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The Altrincham Garrick is a registered charity and your kind donations will support future developments. Support the Altrincham Garrick Playhouse. To donate generally towards the Garrick, please enter your donation amount below and select Add To Basket . If you'd like to donate explicitly towards our CHILI campaign for Heating, Ventilation and Air-Conditioning at the Garrick, select this link instead . Setting up a Regular Donation The Altrincham Garrick is a registered charity, and we receive no public funding from any other organisation, or from our regional or local council. Our income comes mainly from the tickets that our audience buys, with smaller contributions from elsewhere in the Garrick (for example: from our GAPA education programme, and from daytime rental of the Car Park). The building dates from 1933, with ever-increasing operational and production costs. Our energy bills are high (productions use a lot of electricity; our bills are sometimes over £3,000 per month) and we have a small number of dedicated staff whom we pay. Our programme of building improvements is currently aimed at reducing winter heating bills. However, maintenance and urgent repairs take precedence, and this can often cost 10s of thousands of pounds per year. On top of all this, we have to continue investing in the equipment that a theatre needs, to keep on presenting productions of the high quality that our audiences deserve. Two major infrastructure projects are currently urgently required.Our roof is in very poor condition and needs a major overhaul. We also need to find money to install air-conditioning in the main auditorium. The Garrick aims to do all the above while still maintaining our low ticket prices. Occasional increases are unavoidable, but our goal is to make sure that theatre is available to all in the community, at a price that they can afford. We exist today due to the generosity and support of local people and businesses. We are very grateful to those who not only pay to see a show, but who also buy a drink in the bar, buy a programme, and indulge in sweets or an ice-cream from our kiosk. We need you and the local community to support us, so we can continue doing what we do so well. Business sponsorships are also very welcome, click here for more . Please donate now what you can, and please also add a donation to your ticket purchases. If you would like to set up a regular donation then ask at our Box Office or fill in the form below. ! Widget Didn’t Load Check your internet and refresh this page. If that doesn’t work, contact us.

Return to Productions Archive Garrick Productions Communicating Doors Ran Jan 17, 2000 - Jan 22, 2000 Age guidance Venue Running time Tickets Price Range Description By: Alan Ayckbourn Directed By: Nigel Machin This ingenious comic thriller spans three time zones, each twenty years apart and joined by communicating doors. Beginning in 2014 a classy prostitute has a booking at a de luxe hotel, but not for her regular services. She is asked to witness a document detailing the murder of her client's two wives by his business associate. Escaping from the business associate she goes through the 'communicating door' and finds herself back twenty years and confronting Ruella, the second wife. Ruella is naturally sceptical until she, in turn, goes through the same door, meets Jessica, the first wife, and decides to rewrite the future. Written with Ayckbourn's consummate skill this comedy enjoyed a huge success in London. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production If Four Walls Told Ran Jan 4, 1920 - Jan 4, 1920 Age guidance Venue Running time Tickets Price Range Description By Edward Percy CAST Blackburn, Lydia Brierley, Norman Green, Freda Loft, J H Harold Lowe, Lois M Matthews, Marion Thwaite Owen, Gwen Pownall, Clarence Winn, Rex Wilkinson, John Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production A Man of No Importance The Irish Studio Season: A Musical Comedy about an amdram group facing opposition from the Church Ran Mar 25, 2025 - Mar 30, 2025 Age guidance 12+ Venue Altrincham Garrick Studio Running time TBC Tickets Price Range £14.50 - £16.50 (Studio Musical) Description Book by Terrance McNally Music by Stephen Flaherty Lyrics by Lynn Ahrens Directed by Barry Purves In Dublin in 1964, bus conductor and Oscar Wilde fan Alfie has ambitions to stage Salome , despite the objections of the church hierarchy at St Imelda's, where his amateur theatre group is based. When a newcomer to town, Adele, joins his passengers, he realises he has found the right person for the title role and starts to assemble his cast. Meanwhile Alfie's sister Lily mistakes her brother's interest in Adele as romantic - she longs to have him off her hands so she can be free to marry. Little does Lily realise that Alfie's love "dare not speak its name" and the object of his affections is in fact bus driver Robbie. As opening night draws near, secrets come spilling out which threaten to shake this little community to its core. But camaraderie and the redeeming power of theatre offer a thread of hope in this story of friendship, forbidden love and finding our place in the world. Winner of the 2003 Outer Critics Circle Award for Best Musical, A Man Of No Importance is the second successful collaboration by the team of Terrence McNally, Lynn Ahrens and Stephen Flaherty, all of whom won Tony Awards for Ragtime . Reviews Rick Bowen - Stagestruck - 5 Stars Please visit: https://www.stagestruck.info/blog/2025/3/26/a-man-of-no-importance-lauriston-studio Gallery Trailer Trigger Warning This production contains depictions and themes of violence and homophobia and includes and mild language. Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production Rutherford and Son The first production after the end of World War I Ran Jan 1, 1919 - Jan 1, 1919 Age guidance Venue Running time Tickets Price Range Description By Githa Sowerby CAST Blackburn, Lydia Hill, Arthur P Matthews, Marion?Thwaite Moston, Harry Nixon, Walter S Warburton, George A Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

We are always looking for new talent (of any age) to work in all areas of the theatre – no experience is necessary as you will be given full training by our qualified staff. Support the Garrick Financially Donate once, or set up a monthly donation The Altrincham Garrick is a registered charity, and we receive no public funding from any other organisation, or from our regional or local council. We value any and all support you can provide. Far too verbose, and I would like to put in a pie chart showing where our income comes from, and another one showing what we spend it on. At the Altrincham Garrick, we pride ourselves on offering unforgettable performances in a space where everyone feels comfortable and cared for. We do this as a registered charity, and we receive no public funding from any other organisation, or from our regional or local council. Our income comes mainly from the tickets that our audience buys, with smaller contributions from elsewhere in the Garrick (for example: from our GAPA education programme, and from daytime rental of the Car Park). The building dates from 1933, with ever-increasing operational and production costs. Our energy bills are high (productions use a lot of electricity; our bills are sometimes over £3,000 per month) and we have a small number of dedicated staff whom we pay. Our programme of building improvements is currently aimed at reducing winter heating bills. However, maintenance and urgent repairs take precedence, and this can often cost 10s of thousands of pounds per year. On top of all this, we have to continue investing in the equipment that a theatre needs, to keep on presenting productions of the high quality that our audiences deserve. Two major infrastructure projects are currently urgently required.Our roof is in very poor condition and needs a major overhaul. We also need to find money to install air-conditioning in the main auditorium. The Garrick aims to do all the above while still maintaining our low ticket prices. Occasional increases are unavoidable, but our goal is to make sure that theatre is available to all in the community, at a price that they can afford. We exist today due to the generosity and support of local people and businesses. We are very grateful to those who not only pay to see a show, but who also buy a drink in the bar, buy a programme, and indulge in sweets or an ice-cream from our kiosk. We need you and the local community to support us, so we can continue doing what we do so well. Business sponsorships are also very welcome, click here for more. Please donate now what you can, and please also add a donation to your ticket purchases. One Time Donation Custom Donation Amount Select a Preset Amount £100 £250 £1,000 £100 is small but generous, because ... every little counts it will pay for one day's use of new system once it's in place £250 is even more generous, because ... it pays for the lights on one of our panto performances £1000 is absolutely tip-top, because ... it gets us one twentieth towards our Phase 1 target Recognition Name I would like this donation to be anonymous I would like to dedicate this donation to someone Add to Basket Monthly Donations Select a Monthly Donation Amount £10 £25 £50 £100 £200 £1,000 Add to Basket Want to speak with someone before making your gift? Our team would love to hear from you. We’re happy to answer any questions and help you explore the giving option that’s right for you. admin@altrinchamgarrick.co.uk 0161-928-1677 For businesses: Sponsorship Opportunities Join our mailing list Subscribe

