanson, Janice Hardy, Joan Hobbs, Olive Nellie Kennedy, Brenda Larbalestier, Jacqueline Le Comber, Annette Lightowler, Madge Lightowler, Ronnie R McGlone, Walter Martin, Jean Morrison, Elspeth Newton, H Norval, Hilda Norval, Mary O'Brien, Margaret Parker, M Pearce, S C Pearse, Bette Plested, James Roberts, A E Tudor Royle, Dudley Sabina, A Schofield, Daphne Smart, Brian Talbot, Ernest K Waddingham, Jan Walton, Barbara Webb, David Winning, Joyce Winterbottom, Susan Williams, Anne

< Back Relatively Speaking ˂ Previous Production Next Production ˃ to 9 January 2014 When first performed,?Relatively Speaking?was described as "a superbly constructed ...play that gave its audiences total and continuous delight, and established Alan Ayckbourn as the brightest new comic talent in the theatre". Nearly forty years on, the play is as fresh and as funny as when it was first seen. Ginny has just ended an affair with an older man (Philip) and is now engaged to Greg. But Philip won't take no for an answer so she visits him at his home to end it once and for all. But Greg, thinking she is visiting her parents, decides to surprise her and goes there himself. Meeting Philip's wife, Sheila, he assumes she is Ginny's mum; Philip thinks Greg is his wife?s young lover? Opportunities for comic misunderstandings and confusion abound and Ayckbourn handles them with consummate skill. A classic Ayckbourn not to be missed. CAST Neeraj Pathak as Greg Stephanie Hawthorn as Ginny Hugh Everett as Philip Pam Nolan as Sheila

< Back The Circle ˂ Previous Production Next Production ˃ to 12 August 2019 Bramwell, Madge Carter, Harold Harris, Frank Ralphs, Gordon Sykes, Constance D Wallace, Jean Wiltshire, H John Wood, Joan I

< Back Widowers' Houses ˂ Previous Production Next Production ˃ to 1 July 2014 CAST Churm, V?Ida Ewan,?Robert Gow,?Ronald Hill,?Arthur P Landon,?W Eric Lowe, Edgar M Woods, Lily V

< Back The Bon Jovi Experience ˂ Previous Production Next Production ˃ to 29 July 2021 Looking for the ultimate Bon Jovi tribute? Look no further than The Bon Jovi Experience, official tribute band to Bon Jovi , endorsed by the man himself! As the only Bon Jovi tribute band in the world to have performed live with Jon Bon Jovi, don’t miss this outstanding tribute, fronted by a lead singer so familiar, you won’t believe he’s not the real deal! “Have you seen this guy? He looks so much like Jon Bon Jovi, it’s freaky man!” Chad Kroeger, Nickelback As the world’s leading tribute act, The Bon Jovi Experience are often copied but never equalled. Recreating Bon Jovi Live in Concert, the band perform all the hits you know and love including, “Livin’ On a Prayer”, “Always”, “It’s My Life”, “You Give Love a Bad Name”, and many, many more. Band Members: Jon (Tony Pearce), Lead Guitar / Ritchie Sambora (Steve ‘Edd’ Edmunds), Bass / Hugh McDonald (Nick Overfield), Drums / Tico Torres (Paul Dunstan), Keys / David Bryan (Steve Lawrence) Our reasonably priced bar will be open before, during the interval and after the show. Free car park for customers and in easy walking distance of Altrincham and local tram and train stations. So what are you waiting for? BUY YOUR TICKETS NOW!

< Back Captain Brassbound's Conversion ˂ Previous Production Next Production ˃ to 12 August 2019 Blackhurst, Ernest Dean, Ken Edwards, D Glynn Ely, Michael D Eppleston, Alan Glazebrook, K Harry Harris, Frank Hasted, Marcus John, Laurie Lucas, David W Plested, James Sykes, Constance D Wood, Barrie Whyatt, Egerton G

< Back The Country ˂ Previous Production Next Production ˃ to 10 February 2014 Richard and Corrine have moved to the country for a fresh start. But who is the comatose woman Richard has found on the roadside? Why has he brought her into his house? Exactly who is telling the truth and who is lying? 'The Country' is a chilling, suggestive chamber piece, unravelling games of sexual politics, power and class, uncovering the darker side of 'idyllic' rural life. CAST Ali Davenport as Corinne John McElhatton as Richard Sarah Roberts as Rebecca Prompt - Janet Slade [gallery columns="5" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/countryd.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/countryb.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/countrya.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/countryc.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/countrye.jpg|"] Photographer: Martin Oldfield

< Back The Lady In The Van - By Alan Bennett ˂ Previous Production Next Production ˃ to 30 May 2021 It is said that charity begins at home. For Alan Bennett, it began at the bottom of his drive with a yellow custard van inhabited by an irascible eccentric who refused to budge. The Lady in the Van is the true story of Miss Shepherd, an offbeat woman of uncertain origins, who “temporarily” parked her broken-down van in writer Alan Bennett's London driveway, and proceeded to live there for the next 15 years. Miss Shepherd’s stay may have been a blight on Bennett’s front garden, but it eventually allowed him to unravel the fascinating story of her life - for which we are all eternally indebted. Rick Bowen - Stage Struck https://www.stagestruck.info AS I left the Garrick on Monday night one question was running through my mind - why doesn’t Celia Bonner do more acting? She gives a captivating performance as Miss Shepherd, the enigmatic down and out taken in by Alan Bennett and who lived on his driveway for what was supposed to be a temporary basis. But “temporary” turned into 15 years and an unlikely friendship grew between the genius playwright and an old woman whose outlook on life was, to put it mildly, unique. It soon emerges that Miss Shepherd has a past, psychologically she’s damaged goods and her unapologetic attitude to personal cleanliness had the audience wincing with disgust when I saw this on opening night. Celia’s sense of timing is flawless and, under the astute direction of Carole Carr, she’s ably supported by Mike Shaw and Jonathan Black, who share the role of Bennett himself. Nobody tells a story quite like this national treasure and has turn of phrase is quite brilliant. But you have to be prepared to listen. It’s a case of blink and you’ll miss his priceless witticisms. Barry Purves’ and Amanda Cooke’s spartan set captures perfectly the suburban London in which this remarkable story unfolds, a tale which can be summed up in the phrase “you couldn’t make this up.” While Miss Shepherd’s lack of personal hygiene repulsed me at times, I found myself drawn to someone who refused to live by society’s rules. Alan Bennett was similarly drawn and he got a play out of it. Star rating - 3.5 out of 5. Photos by Martin Ogden ------------------------------------------------------------------------------------------------------------------------------------ Free Car Parking. Cosy Bar. Great Prices. ------------------------------------------------------------------------------------------------------------------------------------

< Back Three Fur Coats ˂ Previous Production Next Production ˃ to 12 August 2019 Bramwell, Madge Brierley, Norman Briggs, Harry Hill, Arthur P Jones, Arthur C Lucius, Esme Mendelsohn, Maurice T Settle, Minnie

< Back Made in Motor City ˂ Previous Production Next Production ˃ to 14 March 2023 It was the sound of a nation, the beat of a generation. Made in Motor City recreate the classic sounds of Tamala Motown during the 1960s & 70s. The band comprises of high quality musicians dedicated to recreating the ‘sounds of the ‘Motor City’, fronted by the band’s incredible vocal trio 'The MiMettes'. If you're a fan of Martha Reeves, The Temptations, Supremes, Marvin Gaye & many more Motown legends, this is a show not to be missed. ‘Get Ready’ here we come! www.made-in-motor-city.com Our reasonably priced bar will be open before, during the interval and after the show. Free car park for customers and in easy walking distance of Altrincham and local tram and train stations. So what are you waiting for? BUY YOUR TICKETS NOW!

< Back Food for Thought ˂ Previous Production Next Production ˃ to 12 August 2019 Hesketh, Winifred Matthias, Mary Parker, Joan

< Back Aladdin (2019 Disney Live Action Film) ˂ Previous Production Next Production ˃ to 9 August 2020 When a young street rat named Aladdin finds a mysterious magic lamp deep within the Cave of Wonders, he discovers a Genie – and he’s never had a friend like him. Granted three wishes by the Genie, he sets out to impress the beautiful Princess Jasmine and – hopefully – win her heart. But the scheming Jafar, a powerful sorcerer, wants the lamp for himself so that he can command the Genie instead. This film, released by Disney in 2019, is a live-action remake of the beloved classic, starring Will Smith as the Genie. It's a family classic that will delight everyone.

< Back Young Mrs Barrington ˂ Previous Production Next Production ˃ to 12 August 2019 Bluck, Brenda Entwistle, Helen Haycock, John Matthews, Marion Thwaite Neil, Ian Pearce, Tom Shakespeare, Mar Stockton, Reg Tonks, Louise

< Back No Ordinary Joe - Premiere Screening ˂ Previous Production Next Production ˃ to 1 October 2021 You are invited to an evening of animated passions, including the Premiere screening of Barry Purves and Glenn Holberton’s new work, produced by Loose Moose Productions for the British Film Institute, featuring Lindsay Duncan and Ben Keaton. (illustration by Paul ‘Gripper’ Flannery) The 15 minute film with Art Direction by Barbara Biddulph and a music score by Nigel Hess, was shot earlier this year, here at the Garrick Playhouse with many of the theatre staff closely involved. The film will be preceded by ‘Screen Play’ and ‘Achilles’ , both earlier collaborations by the same team. There will also be a ‘making of…’ and a Q and A with members of the cast and crew. The bar will be open before and after the screening. Tickets at £5.00 from the Box Office on 0161 928 1677 or online at www.altrinchamgarrick.co.uk or in person, include light refreshments. The event is not suitable for children. Our reasonably priced bar will be open before, during the interval and after the show. Free car park for customers and in easy walking distance of Altrincham and local tram and train stations. So what are you waiting for? BUY YOUR TICKETS NOW!

< Back Black Panther (2018 film) ˂ Previous Production Next Production ˃ to 29 September 2020 Wakanda: the homeland of the ‘Black Panther’. An isolated, technologically advanced African nation. After his father's death, T'Challa returns home to Wakanda to inherit his throne and become the new Black Panther. However, a powerful enemy related to his family threatens to attack his nation. One of the biggest films from the Marvel Universe comes to the big screen at the Garrick for an incredible experience! Our screening is a celebration and tribute to Chadwick Boseman, whose career and performance in Black Panther will remain unforgettable. This screening will (as always) be introduced by Barry Purves with informed trivia, anecdotes and some background of the production. The bar will be open before and after the show. Come and join us in a friendly, informal and Covid-19 safe atmosphere, to take advantage of sensational screening facilities as well as our low prices and free car park.

< Back Behind the Beyond ˂ Previous Production Next Production ˃ to 12 August 2019 De Prez, W R Mond, R Parchment, Doris L Pennington, Muriel Raymond, D Rice, Effie Talbot, Ernest A Vernon, Arthur

< Back In The Heights 2021 (Film Screening) ˂ Previous Production Next Production ˃ to 7 December 2021 In The Heights is a gloriously uplifting cinematic adaptation of Lin-Manuel Miranda’s stage musical about an immigrant community in New York City experiencing love, loss and laughter over three memorable days and nights. Even if you’ve never seen it, chances are you’ve heard of the 2015 musical Hamilton and its composer and creator, Lin-Manuel Miranda. Its worldwide success has been extraordinary, making Miranda (Mary Poppins Returns) a star, and his signature blend of rap and unforgettable melodies the biggest thing to happen to musical theatre in a long time. Conceived in 1999 – when Miranda was still at college – and brought to Broadway in 2008, In the Heights is a story of belonging and dreams for a better future set in the Manhattan neighbourhood of Washington Heights, and centred around a corner convenience store run by second-generation immigrant Usnavi de la Vega. Our reasonably priced bar will be open before and after the screening. Free car park for customers and in easy walking distance of Altrincham and local tram and train stations. So what are you waiting for? BUY YOUR TICKETS NOW!

< Back The Remarkable Mr Pennypacker ˂ Previous Production Next Production ˃ to 12 August 2019 Coventry, Philip Davis, Sonia Dodd, Pamela Hughes, Edward D Pratt, Graham Ellis Robbie, Christopher Sonley, Betty Swainton, John

< Back One Flew Over The Cuckoo's Nest By Dale Wasserman ˂ Previous Production Next Production ˃ to 21 October 2021 Please Note - Reduced capacity and socially distanced seating for our Tuesday, Wednesday and Thursday evening performances of this production. Boisterous, ribald and ultimately shattering, One Flew Over the Cuckoo 's Nest is the unforgettable story of a mental hospital and its inhabitants. When a brash new inmate arrives, the rigid program of the ward, headed by the tyrannical Nurse Ratched, is thrown up for grabs. In a world where sanity means conformity and following the rules is the only way to survive, One Flew Over the Cuckoo 's Nest is a powerful exploration of both the beauty and the danger of being an original. Volatile and dark, humorous, thought-provoking and with strong language, this play (based on the classic 1962 novel by Ken Kesey and the 1972 film starring Jack Nicholson, which won five major Academy awards) is a true cult classic and will be an unforgettable evening at Altrincham Garrick Playhouse, performed by The Garrick Ensemble. WARNING - this production contains strong language and adult themes. The Garrick Ensemble is a company of 18 – 30 year old aspiring actors from Greater Manchester and Cheshire who perform one production each year as part of the Altrincham Garrick Playhouse Main House Season. The production will be directed by Artistic Director Joseph Meighan. The Garrick Ensemble aims to make theatre that is fresh, innovative and exciting. See the very best of local, up and coming talent before they move forward in the next stages of their careers in the Arts. 5 Star Review from Rick Bowen at Stagestruck WHEN the criminal Randle Patrick Mc Murphy is admitted to a cheerless psychiatric hospital, he doesn’t simply rock the boat. He capsizes it. This American classic, from the pen of Ken Kesey, has lost none of its power to shock, move or captivate in a stage adaptation that certainly succeeds in capturing the spirit of the original, rather wonderful novel. Mc Murphy, in a bid to avoid a jail sentence, pleads insanity and ends up in a grim institution presided over by one of contemporary literature’s most horrendous baddies, the notorious Nurse Ratched. She hides behind a veneer of care and compassion. In reality of course, she has no concept of either is particularly cruel to the stammering Billy, knowing exactly which buttons to press when it comes to making him feel guilty when this sad and sympathetic character has a glimpse of normality courtesy of the rebellious new arrival Mc Murphy. In him she finds a formidable adversary, as he reminds his fellow patients what it feels like to live again, organising a number of events that fly in the face of the hospital’s draconian rules. For those of you who are new to this tale I won’t be a party pooper. Let me just say Mc Murphy’s antics lead to a number of unforgettable scenes on the Garrick stage. Director Joe Meighan must have thought all his birthdays had come at once when Joseph Morgan auditioned for the role of Randle P Mc Murphy. Morgan brings a freshness and an individuality to the part immortalised on the big screen by the legendary Jack Nicholson. Matthew Spilsbury is simply outstanding as the towering Chief Bromden, offering us a heart breaking reminder of the appalling treatment meted out to the native Americans in ‘the land of the free.’ Returning to Ratched, I really admire Madeleine Healey for the way she resisted the temptation to take the pantomime villainess route when playing the role and I challenge anyone not to be moved by the scene with Billy - an excellent Charlie Gallagher - in which she crushes him by re-visiting the character’s innate sense of guilt. One Flew Over The Cuckoo’s Nest is yet another triumph for this theatre’s dynamic and exciting young actors group, the Garrick Ensemble. This a production not to be missed. Boy, how I wish I could write like Ken Kesey. Flawless - in every respect. Tickets are available from 0161 928 1677 or www.altrinchamgarrick.co.uk. Star rating - ***** Photo - Martin Ogden ------------------------------------------------------------------------------------------------------------------------------------ Free Car Parking. Cosy Bar. Great Prices. ------------------------------------------------------------------------------------------------------------------------------------

< Back Piaf ˂ Previous Production Next Production ˃ to 1 September 2021 “You don’t have to stay in the gutter just because you were born there…” Born Edith Gassion in 1915, no one could have predicted Edith Piaf’s phenomenal rise to fame – from singing in the streets of Paris to becoming one of France’s biggest international stars, her voice is still revered to this day. But her extraordinary talent was matched with an equally extraordinary personal life… Pam Gems has reworked her celebrated 1978 original, "Piaf ." She vividly captures the glamour and squalor, the rise and fall of the complex, fragile, and enigmatic performer Edith Piaf, who continues to be remembered and revered for her exceptional voice and extraordinary life. The play also features some of Piaf’s most famous songs, including La Vie en Rose , Hymne à l’amour and Non, Je Ne Regrette Rien . WARNING - Please note this play contains Adult Language This season's productions in our Lauriston STUDIO have been sponsored by RICK BOWEN - StageStruck - 5 Star Review WHEN Emily Leeland sings Piaf in this warts and all portrayal of the iconic French star my top lip quivered with emotion and my insides turned to jelly. More than once. Leeland is also every inch the diva in Pam Gems’ captivating play, not holding back when it comes to getting exactly what Piaf wants. Top of Piaf’s list are a career and a man, a man who can live up to her exacting demands. She gives a whole new meaning to the phrase ‘high maintenance.’ What makes Piaf’s story so captivating is it’s a story of success against all odds, how a young girl abandoned by her mother and raised in a brothel ended up having an audience with a US President. For me, there were echoes of Evita, reminding us that yes, it’s still possible to triumph in the face of adversity. You should feel very jealous of anyone lucky enough to have a ticket for tis because director Charlie Tomlinson and his creative team serve up a theatrical treat here. The production is just over two hours long and it feels like you’ve been in the theatre no more than around 20 minutes. But Leeland’s performance is by no means the only one to enjoy here. Olivia Riley is seriously funny as Piaf’s long suffering and loyal friend Tonie with the two actresses establishing an effortless camaraderie from the start. The velvety voiced Steven Finney is excellent as the plain speaking nightclub owner Louis Leplee and I can’t wait for the next production in which he has a bigger singing part. Sam Evans is sure to have you swooning as the silky smooth French singer Charles Aznavour. This is a production that simply must be experienced. A joy and a major triumph for all concerned. Star rating - ***** Tickets are available from 0161 928 1677 or www.altrinchamgarrick.co.uk. Good news - the Garrick is planning to put on a Saturday matinee to meet demand for tickets. Call the box office for details. Photos - Martin Ogden

< Back Separate Tables ˂ Previous Production Next Production ˃ to 12 August 2019 Billcliff, Arthur Porter, Kathleen

< Back Last of the Summer Wine ˂ Previous Production Next Production ˃ to 20 June 2016 In this new stage adaptation of the timeless television series, Foggy, Clegg and Compo are reunited for one last adventure. Foggy has designs on winning the affections of Constance, Nora Batty's niece and the long-suffering fiance of the hapless Gifford Bewmont. With the help of Clegg, Foggy invites the ladies around for an evening's entertainment but the duo are unaware that a mysterious flasher is stalking the local community. Gifford has pledged to apprehend the flasher and has mounted all-night patrols in the village. While awaiting the arrival of the ladies, Foggy is dismayed when Compo turns up unannounced and who proceeds to wreak havoc on Foggy's careful preparations as Gifford's efforts to capture the flasher lead to mistaken identities and even more chaos. When the flasher is eventually unmasked it turns out his intentions are benign but not before our heros are nearly undone by the enveloping madness. [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_9347.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_9312.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_9295.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_9248.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_9207.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_9134.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_9056.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_9026.jpg|"] Photos by Vishal Sharma CAST Clegg - John Westbrook Foggy - Aidan Kielty Compo - Barry Spencer Nora - Christine Perry Constance - Paula Keen Gifford - Bryn Thomas Flasher - Sean Duvall Review by Julia Taylor for Sale and Altrincham Messenger THOSE much loved characters from Last of the Summer Wine, Foggy, Compo and Clegg - are brought to life on the Garrick stage by Aidan Kielty, Barry Spencer and John Westbrook. Television is, after all, only two dimensional whereas live theatre is three dimensional. So, creator, Roy Clarke, has made his characters larger than life. Foggy,that former military man, decides he'd like some female company and invites Nora Batty (Christine Perry) and her niece, Constance, (Paula Keen) for tea at Cleggy's. Before he knows it he's engaged to Constance, much to the consternation, not only of Foggy himself, but of her long term boyfriend, Gifford, the bobby (Bryn Thomas). Both men's faces are classic! These three are all true to type and funny but Barry Spencer's Compo is the nearest to his TV counterpart. There's a hilarious scene when he gets his hand stuck in Nora's bra! Add a flasher and the plot thickens. That role goes to Sean Duvall who in his twin mackintoshes looks every inch the part as he measures inches with his mechanical inside leg detector. He turns out to be a different sort of flasher. You'll never guess how. The women are equally good. I especially like Christine Perry's bossy Nora Batty. The Garrick have re-enacted TV programmes successfully before and have done this difficult task well once more - thanks to the excellent direction of John Chidgey and Rani Jackson. Star rating ★★★★ Review by Rick Bowen for Stagestruck SOME of the jokes in this stage adaptation of the much loved TV comedy are just plain daft. But in a world that seems suffocated by seriousness, what's wrong with that? The central characters, Foggy, Clegg and the sartorially challenged Compo are old enough to know better. Acting your age can, however, get rather boring. This production has evidently been lovingly nurtured by director John Chidgey and his right hand woman Rani Jackson, so it captures the wacky warmth of the original. While at the same time not attempting to be a carbon copy. Aidan Kielty, John Westbrook and Barry Spencer put their own stamp on the roles of Foggy, Clegg and Compo. However, there are times when John's delivery makes him sound remarkably like Peter Sallis, who played Clegg on TV. I always thought of Clegg as the more cerebral, more refined of the three. Love is in the air for Foggy, who has set his cap at Constance, played by Paula Keen. Foggy obviously likes a challenge, as she's related to the battle axe par excellence, Nora Batty (Christine Perry). You just know his plan is set to backfire when Foggy invites the duo to his house for tea. For me, the performance of the evening comes from Bryn Thomas as Gifford, the local bobby. This is a great role for Bryn who is especially funny when his character has had far too much of the falling down water.Last Of The Summer Wine only occasionally tickles my funny bone. That said, I have to take my hat off to all concerned for a job well done. Or should that be my flat cap?

< Back The Rivals ˂ Previous Production Next Production ˃ to 12 August 2019 Bramwell, Madge Daniels, Marion Davenport, Alfred Dean, William J Dunn, Robert Hooper, Alfred Kauffman, M H Osborne, Edgar Rourke, Norah J Ruse, Marjorie T Shankland, Martin Smith, J B

< Back Go Back for Murder ˂ Previous Production Next Production ˃ to 11 April 2017 Classic mystery by the Queen of Crime After receiving a letter from beyond the grave, Carla Crale believes her mother, who died in prison, was wrongly convicted of her father's murder. In a passionate attempt to clear her name, she persuades those present on the day of her father's death to return to the scene of the crime and go back 15 years to recount their version of events. An unusual take on the traditional murder mystery, the action of the play slips seamlessly from past to present, examining the danger of relying on personal testimony warped by time, prejudice and perception. By studying each suspect's testimony, and the various inconsistencies between them, the drama arrives at a disturbing and terrible truth. This production is proudly sponsored by The Vegetarian Society Cookery School [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_0299-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_0315-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_0712-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_0445-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_0684-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_0597-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_0760-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_0573-Small.jpg|"] Production Photographs by Vish Sharma CAST Justin Fogg - Anthony Morris Carla - Parissa Zamanpour Caroline Crale - Lindsey Barker Phillip Blake - Jonathan Black Meredith Blake - Steve Searcy Elsa Lady Melksham - .Fiona Primrose Miss Williams - .Chris Perry Angela Warren - Georgina Goodchild Amyas Crale - John Keen REVIEW by Julia Taylor for The Messenger Whodunnit keeps you guessing to the end Altrincham Garrick will have your mind buzzing all week after their production of Agatha Christie?s Go Back for Murder. It is well named because lead character Carla takes us back 20 years as she tries to prove that her mother, who died in prison, was wrongfully detained for her father's murder. During the slightly slow first Act, Carla, with the help of a solicitor, Justin Fogg, addresses the witnesses from the original trial. Each interview takes the form of a duologue between Carla and a witness and is a good way of registering each character with the audience. After the interval, the protagonist manages to arrange a semi re-construction of the murder scene. Parissa Zamanpour who plays Carla with an immaculate Canadian accent, does a fantastic job of illustrating her determination to clear her mother. In the flashback Lindsey Barker captures the dilemma faced by Carla?s mum, Caroline, at the time of the murder. Anthony Morris is effective as Justin Fogg and Christine Perry's governess is credible. Jonathan Black is equally believable as Phillip Blake and Steve Searcy as his brother, Meredith. John Keen, who plays Amyas, the murdered man, is every inch an artist and adulterer, whilst Georgina Goodchild successfully plays both the adult and young Angela Warren, not an easy task. I especially like Fiona Primrose as the femme fatal, Elsa Lady Melksham. She oozes stage presence. She, too, successfully travels back in time. You still won't know whodunnit until the very end as is Agatha Christie's way. Star rating ★★★ Reviewed by Johanna Hassouna-Smith for Manchester Salon Agatha Christie's classic 1960 play has been revived with great success by the Altrincham Garrick Playhouse. Before dying in prison for supposedly poisoning her husband fifteen years ago, Caroline Crale wrote a letter to her daughter Carla professing her innocence. Carla aided by Justin Fogg, a young solicitor, persuades those present on that fatal day to return to the scene of the crime to find out what really happened. The two act play, cross cuts between past and present to tell the story. At times, it is Christie's writing which lets the play down, with the first act being a series of duologues retelling events of the past. Although the actors might have sped up the dialogue in this, the repetition of expository conversations felt tedious toward the end of the act. The second half re-enacts the fateful day as the characters recall events through flashback, voice over narration and some spot-lit monologues. For this reason, the second half had more energy and pace and was undeniably more entertaining. The play, is a classic 1960's Crime Drama and the design team have done a marvellous job of transporting us to the era. The detailing of the floral back drop of act one was really eye catching and set the scene perfectly upon entering this large auditorium. Act two began with a fabulous reveal of a stunning naturalistic set of the apartment where the murder took place. The use of space was expertly presented with numerous areas for secret liaisons and spying on one another. This was a really impressive sight to behold and a joy to watch the actors 'play the stage'. For an amateur production, the acting was fantastic and all of the cast clearly explored their roles through imaginative interpretations. The standout performer of the evening was definitely Parissa Zamanpour, in the role of Carla, Caroline Crale's daughter. Her Canadian accent and subtle reactions, really brought a sense of sophistication to this naturalistic crime drama. Zamanpour's Drama training was on full show as her disciplined performance really lit up the stage, despite being burdened with some drab scenes in the writing of her role.

< Back Spark in Judea ˂ Previous Production Next Production ˃ to 12 August 2019 Baker, Rosina Bayliss, Frank Collins, Kathleen Downs, James Ellis, Eric Poppleton, Howard Talbot, Ernest K

< Back Silly Cow ˂ Previous Production Next Production ˃ to 12 December 2013 Anyone familiar with Ben Elton's flair for dialogue will know that they are in for an 'Adult Treat'. Doris Wallace is a tough tabloid columnist with a devoted following. She appears to have everything she could want: Toy boy, with unlimited stuff from Columbia; an attentive P.A.; a tame accountant; a loyal friend who is organising for her to have her very own TV show. But Doris is riding for a fall from grace - with a vengeance. Her 'coterie' is not what it seems and Doris is in for a very, very humiliating experience. Revenge can be sweet. CAST Barry Spencer as Sidney Janet Slade as Doris Pam Nolan as Peggy Allan Taylor as Douglas Matt Lees as Eduardo Rehearsal Photos [gallery columns="5" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/sillycowa.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/sillycowb.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/sillycowc.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/sillycowd.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/sillycowf.jpg|"]

< Back A Yank in Lancashire ˂ Previous Production Next Production ˃ to 12 August 2019 Brewer, Brian B Fletcher, Alfred Glazebrook, K Harry Grimshaw, Harold Larbalestier, Jacqueline Wiltshire, H John Woods, Vera

< Back Manford's Comedy Club (Postponed) ˂ Previous Production Next Production ˃ to 2 July 2017 Coronavirus (COVID-19) Closure Update In line with Government instructions we are classed as a non-essential business and no member of staff is able to continue working at the theatre until Government restrictions ease. Please be assured that the vast majority of events have been postponed and not cancelled so therefore all tickets remain valid. Once we are able to operate again we will be in touch with you with details of the rescheduled dates. You can then transfer your current tickets to the new date, however if you are unable to transfer to the new date or don’t wish to have your ticket transferred to another production you will be given a full refund. You will not lose any money. This is an unprecedented event for our venue, and we thank you for your continued support and loyalty. Best wishes Your Garrick Playhouse Team. FRIDAY NIGHT COMEDY SPECIAL AT THE GARRICK THEATRE It's Friday night!..It's comedy night as Manford's Comedy Club brings another one of its hilarious, sell-out shows to the Garrick. This live comedy show that features The Best in Stand Up comedy with some of the funniest, award-winning comedians on the UK comedy circuit, who are all personally chosen by Jason Manford. The Garrick Playhouse is a firm favourite with Manford's comedians. Please subscribe if you would like our regular FREE Garrick Newsletter, as well as all the Garrick Production & Membership News together with the latest Special Offers [inbound_button font_size="20" color="#c8232b" text_color="#ffffff" icon="thumbs-o-up" url="http://altrinchamgarrick.hosted.phplist.com/lists/?p=subscribe " width="" target="_blank"] Click HERE to Subscribe[/inbound_button]

< Back Double Demon ˂ Previous Production Next Production ˃ to 12 August 2019 Angell, Jean Hunter, Mollie Innes, Margery Jennings, Dorothy Shaw, Trevor

< Back The Personal History of David Copperfield (2019 film) ˂ Previous Production Next Production ˃ to 31 August 2020 This recent adaptation of Charles Dickens’ most optimistic novel explodes onto the screen with a riot of eccentric characters, cinematic invention and utter joy. A cast of great character actors truly inhabit their richly comic and moving roles with unabashed gusto. This is Dickens at his most colourful and entertaining. The cast includes Dev Patel, Peter Capaldi, Hugh Laurie, Tilda Swinton, Ben Whishaw and Paul Whitehouse. This screening will (as always) be introduced by Barry Purves with informed trivia, anecdotes and some background of the production. The bar will be open before and after the show. Come and join us in a friendly, informal and Covid-19 safe atmosphere, to take advantage of sensational screening facilities as well as our low prices and free car park.

< Back The Billy Fury Years ˂ Previous Production Next Production ˃ to 17 July 2019 ‘The Billy Fury Years’ really is the definitive Billy Fury stage show... ...ever !’ Hailed as “the best Fury since Fury”, Michael King and his fantastic collection of musicians take you on a journey through the musical career of Britain’s best loved rock n roll legend, filled with Billy Fury’s greatest hits and more delivered live in true Fury style. This is a night of pure breathtaking Billy Fury entertainment plus the best Fury sound you will hear!. ‘The songs span Fury’s entire career from his initial record release (Maybe Tomorrow) through to his final one, Forget Him – which, thanks to this thoughtful and welcome tribute show, his legion of fans never will’ - Lee Wilkinson. The Stage ‘King captured fully the sound, the gestures, the mannerisms, even the physical appearance of arguably Britain?s greatest Rock and Roll singer’ - The Beat Magazine

< Back The Heiress ˂ Previous Production Next Production ˃ to 12 August 2019 Billcliff, Lillian Dean, Ken Harris, Frank Healey, Tim Stroud, Barbara Turner, Marion Woods, Vera

< Back Charley's Aunt ˂ Previous Production Next Production ˃ to 20 June 2016 Charley and Jack love Amy and Kitty. Amy is about to go away, and Charley thinks he may miss his opportunity to ask for her hand. Then he discovers that his aunt, a Brazilian woman he hardly knows, is coming for lunch. How fortuitous! Now the aunt can chaperone while the boys ask the girls to marry them. Naturally, things don't go as planned. Donna Lucia, the aunt, is late, and their friend, Lord Fancourt Babberley (Babbs) shows up in drag. He is convinced to pretend to be Donna Lucia, and a wild afternoon of mistaken identity, young love, old love, angry uncles, and one beautiful, exotic aunt ensues. In the end, just as it looks like Uncle Stephen is going to ruin everything, the real Donna Lucia steps in and graciously puts an end to the madness. All the lovers end up together and happy, except for Uncle Stephen, who was starting to fall for Babbs ! [gallery columns="8" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_5926.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_5681.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_5854.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_5405.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_5507.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_5631.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_5391.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_5914.jpg|"] CAST Stephen Spettigue - Richard Sails Colonel Sir Francis Chesney, Bart - David Reynolds Jack Chesney - Jamie Sloan Charley Wykeham - Callum Anderson Lord Fancourt Babberley - Paul Antony Brassett - Dave Midgley Donna Lucia D'Alvadorez - Carole Carr Amy Spettigue - Vicky Siddle Kitty Verdun - Laura Crow Ela Delahay - Liz Fraser Prompt - Margaret Kenyon ASM - Carol Gibson Review by Julia Taylor for SALE AND ALTRINCHAM MESSENGER By George, a man in drag, upper class buffoons and the oldest trick of all mistaken identity - makes for solid comedy in the Garrick?s production of Brandon Thomas's Charley's Aunt. It features Jack Chesney, a clipped speaking Jamie Sloan and an amusing Callum Anderson as Charley Wykeham. Charley is the guy with the aunt. She comes in handy as a chaperone when, in the prim and proper year of 1920, the pair want to invite two young ladies for lunch. Unfortunately, the aunt doesn't materialise, so posh actor friend, Lord Fancourt Babberley (Paul Antony) steps in. 'She' is the centre of all the fun. In his post drama school debut, Paul follows in the footsteps of such greats as Arthur Askey, Frankie Howard and Danny La Rue. And does almost as well. His portrayal of Charley's aunt contrasts well with everyone else who play it straight in a mad sort of way. The two girls, Laura Crow's Kitty Verdun, and Vicky Siddle's Amy Spettigue fawn over the 'old lady' who wholeheartedly heterosexual, laps it up. Complications arise when two older gents fancy the so-called aunt. It's a whirl of fun from beginning to end. The climax comes when the real aunt appears. Well performed by Carole Carr, she conceals her hand long enough to take in the goings on. This almost farce-like play, is complemented by three imaginative sets courtesy of Margaret Norris, elaborate costumes by Mike Shaw and his team and the superb direction of Alan Clements. Star rating ★★★★ Review by Rick Bowen for STAGESTRUCK AS a comedic concept, it's as old as the hills and yet the sight of a man in a dress still gets laughs, especially when the masculine mannerisms show through his disguise. Cross dressing isn't just for Christmas and pantomimes, as those who see this clever if not side-splitting comedy will verify. Plays like these require a cast with exemplary timing and take it from me, these Garrick actors don't disappoint. Jack Chesney and Charley Wykeham are two likeable if unashamedly vacuous young toffs who have set their caps at two very eligible young ladies, Amy Spettigue and Kitty Verdun. Lunch is in the offing, but the two chaps have no chance of getting their girls without the presence of a chaperone. That's where Charley's aunt, Donna Lucia D'Alvadorez comes in. But the course of true love never runs smooth, as they say, and very drastic, 11th hour action is required Jamie Sloan and Callum Anderson are an engaging double act as Jack and Charley, convincing going into emotional meltdown when their best laid plans go horribly wrong. Paul Antony is jolly good fun - to pinch the parlance of the upper crust circle we find ourselves in - as their unlikely saviour Lord Fancourt Babberley. Some of these character names are just plain ridiculous. Carole Carr, an actress with quite a stage presence, brings a perfect sense of poise and elegance to the role of Donna Lucia. As the nights draw in, a dose of frothy fun is just what lovers of summer like me need. But I would really like to see the Garrick turn its hand to say, a Neil Simon comedy. If any theatre has the talent in depth to do it, Altrincham Garrick does. Star rating ★★★ Review by Mark Dee for North West End The Garrick's season kicks off to a comedic start with the classic farce, Charley's Aunt. Written by Brandon Thomas, a contemporary of Oscar Wilde, Thomas was an actor and playwright of some distinction, and wrote many 'comedies of manners' which proved exceedingly popular at the time. Sadly, none have survived save their titles, excepting Charley's Aunt; which tells the story of three young men studying at university, all desperately in love and somehow manage to convince one of the men to dress up as another's millionairess widowed aunt from Brazil (where the nuts come from!) in order that they might use her as a chaperone in order to get closer to the girls and tell them how they feel. And of course, as everyone knows, in farce, nothing ever goes according to plan but of course, again, according to the rules of farce, everything works out fine in the end! Of course, the plot and scenario are very dated and laboured; and despite some excellent one-liners, the script really doesn't sparkle, and cross-dressing in our modern society is neither new nor shocking; and so it was a really quite surprising choice for Altrincham's Garrick Playhouse with which to commence their 2016 / 2017 Season. Even more surprising was director's Alan Clements choice to set the play in the year 1920. The play was first performed in 1892 and that year transferred to the West End for a then record-breaking run of 1466 performances. Numerous revivals have been mounted over the years, and, just as a little historical back-note, when Thomas's daughter Amy Brandon-Thomas took over the role of Kitty, she insisted on setting each new version in the present despite the negativity of critics saying it would be better played in the period in which it was written. That argument continues to this day, and of course, setting the play in our present would not work at all, but I am uncertain as to why 1920 was chosen. It is only 2 years since the end of the First World War and Britain was still recoiling from that, and our three young male protagonists would undoubtedly have been called up and seen active service, and so, for me at least, this choice didn't work. The set too was also one of the least convincing I have seen at the Garrick. In the first act the greenery being flown in for the second was clearly visible, and the grey stones on the outside to the apartment's main door looked very much like breezeblock. Even when they were reverted in the second act into the garden scene, I couldn't get the breezeblock image out of my mind. In the first scene it is morning and yet it was dark and black looking through the window. The scene change into the third scene however was very swift and cleverly thought through. I liked the idea of the auditorium chase sequence, and it was not overlong, bringing us back on to stage for the start of the third scene. I would have liked to have had less light on stage during this change though. It was rather distracting seeing stage hands in modern clothes and wearing headsets in the 1920s! Alan Clements direction was, in the main, quite solid and well thought through; despite many of the more physical and comedic moves seeming somewhat laboured. Maybe since this was opening night, they will be more at ease with them and allow them to become more natural now they know they work. It was the entrances and exits in the second act which simply didn't make any sense for me. Especially those which involved entering and exiting the apartment. It was a very well chosen cast and all brought a great deal to the production, with some lovely little characters emerging. It is an incredibly difficult task though for modern actors, to ask them to recreate the moods, body-languages, voices and mannerisms of 1920 in a play which was written with the moods, body-languages, voices and mannerisms of 3 decades earlier. Special mention should be given though to Callum Anderson as Charley Wykeham and Liz Fraser as Ela Delahay who did indeed manage to strike this delicate balance extremely well. The two older gentlemen in the play, Colonel Sir Francis Chesney (David Reynolds) and Stephen Spettigue (Richard Sails), brought with them a sense of decorum and chivalry quintessential to that era, which, without this, the whole play would have fallen flat completely. But of course the whole play either falls or floats on the performance of Lord Fancourt Babberley who spends majority of the play in drag as Charley's aunt. In this production this pivotal role was played quite superbly by Paul Anthony. It didn't just float, it sailed magnificently! Anthony pitched the role just right, playing the aunt with a certain ungainly manliness but never resorting to panto dame roughness. The highlight for me which saw both the best acting and captured the era's manners and decorum superbly was the vignette in the garden scene between Sir Francis and Babberley as Charley's aunt. If the actors relax a little more into their roles, and the pace is picked up [remember this is Musical Hall style farce and not Coward-esque gentility] then Charley's Aunt will become a great opening to this season and a production to be remembered with joy and pride.

< Back When Knights were Bold ˂ Previous Production Next Production ˃ to 12 August 2019 Byrne, Patsy Clarkson, Norma Dunton, Mona Garland, Lorna Gratton, Valerie Hamblin, Mary Jones, John Glynn Kennedy, Brenda Larbalestier, Jacqueline Martin, Jean Norval, Hilda Roberts, Susan Royle, Dudley Sandeman, Thelma Smart, Brian Walton, Barbara Waterhouse, Ann Wiltshire, H John Winstanley, Margaret Wood, Barrie Wyton, Doreen

< Back The Ladykillers ˂ Previous Production Next Production ˃ to 2 June 2014 This is a hilarious dark comedy based on the famous Ealing comedy film of the same title. Posing as amateur musicians, Professor Marcus and his gang rent rooms in the lopsided house of sweet but strict Mrs Wilberforce. The villains plot to involve her unwittingly in Marcus' brilliantly conceived heist job. The police are left stumped but Mrs Wilberforce becomes wise to their ruse and Marcus concludes that there is only one way to keep the old lady quiet. With only her parrot, General Gordon, to help her, Mrs Wilberforce is alone with five desperate men. But who will be forced to face the music? This award winning comedy was recently seen in the West End. [gallery columns="4" type="rectangular" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/09/The-Ladykillers-01.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/09/The-Ladykillers-04a.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/09/The-Ladykillers-03.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/09/The-Ladykillers-02.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/09/The-Ladykillers-05.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/09/The-Ladykillers-06.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/09/The-Ladykillers-07.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/09/The-Ladykillers-08.jpg|"] CAST Miss Louisa Wilberforce - Maureen Casket Professor Marcus - David Reynolds Constable MacDonald - Bill Platt Major Courtney - Nick Sample Harry Robinson - Christopher Greyham One-Round - Mark Leigh Louis Harvey - Daniel Ferguson Mrs Jane Tromleyton - Margaret Kenyon Other members of Cast - Julie Broadbent, Sylvia Hay, Jaqueline Wheble, Paul Wilson Prompt - Sandra Thomas ASM's - Jaqueline Wheble and Julie Broadbent Messenger Review by Julia Taylor Garrick's Ladykillers brings the house down For an evening of far-fetched fun, you must see The Ladykillers at Altrincham Garrick. After a successful West End run and tour, Graham Linehan's stage adaptation of the 1955 Ealing comedy has been released to amateurs. The tale about a criminal gang who rent an upstairs room from a gentile old lady whilst pretending to be a string quartet, is hilarious. The revolving set designed by Barry Fletcher, emulates well the original house. and the lighting and sound designers Trevor McKie and Christine Mills, accurately capture the effect of trains rattling by. Maureen Casket playing Mrs Wilberforce, steals the show when, totally unaware that her tenants are criminals rather than musicians, believes all their trumped up stories. When the miscreants get up to one of their funniest tricks, Mrs Wilberforce asks them why? They reply 'We are artists' as though artists always do crazy things. In one unforgettable scene, the so-called musicians give a concert to Mrs Wilberforce's middle class friends. In an outstanding performance, David Reynolds as Professor Marcus, seduces them with smooth words into thinking they have heard something wonderful. Wearing his Dr Who length scarf, David plays the role with charisma. Nick Sample?s Major Courtney - a cross dresser - coyly explains that donning a frock happened when he bumped into it when singing! The actors playing the other three criminals differentiate their personalities well. A must see. Star Rating ★★★★★ Review of The Ladykillers for Remotegoat.com "Criminal gang hoodwink old lady" It is great news that Graham Linehan's stage adaptation of the 1955 Ealing Comedy, The Ladykillers, has been released to amateurs. So, well done Altrincham Garrick for presenting it so soon afterwards. Their programme even contains a note from Marcia Warren who played the original Mrs Wilberforce. This amusing tale about a criminal gang who rent an upstairs room from a gentile old lady and pretend to be a rehearsing string quartet, is ideal for amateurs. I was concerned, however, about the ability of the Garrick set designer and his team to emulate the superb higgledy piggedly house used in the professional production. My concerns were fruitless. For the Garrick theatre's revolving set is remarkably similar. Their house also has stairs and an upstairs room. Barry Fletcher and his team must have been working all summer to create such an edifice. Congratulations, too, to sound designer, Christine Mills. She has captured well, the rattle of trains passing the house. Lighting designer, Trevor Mckie does an equally good job. The five so called musicians are, of course, anything but. Take, for example, the not so bright, One-Round (Mark Leigh), who thinks cellos are held under the chin. In one unforgettable scene, the 'musicians' give a concert to Mrs Wilberforce's middle class friends. Like in the Emperor's New Clothes, the ladies believe they have heard something wonderful when what they have actually heard is something akin to tuning up. One Round has three other, equally untrustworthy friends. They are Romanian gangster, Louis Harvey (Daniel Ferguson), the pill popping Harry Robinson (Christopher Graham) and a superb Major Courtney. Played coyly by Nick Sample, he dons a dress using the excuse that he fell against it whilst singing! The miscreants are led by the self-styled Professor Marcus whose Dr Who length scarf is constantly being trodden on. David Reynolds captures The Professor's charming yet cunning style as he hoodwinks Mrs Wilberforce into believing every far-fetched scenario. The star of the show has to be Maureen Casket as the true lady amongst five dishonourable men. From the style with which she hands out tea in china cups to the gullible way she takes in the tales she is told, Maureen is a gem. She is the hub around which all the humour revolves. Star Rating ★★★★ ★ NODA Review by Kevin Proctor Adapted from the classic Ealing comedy starring Alec Guinness, the plot is near-perfect for stage farce; a gang of bank robbers hide out in King's Cross by disguising themselves as an amateur string quintet. The catch is not just their total inability as musicians, but their fatal undermining of their tea-making septuagenarian landlady, Mrs Wilberforce. Playing the meddling matriarch is Maureen Casket, who brought the house down with her insistence that tea time is at 3pm, not 5. "Our tea time is early - we're old, we get up at 4.30!" The basic idea of criminal 'masterminds' coming a cropper at the hands of a sweet, innocent and bullet-proof 'oiled' lady is terrific and it's this context which translates this piece beautifully onto the stage. The real star of the evening was Barry Fletchers' set; the aging King's Cross house which shakes and rattles performing its own minuet each time a train passes. Although impressive and grand, the set did incur a rather unforgiving visual problem with the window which was positioned in rather an awkward spot making it almost impossible for so many to see the majority of the show's crucial instants. David Reynolds brings an original brand of sardonic irony to the criminal mastermind Professor Marcus, his performance was laced with sideways glances and a palpable 'big fish in small pond' frustration, though never managing to persuade me the man is a certifiable maniac. Mark Leigh offers the majority of the productions humour as the slow-witted One-Round, whose first instinct on seeing a cello is to tuck it under his chin. For me, the lighting design missed a trick as the attempt to create moods and ambiance was a missing factor, the production was lit too bright and cheery for this piece.The recapture of the shows unique zest was not quite ripe but as a whole this production is perfectly amiable with some solid performances and humour which were delivered to the full effect. Being fooled by art is one of the primary pleasures afforded the middle classes, so it is - but there is no mistaking the genuine appeal of this classic parody. With this kick off to a brand new season and indeed the opening of the Altrincham Garrick's second century, the society have welcomed some fresh blood amongst their membership and with a new 'Chief Executive' at the helm, 'straight away it's clear that this theatre company have readdressed the brand of the playhouse with a plush new website and expert quality programmes, I'm certain that these changes are a just a glimpse of bigger things to come!

< Back Miracle on 34th Street (1947 film) ˂ Previous Production Next Production ˃ to 1 January 1970 Set between Thanksgiving Day and Christmas Day in New York City, this film focuses on the effect of a department store Santa Claus who claims to be the real Father Christmas. This is a "colorised" version of the original black and white film. This screening will (as always) be introduced by Barry Purves with informed trivia, anecdotes and some background of the production. Come and join us in a friendly, informal and Covid-19 safe atmosphere, to take advantage of sensational screening facilities as well as our low prices and free car park.

< Back Alty Fringe: Hi Sienna ˂ Previous Production Next Production ˃ to 24 October 2020 Hi Sienna are a female-fronted, alternative-pop band from Manchester Their unique song-writing, infectious melodies and boisterous live performances captivate audiences from start to finish. Last year they played some incredible gigs at Manchester’s Deaf Institute and O2 Ritz, supporting Scouting For Girls, whilst releasing 4 singles in between. All tracks are well-supported by the likes of BBC Manchester, BBC Introducing, Amazing Radio and XS Manchester. Hi Sienna are set to release more music in the coming months and plan to take to the stage at a number of festivals including Liverpool Sound City, Hit The North and the mainstage at Bingley Weekender. This show is part of the Alty Fringe 2021 - socially distanced and safe for all! The theatre has extensive COVID-19 safety measures in place, including a redesigned socially distanced auditorium, contactless tickets, regular deep cleans after each performance, timed entry slots, hand sanitiser stations around the theatre ... and much more. The Alty Fringe is proud to be appearing at the Altrincham Garrick from 12 March to 28 March 2021 . #altyfringe

< Back Die Hard (1988 film) ˂ Previous Production Next Production ˃ to 1 January 1970 This is now considered to be one of the greatest action films ever made. Conveniently for the Garrick's festive season, the action takes place on Christmas Eve ... but it is a Christmas Eve that none of the surviving protagonists will ever forget ... Die Hard was a career-defining cinematic debut for Alan Rickman, and it turned Bruce Willis into one of Hollywood's hottest talents. But is it the action sequences, most of which were achieved with no CGI effects, that most people will remember. Visit the Garrick to see this film again on the big screen: uncut, without advertisement interruptions and in a cosy and welcoming auditorium. This screening will (as always) be introduced by Barry Purves with informed trivia, anecdotes and some background of the production. Come and join us in a friendly, informal and Covid-19 safe atmosphere, to take advantage of sensational screening facilities as well as our low prices and free car park.

< Back Martin Toal - An Evening of Popular Classics ˂ Previous Production Next Production ˃ to 30 June 2014 An evening of popular classics. From the world of opera, musicals & pop! Including a rousing last night of the proms final. After last year’s sell-out concert, Manchester tenor Martin Toal and guests are back at the Altrincham Garrick to perform another great show of favourite songs, music and dance from the world of opera, musicals, sport and pop including Puccini’s Nessun Dorma and a flag waving Last Night of the Proms Finale! A top class vocalist and entertainer, Martin continues to perform at major sporting, corporate, concert and charity events. He has sung for Her Majesty the Queen and at all the major UK sporting venues including Old Trafford & the Etihad in Manchester, and Twickenham & Wembley stadium in London! “His beautiful voice and perfect expression sometimes brought tears to your eyes but just as you were feeling totally carried away with the romance of it all, he would switch to a foot-tapping rendition of La Donna e Mobile and instantly change your mood”. (Concert review by Julia Taylor) AN EVENING NOT TO BE MISSED SO BOOK EARLY TO AVOID DISAPPOINTMENT! Please subscribe if you would like our regular FREE Garrick Newsletter, as well as all the Garrick Production & Membership News together with the latest Special Offers Click HERE to Subscribe

< Back The Day War Broke Out ˂ Previous Production Next Production ˃ to 16 December 2013 Starting in 1905 when traditional MUSIC HALL was in decline and VARIETY on the way up this play charts the rise and rise of famous comedian ROBB WILTON, star of stage (with his wife Florence) and radio and finally solo artiste. We all know his famous monologues, but this story is also of his home life (and what comedian does not have some skeletons?). The Garrick Playhouse is very excited to have secured this Northern Premiere from Mike Craig, one-time scriptwriter for Morecambe and Wise, TV producer and host of his own radio show each Saturday on BBC GMR. A backstage story with a difference. ?

< Back Proper Adult ˂ Previous Production Next Production ˃ to 23 June 2021 ‘What is it about being an adult that means your soul has to basically die?’ A humorous and poignant one woman show about coming of age and how to successfully ‘adult’, even if you’re not ready to. Rachel has recently joined the career ladder, as a waitress at TGIs. What with her high flying career and recently turning 18, she is ready to put her childish ways aside and become a successful adult. However, she might need a little help along the way. Running Time: 45 minutes (no interval) Written and Performed by: Megan Relph Co-Directors: Megan Relph and Parissa Zamanpour Images by: (The late) Mark Russell [gallery columns="5" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2021/06/Manchester-Fringe-Logo.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2021/06/Proper-Adult-Mark-Russell-5a.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2021/06/Proper-Adult-Mark-Russell-4a.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2021/06/Proper-Adult-Mark-Russell-3a.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2021/06/Proper-Adult-Mark-Russell-2a.jpg|"] Our reasonably priced bar will be open before and after the show. Free car park for customers and in easy walking distance of Altrincham and local tram and train stations. So what are you waiting for? BUY YOUR TICKETS NOW!

< Back English Touring Opera Live on Stage - Performance 1 ˂ Previous Production Next Production ˃ to 19 October 2020 LYRIC SOLITUDE - performance 1 of 4 English Touring Opera are thrilled to return to live performance this Autumn, with a programme focusing on the voice of the individual in isolation, on the power of song, and of poetry - with responses to that power in dance, image and drama.  The Garrick is delighted to host ETO's 4 separate performances over this weekend, starting with Friday evening featuring the following: Boyhood’s End (Tippett) The Holy Sonnets of John Donne (Britten) Poems of Marina Tsvetaeva (Shostakovich) The Heart’s Assurance (Tippett) A Charm of Lullabies (Britten) Total duration 60 mins Remember your lovers who gave you more than love – Sidney Keyes The drama of living in a state of war runs through this programme, featuring responses in movement made to the music and poetry. Thomas Elwin (tenor) is the soloist in the ecstatic Boyhood’s End (1943), to which Paul Chantry and Rae Piper make response in dance. Elwin is also the soloist in The Heart’s Assurance - the most remarkable and fearless setting of poetry by young men who fought and died in WW2. These poems, thrusting sensual desire into a landscape of death, finds response in movement by Bernadette Iglich. Iglich also sets Britten’s eloquent, searing response to what he saw at the concentration camp at Belsen at the end of the war in The Holy Sonnets of John Donne . Donne’s sonnets ravish and twist, and call out for love and understanding. They are sung by tenor Richard Dowling. Mezzo soprano Katie Stevenson is the soloist in Shostakovich’s tribute to Russian poet Marina Tsvetaeva , an utterly unique voice in the maelstrom of the inter-war and war years. Choreographer Rahel Vonmoos has devised a response in movement. Stevenson is also the soloist in Britten’s bizarre A Charm of Lullabies , composed on poems by William Blake, Robert Burns, Robert Greene, Thomas Randolph and John Phillip - maybe not the kind of thing to sing you to sleep ... The bar will be open before and after the show. Come and join us in a friendly, informal and Covid-19 safe atmosphere, to witness this unique fusion of music, dance, image and drama ... as well as to avail yourself of our low bar prices and free car park ! ETO's Lyric Solitude at the Garrick We are hosting 4 performances from English Touring Opera over the weekend: Friday 20 November at 19:30: Tippett, Britten and Shostakovich (this performance) Saturday 21 November at 15:00: La Voix Humaine , by Poulenc Saturday 21 November at 19:30: more from Britten, Shostakovich and Poulenc Sunday 22 November at 15:00: Two short operas, by Poulenc and Argento (includes La Voix Humaine ) Note: apart from La Voix Humaine being performed twice, all other pieces are being performed just once only.

< Back Jusin Moorhouse: Stretch & Think ˂ Previous Production Next Production ˃ to 3 July 2023 Justin is back: still funny, yet middle aged. A brand new show that may contain: Yoga, getting older, Madonna, shoplifters, Labradoodles, middle-aged cyclists, The Menopause, running, hating football fans but loving football, not drinking, funerals, is Tapas a rip off?, Captain Tom, Droylsden, the environment, self-improvement, ruining a sexual position, electric car charging spots used by doggers, nursery graduation, horses, Stig look-a-likes, home cooked food in places that aren’t your own home, the odd advantages of fundamental religions, the gym, shop door etiquette. And he’s got a new suit. Come, it’ll be fun. ★★★★ "What sets him apart is the craft. Lightning fast wit, masterful delivery." Chortle ★★★★ “Not a moment without laughter” Chortle ★★★★ "If joke-telling is your thing, then Justin Moorhouse is your man...very high gag rate" Fest ★★★★“Skilful crafting...he keeps the laughs coming” British Theatre Guide “He charms the pants off the crowd” Sunday Times “The amount of first-rate comic craft that goes into his routines is worthy of admiration” Guardian “Simultaneously down-to- earth and out of this world” The List Our reasonably priced bar will be open before, during the interval and after the show. Free car park for customers and in easy walking distance of Altrincham and local tram and train stations. So what are you waiting for? BUY YOUR TICKETS NOW!

< Back Ann Veronica ˂ Previous Production Next Production ˃ to 12 August 2019 Abel, Gillian Allman, William Boardman, Jean Clark, Hetty Dean, Margaret Hamblin, Mary Hamblin, Phyllis Larbalestier, Jacqueline Lightowler, Madge Lomax, Judith Martin, Jean Milne, Sheila Newby, Jose Norval, Mary Schofield, Daphne Shawcross, William Smart, Brian White, Beatrice Powell Whiteside, Edith

< Back Dandy Dick ˂ Previous Production Next Production ˃ to 12 August 2019 Davenport, Claire Grimshaw, Harold