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Return to Productions Archive Garrick Production The Wizard of Oz Journey over the rainbow this October Half Term for an unforgettable family musical. Ran Oct 28, 2024 - Nov 3, 2024 Age guidance 6+ Venue Main House Running time 2.5 hours (inc. 20 mins interval) Tickets Price Range £15 - £20 Description Journey over the rainbow this October Half Term for an unforgettable family musical at the Altrincham Garrick Playhouse! Little Dorothy Gale from Kansas, like so many girls her age, dreams of what lies over the rainbow. After a freak tornado hits her quiet farmhouse home, she is whisked away to the magical land of Oz! Now young Dorothy must follow the yellow brick road to meet the mighty Wizard of Oz, who holds the power to take her home. On the way she teams up with a Scarecrow, a Tin Woodsman and a Cowardly Lion, and they all must avoid the clutches of the Wicked Witch of the West, who is trying to steal the mysterious magic slippers that once belonged to her evil sister but are now on Dorothy's feet. Based on the 1939 MGM film, this stage classic features the well-loved songs Merry Old Land of Oz , We’re Off to See the Wizard , Ding! Dong! The Witch is Dead and of course Somewhere Over The Rainbow . Travel down the yellow brick road and get your tickets now! THE WIZARD OF OZ By L. Frank Baum With Music and Lyrics by Harold Arlen and E. Y. Harburg Background Music by Herbert Stothart Dance and Vocal Arrangements by Peter Howard Orchestration by Larry Wilcox Adapted by John Kane for the Royal Shakespeare Company Based upon the Classic Motion Picture owned by Turner Entertainment Co. and distributed in all media by Warner Bros. This amateur production of THE WIZARD OF OZ is presented by arrangement with Concord Theatricals Ltd. on behalf of Tams-Witmark https://.www.concordtheatricals.co.uk Reviews Max Eden at North West End UK - 5 Star Review Click HERE Rick Bowen at StageStruck - 5 Star Review HERE Gallery Trailer Trigger Warning Contains loud noises, flashing lights and special effects. Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Productions One Flew Over the Cuckoo's Nest Ran May 7, 2007 - May 12, 2007 Age guidance Venue Running time Tickets Price Range Description The novel is a modern American classic. What happens when an irresistible force meets an immoveable object in the persons of R. P. McMurphy, a boisterous petty criminal, and Nurse Ratched, who conceals her natural attractiveness under an icy-cold veneer? To avoid a prison sentence, McMurphy has elected to appear crazy and believes he can 'buck the system'. He becomes irretrievably involved with the many and varied fellow inmates as he fights to free them from the tyranny of 'Big Nurse'. In turns shocking, moving and funny, this play tells a wonderful story and will hold your attention throughout. An absolute MUST for all lovers of good drama. CAST Jon White as Chief Bromden Hugh Everett as Dale Harding Mark Butt as Billy Bibbit Alex Wilson as Scanlon David Gonet as Cheswick Graham Simmonds as Martini Barry Purves as Ruckley Tony Turner as R P McMurphy Tracy Burns as Nurse Ratched Paula Keen as Nurse Flynn Victor Hassan as Dr Spivey Bryn Thomas as Aide Warren Martin Creevey as Aide Williams Frank Boylan as Aide Turkel Natalie Horne as Candy Melissa Cupid Brown as Sandra Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

GAPA currently runs seven Saturday groups. Six on a Saturday morning for our 8 to 18 year olds, plus our MINI GAPA (5 to 8 year old) class on Saturday afternoons. The Academy Groups and Classes Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. GAPA Saturday Group School Holiday Courses Speech & Drama/ LAMDA Classes GAPA Saturday Groups GAPA currently runs seven Saturday groups: six on a Saturday morning for our 8 to 18 year olds, with our MINI GAPA class, for 5 to 8 year olds, on Saturday afternoons. Throughout the year, the groups work towards the goal of putting a production onto the main stage. The year starts with stagecraft, skills and audition preparation, giving students the opportunity to enhance and develop their performance skills. Then it’s audition time and, once the play is cast, the rehearsals start and all the elements of the show are put together. Working through this process, the students learn the valuable skills required of rehearsing and putting on a production, whilst being surrounded by fun and laughter. The Saturday group times are as follows: Session 1: 9:00-11:00 (Classes 1-3) Session 2: 11:30-13:30 (Classes 4-6) Session 3: 14:00 – 15:30 (Class 7 MINI GAPA) Term Dates The teaching year is broken into three terms. GAPA Term Dates 2025-26 Term 1 06/09/2025 - 06/12/2025 - not including 25/10/25 & 01/11/25 Term 2 10/01/2026 - 14/03/2026 - not including 14/02/26 & 21/02/26 Term 3 25/04/2026 - 11/07/2026 - not including 23/05/26 & 30/05/26 Student Area Join our mailing list Subscribe

We’d like to invite you to become a Friend of the Garrick, to join the Garrick Community and receive tickets at a discount. Please enrol online here, or speak to our box office staff, to become a member of our Friends of the Garrick audience loyalty scheme.

Return to Productions Archive Garrick Productions Bonaventure Ran Jan 1, 1951 - Jan 1, 1951 Age guidance Venue Running time Tickets Price Range Description Bramwell, Madge Caldwell, Pamela Clephan, Gay Ely, Michael D Grimshaw, Harold Hobbs, Olive Nellie Morrison, Elspeth Richardson, George Walker, Kathleen Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production The Beauty Queen of Leenane The Irish Studio Season: A dark, comedic, thriller Ran Oct 1, 2024 - Oct 6, 2024 Age guidance 16+ Venue Altrincham Garrick Studio Running time TBC Tickets Price Range £12.50 - £14.50 Description Written by Martin McDonagh Directed by Mark Goggins “Sometimes I dream… of anything! Of anything. Other than this.” In the mountains of Connemara, County Galway, Maureen Folan – a plain, lonely woman, tied to her manipulative and ageing mother, Mag – comes alive at her first and possibly last prospect of a new life. But Mag has other ideas; and her interference sets in motion a train of events that leads inexorably towards the play’s breathtaking conclusion. The Beauty Queen of Leenane is one of playwright Martin McDonagh’s (Three Billboards Outside Ebbing, Missouri, The Lieutenant of Inishmore) finest achievements. Winner of four Tony Awards on Broadway and nominated for an Olivier Award, the play conjures up the unbearable tension and loneliness of an isolated existence. A dark, comedic, thriller. Reviews Gallery Trailer Trigger Warning This production includes scenes of violence, cruelty and strong language. The production also contains sexual references and themes of loneliness, abuse and mental health. Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

We’d like to invite you to become a Friend of the Garrick, to join the Garrick Community and receive tickets at a discount. Please enrol online here, or speak to our box office staff, to become a member of our Friends of the Garrick audience loyalty scheme. Get Involved Garrick Friends Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. Become a Friend of the Garrick Our Theatre is a charity, and is managed by a handful of paid staff and many volunteers. We receive no funding from local authorities or Arts organisations. We are an important part of the local community, offering opportunities for learning in our Academy, making friendships in our Show Choir, and hosting local social groups. Our overriding aim is to bring alive your imagination, through our varied productions on our main stage and in our studio theatre. We’d like to invite you to become a Friend of the Garrick , to join the Garrick Community and receive tickets at a discount. Please enrol online here , or speak to our box office staff, to become a member of our Friends of the Garrick audience loyalty scheme. Gold Friends , for a £30 annual fee, can purchase unlimited discounted priced tickets*. Silver Friends , for a £20 annual fee, can purchase 2 discounted priced tickets per production*. 25U , free for 16 to 25 year olds, can purchase one discounted ticket (for every performance, of Garrick productions only). * Note: Gold and Silver discounts apply to all Garrick productions, in addition to some visiting productions. We really need your financial support, so please be a “Friend” to the Garrick. John Gibson, Membership Secretary Friend of the Garrick Loyalty Scheme What else can I do to play my part? If you have an interest in theatre, want to tread the boards or work front or back stage then become a Garrick Volunteer for free. We are always looking for new talent, any age, to volunteer in all areas of the theatre. Your help is invaluable to us and we promise you that the satisfaction of a job well done, will really surprise you, as well as the opportunity to make new friends and become part of the Garrick Team. If you are interested, please email: membership@altrinchamgarrick.co.uk with your full contact details and the area which you are interested getting involved in. Even if you are unable to spend the time helping the Garrick in a more active way, or maybe, work and other commitments mean time is at a premium, there other simple ways you can help your Garrick. When you come and see a show, try to pick up a leaflet or A4 poster from the the Box Office or in the Bar. You could display one in your local Library, office/place of work or even your local club or shop, (please make sure you have permissions to do so). If you have enjoyed a show, tell your friends/colleagues – please spread the word about your theatre! – this kind of help, however small can make a huge difference to the Garrick. Thank you. Join our mailing list Subscribe

Previous Next Phil Lynch Phil Lynch was a past Chairman of the Society. He and his wife Val joined the Garrick in the early 1980s and Phil took part in a number of plays, as well as helping to run the theatre, until they left to move back to the South of England. Back to In Memoriam page

