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Child Protection Policy T&C’s for Sale of Tickets GDPR Privacy Policy Health and Safety Policy Child Protection Policy The Altrincham Garrick Playhouse recognizes its duty of care under the Children and Young Persons Act 1963, the Child (Performances) Regulations 1968, the Protection of Children Act 1999 and the Criminal Justice and Court Services Act 2000.The society recognizes that abuse can take many forms, whether it be physical abuse, emotional abuse, sexual abuse or neglect. The society is committed to practice which protects children from harm. All members of the society accept and recognize their responsibilities to develop awareness of the issues which cause children harm. ​ The society believes that: ​ The welfare of the child is paramount; All children, whatever their age, culture, disability, gender, language, racial origin, religious beliefs and/or sexual identity have the right to protection from abuse; All suspicions and allegations of abuse should be taken seriously and responded to swiftly and appropriately; All members and employees of the society should be clear on how to respond appropriately. ​ The society will ensure that: All children will be treated equally and with respect and dignity; The welfare of each child will always be put first; A balanced relationship based on mutual trust will be built which empowers the children to share in the decision making process; Enthusiastic and constructive feedback will be given rather than negative criticism Bullying will not be accepted or condoned; All adult members of the society provide a positive role model for dealing with other people; Action will be taken to stop any inappropriate verbal or physical behaviour; It will keep up-to-date with health & safety legislation; It will keep informed of changes in legislation and policies for the protection of children; It will undertake relevant development and training; It will hold a register of every child involved with the society and will retain a contact name and number close at hand in case of emergencies. ​ The society has child protection procedures which accompany this policy. This policy should also be read in conjunction with the society’s Theatre Handbook and Health & Safety Policy. The society has a dedicated Child Protection Officer, who is in charge of ensuring that the Child Protection policy and procedures are adhered to. ​ This policy will be regularly monitored by the Executive Committee of the society and will be subject to annual review. Child Protection Procedures Responsibilities of the Society At the outset of any production involving children the society will: ​ Undertake a risk assessment and monitor risk throughout the production process; Identify at the outset the person with designated responsibility for child protection; Engage in effective recruitment of chaperones and other individuals with responsibility for children, including appropriate vetting (if necessary in consultation with the local education authority); Ensure that children are supervised at all times; Know how to get in touch with the local authority social services, in case it needs to report a concern. ​ Parents ​ The society believes it to be important that there is a partnership between parents and the society. Parents/guardians are encouraged to be involved in the activities of the society and to share responsibility for the care of children. All parents will be given a copy the society's Child Protection Policy and procedures .All parents/guardians have the responsibility to collect (or arrange collection of) their children after rehearsals or performances. It is NOT the responsibility of the society to take children home. ​ Unsupervised Contact The society will attempt to ensure that no adult has unsupervised contact with children. If possible there will always be two adults in the room when working with children. If unsupervised contact is unavoidable, steps will be taken to minimize risk. For example, work will be carried out in a public area or in a designated room with a door open. If it is predicted that an individual is likely to require unsupervised contact with children, he or she may be required to obtain a criminal record disclosure. ​ Physical Contact All adults will maintain a safe and appropriate distance from children. Adults will only touch children when it is absolutely necessary in relation to the particular activity. Adults will seek the consent of the child prior to any physical contact and the purpose of the contact shall be made clear. ​ Managing sensitive information ​ The society has a policy and procedures for the taking, using and storage of photographs or images of children. ​ Permission will be sought from the parents/guardians for use of photographic material featuring children for promotional or other purposes. ​ The society’s web-based materials and activities will be carefully monitored for inappropriate use. ​ The society will ensure confidentiality in order to protect the rights of its members, including the safe handling, storage and disposal of any sensitive information such as criminal record disclosures. ​ Suspicion of abuse ​ If you see or suspect abuse of a child while in the care of the society, please make this known to the person with responsibility for child protection. If you suspect that the person with responsibility for child protection is the source of the problem, you should make your concerns known to the Chairman. Please make a note for your own records of what you witnessed as well as your response, in case there is follow-up in which you are involved. ​ If a serious allegation is made against any member of the society, chaperone, venue staff etc., that individual will be suspended immediately until the investigation is concluded. The individual will be excluded from the theatre; rehearsal rooms etc. and will not have any unsupervised contact with any other children in the production. ​ Disclosure of abuse ​ If a child confides in you that abuse has taken place: ​ Remain calm and in control but do not delay taking action. Listen carefully to what has been said. Allow the child to tell you at their own pace and ask questions only for clarification. Don’t ask questions that suggest a particular answer. Don’t promise to keep it a secret. Use the first opportunity you have to share the information with the person with responsibility for child protection. Make it clear to the child that you will need to share this information with others. Make it clear that you will only tell the people who need to know and who should be able to help. Reassure the child that they did the right thing in telling someone. Tell the child what you are going to do next. Speak immediately to the person with responsibility for child protection. It is that person’s responsibility to liaise with the relevant authorities, usually social services or the police. As soon as possible after the disclosing conversation, make a note of what was said, using the child’s own words. Note the date, time, any names that were involved