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Altrincham Garrick Playhouse is committed to protecting personal information. This Privacy Policy relates to our use of any personal information we collect. Terms and Conditions T&C’s for Sale of Tickets GDPR Privacy Policy Health and Safety Policy Child Protection Policy The Altrincham Garrick Playhouse Privacy Policy Altrincham Garrick Playhouse is committed to protecting personal information. This Privacy Policy relates to our use of any personal information we collect. Our Privacy Policy relates broadly to these groups of people: Audience : the people who attend our shows, visiting shows and events and/or have requested information about the theatre Friends : people who pay a subscription to the Altrincham Garrick Society Supporters : people who are support the activities of the Society in a particular way. This involvement may include, but is not limited to: scenery construction; costumes; properties; make-up and hair; publicity; front of house; backstage; administration; website; design; technical; directing; sponsorship; donations; consultants; those giving specialist advice to the Altrincham Garrick. Staff : those employed by Altrincham Garrick Suppliers : organisations and businesses that provide goods or services to the theatre Committees : Board of Trustees, Volunteers’ Committees, Play Selection and Casting Committee GAPA Members : members of Garrick Academy of Performing Arts and their parents/guardians/carers The personal information we collect from you Audience : Our email database contains your name and email address. Our box office contains your name, address, email address and telephone numbers so we can contact you with information relating to Altrincham Garrick only. We may hold details on previous bookings, group bookings and any preferences you may share with us. Friends : Our database contains your name, address, phone number/s, email address and data on your subscription preferences. We also hold information on dates joined, renewals and details on payments and your subscription. If you have chosen to pay by standing order or joined our 200 club we will hold those details for processing purposes only. Supporters : We collect basic information such as name, address, telephone number, email address, quotes, emails. Staff : We hold details of your name, address, phone number email address, National Insurance, tax details, payslips and employment history. Suppliers : We collect basic information such as name, address, telephone number, email address, quotes, emails. Committees : We collect basic information such as name, address, telephone number, email address, quotes, emails. For the Board of Trustees, information is also held at Companies House and with the Charity Commission, in line with legal requirements. GAPA Members : We hold basic information such as name, address, telephone number, email address. How we use information and data Audience : We will send you regular bulletins via email with news about the theatre and our shows and other shows and events that appear at the theatre. There is an ‘unsubscribe’ option on every email. We will perform some basic interrogation of our email statistics, such as open-rates and click-through rates via various software. Friends, group bookers and ticket holders may receive limited further information by post and email from time to time. We may contact you by telephone if there is problem with tickets or changes to a performance you are booked to attend. We will not share your information with any third parties without your consent. Friends : We will use your information to send you newsletters, letters or emails to give you details of General Meetings, shows, rehearsals, production meetings, casting, news from meetings and general events that are likely to be of interest to you. Your name, and possibly photograph and biography may appear in newsletters or show programmes, website or other publicity relating to a production you are involved in. Your information may be shared with committee members, staff and heads of departments for use in ‘legitimate interest’ and in line with GDPR regulations. Please be aware that our show programmes, website and publicity are public documents and that our newsletters are shared with supporters of the theatre. We will not share your information with other third parties without your consent. Supporters : We will use your information as and when required to contact you for Garrick matters related to your involvement with us. We will not share your information with other third parties without your consent. Staff : We will use your information as and when required to contact you for Garrick matters related to your involvement with the Garrick and as your employer. We will not share your information with other third parties without your consent. Any personal data relating to your employment will be protected and limited to those involved to line management, Board of Trustees and for payroll purposes. Suppliers : We will use your information as and when required to contact you for Garrick matters related to your involvement with the Garrick. We will not share your information with other third parties without your consent. Committees : We will use your information as and when required to contact you for Garrick matters related to your involvement with the Garrick. We will not share your information with other third parties without your consent. GAPA Members : We will use your information as and when required to contact you for Garrick Academy of Performing Arts such as subscriptions, rehearsals, summer school, productions, ticket offers, newsletters, auditions, changes of dates, nominations. Under 18s will be contacted via their parents. We will not share your information with other third parties without your consent. Your name, and possibly photograph and biography may appear in newsletters or show programmes, website or other publicity relating to a production you are involved in. Your information may be shared with committee members, staff and heads of departments for use in ?legitimate interest? and in line with GDPR regulations. Please be aware that our show programmes, website and publicity are public documents and that our newsletters are shared with supporters of the theatre. We will not share your information with other third parties without your consent. How we use information held by our Box Office Systems The Box office at Altrincham Garrick process tickets and sales by telephone, by email, by post and in person. Processing tickets may display your name, address, email address and telephone number. For reporting purposes, we may interrogate data held in the box office to inform our business planning but personal data will not be shared with any third parties. We may hold your personal details in our records in case we need to contact you with further information if there is a change to performance details, for example. Tickets booked via the website are linked to Tickets.com. You can find details of their Privacy Policy here . Security We put in place reasonable security measures to protect against any unauthorised access or damage to, or disclosure or loss of, your information Your Rights Audience, Friends, Supporters, Staff, Committees and GAPA Please let us know if your information changes as it is important that the information we hold about you is accurate and up to date. You have the right to request a copy of all the information we hold about you in a Subject Access Request. To do this, simply write to us at the address below. We will take all reasonable steps to confirm your identity before providing you with details of any information we may hold about you. You can ask us to remove your information from our records at any time and cease any further communication. You can do this by writing to the address below. Friends, Supporters, Committees and GAPA We will keep your information indefinitely after you remain an active Friend, Supporter, sit on a Committee or are a member of GAPA. We keep your information because you may resume your connection with and take part again in our activities. However, you can ask us to remove your information from our records at any time and we will do so and stop sending you any further communications. You can do this by writing to the address below. Changes to our Privacy Policy We may amend this Privacy Policy from time to time; for example, to keep it up to date or to comply with legal requirements. If there will be any significant changes made to the use of your information in a manner different from that stated, we will seek your permission first. How to Contact Us For any questions or concerns relating to this Privacy Policy or our data protection practices, or to make a Subject Access Request, please contact us in one of these ways: By email admin@altrinchamgarrick.co.uk By post Operations Director Altrincham Garrick Theatre Barrington Road Altrincham WA14 1HZ This page was updated on 8 September 2022 by HFE. 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Join us during the half term holidays for a day or for the full week to enjoy theatrical fun: combining music, movement, monologues and much much more! The Academy Groups and Classes Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. GAPA Saturday Group School Holiday Courses Speech & Drama/ LAMDA Classes School Holiday Courses Half term and Easter Holiday Clubs Octopia - October Half-Term (5 days) : 27th - 31st October 2025 Febtastic - February Half-Term (5 days) : 16th – 20th February 2026 Easter Eggstravaganza (5 days) : 13th - 17th April 2026 May-Hem - May Half-Term (4 days) : 26th – 29th May 2025 Join us during the holidays to enjoy theatrical fun: combining music, movement, monologues and much much more! (Nb: You can sign up to half- term holidays for a day or for the full week.) GAPA’s half-term workshops encourage the participants to explore their creative side and promote teamwork, in a safe and friendly environment. Our aim is to deliver exciting drama workshops for students aged 6-18, where they can learn drama skills, gain confidence and above all have fun. Classes run 10am - 4pm and cost £35 per day, or book the full 5 days and receive a £25 discount. Summer Holiday Courses Summer School Week 1 (full 5 days) : 27th July - 31st July 2026 Summer School Week 2 (full 5 days) : 3rd - 7th August 2026 Sign up for the full week, 10am - 4pm. Cost £185 per week. For more information please contact our box office on boxoffice@altrinchamgarrick.co.uk Join our mailing list Subscribe

Previous Next Pamela Knox Pam was a true Garrick stalwart, being a tireless supporter of the theatre, working primarily in the Props Department and also looking after the archives for many, many years. Her lasting legacy for the theatre was writing and producing in 1993 the published history of the theatre The Flame Still Burns, the story of Altrincham Garrick . Back to In Memoriam page