Return to Productions Archive Garrick Productions A Touch of the Sun Ran Jan 1, 1960 - Jan 1, 1960 Age guidance Venue Running time Tickets Price Range Description Barker, Ian Caldwell, Pamela Johnston, Robert Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production Merrily We Roll Along This Olivier Award Winning Musical is a powerful, moving and compelling fable. Ran Jun 17, 2024 - Jun 22, 2024 Age guidance 12+ Venue Main House Running time 2.5 hours (inc. 20 mins interval) Tickets Price Range £16 - £18.50 Description “It's our time, breathe it in... Worlds to change and worlds to win” Spanning three decades in the entertainment business and told in reverse order, Merrily We Roll Along charts the turbulent relationship between composer Franklin Shepard and his two lifelong friends — writer Mary and lyricist & playwright Charley. A powerful, moving, thrilling and compelling fable about friendship, compromise and the high price of success. An inventive, cult-classic ahead of its time, Merrily We Roll Along features some of Stephen Sondheim’s most celebrated, personal and beautiful songs including “Good Thing Going”, “Not A Day Goes By” and “Our Time”. This unmissable Musical Comedy is a spirited and cautionary tale for anyone who has ever pursued a dream. Originally opening on Broadway in 1981, and having countless revivals and and revisions along the way, Merrily We Roll Along found great success in 2013 when London’s Menier Chocolate Factory produced the production, which subsequently transferred to the Harold Pinter Theatre to critical acclaim - the most five-star reviews in West End history - and winning the Olivier Award for Best Musical. It has most recently returned to Broadway, starring Daniel Radcliffe. Reviews "A funny, clever and warm adaptation of an underperformed classic... To quote a song from the show ‘It’s a Hit’!!" Helen Harrison - North West End UK Read the full review HERE 5 STARS from Rick Bowen - Stagestruck "Fabulous, flawless and a must see." Read the full review HERE Gallery Trailer Trigger Warning This production contains some mild language and adult themes. Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Previous Next Rita Howard Rita was a fine dramatic actress who joined the Garrick in the 1960's, but she also occasionally played comedy roles such as Madame Arcati in Blithe Spirit . With her strong and powerful personality, she later became actively involved in the day-to-day running of the theatre, serving on the Executive Committee for many years. She was also a leading member of the Play Selection and Casting Committee. Rita's overall contribution to the continued success of the Garrick cannot be underestimated. Back to In Memoriam page

Private Release Altrincham Garrick Summer Ball 2026 Date range Tickets £65 (Early Bird Offer) - £75 Age guidance 18+ Venue Double Tree by Hilton, Manchester Airport Trigger warning Find out more Book now Running time 5.5 hours Group bookings Find out more Accessibility Find out more Altrincham Garrick Summer Ball 2026 Come and Join Us for the Social Event of the Summer! Early Bird Rate: £65 per ticket Includes: Glass of fizz upon arrival 3-course meal Live magician Casino table Dancing into the night Location: Double Tree by Hilton, Manchester Airport Dress: Black Tie Early bird tickets: Available until Friday 1st May! After this, prices rise to £75 . Limited spaces, so book early to secure your discounted ticket. Private Release Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Previous Next Chris Shepherd Chris was a journalist with the Oldham Evening Chronicle and worked and performed at the Oldham Coliseum. In 1982, the then Artistic Director, Chris Fogg, cast Chris as Norman Bates in the World Amateur Premiere of Psycho . This obviously created huge media interest, which resulted in audiences queueing round the block. From then, until his untimely death in 1987, Chris directed many plays at the Garrick including How the Other Half Loves by Alan Ayckbourn, 'The Killing of Sister George , The Prime of Miss Jean Brodie , Agatha Christie's Dial M for Murder and, most famously for all who saw it, Having a Ball by Alan Bleasedale which, by the end of its run, was a total sell-out with some ladies including the WI booking more than once! He also directed a massive version of The Tempest , set in the future on an isolated planet. He was also an accomplished musician, and played the piano in many Manchester hotels, bars and pubs. Back to In Memoriam page

Return to Productions Archive Garrick Productions The Vicar of Dibley Dec 2013 Geraldine Granger is a non-traditional, chocolate loving, rock n' roll playing vicar, but that is not what gets the traditional and bizarre citizens of Dibley in an uproar. It's because she is a woman! Still, that doesn't stop Geraldine from proving her worthiness to the village in this hilarious adaptation of the popular TV comedy by the original author, Ian Gower. Ian says I very much hope that Garrick audiences enjoy the experience of seeing these wonderful characters come to life on stage, safe in the knowledge that all the royalties go straight to Comic Relief. Ran Dec 2, 2013 - Dec 7, 2013 Age guidance Venue Running time Tickets Price Range Description Geraldine Granger is a non-traditional, chocolate loving, rock n' roll playing vicar, but that is not what gets the traditional and bizarre citizens of Dibley in an uproar. It's because she is a woman! Still, that doesn't stop Geraldine from proving her worthiness to the village in this hilarious adaptation of the popular TV comedy by the original author, Ian Gower. Ian says "I very much hope that Garrick audiences enjoy the experience of seeing these wonderful characters come to life on stage, safe in the knowledge that all the royalties go straight to Comic Relief". CAST David Horton - David Reynolds Geraldine Granger - Victoria Johnson Hugo Horton - Hugh Everett Alice Tinker - Alison Davenport Letitia Cropley - Pat Williamson Jim Trott - Brian Tickle Frank Pickle - Bill Platt Owen Newitt - Andrew Higson Woman - Pat Head The Children - Zahra Ahmed, Amelia Beddy, Lucy Cotterell Jemma Gavin, Freya Gilbert, Nathan Ng Kitty Seth-Smith, Emily Stewart Prompt - Adele Taylor ASM - Pat Head Reviews From the Fiction Stroker in December 2013 https://thefictionstroker.wordpress.com/2013/12/03/the-vicar-of-dibley-live/ Taking a highly respected and successful TV sitcom and transporting it to the stage is not as straightforward as it might seem. Luckily, the Altrincham Garrick has the services of Ian Gower and Paul Carpenter. Gower has previous form having adapted and produced stage versions of other popular TV sitcoms like Dad’s Army and Porridge – and it shows in this affectionate and slick tribute to The Vicar of Dibley . For those not in the know, The Vicar of Dibley was a BBC sitcom that arose from from the Church of England allowing female vicars for the first time. Dawn French played Geraldine Grainger, a vicar assigned to the sleepy village of Dibley on and off from 1994-2007. Created and written by Richard Curtis (Four Weddings and a Funeral , Love Actually ) it was a significant hit with its blend of characters and gentle humour. Based on those scripts, Gower and Carpenter have taken many of the more memorable sections and distilled them into the Garrick’s adaptation. From the outrage of the Parish Council at the arrival of the new, female vicar through to Alice and Hugo’s unforgettable wedding, the Garrick’s production of Dibley is like a greatest hits package, and a rather splendid one at that. It is testament to the cross generation appeal of Dibley that people of all ages were filling up the Garrick’s seats. Dawn French’s depiction of Geraldine Grainger was perfection. French’s chocolate chomping, fun loving vicar was rightly a comedy highlight of the 1990s. Victoria Johnson has the difficult task of stepping into these shoes and pulls the role off with aplomb. An absolute triumph, she completely embodies the character and retains a slight French influence whilst still putting her own energetic and feisty mark on the character. It’s been commented that The Vicar of Dibley is something of an ensemble piece rather than being a vehicle for its main star. The same is true of the Garrick’s adaptation with a strong core cast of 8 sharing more or less equal stage time. It therefore becomes difficult to single out specific performances. Brian Pickle brings the idiosyncratic Jim Trott to life entertainingly with much of his performance prefaced with the character’s trademark ‘No, no, no, no..’ whilst Pat Williamson’s woeful cooking efforts as Letitia Cropley provide much amusement. David Reynolds’ ruthlessly officious David Horton is the perfect foil for Bill Platt’s mercilessly pedantic Frank Pickle. However, it is Andrew Higson’s note perfect Owen Newitt with his laconic delivery and risque comments that steals the show. Higson’s performance evokes disgust and sympathy from the audience in equal measure, with him proving to have impeccable comic timing. Hugh Everett’s physicality is put to good use as Hugo Horton’s awkwardness and shy nature manifest themselves whilst around Alison Davenport’s adorably dippy Alice Tinker. Everett and Davenport go under an endurance test of sorts during the performance, the exact circumstances of which I won’t mention here – but provided much hilarity for the audience! Celia Bonner’s direction completely gets the gentle nature of Dibley and makes for a formidable pairing when combined with Barry Fletcher’s excellent set design. It’s testament to the whole team that several times during the performance I caught myself believing I was watching the television version rather than a stage one. Close your eyes briefly, and you can believe you are listening to the original cast. By the time that David pleads with Geraldine to stay at the conclusion, you’re wishing you could see more of this excellent production – and with all royalties going to Comic Relief, you have no reason not to treat yourself this Christmas. The Fiction Stroker gives The Vicar of Dibley five strokes out of five. The Vicar of Dibley runs until Saturday 7 December at the Altrincham Garrick on Barrington Road, Altrincham. There is limited availability so book now! With thanks to the Altrincham Garrick. MESSENGER REVIEW By Julia Taylor Dippy vicar of Dibley wins hearts at Altrincham Garrick The warm-hearted, scatter-brained Vicar of Dibley has come to Altrincham Garrick. She isn't the Dawn French you saw between 1994 and 2007 but their very own Victoria Johnson. Victoria wins our hearts in this re-run of old episodes especially adapted for stage by Ian Gower and Paul Carpenter. She gets into scrapes, mostly of her own making, and tells the familiar, corny jokes. She comes across as a woman who loves life and is, consequently, loved back by the audience. Other familiar characters remind us of how funny this series was. We have inspired performances by Ali Davenport as the Rev's sidekick, the dopey verger, Alice, David Reynolds as the self-important David, Chairman of the Parish Council and Andrew Higson as farmer Owen who fancies the new incumbent. Another one with a glint in his eye is Hugh Everett as Hugo, David's not very bright son, who falls for Alice. I love the scene where, egged on by the vicar, they enjoy a marathon of a first kiss! Director, Celia Bonner, includes the programme's beautiful version of psalm 23. It brings back memories to the audience. After all, that is what they are here for. The highlight is the wedding of Alice and Hugo. What an amazing dress it is with love hearts all over it! The programme proudly includes a letter from Ian Gower mentioning that royalty monies will go to Comic Relief. We, too, enjoy comic relief. NODA REVIEW by Kevin Proctor So far this season, the Garrick box office have had exceptional responses to the selection of plays and musicals for this special season and judging from the turn out for The Vicar Of Dibley, this has clearly added to the list of success! Long may it continue! This warm and faithful stage adaptation of the popular BBC sitcom has jumped on the same trolley as Calendar Girls with an appealing charity attraction. The writers of the TV series have pieced together the shows most loved and memorable scenes to create a full length piece of theatre and are donating all of the royalty fees to Comic Relief. The script doesn't particularly translate very easily as the scenes are quite short and don't flow into one another particularly well, but - the success of this piece can only rely on how well the actors impersonate these recognisable characters and Director, Celia Bonner was certainly aware of that factor! Doing one thing we were always taught not to do; imitate the original! Being a huge fan of the TV programme it was evident how each player had studied the madcap bunch of characters; from the delivery and vocal infliction of the sentences to the length of the pauses, of course the blocking, each of the characters gestures and mannerisms had all been studied, every detail was exact to the show which added to the comedy. The story encapsulated the majority of the original show, from Geraldine's arrival in Dibley (Played by Victoria Johnson), her affection for chocolate, and the love affair between nice-but-dim couple Hugo and Alice. As with the TV show, all the fun was provided by the supporting cast. Stern councillor David Horton was played with plenty of stiff upper lip by David Reynolds, aghast that his son Hugo (Hugh Everett) was set to wed barmy Alice (Ali Davenport). All of the famous characters were very well executed but farmer Owen Newitt (played Andrew Higson) delivered my personal favourite and I'd say the most accurate interpretation of these characters to the stage, closely followed by Hugh's Hugo! Each of the many scenes provided a belly-laugh or two, all of which culminated in a wedding that had to be seen (again) to be believed. It was a riotous ending to an extremely enjoyable adaptation of a much-loved series. Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production The White-Headed Boy Ran Jan 1, 1921 - Jan 1, 1921 Age guidance Venue Running time Tickets Price Range Description By Lennox Robinson CAST Gorman, Nell Hellin, Doris Hill, Arthur P Mason, Edward Matthews, Marion Thwaite Owen, Gwen Owen, Tom Pownall, Clarence Warburton, Ida Winn, Rex Wilkinson, John Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Visiting Production Pinked Floyd Date range Tickets £25 Age guidance Venue Main House Trigger warning Find out more Book now Running time TBC Group bookings Find out more Accessibility Find out more This eight-piece tribute band is delighted to return to the Garrick with an engaging and energetic performance celebrating the magical music of Pink Floyd. A stunning light and video show compliment their exciting and amazingly accurate performance of music spanning the entire output of the Floyd, with a selection of tracks from the timeless albums Dark Side of the Moon, The Wall, The Division Bell, Wish You Were Here, Animals, A Momentary Lapse of Reason as well as delving deeper into the Floyd back catalogue. Visiting Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews "Blown away by this band. Professional and talented on the next level!! I've sound engineered touring bands for many years and not many bands grab my attention the way these guys did.” (James). “I’m a lifelong Floyd fan and this was one of the best tribute band performances I’ve ever seen (and I’ve seen plenty)” (Mike Halls). “I've seen a number of Pink Floyd tribute bands over the years and I can honestly say that Pinked Floyd are by far the best. Never have I seen a group full of SUCH incredibly talented musicians, a lead guitarist that's so good you can't take your eyes off him and a singer so unbelievably good you can't breathe .... Pinked Floyd you nailed it!” (Joe Max). “My heroes will never be forgotten as long as you are on the stage and that’s from a 68-year-old roadie of the original PF! You are another brick in the wall!" (David Larkin, former PF roadie) Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Return to Productions Archive Garrick Productions Breath of Spring Ran Jan 1, 1960 - Jan 1, 1960 Age guidance Venue Running time Tickets Price Range Description Taylor, Pegeen Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