or mentioned, and who you gave the information to. Make sure you sign and date your record. ​ Recording ​ In all situations, including those in which the cause of concern arises from a disclosure made in confidence, the details of an allegation or reported incident will be recorded, regardless of whether or not the concerns have been shared with a statutory child protection agency. ​ An accurate note shall be made of the date and time of the incident or disclosure, the parties involved, what was said or done and by whom, any action taken to investigate the matter, any further action taken e.g. suspension of an individual, where relevant the reasons why the matter was not referred to a statutory agency, and the name of the persons reporting and to whom it was reported. ​ The record will be stored securely and shared only with those who need to know about the incident or allegation. ​ Rights & Confidentiality ​ If a complaint is made against a member of the society he or she will be made aware of their rights under the society's disciplinary procedures. ​ No matter how you may feel about the accusation, both the alleged abuser and the child who is thought to have been abused have the right to confidentiality under the Data Protection Act 1998. Remember also that any possible criminal investigation could be compromised through inappropriate information being released. ​ In criminal law the Crown or other prosecuting authority has to prove guilt and the defendant is presumed innocent until proven guilty. ​ Accidents ​ To avoid accidents, chaperones and children will be advised of ‘house rules’ regarding health and safety and will be notified of areas that are out of bounds. Children will be advised of the clothing and footwear appropriate to the work that will be undertaken. ​ If a child is injured while in the care of the society, a designated first-aider should administer first aid and the injury will be recorded in the society’s accident book. This record will be counter-signed by the person with responsibility for child protection. If a child joins the production with an obvious physical injury a record of this will be made in the accident book. This record will be counter-signed by the person with responsibility for child protection. ​ Criminal Record Disclosures ​ If the society believes it in is in its best interests to obtain criminal record disclosures for chaperones or other personnel it will inform the individual of the necessary procedures and the level of disclosure required. An Enhanced disclosure will be required. The society will have a written code of practice for the handling of disclosure information and aim to prevent misuse. ​ Chaperones ​ Chaperones will be appointed by the society/appointed persons for the care of children during the production process. By law the chaperone is acting in loco parentis and should exercise the care which a good parent/guardian might be reasonably expected to give to a child. The maximum number of children in the chaperone’s care shall not exceed 12. ​ Potential chaperones may be required to supply photographic proof of identity and two references from individuals with knowledge of their previous work with children, unless already well known to the society. They may also be asked to sign a declaration stating that there is no reason why they would be considered unsuitable to work with children. ​ Chaperones will be made aware of the society’s Child Protection Policy and Procedures. Where chaperones are not satisfied with the conditions for the children, they should bring this to the attention of the director/stage manager. If changes cannot be made satisfactorily the chaperone should consider not allowing the child to continue. If a chaperone considers that a child is unwell or too tired to continue, the chaperone must inform the director/stage manager and not allow the child to continue. No child of compulsory school age is permitted to do anything which may endanger life or limb. This could include working on wires or heavy lifting. Chaperones should tell the director/stage manager to cease using children in this way, and should contact the local authority. During performances, chaperones will be responsible for meeting children at the stage door and signing them into the building. Children will be kept together at all times except when using separate dressing rooms. Chaperones will be aware of where the children are at all times. Children are not to leave the theatre unsupervised by chaperones unless in the company of their parents/guardians. Children will be adequately supervised while going to and from the toilets. Children will not be allowed to enter the adult dressing rooms. Chaperones should be aware of the safety arrangements and first aid procedures in the venue, and will ensure that children in their care do not place themselves and others in danger. Chaperones should ensure that any accidents are reported to and recorded by the society. Chaperones should examine accident books each day. If an accident has occurred, the producer is not allowed to use that child until a medically qualified opinion has been obtained (not just the word of the parent or child). Chaperones should have written arrangements for children after performances. If someone different is to collect the child, a telephone call should be made to the parent/guardian to confirm the arrangements. Children should be signed out when leaving and a record made of the person collecting. If a parent has not collected the child, it is the duty of the chaperone to stay with that child or make arrangements to take them home. ​ This policy is applicable to and focuses on, children of compulsory school age and below. A child is required to attend school unless they are over the age of 16 on 31st of August, or until the last Friday in June after their 16th birthday. 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About Us Find Us and Get In Touch Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. Find Us Altrincham Garrick Playhouse Barrington Road Altrincham WA14 1HZ ​ By Public Transport The Garrick is about 800m (a 10-minute stroll) from each of the following stations, served by both Northern trains and Manchester Metrolink trams: ​ Altrincham Interchange Navigation Road ​ Barrington Road is a major bus route, and there are bus stops on both sides of the road very close to the theatre. ​ Parking at the Garrick ​ We have a reasonably-sized car park, which offers free parking including spaces reserved for disabled parking. You are advised that this can quickly become full for the most popular performances – filling up sometimes half an hour before a show begins. Alternatively, there are numerous opportunities for parking on residential side streets within a couple of minutes’ walking distance. Parking there can also sometimes be limited and again you are advised to come as early as possible if you want to park particularly close to the theatre. ​ Please park considerately, avoiding blocking any access for our local residents – thank you. ​ Don’t forget: our bar is normally open at least 45 minutes before each performance, so our advice is: arrive early, park early, and relax in our cosy bar before the show ! ​ Contact Us Call: 0161 928 1677 Mon – Fri 11am – 4pm & 6pm – 8.30pm Sat 9am – 12pm ​ Email: boxoffice@altrinchamgarrick.co.uk Join our mailing list Subscribe

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About Us History of the Garrick Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. About the Theatre History of the Garrick In Memoriam: Past Members of the Garrick Productions Archive The History of the Theatre The Garrick has a long and illustrious history, from its initial stirrings in November 1913 through the major redevelopment/refurbishment completed in 1999, to the present day set of offerings including amateur performances, professional productions, youth training and a cinema-quality Picturehouse. Those who are interested in a more complete account than is presented here may wish to buy a copy of The Flame Still Burns , the story of Altrincham Garrick Playhouse compiled by a true Garrick stalwart, the late Pamela Knox. Copies are still available from the theatre (at the give-away price of ONE pound only) and cover the tale of the Garrick from its inception to the 1992/93 season. 1913 – 1999 1913, November 25th – Inaugural meeting and formation of a provisional committee, followed by two further meetings in December ​ 1914, January 20th – First meeting proper held in the new headquarters, the cellar of Mr Jack Byrom’s shop in Kingsway. The name of Altrincham Garrick Society adopted 1914, February 17th – First Rehearsal of the First Play, The Silver Box by John Galsworthy 1914, March 18th – First Production ( The Silver Box ) performed at the Public Hall, Altrincham with scenery hired from the Gaiety Theatre, Manchester 1915, May 4th – a number of members were struck off the list for non-payment of subscriptions (a warning for some of us these days!). ​ 1916, May – Productions were suspended because of the difficulties arising from the war. ​ 1920 – Following an attempt to persuade George Bernard Shaw to allow a production of Major Barbara without paying royalties, the great man advised the theatre to become a Repertory Theatre, paying the actors, since this would result in a lower payment of royalties (unless very successful!). As a result of this the play was produced and all actors were paid five shillings, which was promptly taken back by the Treasurer and put into a Building Fund, with the aim of building our own theatre ​ 1923, January – ‘Fred Arnold Enterprises’ wrote to the society offering to stage Garrick productions on a commercial basis. This offer was not accepted! ​ 1924, June – Membership now stood at 813 ​ 1926, June – At the AGM it was announced that a plot of land had been acquired on Barrington Road suitable for building the proposed new theatre. The land had been purchased by an anonymous member and the Society would hold it on payment of the chief rent only. It eventually emerged that the benefactor was A.P.Hill, a founder member who had worked tirelessly towards the goal of a theatre in its own grounds. 1927, September – Mr R A Smith, who had produced the vast majority of plays since 1914, resigned as producer 1928, December – the ‘Sell a Brick for 2d’ scheme was inaugurated – by October 1930 the scheme had raised £37. 2. 6d (£37.12 in today’s money!) 1930, September – Membership hit 1000 1931, July 14 – the first sod was cut at Barrington Road by Jack Byrom and the building of today’s theatre was begun 1931, October 29 – Garrick Playhouse Ltd registered as a public company 1932, October 1st – The first play opened at the new playhouse – ‘The Immortal Lady‘ by Clifford Bax 1935, February 13th – Standards of behaviour had clearly deteriorated seriously and the Executive Committee issued the following notice:- ​ The Committee regrets that the unofficial sanction to members of the cast bringing intoxication liquor into the Playhouse is being considerably abused. It is necessary, therefore, to remind members that: 1) Only members actually taking part in a play, stage staff and producer, are allowed to bring beer, etc. into the dressing rooms. 2) All glasses must be washed immediately after use and all bottles, whether full or empty, must be kept in closed bags or receptacles 3) Members in the cast cannot be allowed to offer drinks to their members not in the cast, nor to non-members. 4) Members of the cast are asked to refrain from drinking beer etc. until they have finished their part each evening. 1935, March 11th to 18th – the 21st birthday of the Garrick Society was celebrated by the production of the Chinese play ‘Lady Precious Stream‘ , its first amateur production ​ 1935, August – Ruth Dunning , who first appeared at the Garrick in 1934, took over the role of Sally from Wendy Hiller in ‘Love on the Dole‘ at the Garrick Theatre, London, the first Garrick amateur to be successful as a professional 1939 – The Silver Jubilee play was ‘1066 and all that‘ , with a cast of 150, 27 scenes and 3 levels 1939 – From a piece by ‘John Falstaff‘ of the Manchester Evening Chronicle – The Altrincham Garrick is one of the show places of the British Amateur Movement and its merit is twofold. First, it is secure and permanent; second, not only is the normal standard high, but the achievement also. There are few professional companies with such a striking list of pioneer efforts in plays and authors. 1939 – 1945 – For the duration of the war the theatre was handed over to a professional company, although the Society still provided staff and looked after the running of the building 1945, October – The first post-war production was ‘The Good Companions‘ by J B Priestley 1953 – A new building fund was started to be used for the erection of a small theatre at the rear of the Playhouse for experimental plays etc. 1957, October – the 25th anniversary of the Playhouse was celebrated by a production of ‘Teahouse of the August Moon‘ ​ 1958 – a Young Garrick Club was started for 15 to 18 year olds, soon named ‘Studio G’. Their first production was staged in June 1960 in the rehearsal room. 1961, September – The Garrick Bar opened for the first time, the first bar steward being Reg Hughes. He was succeeded early in 1962 by Albert Riddell who was to remain an indispensible part of the Garrick scene until 1981 1963, May – The first of five years of BBC radio recordings of Music Hall at the Garrick 1963 – 50th Jubilee Season – The theatre was re-decorated inside and out and a new central heating boiler installed – The main Jubilee production was ‘Becket‘ 1965, January – First staging of the now famous Garrick Pantomime – that year it was ‘Aladdin‘ 1968-69 – The ‘collection’ system of raising revenue at performances was finally dispensed with and a charge made for tickets 1972-73 season – The 40th anniversary of the Playhouse – the Foyer was modernised with a new Box Office, there was new decoration and, most important, re-upholstered seating. Supporters were invited to endow a seat in the theatre, with 5 securing a name plate affixed to the seat 1973, May – It was