Return to Productions Archive Garrick Production Sleeping Beauty - The Garrick Pantomime The Dreamiest Garrick Panto of them all! Ran Dec 8, 2023 - Jan 2, 2024 Age guidance 3+ Venue Main House Running time 2.5 hours (inc. 20 mins interval) Tickets Price Range £13 - £18 Description Our Festive show for 2023/24 is our Pantomime version of 'Sleeping Beauty ' Step into a fairy-tale world of magical castles, bewitched spinning wheels and an enchanted sleep that only true love’s kiss can break… Once upon a time in a land far away, a beautiful Princess is given a twenty-first birthday present by her evil aunt; the wicked Enchantress - Carabosse! By pricking her finger on an enchanted spinning wheel, she is placed under a cruel curse and forced to sleep for 100 years. Can a handsome Prince break the spell? Who will outwit the evil Enchantress and foil her wicked plans? Well... there's only one way to find out! Join us at Altrincham Garrick Playhouse for another Pantomime adventure! Packed with magic, songs, comedy, dance, special effects and more… This is the dreamiest Garrick Panto of them all! Don’t get caught snoozing, book your tickets now for THE PANTOMIME OF YOUR DREAMS!! Reviews Gallery Trailer Trigger Warning Flashing lights and special effects, loud noises and pyrotechnics Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Productions Misery Ran May 1, 2000 - May 6, 2000 Age guidance Venue Running time Tickets Price Range Description By Stephen King. Directed by Angie Wetherill. The greatest horror master of our time turns the screws of suspense to lock us into terrifying tension. Best selling fiction writer, Paul Sheldon, is cut off from civilisation by blizzards and is increasingly crippled by the tender loving care of No. 1 fan and nurse, Annie Wilkes. Annie is intent on using all her demonic skills to persuade Paul to change the ending of his latest novel - MISERY. She takes her time, won't be hurried, sparing neither details nor feelings in her quest for satisfaction. Remember the Oscar winning performance by Kathy Bates in the Hollywood movie? This stage version is even scarier... so be warned. Those of our patrons with a nervous disposition are advised to stay at home!! A two hander, it will feature Alison Davis and Dick Sails These two Garrick Stalwarts seem to have been cast as a couple on a number of occasions:- In "A Chorus of Disapproval" as Dafydd ap Llewellyn and Hannah Llewellyn In "When we are Married" as Albert and Clara Parker In "Company" (for Stages & Co) as Joanne and Larry Reviews SAM's view on "Misery" Welcome to Fright Night If you go to see Misery, the latest Altrincham Garrick show, I guarantee you'll shudder every time you hear the words "I'm your number one fan" after watching this dark, at times unbearably tense, psychological thriller. Alison Davis is at the top of her form as Annie Wilkes, the mad medic who makes Nurse Ratchett look like Florence Nightingale. When writer Paul Sheldon has a car crash he wakes up in the home of Annie and soon discovers that his carer needs a check from the neck up. She's crazy about his work to the point of obsession, is prone to the most violent mood swings and loves to play cruel mind games with her patient cum captive. We also discover that this frumpy wacko left her former profession under something of a cloud, suspected of causing the deaths of patients and colleagues alike. Altrincham Garrick audiences will know Alison more for her numerous appearances in amateur musicals but, as far as straight acting is concerned, she's been hiding her light under a bushel for far too long. She's so menacing my stomach turned over several times, and like many of you I winced during the harrowing "hobbling" scene. The acting jobs will flood in after this performance. Dick Sails (Paul) further cements his reputation as one of the Garrick's finest actors and he's highly accomplished when it comes to conveying both total despair and the black humour which brings welcome relief to a depressing script. Director Angie Wetherill must have had a ball working with these two. If you've seen the film you won't be disappointed by this stage version of Misery. The suspense is certainly there and like their big screen counterparts, Davis and Sails are a formidable double act. Unmissable. Rick Bowen Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Productions Caught Napping Ran Jan 1, 1960 - Jan 1, 1960 Age guidance Venue Running time Tickets Price Range Description Davenport, Claire Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Productions Breath of Spring Ran Jan 1, 1960 - Jan 1, 1960 Age guidance Venue Running time Tickets Price Range Description Taylor, Pegeen Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production Jane Eyre - By Charlotte Bronte A bold and theatrically inventive adaptation of the literary classic. Ran Oct 7, 2024 - Oct 12, 2024 Age guidance 11+ Venue Main House Running time TBC Tickets Price Range £10.50 - £16.50 Description Jane Eyre Written by Charlotte Bronte Adapted by Polly Teale and Directed by Carole Carr. As a child, the orphaned Jane Eyre is taught by a succession of severe guardians to stifle her natural exuberance. A part of herself is locked away, out of view of polite society... until she arrives at Rochester's house as a governess to his young child. Soon Rochester's passionate nature reawakens Jane's hidden self, but darker secrets are stirring in the attic... A bold and theatrically inventive adaptation of the literary classic that puts the interior life of the novel on stage. Charlotte Brontë’s story of the trailblazing Jane Eyre is as inspiring as ever. Reviews 5 Stars from Rick Bowen at Stagestruck "Altrincham Garrick is theatrically the place to be at the moment. Fabulous and unmissable." To read the full review from STAGESTRUCK click below: https://www.stagestruck.info/blog/2024/10/8/jane-eyre-altrincham-garrick-1 Lou Steggals from North West End UK “a visually captivating experience that will linger with audiences long after the curtain call" To read the full review from NORTH WEST END click the link below: https://northwestend.com/jane-eyre-altrincham-garrick-playhouse/ Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Visiting Production Manford's Comedy Club (Friday 10th July 2026) Date range Tickets £13.50 Age guidance Over 18's Venue Main House Trigger warning Find out more Book now Running time TBC Group bookings Find out more Accessibility Find out more It’s Friday Comedy night with another hilarious Manford’s Comedy Club show! Featuring some of the funniest, award-winning comedians on the UK comedy circuit. Every show has a different line-up of four top comedians, all personally chosen by Jason Manford! DANNY MCLOUGHLIN: “His innate comic timing, insightful digressions and ability to think on his feet puts him alongside the most talented and genuinely funny comedians!” THREE WEEKS Danny has been hand picked to support a number of high profile acts on tour including Micky Flanagan, Sarah Millican, Tom Stade, Sean Lock, Paul Smith and Jason Manford. His TV credits include appearing on Al Murray’s One Night Stand (Dave) and the Premier League Show (BBC Two) and he also took to the radio waves to co-host one of Jason Manford’s Sunday morning shows for Absolute Radio. ROB ROUSE: “One of my favourite comics. A very silly and funny man” GREG DAVIES “Bursting with originality, energy and enthusiasm. Eye wateringly hilarious.” THE LIST One of comedy’s most lively, loveable and dynamic performers, Rob’s TV appearances include 8 Out of 10 Cats (Channel 4), Spoons (Channel 4), The Friday Night Project (Channel 4), Celebrity Juice (ITV2), Dave’s One Night Stand (Dave), John Bishop’s Only Joking (Sky) and Live at the Comedy Store (Comedy Central). PAUL TONKINSON: “Hilarious, nobody makes me laugh like Paul Tonkinson…go see him!” MICHAEL MCINTYRE A sensational live performer, Yorkshire man, marathon runner and double award-winning Time Out Comedian of the Year, Paul Tonkinson has long upheld his esteemed reputation as one of the finest stand-ups the UK has to offer. With a unique and distinctive style, Paul is known for his effervescent physicality and skillful impressions, his first class material combined with tremendous charm and infectious energy make for quite a formidable talent. On TV he has performed on Michael Mcintyre’s Comedy Roadshow (BBC 1) and Comedy Central’s The Comedy Store and The World Stands-up. He was a contestant on the hit show Celebrity Come Dine With Me (Ch 4) proving he’s not just a dazzling stand-up talent, but a whizz in the kitchen, scooping first place to win the cash prize for charity. Doors open 7pm. Show starts 8pm. Visiting Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Return to Productions Archive Garrick Productions Experiment Ran Jan 1, 1932 - Jan 1, 1932 Age guidance Venue Running time Tickets Price Range Description Fisher, Kathleen A Francis, W M Fullerton, Irene Gow, Ronald Landon, Henry Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production The Worst Witch Family fun, action-packed stage adaptation, featuring all of Jill Murphy’s beloved characters. Ran Apr 4, 2025 - Apr 17, 2025 Age guidance Recommended 7+ Venue Main House Running time TBC Tickets Price Range £13 - £18 Description Adapted from Jill Murphy’s original books by Emma Reeves. With Music by Luke Potter. Directed by Kay Valentine Before Harry Potter exploded onto the scene there was another seemingly ordinary child, Mildred Hubble, who wound up in the most extraordinary of places… A school for witches! Now its time for you to join the world of magic and mayhem at Altrincham Garrick Playhouse this Easter Holiday! Currently in her final year at Miss Cackle’s Academy, accident prone Mildred and her fellow pupils are about to embark on their biggest adventure yet… When Mildred and her friends decide to put on a play about their experiences as witches in training, mayhem inevitably ensues. Jealous Ethel Hallow is always out to spoil Mildred’s fun. Stern Miss Hardbroom is opposed to all fun in general. Worst of all, an old enemy returns with a plan for revenge that could threaten not just the Academy, but the whole world. Featuring all of Jill Murphy’s beloved characters, this action-packed new stage adaptation by Emma Reeves includes original music, magic and a dose of Mildred’s unique brand of utter pandemonium! The Worst Witch premiered at Royal & Derngate, Northampton in 2019 and toured the UK before transferring to London’s West End later that year. The production then went on to win the Olivier Award for Best Family Show in 2020! Reviews “If you have children that have enjoyed these books or enjoy live performance, then I would encourage you to take them to this show and give this production the audience it deserves.” "Characters that have been well written are very well performed and the rapport amongst the cast shone through." "Director Katheleen Valentine nurtured 5-star performances all round from this team of women!" Lou Kershaw (North West End UK) Stagestruck - Rick Bowen writes that this musical is "sure to leave children in the audience spellbound." Click below to read the full review: https://northwestend.com/the-worst-witch-altrincham-garrick-playhouse/ Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Academy Disney's Beauty and the Beast JR. An enchanting musical performed by The Garrick Academy of Performing Art Students (GAPA) Ran Mar 18, 2026 - Mar 22, 2026 Age guidance Venue Main House Running time Tickets Price Range £9 - £11 Description ✨ “BE OUR GUEST!” AT BEAUTY AND THE BEAST JR. ✨ 🌹 Performed by our talented GAPA Youth Academy, with each performance showcasing a different age group of students. Step into the enchanted world of Disney’s Beauty and the Beast JR. , a heartwarming 60-minute musical based on the beloved 1991 animated classic and the Tony®-nominated Broadway production. Join Belle, a bright and courageous young woman, as she discovers an enchanted castle and its mysterious master - the Beast, a prince trapped under a powerful spell. To break the enchantment, the Beast must learn to love and be loved in return… before the final petal falls. Along the way, Belle befriends the castle’s delightful enchanted staff, including a warm-hearted teapot, a dazzling candelabra and a rather anxious mantel clock. With their help, Belle and the Beast uncover a friendship and a love neither expected. Featuring iconic songs such as “Be Our Guest,” “Belle,” and favourites from the Broadway musical, this magical tale is perfect for audiences of all ages. 🌹 A story of courage, kindness, and believing in the beauty within — brought to life by our brilliant young performers. Don’t miss this joyful, family-friendly musical adventure! Performance Schedule Wednesday 18th March at 7.30pm: Group 3 - Students aged 14 - 18 years Thursday 19th March at 7.30pm: Group 6 - Students aged 14 - 18 years Friday 20th March at 7.30pm: Group 2 - Students aged 11 - 14 years Saturday 21st March (Matinee) at 2.30pm: Group 1 - Students aged 8 - 11 years, supported by our GAPA Minis aged 5 - 8 years Saturday 21st March (Evening) at 7.30pm: Group 5 - Students aged 11 - 14 years Sunday 22nd March (Matinee) at 2.30pm: Group 4 - Students aged 8 - 11 years, supported by our GAPA Minis aged 5 - 8 years Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Productions Blithe Spirit Ran Nov 8, 1999 - Nov 13, 1999 Age guidance Venue Running time Tickets Price Range Description By: Noel Coward Directed By: Maureen Casket In celebration of the centenary of the birth of "The Master" we proudly present one of his most famous plays. Charles Condomine, whose first wife Elvira has been dead for seven years, has been happy with his second wife, Ruth. After he invites the legendary Madame Arcati, a local medium, to conduct a seance at his home, Elvira returns from the dead. Determined to get Charles to herself forever, she arrranges an accident in which Ruth joins Elvira. Now plagued by the two spirits, Charles attempts to rid himself of them. Full of brilliant dialogue and hilarious situations, this is one not to be missed. CAST ... includes John Keen as Charles Ros Greenwood as Ruth Angela Wetherill as Madame Arcati Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Productions The Immortal Lady Ran Jan 1, 1932 - Jan 1, 1932 Age guidance Venue Running time Tickets Price Range Description Bonson, John P Bramwell, Madge Brierley, Norman Briggs, Harry Bullivant, Erick Gow, Ronald Hankins, J Jones, Arthur C Kewell, H Lawley, Mollie Matthews, Marion Thwaite Monkhouse, Mary H Osborne, Edgar Palmer, Jack A Pennington, Muriel Rose, Gertrude Ross, Donald A Shaw, A Keble Smith, J B Stevens, Kate Warburton, Kathleen Wilson, Kathleen Wilkinson, John Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Previous Next Brian Moore Brian was introduced to the Garrick in 1965 by his then girlfriend, soon to be wife, Ann, who was auditioning for the pantomime The Wizard of Oz . By the time they left that evening, Brian had been cast as The Scarecrow and had become a fully paid-up member of the theatre. Brian went on to act in or be involved with dozens of plays and musicals over the next 50+ years. After his final show, when he was in his late 70s, he turned his hand to assisting many other areas of the theatre, including the bar and, with the help of others, running the Sunday Jazz lunches. Finally, after the refurbishment of the theatre, Brian took over the running of the confectionery kiosk. He introduced the selling of ice creams within the auditorium during the interval, making in his time many thousands of pounds for the Garrick. When not at the theatre, Brian could be found at the golf course enjoying the outdoor life. Brian was delighted to have been made an honorary Life Member of the Garrick theatre. Back to In Memoriam page