We are looking for creative, talented, pragmatic, friendly and organised team players to join our working volunteer community here at the Garrick. About Us Vacancies Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. Volunteering If you’re interested in volunteering at Altrincham Garrick Playhouse whether it be front of house or backstage and you wish to find out more, please email us on boxoffice@altrinchamgarrick.co.uk Paid Roles In House Cleaner We’re looking for a reliable, friendly in-house cleaner to join our small and welcoming team at the Altrincham Garrick Playhouse. About the Role Weekly Hours: Minimum 12 hours per week, rising to up to 16 hours during busy periods Contract: Permanent role with flexible hours Start date: As soon as possible Pay: Hourly rate (details available on request) Holiday: 28 days per year (pro rata), including public holidays or days in lieu Regular Weekly Hours Monday, Wednesday, Thursday, Friday: 2.5 hours per day (typically worked between 7:00am–10:00am) Saturday: 2 hours (7:00am–9:00am), with a requirement to work at least 3 Saturdays per month Tuesday: No regular shift This schedule typically totals around 12 hours per week. Additional Hours (as required) Extra weekend hours during busy periods, including double-show weekends and pantomime season May increase to up to 16 hours per week This may include Sundays and afternoon/evening work between matinee and evening performances About You We’re looking for a team player who is flexible, dependable, and happy to pitch in. Someone who understands the rhythm of a live theatre environment and takes pride in keeping a much-loved venue clean and welcoming. If you enjoy working behind the scenes and being part of a close-knit team, we’d love to hear from you. For more information, please contact: s.reilly@altrinchamgarrick.co.uk Applications will be accepted until the role is filled. ✨Come and be a part of the magic that makes the Garrick shine! ✨ Assistant Drama Tutor - Join Our GAPA Academy! The Garrick Academy of Performing Arts at Altrincham Garrick Playhouse is looking for a passionate Assistant Tutor to support our vibrant Saturday drama classes for young people aged 5–18. About the role: Support drama sessions for ages 8–11 or 11–14 Lead warm-ups, games & creative activities Help develop students’ confidence and performance skills Assist with showcases and our annual production Occasionally supervise sessions independently When & Where: Saturdays, 8:45am –1:45pm Three Terms per year and two weeks of Summer School Altrincham Garrick Playhouse We’re looking for someone who: Has experience in drama, theatre and youth groups Enjoys working with young people Is organised, enthusiastic, and a team player Can step up and lead when needed Performing Arts training or qualifications Experience in teaching/support roles or productions Start: Immediate Contract: Term-based (long-term preferred) Apply now: Email Sarah Reilly for Job Role and Person Specification at s.reilly@altrinchamgarrick.co.uk Interviews planned for a Saturday in May 2026 ✨Help inspire the next generation of performers!✨ Join our mailing list Subscribe

Return to Productions Archive Garrick Productions 'Allo 'Allo Ran Nov 30, 2009 - Dec 5, 2009 Age guidance Venue Running time Tickets Price Range Description Rene Artois wants peace and quiet to run his cafe and 'ave is way' with waitresses Yvette and Mimi without wife Edith catching him out. Unfortunately there is a war on. The Resistance needs his help and Rene wants to avoid being shot by the Germans. You know the rest, totally hilarious. Cast Graham Simmonds as Rene Artois Angela Wetherill as Edith Artois Laura Chandler as Yvette Carte-Blanche Paula Keen as Mimi La Bonq Jacqueline Wheble as Michelle Dubois Brian Tickle as Colonel Kurt Von Strohm Mandy White as Private Helga Geerhart Mike Shaw as Herr Otto Flick Barry Spencer as Captain Alberto Bertorelli David Leathlean as Officer Crabtree Brian Hewlett as Monsieur Le Clerc Richard Layfield as Lieutenant Hubert Gruber Frank Boylan as General Ludwig Von Schmelling Stuart Bilson as 1st Airman Pete Blain as 2nd Airman Reviews Sale & Altrincham Messenger's Review by Rick Bowen While Altrincham Garrick's production of Dads' Army really gave you a flavour of the original, 'Allo 'Allo ' merely tickles the taste buds. There are some magical comedy moments to enjoy but for me, there's a lack of pace in places. In saying that though, there's every reason to assume the tempo will increase as the run progresses. Now I know Rene the randy cafe owner is the main character, but the performance of the evening comes from Barry Spencer as the incurably vain Captain Alberto Bertorelli. His impersonation of a ranting and rabid Adolf Hitler is worth the ticket money on its own. Graham Simmonds as Rene demonstrates his gift for both verbal and visual comedy, ably assisted on one occasion by an inflatable Adolf. That scene is so funny you could easily crack a rib or two and there's an enjoyable chemistry between Graham and Angela Wetherill who plays his long suffering wIfe Edith, a woman who is desperate for the spark to return to her passion free marriage. Steve Bradshaw has designed an attractive set that serves as everything from a cafe interior to Rene and Edith's bedroom. It allows the production to flit from scene to scene with admirable smoothness. If you're a fan of the original TV series or a lover of old school comedy garnished with a little sauce, you'll love this. Star Rating ★★★ Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production Present Laughter (2022) Lighthearted Comedy Ran Feb 28, 2022 - Mar 5, 2022 Age guidance Venue Running time Tickets Price Range Description CANCELLED PRODUCTION Unfortunately, our production of “Present Laughter” by Noel Coward has had to be cancelled due to an illness within the cast. The illness is not related to Covid-19 and this does not affect any other production. If you have already booked tickets to see this production, we are terribly sorry to disappoint you as we know you will have been looking forward to your visit. Our Box Office staff will be contacting everyone to advise you of your options. Please do not contact us, we will contact you as soon as possible. We apologise for any inconvenience caused and thank you for your understanding. Best wishes, Sarah Reilly (Operations Director) & Joseph Meighan (Artistic Director) By Noel Coward Directed by Carole Carr At the centre of his own universe sits matinee idol Garry Essendine: suave, hedonistic and too old, says his wife, to be having numerous affairs. His life is spiralling out of control… He is plagued with worry about his looming theatrical tour of Africa, being middle aged, his receding hairline and the friends who bring their bizarre problems to him. Engulfed by an escalating identity crisis, as his sprawling myriad of relationships compete for his attention, Garry’s few remaining days at home are a chaotic whirlwind of love, sex, panic and soul-searching. Noël Coward’s Present Laughter premiered in the early years of the Second World War just as such privileged lives were threatened with fundamental social change but now this play is a surprisingly modern reflection on fame, desire and loneliness and, of course, is extremely funny! Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production The Mirror Crack'd Thrilling story of revenge and dark secrets based on Agatha Christie's 1962 novel Ran Feb 23, 2026 - Mar 1, 2026 Age guidance 12+ Venue Main House Running time TBC Tickets Price Range £13 - £18 Description THE MIRROR CRACK’D Written by Agatha Christie Adapted by Rachel Wagstaff Directed by Mike Shaw 1960s England, and a wind of change is blowing through the land. It has even reached the sleepy village of St. Mary Mead. There’s a new housing estate to make the villagers curious and fearful. And even stranger, a rich American film star has bought the Manor House. Jane Marple, confined to a chair after an accident, is wondering if life has passed her by. Then there is a vicious murder, and Miss Marple must unravel a web of lies, tragedy and danger. This adaptation of Agatha Christie’s 1962 novel, The Mirror Crack’d , brings real emotional depth and psychological insight to a thrilling story of revenge and the dark secrets that we all hide. But can anything be hidden from Miss Marple, the sweet old lady with mind like a steel trap? Reviews S tagestruck - Rick Bowen “… the Garrick has a sure fire hit on its hands.” - Rick Bowen Read the 4.5 star review HERE Gallery Trailer Trigger Warning This production references to murder, criminal activity, mental illness, grief, infertility, and self-harm. Age Guidance: 12 + Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Cinema NATIONAL THEATRE LIVE: All My Sons Filmed live from the West End and shown on the Big Screen at the Garrick Ran Apr 22, 2026 Age guidance Venue Main House Running time TBC Tickets Price Range £18 - £21 Description All My Sons by Arthur Miller, directed by Ivo Van Hove and design by Jan Versweyveld. Bryan Cranston (Breaking Bad) and Marianne Jean-Baptiste (Hard Truths) feature in a five-star, triumphantly acclaimed new production of Arthur Miller’s classic play, from visionary director Ivo Van Hove (A View from the Bridge). One family, the heart of the American dream. When wartime delivers profits for Joe, it comes at a price when his partner is charged with criminal manufacturing deals, and his eldest son goes missing in action. Will peacetime bring peace of mind, or will he be confronted by the consequence of his actions? Filmed live from the West End, Paapa Essiedu (I May Destroy You), Tom Glynn-Carney (House of the Dragon), and Hayley Squires (I, Daniel Blake) also feature in this disturbingly prescient play. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Productions Caught Napping Ran Jan 1, 1960 - Jan 1, 1960 Age guidance Venue Running time Tickets Price Range Description Davenport, Claire Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Our regular newsletters contain details of forthcoming shows, news about the theatre and updates on our various groups and activities. It's absolutely FREE. Mailing List Enter your email address and we'll keep you updated with what's going on at the Altrincham Garrick Playhouse. This will sign you up to receive communications from the Garrick including: emails about future events and offers, postal mailings about future events and offers, opportunities to support the Garrick, and Creative Engagement information opportunities and news. You'll receive one or two emails per week. To choose which communications you’d like to receive, log in to your account to update your contact preferences, after you’ve signed up. Sign up for our mailing list First Name Last Name Email Address Please confirm that you have read our privacy policy? * I have read and accepted the privacy policy Submit Thanks for submitting!

This page is part of the Booking Journey, for booking events and tickets at the Altrincham Garrick Playhouse. Your Basket Your selection Basket Checkout Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

A large number and huge variety of theatrically-approved Prop Weaponry is available for hire. Garrick Hire Prop Weaponry Hire Hire prop weaponry from the Garrick for Stage, Film and Television About the Armoury Prop Gun & Rifle Hire Prop Swords, Knives & Miscellaneous In 2022, the Altrincham Garrick took over management of the prop weapons hire business from HW Ltd of Denton, Greater Manchester. This includes a complete stock of weapons, including blank-firing and replica firearms (pistols, rifles and more), stage-safe pointed weapons (daggers, swords and more) and a variety of related items. The Garrick offers the same high standard of service that many organisations around the UK enjoyed from HW Ltd. This large collection of theatrical weapons is available to hire from us directly at the Garrick. Supply is from our secure storage in Altrincham. Please Note: we hire only to companies (amateur or professional) for use in stage, film or television productions. By law, our licence does not allow us to provide hire to the general public, or for any other purposes. Hire Form We welcome enquiries of all sorts. Please fill in our online form , hit the button above, call us us on 0161 928 1677 or email hire@altrinchamgarrick.co.uk . About Our Prop Weapon Hire Service Established in 1980, Howorth Weapons Limited supplied stage weapons from its warehouse in Denton. These were hired out to theatre, film, TV and other similar organisations. In 2022 it moved home to the Altrincham Garrick, and the same weaponry hire service is now available via our Hire Department. No project is too small. Please call our knowledgeable and friendly experts to discuss your prop weapon requirements; we are always happy to help. We provide the fastest possible service, however for some items we are legally required to carry out background checks. We may need a minimum of three weeks notice prior to the required dates. Rules & Restrictions Altrincham Garrick does not hire out items for fancy dress, private parties, themed events or carnivals. We do not supply to the general public. All weapons are covered by the Criminal Justice Acts, the Firearms Act or the VCR Act (2006). We do not stock or supply any live weapons. They are all deactivated, non-practical or dummies, for use in stage shows, film, television and photographic/video. We do stock and can supply blank-firing guns (pistols, rifles and more). These come with more stringent handling requirements. We do not supply “fighting weapons”, only costume, set-dressing and non-practical items. This section provides a guide, to you as a hirer, about applicable rules and regulations. We try to keep these up to date, but they change occasionally. Please let us know if you want to check and confirm the rules which apply to your unique circumstances using the form below: FILM / TV / VIDEO Special regulations apply to all Film, TV, Video and Photographic uses for guns and weapons. Click the title above for a copy of the current rules. THEATRE Click the title above for the latest rules regarding the use of weapons and guns in an outdoor scenario for Theatre. TRANSPORT Transport of all weapons has strict rules and regulations which must be adhered to. For a copy of the current transport recommendations click the title above. Hire Form Join our mailing list Subscribe

Previous Next Terry Chandler Terry Chandler was a very well-known figure throughout Manchester dramatics, and the theatre is very proud that he called the Garrick "home". He performed on the Garrick stage many times, and will always be remembered for the role of Albin in La Cage Aux Folles , which became his from the first moment he pulled on his frock. La Cage Aux Folles was such a success that it was performed for a total of 8 times, due to unprecedented public demand. A Garrick record. Many in the audience came to multiple performances, often in fancy dress. The show created an electric atmosphere and the finale was always greeted by a standing ovation. Terry also performed his Albin at Oldham Coliseum. . Terry also served on the Executive Committee, and directed many plays and musicals at the Garrick and elsewhere. He won awards from NODA and GMDF both for acting and directing, and NODA established "The Terry Chandler Award for Best All Round Performer" in his memory. Terry died tragically too early, of a heart attack in 2008, leaving his wife Anne and daughter Laura to carry on his support for the Garrick. See also this tribute from the Manchester Evening News. Back to In Memoriam page

We are always looking for actors of all agesto appear in our productions. No previous experience is necessary, simply sign up here to be auditioned. Get Involved Auditions Come and act in one of the 18 productions that the Altrincham Garrick Society produces each season ! Please refer to the Garrick Actor’s Guide for all information about auditioning for acting roles in our 2025/2026 Season at Altrincham Garrick Playhouse. Download the Actor's Guide for the 2026-2027 Season In addition, each production has a dedicated audition pack, which will be uploaded to our website about 4 weeks before the auditions, and which will include information about what to prepare, character descriptions and more. Note that the Altrincham Garrick is a non-professional organisation, meaning that actors are not paid. If you have any questions about the casting process, please email casting@altrinchamgarrick.co.uk Auditions for Upcoming Productions Auditions for JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT - Altrincham Garrick Playhouse AUDITIONS FOR "JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT " - Altrincham Garrick Playhouse The Audition Date for this production is Sunday 31st May The Rehearsal Start Date for this production is Sunday 6th September The Production Dates for this production are 22nd October - 1st November 2026 Director: Joseph Meighan Musical Director: Andrew Saunders Music Supervisor: Simon Mercer- Murray Choreographer: Louise Pettitt Step into a world of vibrant colour, unforgettable music, and thrilling storytelling with Joseph and the Amazing Technicolor Dreamcoat! This beloved musical by Andrew Lloyd Webber and Tim Rice is a dazzling all-singing and all-dancing journey of dreams, resilience, and joy! Joseph and the Amazing Technicolor Dreamcoat is the enduring reimagining of the Bible story about Joseph, his family and the famous “coat of many colours”. Filled with catchy songs in a plentitude of styles, including the well-known hits “Any Dream Will Do” and “Close Every Door”, and perfect for all ages, this family-friendly production combines humour, heart, and show-stopping songs in a way that’s truly timeless. The Version of JOSEPH that we are producing includes all the extended dance breaks, full vocal parts, and the MEGAMIX. It is the professional UK tour edition. We are a diverse theatre and we welcome auditionees of all ages (above the age of 18) and all genders, ethnicities, sexualities, disabilities and races, to enrich the work of the production. For more information, please check out our Audition Pack below! Rehearsals : Every Monday, Wednesday and Friday 7.30pm – 10pm, and every Sunday 2pm – 5.30pm Click on our AUDITION PACK below for more information! Download the "JOSEPH" Audition Pack Auditions for Upcoming Productions Auditions for PRIDE AND PREJUDICE - Altrincham Garrick Playhouse AUDITIONS FOR "PRIDE AND PREJUDICE " - Altrincham Garrick Playhouse The Audition Date for this production is Tuesday 26th May The Rehearsal Start Date for this production is Sunday 23rd August The Production Dates for this production are 28th September - 4th October 2026 Adapted for the Stage by Andrew Davies Based on the Novel by Jane Austen Directed by Carole Carr "It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife." Experience Jane Austen's classic tale of hate to love, revitalised in this production full of laughter, colour, and life. When it comes to the subject of marriage, headstrong Elizabeth Bennet is determined to resist the mounting pressures and expectations from society. Amidst the glittering swirl of balls, gossip and the hypocrisy of Regency England, Elizabeth encounters the arrogant, aloof, but infuriatingly eligible Mr Darcy. The two are more alike than they care to admit and their tempestuous journey from “tolerable” to love triumphant is one of literature’s most iconic romances. Austen’s most iconic love story is brought dazzlingly to life in this delightful stage adaptation by Andrew Davies, author of the iconic 1995 BBC TV adaptation. If you love your Bridgeton , you simply cannot miss this! We are a diverse theatre and we welcome auditionees of all ages (over the age of 18) and all genders, ethnicities, sexualities, disabilities and races, to enrich the work of the production. Rehearsals : Every Monday, Wednesday and Friday 7.30pm – 10pm, and every Sunday 2pm – 5.30pm Click on our AUDITION PACK below for more information! Download the "PRIDE AND PREJUDICE" Audition Pack All in-house Garrick productions are cast by auditions. Once you’ve read all the information in the relevant audition pack, and if you wish to audition, then please email casting@altrinchamgarrick.co.uk with the name of the production in the Subject field, and include your name and contact number. By emailing, you will have registered for an audition. To sign up to our Actor’s Mailing List (to receive regular updates about upcoming auditions) please email casting@altrinchamgarrick.co.uk . Auditions are confirmed and announced here on this page. Auditions are also announced on our own Facebook page and Twitter Feed: https://www.facebook.com/AltrinchamGarrick/ https://twitter.com/AltrinchamG Join our mailing list Subscribe

Previous Next Terry Panton Terry was a very popular and versatile actor throughout the 1970s, taking on many leading roles. He first appeared at the Garrick in a little-known play called Summertime , in 1969. His other credits included Boeing Boeing ; The Lion in Winter ; Midsummer Night's Dream ; Barefoot in the Park ; Royal Hunt of the Sun ; Ayckbourn's Time and Time Again and Trespass by Emlyn Williams. Terry, alongside his wife Linda, also played a full role in the social life at the Garrick. Back to In Memoriam page

We pay tribute and honour our friends at the theatre who are no longer with us. About Us In Memoriam: Past Members of the Garrick This page pays tribute to and honours our friends at the theatre who are no longer with us. About the Theatre History of the Garrick In Memoriam: Past Members of the Garrick Productions Archive Past Members and Remembrance We pay tribute and honour our friends at the theatre who are no longer with us. There are undoubtedly missing names to be added, so if you have memories, photos and updates to this roll call of past members, please contact us and we will be delighted to include them. Please contact webmaster@altrinchamgarrick.co.uk Allan Taylor Anne Chandler Audrey Hughes Audrey Skinner (née Lawson) Barbara Fraser Barry Fletcher Brian Moore Brian Tickle Buff Monck Charles Foster Chris Shepherd Chris Wetherill Christine Sammon (née Adams) David Gonet David Mardon Derek Cleal Derek Killeen Derrick Kay Diana Provan (née Harker) Don Poole Eric Bradshaw Frank Boylan Freda Kilburn Gareth Gwenlan Geoff Bolton Geoff Hinde George Howard George Kilburn Gerry Turnock Gordon Prentice Greta Donahue Harry Williams Ian Appleyard Ian Crownshaw Izzy (Valerie Isabel) Dempsey Jan Maddox Janet Slade Jeanne Anderson Jennie Holman Jim Luckett Jim O'Gara John Chidgey Ken Curragh Ken Weston Liam Sammon Linda Panton Maggie Foy Marion Eaves Maureen Casket Maureen Halliday Mike Stocks Nick Johnson Norma Noar Pamela Knox Pat Williamson Paula Hall (née Tilbrook) Peter Coatman Peter Jackson Phil Gleave Phil Lynch Richard Honeyman Rita Howard Roger Metcalfe Ron Harvi Sheila Hine Sid Horton Sir Fergus Montgomery Stella Fogg Stella Sails (née Doyle) Stephen Wardale Stevie Salem (née Holt) Sybil Dodds Sylvia Hay Terry Chandler Terry Panton Tony Mathews Val Bacon Val Lynch Val Watkinson Verity Fairclough Join our mailing list Subscribe

This page is part of the Booking Journey, for booking events and tickets at the Altrincham Garrick Playhouse. Your Selection Your selection Basket Checkout The girl on the train 18 - 26 October 2023 Please select the performance Thu 19 Oct 14:00 PM Book Now Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

The Altrincham Garrick Playhouse recognizes its duty of care under the Children and Young Persons Act 1963, the Child (Performances) Regulations 1968, the Protection of Children Act 1999 and the Criminal Justice and Court Services Act 2000. The Academy Altrincham Garrick Child Protection Policy Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. The Altrincham Garrick Playhouse recognizes its duty of care under the Children and Young Persons Act 1963, the Child (Performances) Regulations 1968, the Protection of Children Act 1999 and the Criminal Justice and Court Services Act 2000.The society recognizes that abuse can take many forms, whether it be physical abuse, emotional abuse, sexual abuse or neglect. The society is committed to practice which protects children from harm. All members of the society accept and recognize their responsibilities to develop awareness of the issues which cause children harm. The society believes that: The welfare of the child is paramount; All children, whatever their age, culture, disability, gender, language, racial origin, religious beliefs and/or sexual identity have the right to protection from abuse; All suspicions and allegations of abuse should be taken seriously and responded to swiftly and appropriately; All members and employees of the society should be clear on how to respond appropriately. The society will ensure that: All children will be treated equally and with respect and dignity; The welfare of each child will always be put first; A balanced relationship based on mutual trust will be built which empowers the children to share in the decision making process; Enthusiastic and constructive feedback will be given rather than negative criticism Bullying will not be accepted or condoned; All adult members of the society provide a positive role model for dealing with other people; Action will be taken to stop any inappropriate verbal or physical behaviour; It will keep up-to-date with health & safety legislation; It will keep informed of changes in legislation and policies for the protection of children; It will undertake relevant development and training; It will hold a register of every child involved with the society and will retain a contact name and number close at hand in case of emergencies. The society has child protection procedures which accompany this policy. This policy should also be read in conjunction with the society’s Theatre Handbook and Health & Safety Policy. The society has a dedicated Child Protection Officer, who is in charge of ensuring that the Child Protection policy and procedures are adhered to. This policy will be regularly monitored by the Executive Committee of the society and will be subject to annual review. Child Protection Procedures Responsibilities of the Society At the outset of any production involving children the society will: Undertake a risk assessment and monitor risk throughout the production process; Identify at the outset the person with designated responsibility for child protection; Engage in effective recruitment of chaperones and other individuals with responsibility for children, including appropriate vetting (if necessary in consultation with the local education authority); Ensure that children are supervised at all times; Know how to get in touch with the local authority social services, in case it needs to report a concern. Parents The society believes it to be important that there is a partnership between parents and the society. Parents/guardians are encouraged to be involved in the activities of the society and to share responsibility for the care of children. All parents will be given a copy the society's Child Protection Policy and procedures .All parents/guardians have the responsibility to collect (or arrange collection of) their children after rehearsals or performances. It is NOT the responsibility of the society to take children home. Unsupervised Contact The society will attempt to ensure that no adult has unsupervised contact with children. If possible there will always be two adults in the room when working with children. If unsupervised contact is unavoidable, steps will be taken to minimize risk. For example, work will be carried out in a public area or in a designated room with a door open. If it is predicted that an individual is likely to require unsupervised contact with children, he or she may be required to obtain a criminal record disclosure. Physical Contact All adults will maintain a safe and appropriate distance from children. Adults will only touch children when it is absolutely necessary in relation to the particular activity. Adults will seek the consent of the child prior to any physical contact and the purpose of the contact shall be made clear. Managing sensitive information The society has a policy and procedures for the taking, using and storage of photographs or images of children. Permission will be sought from the parents/guardians for use of photographic material featuring children for promotional or other purposes. The society’s web-based materials and activities will be carefully monitored for inappropriate use. The society will ensure confidentiality in order to protect the rights of its members, including the safe handling, storage and disposal of any sensitive information such as criminal record disclosures. Suspicion of abuse If you see or suspect abuse of a child while in the care of the society, please make this known to the person with responsibility for child protection. If you suspect that the person with responsibility for child protection is the source of the problem, you should make your concerns known to the Chairman. Please make a note for your own records of what you witnessed as well as your response, in case there is follow-up in which you are involved. If a serious allegation is made against any member of the society, chaperone, venue staff etc., that individual will be suspended immediately until the investigation is concluded. The individual will be excluded from the theatre; rehearsal rooms etc. and will not have any unsupervised contact with any other children in the production. Disclosure of abuse If a child confides in you that abuse has taken place: Remain calm and in control but do not delay taking action. Listen carefully to what has been said. Allow the child to tell you at their own pace and ask questions only for clarification. Don’t ask questions that suggest a particular answer. Don’t promise to keep it a secret. Use the first opportunity you have to share the information with the person with responsibility for child protection. Make it clear to the child that you will need to share this information with others. Make it clear that you will only tell the people who need to know and who should be able to help. Reassure the child that they did the right thing in telling someone. Tell the child what you are going to do next. Speak immediately to the person with responsibility for child protection. It is that person’s responsibility to liaise with the relevant authorities, usually social services or the police. As soon as possible after the disclosing conversation, make a note of what was said, using the child’s own words. Note the date, time, any names that were involved or mentioned, and who you gave the information to. Make sure you sign and date your record. Recording In all situations, including those in which the cause of concern arises from a disclosure made in confidence, the details of an allegation or reported incident will be recorded, regardless of whether or not the concerns have been shared with a statutory child protection agency. An accurate note shall be made of the date and time of the incident or disclosure, the parties involved, what was said or done and by whom, any action taken to investigate the matter, any further action taken e.g. suspension of an individual, where relevant the reasons why the matter was not referred to a statutory agency, and the name of the persons reporting and to whom it was reported. The record will be stored securely and shared only with those who need to know about the incident or allegation. Rights & Confidentiality If a complaint is made against a member of the society he or she will be made aware of their rights under the society's disciplinary procedures. No matter how you may feel about the accusation, both the alleged abuser and the child who is thought to have been abused have the right to confidentiality under the Data Protection Act 1998. Remember also that any possible criminal investigation could be compromised through inappropriate information being released. In criminal law the Crown or other prosecuting authority has to prove guilt and the defendant is presumed innocent until proven guilty. Accidents To avoid accidents, chaperones and children will be advised of ‘house rules’ regarding health and safety and will be notified of areas that are out of bounds. Children will be advised of the clothing and footwear appropriate to the work that will be undertaken. If a child is injured while in the care of the society, a designated first-aider should administer first aid and the injury will be recorded in the society’s accident book. This record will be counter-signed by the person with responsibility for child protection. If a child joins the production with an obvious physical injury a record of this will be made in the accident book. This record will be counter-signed by the person with responsibility for child protection. Criminal Record Disclosures If the society believes it in is in its best interests to obtain criminal record disclosures for chaperones or other personnel it will inform the individual of the necessary procedures and the level of disclosure required. An Enhanced disclosure will be required. The society will have a written code of practice for the handling of disclosure information and aim to prevent misuse. Chaperones Chaperones will be appointed by the society/appointed persons for the care of children during the production process. By law the chaperone is acting in loco parentis and should exercise the care which a good parent/guardian might be reasonably expected to give to a child. The maximum number of children in the chaperone’s care shall not exceed 12. Potential chaperones may be required to supply photographic proof of identity and two references from individuals with knowledge of their previous work with children, unless already well known to the society. They may also be asked to sign a declaration stating that there is no reason why they would be considered unsuitable to work with children. Chaperones will be made aware of the society’s Child Protection Policy and Procedures. Where chaperones are not satisfied with the conditions for the children, they should bring this to the attention of the director/stage manager. If changes cannot be made satisfactorily the chaperone should consider not allowing the child to continue. If a chaperone considers that a child is unwell or too tired to continue, the chaperone must inform the director/stage manager and not allow the child to continue. No child of compulsory school age is permitted to do anything which may endanger life or limb. This could include working on wires or heavy lifting. Chaperones should tell the director/stage manager to cease using children in this way, and should contact the local authority. During performances, chaperones will be responsible for meeting children at the stage door and signing them into the building. Children will be kept together at all times except when using separate dressing rooms. Chaperones will be aware of where the children are at all times. Children are not to leave the theatre unsupervised by chaperones unless in the company of their parents/guardians. Children will be adequately supervised while going to and from the toilets. Children will not be allowed to enter the adult dressing rooms. Chaperones should be aware of the safety arrangements and first aid procedures in the venue, and will ensure that children in their care do not place themselves and others in danger. Chaperones should ensure that any accidents are reported to and recorded by the society. Chaperones should examine accident books each day. If an accident has occurred, the producer is not allowed to use that child until a medically qualified opinion has been obtained (not just the word of the parent or child). Chaperones should have written arrangements for children after performances. If someone different is to collect the child, a telephone call should be made to the parent/guardian to confirm the arrangements. Children should be signed out when leaving and a record made of the person collecting. If a parent has not collected the child, it is the duty of the chaperone to stay with that child or make arrangements to take them home. This policy is applicable to and focuses on, children of compulsory school age and below. A child is required to attend school unless they are over the age of 16 on 31st of August, or until the last Friday in June after their 16th birthday. Join our mailing list Subscribe

Return to Productions Archive Garrick Production The Railway Children Much loved classic story of family, adventure and trains Ran Apr 8, 2026 - Apr 18, 2026 Age guidance 7+ Venue Main House Running time TBC Tickets Price Range £14 - £19 Description Written by E. Nesbit Adapted for the Stage by Mike Kenny Directed by Jonathan Barker "Try to imagine it as an adventure, all sorts of things might happen." A beloved children’s classic pulls in to the Altrincham Garrick Playhouse for the Easter holidays! When their father leaves suddenly under mysterious circumstances, Bobbie, Peter, Phyllis and their mother must move to a small cottage in rural Yorkshire where life is very different. The children meet new friends, save the day and divert disasters, and along the way discover a world full of imagination, love and resilience. All aboard for Mike Kenny’s delightful adaptation of E. Nesbit's much-loved story of family, adventure and trains. Capturing all of the angsts and exhilarations of childhood, it promises to be a heart-warming treat for all ages! Mike Kenny's version of The Railway Children was first staged at the National Railway Museum in York in 2008, before receiving a major production at Waterloo Station in London in 2010. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production Goldilocks & The Three Bears A rip-ROARing Panto FUR all the Family! Ran Dec 5, 2025 - Jan 4, 2026 Age guidance 3+ Venue Main House Running time Tickets Price Range £15 - £19 Description Roll up! Roll up! The Circus is in town! Dame Gertie Dollop runs a Circus show with her son - Silly Billy, but they have fallen on hard times particularly with the dastardly Ringmaster Heinkel, owner of the rival 'Circus of Horrors' up to his devious old tricks. Goldilocks dreams of running away with the circus but her father the debt-collecting Baron Wasteland won't allow it and demands the overdue pitch fees from Gertie and Billy. They need a miracle however after their honeypot full of money is taken in the middle of the night by three porridge hungry, talking bears. Could the bears be the new star attraction Dame Gertie has been searching for? And can Mystic Sharon with her crystal ball see a future for the Circus and save the day? Well, there’s only one way to find out! Head down to the Altrincham Garrick Playhouse for the big top pantomime that's just right! Reviews Stage Struck - Rick Bowen "...a cast who made it their mission to ensure the kids, even the big ones, left the theatre with a smile on their faces." Gallery Trailer Trigger Warning Contains loud noises, flashing lights, pyros and special effects. Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production RELAXED PERFORMANCE of The Worst Witch RELAXED PERFORMANCE of this family fun, stage adaptation of Jill Murphy's classic story Ran Apr 13, 2025 Age guidance Recommended 7+ Venue Main House Running time TBC Tickets Price Range £13 - £18 Description WHAT IS A RELAXED PERFORMANCE? If you are a parent, guardian, or work with people with learning or sensory disabilities – such as those on the autism spectrum – you’ll know how difficult it can sometimes be for them to attend regular theatre performances; loud noises, lighting effects and large crowds can make stage shows overwhelming. At Altrincham Garrick Playhouse, we believe that everyone should be able to experience the magic and wonder of live theatre, and our Relaxed Performance will provide the same magical show but with an atmosphere and attitude in the auditorium that makes everyone feel comfortable and safe. WHAT TO EXPECT FROM OUR RELAXED PERFORMANCE: At a Relaxed Performed, you are free to: - Come and go from the auditorium as you wish, even during the show - Express yourself as loudly as you like, or with physical movement, without judgement - Access the Theatre and auditorium early. You’ll also notice that we will reduce the sound and lighting to lessen sensory overload, and no pyrotechnics or loud bangs will appear in the performance. Adapted from Jill Murphy’s original books by Emma Reeves. With Music by Luke Potter. Directed by Kay Valentine Before Harry Potter exploded onto the scene there was another seemingly ordinary child, Mildred Hubble, who wound up in the most extraordinary of places… A school for witches! Now its time for you to join the world of magic and mayhem at Altrincham Garrick Playhouse this Easter Holiday! Currently in her final year at Miss Cackle’s Academy, accident prone Mildred and her fellow pupils are about to embark on their biggest adventure yet… When Mildred and her friends decide to put on a play about their experiences as witches in training, mayhem inevitably ensues. Jealous Ethel Hallow is always out to spoil Mildred’s fun. Stern Miss Hardbroom is opposed to all fun in general. Worst of all, an old enemy returns with a plan for revenge that could threaten not just the Academy, but the whole world. Featuring all of Jill Murphy’s beloved characters, this action-packed new stage adaptation by Emma Reeves includes original music, magic and the beloved Mildred. The Worst Witch premiered at Royal & Derngate, Northampton in 2019 and toured the UK before transferring to London’s West End later that year. The production then went on to win the Olivier Award for Best Family Show in 2020! Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production House of Ghosts Calling all Morse fans and super sleuths Ran May 23, 2022 - May 28, 2022 Age guidance Venue Running time Tickets Price Range Description Directed by Mike Shaw Oxford, 1987, and a young actress playing Shakespeare’s doomed heroine Ophelia ends up dying on-stage during a theatrical production of Hamlet. A “suspicious death” inquiry is opened, but when a suspect in the case is also murdered, veteran police Inspector Morse becomes convinced the two deaths are related to the strange events of a similar student production from 1962, one that he himself was a part of… Morse faces dark memories and suspects in a theatrical murder mystery by Alma Cullen. Reviews Review from Rick Bowen at Stagestruck WHEN I discovered John Thaw was to play another TV detective I expected him to be something like Jack Regan, who I idolised as a child when I sat glued to The Sweeney in the 70’s. This was a man straight out of the boot in the door and ask questions later school of policing. But Inspector Morse was a world away from the much loved maverick from the Flying Squad, cultured, considered, cerebral and with a deep seated love of classical music. It takes a lot of guts and no amount of talent to play a character so inextricably linked with an acting icon like Thaw. But Jonathan Black certainly succeeds here and doesn’t try to impersonate the late stage and screen great. Black has quite a presence and the way he reprimands his sidekick Sergeant Lewis for his verbal faux pas is genuinely funny. Andrew Higson plays the part perfectly and the chemistry between the two very different men certainly comes across. The duo are asked to investigate the dubious death of a young actress playing Ophelia in Shakespeare’s Hamlet. All of a sudden the company finds itself embroiled in a real life tragedy as fingers of suspicion are pointed and cupboards release their skeletons. I’ve seen Sarat Broughton in countless productions at the Garrick and her performance as Ellen Underwood is her best yet and Jacque Hamilton also impressed me as the old soak actress Verity Carr, an actress who has been there, done it and bought enough t-shirts to open her own t-shirt shop. My only criticism of Alma Cullen’s play is it is something of a slow burner in places. But this in an engrossing and intriguing tale all the same. Who can resist the chance to play detective? Until May 28. Tickets are available from 0161 928 1677 or www.altrinchamgarrick.co.uk . Star rating 3.5/5. Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

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The Altrincham Garrick is delighted to make our mainstage auditorium, our studio theatre and other rooms available for hire. We al;so hire out props, costume and theatrical weaponry. Garrick Hire Hire the theatre, hire from the theatre The Garrick offers a comprehensive hire service. The Altrincham Garrick is delighted to make our main stage auditorium, our studio theatre and other rooms available for hire to local organisations and to professional companies. In addition, we have a huge range of theatrical props, costumes, weaponry and theatrical equipment available for hire . We welcome enquiries of all sorts. Please fill in our online form , ring us on 0161 928 1677 or send us an e-mail, to hire@altrinchamgarrick.co.uk . Hire Form Join our mailing list Subscribe

The Altrincham Garrick is a registered charity and your kind donations will support future developments. Support the Altrincham Garrick Playhouse. Donating towards our CHILI Fund I would like to donate £75 or more (Includes an optional Commemorative Plaque) If less than £75, please enter the amount below and select Add To Basket . Setting up a Regular Donation The Altrincham Garrick is a registered charity, and we receive no public funding from any other organisation, or from our regional or local council. Our income comes mainly from the tickets that our audience buys, with smaller contributions from elsewhere in the Garrick (for example: from our GAPA education programme, and from daytime rental of the Car Park). The building dates from 1933, with ever-increasing operational and production costs. Our energy bills are high (productions use a lot of electricity; our bills are sometimes over £3,000 per month) and we have a small number of dedicated staff whom we pay. Our programme of building improvements is currently aimed at reducing winter heating bills. However, maintenance and urgent repairs take precedence, and this can often cost 10s of thousands of pounds per year. On top of all this, we have to continue investing in the equipment that a theatre needs, to keep on presenting productions of the high quality that our audiences deserve. Two major infrastructure projects are currently urgently required.Our roof is in very poor condition and needs a major overhaul. We also need to find money to install air-conditioning in the main auditorium. The Garrick aims to do all the above while still maintaining our low ticket prices. Occasional increases are unavoidable, but our goal is to make sure that theatre is available to all in the community, at a price that they can afford. We exist today due to the generosity and support of local people and businesses. We are very grateful to those who not only pay to see a show, but who also buy a drink in the bar, buy a programme, and indulge in sweets or an ice-cream from our kiosk. We need you and the local community to support us, so we can continue doing what we do so well. Business sponsorships are also very welcome, click here for more . Please donate now what you can, and please also add a donation to your ticket purchases. If you would like to set up a regular donation then ask at our Box Office or fill in the form below. Name* Email address Phone How would you like to set up a regular donation ? Submit

Return to Productions Archive Garrick Productions Free as Air Ran Jan 1, 1960 - Jan 1, 1960 Age guidance Venue Running time Tickets Price Range Description Bell, Richard Burgess, Pamela Caldwell, Pamela Evison, Ray Grimshaw, Joan Harrop, David Holt, Margaret Lee, Muriel Lee, Reg Lewis, Cynthia Loveday, Harry Owen, Barbara Price, Mair Shaw, John Walton, Barbara Wilkinson, Wallace Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production A Taste of Honey Altrincham Garrick STUDIO 2025/26 Season - A Series of Manc Plays Ran Sep 23, 2025 - Sep 28, 2025 Age guidance 12+ Venue STUDIO Theatre Running time TBC Tickets Price Range £13 - £15 Description Written by Shelagh Delaney Directed by Carole Carr Living in a filthy tenement bedsitter, 17-year-old Jo is deserted by her nagging peroxided mother, Helen, who is unaware that her daughter is pregnant by a black sailor. To soothe, clean and cook for Jo is Geoff, an effeminate art student, with whom she makes a temporary home. Bruised by insensitivity and rejection, the boy and girl find a very real comfort in each other. A stunning portrayal of the complex bond between a mother and daughter, who – despite their sharp bickering – are both holding on for that taste of honey. This iconic play is a sharply observed portrait of working-class life in Salford in the late 1950s. Age Guidance: 12 + Warning: this production contains themes of alcohol abuse, racism, domestic violence, sexual themes, teenage pregnancy, homophobia, sexism, and ableism. Reviews "...a flowing and real depiction of an iconic and important piece of theatre" Lou Kershaw - North West End UK Click HERE to read the full review Gallery Trailer Trigger Warning Warning: 12+ This production contains themes of alcohol abuse, racism, domestic violence, sexual themes, teenage pregnancy, homophobia, sexism, and ableism. Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Productions Waters of the Moon Ran Jan 1, 1955 - Jan 1, 1955 Age guidance Venue Running time Tickets Price Range Description Allen, Doreen Bourne, Dorothy Gorna, Christina Oddey, John Pearce, Rosemary Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production Pennyroyal The Studio 2023/2024 Season - A Series of All Female Plays. Ran Jan 23, 2024 - Jan 28, 2024 Age guidance 14+ Venue Studio Running time 1 hour and 20 minutes with no Interval Tickets Price Range £12 - £14 Description “I think of my body sometimes like it's stubborn. We're not good friends. Like it's a spooky hotel, and I'm a ghost haunting it. 'Cause you don't live in a hotel, you just pass through.” When Daphne is diagnosed with Premature Ovarian Insufficiency at the age of nineteen, her sister Christine steps in to help in the only way she knows how: by donating her eggs. For a while, the world seems corrected. But as the years go by – and Daphne sets out on the long road of IVF – the sisters' relationship begins to twist. Pennyroyal is a heartrending new play by Lucy Roslyn about sisterhood and motherhood, enduring love, and regrets many years in the making. Inspired by Edith Wharton's 1922 novella The Old Maid , it premiered at the Finborough Theatre, London, in 2022. This play runs at 1 hour and 20 minutes with No Interval. Reviews 5 Stars from Rick Bowen at Stagestruck who describes the play as "Exceptional, a must see" To read the full review, CLICK HERE: https://www.stagestruck.info/blog/2024/1/23/pennyroyal-lauriston-studio Gallery Trailer Trigger Warning This production contains very strong language and some upsetting themes including infertility and IVF Treatment. Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Productions A Murder is Announced Ran Feb 5, 2001 - Feb 10, 2001 Age guidance Venue Running time Tickets Price Range Description An intriguing whodunnit from the masterly pen of perhaps the world's best-known crime writer, the "Duchess of Death" as she has been called. Generous and caring Letitia Blacklock provides shelter for an assorted cast of misfits and life is proceeding uneventfully until the announcement in the local rag that a murder will tame place, in their very home, that evening at six-thirty pm. Who is the victim and who the perpetrator of this dastardly crime? All will be revealed at the end of the play. CAST Sarat Broughton as Julia Simmons Jane Marsh as Letitia Blacklock Mollie Woodbine as Dora Brunner Hugh Everett as Patrick Simmons Juliette Wilson as Mitzi Ann McKenna as Miss Marple Lisa Barker as Phillipa Haymes Margaret Booth as Mrs Swettenham Matthew Foster as Edmund Swettenham Dave Midgley as Rudi Scherz Mike Shaw as Inspector Crtaddock Colin Bowles as Sergeant Mellors Directed by Helen Parry Designer: Mike Stocks Sound Design: Dave Healey Sound Operation: Chris Wetherill Lighting Design: Mike North Lighting Operation: Charlotte Scullard Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Previous Next Maureen Casket The Garrick has had very few members as supportive as Maureen and her husband Maurice. She was an absolute firebrand with so much energy that she could make you tired just watching her. She was a talented actor and director, known in theatres both professionally and amateur throughout the region as an enthusiastic supporter of performing arts. In her latter years she contributed to the Garrick mainly as a member of the Play Selection and Casting Committee and as a director of plays but, when she took to the Garrick stage every now and then, everyone was reminded of her exceptional talent as an actor. Back to In Memoriam page