announced that while membership would continue performances would be open to the Public and advertised as such 1976 – A thrust stage installed during the close season 1977, August – The Garrick made its first appearance at the Royal Exchange with ‘Sergeant Musgrave’s Dance‘ 1982, August – First visit to the Edinburgh Fringe with two home-grown Kevin Madley plays and Edward Bond’s ‘Bingo‘ 1982, September – The season opened with a world stage premiere of ‘Psycho‘ 1984, July – The Garrick produced a Music Hall as a part of the Edwardian Extravaganza in Dunham Park 1988-89 – The Society’s 75th Anniversary season – Stage 2 (the natural successor to Studio G) presented ‘Oh What a Lovely War‘ to mark the occasion 1990 – the Northern Amateur Premiere of ‘La Cage Aux Folles‘ – Little did we realise then what had started; this was the first of seven productions of it! 1990, November – Redevelopment fever had started. At an Extraordinary General Meeting an ambitious modernisation project which including selling the land on which the theatre stood and leasing the theatre back at a low rent for 999 years was rejected, but the drive had begun and the S.T.A.G.E. fund was started with the aim of raising £500,000 by December 1992 1992, July – the first Garrick Playathon. A host of members arrived at the theatre on Friday evening to discover that the show they were to perform on Sunday evening was ‘The Boyfriend’ by Sandy Wilson. After a massive amount of work pulled together by four directors, two musical directors, two choreographers and four set designers a superb performance was given on the Sunday evening (requiring a massive three prompts during the entire show!) 1998 – The Garrick’s third bid for National Lottery funding was successful, resulting in a grant of £675,000 as part of the £900,000 project. 1999 – The 1998/99 season finished early, in March, and the gutting of the auditorium began. The artistic side of the enterprise was kept occupied with a major open air production in Dunham Massey Hall of “Tom Jones” while the refurbishment went ahead. The grand (if a little delayed) reopening took place in October with a glittering production of “Camelot” (and a good deal of last minute rushing around!). The verdict was unanimous – Coming to the Garrick for a night out is now a real, and very comfortable, treat. Spread the word! To coincide the start of the first season in the refurbished Playhouse, the Society also started with its own website, created and run by Richard Sails. Richard managed the original website for 14 years until it was relaunched in 2013. 2000 to 2020 2006 – Following the generous donation of some tiered, retractable seating by The Lauriston Trust, the newly-christened Lauriston Studio was officially opened to the public in October 2006 with a memorable production of Two by Jim Cartwright. Seating 49 people, it is an extremely intimate and stimulating theatre space that has become a fully integral part of the Altrincham Garrick Playhouse. Since then the Studio has staged many exciting and cutting edge productions, and has won awards for the quality of work produced there. 2013 – For the start of the 2013/14 Centenary season, the Playhouse relaunched its revamped website. This was overseen and managed by Stephen Bradshaw, who then ran the web-site until mid 2020. ​ 2014 – The Society celebrated its 100th Season. ​ 2019 – The Garrick launched the Picturehouse. A versatile addition to the Garrick’s offerings to the community, this comprises a huge retractable screen plus projection equipment, which allows the auditorium to be used as a cinema. The screen can be set up in minutes, in front of most stage sets, and allows up to 350 people to view the latest cinematic releases, classical films, quirky “independent” productions and, most noticeably, showings of professional stage productions “as-live”. The first season included Kinky Boots , A Woman of No Importance (featuring Jennifer Saunders) and two wonderful modern ballets (Swan Lake and Romeo and Juliet ) from Matthew Bourne. ​ 2020 onwards: COVID and other changes 2020 – The Covid-19 pandemic hit the Garrick just as hard as most theatres. The season was abruptly cut short in the middle of March, with the last “production” being an Illustrated Talk by Garrick stalwart Richard Sails, describing his hike in 1999 from Land’s End to John O’Groats. The building then went dark, as the first lockdown took hold. 2020 - March onwards Due to the "first lockdown", nothing was staged at the Garrick from March until the 14th of August 2020, when the Picturehouse re-opened with 42nd Street (an as-live theatrical screening) and then Aladdin (the 2019 film). From then until the end of October 2020, while indoor live performances were banned due to the pandemic, the Garrick Picturehouse continued to show cinematic and theatrical screenings, at the rate of 3 or 4 a week. In 2020, Joe Meighan became the Artistic Director of the Garrick, working in partnership with Sarah Reilly as the Operations Director. On the 1st of November 2020, when the "second lockdown" took effect, the screening of Paddington was cancelled, and the building went dark again. ​ 2021 – In February 2021, the Garrick hosted a "ghost production". Nothing was produced for an audience, but in memory of the Garrick's first ever production in March 1914 (see above), Garrick members were invited to donate to the theatre. Two "online screenings", allowing audiences to watch previously-recorded Garrick plays from their homes, were shown, in February and May 2021. Alongside these, due to "second lockdown" restrictions, the Garrick could offer only Picturehouse cinematic and as-live screenings. These included many classic films curated by Barry Purves. They required the audience and staff to wear masks throughout the performances, and they conformed to restricted seating (groups of up to 6 could sit next to each other, but had to be separated by 2m from other groups). ​ On the 7th of June 2021, the Garrick showed its first live performance since March 2020: a socially-distanced One Act Musical The Last Five Years . ​ September 2021 saw the opening of the first "normal" season since 2018-2019, although some productions were subject to Covid seating restrictions and face-mask directives as guidelines changed during the winter of 2021-2022. Join our mailing list Subscribe

Mailing List Enter your email address and we'll keep you updated with what's going on at the Altrincham Garrick Playhouse. ​ As well as our newsletters, you’ll be signed up to receive other communications from the Garrick including: emails about future events and offers, postal mailings about future events and offers, opportunities to support the Garrick, and Creative Engagement information opportunities and news. To choose which communications you’d like to receive, log in to your account to update your contact preferences after you’ve signed up. Sign up for our mailing list First Name Last Name Email Address Please confirm that you have read our privacy policy? * I have read and accepted the privacy policy Submit Thanks for submitting!

The Academy Groups and Classes Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. GAPA Saturday Group School Holiday Courses Speech & Drama/ LAMDA Classes School Holiday Courses Summer Holiday Workshops ​ If you are looking for a fun-filled week in a high energy, performance based environment, then we'd love for your child to join us at the Altrincham Garrick Playhouse. Workshops start each day at 10.00am and finish at 4.00pm. Attendees are required to bring their own refreshments to see them through the day. Attendees are also requested to wear clothes suitable for movement and appropriate footwear, which will enable them to engage in all of the daily activities. Students will be required to read text unaided. £185 per week (sign up for one week or both). ​ There will be a mini performance at the end of each week for family and friends to watch). ​ Click HERE to signup. WEEK 1 - Monday 22nd to Friday 26th July 2024 This fun-filled week will focus on musical theatre, drama, comedy, dance, and gothic horror. Throughout the week we work intensively towards a performance of a much-loved comedy musical, written by a local writer, whilst we introduce the participants to a range of stage skills. WEEK 2 - Monday 29th July to Friday 2nd August 2024 ​ Throughout the week we will enter the magical world of the musicals, working on group numbers and solos from a selection of West End and Broadway Musicals; looking at how stories are transformed through music. The students will get the chance to enhance their solo and group performance skills during this feel good week of Musical Theatre. ​ Half-Term and Easter-time Workshops ​ February Half-Term: 12th – 16th February 2024 Easter Eggstravaganza: 25th – 29th March 2024 May-Hem Half-Term: 27th – 31st May 2024 ​ Join us during the holidays to enjoy theatrical fun: combining music, movement, monologues and much much more! (Nb: You can sign up to half- term holidays for a day or for the full week.) ​ GAPA’s half-term workshops encourage the participants to explore their creative side and promote teamwork, in a safe and friendly environment. ​ Our aim is to deliver exciting drama workshops for students aged 6-18, where they can learn drama skills, gain confidence and above all have fun. Join our mailing list Subscribe

The Academy Altrincham Garrick Child Protection Policy Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. The Altrincham Garrick Playhouse recognizes its duty of care under the Children and Young Persons Act 1963, the Child (Performances) Regulations 1968, the Protection of Children Act 1999 and the Criminal Justice and Court Services Act 2000.The society recognizes that abuse can take many forms, whether it be physical abuse, emotional abuse, sexual abuse or neglect. The society is committed to practice which protects children from harm. All members of the society accept and recognize their responsibilities to develop awareness of the issues which cause children harm. ​ The society believes that: ​ The welfare of the child is paramount; All children, whatever their age, culture, disability, gender, language, racial origin, religious beliefs and/or sexual identity have the right to protection from abuse; All suspicions and allegations of abuse should be taken seriously and responded to swiftly and appropriately; All members and employees of the society should be clear on how to respond appropriately. ​ The society will ensure that: All children will be treated equally and with respect and dignity; The welfare of each child will always be put first; A balanced relationship based on mutual trust will be built which empowers the children to share in the decision making process; Enthusiastic and constructive feedback will be given rather than negative criticism Bullying will not be accepted or condoned; All adult members of the society provide a positive role model for dealing with other people; Action will be taken to stop any inappropriate verbal or physical behaviour; It will keep up-to-date with health & safety legislation; It will keep informed of changes in legislation and policies for the protection of children; It will undertake relevant development and training; It will hold a register of every child involved with the society and will retain a contact name and number close at hand in case of emergencies. ​ The society has child protection procedures which accompany this policy. This policy should also be read in conjunction with the society’s Theatre Handbook and Health & Safety Policy. The society has a dedicated Child Protection Officer, who is in charge of ensuring that the Child Protection policy and procedures are adhered to. ​ This policy will be regularly monitored by the Executive Committee of the society and will be subject to annual review. Child Protection Procedures Responsibilities of the Society At the outset of any production involving children the society will: ​ Undertake a risk assessment and monitor risk throughout the production process; Identify at the outset the person with designated responsibility for child protection; Engage in effective recruitment of chaperones and other individuals with responsibility for children, including appropriate vetting (if necessary in consultation with the local education authority); Ensure that children are supervised at all times; Know how to get in touch with the local authority social services, in case it needs to report a concern. ​ Parents ​ The society believes it to be important that there is a partnership between parents and the society. Parents/guardians are encouraged to be involved in the activities of the society and to share responsibility for the care of children. All parents will be given a copy the society's Child Protection Policy and procedures .All parents/guardians have the responsibility to collect (or arrange collection of) their children after rehearsals or performances. It is NOT the responsibility of the society to take children home. ​ Unsupervised Contact The society will attempt to ensure that no adult has unsupervised contact with children. If possible there will always be two adults in the room when working with children. If unsupervised contact is unavoidable, steps will be taken to minimize risk. For example, work will be carried out in a public area or in a designated room with a door open. If it is predicted that an individual is likely to require unsupervised contact with children, he or she may be required to obtain a criminal record disclosure. ​ Physical Contact All adults will maintain a safe and appropriate distance from children. Adults will only touch children when it is absolutely necessary in relation to the particular activity. Adults will seek the consent of the child prior to any physical contact and the purpose of the contact shall be made clear. ​ Managing sensitive information ​ The society has a policy and procedures for the taking, using and storage of photographs or images of children. ​ Permission will be sought from the parents/guardians for use of photographic material featuring children for promotional or other purposes. ​ The society’s web-based materials and activities will be carefully monitored for inappropriate use. ​ The society will ensure confidentiality in order to protect the rights of its members, including the safe handling, storage and disposal of any sensitive information such as criminal record disclosures. ​ Suspicion of abuse ​ If you see or suspect abuse of a child while in the care of the society, please make this known to the person with responsibility for child protection. If you suspect that the person with responsibility for child protection is the source of the problem, you should make your concerns known to the Chairman. Please make a note for your own records of what you witnessed as well as your response, in case there is follow-up in which you are involved. ​ If a serious allegation is made against any member of the society, chaperone, venue staff etc., that individual will be suspended immediately until the investigation is concluded. The individual will be excluded from the theatre; rehearsal rooms etc. and will not have any unsupervised contact with any other children in the production. ​ Disclosure of abuse ​ If a child confides in you that abuse has taken place: ​ Remain calm and in control but do not delay taking action. Listen carefully to what has been said. Allow the child to tell you at their own pace and ask questions only for clarification. Don’t ask questions that suggest a particular answer. Don’t promise to keep it a secret. Use the first opportunity you have to share the information with the person with responsibility for child protection. Make it clear to the child that you will need to share this information with others. Make it clear that you will only tell the people who need to know and who should be able to help. Reassure the child that they did the right thing in telling someone. Tell the child what you are going to do next. Speak immediately to the person with responsibility for child protection. It is that person’s responsibility to liaise with the relevant authorities, usually social services or the police. As soon as possible after the disclosing conversation, make a note of what was said, using the child’s own words. Note the date, time, any names that were involved or mentioned, and who you gave the information to. Make sure you sign and date your record. ​ Recording ​ In all situations, including those in which the cause of concern arises from a disclosure made in confidence, the details of an allegation or reported incident will be recorded, regardless of whether or not the concerns have been shared with a statutory child protection agency. ​ An accurate note shall be made of the date and time of the incident or disclosure, the parties involved, what was said or done and by whom, any action taken to investigate the matter, any further action taken e.g. suspension of an individual, where relevant the reasons why the matter was not referred to a statutory agency, and the name of the persons reporting and to whom it was reported. ​ The record will be stored securely and shared only with those who need to know about the incident or allegation. ​ Rights & Confidentiality ​ If a complaint is made against a member of the society he or she will be made aware of their rights under the society's disciplinary procedures. ​ No matter how you may feel about the accusation, both the alleged abuser and the child who is thought to have been abused have the right to confidentiality under the Data Protection Act 1998. Remember also that any possible criminal investigation could be compromised through inappropriate information being released. ​ In criminal law the Crown or other prosecuting authority has to prove guilt and the defendant is presumed innocent until proven guilty. ​ Accidents ​ To avoid accidents, chaperones and children will be advised of ‘house rules’ regarding health and safety and will be notified of areas that are out of bounds. Children will be advised of the clothing and footwear appropriate to the work that will be undertaken. ​ If a child is injured while in the care of the society, a designated first-aider should administer first aid and the injury will be recorded in the society’s accident book. This record will be counter-signed by the person with responsibility for child protection. If a child joins the production with an obvious physical injury a record of this will be made in the accident book. This record will be counter-signed by the person with responsibility for child protection. ​ Criminal Record Disclosures ​ If the society believes it in is in its best interests to obtain criminal record disclosures for chaperones or other personnel it will inform the individual of the necessary procedures and the level of disclosure required. An Enhanced disclosure will be required. The society will have a written code of practice for the handling of disclosure information and aim to prevent misuse. ​ Chaperones ​ Chaperones will be appointed by the society/appointed persons for the care of children during the production process. By law the chaperone is acting in loco parentis and should exercise the care which a good parent/guardian might be reasonably expected to give to a child. The maximum number of children in the chaperone’s care shall not exceed 12. ​ Potential chaperones may be required to supply photographic