Previous Next David Mardon David's parents were heavily involved with the Garrick, so it was no surprise that he joined in as well. He was a long-standing member of the Front of House team and was FoH Manager in the 1980s. He also handled the Performing Rights Licenses for all music played in productions at the theatre. Outside the Garrick, David was a well-known church organist. Back to In Memoriam page

Return to Productions Archive Garrick Production House of Ghosts Calling all Morse fans and super sleuths Ran May 23, 2022 - May 28, 2022 Age guidance Venue Running time Tickets Price Range Description Directed by Mike Shaw Oxford, 1987, and a young actress playing Shakespeare’s doomed heroine Ophelia ends up dying on-stage during a theatrical production of Hamlet. A “suspicious death” inquiry is opened, but when a suspect in the case is also murdered, veteran police Inspector Morse becomes convinced the two deaths are related to the strange events of a similar student production from 1962, one that he himself was a part of… Morse faces dark memories and suspects in a theatrical murder mystery by Alma Cullen. Reviews Review from Rick Bowen at Stagestruck WHEN I discovered John Thaw was to play another TV detective I expected him to be something like Jack Regan, who I idolised as a child when I sat glued to The Sweeney in the 70’s. This was a man straight out of the boot in the door and ask questions later school of policing. But Inspector Morse was a world away from the much loved maverick from the Flying Squad, cultured, considered, cerebral and with a deep seated love of classical music. It takes a lot of guts and no amount of talent to play a character so inextricably linked with an acting icon like Thaw. But Jonathan Black certainly succeeds here and doesn’t try to impersonate the late stage and screen great. Black has quite a presence and the way he reprimands his sidekick Sergeant Lewis for his verbal faux pas is genuinely funny. Andrew Higson plays the part perfectly and the chemistry between the two very different men certainly comes across. The duo are asked to investigate the dubious death of a young actress playing Ophelia in Shakespeare’s Hamlet. All of a sudden the company finds itself embroiled in a real life tragedy as fingers of suspicion are pointed and cupboards release their skeletons. I’ve seen Sarat Broughton in countless productions at the Garrick and her performance as Ellen Underwood is her best yet and Jacque Hamilton also impressed me as the old soak actress Verity Carr, an actress who has been there, done it and bought enough t-shirts to open her own t-shirt shop. My only criticism of Alma Cullen’s play is it is something of a slow burner in places. But this in an engrossing and intriguing tale all the same. Who can resist the chance to play detective? Until May 28. Tickets are available from 0161 928 1677 or www.altrinchamgarrick.co.uk . Star rating 3.5/5. Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production She Stoops to Conquer Ran Jan 2, 1921 - Jan 2, 1921 Age guidance Venue Running time Tickets Price Range Description By Oliver Goldsmith CAST Bonson, John P Bullivant, Erick Calderbank, Arthur Churm, V Ida Dykes, Tom Kerridge, Stanley Matthews, Walter R Owen, Tom Pye, George H Slinn, Ella Walsh, Katie Warburton, George A Wilson, Tom Wood, Doris Woodhead, Fred Wilkinson, John Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

The Garrick has a long and illustrious history from its founding in 1913 to the present day set of offerings that includes non-professional performances, visiting professional productions, the youth Academy and a cinema-quality Picturehouse. About Us History of the Garrick Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. About the Theatre History of the Garrick In Memoriam: Past Members of the Garrick Productions Archive The History of the Theatre The Garrick has a long and illustrious history, from its initial stirrings in November 1913 through the major redevelopment/refurbishment completed in 1999, to the present day set of offerings including amateur performances, professional productions, youth training and a cinema-quality Picturehouse. Those who are interested in a more complete account than is presented here may wish to buy a copy of The Flame Still Burns , the story of Altrincham Garrick Playhouse compiled by a true Garrick stalwart, the late Pamela Knox. Copies are still available from the theatre (at the give-away price of ONE pound only) and cover the tale of the Garrick from its inception to the 1992/93 season. 1913 – 1999 1913, November 25th – Inaugural meeting and formation of a provisional committee, followed by two further meetings in December 1914, January 20th – First meeting proper held in the new headquarters, the cellar of Mr Jack Byrom’s shop in Kingsway. The name of Altrincham Garrick Society adopted 1914, February 17th – First Rehearsal of the First Play, The Silver Box by John Galsworthy 1914, March 18th – First Production ( The Silver Box ) performed at the Public Hall, Altrincham with scenery hired from the Gaiety Theatre, Manchester 1915, May 4th – a number of members were struck off the list for non-payment of subscriptions (a warning for some of us these days!). 1916, May – Productions were suspended because of the difficulties arising from the war. 1920 – Following an attempt to persuade George Bernard Shaw to allow a production of Major Barbara without paying royalties, the great man advised the theatre to become a Repertory Theatre, paying the actors, since this would result in a lower payment of royalties (unless very successful!). As a result of this the play was produced and all actors were paid five shillings, which was promptly taken back by the Treasurer and put into a Building Fund, with the aim of building our own theatre 1923, January – ‘Fred Arnold Enterprises’ wrote to the society offering to stage Garrick productions on a commercial basis. This offer was not accepted! 1924, June – Membership now stood at 813 1926, June – At the AGM it was announced that a plot of land had been acquired on Barrington Road suitable for building the proposed new theatre. The land had been purchased by an anonymous member and the Society would hold it on payment of the chief rent only. It eventually emerged that the benefactor was A.P.Hill, a founder member who had worked tirelessly towards the goal of a theatre in its own grounds. 1927, September – Mr R A Smith, who had produced the vast majority of plays since 1914, resigned as producer 1928, December – the ‘Sell a Brick for 2d’ scheme was inaugurated – by October 1930 the scheme had raised £37. 2. 6d (£37.12 in today’s money!) 1930, September – Membership hit 1000 1931, July 14 – the first sod was cut at Barrington Road by Jack Byrom and the building of today’s theatre was begun 1931, October 29 – Garrick Playhouse Ltd registered as a public company 1932, October 1st – The first play opened at the new playhouse – ‘The Immortal Lady‘ by Clifford Bax 1935, February 13th – Standards of behaviour had clearly deteriorated seriously and the Executive Committee issued the following notice:- The Committee regrets that the unofficial sanction to members of the cast bringing intoxication liquor into the Playhouse is being considerably abused. It is necessary, therefore, to remind members that: 1) Only members actually taking part in a play, stage staff and producer, are allowed to bring beer, etc. into the dressing rooms. 2) All glasses must be washed immediately after use and all bottles, whether full or empty, must be kept in closed bags or receptacles 3) Members in the cast cannot be allowed to offer drinks to their members not in the cast, nor to non-members. 4) Members of the cast are asked to refrain from drinking beer etc. until they have finished their part each evening. 1935, March 11th to 18th – the 21st birthday of the Garrick Society was celebrated by the production of the Chinese play ‘Lady Precious Stream‘ , its first amateur production 1935, August – Ruth Dunning , who first appeared at the Garrick in 1934, took over the role of Sally from Wendy Hiller in ‘Love on the Dole‘ at the Garrick Theatre, London, the first Garrick amateur to be successful as a professional 1939 – The Silver Jubilee play was ‘1066 and all that‘ , with a cast of 150, 27 scenes and 3 levels 1939 – From a piece by ‘John Falstaff‘ of the Manchester Evening Chronicle – The Altrincham Garrick is one of the show places of the British Amateur Movement and its merit is twofold. First, it is secure and permanent; second, not only is the normal standard high, but the achievement also. There are few professional companies with such a striking list of pioneer efforts in plays and authors. 1939 – 1945 – For the duration of the war the theatre was handed over to a professional company, although the Society still provided staff and looked after the running of the building 1945, October – The first post-war production was ‘The Good Companions‘ by J B Priestley 1953 – A new building fund was started to be used for the erection of a small theatre at the rear of the Playhouse for experimental plays etc. 1957, October – the 25th anniversary of the Playhouse was celebrated by a production of ‘Teahouse of the August Moon‘ 1958 – a Young Garrick Club was started for 15 to 18 year olds, soon named ‘Studio G’. Their first production was staged in June 1960 in the rehearsal room. 1961, September – The Garrick Bar opened for the first time, the first bar steward being Reg Hughes. He was succeeded early in 1962 by Albert Riddell who was to remain an indispensible part of the Garrick scene until 1981 1963, May – The first of five years of BBC radio recordings of Music Hall at the Garrick 1963 – 50th Jubilee Season – The theatre was re-decorated inside and out and a new central heating boiler installed – The main Jubilee production was ‘Becket‘ 1965, January – First staging of the now famous Garrick Pantomime – that year it was ‘Aladdin‘ 1968-69 – The ‘collection’ system of raising revenue at performances was finally dispensed with and a charge made for tickets 1972-73 season – The 40th anniversary of the Playhouse – the Foyer was modernised with a new Box Office, there was new decoration and, most important, re-upholstered seating. Supporters were invited to endow a seat in the theatre, with 5 securing a name plate affixed to the seat 1973, May – It was announced that while membership would continue performances would be open to the Public and advertised as such 1976 – A thrust stage installed during the close season 1977, August – The Garrick made its first appearance at the Royal Exchange with ‘Sergeant Musgrave’s Dance‘ 1982, August – First visit to the Edinburgh Fringe with two home-grown Kevin Madley plays and Edward Bond’s ‘Bingo‘ 1982, September – The season opened with a world stage premiere of ‘Psycho‘ 1984, July – The Garrick produced a Music Hall as a part of the Edwardian Extravaganza in Dunham Park 1988-89 – The Society’s 75th Anniversary season – Stage 2 (the natural successor to Studio G) presented ‘Oh What a Lovely War‘ to mark the occasion 1990 – the Northern Amateur Premiere of ‘La Cage Aux Folles‘ – Little did we realise then what had started; this was the first of seven productions of it! 1990, November – Redevelopment fever had started. At an Extraordinary General Meeting an ambitious modernisation project which including selling the land on which the theatre stood and leasing the theatre back at a low rent for 999 years was rejected, but the drive had begun and the S.T.A.G.E. fund was started with the aim of raising £500,000 by December 1992 1992, July – the first Garrick Playathon. A host of members arrived at the theatre on Friday evening to discover that the show they were to perform on Sunday evening was ‘The Boyfriend’ by Sandy Wilson. After a massive amount of work pulled together by four directors, two musical directors, two choreographers and four set designers a superb performance was given on the Sunday evening (requiring a massive three prompts during the entire show!) 1998 – The Garrick’s third bid for National Lottery funding was successful, resulting in a grant of £675,000 as part of the £900,000 project. 1999 – The 1998/99 season finished early, in March, and the gutting of the auditorium began. The artistic side of the enterprise was kept occupied with a major open air production in Dunham Massey Hall of “Tom Jones” while the refurbishment went ahead. The grand (if a little delayed) reopening took place in October with a glittering production of “Camelot” (and a good deal of last minute rushing around!). The verdict was unanimous – Coming to the Garrick for a night out is now a real, and very comfortable, treat. Spread the word! To coincide the start of the first season in the refurbished Playhouse, the Society also started with its own website, created and run by Richard Sails. Richard managed the original website for 14 years until it was relaunched in 2013. 2000 to 2020 2006 – Following the generous donation of some tiered, retractable seating by The Lauriston Trust, the newly-christened Lauriston Studio was officially opened to the public in October 2006 with a memorable production of Two by Jim Cartwright. Seating 49 people, it is an extremely intimate and stimulating theatre space that has become a fully integral part of the Altrincham Garrick Playhouse. Since then the Studio has staged many exciting and cutting edge productions, and has won awards for the quality of work produced there. 2013 – For the start of the 2013/14 Centenary season, the Playhouse relaunched its revamped website. This was overseen and managed by Stephen Bradshaw, who then ran the web-site until mid 2020. 2014 – The Society celebrated its 100th Season. 2019 – The Garrick launched the Picturehouse. A versatile addition to the Garrick’s offerings to the community, this comprises a huge retractable screen plus projection equipment, which allows the auditorium to be used as a cinema. The screen can be set up in minutes, in front of most stage sets, and allows up to 350 people to view the latest cinematic releases, classical films, quirky “independent” productions and, most noticeably, showings of professional stage productions “as-live”. The first season included Kinky Boots , A Woman of No Importance (featuring Jennifer Saunders) and two wonderful modern ballets (Swan Lake and Romeo and Juliet ) from Matthew Bourne. 2020 onwards: COVID and other changes 2020 – The Covid-19 pandemic hit the Garrick just as hard as most theatres. The season was abruptly cut short in the middle of March, with the last “production” being an Illustrated Talk by Garrick stalwart Richard Sails, describing his hike in 1999 from Land’s End to John O’Groats. The building then went dark, as the first lockdown took hold. 2020 - March onwards Due to the "first lockdown", nothing was staged at the Garrick from March until the 14th of August 2020, when the Picturehouse re-opened with 42nd Street (an as-live theatrical screening) and then Aladdin (the 2019 film). From then until the end of October 2020, while indoor live performances were banned due to the pandemic, the Garrick Picturehouse continued to show cinematic and theatrical screenings, at the rate of 3 or 4 a week. In 2020, Joe Meighan became the Artistic Director of the Garrick, working in partnership with Sarah Reilly as the Operations Director. On the 1st of November 2020, when the "second lockdown" took effect, the screening of Paddington was cancelled, and the building went dark again. 2021 – In February 2021, the Garrick hosted a "ghost production". Nothing was produced for an audience, but in memory of the Garrick's first ever production in March 1914 (see above), Garrick members were invited to donate to the theatre. Two "online screenings", allowing audiences to watch previously-recorded Garrick plays from their homes, were shown, in February and May 2021. Alongside these, due to "second lockdown" restrictions, the Garrick could offer only Picturehouse cinematic and as-live screenings. These included many classic films curated by Barry Purves. They required the audience and staff to wear masks throughout the performances, and they conformed to restricted seating (groups of up to 6 could sit next to each other, but had to be separated by 2m from other groups). On the 7th of June 2021, the Garrick showed its first live performance since March 2020: a socially-distanced One Act Musical The Last Five Years . September 2021 saw the opening of the first "normal" season since 2018-2019, although some productions were subject to Covid seating restrictions and face-mask directives as guidelines changed during the winter of 2021-2022. Join our mailing list Subscribe

Return to Productions Archive Garrick Production Jack & The Beanstalk - The Garrick Pantomime This GIANT adventure is the pantomime you've BEAN waiting for! Ran Dec 6, 2024 - Jan 5, 2025 Age guidance 3+ Venue Main House Running time 2.5 hours (inc. 20 mins interval) Tickets Price Range £14 - £18 Description Our festive show for 2024/25 is our pantomime Jack & The Beanstalk ! The Garrick Panto is back and full of FEE, FIE, FOE, FUN !! Young Jack, his daft-as-a-brush brother, Silly Simon, and his long-suffering mother, Dame Trott, live in a tiny cottage in the shadow of the terrible giant, Blunderbore. With the rent overdue they have no choice but to sell their beloved cow, Daisy. After tricking the Trotts into selling her for a bag of worthless beans, the villainous giant's henchman – Fleshcreep - kidnaps the Princess for his master's supper. Will Jack be able to rescue Daisy and Princess Jill in time? Perhaps those beans aren't as worthless as they seemed ... Expect laughs, music, dance, special effects, dazzling costumes, stunning sets, magic beans and bundles of audience participation at the Altrincham Garrick Playhouse! This GIANT adventure is the pantomime you've BEAN waiting for! Reviews Peter Ruddick - North West End UK "Professional, gorgeous and delightful" Read the full review HERE Rick Bowen - StageStruck Read the full review HERE Gallery Trailer Trigger Warning Flashing lights and special effects, loud noises and pyrotechnics Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Productions Communicating Doors Ran Jan 17, 2000 - Jan 22, 2000 Age guidance Venue Running time Tickets Price Range Description By: Alan Ayckbourn Directed By: Nigel Machin This ingenious comic thriller spans three time zones, each twenty years apart and joined by communicating doors. Beginning in 2014 a classy prostitute has a booking at a de luxe hotel, but not for her regular services. She is asked to witness a document detailing the murder of her client's two wives by his business associate. Escaping from the business associate she goes through the 'communicating door' and finds herself back twenty years and confronting Ruella, the second wife. Ruella is naturally sceptical until she, in turn, goes through the same door, meets Jessica, the first wife, and decides to rewrite the future. Written with Ayckbourn's consummate skill this comedy enjoyed a huge success in London. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

The Garrick offers several sponsorship packages, suitable for small businesses, for large businesses and for individuals. Get Involved Advertising and Sponsorships Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. Sponsorship Packages The Garrick offers several sponsorship packages, suitable for small businesses, for large businesses and for individuals. These include: Full Theatre Sponsorship (All Main Stage Garrick Productions) Individual Production Sponsorship (Garrick Main Stage) Studio Production Sponsorship (Our Season of Lauriston Studio Productions) Be involved in supporting the very best in local community theatre, and boost your own community profile. To find out what we can do for you, please contact: Operations Director on 0161-928-1677 or email admin@altrinchamgarrick.co.uk (Please include your name, phone number and any other contact details, and a brief idea of your requirements.) Join our mailing list Subscribe