Previous Next Charles Foster Charles was an outstanding Garrick actor in the 1960s and early 70s, appearing in numerous productions including The Crucible , Much Ado About Nothing , Wait Until Dark , and Say Who You Are . From the 1970s into the 90s, with his unmistakable voice, he became one of the most recognisable faces on Granada Television as an on-screen continuity announcer. He also provided the voice over on shows such as Judge Rinder , Catchphrase and The Krypton Factor , and he had acting roles in Coronation Street , Emmerdale and Crown Court . In 2009, Charles was asked to play Sergeant Wilson in the Garrick's memorable production of Dad's Army alongside Allan Taylor's Captain Mainwaring - the last roles played by both these acting stalwarts on the Garrick stage. Charles is pictured as Sergeant Wilson from that production. Back to In Memoriam page

We are looking for creative, talented, pragmatic, friendly and organised team players to join our working volunteer community here at the Garrick. About Us Vacancies Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. We are looking for volunteers in our props department. We are looking for someone to take over the voluntary position of HEAD OF PROPS at the Altrincham Garrick Playhouse. We are looking for a creative, talented, pragmatic, friendly and organised team player to join our working volunteer community here at the Garrick. The duties and responsibilities of the role include: Plan and execute the construction, sourcing, and/or purchasing of all prop elements for use in both rehearsal and performance. Maintain the highest standards of production quality, safety, and artistry. Maintain a clean, organised and safe working, including tools and storage areas. Work with the Garrick's Artistic Director, with the Director of each production and with Production Designers to build elements as accurately as possible with available resources. Attend all production meetings, technical rehearsals, and other sessions as scheduled. Keep an eye on the Props Budget, as well as production expenses, providing all receipts and a full reconciliation to the Artistic Director on Opening Night. This role has previously suited newly retired individuals and also people in full time employment. Due to the level of commitment required, we do need someone who can be at the Theatre a couple of times a week, at least. We are also open to job shares and/ or the growth of the Props Department to develop a team of volunteers working together. The various Props stores and areas are located at different points across the Theatre, and so the HEAD OF PROPS must be comfortable climbing up and down stairs. Altrincham Garrick Playhouse is a registered charity and all production departments are run by volunteers. It is a social and creative hub and many of our volunteers find a happy home here; it is a great place to learn and develop skills and make new friends along the way. If you’re interested, and wish to find out more, please email us on admin@altrinchamgarrick.co.uk and please include HEAD OF PROPS VACANCY in the subject heading. Join our mailing list Subscribe

Return to Productions Archive Garrick Productions Spring Tide Ran Jan 1, 1938 - Jan 1, 1938 Age guidance Venue Running time Tickets Price Range Description Abbott, Amy Barker, Winifred Cavanagh, Cliff Cherry, Helen Courtney, Donald Dickenson, Herbert Hall, Rene Harris, Frank Hill, Arthur P Hulme, Irene Pye, George H Terras, Kenneth Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Activities & Events Febtastic - GAPA Half Term Drama Workshop (TUESDAY) Date range Tickets £35 per day or £30 if book all 5 days Age guidance 6 - 18 years Venue Annex Trigger warning Find out more Book now Running time 6 hours Group bookings Find out more Accessibility Find out more Exciting drama workshops for students aged 6-18. Join us during the February half term to enjoy theatrical fun: combining music, movement, monologues and much more! Sign up to half-term holidays for a day or for the full week. GAPA’s half-term workshops encourage the participants to explore their creative side and promote teamwork, in a safe and friendly environment. Classes run 10am - 4pm and cost £35 per day, or book the full 5 days and receive a £25 discount. Workshops start each day at 10.00am and finish at 4.00pm. Attendees are required to bring their own refreshments to see them through the day. Attendees are also requested to wear clothes suitable for movement and appropriate footwear, which will enable them to engage in all of the daily activities. Students will be required to read text unaided. Activities & Events Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Return to Productions Archive Garrick Productions 'Allo 'Allo Ran Nov 30, 2009 - Dec 5, 2009 Age guidance Venue Running time Tickets Price Range Description Rene Artois wants peace and quiet to run his cafe and 'ave is way' with waitresses Yvette and Mimi without wife Edith catching him out. Unfortunately there is a war on. The Resistance needs his help and Rene wants to avoid being shot by the Germans. You know the rest, totally hilarious. Cast Graham Simmonds as Rene Artois Angela Wetherill as Edith Artois Laura Chandler as Yvette Carte-Blanche Paula Keen as Mimi La Bonq Jacqueline Wheble as Michelle Dubois Brian Tickle as Colonel Kurt Von Strohm Mandy White as Private Helga Geerhart Mike Shaw as Herr Otto Flick Barry Spencer as Captain Alberto Bertorelli David Leathlean as Officer Crabtree Brian Hewlett as Monsieur Le Clerc Richard Layfield as Lieutenant Hubert Gruber Frank Boylan as General Ludwig Von Schmelling Stuart Bilson as 1st Airman Pete Blain as 2nd Airman Reviews Sale & Altrincham Messenger's Review by Rick Bowen While Altrincham Garrick's production of Dads' Army really gave you a flavour of the original, 'Allo 'Allo ' merely tickles the taste buds. There are some magical comedy moments to enjoy but for me, there's a lack of pace in places. In saying that though, there's every reason to assume the tempo will increase as the run progresses. Now I know Rene the randy cafe owner is the main character, but the performance of the evening comes from Barry Spencer as the incurably vain Captain Alberto Bertorelli. His impersonation of a ranting and rabid Adolf Hitler is worth the ticket money on its own. Graham Simmonds as Rene demonstrates his gift for both verbal and visual comedy, ably assisted on one occasion by an inflatable Adolf. That scene is so funny you could easily crack a rib or two and there's an enjoyable chemistry between Graham and Angela Wetherill who plays his long suffering wIfe Edith, a woman who is desperate for the spark to return to her passion free marriage. Steve Bradshaw has designed an attractive set that serves as everything from a cafe interior to Rene and Edith's bedroom. It allows the production to flit from scene to scene with admirable smoothness. If you're a fan of the original TV series or a lover of old school comedy garnished with a little sauce, you'll love this. Star Rating ★★★ Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Rent our theatre prop Swords and Daggers - a large variety Available. Garrick Hire Prop Swords, Knives and Miscellaneous The Garrick offers a range of bladed weapons and related miscellaneous items for hire About the Armoury Prop Gun & Rifle Hire Prop Swords, Knives & Miscellaneous Hire prop swords, fake knifes and daggers directly from us, here at The Garrick in Altrincham. We have a large collection suitable for film/movies, TV and all kinds of theatrical performances, from pantomimes to whodunnits and dramas. All of our stage swords and other pointed weapons are stored at a secure location in Altrincham. Note that these are not for fancy dress parties, stag dos or other party events – we do not have a licence to rent out to the general public. There are strict rules and regulation surrounding the hire and carrying of these items. We also have a number of interesting related items for hire that you may require to sit alongside the prop swords and prop guns hire. These items don’t fit neatly into the other sections, so we have separated them out below. Please take a look at the photos below, then contact us and give us an idea of the type of production you are engaged with. We will be happy to advise on which type of weapon(s) you need, and can then give you a quotation and timescale for rental. Alternatively, if you know exactly what you require then please include the reference numbers from the photo. Please fill in our online form , ring us on 0161 928 1677 or send us an e-mail, to hire@altrinchamgarrick.co.uk . Hire Form Prop Swords From prop pirate cutlasses suitable for pantomimes, such as those seen in Peter Pan above, to classic replica gladiator, claymore, classic long swords, epees and Samurai swords (as seen in movies such as like Kill Bill), we have a large collection for hire. Prop Knives & Daggers We have a large collection of prop knifes, stilettoes and daggers including retractable knife props (with retractable blades), suitable for stage, screen and television. There are knives from almost every era, including prop machetes, flick knifes and kirpans. Miscellaneous Items to Hire Other weapons include prop duelling pistols, fake Uzi , prop hand grenades & mortar bomb, Note that items 1& 2 are no longer available. Accessories include prop truncheons, western gun holsters, prop handcuffs, cowboy belts and shoulder holsters. Hire Form Join our mailing list Subscribe