proof of identity and two references from individuals with knowledge of their previous work with children, unless already well known to the society. They may also be asked to sign a declaration stating that there is no reason why they would be considered unsuitable to work with children. ​ Chaperones will be made aware of the society’s Child Protection Policy and Procedures. Where chaperones are not satisfied with the conditions for the children, they should bring this to the attention of the director/stage manager. If changes cannot be made satisfactorily the chaperone should consider not allowing the child to continue. If a chaperone considers that a child is unwell or too tired to continue, the chaperone must inform the director/stage manager and not allow the child to continue. No child of compulsory school age is permitted to do anything which may endanger life or limb. This could include working on wires or heavy lifting. Chaperones should tell the director/stage manager to cease using children in this way, and should contact the local authority. During performances, chaperones will be responsible for meeting children at the stage door and signing them into the building. Children will be kept together at all times except when using separate dressing rooms. Chaperones will be aware of where the children are at all times. Children are not to leave the theatre unsupervised by chaperones unless in the company of their parents/guardians. Children will be adequately supervised while going to and from the toilets. Children will not be allowed to enter the adult dressing rooms. Chaperones should be aware of the safety arrangements and first aid procedures in the venue, and will ensure that children in their care do not place themselves and others in danger. Chaperones should ensure that any accidents are reported to and recorded by the society. Chaperones should examine accident books each day. If an accident has occurred, the producer is not allowed to use that child until a medically qualified opinion has been obtained (not just the word of the parent or child). Chaperones should have written arrangements for children after performances. If someone different is to collect the child, a telephone call should be made to the parent/guardian to confirm the arrangements. Children should be signed out when leaving and a record made of the person collecting. If a parent has not collected the child, it is the duty of the chaperone to stay with that child or make arrangements to take them home. ​ This policy is applicable to and focuses on, children of compulsory school age and below. A child is required to attend school unless they are over the age of 16 on 31st of August, or until the last Friday in June after their 16th birthday. 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Garrick Hire Hire the theatre, hire from the theatre The Garrick offers a comprehensive hire service, for local organisations and country-wide The Altrincham Garrick is delighted to make our main stage auditorium, our studio theatre and other rooms available for hire to local organisations and to professional companies. In addition, we have a huge range of theatrical props, costumes, weaponry and theatrical equipment available for hire . ​ We welcome enquiries of all sorts. Please fill in our online form , ring us on 0161 928 1677 or send us an e-mail, to hire@altrinchamgarrick.co.uk . Hire Form Join our mailing list Subscribe

Visiting Production Manford's Comedy Club Date range Tickets £13.50 Venue Main House Age guidance 18+ Trigger warning Find out more Book now Running time TBC Group bookings Find out more Accessibility Find out more FRIDAY NIGHT COMEDY It’s Friday Night... It’s Comedy night with another hilarious Manford’s Comedy Club show! Featuring some of the funniest, award-winning comedians on the UK comedy circuit, who are all personally chosen by Jason Manford. DAVE TWENTYMAN: ‘Top quality. Works the audience so well.’ – JASON MANFORD Dave is one of the few modern comedians who proudly features on the Blackpool Comedy Carpet – a relatively new tourist attraction featuring the names of comedy greats from past and present and a huge honour for any comic. Tour support for Jason Manford. GEORGE LEWIS: ‘A witty, self-deprecating and downright hilarious set from this accomplished comic.’ FRINGEBISCUIT Comedian from Stockport who has appeared on the Stand Up Sketch Show (ITV2), hosted Top Gear Extra Gear (BBC 2, 3 & Worldwide) and was the winner of Celebrity Mastermind (Specialist subject: Oasis). He has also written for 8 out of 10 Cats and Have I Got News for You. Tour support for Romesh Ranganathan, Tom Allen, Russell Kane and Josh Widdicombe. DAWN BAILEY: ‘Pin sharp anecdotes from a very funny lady" - bbc.co.uk Former Manchester Comedian of The Year and one half of the successful touring show Gin And Comic. If you like acts such as Jo Brand & Sarah Millican, you’ll just love Dawn! Straight to the point, no holds barred and unashamedly naughty. TEZ IIYAS: Tez Ilyas’s political stand-up is candyfloss with a razorblade inside: sweet and familiar at first, then shockingly, painfully sharp. It’s the kind of manoeuvre that takes serious talent to pull off.” THE TELEGRAPH ★★★★ As seen on Live at The Apollo, The Last Leg, Mock the Week, Man Like Mobeen, Live from the Comedy Store (Comedy Central), Kevin Hart’s Live from Montreal ---------- Ticket price: £13.50 Bar opens 6.30pm. Show starts 8pm. Visiting Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Garrick Hire Prop Weaponry Hire Hire prop weaponry from the Garrick for Stage, Film and Television About the Armoury Prop Gun & Rifle Hire Prop Swords, Knives & Miscellaneous In 2022, the Altrincham Garrick took over management of the prop weapons hire business from HW Ltd of Denton, Greater Manchester. This includes a complete stock of weapons props (mainly, daggers and swords). The Garrick offers the same high standard of service that many organisations around the UK enjoyed from HW Ltd. This large collection of theatrical weapons is available to hire from us directly at the Garrick. Supply is from our secure storage in Altrincham. ​ Please Note: we hire only to companies (amateur or professional) for use in stage, film or television productions. By law, our licence does not allow us to provide hire to the general public, or for any other purposes. Hire Form We welcome enquiries of all sorts. Please fill in our online form , hit the button above, call us us on 0161 928 1677 or email hire@altrinchamgarrick.co.uk . About Our Prop Weapon Hire Service Established in 1980, Howorth Weapons Limited supplied stage weapons from its warehouse in Denton. These were hired out to theatre, film, TV and other similar organisations. In 2022 it moved home to the Altrincham Garrick, and the same weaponry hire service is now available via our Hire Department. No project is too small. Please call our knowledgeable and friendly experts to discuss your prop weapon requirements; we are always happy to help. ​ We provide the fastest possible service, however for some items we are legally required to carry out background checks. We may need a minimum of three weeks notice prior to the required dates. Rules & Restrictions Altrincham Garrick does not hire out items for fancy dress, private parties, themed events or carnivals. We do not supply to the general public. ​ All weapons are covered by the Criminal Justice Acts, the Firearms Act or the VCR Act (2006). ​ We do not stock or supply any live weapons. They are all deactivated, non-practical or dummies, for use in stage shows, film, television and photographic/video. ​ We do stock and can supply blank-firing guns. These come with more stringent handling requirements. ​ We do not supply “fighting weapons”, only costume, set-dressing and non-practical items. This section provides a guide, to you as a hirer, about applicable rules and regulations. We try to keep these up to date, but they change occasionally. Please let us know if you want to check and confirm the rules which apply to your unique circumstances using the form below: ​ FILM / TV / VIDEO ​ Special regulations apply to all Film, TV, Video and Photographic uses for guns and weapons. Click the title above for a copy of the current rules. ​ THEATRE ​ Click the title above for the latest rules regarding the use of weapons and guns in an outdoor scenario for Theatre. ​ TRANSPORT ​ Transport of all weapons has strict rules and regulations which must be adhered to. For a copy of the current transport recommendations click the title above. Hire Form We also offer a full range of movie & film weapons, stage prop weapons and replicas for hire – pointed/edged weapons such as swords, knives & daggers, as well as other weapons and accessories Join our mailing list Subscribe

About Us Productions Archive Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. About the Theatre History of the Garrick In Memoriam: Past Members of the Garrick Productions Archive Productions Archive Note: this section is still being transferred from the old web-site and being re-vamped. This is unlikely to be completed before the end of 2024. ​ This section provides an (incomplete) list of the Productions at the Garrick since the first one in 1914. Please contact webmaster@altrinchamgarrick.co.uk if you have any comments or additions. ​ The Early Years : 1914 to the Second World War The Silver Box The first show that the Altrincham Garrick Society staged. Find Out More Start Date 18 March 1914 End Date 21 March 1914 The Tragedy of Nan ​ Find Out More Start Date 1 January 1915 End Date 1 January 1915 The East Window ​ Find Out More Start Date 2 January 1915 End Date 2 January 1915 The Magic Circle ​ Find Out More Start Date 3 January 1915 End Date 3 January 1915 The Quest ​ Find Out More Start Date 4 January 1915 End Date 4 January 1915 The Drone The last production before the theatre closed during World War I. Find Out More Start Date 1 January 1916 End Date 1 January 1916 Rutherford and Son The first production after the end of World War I Find Out More Start Date 1 January 1919 End Date 1 January 1919 The Will and The Way ​ Find Out More Start Date 1 January 1920 End Date 1 January 1920 The Widowing of Mrs Holroyd ​ Find Out More Start Date 2 January 1920 End Date 2 January 1920 David Ballard ​ Find Out More Start Date 3 January 1920 End Date 3 January 1920 If Four Walls Told ​ Find Out More Start Date 4 January 1920 End Date 4 January 1920 The White-Headed Boy ​ Find Out More Start Date 1 January 1921 End Date 1 January 1921 She Stoops to Conquer ​ Find Out More Start Date 2 January 1921 End Date 2 January 1921 The Tragedy of Nan (1921) ​ Find Out More Start Date 3 January 1921 End Date 3 January 1921 The Silver Box (1921) ​ Find Out More Start Date 4 January 1921 End Date 4 January 1921 The Devil's Disciple ​ Find Out More Start Date 5 January 1921 End Date 5 January 1921 Recent Years: 2021-Present Join our mailing list Subscribe

About Us In Memoriam: Past Members of the Garrick This page pays tribute to and honours our friends at the theatre who are no longer with us. About the Theatre History of the Garrick In Memoriam: Past Members of the Garrick Productions Archive Past Members and Remembrance ​ We pay tribute and honour our friends at the theatre who are no longer with us. There are undoubtedly missing names to be added, so if you have memories, photos and updates to this roll call of past members, please contact us and we will be delighted to include them. Please contact webmaster@altrinchamgarrick.co.uk Allan Taylor Anne Chandler Audrey Hughes Audrey Skinner (nee Lawson) Barry Fletcher Brian Moore Brian Tickle Chris Wetherill Christine Adams David Gonet David Mardon Derek Cleal Derek Kay Derek Killeen Diana Provan (nee Harker) Eric Bradshaw Frank Boylan Freda Kilburn George Howard George Kilburn Gerry Turnock Harry Williams Ian Appleyard Ian Crownshaw Jan Maddocks Janet Slade Jeanne Anderson Jenny Holman Jim O'Gara Ken Curragh Ken Weston Liam Sammon Linda Panton Maggie Foy Marion Eaves Maureen Casket Mike Stocks Nick Johnson Norma Noar Pamela Knox Peter Coatman Peter Jackson Phil Gleave Phil Lynch Richard Honeyman Rita Howard Roger Metcalfe Sir Fergus Montgomery Stella Fogg Stella Sails Stephen Wardale Stevie Salem (nee Holt) Sybil Dodds Sylvia Hay Terry Chandler Terry Panton Tony Mathews Val Bacon Val Lynch Verity Fairclough Join our mailing list Subscribe