Return to Productions Archive Garrick Production Goldilocks & The Three Bears A rip-ROARing Panto FUR all the Family! Ran Dec 5, 2025 - Jan 4, 2026 Age guidance 3+ Venue Main House Running time Tickets Price Range £15 - £19 Description Roll up! Roll up! The Circus is in town! Dame Gertie Dollop runs a Circus show with her son - Silly Billy, but they have fallen on hard times particularly with the dastardly Ringmaster Heinkel, owner of the rival 'Circus of Horrors' up to his devious old tricks. Goldilocks dreams of running away with the circus but her father the debt-collecting Baron Wasteland won't allow it and demands the overdue pitch fees from Gertie and Billy. They need a miracle however after their honeypot full of money is taken in the middle of the night by three porridge hungry, talking bears. Could the bears be the new star attraction Dame Gertie has been searching for? And can Mystic Sharon with her crystal ball see a future for the Circus and save the day? Well, there’s only one way to find out! Head down to the Altrincham Garrick Playhouse for the big top pantomime that's just right! Reviews Stage Struck - Rick Bowen "...a cast who made it their mission to ensure the kids, even the big ones, left the theatre with a smile on their faces." Gallery Trailer Trigger Warning Contains loud noises, flashing lights, pyros and special effects. Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Visiting Production LA SCHOOL OF DANCE: Into the Unknown Date range Tickets £15 - £18 Age guidance N/A Venue Main House Trigger warning Find out more Book now Running time TBC Group bookings Find out more Accessibility Find out more Prepare for an out of this world experience as the LA School of Dance launches 'Into The Unknown', into a galaxy of dazzling choreography, stellar costumes and unforgettable performances. This is one adventure you won’t want to miss !! Performances: - Saturday 18th July at 7pm - Sunday 19th July at 2pm Visiting Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Previous Next Eric Bradshaw Eric had an association with the Garrick for over 60 years. He, his wife Dallas and their son Stephen contributed huge amounts of time and effort to the success of the theatre. Eric's chief role was working on hundreds of productions as a member of the Front of House team ... we have no evidence that he ever appeared on stage. Back to In Memoriam page

Return to Productions Archive Garrick Productions What Happened to George Ran Jan 1, 1947 - Jan 1, 1947 Age guidance Venue Running time Tickets Price Range Description Abbott, Amy Beck, June Blackhurst, Ernest Brown, Sydney Creacall, Edward Daltry, Joyce Dean, Kenneth W Falkner, Robert Green, Joyce Hibbert, Sydney Lightowler, Ronnie R Neil, Ian Neild, Barry Pimlott, (Allman) Emmie Poole, Brian Stroud, Barbara Walsh, Katie Warrington, Betty Wood, Barrie Wood, Michael Whyatt, Egerton G Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

The Garrick Academy of Performing Arts runs classes for ages 5 to 18 and is the place to be if you love acting, singing or dancing. The Academy About GAPA & How to Join? Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. The Garrick Academy of Performing Arts, or GAPA as it is now affectionately known, continues to go from strength-to-strength. Formed in 2003 by Peter Birch and Dean Sumner, it has developed from 60 students to more than twice that number today. GAPA now has 3 teaching staff, 3 senior assistants – all of whom have been professionally trained in various disciplines within the performing arts. Additionally we have trainee junior assistants, who have been brought up through the GAPA ranks, all working with our students to develop their drama knowledge and gain experience. GAPA currently runs: SATURDAY CLASSES SCHOOL HOLIDAY COURSES SPEECH AND DRAMA Through all our courses and weekly classes we provide, train and develop the performance skills of our students and give them a theatre grounding; should they wish to just enjoy the fun of performing or should they eventually work professionally within the business. We focus on performance, inclusion and fun, and we ensure the students are constantly working towards the presentation of their work. Our annual productions see students preparing for a full-length show which, depending upon the production chosen, may be performed on the Garrick main stage or the more intimate Lauriston Studio, if the show or play is more suited. We look forward to seeing you at the next GAPA production, when you can watch our next generation of performing talent. Joining GAPA To join GAPA’s Saturday groups please contact our box office on 0161 928 1677 or email boxoffice@altrinchamgarrick.co.uk Join our mailing list Subscribe

Rent our theatre prop Guns and Rifles - a large variety Available. Garrick Hire Prop Gun and Rifle Hire Hire blank-firing and non-firing guns and rifles About the Armoury Prop Gun & Rifle Hire Prop Swords, Knives & Miscellaneous The Altrincham Garrick is pleased to offer a large selection of replica guns and rifles as part of our prop gun hire department. This covers a huge selection of fake handguns, pistols, rifles and shot guns available to hire from a many different eras. From eighteenth century flintlocks through western rifles, through 30s Tommy guns, to more modern shotguns and rifles. We also have replica AK47s and more modern looking assault rifles. All can be hired from our secure location in Altrincham. Hire Form We welcome enquiries of all sorts. We have a vast experience of shows and plays, so we can work closely with you to select the correct gun(s) for your production. Please be aware that we do not hire out to member of the public (for example fancy dress parties, themed re-enactments, stag or hen parties). We only rent to bona fide theatres, television and film/movie production companies. If you are interested in prop gun hire from us then please browse the photos and contact us to give us an indication of your enquiries. We will then respond with a quotation built around your requirements. Please give us as much information possible. We may need to carry out certain background checks before hiring to you. Please fill in our online form , call us on 0161 928 1677 or send us an e-mail: hire@altrinchamgarrick.co.uk . Browse Our Prop Gun Collection Long-barrel guns and rifles (non-practical blank-firing) This selection includes replica flintlock carbine rifles, shotguns, Lee Enfields, Winchester rifles and air rifles. Some can be fitted with straps and some with telescopic sights. Hand-guns and pistols (practical blank-firing) All the replica pistols shown are available as blank-firing. Some examples: Number 1 is a modified period percussion cap prop hand pistol. Number 4 is a prop Derringer, which conforms to extra regulations. Long-barrel guns and rifles (non-firing) This is a small selection of our large range of dummy, prop, deactivated and non-practical rifles. Some are exact replica guns; others are simple wooden-profile cut-out shapes (being more suitable for cost-conscious productions). None of this range is able to fire. Hand-guns and pistols (non-firing) These short-barrel handguns are deactivated, non-practical, dummy, replica or prop guns. We cover a comprehensive range, from the earliest flintlock pistol through to modern-day hand automatics. None of this range is able to fire. Submachine guns (non-firing) Shown here is a selection from our stock of these guns, many of which can be supplied with straps. Some examples: Number 1 is the Lewis Gun MK1 that was especially made for our stage production of Dad's Army . Number 2 is an SA80, which can be used with or without telescopic sights. None of this range is able to fire. Hire Form Join our mailing list Subscribe

A large number and huge variety of theatrically-approved Prop Weaponry is available for hire. Garrick Hire Prop Weaponry Hire Hire prop weaponry from the Garrick for Stage, Film and Television About the Armoury Prop Gun & Rifle Hire Prop Swords, Knives & Miscellaneous In 2022, the Altrincham Garrick took over management of the prop weapons hire business from HW Ltd of Denton, Greater Manchester. This includes a complete stock of weapons, including blank-firing and replica firearms (pistols, rifles and more), stage-safe pointed weapons (daggers, swords and more) and a variety of related items. The Garrick offers the same high standard of service that many organisations around the UK enjoyed from HW Ltd. This large collection of theatrical weapons is available to hire from us directly at the Garrick. Supply is from our secure storage in Altrincham. Please Note: we hire only to companies (amateur or professional) for use in stage, film or television productions. By law, our licence does not allow us to provide hire to the general public, or for any other purposes. Hire Form We welcome enquiries of all sorts. Please fill in our online form , hit the button above, call us us on 0161 928 1677 or email hire@altrinchamgarrick.co.uk . About Our Prop Weapon Hire Service Established in 1980, Howorth Weapons Limited supplied stage weapons from its warehouse in Denton. These were hired out to theatre, film, TV and other similar organisations. In 2022 it moved home to the Altrincham Garrick, and the same weaponry hire service is now available via our Hire Department. No project is too small. Please call our knowledgeable and friendly experts to discuss your prop weapon requirements; we are always happy to help. We provide the fastest possible service, however for some items we are legally required to carry out background checks. We may need a minimum of three weeks notice prior to the required dates. Rules & Restrictions Altrincham Garrick does not hire out items for fancy dress, private parties, themed events or carnivals. We do not supply to the general public. All weapons are covered by the Criminal Justice Acts, the Firearms Act or the VCR Act (2006). We do not stock or supply any live weapons. They are all deactivated, non-practical or dummies, for use in stage shows, film, television and photographic/video. We do stock and can supply blank-firing guns (pistols, rifles and more). These come with more stringent handling requirements. We do not supply “fighting weapons”, only costume, set-dressing and non-practical items. This section provides a guide, to you as a hirer, about applicable rules and regulations. We try to keep these up to date, but they change occasionally. Please let us know if you want to check and confirm the rules which apply to your unique circumstances using the form below: FILM / TV / VIDEO Special regulations apply to all Film, TV, Video and Photographic uses for guns and weapons. Click the title above for a copy of the current rules. THEATRE Click the title above for the latest rules regarding the use of weapons and guns in an outdoor scenario for Theatre. TRANSPORT Transport of all weapons has strict rules and regulations which must be adhered to. For a copy of the current transport recommendations click the title above. Hire Form Join our mailing list Subscribe

Rent our theatre prop Swords and Daggers - a large variety Available. Garrick Hire Prop Swords, Knives and Miscellaneous The Garrick offers a range of bladed weapons and related miscellaneous items for hire About the Armoury Prop Gun & Rifle Hire Prop Swords, Knives & Miscellaneous Hire prop swords, fake knifes and daggers directly from us, here at The Garrick in Altrincham. We have a large collection suitable for film/movies, TV and all kinds of theatrical performances, from pantomimes to whodunnits and dramas. All of our stage swords and other pointed weapons are stored at a secure location in Altrincham. Note that these are not for fancy dress parties, stag dos or other party events – we do not have a licence to rent out to the general public. There are strict rules and regulation surrounding the hire and carrying of these items. We also have a number of interesting related items for hire that you may require to sit alongside the prop swords and prop guns hire. These items don’t fit neatly into the other sections, so we have separated them out below. Please take a look at the photos below, then contact us and give us an idea of the type of production you are engaged with. We will be happy to advise on which type of weapon(s) you need, and can then give you a quotation and timescale for rental. Alternatively, if you know exactly what you require then please include the reference numbers from the photo. Please fill in our online form , ring us on 0161 928 1677 or send us an e-mail, to hire@altrinchamgarrick.co.uk . Hire Form Prop Swords From prop pirate cutlasses suitable for pantomimes, such as those seen in Peter Pan above, to classic replica gladiator, claymore, classic long swords, epees and Samurai swords (as seen in movies such as like Kill Bill), we have a large collection for hire. Prop Knives & Daggers We have a large collection of prop knifes, stilettoes and daggers including retractable knife props (with retractable blades), suitable for stage, screen and television. There are knives from almost every era, including prop machetes, flick knifes and kirpans. Miscellaneous Items to Hire Other weapons include prop duelling pistols, fake Uzi , prop hand grenades & mortar bomb, Note that items 1& 2 are no longer available. Accessories include prop truncheons, western gun holsters, prop handcuffs, cowboy belts and shoulder holsters. Hire Form Join our mailing list Subscribe

Return to Productions Archive Visiting Production Endless Love Singing voices at the ready, dancing shoes on and 'Let's party all night long!' Ran May 23, 2026 Age guidance Venue Main House Running time TBC Tickets Price Range £28 - £30 Description Step into a night of show-stopping vocals, dazzling performances, and a sensational live band in Endless Love The Show- the ultimate celebration of Diana Ross and Lionel Richie. Brimming with iconic hits and timeless classics, this spectacular show features chart-toppers including I’m Coming Out, Dancing on the Ceiling, Upside Down, Say You Say Me, Chain Reaction, All Night Long, Ain’t No Mountain High Enough, Hello, You Can’t Hurry Love and, of course, the No. 1 duet of all time, Endless Love, plus many more! With authentic arrangements inspired by Lionel’s and Diana’s original touring productions, Endless Love is a thrilling, joy-filled journey through some of popular music’s greatest hits. This show will have you singing, dancing, and reminiscing from start to finish. A truly dazzling production that captures the glamour, emotion, and energy of these two musical icons together for the first time in one unique show. From the magical Motown era, irresistible 80s & 90s anthems, and infectious dance floor hits -Endless Love has it all. You already know every word - so warm up those vocals, put on your dancing shoes, and get ready to party... All Night Long! Reviews Gallery Trailer Trigger Warning Contains loud noises, flashing lights and special effects. Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Productions Neville's Island Ran Feb 21, 2000 - Feb 26, 2000 Age guidance Venue Running time Tickets Price Range Description By: Tim Firth Directed By: Dick Sails Designer: Stephen Bradshaw What a cock-up! Four out-of-condition businessmen get themselves marooned on an island on Derwentwater during a team-building exercise. Confident of rescue (at first), they prepare to dine on a shared sausage, but fog rolls in, they are menaced by wildlife and their SOS flares go unnoticed by November 5th revellers. The 'bonding' exercise turns into a carnival of recrimination with a surreal denouement. CAST Charlie Cook as Neville Barry Spencer as Gordon Hugh Everett as Angus Mark Edgar as Roy Reviews Sale & Altrincham Messenger's Review Team building is taken to extremes in 'Neville's Island', Tim Firth's testosterone driven comedy which is currently playing at Altrincham Garrick. A group of businessmen find themselves marooned on an island and try to come to terms with each other's irritating little foibles. It's a temperamental cauldron which takes seconds to boil over and when it does, it's impossible not to laugh. The brash Gordon gets the best lines, haranguing Neville for his inept leadership, Roy for his Christian beliefs and Angus for his uptight manner. But their experiences bring out the best in Neville and Angus, while smart alec Gordon is well and truly put in his place. All four characters will strike a chord with anyone who has worked in an office but they aren't stereotypes. The writer puts enough flesh on their bones to make us like and actually care about these guys. We all know someone like Gordon would be a nightmare to work with, but he's very funny, isn't he? The play does contain bad language but I felt it was in context. After all, when you're cold, wet and hungry minding your p's and q's won't be too high on your list of priorities. Barry Spencer seems to have cornered the market when it comes to playing rough types, and anyone who sees his Gordon will agree he does them superbly. Hugh Everett is a very believable Angus, the human equivalent of the cowardly lion and Mark Edgar grows on you as the screwed up Roy. But the real star of the show is the authentic island set created by Steve Bradshaw and his team. Take a bow guys, you deserve it. Rick Bowen Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Previous Next Mike Stocks Mike was a talented set designer, with many of his sets gracing the stage between the 1980s and the early 2000s. Mike spent most of his working life in the profession, designing and working on sets for theatre and TV. He worked in the design department at Granada TV on such classics as Brideshead Revisited until his retirement. Happily for the Garrick, he spent his latter years volunteering. Mike had a great sense of humour and a very quick wit. Having run his own dance band after the war, he was no mean performer on the drums ... as Garrickers often witnessed at the Christmas Draw. Back to In Memoriam page

The Altrincham Garrick is delighted to make our mainstage auditorium, our studio theatre and other rooms available for hire. We al;so hire out props, costume and theatrical weaponry. Garrick Hire Hire the theatre, hire from the theatre The Garrick offers a comprehensive hire service. The Altrincham Garrick is delighted to make our main stage auditorium, our studio theatre and other rooms available for hire to local organisations and to professional companies. In addition, we have a huge range of theatrical props, costumes, weaponry and theatrical equipment available for hire . We welcome enquiries of all sorts. Please fill in our online form , ring us on 0161 928 1677 or send us an e-mail, to hire@altrinchamgarrick.co.uk . Hire Form Join our mailing list Subscribe

In addition to our Saturday drama classes, the Garrick Academy is pleased to offer LAMDA Acting classes for young people aged 11-16. The Academy Groups and Classes Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. GAPA Saturday Group School Holiday Courses Speech & Drama/ LAMDA Classes Speech and Drama/ LAMDA Classes In addition to our Saturday drama classes, the Garrick Academy is pleased to offer LAMDA Acting classes for young people aged 8-18 years. Our group classes are designed for both beginners and those already familiar with performance exams. LAMDA’s graded Acting exams provide a great opportunity to develop performance skills and challenge students with progression through three levels. LAMDA exams are regulated by Ofqual, for more information please see, https://www.lamda.ac.uk/lamda-exams/our-exams Our weekly 60 minute classes run on evenings during term time, and work towards public LAMDA exams in the summer. The cost per lesson is £10, with fees payable in termly instalments. Exam fees are in addition to class prices and payable directly to LAMDA. For more information regarding our LAMDA class or to enrol, please contact lamda@altrinchamgarrick.co.uk Join our mailing list Subscribe

Return to Productions Archive Garrick Production Curtain Up (Musical) Celebration of all things Musical Theatre Ran Sep 20, 2021 - Sep 25, 2021 Age guidance Venue Running time Tickets Price Range Description Directed by Joseph Meighan Musical Direction By: Neil G. Bennett Curtain Up! Light The Lights! You’re invited to join a celebration of all things Musical Theatre as we kick start our Autumn/ Winter Season with a collection of your favourite songs from your favourite shows! A stylish and elegant evening of music featuring songs from “Les Misérables”, “The Phantom of the Opera”, “Wicked”, “Dear Evan Hansen”, “A Chorus Line”, “Mary Poppins”, “RENT” and more! Curtain Up will be an epic reminder that the show always goes on… Note: this was the first "proper" live show on the Garrick mainstage after the Covid-19 lockdowns of Spring 2020 and Winter 2020-2021. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production Peter Pan - The Garrick Pantomime The High Flying Garrick Pantomime Ran Dec 10, 2021 - Jan 3, 2022 Age guidance Venue Running time Tickets Price Range Description OUR FESTIVE SHOW FOR 2021/22 IS OUR PANTOMIME VERSION OF ‘PETER PAN’ The High Flying Garrick Pantomime BOOKING NOW! Journey to Neverland for a high-flying Pantomime adventure you’ll never forget! The forever-young Peter Pan sails through the skies to bring Wendy and the Darling children to the Lost Boy’s enchanted island, where the fearsome Captain Hook rules over the high seas. Written by Tom Whalley and based on the timeless book by JM Barrie, the Altrincham Garrick Playhouse brings you a perfect Pantomime for all the family. Fairies, mythical creatures, pirates, singing, dancing and flying! Take the second star to the right and keep straight on ’til morning and we’ll see you in Neverland! By Tom Whalley Directed by Joseph Meighan and Val Watkinson Musical Direction by Peter England Choreography by Vanessa Cockburn Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

The Altrincham Garrick Playhouse recognizes its duty of care under the Children and Young Persons Act 1963, the Child (Performances) Regulations 1968, the Protection of Children Act 1999 and the Criminal Justice and Court Services Act 2000. Child Protection Policy T&C’s for Sale of Tickets GDPR Privacy Policy Health and Safety Policy Child Protection Policy The Altrincham Garrick Playhouse recognizes its duty of care under the Children and Young Persons Act 1963, the Child (Performances) Regulations 1968, the Protection of Children Act 1999 and the Criminal Justice and Court Services Act 2000.The society recognizes that abuse can take many forms, whether it be physical abuse, emotional abuse, sexual abuse or neglect. The society is committed to practice which protects children from harm. All members of the society accept and recognize their responsibilities to develop awareness of the issues which cause children harm. The society believes that: The welfare of the child is paramount; All children, whatever their age, culture, disability, gender, language, racial origin, religious beliefs and/or sexual identity have the right to protection from abuse; All suspicions and allegations of abuse should be taken seriously and responded to swiftly and appropriately; All members and employees of the society should be clear on how to respond appropriately. The society will ensure that: All children will be treated equally and with respect and dignity; The welfare of each child will always be put first; A balanced relationship based on mutual trust will be built which empowers the children to share in the decision making process; Enthusiastic and constructive feedback will be given rather than negative criticism Bullying will not be accepted or condoned; All adult members of the society provide a positive role model for dealing with other people; Action will be taken to stop any inappropriate verbal or physical behaviour; It will keep up-to-date with health & safety legislation; It will keep informed of changes in legislation and policies for the protection of children; It will undertake relevant development and training; It will hold a register of every child involved with the society and will retain a contact name and number close at hand in case of emergencies. The society has child protection procedures which accompany this policy. This policy should also be read in conjunction with the society’s Theatre Handbook and Health & Safety Policy. The society has a dedicated Child Protection Officer, who is in charge of ensuring that the Child Protection policy and procedures are adhered to. This policy will be regularly monitored by the Executive Committee of the society and will be subject to annual review. Child Protection Procedures Responsibilities of the Society At the outset of any production involving children the society will: Undertake a risk assessment and monitor risk throughout the production process; Identify at the outset the person with designated responsibility for child protection; Engage in effective recruitment of chaperones and other individuals with responsibility for children, including appropriate vetting (if necessary in consultation with the local education authority); Ensure that children are supervised at all times; Know how to get in touch with the local authority social services, in case it needs to report a concern. Parents The society believes it to be important that there is a partnership between parents and the society. Parents/guardians are encouraged to be involved in the activities of the society and to share responsibility for the care of children. All parents will be given a copy the society's Child Protection Policy and procedures .All parents/guardians have the responsibility to collect (or arrange collection of) their children after rehearsals or performances. It is NOT the responsibility of the society to take children home. Unsupervised Contact The society will attempt to ensure that no adult has unsupervised contact with children. If possible there will always be two adults in the room when working with children. If unsupervised contact is unavoidable, steps will be taken to minimize risk. For example, work will be carried out in a public area or in a designated room with a door open. If it is predicted that an individual is likely to require unsupervised contact with children, he or she may be required to obtain a criminal record disclosure. Physical Contact All adults will maintain a safe and appropriate distance from children. Adults will only touch children when it is absolutely necessary in relation to the particular activity. Adults will seek the consent of the child prior to any physical contact and the purpose of the contact shall be made clear. Managing sensitive information The society has a policy and procedures for the taking, using and storage of photographs or images of children. Permission will be sought from the parents/guardians for use of photographic material featuring children for promotional or other purposes. The society’s web-based materials and activities will be carefully monitored for inappropriate use. The society will ensure confidentiality in order to protect the rights of its members, including the safe handling, storage and disposal of any sensitive information such as criminal record disclosures. Suspicion of abuse If you see or suspect abuse of a child while in the care of the society, please make this known to the person with responsibility for child protection. If you suspect that the person with responsibility for child protection is the source of the problem, you should make your concerns known to the Chairman. Please make a note for your own records of what you witnessed as well as your response, in case there is follow-up in which you are involved. If a serious allegation is made against any member of the society, chaperone, venue staff etc., that individual will be suspended immediately until the investigation is concluded. The individual will be excluded from the theatre; rehearsal rooms etc. and will not have any unsupervised contact with any other children in the production. Disclosure of abuse If a child confides in you that abuse has taken place: Remain calm and in control but do not delay taking action. Listen carefully to what has been said. Allow the child to tell you at their own pace and ask questions only for clarification. Don’t ask questions that suggest a particular answer. Don’t promise to keep it a secret. Use the first opportunity you have to share the information with the person with responsibility for child protection. Make it clear to the child that you will need to share this information with others. Make it clear that you will only tell the people who need to know and who should be able to help. Reassure the child that they did the right thing in telling someone. Tell the child what you are going to do next. Speak immediately to the person with responsibility for child protection. It is that person’s responsibility to liaise with the relevant authorities, usually social services or the police. As soon as possible after the disclosing conversation, make a note of what was said, using the child’s own words. Note the date, time, any names that were involved or mentioned, and who you gave the information to. Make sure you sign and date your record. Recording In all situations, including those in which the cause of concern arises from a disclosure made in confidence, the details of an allegation or reported incident will be recorded, regardless of whether or not the concerns have been shared with a statutory child protection agency. An accurate note shall be made of the date and time of the incident or disclosure, the parties involved, what was said or done and by whom, any action taken to investigate the matter, any further action taken e.g. suspension of an individual, where relevant the reasons why the matter was not referred to a statutory agency, and the name of the persons reporting and to whom it was reported. The record will be stored securely and shared only with those who need to know about the incident or allegation. Rights & Confidentiality If a complaint is made against a member of the society he or she will be made aware of their rights under the society's disciplinary procedures. No matter how you may feel about the accusation, both the alleged abuser and the child who is thought to have been abused have the right to confidentiality under the Data Protection Act 1998. Remember also that any possible criminal investigation could be compromised through inappropriate information being released. In criminal law the Crown or other prosecuting authority has to prove guilt and the defendant is presumed innocent until proven guilty. Accidents To avoid accidents, chaperones and children will be advised of ‘house rules’ regarding health and safety and will be notified of areas that are out of bounds. Children will be advised of the clothing and footwear appropriate to the work that will be undertaken. If a child is injured while in the care of the society, a designated first-aider should administer first aid and the injury will be recorded in the society’s accident book. This record will be counter-signed by the person with responsibility for child protection. If a child joins the production with an obvious physical injury a record of this will be made in the accident book. This record will be counter-signed by the person with responsibility for child protection. Criminal Record Disclosures If the society believes it in is in its best interests to obtain criminal record disclosures for chaperones or other personnel it will inform the individual of the necessary procedures and the level of disclosure required. An Enhanced disclosure will be required. The society will have a written code of practice for the handling of disclosure information and aim to prevent misuse. Chaperones Chaperones will be appointed by the society/appointed persons for the care of children during the production process. By law the chaperone is acting in loco parentis and should exercise the care which a good parent/guardian might be reasonably expected to give to a child. The maximum number of children in the chaperone’s care shall not exceed 12. Potential chaperones may be required to supply photographic proof of identity and two references from individuals with knowledge of their previous work with children, unless already well known to the society. They may also be asked to sign a declaration stating that there is no reason why they would be considered unsuitable to work with children. Chaperones will be made aware of the society’s Child Protection Policy and Procedures. Where chaperones are not satisfied with the conditions for the children, they should bring this to the attention of the director/stage manager. If changes cannot be made satisfactorily the chaperone should consider not allowing the child to continue. If a chaperone considers that a child is unwell or too tired to continue, the chaperone must inform the director/stage manager and not allow the child to continue. No child of compulsory school age is permitted to do anything which may endanger life or limb. This could include working on wires or heavy lifting. Chaperones should tell the director/stage manager to cease using children in this way, and should contact the local authority. During performances, chaperones will be responsible for meeting children at the stage door and signing them into the building. Children will be kept together at all times except when using separate dressing rooms. Chaperones will be aware of where the children are at all times. Children are not to leave the theatre unsupervised by chaperones unless in the company of their parents/guardians. Children will be adequately supervised while going to and from the toilets. Children will not be allowed to enter the adult dressing rooms. Chaperones should be aware of the safety arrangements and first aid procedures in the venue, and will ensure that children in their care do not place themselves and others in danger. Chaperones should ensure that any accidents are reported to and recorded by the society. Chaperones should examine accident books each day. If an accident has occurred, the producer is not allowed to use that child until a medically qualified opinion has been obtained (not just the word of the parent or child). Chaperones should have written arrangements for children after performances. If someone different is to collect the child, a telephone call should be made to the parent/guardian to confirm the arrangements. Children should be signed out when leaving and a record made of the person collecting. If a parent has not collected the child, it is the duty of the chaperone to stay with that child or make arrangements to take them home. This policy is applicable to and focuses on, children of compulsory school age and below. A child is required to attend school unless they are over the age of 16 on 31st of August, or until the last Friday in June after their 16th birthday. Join our mailing list Subscribe