Previous Next Linda Panton Linda had been associated with the theatre for over 40 years. She appeared on the Garrick stage at least once per season, and worked both backstage and Front of House, as did her husband Terry and daughter Jenny. She was Head of Creative and Performing Arts at Trafford College, and brought many of her skills to help with the Garrick. Back to In Memoriam page

Complete this form for hiring stage weaponry (guns, swords and more), costumes and props. You can also hire our auditoria and meeting rooms - or even the whole Playhouse itself. Garrick Hire Altrincham Garrick Hire Form Complete this form to start an enquiry about hiring from the Garrick To initiate a new hire request of the Altrincham Garrick, please complete the following form. Don’t forget the Submit button at the end! We will reply to you as soon as possible, which should be within one working day. (Note: we aren’t likely to process requests over a weekend.) Hire Form Organisation Contact Name Telephone Email How did you hear about us? Production Title Hire Dates Enquiry Submit Thank you for asking about hiring from the Altrincham Garrick. We aim to get back to you very soon. Join our mailing list Subscribe

Return to Productions Archive Garrick Productions The Cemetary Club (sic) Ran Jan 31, 2000 - Feb 5, 2000 Age guidance Venue Running time Tickets Price Range Description By: Ivan Menchal Directed By: Bill Clancy THE GOLDEN GIRLS - Ida, Lucille and Doris are - The Cemetary Club (sic). Every month they meet at Ida's to go and visit their respective husbands, graves. They gossip, bitch a little and prepare to become joint bridesmaids at a friend's umpteenth wedding and ... prepare for the future. A delightful comedy of romance. CAST Maureen Casket Leila Glancy Adele Singer Roger Metcalfe Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Previous Next Maggie Foy Throughout the 1970s and 80s, Maggie worked as Stage Director and Stage Manager on numerous productions, She was highly respected by everyone, both on- and off- stage, for her calm nature and efficiency. It was not a surprise, therefore, when she became Joint General Secretary on the Executive in 1982. Maggie was also fully involved in the social life and activities of the theatre. Back to In Memoriam page

Previous Next Harry Williams Harry was a very valued acting member for many years, and appeared in many plays, including the Tin Man in our first production of The Wizard of Oz , and Tony in The Boyfriend . He had a wide scope, appearing in many other productions from Shakespeare to Music Hall. Back to In Memoriam page

Return to Productions Archive Garrick Productions Curtain Call Ran May 6, 2002 - May 11, 2002 Age guidance Venue Running time Tickets Price Range Description Thurlow Playhouse is in the running for an Arts Council Grant, and do they need it! The Chairman of the Board of Trustees - one Clarence Mason - perpetually squanders the Theatre Trust's money by hosting lavish parties, insisting on real horses for his wife's amateur productions, sacking the entire backstage staff on a whim and generally bullying everyone who attempts to oppose him - his wife in particular. Unfortunately he goes too far when he tries his domineering antics on Ms Murdstone - the Arts Council representative. However, fortified by the demon drink, his wife Doretta comes out with a few home truths, assisted by the chief usherette, Rita, and order is restored and everything ends happily. A day in the life of a regional theatre may not be strictly accurate, but it is enormous farcical fun. CAST Sarat Broughton as Val Marshall Mark Edgar as Alec Partridge Ros Greenwood as Lulu Lynchpin Lynda Newton as Doreta Mason Hugh Everett as Murphy Beverley Stuart-Cole as Rita Val Watkinson as Ms Murdstone Steve Williamson as Clarence Mason Directed by Bill Platt Designer: Peter Coatman Sound: Robin Watkinson Lighting: Geoff Scullard Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Previous Next Ken Curragh Ken was a long standing member of the Garrick as an actor, and was at one time Workshop Manager. He also acted for a number of other societies in the area and was a very enthusiastic supporter of amateur theatre. Back to In Memoriam page

Return to Productions Archive Garrick Production House of Ghosts Calling all Morse fans and super sleuths Ran May 23, 2022 - May 28, 2022 Age guidance Venue Running time Tickets Price Range Description Directed by Mike Shaw Oxford, 1987, and a young actress playing Shakespeare’s doomed heroine Ophelia ends up dying on-stage during a theatrical production of Hamlet. A “suspicious death” inquiry is opened, but when a suspect in the case is also murdered, veteran police Inspector Morse becomes convinced the two deaths are related to the strange events of a similar student production from 1962, one that he himself was a part of… Morse faces dark memories and suspects in a theatrical murder mystery by Alma Cullen. Reviews Review from Rick Bowen at Stagestruck WHEN I discovered John Thaw was to play another TV detective I expected him to be something like Jack Regan, who I idolised as a child when I sat glued to The Sweeney in the 70’s. This was a man straight out of the boot in the door and ask questions later school of policing. But Inspector Morse was a world away from the much loved maverick from the Flying Squad, cultured, considered, cerebral and with a deep seated love of classical music. It takes a lot of guts and no amount of talent to play a character so inextricably linked with an acting icon like Thaw. But Jonathan Black certainly succeeds here and doesn’t try to impersonate the late stage and screen great. Black has quite a presence and the way he reprimands his sidekick Sergeant Lewis for his verbal faux pas is genuinely funny. Andrew Higson plays the part perfectly and the chemistry between the two very different men certainly comes across. The duo are asked to investigate the dubious death of a young actress playing Ophelia in Shakespeare’s Hamlet. All of a sudden the company finds itself embroiled in a real life tragedy as fingers of suspicion are pointed and cupboards release their skeletons. I’ve seen Sarat Broughton in countless productions at the Garrick and her performance as Ellen Underwood is her best yet and Jacque Hamilton also impressed me as the old soak actress Verity Carr, an actress who has been there, done it and bought enough t-shirts to open her own t-shirt shop. My only criticism of Alma Cullen’s play is it is something of a slow burner in places. But this in an engrossing and intriguing tale all the same. Who can resist the chance to play detective? Until May 28. Tickets are available from 0161 928 1677 or www.altrinchamgarrick.co.uk . Star rating 3.5/5. Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Previous Next Stevie Salem (née Holt) Stevie was a firm Garrick audience favourite for over 20 years, appearing in over thirty shows in a leading role. Her first play at the theatre was in Birds on a Wing , in 1972. Her other main credits include Crown Matrimonial , Private Lives , Play it Again Sam , After the Ball , Blithe Spirit (when she played Elvira), California Suite , Having a Ball , A Taste of Honey , See How They Run (in which she played Penelope Toop), and Steel Magnolias . Her final performance on the Garrick stage was in Last Tango in Whitby in 1993. Stevie also appeared in musicals such as Marie and Annie , as well as several Old Time Music Halls. Backstage, she regularly worked as an ASM. Back to In Memoriam page

Return to Productions Archive Garrick Productions Vivat! Vivat! Regina The Garrick's contribution to the celebrations for the commemoration of the 50th anniversary of the accession to the throne of Queen Elizabeth II. Ran Feb 4, 2002 - Feb 9, 2002 Age guidance Venue Running time Tickets Price Range Description The Garrick's contribution to the celebrations for the commemoration of the 50th anniversary of the accession to the throne of Queen Elizabeth II. As our contribution we are very proud to be presenting this engrossing play by one of our premier writers. The play follows the relationship between Mary Queen of Scots and Elizabeth I from shortly before Mary's return to Scotland, through her marriage to Darnley, Rizzio's death, the scandal over Bothwell to Mary's imprisonment and subsequent execution, with the play closing as Spain prepares its Armada. With an all-star cast and the sumptuous costumes for which the Garrick is renowned this is a celebration not to be missed. CAST Mary, Queen of Scots: Stephanie Hawthorne Claud Nau: Ian Fensome William Cecil: Terry Chandler Elizabeth I of England: Pam Nolan Robert Dudley: Martin Creevy John Knox: Hugh Everett David Rizzio: Mark Jephcott Lord Morton: Richard Frost Lord Bothwell: Bryn Thomas Lord Bishop of Durham: Frank Boylan Sir Francis Walsingham: Roger Metcalfe De Quadra: David Midgeley Davison: Mike Shaw Henry Stuart, Lord Darnley: John Keen Ruthven: Brian Stoner Lindsey: Daniel Cloran Tala: Derrick Dykins Ormiston: Alex Wilson Douglas: David Walton Falconside: Peter Coatman Court Ladies: Paula Taylor Mandy Flude Caroline Hickey Juliet Wilson Directed by Sonia Dykstra Designer: Juliet Jones Costume Design & Creation: Mike Shaw Sound Design: Robin Watkinson Sound Operator: Steve Williamson Lighting Design & Operation: Mike North Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production The Silver Box (1921) Ran Jan 4, 1921 - Jan 4, 1921 Age guidance Venue Running time Tickets Price Range Description By John Galsworthy CAST Bonson, John P Brierley, Norman Calderbank, Arthur Crabb, W Dykes, Tom Gow, Ronald Higson, Nellie J Hill, Arthur P Jones, Eric Jones, Trissie Mason, Edward Matthews, Marion Thwaite Nixon, Walter S Owen, Tom Pye, George H Slinn, Ella Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production Charlie and the Chocolate Factory Escape to a world of pure imagination with our October Musical Ran Oct 23, 2025 - Nov 2, 2025 Age guidance 6+ Venue Main House Running time TBC Tickets Price Range £19 - £25 Description Escape to a world of pure imagination with ROALD DAHL’S Charlie and The Chocolate Factory – The Musical . The world-famous Willy Wonka is opening the gates to his mysterious factory… but only to a lucky few. Charlie Bucket, an imaginative boy with a knack for making something out of nothing, dreams of acquiring a golden ticket to tour Willy Wonka’s magical chocolate factory and can’t believe his luck when it actually happens! Fellow contest winners: Veruca Salt, Violet Beauregarde, Mike Teavee, and Augustus Gloop, have no idea what they're getting themselves into, as they each learn valuable lessons from Mr. Wonka. Nobody leaves the same way that they arrived… Discover a magical world full of amazement, innovation, sugary treats, and, of course, Oompa-Loompas! Based on the famous novel by Roald Dahl, Charlie and the Chocolate Factory features an original score from the multi awarding-winning songwriters of Hairspray (Music by Marc Shaiman with Lyrics by Shaiman and Scott Wittman and a Book by David Greig), blended with songs from the 1971 motion picture including "Candy Man," "I've Got a Golden Ticket," “The Oompa Loompa Song," and "Pure Imagination” (Leslie Bricusse and Anthony Newley). Every ticket is GOLDEN, so book yours today! Reviews North West End UK - 5 Stars! “The Garrick’s Charlie and the Chocolate Factory is quite simply, pure escapism and is a must for all ages… With a well-deserved standing ovation, this show is a must for any musical theatre lover.” - Angela Kelly Read the full review by NORTH WEST END CLICK HERE NUMBER 9. "...the Garrick's production is just flawless and superb. ...utterly brilliant from start to finish." - Alastair Zyggu Read the full review by NUMBER9 CLICK HERE Stage Struck "...eye popping, spellbinding and uplifting production of Roald Dahl’s timeless classic." "If you add a score that’s as delicious as one of Wonka’s chocolate bars its fair to say the Garrick has a huge musical hit on its hands." - Rick Bowen Read the full review by STAGE STRUCK CLICK HERE Gallery Trailer Trigger Warning This production contains flashing lights and smoke effects. Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production Goldilocks & The Three Bears A rip-ROARing Panto FUR all the Family! Ran Dec 5, 2025 - Jan 4, 2026 Age guidance 3+ Venue Main House Running time Tickets Price Range £15 - £19 Description Roll up! Roll up! The Circus is in town! Dame Gertie Dollop runs a Circus show with her son - Silly Billy, but they have fallen on hard times particularly with the dastardly Ringmaster Heinkel, owner of the rival 'Circus of Horrors' up to his devious old tricks. Goldilocks dreams of running away with the circus but her father the debt-collecting Baron Wasteland won't allow it and demands the overdue pitch fees from Gertie and Billy. They need a miracle however after their honeypot full of money is taken in the middle of the night by three porridge hungry, talking bears. Could the bears be the new star attraction Dame Gertie has been searching for? And can Mystic Sharon with her crystal ball see a future for the Circus and save the day? Well, there’s only one way to find out! Head down to the Altrincham Garrick Playhouse for the big top pantomime that's just right! Reviews Stage Struck - Rick Bowen "...a cast who made it their mission to ensure the kids, even the big ones, left the theatre with a smile on their faces." Gallery Trailer Trigger Warning Contains loud noises, flashing lights, pyros and special effects. Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Productions Flare Path Ran Jan 1, 1945 - Jan 1, 1945 Age guidance Venue Running time Tickets Price Range Description Abbott, Amy Cavanagh, Cliff Harris, Frank Jones, John Glynn Pimlott, (Allman) Emmie Sanders, Hugh Walker, Kathleen White, Elliot Although we cannot confirm when this play was produced, we believe that it was the first one to be staged by the Garrick after World War II. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Productions Immortal Garden Ran Jan 1, 1950 - Jan 1, 1950 Age guidance Venue Running time Tickets Price Range Description Downes, Elsie Farebrother, Arthur F Healey, Tom Lightowler, Ronnie R Osborne, Edgar Royle, Dudley Smart, Brian Snape, Joyce White, Trissie Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Productions The Vicar of Dibley Dec 2013 Geraldine Granger is a non-traditional, chocolate loving, rock n' roll playing vicar, but that is not what gets the traditional and bizarre citizens of Dibley in an uproar. It's because she is a woman! Still, that doesn't stop Geraldine from proving her worthiness to the village in this hilarious adaptation of the popular TV comedy by the original author, Ian Gower. Ian says I very much hope that Garrick audiences enjoy the experience of seeing these wonderful characters come to life on stage, safe in the knowledge that all the royalties go straight to Comic Relief. Ran Dec 2, 2013 - Dec 7, 2013 Age guidance Venue Running time Tickets Price Range Description Geraldine Granger is a non-traditional, chocolate loving, rock n' roll playing vicar, but that is not what gets the traditional and bizarre citizens of Dibley in an uproar. It's because she is a woman! Still, that doesn't stop Geraldine from proving her worthiness to the village in this hilarious adaptation of the popular TV comedy by the original author, Ian Gower. Ian says "I very much hope that Garrick audiences enjoy the experience of seeing these wonderful characters come to life on stage, safe in the knowledge that all the royalties go straight to Comic Relief". CAST David Horton - David Reynolds Geraldine Granger - Victoria Johnson Hugo Horton - Hugh Everett Alice Tinker - Alison Davenport Letitia Cropley - Pat Williamson Jim Trott - Brian Tickle Frank Pickle - Bill Platt Owen Newitt - Andrew Higson Woman - Pat Head The Children - Zahra Ahmed, Amelia Beddy, Lucy Cotterell Jemma Gavin, Freya Gilbert, Nathan Ng Kitty Seth-Smith, Emily Stewart Prompt - Adele Taylor ASM - Pat Head Reviews From the Fiction Stroker in December 2013 https://thefictionstroker.wordpress.com/2013/12/03/the-vicar-of-dibley-live/ Taking a highly respected and successful TV sitcom and transporting it to the stage is not as straightforward as it might seem. Luckily, the Altrincham Garrick has the services of Ian Gower and Paul Carpenter. Gower has previous form having adapted and produced stage versions of other popular TV sitcoms like Dad’s Army and Porridge – and it shows in this affectionate and slick tribute to The Vicar of Dibley . For those not in the know, The Vicar of Dibley was a BBC sitcom that arose from from the Church of England allowing female vicars for the first time. Dawn French played Geraldine Grainger, a vicar assigned to the sleepy village of Dibley on and off from 1994-2007. Created and written by Richard Curtis (Four Weddings and a Funeral , Love Actually ) it was a significant hit with its blend of characters and gentle humour. Based on those scripts, Gower and Carpenter have taken many of the more memorable sections and distilled them into the Garrick’s adaptation. From the outrage of the Parish Council at the arrival of the new, female vicar through to Alice and Hugo’s unforgettable wedding, the Garrick’s production of Dibley is like a greatest hits package, and a rather splendid one at that. It is testament to the cross generation appeal of Dibley that people of all ages were filling up the Garrick’s seats. Dawn French’s depiction of Geraldine Grainger was perfection. French’s chocolate chomping, fun loving vicar was rightly a comedy highlight of the 1990s. Victoria Johnson has the difficult task of stepping into these shoes and pulls the role off with aplomb. An absolute triumph, she completely embodies the character and retains a slight French influence whilst still putting her own energetic and feisty mark on the character. It’s been commented that The Vicar of Dibley is something of an ensemble piece rather than being a vehicle for its main star. The same is true of the Garrick’s adaptation with a strong core cast of 8 sharing more or less equal stage time. It therefore becomes difficult to single out specific performances. Brian Pickle brings the idiosyncratic Jim Trott to life entertainingly with much of his performance prefaced with the character’s trademark ‘No, no, no, no..’ whilst Pat Williamson’s woeful cooking efforts as Letitia Cropley provide much amusement. David Reynolds’ ruthlessly officious David Horton is the perfect foil for Bill Platt’s mercilessly pedantic Frank Pickle. However, it is Andrew Higson’s note perfect Owen Newitt with his laconic delivery and risque comments that steals the show. Higson’s performance evokes disgust and sympathy from the audience in equal measure, with him proving to have impeccable comic timing. Hugh Everett’s physicality is put to good use as Hugo Horton’s awkwardness and shy nature manifest themselves whilst around Alison Davenport’s adorably dippy Alice Tinker. Everett and Davenport go under an endurance test of sorts during the performance, the exact circumstances of which I won’t mention here – but provided much hilarity for the audience! Celia Bonner’s direction completely gets the gentle nature of Dibley and makes for a formidable pairing when combined with Barry Fletcher’s excellent set design. It’s testament to the whole team that several times during the performance I caught myself believing I was watching the television version rather than a stage one. Close your eyes briefly, and you can believe you are listening to the original cast. By the time that David pleads with Geraldine to stay at the conclusion, you’re wishing you could see more of this excellent production – and with all royalties going to Comic Relief, you have no reason not to treat yourself this Christmas. The Fiction Stroker gives The Vicar of Dibley five strokes out of five. The Vicar of Dibley runs until Saturday 7 December at the Altrincham Garrick on Barrington Road, Altrincham. There is limited availability so book now! With thanks to the Altrincham Garrick. MESSENGER REVIEW By Julia Taylor Dippy vicar of Dibley wins hearts at Altrincham Garrick The warm-hearted, scatter-brained Vicar of Dibley has come to Altrincham Garrick. She isn't the Dawn French you saw between 1994 and 2007 but their very own Victoria Johnson. Victoria wins our hearts in this re-run of old episodes especially adapted for stage by Ian Gower and Paul Carpenter. She gets into scrapes, mostly of her own making, and tells the familiar, corny jokes. She comes across as a woman who loves life and is, consequently, loved back by the audience. Other familiar characters remind us of how funny this series was. We have inspired performances by Ali Davenport as the Rev's sidekick, the dopey verger, Alice, David Reynolds as the self-important David, Chairman of the Parish Council and Andrew Higson as farmer Owen who fancies the new incumbent. Another one with a glint in his eye is Hugh Everett as Hugo, David's not very bright son, who falls for Alice. I love the scene where, egged on by the vicar, they enjoy a marathon of a first kiss! Director, Celia Bonner, includes the programme's beautiful version of psalm 23. It brings back memories to the audience. After all, that is what they are here for. The highlight is the wedding of Alice and Hugo. What an amazing dress it is with love hearts all over it! The programme proudly includes a letter from Ian Gower mentioning that royalty monies will go to Comic Relief. We, too, enjoy comic relief. NODA REVIEW by Kevin Proctor So far this season, the Garrick box office have had exceptional responses to the selection of plays and musicals for this special season and judging from the turn out for The Vicar Of Dibley, this has clearly added to the list of success! Long may it continue! This warm and faithful stage adaptation of the popular BBC sitcom has jumped on the same trolley as Calendar Girls with an appealing charity attraction. The writers of the TV series have pieced together the shows most loved and memorable scenes to create a full length piece of theatre and are donating all of the royalty fees to Comic Relief. The script doesn't particularly translate very easily as the scenes are quite short and don't flow into one another particularly well, but - the success of this piece can only rely on how well the actors impersonate these recognisable characters and Director, Celia Bonner was certainly aware of that factor! Doing one thing we were always taught not to do; imitate the original! Being a huge fan of the TV programme it was evident how each player had studied the madcap bunch of characters; from the delivery and vocal infliction of the sentences to the length of the pauses, of course the blocking, each of the characters gestures and mannerisms had all been studied, every detail was exact to the show which added to the comedy. The story encapsulated the majority of the original show, from Geraldine's arrival in Dibley (Played by Victoria Johnson), her affection for chocolate, and the love affair between nice-but-dim couple Hugo and Alice. As with the TV show, all the fun was provided by the supporting cast. Stern councillor David Horton was played with plenty of stiff upper lip by David Reynolds, aghast that his son Hugo (Hugh Everett) was set to wed barmy Alice (Ali Davenport). All of the famous characters were very well executed but farmer Owen Newitt (played Andrew Higson) delivered my personal favourite and I'd say the most accurate interpretation of these characters to the stage, closely followed by Hugh's Hugo! Each of the many scenes provided a belly-laugh or two, all of which culminated in a wedding that had to be seen (again) to be believed. It was a riotous ending to an extremely enjoyable adaptation of a much-loved series. Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Previous Next Verity Fairclough The list of what Verity did for the Garrick is longer than what she didn't do. She was a worker backstage, an ASM, a member of the Front of House team, Chairman of the Executive Committee, a member of the Board of Trustees ... and she even appeared on stage (sometimes seen, sometimes not). Verity was the model society member and, with more like her, who knows what could be achieved ... and all quietly and without fuss. If you cut her in half she would, like Blackpool rock, have Altrincham Garrick written all the way through her. Back to In Memoriam page

Return to Productions Archive Garrick Productions Your World and Mine Ran Jan 1, 1953 - Jan 1, 1953 Age guidance Venue Running time Tickets Price Range Description Allen, Doreen Caldwell, Pamela Miller, Tony Stockton, Reg Sykes, Constance D Winning, Joyce Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production Let The Right One In A dark coming of age vampire love story, performed by The Garrick Ensemble. Ran Feb 5, 2024 - Feb 10, 2024 Age guidance 14+ Venue Main House Running time 2.5 hours (inc. 20 mins interval) Tickets Price Range £10 - £16 Description "Are you going to invite me in? …Can I come in?" Oskar is a bullied, lonely, teenage boy living with his mother on a housing estate at the edge of town, when a spate of sinister killings rocks the neighbourhood. Eli is the young girl who has just moved in next door. She doesn't go to school and never leaves the flat by day. Sensing in each other a kindred spirit, the two become devoted friends. What Oskar doesn't know is that Eli has been a teenager for a very long time… A dark and visceral coming-of-age vampire love story, based on the acclaimed novel by John Ajvide Lindqvist and cult film. Jack Thorne's adaptation of Let The Right One In premiered in June 2013 at the Dundee Rep Theatre in a production by the National Theatre of Scotland, before transferring to London's Royal Court Theatre in November 2013. It won the South Bank Sky Arts Award for Theatre in 2014. By arrangement with Marla Rubin Productions Ltd. This production is performed by THE GARRICK ENSEMBLE. The Garrick Ensemble is a company of 18 – 30 year old aspiring actors from Greater Manchester and Cheshire who perform one production each year as part of the Altrincham Garrick Playhouse Main House Season. The production will be directed by Artistic Director Joseph Meighan. The Garrick Ensemble aims to make theatre that is fresh, innovative and exciting. See the very best of local, up and coming talent before they move forward in the next stages of their careers in the Arts. Reviews 5 Stars from Rick Bowen at Stagestruck - “You simply must see this.” Read the full review HERE Gallery Trailer Trigger Warning This production contains loud noises, strong language and mature themes including the depiction of blood, extreme violence and bullying. Some scenes may make the audience jump. Not for the faint hearted. Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

If you have an interest in theatre, want to tread the boards or work front or back stage then why not become a Garrick volunteer? Get Involved Volunteering Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. If you have an interest in theatre, want to tread the boards or work front or back stage then why not become a Garrick volunteer ? We are always looking for new talent (of any age) to work in all areas of the theatre – no experience is necessary as you will be given full training by our qualified staff. We promise you that the satisfaction of a job well done will really surprise you, and you will make many new friends. Register your Interest Simply fill in this form to register your interest in getting involved in the theatre. You can also ring us on 0161 928 1677 , or send an e-mail to admin@altrinchamgarrick.co.uk Name Email Telephone Tell us how you would like to get involved, and we'll respond as soon as possible Submit Thanks for registering your interest in getting involved. We aim to get back to you very soon. What else can I do to play my part? Even if you are not able to spend the time time helping the theatre in a more active way (maybe work and other commitments mean that your time is at a premium), there other simple ways you can help your Garrick. When you come and see a show, try to pick up a leaflet or A4 poster from the Box Office or in the Bar. You could display one in your local Library, office/place of work or even your local club or shop (please make sure you have permission to do so). If you have enjoyed a show, tell your friends/colleagues – please spread the word about your theatre! Find us on Social Media and tweet/post your thoughts. This kind of help, however small, can make a huge difference to the theatre. Thank you. Join our mailing list Subscribe

Return to Productions Archive Garrick Production Frankenstein by Nick Dear Thrilling, gory and deeply disturbing - Please Note: Reduced seating capacity on Tuesday, Wednesday and Thursday evenings. Ran Jan 17, 2022 - Jan 22, 2022 Age guidance Venue Running time Tickets Price Range Description Directed by Barry Purves Original music score by Nicholas Peters Please Note – Reduced capacity and socially distanced seating for our Tuesday, Wednesday and Thursday evening performances of this production. Childlike in his innocence but grotesque in form, Frankenstein’s bewildered creature is cast out into a hostile universe by his horror-struck maker. Meeting with cruelty wherever he goes, the increasingly desperate and vengeful Creature is determined to track down his creator and strike a terrifying deal… Scientific responsibility, parental neglect, cognitive development and the nature of good and evil, are embedded within this thrilling, gory, deeply disturbing classic tale. Nick Dear’s adaptation of Frankenstein , based on the novel by Mary Shelley, premiered at the National Theatre, London, in February 2011 starring Benedict Cumberbatch. Warning – this play contains scenes of a graphic sexual and violent nature. Not for the faint hearted. Adapted by Nick Dear Based on the Novel by Mary Shelley Reviews Rick Bowen – Stagestruck It's the ultimate irony – only a blind man sees The Creature as a human being in Frankenstein. The rest of the world in which he strives to survive sees him as a freak, incapable of thought or feeling and the children he comes into contact with pelt him with stones. Sadly, we still live in a society obsessed with appearances which gives Mary Shelley’s classic chiller a resonance that still rings true today. This timeless tale also offers a salutary reminder, if it was needed, of scientists trying to ‘play God.’ In 30 years of reviewing amateur theatre I can’t remember a performance as deeply affecting as that of Rhys Nuttall who plays The Creature. Now I challenge anyone in the audience not to be moved by Nuttall, as he totters to his feet in the opening scene and begins a life of unmitigated torment and rejection. It may only be January but I can say this performance will not be bettered on the amateur stage for many years to come, for both its searing intensity and unbridled physicality. The scenes in which The Creature learns to speak and read and appreciate the great works of literature thanks to the patient and kindly De Lacey, his only friend in the world are beautifully played by Nuttall and Hugh Everett are perfectly played. This exceptional and deeply disturbing production by Barry Purves transports us to a world that whips away our collective comfort blanket, a world where the sun never seems to shine. Bad productions just aren’t in this man’s DNA, are they? Nick Dear’s adaptation refreshes Shelley’s wonderful novel and while it gives the original a contemporary feel it also remains faithful to it. The production contains a very disturbing scene of sexual violence. You simply must not miss this production which will move you and scare you. But the scariest thing for me was how people reacted to The Creature, for me that was the truly monstrous thing. Once again the Garrick delivers – and then some. Quite brilliant. Star rating – ***** Paul Wilcox – North West End Uk These are interesting times at the Garrick Playhouse in the leafy south Manchester suburb of Altrincham. Under the aegis of Artistic Director Joseph Meighan, their programming is broadening its appeal beyond the traditional light comedy and murder mystery, into edgier and darker territory. So, we find 2022 kicking off with an absolutely cracking adaptation of the Mary Shelley gothic masterpiece, both chilling and thought provoking and with a simply stunning central performance. Those patrons expecting a hoary old ‘Boris Karloff with a bolt through the neck’ rendition, would have been disappointed. With Direction and Set Design in the capable hands of Barry J C Purves, this was always going to be a more delicate study on the nature of humanity. By using Nick Dear’s 2011 National Theatre adaptation of the Shelley novel, placing The Creature (Rhys Nuttall) at the centre of the story gave both pace and arc to the two-hour production, dispensing with the unnecessary backstory of the creator. We begin at the moment of creation with the obsessive and compulsive Victor Frankenstein (Tom Cunningham) bringing life to the inanimate creature. The two-level set with a simple curtain is wholly black, lit with white spotlights casting long shadows onto the walls of the theatre, both effective and appropriate as it emerges from a metallic tub. From this point on Rhys Nuttall’s creature simply dominates, his performance is stunningly crafted as The Creature, with each step in his development into sentience carefully choreographed and incorporated. The movement of Nuttall around the stage in these scenes is masterful, balletic grace combined with a strength that was hypnotic to observe, as each new sensation was encountered it produced both comedy and pathos without any dialogue being required. By turns, apelike and clumsy he instils meaning into each gesture, holding the audience in rapt attention every time he is on stage. As the story progresses, we observe the best and worst of mankind. The Creature encounters both hostility and kindness wandering through the world, searching first for the answer to the question ‘Who am I?’, morphing into his quest to find his creator and create a companion in his loneliness. The scenes with De Lacey (Hugh Everett), a blind peasant who teaches The Creature to read and showing him the only warmth he encounters, are delicate and tender and his development towards humanity serves to make later scenes involving both murder and rape all the more compelling. An issue with such a strong central performance was that the parallel story of Victor Frankenstein was somewhat overshadowed in the narrative, with Cunningham needing more obsessional madness in his performance to match the physicality and dominance of Nuttall. In the same way Cumberbatch/Miller found in the original NT production, doing this allows the relationship with his fiancé Elizabeth (Amy Lou Harris) to take a more prominent part in the latter story and provide some balance. Victor Frankenstein’s story is a sorry tale of how single-minded passion can fatally cloud judgment and the play asks us whether a person is innately good or evil, or is it society which dictates our character and actions. Overall, an ambitious and successful realisation of an excellent adaptation, lifted to another level by a superb performance from Nuttall as The Creature. Amateur theatre of the very highest quality North West End UK Rating: ★★★★ Brian Madden – Number9 Mary Shelley was just 18 years old when she wrote what is now considered a classic novel; Frankenstein. 206 years since she first began writing the novel, it is still being performed in theatres around the world. Nowadays it is more associated with Hallowe’en than a cold night in January. However, I certainly was given a night to remember and think this will be a production spoken about for months to come. People often make the mistake that Frankenstein is the name of the monster, however, it is the name of the scientist who creates it. In this production the ‘monster’ is known as The Creature – a lonely figure who just wants to be loved. I’ve seen a few productions at the Altrincham Garrick over the years, and some have been beter than others, but I can hands-down say that their 2022 production of Frankenstein is the best thing I’ve ever seen on stage at the Garrick. I’d go as far as saying a professional theatre such as The Royal Exchange would have been honoured to have a production of this quality on its stage. Some people have many preconceived ideas about amateur dramatics, or as I prefer to call it ‘non-professional theatre’. However, I would ask any of those to watch the Garrick’s production of Frankenstein to challenge their views. Rhys Nuttall was absolutely sublime as ‘The Creature’. Everything about his portrayal of The Creature was just on point – his movements, posture, the way he brought the character to life. Some actors at the best of times struggle to lift the script off the page, Nuttall did it without even needing words. It came as no surprise to me that he was also the Movement Director for the production – you could tell each step he took was carefully executed. His presence was one to behold in a way it almost made the rest of the cast irrelevant. In the beginning, anyone would be scared of The Creature – a semi-naked man who can barely move or speak. However, as the story unfolds we witness him learning how to live. He meets a blind peasant played by Hugh Everett and spends a whole year in his company. It’s here where he learns to speak and almost experiences what it is like to be human. He also not only learns to read but to appreciate literature. Until then everyone just sees him as a freak, incapable of love. It’s rather ironic that it takes a blind to see this. These scenes were a pleasure to watch and just so beautiful to see two people learn so much from each other. The entire production takes the audience on a journey through the seasons. This was fantastically captured by the director; Barry J.C. Purves. I especially loved the scenes which included the elements of leaves and snow. From the word go the audience is transported to another world, which is all you can ask of any director. When you look beneath the surface Frankenstein is actually quite a sad story. The themes of loneliness and rejection are key to the production. This was my first time seeing Frankenstein performed and will most certainly be watching it again. It really got me thinking, how much have we really moved on as a society – if we see something unusual, do we try to offer to help, or do we walk away? Frankenstein does raise a lot of questions – what is it that defines good and evil? Is someone born evil, or is it something that society makes them? And ultimately what are the consequences of our actions? The production serves as a reminder that we shouldn’t tamper with things and let them be. Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Previous Next Barry Fletcher Barry was a keen volunteer at the Garrick for over 30 years. Until his retirement, he was a Design Engineer at British Nuclear Fuels at Sellafield and he used his knowledge to design many stage sets and be part of Stage Crew. He was also Workshop Manager for a short spell and was heavily involved in the planning for the theatre refurbishment. He was also an extremely talented photographer and produced a superb dual projector slide show entitled 'A Year at the Garrick' which he used to promote the theatre plus raise funds for the STAGE Appeal. Barry is pictured celebrating his 80th birthday in the bar - he was also a regular attendee for 11am coffee because he knew there were always biscuits or cake available. Back to In Memoriam page