Rent our theatre prop Swords and Daggers - a large variety Available. Garrick Hire Prop Swords, Knives and Miscellaneous The Garrick offers a range of bladed weapons and related miscellaneous items for hire About the Armoury Prop Gun & Rifle Hire Prop Swords, Knives & Miscellaneous Hire prop swords, fake knifes and daggers directly from us, here at The Garrick in Altrincham. We have a large collection suitable for film/movies, TV and all kinds of theatrical performances, from pantomimes to whodunnits and dramas. All of our stage swords and other pointed weapons are stored at a secure location in Altrincham. Note that these are not for fancy dress parties, stag dos or other party events – we do not have a licence to rent out to the general public. There are strict rules and regulation surrounding the hire and carrying of these items. We also have a number of interesting related items for hire that you may require to sit alongside the prop swords and prop guns hire. These items don’t fit neatly into the other sections, so we have separated them out below. Please take a look at the photos below, then contact us and give us an idea of the type of production you are engaged with. We will be happy to advise on which type of weapon(s) you need, and can then give you a quotation and timescale for rental. Alternatively, if you know exactly what you require then please include the reference numbers from the photo. Please fill in our online form , ring us on 0161 928 1677 or send us an e-mail, to hire@altrinchamgarrick.co.uk . Hire Form Prop Swords From prop pirate cutlasses suitable for pantomimes, such as those seen in Peter Pan above, to classic replica gladiator, claymore, classic long swords, epees and Samurai swords (as seen in movies such as like Kill Bill), we have a large collection for hire. Prop Knives & Daggers We have a large collection of prop knifes, stilettoes and daggers including retractable knife props (with retractable blades), suitable for stage, screen and television. There are knives from almost every era, including prop machetes, flick knifes and kirpans. Miscellaneous Items to Hire Other weapons include prop duelling pistols, fake Uzi , prop hand grenades & mortar bomb, Note that items 1& 2 are no longer available. Accessories include prop truncheons, western gun holsters, prop handcuffs, cowboy belts and shoulder holsters. Hire Form Join our mailing list Subscribe

Previous Next David Mardon David's parents were heavily involved with the Garrick, so it was no surprise that he joined in as well. He was a long-standing member of the Front of House team and was FoH Manager in the 1980s. He also handled the Performing Rights Licenses for all music played in productions at the theatre. Outside the Garrick, David was a well-known church organist. Back to In Memoriam page

Return to Productions Archive Garrick Production A Man of No Importance The Irish Studio Season: A Musical Comedy about an amdram group facing opposition from the Church Ran Mar 25, 2025 - Mar 30, 2025 Age guidance 12+ Venue Altrincham Garrick Studio Running time TBC Tickets Price Range £14.50 - £16.50 (Studio Musical) Description Book by Terrance McNally Music by Stephen Flaherty Lyrics by Lynn Ahrens Directed by Barry Purves In Dublin in 1964, bus conductor and Oscar Wilde fan Alfie has ambitions to stage Salome , despite the objections of the church hierarchy at St Imelda's, where his amateur theatre group is based. When a newcomer to town, Adele, joins his passengers, he realises he has found the right person for the title role and starts to assemble his cast. Meanwhile Alfie's sister Lily mistakes her brother's interest in Adele as romantic - she longs to have him off her hands so she can be free to marry. Little does Lily realise that Alfie's love "dare not speak its name" and the object of his affections is in fact bus driver Robbie. As opening night draws near, secrets come spilling out which threaten to shake this little community to its core. But camaraderie and the redeeming power of theatre offer a thread of hope in this story of friendship, forbidden love and finding our place in the world. Winner of the 2003 Outer Critics Circle Award for Best Musical, A Man Of No Importance is the second successful collaboration by the team of Terrence McNally, Lynn Ahrens and Stephen Flaherty, all of whom won Tony Awards for Ragtime . Reviews Rick Bowen - Stagestruck - 5 Stars Please visit: https://www.stagestruck.info/blog/2025/3/26/a-man-of-no-importance-lauriston-studio Gallery Trailer Trigger Warning This production contains depictions and themes of violence and homophobia and includes and mild language. Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Previous Next Val Watkinson Val was a highly valued member of the Garrick, having joined in 1991. She was multi-talented and became involved in every branch of theatre production : actress, director, technical assistant (sound and lights), stage manager, deputy stage manager, ASM, prompt, and producer - as well as being one of the longest-serving members of the Play Selection and Casting Committee. Val was also well known as the Garrick trouble-shooter, solving issues as and when they arose. Most notably, she stepped in at the last moment to direct Aladdin, following the very sad, very sudden death of Terry Chandler in 2013. Val appeared in many plays at the Garrick, including The Pocket Dream , There Goes the Bride , one of the three witches in Macbeth , An Ideal Husband , Fur Coat and No Knickers , and Love on the Dole. Most memorably, she played Vera Duckworth and Ena Sharples in Corrie (her last performance on stage). Her credits as director and assistant director are impressive, and include Private Lives , Return to the Forbidden Planet (three times !), Amadeus , The Sunshine Boys , Hindle Wakes , Catherine Howard and Snow White . After 2012, she was either Assistant Director or Deputy Stage Manager for some of the biggest Garrick musicals and Pantomimes (first with Adam Whittle and then Joe Meighan) such as Acorn Antiques , Grease , Cats , Priscilla, Queen of the Desert , The Little Mermaid , Peter Pan , Chitty Chitty Bang Bang , Aladdin , Dick Whittington , and The Wizard of Oz . Val was also very well known in amateur dramatic circles and was associated with CHADS, Tyldesley Little Theatre, the Wilmslow Guild and especially the Wilmslow Green Room. Every summer between 1991 and 2007, she was involved in the Green Room's productions at Gawsworth Hall, as an actress and, most importantly, back stage working as stage manager or sound or lighting technician. Back to In Memoriam page

Return to Productions Archive Garrick Production Kindertransport Altrincham Garrick STUDIO 2025/26 Season - A Series of Manc Plays Ran Jan 20, 2026 - Jan 27, 2026 Age guidance 12+ Venue STUDIO Theatre Running time TBC Tickets Price Range £13 - £15 Description Written by Diane Samuels Directed by Celia Bonner Between 1939 until the outbreak of World War II, nearly 10,000 Jewish children were taken from their families in Nazi-occupied Germany and sent to live with foster families in Britain. Diane Samuels’ seminal play, Kindertransport , imagines the fate of one such child. Nine-year-old Eva is taken from her home in Germany and sent to Manchester to live with the Miller family. At first, she clashes with her foster mother, Lil, but slowly a bond of trust forms between them. After she learns that her parents have failed to escape Germany, the Millers become her family, and a new identity begins to form. After the war is over, she changes her name to Evelyn and acquires British citizenship. Over thirty years later, her now grown-up daughter, Faith stumbles across some old letters in their attic and Evelyn is forced to confront her traumatic past… Samuels deftly weaves together Evelyn’s past and present as she explores the devastating impact of the Holocaust on three generations. Now widely considered a modern classic, Kindertransport has been read and studied all over the world. Age Guidance: 12+ PLEASE NOTE - The performance on Sunday 25th January starts at the earlier time of 7pm to allow for a post show Q&A session with the Holocaust Centre North. Reviews Gallery Trailer Trigger Warning This production contains themes of child separation, racism, anti-Semitism, War, the Holocaust and the Nazi-regime, and trauma. Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive