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Previous Next Greta Donahue Greta was a true Garrick all-rounder, undertaking numerous roles from the 1960s onwards into the 90s. She first performed on the Garrick stage in The Marriage Go Round in 1967 and followed that, shortly afterwards in the same year, by directing When We Are Married . In the 1970s, she acted in Oliver , The Wizard of Oz , and as Maria Helliwell in When We Are Married , as well as many others. She continued directing plays, such as A Curious Savage , ...and a Little Love Besides , and A Woman of No Importance . She also worked in the Wardrobe, acted as an occasional ASM, and choreographed the STAGE 2 production of Godspell . However, Greta's best-known role was as the Director of the Drama School (the precursor to GAPA) throughout the 1980s into the 90s. She produced Senior Drama School shows such as Free as Air in 1989 and Our Day Out by Willy Russell in 1990. When she retired from the Drama School, she was made a worthy Honorary Life Member for all her many contributions to the life of the theatre. Back to In Memoriam page

Previous Next Paula Hall (née Tilbrook) Paula Tilbrook married husband, Les Hall, in Altrincham in 1952 and they both joined the Garrick in the 1960s, with Les in the Sound Box and Paula on stage. Her first Garrick appearances were in 1963 in The Hostage by Brendan Behan, and as Maggie in When We Are Married . Throughout the 1960s, she appeared in numerous productions such as Spring and Port Wine and another production of When We Are Married (this time as Clara Soppitt). She was also a regular ASM backstage and an occasional director. In addition, she played a full part in the social life of the Garrick, her final appearance being in an Old Time Music Hall, when she performed, as a guest, in the Bar in 1976. When she turned professional in 1969 as Paula Tilbrook, she became a household name, appearing first in The Dustbinmen, then in Last of the Summer Wine , Open All Hours , and Coronation Street. Her most famous role, from was as Betty Eagleton in Emmerdale , a part she played from 1994 for 21 years. Back to In Memoriam page

Previous Next Brian Tickle Brian played many varied roles in several productions at the Garrick; most people reckoned that comedy was one of his strengths. From Nip in Fur Coat and No Knickers via Godfrey in Dad's Army to Jim Trott in The Vicar of Dibley , his comic timing and stage presence invariably stole the show. Brian also served on the Executive Committee. Back to In Memoriam page

Previous Next Tony Mathews Tony was one of the leading actors and directors of his generation, having joined the Garrick in the early 1970's. He had a huge range of skills, never failed to deliver and was a commanding figure both on the Mainstage and in the Studio. He played major roles in dramatic plays such as Macbeth , A Man for All Seasons , and Royal Hunt of the Sun. Tony was equally proficient in comedies and high farce such as What the Butler Saw , How the Other Half Loves , and Habeus Corpus . Critics and audiences alike were aways highly impressed by his performances. Back to In Memoriam page

Previous Next Jan Maddox Jan had been associated with the Garrick all her life, mainly supporting events on the social side of things at the theatre. She was often seen selling Christmas Draw tickets or serving up hot food at the many after-show parties over the years. Jan's maiden name was Byrom - she was part of the family that played such an important part in the formation of the Society and (in time) the theatre itself. All the meetings and rehearsals in the early days took place in her Great Grandfather's premises, known as Byrom's Buildings on Kingsway in Altrincham. Jan's Grandfather was a founder member and remained involved throughout his life and, naturally, introduced her to the theatre. Jan is sadly missed by all her many friends and family, and particularly so by all of at the Garrick. Back to In Memoriam page

The Altrincham Garrick is delighted to make our mainstage auditorium, our studio theatre and other rooms available for hire. Garrick Hire Venue Hire The Garrick has many spaces available for hire The Main Theatre Auditorium, the Studio Theatre, the Rehearsal Rooms and Bar are available for hire, for a wide range of uses. For details of how we can support you with your Conference, Exhibition, Meeting, Presentation or Lecture – all with full catering facilities – please fill in our online form , ring us on 0161 928 1677 or send us an e-mail, to hire@altrinchamgarrick.co.uk . Hire Form Join our mailing list Subscribe

