Previous Next Alan Rothwell Alan had a long and distinguished association with the Garrick for over 20 years as a professional director, starting in 1991 with A Small Family Business by Alan Ayckbourn. He often directed comedies such as Dad's Army , 'Allo 'Allo , Yes Prime Minister , Noises Off and Calendar Girls. He was often associated with Ayckbourn plays such as Bedroom Farce and Seasons Greetings, and he also directed more serious plays such as Atonement and Once a Catholic . Born in 1937 in Chadderton, Oldham, Alan started his acting career at age 10 in BBC Radio's Children Hour before going on to study at RADA. Professional acting credits include The Archers , Coronation Street (in the very first episode as David Barlow in 1960), Brookside , Top Secret , Heartbeat and Doctors . He was also the host of BBC Children's education series Picture Box . Alan was highly regarded at the Garrick, and he is remembered as a very approachable and likeable person who always brought the best out of his casts. Back to In Memoriam page

Rent our theatre prop Swords and Daggers - a large variety Available. Garrick Hire Prop Swords, Knives and Miscellaneous The Garrick offers a range of bladed weapons and related miscellaneous items for hire About the Armoury Prop Gun & Rifle Hire Prop Swords, Knives & Miscellaneous Hire prop swords, fake knifes and daggers directly from us, here at The Garrick in Altrincham. We have a large collection suitable for film/movies, TV and all kinds of theatrical performances, from pantomimes to whodunnits and dramas. All of our stage swords and other pointed weapons are stored at a secure location in Altrincham. Note that these are not for fancy dress parties, stag dos or other party events – we do not have a licence to rent out to the general public. There are strict rules and regulation surrounding the hire and carrying of these items. We also have a number of interesting related items for hire that you may require to sit alongside the prop swords and prop guns hire. These items don’t fit neatly into the other sections, so we have separated them out below. Please take a look at the photos below, then contact us and give us an idea of the type of production you are engaged with. We will be happy to advise on which type of weapon(s) you need, and can then give you a quotation and timescale for rental. Alternatively, if you know exactly what you require then please include the reference numbers from the photo. Please fill in our online form , ring us on 0161 928 1677 or send us an e-mail, to hire@altrinchamgarrick.co.uk . Hire Form Prop Swords From prop pirate cutlasses suitable for pantomimes, such as those seen in Peter Pan above, to classic replica gladiator, claymore, classic long swords, epees and Samurai swords (as seen in movies such as like Kill Bill), we have a large collection for hire. Prop Knives & Daggers We have a large collection of prop knifes, stilettoes and daggers including retractable knife props (with retractable blades), suitable for stage, screen and television. There are knives from almost every era, including prop machetes, flick knifes and kirpans. Miscellaneous Items to Hire Other weapons include prop duelling pistols, fake Uzi , prop hand grenades & mortar bomb, Note that items 1& 2 are no longer available. Accessories include prop truncheons, western gun holsters, prop handcuffs, cowboy belts and shoulder holsters. Hire Form Join our mailing list Subscribe

Previous Next Roger Metcalfe Without the work that Roger did for the Garrick at the time, the major redevelopment of 1999 would probably not have happened. His immense support for that endeavour mustn't overshadow his many acting roles between the mid 1970s and the mid 2000s, and many patrons at the time will never forget his stage appearances. He was very able portraying the establishment figure that many comedies poke fun at, and equally well as the towering stage presence and brooding intensity that many dramas require. Roger served on the Executive Committee and on the Board of Trustees, and it was his role handling Press and Public Relations in 1998 and 1999 that contributed so much to the redevelopment at the end of that century. Back to In Memoriam page

Previous Next Audrey Hughes Audrey was a wonderful character actress, often taking on the roles of strong, powerful women. She joined the Garrick in the early 1980s, and quickly became a regular onstage. Probably her most memorable roles were as Emma Hornett (the role made famous by Peggy Mount) in Sailor Beware, and working with her best friend at the theatre, Stella Fogg , as the two murderous old ladies in Arsenic and Old Lace . Audrey also took a full part in the social life of the Garrick and appeared in many Music Halls on the Mainstage and cabarets in the Bar. Back to In Memoriam page

Garrick Production Don't Dress For Dinner Ran Invalid Date - Feb 8, 2014 Age guidance Venue Running time Tickets Price Range Description Written by the author of the recently revived Broadway and West End smash hit Boeing Boeing, this is a truly classic farce that explodes into chaos and misunderstandings within seconds. A husband's plans for an intimate supper with his mistress spin gloriously out of control when everyone who shouldn't be there turns up. With bluffing and counter bluffing, a manic pace, characters trying to squirm their way out of impossible lies, an inventive set, and breathless performances you'll leave the theatre as exhausted as the frustrated lovers. This promises to be an exhilarating evening. [gallery columns="5" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/dontdressa.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/dontdressb.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/dontdressd.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/dontdressh.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/dontdresse.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/dontdressc.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/dontdressk.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/dontdressf.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/dontdressg.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/dontdressl.jpg|"] CAST David Beddy as Bernard Ros Greenwood as Jaqueline, his wife Mike Shaw as Robert, his friend Bev Stuart-Cole as Suzanne, the cook Janet Slade as Suzette, the cook Graham Simmonds as George, her husband Sale & Altrincham Messenger's Review by Rick Bowen A feast of a comedy at the Garrick STYLISH, sophisticated and sexy, 'Don?t Dress For Dinner' will come as something of a revelation to those who think they know all there is to know about farces. All the familiar devices are in place, but it's the sheer quality of the writing, rather than the sight of grown ups being caught in a state of undress that gets the laughs. Performing a piece like this would stretch a professional theatre company because the dialogue is mercilessly complicated at times, with more twists and turns than Spaghetti Junction. Yet under the astute direction of Barry Purves the actors of Altrincham Garrick skip through this linguistic minefield with consumate ease. While the dialogue may be a feast for the ears, Purves's set is a feast for the eyes and earned a richly deserved round of applause on Monday night. Pieces as involved as this demand a strong and confident cast and the director has both. Janet Slade is really good value as the mercenary cook Suzette, a character who makes the most of the tangled web of deceit that traps those on stage. David Beddy (Bernard) and Mike Shaw (Robert) are both naturally funny men and have so much fun with their roles it's an absolute pleasure watching them. You do have to concentrate to keep up with what's going on but this theatrical experience, which the audience undertakes at breakneck speed, is a truly exhilarating one. Do not miss. Star Rating ★★★★ Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production The Glee Club Ran Invalid Date - Aug 12, 2013 Age guidance Venue Running time Tickets Price Range Description A feel-good comedy with songs by Richard Cameron. Meet the Glee Club, the a capella group who just happen to be Yorkshire miners! 'Brassed Off' meets 'The Full Monty' in this heart-warming comedy of close harmony. It's the summer of 1962 and five hard-working, hard-drinking miners are collaborating with the church organist to cause a musical sensation at the local gala. One of them, however, has a secret. The result is a series of events which change the miners' lives forever. Combining raucous humour and superb close-harmony song renditions, The Glee Club is a critically acclaimed comedy, originally produced at the Bush Theatre in 2002. Heartbreaking and heart-warming, with vivid characters and gorgeous music, it is the perfect play to cheer any audience. Contains male nudity and strong language. CAST Phil Peter England Scobie Dave Jones Bant Barry Spencer Colin Adam Gonet Jack David Midgley Walt Robert Watson Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Previous Next Ken Curragh Ken was a long standing member of the Garrick as an actor, and was at one time Workshop Manager. He also acted for a number of other societies in the area and was a very enthusiastic supporter of amateur theatre. Back to In Memoriam page

Garrick Production The Children's Hour Ran Invalid Date - Jul 30, 2013 Age guidance Venue Running time Tickets Price Range Description Best friends Karen Wright and Martha Dobie are headmistresses at a successful private school for girls in New England. Mary Tilford, a spiteful, angry child, is caught in a lie and punished. In retaliation she tells her grandmother, a matriarch in the town, that Martha was "jealous" of Karen's relationship with Dr. Joe Cardin, and tells her that Martha's Aunt Lily thought those feelings were "unnatural". Grandma believes her and pulls Mary out of school. The word quickly spreads and within days Karen and Martha are faced with empty classrooms. Joe is fired from the hospital for siding with the teachers. Karen and Martha sue for slander in a case that makes national headlines with terrible ramifications and consequences. CAST Mrs. Lily Mortar Jacqueline Wheble Helen Burton Anna Gravett Evelyn Munn Bella Haynes Rosalie Wells Grace Garside Lois Fisher Orlagh Ementon-Shaw Catherine Emily Waldie Peggy Rogers Eleanor Bacon Mary Tilford Erica Pickard (AWARD) Mrs Amelia Tilford Sandra Thomas Karen Wright Lisa Wood Martha Dobie Ali Davenport Dr. Joseph Cardin Sean Duvall Agatha Margaret Le Review by Julia Taylor for remotegoat Vindictive Schoolgirl attacks teachers' reputation Since Lillian Hellman's play the Children's Hour first appeared on Broadway in 1934, we have become accustomed to its subject, Lesbianism. Yet the idea of a wicked 14-year-old girl spreading lies about her teachers still shocks. That girl is Mary a pupil at a New England boarding school for girls whose accusation of an unnatural relationship between the school's founders is backed by her grandmother (Sandra Thomas) turned out in some outstanding costumes. You feel sympathy with the teachers and tainted by Mary's cold-blooded cruelty just to avenge the punishment she is given for a minor offence. Aged only 16 and a member of the Garrick Academy of Performing Arts, Erika Pickard plays the role of Mary, the vindictive adolescent. This apparently sweet slip of a girl turns out to be a bullying, blackmailing, lying monster. Erika's performance marks her out for a bright future on the stage. Lisa Wood as Karen and Ali Davenport as Martha portray eloquently the teachers' lasting friendship through the thick and thin of losing both vocation and reputation but, towards the end, it dawns on us that one of them is, if only in her head, guilty of the love which, in those days, dare not speak its name. There are 13 actors in this moving play. All of them are good and speak with unswerving New England accents. The heartbreaking conclusion underlines the truth of Shakespeare's famous line "Oh what a tangled web we weave when first we practice to deceive." NODA Review by Kevin Proctor 'The Children's Hour', the first of Lillian Hellman's plays has sturdy dramatic strengths though is rarely produced today. I'd suspect that Arthur Miller must have learnt from this piece when writing The Crucible' as, like that play, it concerns frenzy amongst teenage girls with an unpleasant leader among them who brings catastrophe down on the heads of adults. But witchcraft isn't the charge brought against innocent characters here, but lesbianism, making the play exceptionally daring for the 1930's. Although 'The Children's Hour' enjoyed big success in New York, it was banned from the British stage until as late as 1960. When it premiered on Broadway in 1934, it shocked audiences with its bold and (of that time) shocking subject. It ran for nearly 700 performances and ultimately launched Lillian Hellman's career. Although the subject of this piece has far less impact for a modern theatre goer, given the right Cast and Director, 'The Children's Hour' can still move with its righteous outrage and its powerful accusation of irresponsible actions. As always at the Garrick, this production offered an impeccable set and a collection of costumes which would match those of any professional company. Leading the cast is Erika Pickard as the vile and scandalous schoolgirl, Mary. Erika's performance was immaculate, she gave chilling glares and delivered a very intelligent and worthy performance, should Erika desire a career in this craft, she?s certainly got the foundations firmly in place to become an outstanding actress! Making her debut with the Altrincham Garrick company is Lisa Wood as Karen who, in her first scene gave a slightly stringent performance but ultimately warmed up and, when most crucial, delivered some precious moments in the final scenes. Sean Duvall played the school Doctor and fiance of Karen with charm and capability though I feel that a character as invariable as this didn't particularly suit him. Sean was mistakenly making every effort to inject flair, significance and excitement into his character with big gestures and animated reactions when really, just playing him as the straight (pardon the pun), ordinary man that Dr Cardin is, would have given an accurate and intended result for this character. Strong support was given by Grace Garside as Rosalie, Sandra Thomas as Amelia and Jacqueline Wheble as Mrs. Mortar. The ensemble of school girls set the scene well, I was surprised we didn't see more of them due to the level of development in each of the girls characters for such a short time on stage which is highly notable. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production People Ran Invalid Date - Jun 29, 2018 Age guidance Venue Running time Tickets Price Range Description BENNETT AT HIS BEST, PROVOCATIVE AND ENTERTAINING A stately mansion that is wanted for purchase by the National Trust, a couple of eccentric inhabitants who would like to move the whole building to another county. A scheming sister who is in talks with the National Trust is close to a deal when a film company happens along wanting to use the site for a porn movie! Typical Alan Bennett characterisations make this an evening of pure joy as the complications of the plot are revealed. This Production is proudly sponsored by [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_6286.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/People_130.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_6308.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_6259.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_6224.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_6139.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_0787.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_0434.jpg|"] Production Photographs by Vish Sharma CAST Dorothy Stacpoole - Celia Bonner June Stacpoole - Melanie Davy Iris - Janet Slade Bevan - Adam Green Ralph Lumsden - Rob Clyne The Bishop - Geoff Holman Mr Theodore - Richard Sails Bruce - Nick Lowe Louise - Lindsey Barker Nigel - Sam Evans Les - Edward Beesley Colin - Ben Hanley Brit - Lara Hancox Review by Rick Bowen for Stagestruck Alan Bennett make us question the way we as a country handle our heritage in this sparkling, thought provoking and very classy comedy. Dorothy and June Stacpoole live in a decaying stately home in south Yorkshire and the place has become nothing more than a financial millstone around their necks. The siblings are very different. Dorothy, a former model, pines for her former life of glamour and good times. June, on the other hand, is every inch the quintessential English clergywoman, with the stereotype even extending to her sensible skirt. June wants to sell the house to the National Trust, much to the disgust of Dorothy, who is outraged at the prospect of them and their home being turned into objects of curiosity, the type of curiosity usually reserved for museum pieces. As Dorothy and June, Celia Bonner and Melanie Davy are an unadulterated delight and there’s nothing to choose between them and real life sisters. Janet Slade may be a petite lady but when it comes to comedy roles she’s a huge talent and displays her considerable talents yet again as Dorothy’s “companion” Iris. In this role she’s an absolute hoot. When Dorothy meets an old flame they hatch a cunning plan to provide what she believes will save her and her sister having to sell their country pile. Now I won’t spoil things for anyone who hasn’t seen this play. But rest assured, this production is a high water mark for the Garrick and the dynamic young director Joseph Meighan. Once again, he and the Garrick have struck gold. Fabulously funny. Star rating ★★★ ★★ Review by Johanna Hassouna-Smith for Number 9 The Garrick’s season of plays seem to go from strength to strength with each of my visits and offers their audiences a wide variety of entertainment from musicals and pantomime, to Agatha Christie and classic plays. The audience is largely comprised of an aging population from the surrounding south Manchester suburbs to those who travel in from the Cheshire set and the selection of productions on offer are usually chosen to suit this demographic. This was the opening night of the show and it was a huge sell-out. Now I wouldn’t call myself a Bennett connoisseur, but I know he’s a classic British playwright and that his success is down to his imaginative creation of characters which epitomise the British; whether that be the class system, our values or just our downright old-fashioned obstinance as a nation. So, was the success of this production’s ticket sales down to Bennett’s reputation or was it the company’s prowess? I’d like to think it was both. However, it would be remiss of me not mention that this production carries a ‘not suitable for children’ warning before you enter the auditorium. Having ignored this notice as I wandered past it unwittingly, it came as quite a shock when, in the first 5 minutes, we were faced with a man wearing nothing but a cowboy hat. Needless to say that after this moment I was on board and so were the other cackling audience members, who had clearly done their homework before watching this hilarious series of events unfold! The play pokes fun at the Thatcherite English tradition of privatising the country’s assets, whether that be to the highest bidders, or under the ‘protection’ of the cultural backbone of Britain: the Church of England and the National Trust. The argument is embodied in the opinions of two sisters who own the stately home: Dorothy and June Stacpoole. Our eccentric heroine Dorothy, played by the incredibly talented Celia Bonner, wants to do anything to keep people out of the beautiful house and to just live in it with her equally eccentric ‘companion’, Iris (played by Janet Slade). Her sister June is climbing the ranks of the Church of England hierarchy and despite being the ‘Godly’ sister, epitomises all the money grabbing aspects of the church. With a hugely entertaining characterisation and brilliantly witty script, Celia Bonner makes everything around her shine with a flamboyant creation of Dorothy which is filled with naughty sassiness, yet a sense of pathos which really tugs on the heartstrings. The story is so cleverly written that Dorothy’s decision to hire out the house to a pornographic movie production rather than sell out completely to the National Trust, seems like a more morally justifiable solution to their financial issues. One of the things I love about the Garrick is that I often find myself pondering the question ‘Is this a professional or amateur production?’ What a great question to be asking when you know the answer is amateur! Their ability to recreate this level of professionalism must be commended on so many levels as there is a real team effort in every production and this one, directed by the talented Joseph Meighan was no exception. It is clear to see in the quality of the work that the director has not only had drama training but is incredibly creative as he doesn’t miss a beat with this high energy production of Bennett’s work. The entire cast deliver two hours of brilliance which doesn’t falter in entertainment with each and every one of them is deserving of a mention. The design of the production led by Lesley McKie is also a truly professional quality with a huge backdrop of a stately home complete with rotating changeovers. They really do reproduce quality which professionals would be proud of. Without wanting to give too much away, my favourite scene in the entire show was down to the lighting design, which evoked the contrasting environments of an English stately home with a film production, gleefully juxtaposed on stage at the same time. It was so clever and had the audience wincing in their seats as we watched a pornographic scene being filmed! Without a doubt, one of the most memorable moments of theatrical genius that I won’t forget for a long time and, judging from the howling audience, they won’t either! Bennett’s ‘People’ delivers on every level: it is sharp, witty and poignant all in one go. I had such a great evening of entertainment and laughed until I almost cried. If you can grab yourself a ticket, you really ought to. Star rating ★★★ ★★ Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production The Son A Season of Connection: Stories that bind us, break us, and bring us back together. Ran Sep 22, 2026 - Sep 27, 2026 Age guidance 15+ Venue Garrick Studio Running time TBC Tickets Price Range £13 - £15 Description Written by Florian Zeller Translated by Christopher Hampton Directed by Jonathan Barker “I don’t know what’s happened... But something has. He’s changed.” 17-year-old Nicolas is going through a difficult phase since his parents’ divorce. He’s started lying and has become listless, skipping school and locking himself away. Feeling unable to live with his mother anymore, he moves in with his father and his new family. Maybe that will help? A new school, a fresh start. But what if it doesn’t? What then? This play unflinchingly explores how those suffering often struggle to understand their own inner demons. A powerful examination of adolescence and the disruptive dynamics of family life. Florian Zeller’s The Son completes a trilogy with The Mother and The Father (produced on the Garrick Mainstage in 2024), all of which are translated by Christopher Hampton. The Son premiered at the Kiln Theatre, London, in February 2019, and transferred to the Duke of York’s Theatre in August. A film version, directed by Zeller himself, and starring Hugh Jackman, Vanessa Kirkby and Anthony Hopkins, was produced in 2022. This production is part of the Garrick Studio 26/27 Season - A Season of Connection: Stories that bind us, break us, and bring us back together. Age Guidance : 15 + Content Warning : This play depicts adolescent mental health issues and discussions of self-harm. The production contains scenes some audience members may find distressing. Reviews “The intimate studio theatre and a very fine and believable cast ensure it’s a lesson those who see it will never forget… Uncompromising, unmissable.” Rick Bowen Read the full glowing review by StageStruck HERE Gallery Trailer Trigger Warning This play depicts adolescent mental health issues and discussions of self-harm. The production contains scenes some audience members may find distressing. Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Vivat! Vivat! Regina! (2002) The Garrick's contribution to the celebrations for the commemoration of the 50th anniversary of the accession to the throne of Queen Elizabeth II. Ran Feb 4, 2002 - Feb 9, 2002 Age guidance Venue Running time Tickets Price Range Description The Garrick's contribution to the celebrations for the commemoration of the 50th anniversary of the accession to the throne of Queen Elizabeth II. As our contribution we are very proud to be presenting this engrossing play by one of our premier writers. The play follows the relationship between Mary Queen of Scots and Elizabeth I from shortly before Mary's return to Scotland, through her marriage to Darnley, Rizzio's death, the scandal over Bothwell to Mary's imprisonment and subsequent execution, with the play closing as Spain prepares its Armada. With an all-star cast and the sumptuous costumes for which the Garrick is renowned this is a celebration not to be missed. CAST Mary, Queen of Scots: Stephanie Hawthorne Claud Nau: Ian Fensome William Cecil: Terry Chandler Elizabeth I of England: Pam Nolan Robert Dudley: Martin Creevy John Knox: Hugh Everett David Rizzio: Mark Jephcott Lord Morton: Richard Frost Lord Bothwell: Bryn Thomas Lord Bishop of Durham: Frank Boylan Sir Francis Walsingham: Roger Metcalfe De Quadra: David Midgeley Davison: Mike Shaw Henry Stuart, Lord Darnley: John Keen Ruthven: Brian Stoner Lindsey: Daniel Cloran Tala: Derrick Dykins Ormiston: Alex Wilson Douglas: David Walton Falconside: Peter Coatman Court Ladies: Paula Taylor Mandy Flude Caroline Hickey Juliet Wilson Directed by Sonia Dykstra Designer: Juliet Jones Costume Design & Creation: Mike Shaw Sound Design: Robin Watkinson Sound Operator: Steve Williamson Lighting Design & Operation: Mike North Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Jack & the Beanstalk Ran Invalid Date - Aug 7, 2013 Age guidance Venue Running time Tickets Price Range Description The Garrick's absolutely traditional pantomime has been given a rock'n'roll theme by Chris and features all panto's favourite characters - Jack (played, of course, by a woman), Mother Mack, the dame (played, of course, by a man), Simple Simon, the village idiot, the Sheriff (the arch villain) with his two sidekicks Georgy and Porgy, a fairy godmother, Little Bo-Peep, the Giant and his wife and not forgetting Buttercup, the cow. A real family treat. CAST Stephanie Hawthorn as Jack Derek Stuart-Cole as Mother Mac Katherine Whibley as Bo-Peep Brian Howlett as Simple Simon David Reynolds as the Sheriff Richard Frost as Georgie Frank Boylan as Porgie Brian Stoner as the Giant Jane Inglis as the Giant's Wife Marina Anderson as Miranda and the Firy Godmother John Newton & Darren Staunton as Buttercup Stephanie Hampson as Mini Mother Mac Laura Cress as Mini Simple Simon David Peckitt as Mini Sheriff Matthew Gibbon as Mini Georgie Natalie Carr as Mini Porgie Louisa Carr as the Magic Hen Other Villagers, Ghosts & Pixies played by Claudia Hamilton, Rachel Holmes, Louisa Tratalos Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Priscilla Queen of the Desert Ran Invalid Date - May 30, 2017 Age guidance Venue Running time Tickets Price Range Description Take two drag queens, a transgender woman and a bus and you have the story of their race to get from Sydney to Alice Springs in time to perform their act at Lasseter's Hotel Casino Resort. Adventures occur along the way, including the bus breaking down and being repaired by a local mechanic which leads to an unexpected and warm relationship, and add as many disco tunes as possible. The result is Priscilla Queen of the Desrt which is an uplifting musical with the serious aspect of homosexuality and it's acceptance playing a major part in the show, especially as one of the drag queens is still married and is about to meet his 6 year old son for the first time. This production is proudly sponsored by Myerson Solicitors [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/05/DSC_8030-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/05/DSC_8041-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/05/DSC_8322-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/05/DSC_8618-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/05/DSC_7990-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/05/DSC_7975-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/05/DSCF6968-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/05/DSCF7260-Small.jpg|"] Production Photographs by Vish Sharma CAST Tick/Mitzi - Todd Bennett Adam/Felicia - Rhys Nuttall Bernadette - Mark Butt Diva - Lara Hancox Diva - Lauren Whiteley Diva - Rachel Gerring Bob - Ivor Farley Cynthia - Claire Garrett Shirley - Caroline Knight Benji - Dylan Williams Marion - Sarah Reilly Miss Understanding - Brendan Cunningham Farrah/Young Bernadette - Jack Gibson Frank - Josh Crook Errol - Danny McCarrick Pastor/Barman - James Desmond Ensemble & Dancers Ceri Graves, Emma Lester, Stuart Angus, Tara Kitson, Katie Blackett, Hannah Cound, Sara Nelson, Danny McCarrick, James Desmond, Jack Gibson, Josh Crook, Dominic Smith, Maisie Marsden, Joshua Smith, Meg Dempster, Greg James, Jen Kirton, Patti Kirton, Charlie Lewis Review by Rick Bowen for Stagestruck DYNAMIC young director Joseph Meighan makes a welcome return to the stage with his and this theatre's best production to date. You simply must not miss this vocal and visual treat, packed full of outrageous humour and costumes so unashamedly camp your eyes could easily pop out when you see them. Inspired by a movie that I would certainly rank as a modern day classic it's the tale of two drag queens and a transgender woman who journey across Australia to perform their unique brand of cabaret. As you can imagine they encounter prejudice along the way - small town means small minds in too many places - and one of them faces the daunting prospect of being re-united with his young son. Beneath the laughter are serious messages about the need to look beyond our differences and live together in harmony. But no point in the evening do you feel preached to, thanks Stephen Elliott and Allan Scott's first class script. Some of the dialogue, the put downs in particular, are both priceless and brilliant. This brings me on to the performance of the three leads, Todd Bennett (Tick/Mitzi), Rhys Nuttall (Adam/Felicia) and Mark Butt, who is a revelation as the transsexual Bernadette. I really liked the way he played the scenes with Bob, the trio's unlikely knight in shining armour, a perfectly cast Ivor Farley. Todd Bennett also treats us to an inspired rendition of the timeless classic MacArthur Park, which came mighty close to bringing the house down. With a score that's sure to have Victor Meldrew tapping his feet and a musical director in the shape of none other than Mark Goggins, Altrincham Garrick has a huge hit on its hands. You simply must see this - at least twice. What a way to end a season. Star rating ★★★★★ Review by Nicky Lambert for North West End As I sat waiting for the show to begin tonight, I looked at the orchestra pit which is actually a huge hole in the stage of the Garrick and all I could think was "how on earth are they going to manage to navigate around that in heels?" This is an everyday(!) story of two drag queens, a transsexual and a pink bus...so not your run of the mill 'safe' musical and quite a brave choice as it's very risqu with some choice language at times. From the beginning of the overture with the accompanying lights and mirror ball, the audience is completely enveloped in kitsch, camp and even more camp until the end notes of the finale. My first "Bravery in Heels" award has to go to Brendan Cunningham as Miss Understanding ? His saucy looks and not so subtle innuendo was perfectly placed and at times, he reminded me of a half-crazed bird of paradise so what a great way to start the show. I literally held my breath as he walked backwards in heels right on the edge of the orchestra pit but I needn't have worried. The three main roles: Tick, Bernadette and Adam (Felicia) are larger than life, in fact they're great big, out-there characters so they cannot be underplayed and the casting of Todd Bennett (Tick), Rhys Nuttall (Adam) and Mark Butt (Bernadette) is inspired. Todd encompasses Tick's serious side but also camps it up royally, particularly during the 'McArthur Park' scene which earned its own round of applause. He also has a much better voice than Jason Donovan (who was cast as Tick in the West End and the national tour). Mark's version of Bernadette was everything that I love about this character. He gave her class, elegance and poise - and managed to deliver Bernadette's killer one liners with cut glass aplomb ("do I LOOK like a bus person?!") The rest are too rude to reproduce here but trust me, they're hilarious. Priscilla may be Queen of the Desert but Bernadette is Queen of the Put Down. And Rhys...oh my goodness...I don't think I'll be able to see him in anything else in the same light again...! I have to say that this was the best version of Adam/Felicia that I have ever seen. He completely inhabited the role and then some with his high energy performance - not to mention his fearlessness in being almost naked in front of the audience...then donning a very clingy dress and silver heels...then running round the stage in them. Oh and he can certainly work a basque! One of the stand out moments of the show is 'Sempre Libra' which Rhys performs on his own...it is an absolutely amazing showstopper. The Three Divas (Lara Hancox, Lauren Whiteley and Rachel Gerring) sounded fabulous and did a sterling and sparkling job. Another special mention must go to Claire Garrett who played Cynthia. All I'm saying is...ping pong balls. You'll just have to go and see it to find out. I must congratulate Dylan Williams (Benji) on his great accent and despite this being his first stage performance, I didn't see any sign of nerves at all. The ensemble scenes were quite amazing ? not only because every one of them was a fantastic and colourful spectacle to behold but because of the high quality of everyone's performance. There was a massive hole in the stage but everyone navigated around it perfectly without seeming to even have to look where they were placing their feet! I am lost in admiration. I really enjoyed the choreography of all these numbers and I feel I have to give a special mention to Stuart Angus, one of the ensemble, who absolutely nailed all the moves and had a smile that dazzled as much as the sequins. The costumes are breathtakingly fabulous and as for the lightning speed of the costume changes ? this is quite unbelievable, I can only imagine what the stress levels must be like backstage so a big well done to everyone involved! One of my favourite scenes comes at the end of part one and sees the company wearing the over the top wide legged trousers and huge wigs which have become the trademark of this show. It was performed outstandingly and the five stars that I have awarded could have come from that scene alone. The final scene at Ayres Rock is extremely powerful and uplifting and then we are hit with a dazzlingly colourful finale with some absolutely stunning costumes. Everyone involved in this show should be so proud. A huge well done must go to Joseph Meighan (Director) and Louise Pettitt (Choreographer) for doing such an outstanding job in what must be a very challenging space to work in (did I mention there's a huge hole in the stage!) 'Priscilla' is a story of triumphing over adversity and also has a message about acceptance but it's also just really good fun and a hysterical night out. This production more than does the original cult film justice. It's colourful, over the top and just downright fabulous. Do not miss this camper-than-a-row-of-tents, hilarious, dazzlingly brilliant spectacle. You'll never know unless you give it a go! Star rating ★★★★★ Five Fabulously Flamboyant Stars Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Romeo and Juliet Ran Invalid Date - Jun 20, 2016 Age guidance Venue Running time Tickets Price Range Description In a world of music, fame and money, Shakespeare's classic play about love is brought to life in a brand new telling. The Montague and Capulet families are embroiled in a long-running feud and the hatred seems to be impossible to shift. When Romeo, a Montague, attends a Capulet ball in disguise, he falls in love with the beautiful Juliet, and she returns the love. A secret marriage takes place between the two young lovers, but happiness and harmony are not quite in reach as circumstances and fate continue to keep them apart. Perhaps one of the most famous plays of all time will be brought to the main stage in 2016, marking the 400th anniversary of Shakespeare's death. [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_6494.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSCF0817.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSCF0704.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_6651.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_6829.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_6882.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_7069.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_7110.jpg|"] CAST Friar Laurence - Mark Butt Juliet Capulet - Becky Myers Romeo Montague - Haroun Al Jeddal Nurse - Beverley Stuart-Cole Lady Capulet - Sarah Roberts Lord Capulet - Geoff Holman Lord Montague - Steve Williamson Lady Montague - Sandy McGuire Prince Escalus - John Westbrook Count Paris - Harry Jackson Mercutio - Tom Oliver Tybalt - Jackson Hayes Benvolio - James London Sampson - Kathryn Morris Gregory - Ben Hanley Balthazar - Emily Sibley Abram - Aidan Burgess Chorus - Barry Purves Chorus of singers, musicians and fighters, Tabitha Hughes, Rebecca Hanley, Ella Kirk, Tara Kitson, Sam Hey, Lara Hancox, Matthew Spilsbury, Simon Liversidge, Olivia Newhouse, Jack Gibson, Michael Twigg, Daniel McDwyer, Chis Wagstaff ASM - Sue Berry [gallery columns="6" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/09/IMG_3759.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/09/IMG_3764.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/09/IMG_3763.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/09/IMG_3762.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/09/IMG_3770.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/09/IMG_3769.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/09/IMG_3768.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/09/IMG_3767.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/09/IMG_3765.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/09/IMG_3766.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/09/IMG_3761.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/09/IMG_3771.jpg|"] REVIEW by Julia Taylor for Altrincham and Sale Messenger Romeo and Juliet production leaps to life at Altrincham Garrick I HAVE never seen a Shakespeare play move an audience so much as Joe Meighan's production of Romeo and Juliet at Altrincham Garrick. Joe has used imagination to create a play that, while sticking to Shakespeare's immortal words, uses modern dress, and a moral to make this play, presented 400 years after Shakespeare's death, leap to life. Set at the millennium, the Montagues and Capulets run rival record companies. The striking feature is the fight scenes. We have a huge battle at the start which is nothing compared with the stag-like conflicts between Tybalt (Jackson Hayes) and Mercutio (Tom Oliver) who dies. In revenge, Romeo kills Tybalt in another violent fight. These fights are graphic, disturbing, full of anger and, at times, even clumsy but they are realistic. Added to this, the 23-year-old director has introduced music including a remarkable unaccompanied harmony. Juliet was originally 13 but Joe has realistically upped her age to 16. Rebecca Myers, who plays her, is only 17. She gives a passionate performance as she and 17-year-old Haroun Al Jeddal illustrate how life?s strongest emotion, love, can overcome body and mind. The part of Juliet's nurse is interesting, made more so by Beverley Stuart-Cole. Deeply caring of Juliet, she adds ripples of humour. Mark Butt's Friar Laurence is played well as a wise mediator. The surprise ending makes you realise that attitudes, unchanged since the sixteenth century, need changing. Star rating ★★★★★ Review by Rick Bowen for Stagestruck DYNAMIC young director Joseph Meighan returns to the Trafford stage with a Romeo and Juliet for the Internet generation. But despair not - oldies like me certainly didn't feel excluded from a production with a soundtrack of pop songs. If I have a criticism I think the opening fight scene was a little over done, descending into comedy by the end. This is, after all, a play about two rival. feuding families who hate the bones of each other. JM is a very promising talent and the fact that Romeo and Juliet are close to the age they're meant to be gives the classic teen love story added authenticity. The two leads struggle to keep a lid on their emotions when Cupid's arrow strikes. Haroun Al Jeddal's Romeo is very much "one of the boys" and his performance is sure to strike a chord with the teenagers in the theatre - there were nearly 100 in the auditorium on Monday night - and those of us who can just about remember what it felt like to be young. With Rebecca Myers (Juliet) there are some memorable scenes to enjoy and the duo perfectly capture the awkwardness and emotional highs of young love. After seeing this production I really hope we see more of Geoff Holman on the Garrick stage for, as Juliet's tyrant of a father Lord Capulet, he is outstanding. The scene in which he rips into his daughter is quite frightening, as she dares to go against his marital decree. Don't be a stranger Geoff - you have a very strong stage presence. Any production that features Barry Purves as its designer is always something to write home about and he delivers yet again with a set that's a positive visual treat. What the purists will make of this I don't know and don't really care as live theatre is forever evolving. It's also a welcome return to Mark Butt whose Friar Laurence seems to have converted to Buddhism. Looking like he's dropped off a 60's album cover, Mark gives a very credible performance as a character full of eloquent authority - Star rating ★★★ Review by Mark Dee for North West End I suppose that one must come to accept that modern adaptations, reworkings and updatings of Shakespeare are not only acceptable but preferable to both modern actors and audiences. My personal feeling towards this is that if the work is to be changed to bring it more 'up-to-date', then don't just change the setting and the costumes, but the language also needs to change too... in other words, do as Shakespeare himself did with most of his plays... find a good story already in existence, and then write your own version. West Side Story is a classic example. A contemporary Musical set in New York using original dialogue and song. All too often do I see a modern interpretation of a Shakespeare play to find that the spoken word is at odds with action and costume. And so whilst the themes of Shakespeare's plays way well be timeless, the setting and language certainly are not. I am very happy to report then that despite my misgivings, Joseph Meighan's reworking and adapting of possibly Shakespeare's most famous play, and certainly his most universal, works really quite well indeed. And in a year that marks the 400th anniversary of the death of the great man himself, and with countless Shakespeare productions happening throughout the year, productions of his work this year especially need to have something different about them to make them stand out. This did, and did. I feel certain that I do not need to tell anyone the storyline, do I? However tonight's setting was Fair Verona, a nightclub, a short while before the 2000 Millennium chimes, and we could be very 'artsy' and say that perhaps the chimes of the new year were also the tragic death knells for our ill-fated protagonists. Although once the prologue had been spoken and the action moved away from the rather BGT-style opening, the Fair Verona sign should have been moved since we never returned to this nightclub again. The set was both excellent and constrictive at one and the same time. Consisting of a raised triangular dais centre stage upon which majority of the acting for each scene took place and two walls angled outwards either side at the same angle as the lengths of the triangle and lit with magentas and reds with occasional green light tubes appearing it was non-naturalistic and ultra-modern. Doors, windows, cabinets etc all were cleverly 'hidden' within these two wall flats and were operated seamlessly and quietly every time. The problem with Shakespeare's plays in general is that there are many scenes, often very short scenes, and this can be a director's and designer's nightmare. Here. however, director Joseph Meighan had chosen to incorporate into his cast a 'chorus' of young actors and actresses to sing some songs at opportune moments throughout the play, and it was these performers who also acted very much like background artists on a film set, filling out the scenes as necessary, and also bringing on and taking off the items of set and design for each scene. The scene changes were swift, but after a while became very predictable and I suppose more obvious too because of this. Before I turn to the main acting, I have mentioned the singing chorus so let me stay with them for a while. What a fantastic idea, and despite my conservatism and traditionalist values when it comes to The Bard, I have to admit to really enjoying this aspect of the adaptation. Starting with a Boy Band wowing the partygoers, to singing some beautiful complimentary songs (all from the chosen period of 1999 / 2000) throughout. The candlelit sung vigil at the tomb of Juliet was simply breathtaking. In general, the acting was of a high standard, and Meighan used a mostly young cast. It was a high-energy production and really quite 'raw'. There was lots of shouting and fighting....yes, lots of fighting, and the fight scenes were extremely well directed. For me there were certainly some stand-out performances in this very large and well chosen cast. Not only that but some highly original interpretations too. In the order they appear in the programme..... Mark Butt's Friar Lawrence was as original an interpretation as I have seen. A weed-smoking Buddhist! However, I think he made the right choices in playing this character very seriously and angst-ridden and I enjoyed the candidness and simplicity of this character who can all too often be seen as a comedy role. The programme next credits Beverley Stuart-Cole as the Nurse. Although in this reworking perhaps calling her a governess might have been more appropriate). Again, a unique interpretation, full of fun, sincerity, love, and indeed humanity. Stuart-Cole found both humour and gravitas in her role and it was one of the most enjoyable interpretations of Nurse I have ever seen. Next comes Rebecca Myers, playing a young teenage girl in love to a Tee. Her Juliet was giddy, naive, bouncy and immature when it should have been, and mature, tragic-heroic, and serene when it should have been; and goodness knows how many emotions she had to portray in between. A notoriously difficult role for any actress, since the part requires a maturity of acting prowess not normally available in the age of the character, and within the space of only 2 hours has to go through every emotion known to man. Shakespeare didn't write many truly great female roles, but when he did, boy, oh boy, he made them extremely difficult for the actress! Again, a most sensible and enjoyable interpretation. Juliet's love rivals were played by a love-sick and tormented but at times rather phlegmatic Harroun Al Jeddal (Romeo) and Harry Jackson (Paris), with a rather enigmatic and brazen interpretation of Mercutio by Tom Oliver. There were also a couple of odd choices too. I was uncertain as to why Lady Capulet (Sarah Roberts) was the only one with a southern accent when all the rest of the cast were most obviously northern. The part of Chorus (Barry Purves) also needed some highlighting. From an excellent beginning using his 'power' to freeze the action and for him to speak and explain the story, to him wandering about the set, lurking and silent. This 'presence' as not just a commentator but manipulator [in a smaller but similar way as the Emcee is in the Musical Cabaret] was a nice idea but underdeveloped and perhaps went unnoticed or uncomprehended by most. Perhaps a more obvious way of doing this might be to morph this role with Prince Escalus? (Just a thought..!) Joseph Meighan's directing was consistent and tight, and although I found a couple of his choices a little odd, they worked in context and with his utilisation of such a large and majority youthful cast did a wonderful job of making this story relevant and enjoyable, appealing greatly this evening to a capacity audience filled in the main with a whole group of A-level students from a local high school who are studying this text for their A levels. Modernising Shakespeare I guess is a little like Marmite - you either love it or you hate it - and as a traditionalist at heart I always find it very difficult to appraise modern interpretations. However this evening's offering was accessible to all - mostly! Maybe it was just first night nerves, but the beginning dialogues were rushed and quiet, and this naturalistic way of speaking Shakespeare is at odds with the declamatory and poetic writing style. With some simple but effective lighting, and a 'rough-diamond' feel to the whole show, this is one of the best modern reworkings I have seen in a long while, and although the older generation of audience members may not find much in this 'Godfather'-esque modernisation, it certainly appealed greatly to the younger generations, and, since it is a very long time since the Garrick's season included any Shakespeare (GAPA notwithstanding), it was a very welcome addition to their season and will undoubtedly prove to be a huge success. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Ladies in Lavender Ran Invalid Date - Apr 11, 2017 Age guidance Venue Running time Tickets Price Range Description An award winning love story with a difference Set in Cornwall in the mid-1930s, the play tells of two ageing spinster sisters, Ursula and Janet Widdington. Their lives are turned upside down when they discover a young man washed ashore on the beach, close to death. They nurse him back to health and discover he is a talented Polish violinist, on his way to seek a career in the USA. Despite her sister?s concerns, Ursula falls in love with Andrea. It leads to a journey of discovery for her and a poignant ending. This production is proudly sponsored by [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_1950.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_1890.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSCF5301.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSCF4898.jpg|"] [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_2110.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_2036.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_2009.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_1969.jpg|"] Photographs by Vish Sharma CAST Janet Widdington - MAGS JOHNSTON Ursula Widdington - MARGARET LESLIE Dr Henry Mead - JOHN KEEN Andrea Marowski - CHRIS WAGSTAFF Dorcas - RUTH METCALFE Olga Danilof - FIONA PRIMROSE With BEN HANLEY Review by Julia Taylor for Sale and Altrincham Messenger Ladies are sounding great! LADIES in Lavender, is, thanks to a new Garrick sound system, awash with echoes of the sea. It also enhances Nigel Hess's original film music. The first play of the season, is Shaun McKenna's stage adaptation of the 2004 film. Set in Cornwall before the Second World War, it's about two single sisters set in their ways in their seaside cottage. Things change when Andrea (Chris Wagstaff) a Polish violinist is washed up on their beach. 20-year-old Chris captures the sensitivity of his character and genuine affection for the sisters who rescue him. His presence provokes rivalry between the siblings. Ursula and Janet Wittington. Margaret Leslie and Mags Johnston show how the years roll away with the young man's presence. Mag's Janet, is the obvious leader of the two whilst Margaret's Ursula is comparatively naive. The sisters convey undercurrents of emotion in subtle ways which makes their performance exceptional. Then Olga, a Russian appears. Played by Fiona Primrose, her accent is near perfect and she, too, casts her spell. The local doctor (John Keen) fancies her. Ruth Metcalf's Dorcus, the housekeeper adds colour and humour. Her straight talking contrasts well with the others. Barry Purvis, the director and designer, encourages the essential interaction between characters and devises a three tier set with jetty which will long be remembered. Star rating ★★★★★ Review by Rick Bowen for Stagestruck Ladies In Lavender is a story told with the most gentle brush strokes and it really does play on your emotions, without trying to do so. Two sisters, living together in their dotage, have their lives transformed when a handsome and charismatic young man enters their lives. He''s foreign too, which adds to his appeal. We also have the widower GP Dr Henry Mead, a respected and well known figure in the Cornish village he so dutifully serves. His affable nature hiding his loneliness. What a pity then, he's drawn to that study in aloofness, Olga Danilof. I was overcome with excitement when I heard Barry Purves was directing and designing this production for Altrincham Garrick. Not only has he coaxed some memorable and moving performances from his cast, he's also created a set equally deserving of the audience's applause. The Garrick are so lucky to have him and his bottomless pit of creative skills. Mags Johnston and Margaret Leslie exhibit a natural and convincing chemistry as sisters Janet and Ursula Widdington, trapped in a safe, dull domestic routine. Chris Wagstaff, who is only 20, delivers a performance way beyond his years, yet again, as their mysterious house guest Andrea Marowski. If Chris wants to turn professional he has the talent to do it. John Keen delivers a beautifully understated performance as the disarmingly decent Dr Henry Mead, not the only lonely heart in this engrossing piece. The role of Dorcas, the sisters' straight talking housekeeper is a gift for Ruth Metcalfe and Fiona Primrose has quite a presence as Olga Danilof. But you're certain to hate the way she treats the nice Dr Henry. Once again Altrincham Garrick sets the standard but really, what do you expect with Barry Purves at the helm? Unmissable, a triumph. Star rating ★★★★★ Review by Max Eden for North West End Great theatre is not just confined to the big city theatres and the west end productions, you often find some fantastic gems unexpectedly in small local theatres all around the region, one theatre that rarely disappoints is the Garrick Theatre in Altrincham, last season I witnessed some fantastic top notch acting from productions; Handbagged and Gaslight to name just two. Now kicking off a new season, the Garrick's latest production could be its most impressive yet as Ladies in Lavender opens the new season and raises the bar for this local theatre, Ladies in Lavender is based on the 2004 film of the same name which famously starred Judi Dench and won huge critical praise, a few changes have been made to the original film with it being adapted for the stage by Shaun McKenna but the Garrick has done a fantastic job at submerging you right into the story with a splendid set which features the sisters cottage and garden which sprawls out to the auditorium, making it a lot easier to get hooked in to this heartfelt tale of love and prejudice. The plot follows the same guise as the film, set on the brink of World War Two in Cornwall with two spinster sisters finding a barely conscious man (Andrea played by Chris Wagstaff) washed up on their private beach, the sisters; 'Ursula' played by Margaret Leslie and 'Janet' played by Mags Johnson nurse the unknown man back to life from their cottage with the help of Dorcas played by Ruth Metcalfe, but they face backlash for harbouring a foreigner from their local community and from the local doctor played by John Keen. Fiona Primrose completes the line up playing Olga, the sister of a famous musician who promises to make Andrea a star. The story is moving and heartfelt while still managing to maintain comedic moments at just the right points to provide you with that much needed light relief. The acting from the entire cast is commendable, it felt very real and raw, something which theatre achieves much better than a motion picture, none more evident than the formidably talented Margaret Leslie as a distressed Ursula. The Garrick has definitely established itself now as a powerhouse for local theatre in the Greater Manchester Area, as a venue it keeps improving and is starting to attract big names in the world of comedy and music, and I can see why - the sound tonight was crystal clear and seems to have improved significantly since last time I visited, with it being very authentic to have the original score from the film accompanying this production, written by Nigel Hess bellowing during scene changes. Ladies in Lavender is wonderfully produced, performed and executed, a credit to all who made it possible. Star rating ★★★★ Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Visiting Production The Magic of the Beatles Date range Tickets £32 Age guidance - Venue Main House Trigger warning Find out more Book now Running time TBC Group bookings Find out more Accessibility Find out more Come together, right now – it’s time to shake it up baby with the concert show of the year. The sensational The Magic of the Beatles features an incredible cast that not only look and sound like John, Paul, George, and Ringo, they also generate that same, famed incredible excitement that was the trademark of the greatest group the world has ever seen – with the Fab Four’s unique sense of humour thrown in for good measure too. Enjoy She Loves You, A Hard Day’s Night, Help!, I Feel Fine, Sgt Pepper’s Lonely Hearts Club Band, Hey Jude, Here Comes the Sun, Get Back and so many more non-stop chart toppers. Concert goers are invited to join a magical musical tour that takes you back to the golden era of pop music - featuring hit after hit after hit! Playing to ecstatic sell-out audiences all over the world - and now touring the nation, The Magic of the Beatles is all you need for an unforgettable night of crowd-pleasing, million-selling, solid-gold musical memories. So, let it be and get your tickets now! “An outstanding tribute to one of the greatest bands in musical history. If you’re a fan of The Beatles, or just love great rock and roll music, this show is not to be missed” NottinghamLive.co.uk This is a tribute show and is no way affiliated with any original artists/estates/management companies or similar shows. Promoter reserves the right to alter the programme. Visiting Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Garrick Production A Chorus Line A musical masterpiece that revolutionised Broadway Ran Sep 8, 2025 - Sep 14, 2025 Age guidance 12 + Venue Main House Running time TBC Tickets Price Range £19 - £24 Description Seventeen Stories. Eight Chances. One Singular Sensation. New York City. 1975. On an empty Broadway stage, seventeen performers are put through their paces in the final, gruelling audition for a new Broadway musical. For everyone present, it’s the chance of a lifetime. It’s the one opportunity to do what they’ve always dreamed of – to have the chance to dance… but only eight will make the cut. Told through captivating song, riveting drama and stunning choreography, the auditionees describe the events that have shaped their lives and their decisions to become dancers. Based on real-life testimonies from late-night recording sessions with dancers, these are the lives of theatre’s unsung heroes, as they tell searing stories of ambition, shattered hopes, and what it really costs to follow your dreams. A Chorus Line is a musical masterpiece that revolutionised Broadway, winning nine Tony Awards, seven Drama Desk Awards, the New York Critics’ Circle Award and the Pulitzer Prize for Drama. Now celebrating 50 years since A CHORUS LINE first graced the Broadway stage, it is time experience a stunning new production full of heart, music and dance at Altrincham Garrick Playhouse. - Directed by Joseph Meighan - Musical Direction by Mark Goggins - Choreographed by Louise Pettitt Reviews Described as "polished, passionate, and unforgettable"; the opening production of our 2025/26 Season 'A Chorus Line' has been awarded 5 STARS from NORTH WEST END UK . "The creative team deserve immense credit. The lighting and sound were flawless, enhancing the minimalist staging with atmosphere and precision. Glittering costumes in the finale brought that Broadway dazzle, and the audience responded with thunderous applause and cheers. Louise Pettitt’s choreography deserves high praise. Every number was tight, synchronised, and visually stunning". "The musical backbone of the show came from Mark Goggins and his 14-piece live band, who played with energy, precision, and flair." "A thoroughly enjoyable evening, delivered by a sensational cast and creative team. Quite simply, this ‘A Chorus Line’ was theatre at its very best – uplifting, heartfelt, and unforgettable." Katie Leicester at NORTH WEST END UK - Read the full review HERE "IT’S hard to believe this show is 50 years old. Despite its age, its power to move, amuse, entertain and exhilarate remains as strong as ever thanks to a sumptuous score and a very stirring dance finale that raised the roof at the Garrick on opening night." "Unmissable, high quality entertainment." Rick Bowen at STAGESTRUCK - Read the full review HERE Gallery Trailer Trigger Warning Warning: This performance contains haze, loud music, discussion of bereavement, mention of physical violence and abuse, discussion of homophobia, discussion of discrimination, strong language, and discussion of sexual abuse. This production contains some references and language that may be unsuitable for younger children. Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Mame Ran Invalid Date - Dec 16, 2013 Age guidance Venue Running time Tickets Price Range Description Agnes Gooch brings young Patrick to stay with his only living relative, his Auntie Mame. Mame is a high living friend to everyone and a party is always in progress. Amongst her many and varied friends is the irresistable Vera Charles, the first lady of the American musical theatre. Musically the show is packed with Jerry Herman songs that are in perfect accord with the whole positive attitude of the story and include what is probably the most memorable title song ever written. CAST Patsy Roberts as Mame Dennis Anne Chandler as Vera Charles Alex Wilson as Beauregarde Daniel Shaw as Patrick Dennis (aged 10) John Keen as Patrick Dennis (adult) Carla Watts as Agnes Gooch Roger Metcalfe as Babcocke Brian Howlett as Ito Brian Stoner as M Lindsey Woolsey Jane Marsh as Mme Branislowski Jon White as Gregor David Walton as Uncle Jeff Sarah Taylor as Cousin Fan Ros Greenwood as Sally Cato Audrey Hughes as Mother Burnside Matt Stead as Junior Babcock Ian Fensome as Mr Upson Ruth Metcalfe as Mrs Upson Laura Chandler as Gloria Upson Stephanie Hawthorn as Pegeen Ryan ? Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production A Vicar of Dibley Christmas: The Second Coming Following our recent smash hit production, the nations favourite chocolate loving Vicar is back! Ran Nov 18, 2024 - Nov 23, 2024 Age guidance 10+ Venue Main House Running time TBC Tickets Price Range £10.50 - £16.50 Description A Stage Play by Ian Gower and Paul Carpenter adapted from the original TV series by Richard Curtis and Paul Mayhew-Archer. Directed by Pete Brassington No, no, no, no, Yes! That’s right… Following on from our recent smash hit production of “The Vicar of Dibley” in February 2023, the nation’s favourite chocolate loving Vicar and her beloved sidekicks are back! When Hugo and Alice return from their honeymoon, Alice finds that she is putting on a little more than just holiday weight and she turns to the Vicar for advice! Geraldine is still desperately trying to bring the Dibley Parish Council to some order. After the carnage of the Village Quiz and organising a week of 'Radio Dibley', the Vicar feels she may be living on a different planet. Then just when things couldn’t get any more bizarre in Dibley, Geraldine is flabbergasted when little verger Alice actually has a good idea! Why not put on a Nativity? Why not indeed! What could possibly go wrong? A Fantastically festive and belly-laughing production awaits at Altrincham Garrick Playhouse with A Vicar of Dibley Christmas: The Second Coming! Reviews STAGESTRUCK - Review by Rick Bowen "Director Pete Brassington’s production is sure to get audiences in a festive mood. Even Victor Meldrew would raise a smile or two watching this." Click HERE to read the full review North West End UK - Review by Brian Madden “With its faithful nod to the original series and strong ensemble performances, this production of A Vicar of Dibley Christmas – The Second Coming delivers a thoroughly entertaining night of festive cheer.” Click HERE to read the full review Gallery Trailer Trigger Warning This production contains some strong language. Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Oliver! Ran Invalid Date - Jun 2, 2014 Age guidance Venue Running time Tickets Price Range Description The Garrick is thrilled to offer another treat for the Christmas season! Lionel Bart's brilliant adaptation of Charles Dickens' Oliver Twist has enjoyed sell out runs since its London premiere in 1960 and the award winning screen version in 1967. The famous story of orphan Oliver and his sometimes frightening journey to London where he encounters the dubious friendship of the artful dodger, Fagin and Bill Sykes is packed with favourite songs including, 'Food, glorious food', 'Consider Yourself', 'I'd Do Anything' and the classic, 'As long as he needs me'. This new version will bring the Victorian streets of London to life again and is sure to leave you asking for more! [gallery columns="5" type="rectangular" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/01/Oliver-2.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/01/Oliver-01.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/01/DSC_0393.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/01/DSC_0227.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/01/DSC_5362.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/01/DSC_0488.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/01/DSC_0479.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/01/DSC_0456.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/01/DSC_0424.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/01/DSC_0323.jpg|"] Messenger Review by Rick Bowen More like this please - a triumphant Oliver! at Altrincham Garrick One to watch - Nathan Ng as Oliver I can remember as a child being absolutely petrified of the Bill Sykes character in the big screen version of Oliver! A tribute, of course, to the considerable acting skills of the late Oliver Reed, who was far more than just a headline making hell raiser. Likewise, Charlie Tomlinson oozes menace as the notorious baddie in Altrincham Garrick's triumphant production of Lionel Bart's classic show. The directing team, the dream team, that brought us Gypsy earlier in the season have been re-united for a musical that deserves far more than the empty seats that greeted me on opening night.?No excuses - the TV isn't that inspiring and the weather not that bad. I studied in Sheffield where the climatic conditions we currently find ourselves in would have been considered balmy. Well no, but you get the gist. Nathan Ng strikes the balance between being suitably cherubic and endearingly feisty as Oliver and he's sharing the plum role with Michael Gaughan. I hope you like a challenge Michael, as Nathan also has one of the purest singing voices I've ever heard. You'll be biting your bottom lip during the beautiful number, Where Is Love For me, that's not the best song in the show. Who Will Buy? during which Oliver is serenaded by an assortment of street vendors congregating below his bedroom window, is my personal favourite, beginning as it does with a haunting solo. Doubling up seems to be the order of the order of the day here, with Stephanie Niland sharing the role of Nancy, Bill Sikes' long suffering but bafflingly loyal girlfriend. Her rendition of As Long As He Needs Me, in which this ultimately good sort tries to put the case for her devotion, is one of the high points of the show. Star Rating ★★★★ Remotegoat Review An Oliver to be remembered - A show to make you forget your post Christmas credit card bill, Oliver! simply must not be missed. The whole cast shine. You start to feel hungry even before Nathan Ng's Oliver asks for more. Just the sound of 17 boys voices singing Food, Glorious Food with such gusto starts your tummy rumbling. Your appetite is whetted in a different way by the quality of this Dickens' tale performed by a fantastic cast who are a delight. Young Nathan does wonderfully well in the title role and we are on his side as he faces hardship at the work house, from his undertaker boss, and in the hands of his counterpart, the Artful Dodger, a cunning but likeable Rob Dutton. These two young actors are so impressive, it is hard to realise they are only 12 and 16 respectively. Despite the jollity of the dancing (choreographed by director, David Needham) and songs like Nancy's Oom-Pah-Pah, this show has it's sadder moments. The one that stays with you is Nancy's murder by lover, Bill Sykes. Her loyalty to this evil man is hard to understand and you conclude the only answer is that she loves him. Charlie Tomlinson's despicable Bill makes scoundrel Fagin, look like an angel. Stephanie Niland sings As Long as He Needs Me both poignantly and beautifully, illustrating well her attraction to this bastard. The quality of Stephanie's voice is as good as any professional. Although Fagin is a criminal who uses children to pick pocket for him, Steven Finney projects him as an old man who is genuinely fond of them and acts like a father figure. His rendering of Reviewing the Situation is particularly expressive. A word in praise of the ten-strong orchestra led by Steven Mercer. They are the perfect accompaniment to the many catchy numbers but also add atmosphere. For instance, when Oliver is arrested, the violinist, Rachael Drury, creates an element of surprise and dismay by making a discordant screeching sound on her instrument. Some roles are interchangeable over the course of the production. Other well known Garrick names take over on other nights and because I know them, I can give assurance they will be equally as good as those involved on the first night. The Production Supervisor is Paul Kerryson, the Garrick's new Executive Producer. If, under his guidance, this show is an indication of what is to come, we are in for exciting times. Oliver is one of the best musicals I have seen at this excellent theatre although I have seen many other good ones as well. Preview in the Messenger A show to leave audiences wanting more at Altrincham Garrick Planning mischief - Steven Finney as Fagin and his gang in rehearsal First publishedTuesday 13 January 2015 by Rick Bowen ALTRINCHAM Garrick turns to a giant of musical theatre for its next production, in the shape of the Lionel Bart classic, Oliver! Immortalised on the big screen in a famous movie starring Ron Moody as the slippery petty criminal Fagin and Oliver Reed as the genuinely scary Bill Sykes, Oliver! is crammed with showstoppers that are certain to please theatregoers of all ages. Memorable numbers include Food, Glorious Food sung by Oliver and his fellow orphans and As Long As He Needs Me, performed by Sykes' long suffering but unbelievably loyal partner, Nancy. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production The Complete Works of William Shakespeare (Abridged) Ran Invalid Date - Mar 31, 2021 Age guidance Venue Running time Tickets Price Range Description ------------------------------------------------------------------------------------------------------------------------------------ THIS IS A SOCIALLY DISTANCED SHOW. PLEASE ADHERE TO THE GOVERNMENT GUIDELINES WITH REGARDS TO THE WEARING OF MASKS AND GROUP BOOKINGS, IN PLACE AT THE DATE OF THE PRODUCTION. ------------------------------------------------------------------------------------------------------------------------------------ Every Shakespeare play in just 100 minutes! Yes, that's right! All 37 plays in just 100 minutes! An irreverent, fast-paced romp through the Bard’s plays, "The Complete Works of William Shakespeare (Abridged) " was London’s longest-running comedy having clocked a very palpable nine years in London’s West End at the Criterion Theatre! Join these ridiculous folk in tights as they weave their wicked way through all of Shakespeare’s Comedies, Histories and Tragedies in one wild ride that will leave you breathless and helpless with laughter. Download the programme for the week's performance. Rehearsal Photographs taken by Barry Purves [gallery size="medium" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2021/03/Complete-Works-1-scaled.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2021/03/Complete-Works-2-scaled.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2021/03/Complete-Works-3-scaled.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2021/03/Complete-works-4-scaled.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2021/03/Complete-Works-6-scaled.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2021/03/Complete-Works-7-scaled.jpg|"] For lovers of Theatre and Shakespeare everywhere! “What cheek! What nerve! What sheer, heavenly, unadulterated fun!” - Sunday Express. Running Time: 100 Minutes (No Interval) This amateur production is presented by arrangement with Josef Weinberger Limited Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production The Last Five Years (Musical) Ran Invalid Date - Mar 31, 2021 Age guidance Venue Running time Tickets Price Range Description THIS IS A SOCIALLY DISTANCED SHOW. PLEASE ADHERE TO THE GOVERNMENT GUIDELINES WITH REGARDS TO THE WEARING OF MASKS AND GROUP BOOKINGS, IN PLACE AT THE DATE OF THE PRODUCTION. Jason Robert Brown’s Drama Desk Award winning musical, The Last Five Years , is an intensely personal look at the relationship between two New Yorkers; a writer and an actress, who fall in and out of love over the course of five years. This modern, One Act musical masterpiece is emotionally powerful and intimate with one of the brightest, freshest scores of the new century. The musical’s unconventional structure unfolds as Cathy tells her story in reverse, from the end of their turbulent relationship, whilst Jamie tells his story chronologically from the spark of their initial meeting. Stop Press - 8th June Read the comprehensive and warm review from North West End ... "overall, a brilliant musical" Read the enthusiastic review from Rick Bowen's Stagestruck ... "if ever a show deserves a packed house, it’s this one" A film adaptation was released in 2014 starring Anna Kendrick and Jeremy Jordan. Originally Produced for the New York stage by Arielle Tepper and Marty Bell. Originally Produced by Northlight Theatre, Chicago, IL. This amateur production is presented by arrangement with Music Theatre International (Europe) All authorised performance materials are also supplied by MTI Europe. www.mtishows.co.uk *Please note that there is some adult language in this production* Download the programme for the week's performance. Rehearsal Photographs taken by Ryan Hall [gallery size="medium" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2021/03/L5Y4.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2021/03/L5Y3.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2021/03/L5Y2.jpg|"] Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Tom Jones (1999) Ran Jun 9, 1999 - Jun 19, 1999 Age guidance Venue Running time Tickets Price Range Description Dunham Massey Hall - June 9 -19th 1999 A huge cast gave eight performances of Joan Macalpine's adaptation of Henry Fielding's bawdy romp of a novel, "Tom Jones" Although the evening may have seemed a little long (maybe the seating was not quite as comfortable as it might have been!), the original novel runs to over 800 pages in a modern printed edition, so a finish time of 10.15 pm was quite an achievement! Reviews SAM's view on "Tom Jones" Alas smitten Jones - Womaniser Tom keeps crowd warm It may have been a slightly chilly evening in the stands in the courtyard of Dunham Massey Hall, but the goings on in Tom Jones, performed by the Altrincham Garrick, were, to say the least, hot. Tom is a philandering womaniser of the first order but he has a directness and a candour which endear him to the audience and, ultimately, to his true love, Sophia Western. Charlie Tomlinson throws himself into the part of Fielding's hero with an abandonment only equalled by that of his lovers. He frolics tirelessly with his dalliances, has dust ups with the men and performs acrobatic impossibilities when he dives under a neatly constructed bed and hangs from a drainpipe - a performance which will be recalled and savoured! Sophia, played by Juliet Glaves, is a decorous, becoming and well bred young lady who becomes excessively tearful when her father foists the wrong man on her. Tom's first fling is with Pam Nolan's voluptuous Molly, who has a sexy Somerset drawl. "I never done that before," she sighs innocently while wantonly seducing him and indulging in rough and tumble behind the strategically placed hay cart. His last encounter gives Helen Busby a chance to shine. She positively sparkles as the scheming Mrs Fitzpatrick who guilefully illustrates that hell hath no fury like a woman scorned. In between comes Angela Wetherill who, as Mrs Waters, is a mistress of farce. Hers is the funniest scene. It's not unlike a silent movie. Special attention has been given to the costumes, from the Royal Exchange, high powered lighting and first rate sound. Julia Taylor Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Dick Barton & the Curse of the Pharaoh's Tomb Ran Invalid Date - Aug 14, 2013 Age guidance Venue Running time Tickets Price Range Description Last year a thrilled audience were left on the edge of their seats as they were asked to 'Tune in to the next exciting instalment of Dick Barton Special Agent'. Well it's arrived!! Carrying on with the adventure with friends and foes of Dick Barton. We visit the Colony Rooms & Buckingham Palace, Meet Julian 'Piggy' Pethrington & Queen Nefatartie to name but two of the exciting characters. Dick Barton captures all the patriotic fervour of Hun-hating post war Britain even as it sends it up rotten in this completely new episode. [gallery ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/08/play9n.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/08/play9m.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/08/play9j.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/08/play9i.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/08/play9g.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/08/play9f.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/08/play9e.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/08/play9d.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/08/play9c.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/08/play9b.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/08/play9l.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/08/play9a.jpg|"] CAST Dick Barton/King George VI Kieran Buckeridge Marta/Nefatartie/Muriel Laura Chandler Piggy/Ahkan Rah Richard Sails Swanker/Vizier/MC David Leathlean Jock/Mummy Robert Watson BBC Announcer/Snowy Barry Spencer See this link for Youtube.com Sale & Altrincham Messenger's review Rick Bowen Good clean(ish) fun at the Garrick Do you think life is too serious these days? Are you tired of all the doom and gloom? If the answer to these questions is yes, I think I might be able to help. Dick Barton and the Curse of the Pharaoh's Tomb is an evening of unbridled silliness, with puns and clever comedy songs inspired by familiar favourites. Charlie Cook's production goes off like a bullet from a gun and the enthusiasm of the cast certainly transmitted to the Altrincham Garrick audience on Tuesday night. This theatre boasts many fine actors but it's always exciting to come across a new talent. Kieran Buckeridge is charismatic and likeable as Barton, the most English of heroes. Laura Chandler is absolutely brilliant as the villainess of the piece, Marta Heartburn. Her singing voice is equally impressive and versatile. Richard Sails is also very good value as the other baddie, Piggy. The humour in this laugh out loud spoof is of the saucy, seaside postcard/Carry On variety and this is the sort of show you could take both granny and older kids to see. Each member of the cast makes the most of every line and I feel bad about singling out individual performances because there aren't any bad ones. The cast exhibit a sense of timing that the professionals would be envious of. Enjoy. Star Rating ★★★★ Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production The Girl on the Train A Suspense Thriller, based on the bestselling novel by Paula Hawkins. Ran Jan 15, 2024 - Jan 20, 2024 Age guidance 14+ Venue Main House Running time 2.5 hours (inc. 20 mins interval) Tickets Price Range £10 - £16 Description Based on the bestselling novel by Paula Hawkins and DreamWorks film. Rachel Watson longs for a different life. Her only escape is the perfect couple she watches through the train window every day, happy and in love. Or so it appears. When Rachel learns that the woman she’s been secretly watching has suddenly disappeared, she finds herself as a witness and even a suspect in a thrilling mystery in which she will face bigger revelations than she could ever have anticipated. Adapted from Paula Hawkins’ novel – an international phenomenon selling over twenty million copies worldwide, this gripping new play will keep you guessing until the final moment. Reviews https://number9reviews.blogspot.com/2024/01/amateur-theatre-review-girl-on-train.html https://northwestend.com/the-girl-on-the-train-altrincham-garrick-playhouse/ Gallery Trailer Trigger Warning This production contains some strong language and adult themes including domestic violence and alcohol abuse. Flashing and loud noises. Documents related to this Production View the Programme View the Advertising Poster

Previous Next Barbara Fraser Barbara is best known at the Garrick for her role as Bookkeeper in the 1980s and 90s, when she kept a tight grip on the budgets and expenditure of Department Heads. It was not unusual to receive a late-night phone call asking for an explanation why a particular purchase had been made. Her fun side came out in her regular performances in the Old Time Music Halls in the 1970s and 80s (see photo), and she occasionally took small roles in plays. Barbara also took a full part in social activities and worked in the coffee bar. Back to In Memoriam page

Garrick Production The Office Party Ran Nov 29, 1999 - Dec 4, 1999 Age guidance Venue Running time Tickets Price Range Description The office can be a minefield of social and sexual politics and the advertising group of Chapman and Howard is no exception. This hilarious look at the office Christmas party is innocent enough to begin with, but when the drinks flow and the good times roll the party soon threatens to get out of hand. As the evening reaches its climax, the party lurches from one disaster to another and the facade of the advertising business and the staff's private lives is stripped away. Another brilliant piece by John Godber. Directed by Richard Sails. CAST Steve Williamson as Gavin Hugh Everett as Andy Barry Spencer as Bob Stephanie Hawthorn as Pippa Laura Mottram as Patty Carl Walker as Lee Helen Busby as Jo Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Visiting Production The Adult Panto - Puss & Dick Date range Tickets £20 - £21 Age guidance 16+ Venue Main House Trigger warning Find out more Book now Running time TBC Group bookings Find out more Accessibility Find out more Taking the UK by storm since 2004, the Market Theatre’s Adult Panto Company are back on tour and out to corrupt another classic fairy tale beyond recognition with their unique style of Adult Panto. The fearless company of just 3 actors are here with an hilarious and extremely naughty take on the traditional tale of Dick Whittington,using a minimum of set props, costume and actors! Get ready for an evening of slick, fast-moving, farcical fun and bawdy sexual innuendo foradults only. Not suitable for under 16’s ‘Another very naughty "big" show, pulled off with ease - exactly what the audience expects!’– A View from the stalls (on the Adult Panto Beauty and the Big Beast!) ‘It’s fast, furious and very funny...’– Choice Radio, Worcester (on Hansel & Gretel GoDown in the Woods) ‘Some of the sketches are worthy of The Two Ronnies with their extensive wordplay, faultlessly delivered.’– Choice Radio, Worcester (on Peter Panties) ‘Quintessentially British...Like a Carry On film made by a Rugby Club!’- The Stage Newspaper Visiting Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Garrick Production Brassed Off Ran Invalid Date - Dec 16, 2013 Age guidance Venue Running time Tickets Price Range Description In existence for a hundred years, Grimley Colliery Brass Band is as old as the mine. Set during the miners' strike of the 80s the miners are deciding whether to fight to keep the pit open. The only hope is for the men to enter the band into the national competition. They believe they have no hope until Gloria appears carrying her flugelhorn. At first mocked for being a woman, she soon becomes the only chance for the band to win. As Danny, the band's leader,continues to exhort them to continue to the national competition, frictions and pressures are all too evident. But whose side is Gloria actually on? Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Lauriston Studio Bombshells Ran Sep 26, 2023 - Oct 1, 2023 Age guidance Venue Altrincham Garrick Studio Running time Tickets Price Range Description Six women on the edge - of greatness, of love, and their sanity. These monologues showcase six women balancing their inner and outer lives with humour, poignancy and depth. Meet Meryl who fears she is the world's worst mother; Tiggy who has taken refuge in her local cacti- appreciation society; Mary who refuses to be upstaged by her arch-nemesis; Theresa who couldn't be more excited to be in her wedding dress; Winsome who has grown tired of being 'one of the widows'; and, finally, Zoe who wants you to know that despite what you've heard, she's back and better than ever! Delve into each character's life as they bare their most urgent wishes and thoughts - at times hilarious and, at others, heart breaking. Bombshells tells riveting personal stories that everyone can find themselves in, for better or worse... Reviews Number 9 Reviews Following on from last Season’s successful all-LBGTQ+ productions, Altrincham Garrick Studio opens this year’s Season of all female themed plays with 'Bombshells' by Joanna Murray-Smith. Originally written as a one woman show, the play features six monologues; a schoolgirl, a bride, a hassled young mother, a widow, a suburban divorcee, and a has-been cabaret singer. Six stories, six ages of woman, six insights, six emotional states. I love a monologues structure. It allows the actor an intimacy of connection that isn’t usually experienced in a traditional play and for the audience it can be electric. If the quality of the writing and the quality of the performance are strong, Bingo! You have yourself a hit. Joanna Murray-Smith has, in these six monologues, create a very entertaining, humorous and contrasting work. Each woman has her own insight, her own experience, her own denial, her own victories and failures, her own fears and joys. First we meet Meryl (Eilidh Pollard) mother of three very young children. We wake with her at 6.07am when her crying baby starts the day and we stay with her for 24 hours until 6.07am the next morning when the whole routine (or lack of) starts again. She is hassled, harassed, tired and emotional. She is overwhelmed with love for her beautiful children and the endless repetition of the tasks of the day. She craves approval, acceptance, reassurance that she is a good mum, and coffee. She is filled with self-doubt and chastises herself as a selfish woman for ever considering her own needs; for ever being anything other than a slave to mother and wifehood. Pollard portrays well a loving woman who is under pressure. Her interactions with her children are well expressed and she uses her voice effectively and understands the rhythm and psyche of the character. I would have liked to have seen a more realistic handling of her ever present, milk demanding baby with a more realistic and believable baby prop. I think it would have allowed more moments of change of pace for her by utilising her breastfeeding regime and given contrast to the frantic pace of her day. Next we meet Tiggy. (Lindsey Barker) Shy, sad Tiggy. Poor lonely Tiggy. Abandoned, angry Tiggy. Her husband Harry has left her for a much younger woman and in response she has embraced the world of cacti and succulents by joining a local appreciation society. She gives talks about them in local community centres. She comes alive when speaking on this her specialist subject. Barker conveys a gentle, shy woman who is kind and thoughtful, sweet and gentle, but much like a cactus if you catch it the wrong way, a sharp, stabbing painful moment can occur at any time. There is a vulnerability about her that Barker portrays effectively. Young Mary O’Donnell (Ciara-Alexandra Booker) is the MOST talented girl in her school. She can sing and dance like no other and is hotly tipped to win the prestigious St Bridget’s Annual Talent Contest as she did last year, and the year before. When her nemesis Angela McTerry unexpectedly performs the very song and dance routine that Mary has been preparing, she has minutes to decide what to do as an alternative performance. It’s not a problem. She is talented, almost a professional, she will cope. If Meryl Streep can, she can. What unfolds is hilarious, well judged and sweetly psychopathic. Booker excels in this performance. Just like Les Dawson’s piano playing – you have to be pretty good to be able to do it that badly and Booker was THAT good. Theresa McTerry (Kim Armston) is The Bride. Today is the happiest day of her life. We see her prepare excitedly for her wedding telling us of how she has planned this moment since being a young girl. As she dresses herself for this, the most important day of her life, we share her excitement and anticipation. But as the moment comes and she steps into the ceremony her doubts and fears begin to emerge with great comedy. Turns out she hasn’t really thought much beyond the dress and Amston portrays this role with great humour and nicely timed focus. As the ceremony moves to the reception her state of mind declines and her desperation to escape her reality hits home. It really WAS all about the dress and her journey from giddy girl to desperate woman is laid bare. It is a nicely jugged and well paced performance Winsome (Sarat Broughton) is a widow. Her widowhood defines her as she copes with life following the death of her husband. She surrounds herself with the company of other widows and falls into a fixed routine of activity that seems to function as an anaesthetic to her pain and loss. When volunteering for a local Blind Society, reading books to it’s members, she meets Patrick, a much younger man. Gradually he seduces her and an awakening occurs that is both unexpected and beautiful. It takes some skill to perform a seduction alone on a stage and I must applaud Broughton for her portrayal. Her movement, vocal expression and nuanced performance was for me, impressive. Zoe Struthers (Annabel Fox) is a Diva. An ageing, alcoholic diva who is past her best. We witness her swansong, a final performance for her adoring fans. She is demanding, self pitying, deluded and drunk. She laps up the adoration and manipulates it to suit her many needs. A monologue which is styled with audience banter inserted between songs this could have been a final showstopper. For me, Fox did not quite deliver. Her tragic performance needed to be much bigger, bolder, drunker and more Diva-esque. Basically, more Liza Minelli. In conclusion, I did enjoy this show. The intimacy of this lovely studio worked very well for this piece of theatre and there was a lovely connection with an appreciative audience. Between the monologues, actors repositioned the stage for the next performer and for me this did not work and lacked directorial imagination. Connections could have been made using these moments and I felt clear opportunities were lost. This was a shame as there was some real talent amongst a generally good cast. The piece was entertaining and enjoyable. It was good. It could have been great. Reviewer - Lou Kershaw on - 27.9.23 Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Robin Hood Pantomime Date range Tickets £17 - £22 Age guidance Recommended 3+ Venue Main House Trigger warning Find out more Book now Running time TBC Group bookings Find out more Accessibility Find out more Written by Tom Whalley Directed by Joseph Meighan The Merry Garrick Panto that really hits the bullseye! The fine folk of Sherwood Forest are terrorised by the mounting taxes imposed by the wicked Sheriff of Nottingham who’ll stop at nothing to seize the throne of England and claim the fair Maid Marian as his bride. Only the outlaw Robin Hood and his band of Merry Men can save the day. With the help of the hapless Silly Willy and his not so glamorous mother Nanny Fanny, can Sherwood be saved from the Sheriff’s clutches? Or will they be left all aquiver? Packed with laugh-out-loud comedy, audience interaction, toe-tapping tunes, dazzling dance numbers, and a fresh twist on a classic tale, ROBIN HOOD promises to be the perfect theatre outing for the entire family. Whether you're young or just young at heart, this is a magical festive treat you won’t want to miss. Grab your tickets, gather your gang, and join us for a Panto full of heart, heroism, and hilarity! Age Guidance: 3+ 🏹 CLICK HERE to play our Robin Hood Archery Game! Take aim at the Sheriff of Nottingham and his men, test your archery skills, and see if you can make it onto our scoreboard! Content Warning: Panto is A LOT of fun, but sometimes it can be quite loud, and a little bit cheeky, with some jokes that only grown-ups will understand. We also use special effects that include loud bangs, flashing lights and pyrotechnics. We do also offer a Relaxed Performance where these effects are reduced to lessen sensory overwhelm, but keeping all the great fun for our audience! Garrick Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Garrick Production Yes, Prime Minister Ran Invalid Date - May 30, 2014 Age guidance Venue Running time Tickets Price Range Description This is one of the most successful plays in recent years. The original writers, Antony Jay and Jonathan Lynn have reunited for this new play based on the classic and much loved TV series with a new satirical take on Whitehall. Prime Minister Jim Hacker and his Cabinet Secretary Sir Humphrey Appleby are back, spinning out of control through the collapsing euro and austerity measures in a world of 24 hour news, Blackberrys and 'sexed up' dossiers. With the country on the brink of financial meltdown the PM is staring disaster in the face with his only apparent salvation in a morally dubious deal with the Foreign Minister of Kumranistan. Will Jim Hacker and his team of advisors be able to rescue the country from the edge? Laughs galore in this comedy treat. [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/YPM-01.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/YPM-02.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/YPM-03.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/DSC_8689.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/DSC_8704.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/DSC_8833.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/DSC_4789.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/YPM-04.jpg|"] CAST SIR HUMPHREY APPLEBY, CABINET SECRETARY - Andrew Higson BERNARD WOOLLEY, PRINCIPAL PRIVATE SECRETARY - Daniel Ferguson JIM HACKER, PRIME MINISTER - Malcolm Cooper CLAIRE SUTTON, SPECIAL POLICY ADVISOR - Beverley Stuart-Cole THE KUMRANISTAN AMBASSADOR - Graham Simmonds JEREMY BURNHAM, DIRECTOR-GENERAL OF THE BBC - Martin Oldfield SIMON CHESTER, BBC PRESENTER - Alan Rothwell LIGHTING DESIGN - Fred Isaac-Dixon SOUND DESIGN - Pete Blain COSTUME DESIGN - Garrick Wardrobe PROPERTIES / FURNITURE - John Newton and?Jo Myers STAGE MANAGER - Clare Gresty ASM -Anne O'Reilly DEPUTY STAGE MANAGER -Trevor Mckie PROMPT - Ruth Metcalf [gallery columns="9" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/YPM-Reh-1.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/YPM-Reh-4.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/YPM-Reh-3.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/YPM-Reh-2.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/YPM-Reh-5.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/YPM-Reh-6.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/YPM-Reh-7.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/YPM-Reh-9.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/YPM-Reh-8.jpg|"] Reviews/Comments from our audience on our Twitter Account 'What a FANTASTIC performance of "Yes, Prime Minister" tonight at ?@AltrinchamG . It's on for one more night if you can make it!' 'Really enjoyable matinee performance of Yes Prime Minister at @AltrinchamG - great cast and friendly & welcoming front of house staff' Really enjoyed #yesprimeminister last night at the @AltrinchamG Messenger Review by Rick Bowen In need of divine help - Daniel Ferguson as Bernard Wooley and Malcolm Cooper as Jim Hacker If you see Andrew Higson in the bar after Yes, Prime Minister buy him a drink. He certainly deserves one. As Sir Humphrey Appleby he jumps through hoops verbally as the character hides behind a smokescreen of some very big words that give the distinct impression the top civil servant has swallowed a dictionary. Sir Humphrey may have a skewed sense of morality but it's impossible not to warm to him, as he delights in keeping the PM in the dark. The TV version was a classic, which meant Altrincham Garrick had a battle on its hands when it decided to put on the stage version. But, this is a theatre company that has never shied away from challenges and thanks to some expert and astute direction from Alan Rothwell, and a strong cast, they strike comedy gold here. Garrick new boy Malcolm Cooper is perfect as the beleaguered Prime Minister Jim Hacker, a man who gives a whole new meaning to the phrase "a lot on his plate." Malcolm manages to capture that 'rabbit caught in headlights' vulnerability that made the late Paul Eddington so watchable in the role on the small screen. Then there's the script of course, some of the lines in Antony Jay and Jonathan Lynn's script are so breathtakingly brilliant it makes you give thanks you own a pair of ears. I also really liked Daniel Ferguson as the lovable Bernard, with his penchant for Latin quotations and endearing sense of bewilderment. How does Jim and his aides solve a problem like a randy visiting dignitary with a raging libido?Pleasing him could mean the difference between and important deal collapsing and being struck. Yes, Prime Minister certainly gets my vote. Great, grown up fun. Star Rating ★★★★ Remotegoat Review by Julia Taylor 'Parliamentary blunders are good fun' The original writers of the 1980's TV series, have come up with a stage version of Yes Prime Minister. The Garrick receive well deserved laughs for their portrayal of the goings on in a coalition government. The cast are, as usual, top brass but it is the writers, Antony Jay and Jonathan Lynn I call into question. Surely they could have come up with a better reason than paedophilia as a way of persuading a foreign minister from an oil-rich state to build a European pipeline. Then, as we know from the TV show, Jim Hacker, the incompetent PM, will stoop at nothing to save his own bacon. All the same, it seems distasteful and unfunny for him to request the company of an underage girl for sex with the rich Eastern European who dangles the deal before him. That said, you have to laugh at the futile attempts made by Hacker, his scheming Cabinet Secretary, Sir Humphrey Appleby and the PM's Personal Private Secretary, Bernard Woolley, to manage the country's affairs. Malcolm Cooper is spot on as the Prime Minister with a constant air of bewilderment whilst an outstanding Andrew Higson portrays well the wheeling, dealing Sir Humphrey who has seen it all before. Malcolm deserves praise for two marathon soliloquies spoken in civil service gobbledygook one of which, at least,, receives a huge round of applause. Daniel Ferguson's Bernard, an upright chap, has problems with his conscience, a rare phenomenon in the turbulent world of Jim Hacker's government.?Then comes the femme fatale in the form of Beverley Stuart-Cole as a titillating special advisor who adds sparkle as well as complications to the plot.There is a hilarious scene near the end when the PM, appears live on TV using a new scam to save his skin. NODA Review by Kevin Proctor This modern political farce has been widely acclaimed since its conception in 2010, adapted from the 1980's TV comedy of the same name starring David Haig as the futile PM. I'm not convinced this sitcom translates overly well as a piece of theatre, I never watched any of the episodes on TV though whilst watching the live production I could sense something about the piece that it hadn't originally been intended for live theatre, seeming to lack a theatrical inkling. It's evident that fans of the televised original are supporting the live adaptation and are enjoying and appreciating it, perhaps I should've endured the box set before casting this opinion. The set was a traditional three wall box which did the job with the lighting design only requiring a simple set up. Graham Simmonds recovered well from an ungainly dry spell in his first scene, I was sure the performance would take a minor reprieve but we were eventually back in full swing, Graham and the cast recovered well from the unnerving phase and continued with the proceedings without a glitch. Andrew Higson splendidly catches an astute, public-school superiority in Sir Humphrey who regards the PM as a distressingly common and slow-witted oaf, his monologues swerving a direct answer to a straightforward question are hilariously accurate and were well received. There are fine turns, too, from Daniel Ferguson as the harassed principal private secretary, Bernard, and Beverley Stuart-Cole presenting the PMs Special Policy Advisor both immersed in the complexities of morality versus the common good. The star performance, for me, is that of Malcolm Cooper as the PM with his glassy eyes and rigid grin as the situation slips out of his control are a joy to behold, and the hilarious sequence when he crawls under his desk like a terrified dog as disaster stares him in the face. Safely directed by Alan Rothwell who presented, I'm sure, exactly what the script asks. I cannot comment on how he'd translated any inspiration from the original series though I expect it to be an accurate imitation. Alan had an undeniably strong cast who certainly did what they could to add vitality to this hauled and overextended script. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Cinderella - A GAPA Spring Pantomime A classic Fairytale Panto style, performed by our Youth Academy Ran Mar 11, 2024 - Mar 17, 2024 Age guidance 3+ Venue Main House Running time TBC Tickets Price Range £2 - £8 Description Performed by the Garrick Academy of Performing Arts (GAPA) Join all your favourite Pantomime characters and be amazed as our fantastic GAPA students bring the magic of Panto to Altrincham ! Filled with songs, comedy, dance and much more, this will be a hugely entertaining production of the classic fairytale! Monday 11th March 2024 - 7:30pm - Groups 3 & 6 (ages 14-18 years) Tuesday 12th March 2024 - 7:30pm - Groups 2 & 5 (ages 11-14 years) Wednesday 13th March 2024 - 7:30pm - Groups 3 & 6 ( ages 14-18 years) Thursday 14th March 2024 - 7:30pm - Groups 2 & 5 (ages 11-14 years) Friday 15th March 2024 - 7.30pm - Groups 3 & 6 (ages 14-18 years) Saturday 16th March 2024 - 2.30pm (Matinee) - Groups 1, 4 & 7 (ages 5-11 years) Saturday 16th March 2024 - 7:30pm - Groups 2 & 5 (ages 11-14 years) Sunday 17th March 2024 - 2:30pm (Matinee) - Groups 1, 4 & 7 (ages 5-11 years) Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Visiting Production Man in the Mirror - A Tribute to Michael Jackson Date range Tickets £32 Age guidance - Venue Main House Trigger warning Find out more Book now Running time TBC Group bookings Find out more Accessibility Find out more Join us for a Thriller of an evening, as we celebrate the legendary music of the KING OF POP. This is the “Man in the Mirror” – The brand new must-see, electrifying tribute concert to Michael Jackson. Starring CJ, one of the world’s greatest Michael Jackson Tribute Artists and supported by a talented cast of performers and musicians who capture the essence of Michael Jackson's unique style and charisma like no other, in this scintillating production that will keep you on the edge of your seats. Featuring all his greatest hits you know and love, including "Thriller," "Billie Jean,""Beat It," "Smooth Criminal," and of course, "Man in the Mirror." Complete withdazzling choreography, stunning visual effects, light show and authentic costumes. This is the show that pays tribute to Jackson's musical legacy. So, whether you're a lifelong fan or experiencing the magic of Michael Jackson for the first time, get ready as we take you back in time, for a night like no other. Visiting Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Garrick Production Entertaining Angels Ran Invalid Date - Aug 12, 2013 Age guidance Venue Running time Tickets Price Range Description As a vicar's wife, Grace has spent a lifetime on her best behaviour. Now, after the death of her husband Bardolph, she can enjoy the new-found freedom of being able to do and say exactly what she wants. But the return of her eccentric missionary sister, Ruth, together with some disturbing revelations forces Grace to confront the truth of her marriage. Set in a lush vicarage garden complete with real grass, plants and a stream with running water, the play is filled with sharp-edged comedy and probing wit. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production The Hollow Ran Jan 20, 2003 - Jan 25, 2003 Age guidance Venue Running time Tickets Price Range Description Weekend at "The Hollow", country retreat of Sir Henry and Lucy Angkatell. Murder is on the menu and when the much sought after Cristow is found dead everyone has a motive and everyone has had the opportunity. Who actually committed the murder is discovered by Inspector Colquhoun and Sergeant Penny to everyone's surprise and satisfaction. CAST Sarat Broughton as Henrietta Angkatell Geoff Hinde as Sir Henry Angkatell KCB Jane Marsh as Lady Angkatell Juliette Wilson as Midge Harvey Brian Stoner as Gudgeon Richard Frost as Edward Angkatell Lisa Barker as Doris Caroline Hickey as Gerda Cristow John Keen as John Cristow MD FRCP Nina Williamson as Veronica Craye Hugh Everett as Inspector Colquhoun Martin Creevy as Detective Sergeant Penny Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Relaxed Performance of Jack & The Beanstalk RELAXED PERFORMANCE includes reduced on stage sound & lighting, no loud bangs, auditorium lights on. Ran Dec 14, 2024 Age guidance 3+ Venue Main House Running time TBC Tickets Price Range £14 - £18 Description Jack & The Beanstalk Pantomime WHAT IS A RELAXED PERFORMANCE? If you are a parent, guardian, or work with people with learning or sensory disabilities – such as those on the autism spectrum – you’ll know how difficult it can sometimes be for them to attend regular theatre performances; loud noises, lighting effects and large crowds can make stage shows overwhelming. At Altrincham Garrick Playhouse, we believe that everyone should be able to experience the magic and wonder of live theatre, and our Relaxed Performance of Jack and the Beanstalk will provide the same fantastical Pantomime but with an atmosphere and attitude in the auditorium that makes everyone feel comfortable and safe. WHAT TO EXPECT FROM OUR RELAXED PERFORMANCE: At a Relaxed Performed, you are free to: - Come and go from the auditorium as you wish, even during the show - Express yourself as loudly as you like, or with physical movement, without judgement - Access the Theatre and auditorium early. You’ll also notice that we will reduce the sound and lighting to lessen sensory overload, and no pyrotechnics or loud bangs will appear in the performance. Reviews Peter Ruddick - North West End UK "Professional, gorgeous and delightful" Read the full review HERE Rick Bowen - StageStruck Read the full review HERE Gallery Trailer Trigger Warning RELAXED PERFORMANCE Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Dick Whittington and his Wonderful Cat Ran Invalid Date - Jun 20, 2016 Age guidance Venue Running time Tickets Price Range Description The rags to riches story of Dick Whittington and his loyal friend Tommy the Cat is a panto extravaganza that's purrfect for the whole family. Dick is off to London to seek his fortune... ...but he needs your help! Come cheer and sing along for our hero and his lovable sidekick, as they travel to exciting lands and magical worlds. Will our hero defeat the evil King Rat? Will he win the hand of the beautiful Alice? And will he make his fortune and become Lord Mayor of London? With the help of everyone's favourites, Dame Sarah the Cook, and Idle Jack, together with a host of exciting characters, and a sprinkling of fairy dust from The Spirit of the Bells, everything is set to be alright in the end! Everything you have come to expect from traditional family pantomime at The Altrincham Garrick Playhouse. [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_9417.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_9480.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_9580.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_9600.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_9660.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_9728.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_9901.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_9969.jpg|"] Photos by Vishal Sharma CAST Spirit of the Bells - Helen Lawrence King Rat - Mike Shaw Captain Cockles - Ewan Henderson Mr Mussels - Howard Yaffe Alderman Fitzwarren - Ivor Farley Alice Fitzwarren - Claire Louise Garrett Dick Whittington - Meg Royle Tommy the Cat - Daisy Brocklehurst Sarah the Cook - Phil Edwards Idle Jack - Peter Brassington The Sultana of Morocco - Helen Lawrence Dancers / Chorus of Citizens / Spirits / Rats / Nubians etc. Ella Murphy, Rose Morris, Amelia Fay, Georgia Geupel, India Connor-Blow, Sophia Simpson, Sophie Lefton, Lydia Horsefield, Lily Odwyer, Emilia Law, Florence Gray, Lauren Cooke Review by Rick Bowen for STAGESTRUCK THE foyer was buzzing with excitement before we went in to watch this fun filled family pantomime, the mood heightened by a small army of enthusiastic children, eager to enjoy their festive treat. And yes, both they and the big kids weren't disappointed, as this perfectly paced production, with its perfect comedy timing, left everyone feeling well and truly entertained. That's praise indeed from yours truly, who, when it comes to pantos, is usually less than enthusiastic. For me, this is the best panto I've seen at this theatre, with everything falling perfectly into place. Who can resist the tale of an underdog, as our hero Dick Whittington (a suitably likeable Meg Royle) travelling a long and difficult road determined to achieve his dreams and get his girl. This theatre has a youth group. However, it must have been a great learning curve, particularly for the younger actors, to work with Phil Edwards, who plays the show's larger than life Dame, Sarah the Cook. A seasoned panto performer, Phil really makes the role his own, winning everybody over and swanning around the stage in frocks as loud as the children's boos, hisses and singing. He's ably assisted by his hapless and hopeless son Idle Jack, a Christmas present of a role for Peter Brassington. If I have a minor quibble I thought the cast were more comfortable acting than they were singing, but that in no way diminishes the enjoyment of the audience who were very appreciative when I saw the show. Writer/director Alan Clements shows its perfectly possible to wear with distinction "two hats," which should be paper and coloured at this time of year. If you want to escape the repeats on Christmas TV or just fancy a good night out, Dick Whittington and his Wonderful Cat is for you. Star rating ★★★★ Review by Julia Taylor for SALE AND ALTRINCHAM MESSENGER FROM the opening scene featuring the citizens of London, the Garrick's Panto warms the hearts of young and old. There are no smutty jokes though it's full of fun as it tells the tale of Dick Whittington and his wonderful Cat as he seeks his fortune in London. The script is written by Alan Clements who also directs it. He's a master of the art of panto and the cast soon has the kids at the matinee performance shouting 'He's Behind You.' They love every minute and shout their heads off every time a gorilla appears. Dick Whittington is played by a thigh slapping Meg Royle with a gorgeous voice. Her girlfriend, Alice, (Clare Louise Garrett) sings equally well and their duet sends shivers down your spine. No microphones needed here! Phil Edwards returns as the Dame singling out someone called Nigel sitting on the front row for special taunting. Nigel is a great sport. Phil and Peter Brassington's Idol Jack keep the kids amused. Mike Shaw, who plays the baddy, King Rat, gets his just deserts at the end from Daisy Brocklehurst's clever cat and, throughout, from the booing, jeering kids. In contrast, the scene representing fish and sea creatures apparently swimming across the stage is haunting. The dancing, too, is second to none. From the hornpipe to gentle ballet movements, they are a joy to watch. Mike Shaw and his team of helpers must be congratulated on the colourful costumes. This is panto at its best. Star rating ★★★★ Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Jumpers for Goalposts A hilarious and heart-warming comedy Ran May 9, 2022 - May 14, 2022 Age guidance Venue Running time Tickets Price Range Description A hilarious and heart-warming comedy about football, friendship and finding your way. “Barely Athletic” are part of a four-team five-a-side LGBTQ+ football league which Viv, their bullish head coach, is desperate to win. Or if they can’t win, at least they should try not to lose. Chucked out of the “Lesbian Rovers” for being too bossy, she desperately tries to instil some competitive spirit into the boys. Problem is, Beardy Geoff is copping off with the opposition, Danny is nursing a painful secret, Luke only joined because he fancies Danny, and Viv’s brother-in-law Joe is trying to cope with his grief after losing his wife. Together, they might just be able to claw back up from the bottom of the league… Tom Wells’ drama bears the hallmarks of his warm comedic style, which were displayed in his previous hit play “The Kitchen Sink”, and is a paean to the virtues of friendship and love. Jumpers for Goalposts premiered at Watford Palace Theatre in 2013, before touring the UK, including a run at the Bush Theatre, London. Warning: Strong language Altrincham Garrick Playhouse is proud to support the George House Trust. Since 1985, George House Trust has been inspiring people living with HIV to live healthy, confident lives by providing HIV support, advice and advocacy services. For more information email: talk@ght.org.uk Reviews Review by Rick Bowen at Stagestruck Jumpers For Goalposts will, on the evidence of Monday night’s performance, attract a different, younger audience. For far too many years Altrincham Garrick has been seen as a safe night out for older people and the appointment of artistic director Joseph Meighan, a dynamic and adventurous twenty something, is about to change that misguided perception. A quiet revolution is taking place on Barrington Road and it feels so exciting and exhilarating to be part of it. But this theatre is working hard to get the message across that the Garrick is a theatre for everybody. All power to their elbow, say I. Jumpers for Goalposts follow the misfortunes of Barely Athletic, a five-a-side team largely made up of gay men who struggle with the basics of the beautiful game. This doesn’t stop Viv, their straight talking coach with a very short fuse, encouraging her clueless charges to try to win the league in which they play. It’s certainly a league with a difference – one team plays in drag! The play takes place in the club’s dressing room, an ideal backdrop for writer Tom Wells to delve into the private lives of the players, including a burgeoning relationship between Danny and Luke. Danny carries a secret that he feels unable to share with the childlike Luke, a lovable geek and a study in social awkwardness. Joe Meighan, who directs this engaging, absorbing and heart-warming comedy must have thought all his birthdays had come at once when Dan Ellis and Mason Lockwood turned up to audition for these roles. If anyone was ever born to play these parts it’s these two actors and Lockwood, who gets the funniest lines as Luke, displays a sense of comic timing that is simply second to none. Beverley Stuart-Cole is highly believable as Viv, Sebastian Farrell is also enjoyable as the team’s token straight man Joe, aka the keeper who couldn’t catch a cold and Lewis Sewell is perfect as the crackpot Beardy Geoff. Throughout the production the cast convinces the audience they’re watching a real football team, complete with the personality clashes you find in all organisations, sporting or otherwise. They say football is a game of two halves and that old adage can certainly be applied to Jumpers for Goalposts , with the best one liners saved for the second half. While this play contains some strong language it’s in context and gives the play a realistic feel. It’s sure to strike a chord with anyone whose set foot inside a sports club’s dressing room while not alienating those who haven’t. Great fun, with a dash of poignancy thrown in. Until May 14. Tickets are available from 0161 928 1677. Star rating **** In aid of The George House Trust. Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Visiting Production Let The Music Play - A Celebration of Barry White Date range Tickets £33.50 Age guidance Venue Main House Trigger warning Find out more Book now Running time TBC Group bookings Find out more Accessibility Find out more The only UK touring show dedicated to the maestro and legend, Barry White. Direct from the USA, a critically acclaimed revue starring the incredible vocalist William Hicks also known as “the big man with the big voice”. 100 million records sold, 20 gold and 10 platinum singles – the world loves Barry White and Barry White loved the world. You’re the First, the Last, My Everything; Can’t Get Enough of Your Love, Babe; You See the Trouble with Me; Never, Never Gonna Give You Up; Just the Way You Are; What Am I Gonna Do With You and, of course, Let the Music Play ... you’re never more than a song away from another million-selling hit. Hailing from Atlanta Georgia, William’s mesmerising stage presence effortlessly recreates the distinctive style and silky-smooth bass-baritone vocals of the three-time Grammy Award-winner. Joined on stage by his live band, Soul Unlimited and support by the stunning Motown Supreme Dreamgirls – with incredible attention to detail, this show has really “got it together” with William coming “as close to the real man himself as is possible.” “William’s vocal and deliverance is phenomenal, and this show is simply stunning” Eddie Holland (Motown Legendary Songwriter Holland-Dozier-Holland) If you love Soul and Motown - book your seats now! Let the Music Play! Visiting Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Garrick Production Tom, Dick and Harry Ran Invalid Date - Feb 7, 2014 Age guidance Venue Running time Tickets Price Range Description Three brothers, three problems. One brother is in the final stages of adopting a baby. One has just returned from a trip abroad smuggling brandy and cigarettes, also two stowaway refugees who sneaked into his van. The third brother has embarked on a plan involving body parts. Mayhem ensues. [gallery columns="5" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/tomc.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/tome.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/tomf.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/tomh.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/tomg.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/toml.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/tomd.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/tomj.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/tomi.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/tomk.jpg|"] CAST Tom Kerwood Graham Simmons Linda Kerwood Kathryn Worthington Dick Kerwood Mike Shaw Harry Kerwood Brian Howlett Katrina Melissa Ward Andreas Gary Collins Constable Downs lan Fensome Mrs. Potter Sandy McGuire Boris David Black Sale & Altrincham Messenger's Review by Rick Bowen Garrick Farce does what it says on the tin FANS of farces will love every minute of 'Tom, Dick and Harry', Altrincham Garrick's latest production. Unfortunately for the theatre, I don't fall into that category and found certain parts of the play a real endurance test. Also, it's portrayal of foreigners belongs in the 1970's rather than the 21st century. That said, Maureen Casket has assembled a great cast whose comedy timing is absolutely spot on. Particularly impressive is Graham Simmonds as the hapless Tom, a man whose plans to adopt a child are thrown into serious doubt by the shady antics of his wide boy brother Dick and a hair brained scheme hatched by the zaniest of the three siblings, Harry. Brian Howlett, who plays Harry, puts in the performance of the evening as the daft Harry and he put me in mind of the great Norman Wisdom in terms of the way he moves about the stage. Both men have a natural aptitude for comedy and the director certainly brings this out. Mike Shaw is eminently watchable as Dick, the type of bloke who would sell his own granny if the price was right, but I couldn't help feeling writers Ray and Michael Cooney could have done more with a character whose comic potential is never fully realised. Not my cup of tea - but if you like farces or go to the theatre purely to be entertained, this light hearted caper ticks all the boxes. Barry Fletcher's set provides an appealing backdrop for the ensuing chaos. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Half Term Holiday Clubs|Lauriston Studio The History Girl Ran Apr 1, 2022 - Apr 2, 2022 Age guidance Venue Running time Tickets Price Range Description The History Girl University is an opportunity for students to explore the subjects they love and to develop their skills. For Becky, it's also a time for indecision. Having second thoughts brings its own challenges. Becky's Lecturer, Laura, sees the makings of an outstanding student in Becky. It's just case of finding the character from history that's going to turn her on to the subject. Becky also finds herself falling for her course leader, Connor. As we share Becky's journey through history , we encounter the struggle for women's emancipation and the place of women in this world...and someone else. Someone who believes in her cause. Someone in who's cause Becky can believe. Will Becky find Kitty before she quits the course? This is the story about being able to learn from history ...if we can't learn from history , then we're doomed to repeat it..." The History Girl by Elaine McCann and Dean Sumner, with additional material by Miranda Watkin. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Disposing of the Body Ran Invalid Date - Dec 11, 2013 Age guidance Venue Running time Tickets Price Range Description From the pen of the playwright who gave us "Pack of Lies" and "Breaking the Code" comes this elegant and tantalising new play. For Henry Preece, embarking on early retirement with his attractive wife, things start to unravel. "All my life", he says, "I've either been looking back at happy times that have gone or looking forward to the happiness to come." When an unexpected passion is given full rein Henry realises that the door he's just flung open should have remained tightly shut. This is an intriguing play, full of unexpected happenings. CAST Dick Sails as Henry Preece Jeryl Whitelock as Angela, his wife Charlie Tomlinson as Ben, their son David Beddy as Alexander Barley Tracy Burns as Joanna, his wife Alison Davis as Kate, Henry's sister Martin Oldfield as Detective Inspector Clive Poole Richard Frost as Bassett, an hotel manager ? Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Sunset Boulevard Ran Invalid Date - Aug 18, 2015 Age guidance Venue Running time Tickets Price Range Description Following the sell out success of the Garrick's spectacular production of Andrew Lloyd Webber's The Phantom Of the Opera, we present Andrew Lloyd Webber's iconic world wide success, Sunset Boulevard. We are in the glamorous world of Hollywood, where Norma Desmond, a faded star of the silent screen is living alone with her memories in her crumbling mansion on Sunset Boulevard Enter the handsome young writer, Joe Gillis who is fascinated by her past glories. Can he create her glorious comeback to the screen? This award winning musical will sweep you away with the romance, jealousies and excitement of Hollywood. Packed with Andrew Lloyd Webbers's stunning music which includes the show stopping "With One Look" as Norma says the immortal words, "and now Mr DeMille, I'm ready for my close up!". Be sure not to miss out on yet another Garrick musical success. [gallery type="rectangular" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/08/DSC_2249.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/08/DSC_8171.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/08/DSC_8242.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/08/DSC_8266.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/08/DSC_8389.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/08/DSC_8434.jpg|" orderby="rand"] CAST Joe Gillis - Steven Finney Artie Green - Tim Wood Betty Shaeffer - Natalie Bennett Sheldrake - David Leathlean Max Von Mayerling - David Gill Norma Desmond - Vicki Clarkson Manfred - John Mulholland Cecil B DeMille - Alan Lowe Company Di Boyer, Amy Brown, Joanne Buxton, Holly Cooper, Rob Dutton, Georgina Goodchild, Pete Grimshaw, Sam Hey, Vicki Harrison, Steven Mercer, David Richardson, Lauren Robinson, Richard Ross, Debbie Norris Orchestra Violin: Bianca Blezard, Julia Taylor, Viola: Ewart Hodge, Cello: Rachel Shakespeare, Acoustic/Electric Bass: Josh Cavanagh-Brierley, Keyboards, John Barry, Simon Pickup, Mark White, Piccolo/Flute/Alto Flute: Kathryn Dunphy, Flute/Clarinet/Tenor Sax: Kath Small, Alto Sax/Clarinet/Bass Clarinet: Dan White, Trumpet: Tony Armitstead, Horn: Mike Arnold, Trombone: Matthew Corrigan, Guitar: Sam Quinn, Percussion: Michael Clark Musical Director - Simon Murray Choreographer - Debbie Norris Set Designer - Barry Fletcher Lighting Design/Operator - Geoff Scullard Sound Design/Operator - Colin Woods/Christine Mills/Ari Levy Costume Design - Garrick Wardrobe Company Stage Manager - Mark McEwan DSM - Val Watkinson ASM's - Susan Duffy & Alastir Duffy Stage Crew - Adam Hooper Review by Rick Bowen - Altrincham Messenger 'Sunset Boulevard - musical movie magic at Altrincham Garrick' Sunset Boulevard takes us back to the golden age of cinema when people worshipped the ground movie stars walked on. Hollywood, an exciting place where dreams could become reality and hopes could be dashed in equal measure. Altrincham Garrick's fabulous production left me wondering why this show isn't performed more often. The score is a non stop delight, frequently having the feel of an old school film score. Rehearsals must have been a pleasure from start to finish for director Neil Coe, lucky enough to work with the likes of principals like Steven Finney, Vicki Clarkson and Natalie Bennett, who should be plying their musical trade on a professional stage. Luckily for us, they aren't and the end result is an evening of pure magic in a theatre that just can't stop raising standards. Finney plays Joe Gillis, a screenwriter who falls under the spell of a faded star of the silent screen Norma Desmond. Desmond, brilliantly played by Vicki Clarkson, is desperate to make a comeback and is the expert when it comes to playing the vulnerable victim, shunned by the industry she still loves. When they sing on their own they're incredible, together they're sensational. Like these two Bennett is outstanding as Betty Shaeffer, the young script writer who dreams of making a name for herself in the movies. All three could sing the phone book and it would be worth paying good money to hear them.It would be easy to be catty about Lloyd Webber's musical style, which can lack subtlety sometimes, but this is his best work for me, an honour I'd previously given to Evita. So, how frustrating it was to see some empty seats on opening night because this is a major musical triumph for Altrincham Garrick. Packed houses for the rest of the run are the least the theatre deserves. Magnificent and magical. Star Rating ★★★★ ★ Remotegoat.com Review by Julia Taylor Altrincham Garrick could not have chosen a better show than Andrew Lloyd Webber's Sunset Boulevard for their first musical of the year. Lloyd Webber's score played by an on stage orchestra is captivating and I am surprised so few people know of this show. The original book and lyrics are by Don Black and Christopher Hampton. Based on the 1950 film of the same name, its stage premier was in 1993. It's about Norma Desmond, a silent movie actress of a certain age whose career takes a dive when talkies arrive. Rather than retire she employs young Joe Gillis to work on her screenplay and, thus, deliver a comeback. She uses her womanly wiles to ensnare him as her toy boy.?But it is not to be. Despite the desperate attempts by Norma to keep him in her clutches, he falls for the much younger Betty Schaeffer. Vicki Clarkson, who plays the seemingly confident Norma, with panache, belts out her most famous numbers - With One Look and As if We Never said Goodbye charismatically. Yet Clarkson illustrates a woman with ingrained sadness. You suspect that the disillusioned star is losing her mind as she becomes more and more dependant on Joe. The higher you rise, the lower you fall and this one time star feels the pressure. This comes to a head in the final, tragic scene. Clarkson fills this major role brilliantly but equally important is the part of Joe. Steven Finney is an exceptionally good leading man. Finney comes into his own as he, too, has a lovely voice. His clear vocals spell out the narrative clearly but, more important, is what he doesn't say. Even when he kisses the former star, you know he feels pity rather than love for her and his expression spells out a bird caught in a gilded cage. His true love is 22-year-old effervescent Betty Schaeffer (Natalie Bennett) The attentive butler trying to shelter her from reality is played by David Gill who conveys strangeness about his character that puts you on your guard. He conveys in song his affection for Norma. The Garrick's costume and set designers add much to the musical's success. And, of course, no musical can be a hit without an excellent supporting orchestra which we have. Star Rating ★★★★ Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Previous Next Freda Kilburn Freda was heavily involved in customer service at the Garrick in the 1980s and 90s. She ran the Coffee Bar, worked in the Kiosk and Bar, and was a regular member of the Front of House staff. She was also one of Mike Shaw's sewing team in Wardrobe, and helped with the many social activities at the theatre. Back to In Memoriam page

Garrick Production Go Back for Murder Ran Invalid Date - Apr 11, 2017 Age guidance Venue Running time Tickets Price Range Description Classic mystery by the Queen of Crime After receiving a letter from beyond the grave, Carla Crale believes her mother, who died in prison, was wrongly convicted of her father's murder. In a passionate attempt to clear her name, she persuades those present on the day of her father's death to return to the scene of the crime and go back 15 years to recount their version of events. An unusual take on the traditional murder mystery, the action of the play slips seamlessly from past to present, examining the danger of relying on personal testimony warped by time, prejudice and perception. By studying each suspect's testimony, and the various inconsistencies between them, the drama arrives at a disturbing and terrible truth. This production is proudly sponsored by The Vegetarian Society Cookery School [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_0299-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_0315-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_0712-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_0445-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_0684-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_0597-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_0760-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_0573-Small.jpg|"] Production Photographs by Vish Sharma CAST Justin Fogg - Anthony Morris Carla - Parissa Zamanpour Caroline Crale - Lindsey Barker Phillip Blake - Jonathan Black Meredith Blake - Steve Searcy Elsa Lady Melksham - .Fiona Primrose Miss Williams - .Chris Perry Angela Warren - Georgina Goodchild Amyas Crale - John Keen REVIEW by Julia Taylor for The Messenger Whodunnit keeps you guessing to the end Altrincham Garrick will have your mind buzzing all week after their production of Agatha Christie?s Go Back for Murder. It is well named because lead character Carla takes us back 20 years as she tries to prove that her mother, who died in prison, was wrongfully detained for her father's murder. During the slightly slow first Act, Carla, with the help of a solicitor, Justin Fogg, addresses the witnesses from the original trial. Each interview takes the form of a duologue between Carla and a witness and is a good way of registering each character with the audience. After the interval, the protagonist manages to arrange a semi re-construction of the murder scene. Parissa Zamanpour who plays Carla with an immaculate Canadian accent, does a fantastic job of illustrating her determination to clear her mother. In the flashback Lindsey Barker captures the dilemma faced by Carla?s mum, Caroline, at the time of the murder. Anthony Morris is effective as Justin Fogg and Christine Perry's governess is credible. Jonathan Black is equally believable as Phillip Blake and Steve Searcy as his brother, Meredith. John Keen, who plays Amyas, the murdered man, is every inch an artist and adulterer, whilst Georgina Goodchild successfully plays both the adult and young Angela Warren, not an easy task. I especially like Fiona Primrose as the femme fatal, Elsa Lady Melksham. She oozes stage presence. She, too, successfully travels back in time. You still won't know whodunnit until the very end as is Agatha Christie's way. Star rating ★★★ Reviewed by Johanna Hassouna-Smith for Manchester Salon Agatha Christie's classic 1960 play has been revived with great success by the Altrincham Garrick Playhouse. Before dying in prison for supposedly poisoning her husband fifteen years ago, Caroline Crale wrote a letter to her daughter Carla professing her innocence. Carla aided by Justin Fogg, a young solicitor, persuades those present on that fatal day to return to the scene of the crime to find out what really happened. The two act play, cross cuts between past and present to tell the story. At times, it is Christie's writing which lets the play down, with the first act being a series of duologues retelling events of the past. Although the actors might have sped up the dialogue in this, the repetition of expository conversations felt tedious toward the end of the act. The second half re-enacts the fateful day as the characters recall events through flashback, voice over narration and some spot-lit monologues. For this reason, the second half had more energy and pace and was undeniably more entertaining. The play, is a classic 1960's Crime Drama and the design team have done a marvellous job of transporting us to the era. The detailing of the floral back drop of act one was really eye catching and set the scene perfectly upon entering this large auditorium. Act two began with a fabulous reveal of a stunning naturalistic set of the apartment where the murder took place. The use of space was expertly presented with numerous areas for secret liaisons and spying on one another. This was a really impressive sight to behold and a joy to watch the actors 'play the stage'. For an amateur production, the acting was fantastic and all of the cast clearly explored their roles through imaginative interpretations. The standout performer of the evening was definitely Parissa Zamanpour, in the role of Carla, Caroline Crale's daughter. Her Canadian accent and subtle reactions, really brought a sense of sophistication to this naturalistic crime drama. Zamanpour's Drama training was on full show as her disciplined performance really lit up the stage, despite being burdened with some drab scenes in the writing of her role. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Last of the Summer Wine Ran Invalid Date - Jun 20, 2016 Age guidance Venue Running time Tickets Price Range Description In this new stage adaptation of the timeless television series, Foggy, Clegg and Compo are reunited for one last adventure. Foggy has designs on winning the affections of Constance, Nora Batty's niece and the long-suffering fiance of the hapless Gifford Bewmont. With the help of Clegg, Foggy invites the ladies around for an evening's entertainment but the duo are unaware that a mysterious flasher is stalking the local community. Gifford has pledged to apprehend the flasher and has mounted all-night patrols in the village. While awaiting the arrival of the ladies, Foggy is dismayed when Compo turns up unannounced and who proceeds to wreak havoc on Foggy's careful preparations as Gifford's efforts to capture the flasher lead to mistaken identities and even more chaos. When the flasher is eventually unmasked it turns out his intentions are benign but not before our heros are nearly undone by the enveloping madness. [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_9347.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_9312.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_9295.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_9248.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_9207.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_9134.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_9056.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_9026.jpg|"] Photos by Vishal Sharma CAST Clegg - John Westbrook Foggy - Aidan Kielty Compo - Barry Spencer Nora - Christine Perry Constance - Paula Keen Gifford - Bryn Thomas Flasher - Sean Duvall Review by Julia Taylor for Sale and Altrincham Messenger THOSE much loved characters from Last of the Summer Wine, Foggy, Compo and Clegg - are brought to life on the Garrick stage by Aidan Kielty, Barry Spencer and John Westbrook. Television is, after all, only two dimensional whereas live theatre is three dimensional. So, creator, Roy Clarke, has made his characters larger than life. Foggy,that former military man, decides he'd like some female company and invites Nora Batty (Christine Perry) and her niece, Constance, (Paula Keen) for tea at Cleggy's. Before he knows it he's engaged to Constance, much to the consternation, not only of Foggy himself, but of her long term boyfriend, Gifford, the bobby (Bryn Thomas). Both men's faces are classic! These three are all true to type and funny but Barry Spencer's Compo is the nearest to his TV counterpart. There's a hilarious scene when he gets his hand stuck in Nora's bra! Add a flasher and the plot thickens. That role goes to Sean Duvall who in his twin mackintoshes looks every inch the part as he measures inches with his mechanical inside leg detector. He turns out to be a different sort of flasher. You'll never guess how. The women are equally good. I especially like Christine Perry's bossy Nora Batty. The Garrick have re-enacted TV programmes successfully before and have done this difficult task well once more - thanks to the excellent direction of John Chidgey and Rani Jackson. Star rating ★★★★ Review by Rick Bowen for Stagestruck SOME of the jokes in this stage adaptation of the much loved TV comedy are just plain daft. But in a world that seems suffocated by seriousness, what's wrong with that? The central characters, Foggy, Clegg and the sartorially challenged Compo are old enough to know better. Acting your age can, however, get rather boring. This production has evidently been lovingly nurtured by director John Chidgey and his right hand woman Rani Jackson, so it captures the wacky warmth of the original. While at the same time not attempting to be a carbon copy. Aidan Kielty, John Westbrook and Barry Spencer put their own stamp on the roles of Foggy, Clegg and Compo. However, there are times when John's delivery makes him sound remarkably like Peter Sallis, who played Clegg on TV. I always thought of Clegg as the more cerebral, more refined of the three. Love is in the air for Foggy, who has set his cap at Constance, played by Paula Keen. Foggy obviously likes a challenge, as she's related to the battle axe par excellence, Nora Batty (Christine Perry). You just know his plan is set to backfire when Foggy invites the duo to his house for tea. For me, the performance of the evening comes from Bryn Thomas as Gifford, the local bobby. This is a great role for Bryn who is especially funny when his character has had far too much of the falling down water.Last Of The Summer Wine only occasionally tickles my funny bone. That said, I have to take my hat off to all concerned for a job well done. Or should that be my flat cap? Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Previous Next Paula Hall (née Tilbrook) Paula Tilbrook married husband, Les Hall, in Altrincham in 1952 and they both joined the Garrick in the 1960s, with Les in the Sound Box and Paula on stage. Her first Garrick appearances were in 1963 in The Hostage by Brendan Behan, and as Maggie in When We Are Married . Throughout the 1960s, she appeared in numerous productions such as Spring and Port Wine and another production of When We Are Married (this time as Clara Soppitt). She was also a regular ASM backstage and an occasional director. In addition, she played a full part in the social life of the Garrick, her final appearance being in an Old Time Music Hall, when she performed, as a guest, in the Bar in 1976. When she turned professional in 1969 as Paula Tilbrook, she became a household name, appearing first in The Dustbinmen, then in Last of the Summer Wine , Open All Hours , and Coronation Street. Her most famous role was as Betty Eagleton in Emmerdale , a part she played from 1994 for 21 years. Back to In Memoriam page

Garrick Production 39 Steps Ran Invalid Date - Aug 12, 2013 Age guidance Venue Running time Tickets Price Range Description The 39 Steps is a farce adapted from the 1915 novel by John Buchan and the 1935 film by Alfred Hitchcock. The play's concept calls for the entirety of the 1935 adventure film The 39 Steps to be performed nearly verbatim onstage, but with a cast of four. One actor plays the hero, Richard Hannay, an actress plays the three women with whom he has romantic entanglements, and two other actors play every other character in the show: heroes, villains, men, women, children and even the occasional inanimate object. This often requires lightning fast quick changes and occasionally for them to play multiple characters at once. Thus the film's serious spy story is played mainly for laughs, and the script is full of allusions to (and puns on the titles of) other Alfred Hitchcock films, including Rear Window, Psycho and North by Northwest. CAST Richard Hannay Sean Duvall Annabella Schmidt/Pamela/Margaret Stephanie Niland Clown Barry Spencer Clown Scott Ransome Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Previous Next Buff Monck Buff is pictured, in character, in the play 'Norman' in 1972. He was an Honorary Life Member, having been a volunteer at the Garrick for almost 40 years. He was Stage Manager of numerous plays from the late 1950s until 1980, but he also appeared on stage in various productions, including pantomime and large cast plays such as Midsummer Night's Dream , mostly in smaller roles. He was also involved with the stage crew and set construction, and he played an active role in the social life of the Garrick. Right up to his death in 1993, he was still attending every show and enjoying a pint in the bar. Back to In Memoriam page