Return to Productions Archive Garrick Production Of Mice and Men A classic story of enduring friendship and hope, with themes of economic migration and racism Ran May 8, 2025 - May 18, 2025 Age guidance Recommended: 12+ Venue Main House Running time TBC Tickets Price Range £10.50 - £16.50 Description Written by John Steinbeck Directed by Joseph Meighan “Guys like us, that work on ranches, are the loneliest guys in the world. They got no family. They don't belong no place...with us it ain't like that. We got a future. We got somebody to talk to that gives a damn about us.” George and Lennie are migrants with a dream; a dream of a better life, a place where they can belong, where Lennie feels safe and George can be somebody. But this is the Great Depression, not many dreams come true in a time where a few have plenty but most have nothing. When the friends take a job on Curly’s farm, tragedy unfolds leading to a heart-breaking decision. John Steinbeck’s classic novel is more than 80 years old, but with themes of economic migration, racism, prejudice and exclusion it remains a parable for our times. A story of enduring friendship and hope. Reviews Gallery Trailer Trigger Warning This production stays true to the original novel, exposing the depths of the characters and inviting conversations around difficult topics set against the brutality of the time. It contains sensitive content including topics that cover racism, ableism, sexism, violence, assault, murder, death, plus some strong and offensive language. Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Previous Next Don Poole A Timperley lad and plumber by trade, Don was a wonderful comedy performer who took part in over 50 productions in a 30-year career. His first roles on stage, in 1967, were as Reverend Mercer in When We Are Married and as a character in Toad of Toad Hall. He is best remembered for playing the Dame in pantomime, and as the Chairman and Master of Ceremonies in the theatre's popular Old Time Music Halls in the 1970s and 80s. He played the Dame a total of eight times, the first being in Jack and the Beanstalk in 1970 and the last as Widow Twankey (whom he played three times) in Aladdin in 1998 before hanging up his frocks. He occasionally took on other roles in the pantomime such as Ugly Sister Tuti in Cinderella in 1997. Don was Chairman of the Music Hall seven times from 1976-85, and is shown in this photograph in his Music Hall 'uniform'. On one memorable occasion he helped organise the evacuation of the theatre, gavel in hand, when a curtain started smouldering because it was too close to a lamp. He also took part in many other productions, mostly but not exclusively comedies, such as The Owl and the Pussycat , The Ritz , Oh! What a Lovely War , Last Tango in Whitby , Run for Your Wife , and Oliver! (playing Mr Sowerberry) in 1997. Don was also a well-known stand-up comedian and, in the early 1990s, he helped organise 'Comedy Clubs in the Bar' as part of the STAGE Appeal to renovate the theatre. Unsurprisingly they were always packed out. He also appeared on television (his credits including Coronation Street , Crown Court , The Mallons , and Brideshead Revisited ) and onstage at the Royal Exchange. In addition he was an accomplished film-maker, casting many Garrick actors of his era. As well as all this, Don was thoroughly likeable and sociable and was wonderful company in the bar with his jokes and stories. A true Garrick character. Back to In Memoriam page

Wheelchair spaces are available in the Auditorium and there is a toilet and a lift for disabled patrons. We do require advanced booking for Wheelchair spaces and please tell our Box Office if you have any special requirements when booking. There is also a loop system for patrons. About Us Booking and Access Information Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. Booking Fees There is £2.50 transaction fee for each individual payment made by telephone or online. Refunds or Exchanges The Box Office will try to re-sell unused tickets subject to a £1 per ticket exchange fee, on the understanding that the sale of the Garrick’s own available seats takes priority. Concessions This includes where applicable for some events where specified, Adults 60+, Students (Student Card required), Unemployed, NHS and Fire Service (last three – ON PRESENTATION OF RELEVANT PROOF) Disabled Facilities There are 2 disabled parking spaces to the left of the Playhouse entrance, 1 to the right and 2 directly in front of the Foyer, plus additional spaces outside our Studio Theatre. Please display permits at all times and only use these spaces if you have a current permit. Wheelchair spaces are available in the Auditorium and there is a toilet and a lift for disabled patrons. The main auditorium can accommodate 4 wheelchairs and the Studio 1 wheelchair. We do require advanced booking for Wheelchair spaces and please tell our Box Office if you have any special requirements when booking. There is also a loop system for patrons. Join our mailing list Subscribe

Previous Next Maggie Foy Throughout the 1970s and 80s, Maggie worked as Stage Director and Stage Manager on numerous productions, She was highly respected by everyone, both on- and off- stage, for her calm nature and efficiency. It was not a surprise, therefore, when she became Joint General Secretary on the Executive in 1982. Maggie was also fully involved in the social life and activities of the theatre. Back to In Memoriam page

Return to Productions Archive Garrick Productions One Flew Over the Cuckoo's Nest Ran May 7, 2007 - May 12, 2007 Age guidance Venue Running time Tickets Price Range Description The novel is a modern American classic. What happens when an irresistible force meets an immoveable object in the persons of R. P. McMurphy, a boisterous petty criminal, and Nurse Ratched, who conceals her natural attractiveness under an icy-cold veneer? To avoid a prison sentence, McMurphy has elected to appear crazy and believes he can 'buck the system'. He becomes irretrievably involved with the many and varied fellow inmates as he fights to free them from the tyranny of 'Big Nurse'. In turns shocking, moving and funny, this play tells a wonderful story and will hold your attention throughout. An absolute MUST for all lovers of good drama. CAST Jon White as Chief Bromden Hugh Everett as Dale Harding Mark Butt as Billy Bibbit Alex Wilson as Scanlon David Gonet as Cheswick Graham Simmonds as Martini Barry Purves as Ruckley Tony Turner as R P McMurphy Tracy Burns as Nurse Ratched Paula Keen as Nurse Flynn Victor Hassan as Dr Spivey Bryn Thomas as Aide Warren Martin Creevey as Aide Williams Frank Boylan as Aide Turkel Natalie Horne as Candy Melissa Cupid Brown as Sandra Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production Oppenheimer Bio-drama about J. Robert Oppenheimer, the mastermind of the atomic bomb Ran Feb 24, 2025 - Mar 1, 2025 Age guidance Age: 14 + Venue Main House Running time TBC Tickets Price Range £10.50 - £16.50 Description By Tom Morton-Smith Directed by John Cunningham Associate Direction by Carole Carr 1939: fascism spreads across Europe, Franco marches on Barcelona and two German chemists discover the processes of atomic fission. In Berkeley, California, theoretical physicists recognise the horrendous potential of this new science: a weapon that draws its power from the very building blocks of the universe. Struggling to cast off his radical past and thrust into a position of power and authority, the charismatic J Robert Oppenheimer races to win the 'battle of the laboratories' and create a weapon so devastating that it would bring about an end not just to the Second World War but to all war. Originally written for the RSC in 2015, Tom Morton-Smith's play takes us into the heart of science, politics and humanity clashing in the propulsive story of the Manhattan Project and the development of the world’s first nuclear bombs. Reviews Gallery Trailer Trigger Warning This production contains strong language, sexual references and adult themes, including suicide, references to racism and other challenging themes. The production also contains graphic descriptions of the Hiroshima and Nagasaki nuclear attacks and aftermath, which may cause upset or distress. Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Previous Next Gordon Prentice Gordon was a wonderful comedy performer who excelled in the Old Time Music Halls that, for 15 years, were an institution at the Garrick. He took part in almost all of them annually from the early 1970s, until the last one in 1990, and is pictured here as a Pearly King in 1978. He also appeared in several pantomimes such as Dick Whittington, Aladdin , and as an Ugly Sister in Cinderella . His first performances on the Garrick stage were in serious dramas such as Luther in 1972 and Macbeth in 1973, but it wasn't long before he was cast in comedy roles such as the Scarecrow in The Wizard of Oz , There Goes the Bride ', and See How They Run. Gordon also took part in most social events and cabarets in the bar, and worked in the Front of House team. Back to In Memoriam page

Return to Productions Archive Garrick Production The East Window Ran Jan 2, 1915 - Jan 2, 1915 Age guidance Venue Running time Tickets Price Range Description By Walter R Matthews CAST Bonson, John P Hough, B G Megson, Miss Margaret Slinn, Ella Warburton, George A Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production Vardy v Rooney: The Wagatha Christie Trial Footballers’ wives drama which will keep you on the edge of your seat Ran Jun 2, 2025 - Jun 7, 2025 Age guidance 12+ Venue Main House Running time TBC Tickets Price Range £10.50 - £16.50 Description Adapted by Liz Hennessey Directed by Dan Ellis A story stranger than fiction that blurs the boundaries of tabloid scoop, court case and soap opera, The Wagatha Christie Trial explores privacy and celebrity in modern Britain. On 9 October 2019, Coleen Rooney publicly accused Rebekah Vardy of selling stories about her to The Sun. The four words "It's.......... Rebekah Vardy's account" sent shockwaves across British and global press. Nobody could have expected the social media scandal to grow so large. On 10 May 2022, the "Wagatha Christie" trial commenced. Over seven days, the libel court case saw Vardy and Rooney remark on each other's lives, with much of it documented heavily in the press. Only a handful of people witnessed what happened behind the closed doors of this footballers’ wives drama and now you can too in this hilarious (and slightly tacky) court room comedy! You'll be on the edge of your seat as you relive the high-profile case, filled with drama, intrigue, and scandal. Vardy V Rooney: The Wagatha Christie Trial was first performed at the Wyndham’s Theatre in the West End in 2022 before a UK and Ireland tour. Recommended: 12+ Warning: This production contains some strong language and adult themes. Reviews Gallery Trailer Trigger Warning This production contains some strong language and adult themes. Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

If you have an interest in theatre, want to tread the boards or work front or back stage then why not become a Garrick volunteer? Get Involved Volunteering Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. If you have an interest in theatre, want to tread the boards or work front or back stage then why not become a Garrick volunteer ? We are always looking for new talent (of any age) to work in all areas of the theatre – no experience is necessary as you will be given full training by our qualified staff. We promise you that the satisfaction of a job well done will really surprise you, and you will make many new friends. Register your Interest Simply fill in this form to register your interest in getting involved in the theatre. You can also ring us on 0161 928 1677 , or send an e-mail to admin@altrinchamgarrick.co.uk Name Email Telephone Tell us how you would like to get involved, and we'll respond as soon as possible Submit Thanks for registering your interest in getting involved. We aim to get back to you very soon. What else can I do to play my part? Even if you are not able to spend the time time helping the theatre in a more active way (maybe work and other commitments mean that your time is at a premium), there other simple ways you can help your Garrick. When you come and see a show, try to pick up a leaflet or A4 poster from the Box Office or in the Bar. You could display one in your local Library, office/place of work or even your local club or shop (please make sure you have permission to do so). If you have enjoyed a show, tell your friends/colleagues – please spread the word about your theatre! Find us on Social Media and tweet/post your thoughts. This kind of help, however small, can make a huge difference to the theatre. Thank you. Join our mailing list Subscribe

This page is part of the Booking Journey, for booking events at the Altrincham Garrick Playhouse. Checkout Your selection Basket Checkout Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe