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< Back Judy (2019 film) - Picturehouse Screening ˂ Previous Production Next Production ˃ to 13 April 2021 Renee Zellweger dazzles with a haunting, insightful performance in a film that charts the extreme high and lows of Judy Garland's memorable few days of concerts at London’s Talk of the Town nightclub in 1968. Zellweger's performance won her an unprecedented quartet of awards: the Golden Globe Award, the SAG Award, theBAFTA Award, and the Academy Award for Best Actress. The bar will be open before and after the show. Come and join us in a friendly, informal and Covid-19 safe atmosphere, to take advantage of sensational screening facilities as well as our low prices and free car park.

< Back Hobson's Choice ˂ Previous Production Next Production ˃ to 1 July 2014 CAST Dykes, Tom Hill, Arthur P Lowe, Edgar M Mounfield, Frank Owen, Gwen Slinn, Ella Walton, Mary Warburton, George A Wilkinson, John

< Back Hay Fever ˂ Previous Production Next Production ˃ to 7 August 2013 To borrow Coward's own description of his life - this play is "fabulously enjoyable" and a glamorous and glittering comedy. No-one was more astonished than Noel Coward when Hay Fever "exuberantly tapped out on his typewriter in 1924". It endured to become so popular that it was presented by the National Theatre in 1964 with an illustrious cast featuring Edith Evans, Maggie Smith, Lynn Redgrave, Robert Stephens and more. The Garrick are looking forward to entrancing you yet again with its own illustrious cast, sumptuously set and gowned in this period revival. CAST Angela Wetherill as Judith Bliss David Reynolds as David Bliss Stephanie Hawthorn as Sorel Bliss Trevor Lee Brown as Simon Bliss Ros Greenwood as Myra Arundel Victor Hassan as Richard Greatham Dawn Flint as Jackie Coryton John Keen as Sandy Tyrell Stella Fogg as Clara

< Back The Father By Florian Zeller ˂ Previous Production Next Production ˃ to 1 November 2022 An Update on THE FATHER by Altrincham Garrick Playhouse Unfortunately due to medical issues within the company we are having to postpone our production of THE FATHER . The timeframe to develop this production has been dramatically compromised due to medical issues within the company, and the disruption to the process would mean we couldn't wholeheartedly produce THE FATHER to be our best standards, which is something we feel both the play and the subject matter needs and deserves. In light of this, we have made the decision to postpone the production which was opening on 27th February 2023 to 6th - 11th May 2024, so THE FATHER will become part of our Spring/ Summer 2024 Season. In its place, we have programmed some additional screenings in our PictureHouse, including some NT LIVE Encore screenings. These will be on sale next week. We look forward to bringing THE FATHER to audiences in 2024, and continuing our support of the wonderful Charity - Together Dementia Support. Thank you for your continued support. The Father - By Florian Zeller and translated by Christopher Hampton The Father ( Le Père ) is a play about a man called Andre. Now 80 years old, Andre was once a tap dancer. He lives with his daughter Anne and her husband Antoine. Or was he an engineer whose daughter Anne lives in London with her new lover, Pierre? The thing is, he is still wearing his pyjamas, and he can’t find his watch. He is starting to wonder if he’s losing control… A sobering and realistic family story, and an unsentimental, emotionally intense look at the world through the eyes of a man experiencing dementia. The Father , in this English translation by Christopher Hampton, was commissioned by the Ustinov Studio, Theatre Royal, Bath and premiered in October 2014. The production transferred to the Tricycle Theatre, London, in May 2015, and subsequently to Wyndham's Theatre in the West End. The Father was awarded the Moliere Award for Best Play and the Olivier and Tony Awards for Best Actor. In 2020 a film version called The Father was released starring Anthony Hopkins and Olivia Colman, which won the Academy Award for Best Adapted Screenplay, while Hopkins won the Academy Award for Best Actor. Warning: Contains scenes that some may find upsetting. Age Guidance: 14+ Altrincham Garrick Playhouse are proudly supporting Together Dementia Support with this production of 'The Father'. Together Dementia Support are here to help people to live positively with Dementia in Manchester and Trafford. Since being established in 2014, TDS has supported over 1,000 people living with Dementia and their loved ones. We currently have over 280 members and 300 carers who we support week in, week out, 52 weeks a year. For people living with Dementia, we offer a range of activities such as social groups, walking groups, arts & crafts, music and games groups, as well as one-to-one at home social activity support. For carers, we provide online and in person group support, one-to-one advice and guidance, training opportunities and a friendly ear to listen. To learn more about us and the support services we offer, visit www.TogetherDementiaSupport.org ------------------------------------------------------------------------------------------------------------------------------------ Free Car Parking. Cosy Bar. Great Prices. ------------------------------------------------------------------------------------------------------------------------------------

< Back Love Actually (2003 film) ˂ Previous Production Next Production ˃ to 1 January 1970 Packed with British acting talent, this film was a huge box office success, and is well worth seeing on the Garrick's big cinema screen. In the weeks before Christmas, several different plot-lines interleave as love and romance are explored in many different ways. The following incomplete cast list gives an indication of the high quality of the acting: Alan Rickman, Emma Thompson, Hugh Grant, Keira Knightley, Colin Firth, Liam Neeson, Thomas Sangster, Bill Nighy, Gregor Fisher, Martine McCutcheon, Chiwetel Ejiofor, Martin Freeman, Joanna Page, Billy Bob Thornton, Rowan Atkinson and Claudia Schiffer. This screening will (as always) be introduced by Barry Purves with informed trivia, anecdotes and some background of the production. Come and join us in a friendly, informal and Covid-19 safe atmosphere, to take advantage of sensational screening facilities as well as our low prices and free car park.

< Back Manc22: The Mancunian Way ˂ Previous Production Next Production ˃ to 14 April 2021 Three Bands. One Place. One Night. The Music of Manchester. Oasis Maybe: Did you miss Oasis' early rough and ready gigs of 94/95? Did you miss the era defining concerts at Earls Court, Maine Road, Loch Lomond and Knebworth? "Oasis Maybe" were formed by five close friends and massive fans of Oasis . ”Oasis Maybe" are determined to become the world’s premier tribute to Oasis. We attempt to capture the sound, look and feel of the Band from the 1994-1997 era, mainly performing tracks from Definitely Maybe and What's the Story Morning Glory with a few famous B-sides and later singles thrown in for good measure. Our show is inspired and drawn from those early gigs and huge stadium shows so come and check us out and transport yourself back to that magical time in the 90's when Britpop ruled the world. Are ya mad fer it!? As seen on stage with original Oasis drummer Tony McCarroll. These Smiths: "These Smiths" are the UK's best tribute to The Smiths . The band are from The Smith's home city of Manchester. Formed shortly after their lead singer appeared on the UK television show Stars In Their Eyes , they are renowned as the closest sounding tribute to the real thing. A must see for fans of The Smiths . Not like any other love. This one is different, because it's us... "His Morrissey is brilliant. Uncanny!" Harry Hill "A dead cert winner on Stars In Their Eyes. Mozzer (not Sheila) take a bow" Marc Riley The Ultimate Stone Roses: "The Ultimate Stone Roses" are the only tribute to the Roses to hail from Manchester. Each member is a die hard fan of the original band who has dedicated themselves to mastering the music of their heroes. Playing songs from the seminal first album, 'The Second Coming' and early fan favourites like Sally Cinnamon and Mersey Paradise, 'The Ultimate Stone Roses' give their audiences the most authentic Stone Roses experience possible. Our reasonably priced bar will be open before, during the interval and after the gig. So what are you waiting for? BUY YOUR TICKETS NOW before it's too late! Free car park for customers.

< Back MJ Legacy - Starring CJ ˂ Previous Production Next Production ˃ to 29 July 2021 MJ THE LEGACY' is an exceptionally authentic, world class Tribute to Michael Jackson! Starring CJ, one of the worlds greatest Michael Jackson Tribute Artists with his incredible Live Band and Dancers. The look, the voice, the moves and all the hits!! This outstanding production is the closest thing to seeing a live Michael Jackson show, presenting you with an immersive theatrical experience actively engaging its audience with stunning effects and choreography from start to finish whilst recreating the music and live performances of the greatest entertainer of all time !! MJ The Legacy – Starring CJ truly captures the electrifying energy of Michael’s live performances which amazed the world for decades, bringing together superb musicians and dancers, stunning costumes, incredible live vocals and all the iconic dance routines associated so fondly with the undisputed ‘King Of Pop’ Pure MJ!! Our reasonably priced bar will be open before, during the interval and after the show. Free car park for customers and in easy walking distance of Altrincham and local tram and train stations. So what are you waiting for? BUY YOUR TICKETS NOW!

< Back Spotlight of Garrick Shows ˂ Previous Production Next Production ˃ to 12 August 2019 Arnoll, Sidonie Brewer, Brian B Clephan, Gay Dean, Kenneth W Dean, Margaret Heap, Marjorie Hunter, Mollie Lee, Edna Gordon Lightowler, Ronnie R Parker, Fred Sculfer, Kathleen Simpson, Betty Stott, Kenneth Wight, Morna

< Back 'ShowStoppers' - The East Cheshires Musical Threatre Company ˂ Previous Production Next Production ˃ to 27 July 2013 The East Cheshires Musical Theatre Company invite you to join them for an evening of ?ShowStoppers?. Taking you on a journey of Broadway and the West End?s greatest hits this music and dance spectacular will be an evening to enjoy for all the family! With music from ?Jersey Boys?, ?Sister Act?, ?Boogie Nights?, ?Wicked? and many more... If you would like to have the latest Garrick News e-mailed to you directly, then please subscribe to our News 'blog' on the?front page ? and be sure of not missing any of our latest announcements.

< Back Aladdin And His Wonderful Lamp ˂ Previous Production Next Production ˃ to 24 July 2013 What would you do if you could wish for anything? The classic tale of Aladdin and His Wonderful Lamp is brought to life in this traditional panto rendition. Plucky young Aladdin has fallen for the beautiful Princess Balroubador, daughter of the financially embarrassed Emperor of China. However, wooing his love may not be easy, as the Emperor has his own ideas about the sort of man Balroubador should marry. On top of this, the evil Abanazer intends to use Aladdin to secure the Magic Lamp containing an all powerful Genie that will make him Master of the Universe. With help from his mother, Widow Twankey , and Brother Wishee Washee, will Aladdin get the girl and stop Abanazer fulfilling his evil desires? Of course he will. This is panto isn't it!! Widely recognised as the best value around, our traditional panto is an institution for the whole family. A complete sell-out, 8,000 people enjoyed last season's panto. Book early! [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/Aladdin-7.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/Aladdin-8.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/Aladdin-1.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/Aladdin-5.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/Aladdin-2.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/Aladdin-3.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/Aladdin-6.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/Aladdin-4.jpg|"] CAST LIST Abanazer - Mike Shaw The Slave of the Ring - Mandy White Widow Twankey - Dave Midgley Aladdin - Natalie Hinchliffe Wishee Washee - Tom Oliver The Emperor of China - David Leathlean Princess Balroubadour - Grace Stubbs Pc. Who - Craig Barrett PC. Wot - Gabriel Walker The Genie of the Lamp - Jon WhiteCitizens of Peking, Handmaidens, Guards, Jewels, Cave Bats & Penguins - Lara Cannon, India Connor-Blow, Ellie Forrest,?Erin Fox-Gaffney, Ruby Catherine Harney, Evie Headford, Lydia Horsefield, Emma Morris, Eleanor Morris, Mia Simpson, Sofia Simpson, Crystal Toth ASM - John Newton NODA Review by Kevin Proctor The classic and traditional panto, Aladdin; boy wants girl, boy can't have girl, boy rubs lamp, etc, etc. This telling is mixed up with a healthy crop of jokes, skits and visual comedy. I particularly enjoyed the 'Twelve Days of Christmas' sketch which I'm sure has developed into an even more chaotic routine as the run has progressed. The title role is becoming increasingly more popular to be played by a young male actor but, sticking to tradition, was tackled by Natalie Hinchcliffe. Natalie gave a righteous and warm interpretation and sung her songs with fine skill while Grace Stubbs gave us the beautiful Princess and had a voice to match, delightful! I remember when youth were a doddle to entertain, those days have clearly gone! When did kids become such a tough crowd! If they switch off from the action or don't like any part of the performance for whatever reason, they make sure you know about it! The script had been written in house for the Garrick by Alan Clements. I liked that this script gave more attention to gags and sketches than the actual telling of the tale. I often find that the writing of DIY pantos can get over indulgent and start to feel more like an attempt at a masterpiece, though one point to always remember is who your main core of audience is, particularly when selecting songs and music - some chart tunes and a healthier selection of more recognisable music would have been more appropriate for this crowd, particularly as 80% of the audience were youth I have no doubt it would have kept them more engrossed. Technically this show surpassed, I saw some new (moving) additions to the lighting plot I've not noticed before which were undoubtedly money well spent as good lighting is always a great contribution for any production to appear more professional, and the sound balancing was also well managed and delivered! Wishee Washee; the part that goes to the most comical actor Tom Oliver delivered a cute, likeable/boy next door interpretation which was a brave attempt but ultimately a decision which didn't quite pay off for me. Tom is very likeable on-stage and has potential to be a great addition to the Garrick casting list but I don't think this genre of performance is where his strengths are. The chorus/ensemble of youths lacked pizazz and energy, it was a shame they mimed along to pre-recorded vocals and the movement was a little tame and under rehearsed. The audience was evidently as confused as I was when the Slave of The Ring danced with the Bats, I didn't understand the purpose for this section, the music used for this was grating and the routine was too long and insignificant. The Emperor of China was wonderfully portrayed David Leathlean, one of those parts which can often be labelled as 'bland' was injected with mounds of energy and enjoyment! Panto's need more Dave's! Any panto audience want to see things go belly up whether it?s genuine or hammed, when David?s beard fell off his first instincts were to attempt to cover it up which did, ironically, add to the humour - keep it in and savour the moment! Equally as wonderful was Mike Shaw as Abanazer he played the menacing baddie with wonderful expressions, physicality and without over doing it, a very enjoyable performance, the audience loved him! Craig Barrett & Gabriel Walker gave good energy and folly as the clowning police men PC Who & PC Wot which, as I'm sure you can imagine, certainly added to the panto fun! What excelled throughout this entire production was Mike Shaw?s wonderful costume designs which never failed to impress! How to be a great Dame - by Garrick panto actor Dave By Rick Bowen Dave Midgley CHILDREN are more sophisticated these days? is a phrase frequently bandied about and yet pantos, which provide audiences with a hefty dose of good, old-fashioned fun are as popular as ever. Youngsters and their families turn up in their droves to cheer the heroes and heroines and boo and hiss the baddies. Dave Midgley is playing Widow Twankey in Altrincham Garrick's production of Aladdin and his Wonderful Lamp and he's said there's a golden rule when playing this popular character. Dave said: 'When I first worked for Alan Clements our director, who has been directing Panto most of his life, he gave me a very good piece of advice 'don't try and be female'. The Dame should not be a 'female impersonator' the walk and the voice should be those of a man. That way it is much funnier.' He added: 'Otherwise, just lots of energy, lots of happiness and make friends with the kids.' Dave said it helps to have a rapport with children if you want to be a great Dame. He said: 'I think it helps a lot. The kids have to like you so you should like them. I do like kids, and I?m not embarrassed to be childish' - on or off stage! - when I'm with them. It is also important not to talk down to them. You can be silly but not stupid. Kids.' [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/11999403333_8f81195af9_z.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/11999107075_346fbd71e3_z.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/11999401003_3505e8528a_z.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/11999105405_06a9136fbc_z.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/11999468464_8aa51e65a0_z.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/11999917096_c7ddf48d95_z.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/11999402973_c9d980e55f_z.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/11999402113_62c1094258_z.jpg|"]

< Back Two into One ˂ Previous Production Next Production ˃ to 18 August 2015 "There's far too much sex in this hotel and I'm not having any of it!" Following the Garrick's hugely successful Run For Your Wife by Ray Cooney, we now bring Cooney's vintage farce Two Into One to the stage. If you enjoy your farce, you will have a ball at this delicious web of intrigue and joyous sexual mayhem. Considered by some to be his most successful comedy ever, this deliriously manic farce has been described as " a hilarious orgy of door slamming". With ingredients like a Tory junior minister, extra marital nookie, suspicious hotel managers and a corridor prowling lady Labour MP you have a recipe for panic, preposterous disguises and side splitting mistaken identity. If you enjoy crazy mad cap comedy this is definitely a popular hit not to be missed! [gallery ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/05/DSC_6504.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/05/DSC_6267.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/05/DSC_6417.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/05/DSC_6430.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/05/DSC_6165.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/05/DSC_6005.jpg|"] CAST The Rt. Hon. Richard Willey MP - Jonathan Black Pamela Willey - Mandy White Receptionist - Carol Gibson Manager - Phil Edwards Waiter - Dan Ellis Lily Chatterton MP - Christine Perry George Pigden - Mike Shaw Maria, the Chambermaid - Anna Haddad Jennifer Bristow - Sarah Roberts Edward - Tom Oliver Review by Julia Taylor - Altrincham Messenger RAY Cooney's farce, Two into One, at the Garrick Playhouse, is a credit to director, Alan Clements.It's about Richard Willey, a junior minister in Margaret Thatcher's government, who plans an assignation with a secretary in a hotel, complete with revolving stage and realistic lift, expertly designed by Trevor McKie. Unknown to Willey, his wife, Pamela, is smitten by his parliamentary private secretary, George Pigdon. The straight-laced hotel manager, played amusingly by Phil Edwards, frowns on the goings on, declaring with innocent aplomb: ?There's far too much sex in this hotel and I;m not having any of it. Double entendres like this abound. Doors open and close as embarrassed miscreants hastily try to cover their tracks, Farce may appear easy but it requires much skill. Utterly at home with the genre is Jonathan Black as Willey. His suave, snake in the grass manner is perfect as he tries to wriggle his way out of preposterous situations. The long suffering George is illustrated well by Mike Shaw who can also dance. Often near-naked, you can practically hear his blood pressure rise as he attempts to lie himself out of tricky moments. Mandy White is delightful as the frustrated wife, and Sarah Roberts is a sultry temptress of a secretary. I like the unexpected appearances of Dan Ellis, as the Chinese waiter. Star Rating ★★★★★ Review by North West End by Mark Dee There can be few things more iconic in the recent history of British theatre than The Whitehall Farce, and those expert exponents of this genre, with Ray Cooney being right at the top of the pile. Fallen somewhat out of favour at the moment, this style of farce - trousers down and more tea vicar - has probably had its day. It's appeal is only to reminisce times gone by when actors like Sir Brian Rix would grace the stage and you would see more people in lingerie on hotel corridors than you would in a brothel. Comedy has moved on. Younger people - in fact more than likely anyone under forty - will never have heard of Cooney, Rix or The Whitehall Farce, and if last night's audience is anything to judge by, then once the current pensioners stop going to the theatre, they will die a natural death. I am not saying that I don't like them or that they shouldn't be performed, no. I am simply saying that they will become products of their time and museum curios to be replaced by current farces and absurdist comedy. This style of farce requires both actor and audience to accept that grown men can hide behind a newspaper or wear a pair of sunglasses and not be recognised, their behaviour can be completely OTT and inappropriate and it not appear in the slightest odd, and conversations cannot be overheard even if standing next to them. These 'conventions' are the backbone of this particular style of farce - and Cooney was the master. Two Into One tells the story of a politician and his wife staying the night at a hotel in their constituency. The husband has arranged to have a romantic dalliance with a married secretary from another department, and asks his PPS to arrange it for him. Of course thing go from bad to worse and then to complete anarchy as every time someone tries to right a wrong they only compound the issue in true farce style. The time is 1984, and Thatcher is on her 'throne', and there is a big pornography bill going to be debated in the House. The set design for this production was a good idea. I liked the idea. Sadly it really didn't work too well in practice. The first thing to note was that despite my attending on the second night of the run, flats were visible in the wings: actors could be seen waiting for their entrance behind black curtains and through the door behind the set on the revolve; the exits from the hotel reception stage left were left uncovered and so we could see them step off the set and onto the stage floor and disappear and meet in the black curtain and beyond; a door that should have been able to be locked clearly wasn't or couldn't; and it was possible to see actors in one bathroom from the other bathroom. Using the theatre's revolve the adjoining bedrooms did work quite well, and using stage hands in brown smocks to move the set and sweep the stage also worked well. Sadly though, it was just a little too insubstantial and the exits weren't covered. The acting in general was of the high standard that one has come to expect from The Garrick. Jonathan Black was the MP who was ready to risk everything for a couple of hours of lust with a younger and sexier model than his wife, and played that extremely tricky balance of keeping it real and hamming it up really rather well. I liked his body language and his mannerisms, and he carried, even when all the odds and fates were most definitely against him, an air of optimism to the end. His wife, Mandy White, again playing that tricky balance between realism and surrealism with seeming ease, and certainly not afraid to throw caution to the wind. The star of this particular production though was without doubt Mike Shaw's delightful interpretation of George Pigdon. His physicality and comic timing were just a joy. Obviously a seasoned actor who understands this genre, he was able to squeeze every last morsel of nuance from his lines and his character but still managing to remain real and believable. If we are not able to empathise with Pigdon, then the play doesn't work. We were with him all the way. Superb. These three protagonists were supported by several others who came in and out in true farce style - just appearing without warning and developing the plot. Of these, Christine Perry, playing Lily Chatterton, was my favourite. Her Yorkshire accent was lovely, and her bustling with indignation and mock prudery just right. The one thing that really irritated me though was sadly the part of the waiter, played here by Dan Ellis. To be fair, it wasn't really his fault. However, the script kept referring to him as Chinese and much of the humour of him being Chinese would have worked and would have been funny if he had indeed have been Chinese. However, Ellis was clearly NOT Chinese, nor did he act Chinese, despite speaking in a broken pigeon English. This is 1984 remember and taking the Mickey out of silly accents and national stereotypes was allowed. No-one had invented the word 'racist' yet. The directing, (Alan Clements), surprisingly was a little sluggish. It took a while to warm up, and Clements found little humour and pace in the exposition, only really getting into third gear once the cast went to the bedrooms. I felt the pace could have been lifted throughout generally; there were really quite a few too-long pauses without action or indeed waiting for the action. The worst example of this was the 'slippy floor' scene where the waiter is left standing on one side of the stage holding Edward Bristow's walking stick. We all know that something is going to happen because it is so obviously a set up, but it all takes far too long to affect and for so little a pay-off. His work on character, characterisation and their development was very good, but the pace just simply wasn't frenetic enough.Saying that though, this is still a very good and enjoyable play, conventionally and traditionally presented, and the themes of this play - politics and sex scandals - are just as relevant today as ever.

< Back Saint Joan ˂ Previous Production Next Production ˃ to 12 August 2019 Allen, R Barlow, Clive Blackhurst, Ernest Blain, Andrew Clark, Hetty Gregory, Kathleen Grimshaw, Harold Milligan, Tim I Poppleton, Howard Stansfield, John