Altrincham Garrick Playhouse is committed to protecting personal information. This Privacy Policy relates to our use of any personal information we collect. Terms and Conditions T&C’s for Sale of Tickets GDPR Privacy Policy Health and Safety Policy Child Protection Policy The Altrincham Garrick Playhouse Privacy Policy Altrincham Garrick Playhouse is committed to protecting personal information. This Privacy Policy relates to our use of any personal information we collect. Our Privacy Policy relates broadly to these groups of people: Audience : the people who attend our shows, visiting shows and events and/or have requested information about the theatre Friends : people who pay a subscription to the Altrincham Garrick Society Supporters : people who are support the activities of the Society in a particular way. This involvement may include, but is not limited to: scenery construction; costumes; properties; make-up and hair; publicity; front of house; backstage; administration; website; design; technical; directing; sponsorship; donations; consultants; those giving specialist advice to the Altrincham Garrick. Staff : those employed by Altrincham Garrick Suppliers : organisations and businesses that provide goods or services to the theatre Committees : Board of Trustees, Volunteers’ Committees, Play Selection and Casting Committee GAPA Members : members of Garrick Academy of Performing Arts and their parents/guardians/carers The personal information we collect from you Audience : Our email database contains your name and email address. Our box office contains your name, address, email address and telephone numbers so we can contact you with information relating to Altrincham Garrick only. We may hold details on previous bookings, group bookings and any preferences you may share with us. Friends : Our database contains your name, address, phone number/s, email address and data on your subscription preferences. We also hold information on dates joined, renewals and details on payments and your subscription. If you have chosen to pay by standing order or joined our 200 club we will hold those details for processing purposes only. Supporters : We collect basic information such as name, address, telephone number, email address, quotes, emails. Staff : We hold details of your name, address, phone number email address, National Insurance, tax details, payslips and employment history. Suppliers : We collect basic information such as name, address, telephone number, email address, quotes, emails. Committees : We collect basic information such as name, address, telephone number, email address, quotes, emails. For the Board of Trustees, information is also held at Companies House and with the Charity Commission, in line with legal requirements. GAPA Members : We hold basic information such as name, address, telephone number, email address. How we use information and data Audience : We will send you regular bulletins via email with news about the theatre and our shows and other shows and events that appear at the theatre. There is an ‘unsubscribe’ option on every email. We will perform some basic interrogation of our email statistics, such as open-rates and click-through rates via various software. Friends, group bookers and ticket holders may receive limited further information by post and email from time to time. We may contact you by telephone if there is problem with tickets or changes to a performance you are booked to attend. We will not share your information with any third parties without your consent. Friends : We will use your information to send you newsletters, letters or emails to give you details of General Meetings, shows, rehearsals, production meetings, casting, news from meetings and general events that are likely to be of interest to you. Your name, and possibly photograph and biography may appear in newsletters or show programmes, website or other publicity relating to a production you are involved in. Your information may be shared with committee members, staff and heads of departments for use in ‘legitimate interest’ and in line with GDPR regulations. Please be aware that our show programmes, website and publicity are public documents and that our newsletters are shared with supporters of the theatre. We will not share your information with other third parties without your consent. Supporters : We will use your information as and when required to contact you for Garrick matters related to your involvement with us. We will not share your information with other third parties without your consent. Staff : We will use your information as and when required to contact you for Garrick matters related to your involvement with the Garrick and as your employer. We will not share your information with other third parties without your consent. Any personal data relating to your employment will be protected and limited to those involved to line management, Board of Trustees and for payroll purposes. Suppliers : We will use your information as and when required to contact you for Garrick matters related to your involvement with the Garrick. We will not share your information with other third parties without your consent. Committees : We will use your information as and when required to contact you for Garrick matters related to your involvement with the Garrick. We will not share your information with other third parties without your consent. GAPA Members : We will use your information as and when required to contact you for Garrick Academy of Performing Arts such as subscriptions, rehearsals, summer school, productions, ticket offers, newsletters, auditions, changes of dates, nominations. Under 18s will be contacted via their parents. We will not share your information with other third parties without your consent. Your name, and possibly photograph and biography may appear in newsletters or show programmes, website or other publicity relating to a production you are involved in. Your information may be shared with committee members, staff and heads of departments for use in ?legitimate interest? and in line with GDPR regulations. Please be aware that our show programmes, website and publicity are public documents and that our newsletters are shared with supporters of the theatre. We will not share your information with other third parties without your consent. How we use information held by our Box Office Systems The Box office at Altrincham Garrick process tickets and sales by telephone, by email, by post and in person. Processing tickets may display your name, address, email address and telephone number. For reporting purposes, we may interrogate data held in the box office to inform our business planning but personal data will not be shared with any third parties. We may hold your personal details in our records in case we need to contact you with further information if there is a change to performance details, for example. Tickets booked via the website are linked to Tickets.com. You can find details of their Privacy Policy here . Security We put in place reasonable security measures to protect against any unauthorised access or damage to, or disclosure or loss of, your information Your Rights Audience, Friends, Supporters, Staff, Committees and GAPA Please let us know if your information changes as it is important that the information we hold about you is accurate and up to date. You have the right to request a copy of all the information we hold about you in a Subject Access Request. To do this, simply write to us at the address below. We will take all reasonable steps to confirm your identity before providing you with details of any information we may hold about you. You can ask us to remove your information from our records at any time and cease any further communication. You can do this by writing to the address below. Friends, Supporters, Committees and GAPA We will keep your information indefinitely after you remain an active Friend, Supporter, sit on a Committee or are a member of GAPA. We keep your information because you may resume your connection with and take part again in our activities. However, you can ask us to remove your information from our records at any time and we will do so and stop sending you any further communications. You can do this by writing to the address below. Changes to our Privacy Policy We may amend this Privacy Policy from time to time; for example, to keep it up to date or to comply with legal requirements. If there will be any significant changes made to the use of your information in a manner different from that stated, we will seek your permission first. How to Contact Us For any questions or concerns relating to this Privacy Policy or our data protection practices, or to make a Subject Access Request, please contact us in one of these ways: By email admin@altrinchamgarrick.co.uk By post Operations Director Altrincham Garrick Theatre Barrington Road Altrincham WA14 1HZ This page was updated on 8 September 2022 by HFE. 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Previous Next Gordon Prentice Gordon was a wonderful comedy performer who excelled in the Old Time Music Halls that, for 15 years, were an institution at the Garrick. He took part in almost all of them annually from the early 1970s, until the last one in 1990, and is pictured here as a Pearly King in 1978. He also appeared in several pantomimes such as Dick Whittington, Aladdin , and as an Ugly Sister in Cinderella . His first performances on the Garrick stage were in serious dramas such as Luther in 1972 and Macbeth in 1973, but it wasn't long before he was cast in comedy roles such as the Scarecrow in The Wizard of Oz , There Goes the Bride ', and See How They Run. Gordon also took part in most social events and cabarets in the bar, and worked in the Front of House team. Back to In Memoriam page

We’d like to invite you to become a Friend of the Garrick, to join the Garrick Community and receive tickets at a discount. Please enrol online here, or speak to our box office staff, to become a member of our Friends of the Garrick audience loyalty scheme. Get Involved Garrick Friends Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. Become a Friend of the Garrick Our Theatre is a charity, and is managed by a handful of paid staff and many volunteers. We receive no funding from local authorities or Arts organisations. We are an important part of the local community, offering opportunities for learning in our Academy, making friendships in our Show Choir, and hosting local social groups. Our overriding aim is to bring alive your imagination, through our varied productions on our main stage and in our studio theatre. We’d like to invite you to become a Friend of the Garrick , to join the Garrick Community and receive tickets at a discount. Please enrol online here , or speak to our box office staff, to become a member of our Friends of the Garrick audience loyalty scheme. Gold Friends , for a £30 annual fee, can purchase unlimited discounted priced tickets*. Silver Friends , for a £20 annual fee, can purchase 2 discounted priced tickets per production*. 25U , free for 16 to 25 year olds, can purchase one discounted ticket (for every performance, of Garrick productions only). * Note: Gold and Silver discounts apply to all Garrick productions, in addition to some visiting productions. We really need your financial support, so please be a “Friend” to the Garrick. John Gibson, Membership Secretary Friend of the Garrick Loyalty Scheme What else can I do to play my part? If you have an interest in theatre, want to tread the boards or work front or back stage then become a Garrick Volunteer for free. We are always looking for new talent, any age, to volunteer in all areas of the theatre. Your help is invaluable to us and we promise you that the satisfaction of a job well done, will really surprise you, as well as the opportunity to make new friends and become part of the Garrick Team. If you are interested, please email: membership@altrinchamgarrick.co.uk with your full contact details and the area which you are interested getting involved in. Even if you are unable to spend the time helping the Garrick in a more active way, or maybe, work and other commitments mean time is at a premium, there other simple ways you can help your Garrick. When you come and see a show, try to pick up a leaflet or A4 poster from the the Box Office or in the Bar. You could display one in your local Library, office/place of work or even your local club or shop, (please make sure you have permissions to do so). If you have enjoyed a show, tell your friends/colleagues – please spread the word about your theatre! – this kind of help, however small can make a huge difference to the Garrick. Thank you. Join our mailing list Subscribe

We’d like to invite you to become a Friend of the Garrick, to join the Garrick Community and receive tickets at a discount. Please enrol online here, or speak to our box office staff, to become a member of our Friends of the Garrick audience loyalty scheme.

Our regular newsletters contain details of forthcoming shows, news about the theatre and updates on our various groups and activities. It's absolutely FREE. Mailing List Enter your email address and we'll keep you updated with what's going on at the Altrincham Garrick Playhouse. This will sign you up to receive communications from the Garrick including: emails about future events and offers, postal mailings about future events and offers, opportunities to support the Garrick, and Creative Engagement information opportunities and news. You'll receive one or two emails per week. To choose which communications you’d like to receive, log in to your account to update your contact preferences, after you’ve signed up. Sign up for our mailing list First Name Last Name Email Address Please confirm that you have read our privacy policy? * I have read and accepted the privacy policy Submit Thanks for submitting!

The Garrick offers several sponsorship packages, suitable for small businesses, for large businesses and for individuals. Get Involved Advertising and Sponsorships Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. Sponsorship Packages The Garrick offers several sponsorship packages, suitable for small businesses, for large businesses and for individuals. These include: Full Theatre Sponsorship (All Main Stage Garrick Productions) Individual Production Sponsorship (Garrick Main Stage) Studio Production Sponsorship (Our Season of Lauriston Studio Productions) Be involved in supporting the very best in local community theatre, and boost your own community profile. To find out what we can do for you, please contact: Operations Director on 0161-928-1677 or email admin@altrinchamgarrick.co.uk (Please include your name, phone number and any other contact details, and a brief idea of your requirements.) Join our mailing list Subscribe

Previous Next Charles Foster Charles was an outstanding Garrick actor in the 1960s and early 70s, appearing in numerous productions including The Crucible , Much Ado About Nothing , Wait Until Dark , and Say Who You Are . From the 1970s into the 90s, with his unmistakable voice, he became one of the most recognisable faces on Granada Television as an on-screen continuity announcer. He also provided the voice over on shows such as Judge Rinder , Catchphrase and The Krypton Factor , and he had acting roles in Coronation Street , Emmerdale and Crown Court . In 2009, Charles was asked to play Sergeant Wilson in the Garrick's memorable production of Dad's Army alongside Allan Taylor's Captain Mainwaring - the last roles played by both these acting stalwarts on the Garrick stage. Charles is pictured as Sergeant Wilson from that production. Back to In Memoriam page

Previous Next Terry Chandler Terry Chandler was a very well-known figure throughout Manchester dramatics, and the theatre is very proud that he called the Garrick "home". He performed on the Garrick stage many times, and will always be remembered for the role of Albin in La Cage Aux Folles , which became his from the first moment he pulled on his frock. La Cage Aux Folles was such a success that it was performed for a total of 8 times, due to unprecedented public demand. A Garrick record. Many in the audience came to multiple performances, often in fancy dress. The show created an electric atmosphere and the finale was always greeted by a standing ovation. Terry also performed his Albin at Oldham Coliseum. . Terry also served on the Executive Committee, and directed many plays and musicals at the Garrick and elsewhere. He won awards from NODA and GMDF both for acting and directing, and NODA established "The Terry Chandler Award for Best All Round Performer" in his memory. Terry died tragically too early, of a heart attack in 2008, leaving his wife Anne and daughter Laura to carry on his support for the Garrick. See also this tribute from the Manchester Evening News. Back to In Memoriam page

The Altrincham Garrick Playhouse recognizes its duty of care under the Children and Young Persons Act 1963, the Child (Performances) Regulations 1968, the Protection of Children Act 1999 and the Criminal Justice and Court Services Act 2000. Child Protection Policy T&C’s for Sale of Tickets GDPR Privacy Policy Health and Safety Policy Child Protection Policy The Altrincham Garrick Playhouse recognizes its duty of care under the Children and Young Persons Act 1963, the Child (Performances) Regulations 1968, the Protection of Children Act 1999 and the Criminal Justice and Court Services Act 2000.The society recognizes that abuse can take many forms, whether it be physical abuse, emotional abuse, sexual abuse or neglect. The society is committed to practice which protects children from harm. All members of the society accept and recognize their responsibilities to develop awareness of the issues which cause children harm. The society believes that: The welfare of the child is paramount; All children, whatever their age, culture, disability, gender, language, racial origin, religious beliefs and/or sexual identity have the right to protection from abuse; All suspicions and allegations of abuse should be taken seriously and responded to swiftly and appropriately; All members and employees of the society should be clear on how to respond appropriately. The society will ensure that: All children will be treated equally and with respect and dignity; The welfare of each child will always be put first; A balanced relationship based on mutual trust will be built which empowers the children to share in the decision making process; Enthusiastic and constructive feedback will be given rather than negative criticism Bullying will not be accepted or condoned; All adult members of the society provide a positive role model for dealing with other people; Action will be taken to stop any inappropriate verbal or physical behaviour; It will keep up-to-date with health & safety legislation; It will keep informed of changes in legislation and policies for the protection of children; It will undertake relevant development and training; It will hold a register of every child involved with the society and will retain a contact name and number close at hand in case of emergencies. The society has child protection procedures which accompany this policy. This policy should also be read in conjunction with the society’s Theatre Handbook and Health & Safety Policy. The society has a dedicated Child Protection Officer, who is in charge of ensuring that the Child Protection policy and procedures are adhered to. This policy will be regularly monitored by the Executive Committee of the society and will be subject to annual review. Child Protection Procedures Responsibilities of the Society At the outset of any production involving children the society will: Undertake a risk assessment and monitor risk throughout the production process; Identify at the outset the person with designated responsibility for child protection; Engage in effective recruitment of chaperones and other individuals with responsibility for children, including appropriate vetting (if necessary in consultation with the local education authority); Ensure that children are supervised at all times; Know how to get in touch with the local authority social services, in case it needs to report a concern. Parents The society believes it to be important that there is a partnership between parents and the society. Parents/guardians are encouraged to be involved in the activities of the society and to share responsibility for the care of children. All parents will be given a copy the society's Child Protection Policy and procedures .All parents/guardians have the responsibility to collect (or arrange collection of) their children after rehearsals or performances. It is NOT the responsibility of the society to take children home. Unsupervised Contact The society will attempt to ensure that no adult has unsupervised contact with children. If possible there will always be two adults in the room when working with children. If unsupervised contact is unavoidable, steps will be taken to minimize risk. For example, work will be carried out in a public area or in a designated room with a door open. If it is predicted that an individual is likely to require unsupervised contact with children, he or she may be required to obtain a criminal record disclosure. Physical Contact All adults will maintain a safe and appropriate distance from children. Adults will only touch children when it is absolutely necessary in relation to the particular activity. Adults will seek the consent of the child prior to any physical contact and the purpose of the contact shall be made clear. Managing sensitive information The society has a policy and procedures for the taking, using and storage of photographs or images of children. Permission will be sought from the parents/guardians for use of photographic material featuring children for promotional or other purposes. The society’s web-based materials and activities will be carefully monitored for inappropriate use. The society will ensure confidentiality in order to protect the rights of its members, including the safe handling, storage and disposal of any sensitive information such as criminal record disclosures. Suspicion of abuse If you see or suspect abuse of a child while in the care of the society, please make this known to the person with responsibility for child protection. If you suspect that the person with responsibility for child protection is the source of the problem, you should make your concerns known to the Chairman. Please make a note for your own records of what you witnessed as well as your response, in case there is follow-up in which you are involved. If a serious allegation is made against any member of the society, chaperone, venue staff etc., that individual will be suspended immediately until the investigation is concluded. The individual will be excluded from the theatre; rehearsal rooms etc. and will not have any unsupervised contact with any other children in the production. Disclosure of abuse If a child confides in you that abuse has taken place: Remain calm and in control but do not delay taking action. Listen carefully to what has been said. Allow the child to tell you at their own pace and ask questions only for clarification. Don’t ask questions that suggest a particular answer. Don’t promise to keep it a secret. Use the first opportunity you have to share the information with the person with responsibility for child protection. Make it clear to the child that you will need to share this information with others. Make it clear that you will only tell the people who need to know and who should be able to help. Reassure the child that they did the right thing in telling someone. Tell the child what you are going to do next. Speak immediately to the person with responsibility for child protection. It is that person’s responsibility to liaise with the relevant authorities, usually social services or the police. As soon as possible after the disclosing conversation, make a note of what was said, using the child’s own words. Note the date, time, any names that were involved or mentioned, and who you gave the information to. Make sure you sign and date your record. Recording In all situations, including those in which the cause of concern arises from a disclosure made in confidence, the details of an allegation or reported incident will be recorded, regardless of whether or not the concerns have been shared with a statutory child protection agency. An accurate note shall be made of the date and time of the incident or disclosure, the parties involved, what was said or done and by whom, any action taken to investigate the matter, any further action taken e.g. suspension of an individual, where relevant the reasons why the matter was not referred to a statutory agency, and the name of the persons reporting and to whom it was reported. The record will be stored securely and shared only with those who need to know about the incident or allegation. Rights & Confidentiality If a complaint is made against a member of the society he or she will be made aware of their rights under the society's disciplinary procedures. No matter how you may feel about the accusation, both the alleged abuser and the child who is thought to have been abused have the right to confidentiality under the Data Protection Act 1998. Remember also that any possible criminal investigation could be compromised through inappropriate information being released. In criminal law the Crown or other prosecuting authority has to prove guilt and the defendant is presumed innocent until proven guilty. Accidents To avoid accidents, chaperones and children will be advised of ‘house rules’ regarding health and safety and will be notified of areas that are out of bounds. Children will be advised of the clothing and footwear appropriate to the work that will be undertaken. If a child is injured while in the care of the society, a designated first-aider should administer first aid and the injury will be recorded in the society’s accident book. This record will be counter-signed by the person with responsibility for child protection. If a child joins the production with an obvious physical injury a record of this will be made in the accident book. This record will be counter-signed by the person with responsibility for child protection. Criminal Record Disclosures If the society believes it in is in its best interests to obtain criminal record disclosures for chaperones or other personnel it will inform the individual of the necessary procedures and the level of disclosure required. An Enhanced disclosure will be required. The society will have a written code of practice for the handling of disclosure information and aim to prevent misuse. Chaperones Chaperones will be appointed by the society/appointed persons for the care of children during the production process. By law the chaperone is acting in loco parentis and should exercise the care which a good parent/guardian might be reasonably expected to give to a child. The maximum number of children in the chaperone’s care shall not exceed 12. Potential chaperones may be required to supply photographic proof of identity and two references from individuals with knowledge of their previous work with children, unless already well known to the society. They may also be asked to sign a declaration stating that there is no reason why they would be considered unsuitable to work with children. Chaperones will be made aware of the society’s Child Protection Policy and Procedures. Where chaperones are not satisfied with the conditions for the children, they should bring this to the attention of the director/stage manager. If changes cannot be made satisfactorily the chaperone should consider not allowing the child to continue. If a chaperone considers that a child is unwell or too tired to continue, the chaperone must inform the director/stage manager and not allow the child to continue. No child of compulsory school age is permitted to do anything which may endanger life or limb. This could include working on wires or heavy lifting. Chaperones should tell the director/stage manager to cease using children in this way, and should contact the local authority. During performances, chaperones will be responsible for meeting children at the stage door and signing them into the building. Children will be kept together at all times except when using separate dressing rooms. Chaperones will be aware of where the children are at all times. Children are not to leave the theatre unsupervised by chaperones unless in the company of their parents/guardians. Children will be adequately supervised while going to and from the toilets. Children will not be allowed to enter the adult dressing rooms. Chaperones should be aware of the safety arrangements and first aid procedures in the venue, and will ensure that children in their care do not place themselves and others in danger. Chaperones should ensure that any accidents are reported to and recorded by the society. Chaperones should examine accident books each day. If an accident has occurred, the producer is not allowed to use that child until a medically qualified opinion has been obtained (not just the word of the parent or child). Chaperones should have written arrangements for children after performances. If someone different is to collect the child, a telephone call should be made to the parent/guardian to confirm the arrangements. Children should be signed out when leaving and a record made of the person collecting. If a parent has not collected the child, it is the duty of the chaperone to stay with that child or make arrangements to take them home. This policy is applicable to and focuses on, children of compulsory school age and below. A child is required to attend school unless they are over the age of 16 on 31st of August, or until the last Friday in June after their 16th birthday. Join our mailing list Subscribe

Previous Next Audrey Hughes Audrey was a wonderful character actress, often taking on the roles of strong, powerful women. She joined the Garrick in the early 1980s, and quickly became a regular onstage. Probably her most memorable roles were as Emma Hornett (the role made famous by Peggy Mount) in Sailor Beware, and working with her best friend at the theatre, Stella Fogg , as the two murderous old ladies in Arsenic and Old Lace . Audrey also took a full part in the social life of the Garrick and appeared in many Music Halls on the Mainstage and cabarets in the Bar. Back to In Memoriam page

Previous Next David Mardon David's parents were heavily involved with the Garrick, so it was no surprise that he joined in as well. He was a long-standing member of the Front of House team and was FoH Manager in the 1980s. He also handled the Performing Rights Licenses for all music played in productions at the theatre. Outside the Garrick, David was a well-known church organist. Back to In Memoriam page

If you have an interest in theatre, want to tread the boards or work front or back stage then why not become a Garrick volunteer? Get Involved Volunteering Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. If you have an interest in theatre, want to tread the boards or work front or back stage then why not become a Garrick volunteer ? We are always looking for new talent (of any age) to work in all areas of the theatre – no experience is necessary as you will be given full training by our qualified staff. We promise you that the satisfaction of a job well done will really surprise you, and you will make many new friends. Register your Interest Simply fill in this form to register your interest in getting involved in the theatre. You can also ring us on 0161 928 1677 , or send an e-mail to admin@altrinchamgarrick.co.uk Name Email Telephone Tell us how you would like to get involved, and we'll respond as soon as possible Submit Thanks for registering your interest in getting involved. We aim to get back to you very soon. What else can I do to play my part? Even if you are not able to spend the time time helping the theatre in a more active way (maybe work and other commitments mean that your time is at a premium), there other simple ways you can help your Garrick. When you come and see a show, try to pick up a leaflet or A4 poster from the Box Office or in the Bar. You could display one in your local Library, office/place of work or even your local club or shop (please make sure you have permission to do so). If you have enjoyed a show, tell your friends/colleagues – please spread the word about your theatre! Find us on Social Media and tweet/post your thoughts. This kind of help, however small, can make a huge difference to the theatre. Thank you. Join our mailing list Subscribe

The Altrincham Garrick is delighted to make our mainstage auditorium, our studio theatre and other rooms available for hire. Garrick Hire Hire the theatre, hire from the theatre The Garrick offers a comprehensive hire service. The Altrincham Garrick is delighted to make our main stage auditorium, our studio theatre and other rooms available for hire to local organisations and to professional companies. In addition, we have a huge range of theatrical props, costumes, weaponry and theatrical equipment available for hire . We welcome enquiries of all sorts. Please fill in our online form , ring us on 0161 928 1677 or send us an e-mail, to hire@altrinchamgarrick.co.uk . Hire Form Join our mailing list Subscribe

Previous Next Maggie Foy Throughout the 1970s and 80s, Maggie worked as Stage Director and Stage Manager on numerous productions, She was highly respected by everyone, both on- and off- stage, for her calm nature and efficiency. It was not a surprise, therefore, when she became Joint General Secretary on the Executive in 1982. Maggie was also fully involved in the social life and activities of the theatre. Back to In Memoriam page

We pay tribute and honour our friends at the theatre who are no longer with us. About Us In Memoriam: Past Members of the Garrick This page pays tribute to and honours our friends at the theatre who are no longer with us. About the Theatre History of the Garrick In Memoriam: Past Members of the Garrick Productions Archive Past Members and Remembrance We pay tribute and honour our friends at the theatre who are no longer with us. There are undoubtedly missing names to be added, so if you have memories, photos and updates to this roll call of past members, please contact us and we will be delighted to include them. Please contact webmaster@altrinchamgarrick.co.uk Allan Taylor Anne Chandler Audrey Hughes Audrey Skinner (née Lawson) Barbara Fraser Barry Fletcher Brian Moore Brian Tickle Buff Monck Charles Foster Chris Shepherd Chris Wetherill Christine Sammon (née Adams) David Gonet David Mardon Derek Cleal Derek Killeen Derrick Kay Diana Provan (née Harker) Eric Bradshaw Frank Boylan Freda Kilburn Gareth Gwenlan Geoff Bolton George Howard George Kilburn Gerry Turnock Gordon Prentice Greta Donahue Harry Williams Ian Appleyard Ian Crownshaw Izzy (Valerie Isabel) Dempsey Jan Maddox Janet Slade Jeanne Anderson Jennie Holman Jim Luckett Jim O'Gara John Chidgey Ken Curragh Ken Weston Liam Sammon Linda Panton Maggie Foy Marion Eaves Maureen Casket Mike Stocks Nick Johnson Norma Noar Pamela Knox Paula Hall (née Tilbrook) Peter Coatman Peter Jackson Phil Gleave Phil Lynch Richard Honeyman Rita Howard Roger Metcalfe Ron Harvi Sheila Hine Sid Horton Sir Fergus Montgomery Stella Fogg Stella Sails (née Doyle) Stephen Wardale Stevie Salem (née Holt) Sybil Dodds Sylvia Hay Terry Chandler Terry Panton Tony Mathews Val Bacon Val Lynch Val Watkinson Verity Fairclough Join our mailing list Subscribe

Previous Next Chris Shepherd Chris was a journalist with the Oldham Evening Chronicle and worked and performed at the Oldham Coliseum. In 1982, the then Artistic Director, Chris Fogg, cast Chris as Norman Bates in the World Amateur Premiere of Psycho . This obviously created huge media interest, which resulted in audiences queueing round the block. From then, until his untimely death in 1987, Chris directed many plays at the Garrick including How the Other Half Loves by Alan Ayckbourn, 'The Killing of Sister George , The Prime of Miss Jean Brodie , Agatha Christie's Dial M for Murder and, most famously for all who saw it, Having a Ball by Alan Bleasedale which, by the end of its run, was a total sell-out with some ladies including the WI booking more than once! He also directed a massive version of The Tempest , set in the future on an isolated planet. He was also an accomplished musician, and played the piano in many Manchester hotels, bars and pubs. Back to In Memoriam page

Previous Next Gerry Turnock Bar Manager from the late 1980s to the 2010s, Gerry's humour was outwardly very dry and wry. Underneath was a genuine warmth and real supportiveness ... especially when City were playing well or he'd been successful on the golf course. Back to In Memoriam page

Previous Next George Kilburn George worked with Sale Nomads before joining the Garrick as Head of Lighting, for some seasons in the 1980s and 90s. He trained several lighting technicians and built up an proficient team. He also worked as stage crew, and was a member of the Executive Committee. George's hobby outside the Garrick was as an accomplished builder of model ships. Back to In Memoriam page

Previous Next Derek Cleal Derek is pictured in character in A Month of Sundays by Bob Larbey (writer of the TV comedy The Good Life ). He was a versatile actor who appeared in many plays in the 1990's. Derek especially enjoyed playing comedy roles, which he excelled at, such as Colonel Von Strohm in 'Allo 'Allo . Back to In Memoriam page

Previous Next Stella Fogg Everyone loved Stella. An accomplished actress, she became known in her latter years for continuous support as an ASM and prompt. Her sense of humour and delight in the ridiculous are remembered by many. Back to In Memoriam page

Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. About Us About the Theatre Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. About the Theatre History of the Garrick In Memoriam: Past Members of the Garrick Productions Archive The Garrick Theatre Established in 1914, The Altrincham Garrick Society aims to present Drama, Comedy, Musicals and Pantomime – and is happy to consider presenting other forms of the dramatic arts ! The Playhouse was built through membership donations in 1932 – its main auditorium seats 401 and is typically in use throughout September to July. A Garrick Academy of the Performing Arts runs term-time Saturday classes for children aged 5 to 18, as well as a week-long Summer School in August. The Society typically produces 13 main stage productions per year, including the Pantomime and the annual GAPA (Youth Academy) production. The Playhouse also hosts many shows from professional individuals and professional production companies. In addition, the Garrick Picturehouse comprises a large screen, which is used to show cinema films and “as-live” recordings of professionally-staged productions. Finally, the Studio is a 49-seat venue at the back of the building, in which more experimental and more intimate theatre is staged. The theatre is staffed and managed mainly by volunteers, with a small number of employees in specific areas (for example the Artistic Director and Operations Director, Box Office, Accounting, Maintenance and more). The theatre is a registered charity, so the management of the theatre finances and legal issues is governed by a Board of Trustees. Together this makes up the Garrick Theatre family. The Garrick Studio If you are looking for something more exciting to tickle your theatrical taste buds, why not throw caution to the wind and visit our smaller theatre: The Studio. The Studio is perfect for that feeling of being part of the action and where you can experience the intimacy of the story telling. Here you can get up close and personal with the actors as they wow you with their performances. We do not allow touching or the feeding of our actors, however, as some of them have been known to bite! The Studio has its own private entrance onto the car park and patrons have full use of the Garrick bar and all our facilities in the main building. It seats 49 comfortably and it is also accessible for wheelchairs. The Studio is where we stage productions that are not always suitable for our main stage (401 seats) and therefore our shows often fill up quickly. The Studio’s reputation has continued to grow over the years with its thought-provoking and exciting plays. We regularly experience sell-out shows. These productions can be challenging, deeply moving, hilarious or outrageous! You decide. Join our mailing list Subscribe

Previous Next Sid Horton Sid was a long-standing member of the Garrick who performed multiple volunteer roles. He first took part on stage in 1972, in the pantomime Red Riding Hood . His credits throughout the 1970s and 80s included All My Sons ; Love on the Dole ; The Ghost Train ; Cause Celebre ; Julius Caesar ; Romeo and Juliet ; Philadelphia Here I Come and Enter a Free Man . Backstage, he worked as stage crew and in the workshop, and he became known as 'the voice of the Garrick', making numerous public announcements. He also produced a newsletter for many years in the 1980s and was famed for his wicked and wacky sense of humour. Back to In Memoriam page

Previous Next Nick Johnson Nick was one of the real characters at the Garrick, who joined in the early 1960's. His forte was comedy, and he was outstanding in numerous plays such as Hay Fever , How the Other Half Loves , Having a Ball , Hobson's Choice , Lettice and Lovage , and An Ideal Husband . He was also a talented writer, writing and performing in many shows and cabarets, some of which he produced in the Garrick bar to raise funds for the STAGE Appeal. These were often zany events, but always highly entertaining. Even after he had his leg amputated, he still performed and was able to access the stage via the lift from the dressing room installed after the 1999 renovation. Nick was a great patron of the bar, where his conversations were always highly amusing. He is fondly remembered for his sense of humour and his indomitable spirit despite his handicap. Back to In Memoriam page

Previous Next Sheila Hine Sheila had a long and distinguished career in amateur dramatics, at both the Garrick and the Wilmslow Green Room. At the Garrick, she was a prolific and versatile actress, performing in numerous plays from the 1960s into the 2000s. Her first time on stage was in Goodnight Mr Puffin in 1965 and some of her other credits include The Killing of Sister George , Relatively Speaking , Vivat! Vivat! Regina (as Elizabeth I), Cause Celebre , and The Wizard of Oz (as Aunt Em). Her final performance was in Les Liaisons Dangereuse in 2005. She was also an occasional director, and worked backstage in make-up, as an ASM and as prompt. Sheila was equally busy at the Wilmslow Green Room during the same period. As an actress, her first role there was in Nude with Violin in 1966. She also directed productions, and was involved backstage in make-up, wardrobe and as a prompt. Sheila also took part in the Green Room's many productions at Gawsworth Hall, both as an actress and director. Back to In Memoriam page

Previous Next Frank Boylan Frank Boylan had been a member and regular performer until a couple of years before his death in 2006. His comic timing was superb - he could stop the show by just walking across the stage, as he did notably in A Funny Thing Happened on the way to the Forum . His performance in The Diary of Anne Frank (1976/77) as Anne's father was particularly memorable for its tenderness and humility. He will be remembered mostly for being Frank : a gentle man in all senses of the words. Back to In Memoriam page

Previous Next Gareth Gwenlan Gareth was born in Wales and trained as an actor and teacher at Drama School after National Service. He started out as a theatre director in York and Derby, then moved to the Altrincham Garrick as Artistic Director for the 1964/65 season. Although only at the Garrick for that one season, what a season he chose. It included The Rattle of a Simple Man , An Ideal Husband , A Man for All Seasons , The Boyfriend , plus a Pantomime that nearly broke the bank. In 1965, he left the Garrick to join the BBC, for what he described in his memoir as "an extra 10 bob". At the BBC, Gareth became a well-known producer responsible for such shows as Only Fools and Horses , Butterflies , To the Manor Born , The Green Green Grass , and The Rise and Fall of Reginald Perrin . Between 1983 and 1990, he became Head of BBC Comedy, commissioning such iconic shows as Blackadder , One Foot in the Grave , Bread , and Birds of a Feather. He also received 2 BAFTAs. Back to In Memoriam page

Previous Next Maureen Casket The Garrick has had very few members as supportive as Maureen and her husband Maurice. She was an absolute firebrand with so much energy that she could make you tired just watching her. She was a talented actor and director, known in theatres both professionally and amateur throughout the region as an enthusiastic supporter of performing arts. In her latter years she contributed to the Garrick mainly as a member of the Play Selection and Casting Committee and as a director of plays but, when she took to the Garrick stage every now and then, everyone was reminded of her exceptional talent as an actor. Back to In Memoriam page

Previous Next Phil Lynch Phil Lynch was a past Chairman of the Society. He and his wife Val joined the Garrick in the early 1980s and Phil took part in a number of plays, as well as helping to run the theatre, until they left to move back to the South of England. Back to In Memoriam page

Previous Next Janet Slade Janet joined the Garrick in 1986. She appeared in over 70 plays on the Mainstage, in the Studio and at the Edinburgh Fringe. She was a primary school teacher who, for 14 very successful years, became heavily involved in gymnastics, primarily as a choreographer to international level. Her first protégé, Kathy Williams MBE, competed at the Los Angeles Olympics in 1984. After she retired from the sport, and because she had studied Drama and Dance at Didsbury College, it was natural that she should try her hand at acting. Following a successful Garrick audition, she very quickly showed her versatility by being cast in 4 productions in her first season including as 15-year-old Ruby in 'When we are Married' and as 60-year-old Aunt Edie in 'Sailor Beware'. Known as a director's dream, with immaculate comic timing, she was cast in many comedies and farces, and she used to say that one of her greatest thrills on stage was delivering a laugh line and then waiting a split second to hear the audience explode with laughter. A GMDF and NODA award winning actress, she was also heavily involved off-stage, prompting many productions, serving pints behind the bar, choreographing several musicals, and serving on the Play Selection and Casting Committee. One theatre critic wrote 'Janet Slade might be small in stature but she absolutely fills the stage'. Audiences agreed. Back to In Memoriam page

Previous Next Geoff Bolton Geoff was a long-standing serving member of the Front of House team, He held the role of Front of House Manager in the 1980s, when it was customary to wear a DJ and black bow tie. Back to In Memoriam page

Previous Next David Gonet David was part of a highly-talented acting family (including Stella Gonet) and his sons Sean and Adam. He was a versatile actor who performed many times at the Garrick in the mid 2000's - he was equally comfortable with comedy, farce, musicals and serious plays. His credits on the mainstage included One Flew Over the Cuckoo's Nest , When We Are Married , La Cage Aux Folles , Little Shop of Horrors and Dick Barton, Special Agent . He also appeared in the panto Sleeping Beauty , as well as in the Studio theatre, and his relaxed, naturalistic style made him a pleasure to watch. Back to In Memoriam page

Previous Next Sylvia Hay Sylvia was involved in most aspects of the Garrick: on stage, as a set designer, serving behind the Bar, working in the workshop - tireless working to help the Garrick in all ways she could. Back to In Memoriam page

Previous Next Ron Harvi Ron was Artistic Director at the Garrick from 1967-71, when he directed at least six shows each season as well as designing sets and working in the Sound box. He started his career at Manchester Polytechnic teaching speech and drama and, after his stint at the Garrick, he worked for Granada Television, appearing in shows and series such as Coronation Street (see photo). He also took part in several productions of Shakespeare plays for Birmingham Rep, and acted at the Manchester Library Theatre. Ron had a wonderful speaking voice and he was often heard on Book at Bedtime and Storytime on Radio 4. Back to In Memoriam page

Previous Next George Howard George was an accountant with Altrincham accounting firm Allen, Mills, Howard. He became heavily involved with the Garrick, alongside his wife Rita, and from the 1960s onwards he was an enthusiastic member of the Social Committee that ran numerous events each year. He famously organised two raffles to raise money for the building fund, with the first prize each time being a BMC Mini car. In addition he helped the Executive apply for numerous grants. He worked as Front of House manager in the 1980s, and was Treasurer to the Executive Committee from the 1980s until his death in 1992. Back to In Memoriam page

Previous Next Brian Moore Brian was introduced to the Garrick in 1965 by his then girlfriend, soon to be wife, Ann, who was auditioning for the pantomime The Wizard of Oz . By the time they left that evening, Brian had been cast as The Scarecrow and had become a fully paid-up member of the theatre. Brian went on to act in or be involved with dozens of plays and musicals over the next 50+ years. After his final show, when he was in his late 70s, he turned his hand to assisting many other areas of the theatre, including the bar and, with the help of others, running the Sunday Jazz lunches. Finally, after the refurbishment of the theatre, Brian took over the running of the confectionery kiosk. He introduced the selling of ice creams within the auditorium during the interval, making in his time many thousands of pounds for the Garrick. When not at the theatre, Brian could be found at the golf course enjoying the outdoor life. Brian was delighted to have been made an honorary Life Member of the Garrick theatre. Back to In Memoriam page

Previous Next Sybil Dodds Sybil was a tireless volunteer at the Garrick, working mostly in the kiosk and running the coffee bar from October 1959 until the late 1970s. In recognition of her long service, she was awarded Honorary Life Membership in 1977. A generous benefactor of the Garrick, she also took a full part in its social life. Back to In Memoriam page

Previous Next Sir Fergus Montgomery Sir Fergus Montgomery, our President for over 30 years, was held in great esteem and affection by all of us. He worked tirelessly to ensure that our efforts to fund the refurbishment of the Garrick (in 1999) were successful. We owe him a huge debt of gratitude, as without him the Garrick would not be the jewel it is today. His love of the theatre was immense and his encouragement was an inspiration. Back to In Memoriam page

Previous Next Barry Fletcher Barry was a keen volunteer at the Garrick for over 30 years. Until his retirement, he was a Design Engineer at British Nuclear Fuels at Sellafield and he used his knowledge to design many stage sets and be part of Stage Crew. He was also Workshop Manager for a short spell and was heavily involved in the planning for the theatre refurbishment. He was also an extremely talented photographer and produced a superb dual projector slide show entitled 'A Year at the Garrick' which he used to promote the theatre plus raise funds for the STAGE Appeal. Barry is pictured celebrating his 80th birthday in the bar - he was also a regular attendee for 11am coffee because he knew there were always biscuits or cake available. Back to In Memoriam page

Previous Next Stevie Salem (née Holt) Stevie was a firm Garrick audience favourite for over 20 years, appearing in over thirty shows in a leading role. Her first play at the theatre was in Birds on a Wing , in 1972. Her other main credits include Crown Matrimonial , Private Lives , Play it Again Sam , After the Ball , Blithe Spirit (when she played Elvira), California Suite , Having a Ball , A Taste of Honey , See How They Run (in which she played Penelope Toop), and Steel Magnolias . Her final performance on the Garrick stage was in Last Tango in Whitby in 1993. Stevie also appeared in musicals such as Marie and Annie , as well as several Old Time Music Halls. Backstage, she regularly worked as an ASM. Back to In Memoriam page

Previous Next Richard Honeyman Richard acted in plays and also directed several, between the 1970s and his death in the 1990s. Back to In Memoriam page

Previous Next Norma Noar Norma served the Garrick in many ways over many years, as a member of the Social Committee, working as an ASM or Prompt, and for a very long time as a highly-valued member of the Play Selection and Casting Committee. In the latter role she was also a tireless administrator - organising all the performance licenses for Garrick productions and ordering the many scripts. Back to In Memoriam page

Previous Next Jim Luckett Jim was a member of the Garrick for over 35 years, starting in the 1950s. He was an Honorary Life Member and a very hard-working volunteer, having served on most committees both Front of House and Backstage, as well as appearing in many plays. He won a Manchester Evening News Oscar in 1960 for his performance in Hot Summer Night and also appeared in The Rainmaker, which was the first Garrick play to win MEN's "Best Play" Oscar in 1958. This was a time when the MEN took a keen interest in amateur theatre ... sadly no longer the case. Back to In Memoriam page

Previous Next Roger Metcalfe Without the work that Roger did for the Garrick at the time, the major redevelopment of 1999 would probably not have happened. His immense support for that endeavour mustn't overshadow his many acting roles between the mid 1970s and the mid 2000s, and many patrons at the time will never forget his stage appearances. He was very able portraying the establishment figure that many comedies poke fun at, and equally well as the towering stage presence and brooding intensity that many dramas require. Roger served on the Executive Committee and on the Board of Trustees, and it was his role handling Press and Public Relations in 1998 and 1999 that contributed so much to the redevelopment at the end of that century. Back to In Memoriam page

Previous Next Jim O'Gara Jim was a delightful and highly skilled actor who played many leading roles in the 1980s and 90s, especially in Alan Aykbourn plays such as Bedroom Farce and Season's Greetings . These were often directed by Alan Rothwell, a professional director who himself was well known for playing David Barlow in the early years of Coronation Street . Jim's natural and easy style of acting was highly appreciated by audiences, and his comic timing and hilarious facial expressions were priceless. Back to In Memoriam page