Garrick Production The Crucible Date range Tickets £13 - £18 Age guidance 12 + Venue Main House Trigger warning Find out more Book now Running time TBC Group bookings Find out more Accessibility Find out more THE CRUCIBLE By Arthur Miller Directed by Joseph Meighan “We are what we always were…” Betty Parris lies in a trance after a childish game spins out of control, and accusations of witchcraft are quickly manipulated by those with something to gain. However, when false allegations reach fever pitch, the devout community of Salem, Massachusetts descends into a cauldron of hysteria, manipulation and paranoia it can never return from… What lies are the townspeople prepared to tell themselves in order to survive? Speak of the devil and he appears. Nobody is safe. Written in the 1950s when the insidious fear of communism gripped America, “The Crucible ” is a devastating portrayal of the human cost of tyranny and vengeance, and a timeless warning to us all. An intense and revolutionary piece by Arthur Miller (Death of A Salesman, A View From The Bridge, All My Sons) - inspired by the 1692 Witch Trials in Salem. This play appears on the recommended Secondary School Reading List. Garrick Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Return to Productions Archive Garrick Production The Father Psychological Drama by Florian Zeller and translated by Christopher Hampton Ran May 6, 2024 - May 11, 2024 Age guidance 14+ Venue Main House Running time 2.5 hours (inc. 20 mins interval) Tickets Price Range £10 - £16 Description The Father (Le Père) is a play about a man called Andre. Now 80 years old, Andre was once a tap dancer. He lives with his daughter Anne and her husband Antoine. Or was he an engineer whose daughter Anne lives in London with her new lover, Pierre? The thing is, he is still wearing his pyjamas, and he can’t find his watch. He is starting to wonder if he’s losing control… A sobering and realistic family story, and an unsentimental, emotionally intense look at the world through the eyes of a man experiencing dementia. The Father , in this English translation by Christopher Hampton, was commissioned by the Ustinov Studio, Theatre Royal, Bath and premiered in October 2014. The production transferred to the Tricycle Theatre, London, in May 2015, and subsequently to Wyndham's Theatre in the West End. The Father was awarded the Moliere Award for Best Play and the Olivier and Tony Awards for Best Actor. In 2020 a film version called The Father was released starring Anthony Hopkins and Olivia Colman, which won the Academy Award for Best Adapted Screenplay, while Hopkins won the Academy Award for Best Actor. Altrincham Garrick Playhouse are proud to be supporting Together Dementia Support with this production of THE FATHER . Together Dementia Support are here to help people to live positively with Dementia in Manchester and Trafford. "Since being established in 2014, TDS has supported over 1,000 people living with Dementia and their loved ones. We currently have over 280 members and 300 carers who we support week in, week out, 52 weeks a year. For people living with Dementia, we offer a range of activities such as social groups, walking groups, arts & crafts, music and games groups, as well as one-to-one at home social activity support. For carers, we provide online and in person group support, one-to-one advice and guidance, training opportunities and a friendly ear to listen." To learn more about us and the support services we offer, visit www.TogetherDementiaSupport.org Reviews 5 Stars from Rick Bowen at Stage Struck “…richly deserved standing ovation.” Read the full review: HERE Gallery Trailer Trigger Warning Contains scenes that some may find upsetting. Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production The History Boys - By Alan Bennett Set in the 1980's, The History Boys is a coming of age story about a group of 6th formers. Ran Sep 16, 2024 - Sep 21, 2024 Age guidance 14 + Venue Main House Running time TBC Tickets Price Range £10.50 - £16.50 Description Written by Alan Bennett Directed by Su Mowat Set in the 1980's, The History Boys is the story of a group of bright, funny and unruly sixth-formers in pursuit of sex, sport and a place at university. Their maverick English teacher is at odds with the young and shrewd supply teacher, whilst their headmaster is obsessed with results and league tables. Staffroom rivalry and the anarchy of adolescence overflow, provoking not only universal questions about the nature of history and how it is taught but also questions about the purpose of education today. Their A Levels may be over, but the real learning has just begun… Celebrating it’s 20th Anniversary and hailed as “one of the finest plays Alan Bennett has ever written”, The History Boys opened at the National Theatre in 2004 to rave reviews, a sell-out run and went on became one of their biggest ever hits, winning over 30 major awards including the Olivier and Tony Awards for Best New Play. In a recent national survey this comic masterpiece was voted the nation’s favourite play. Reviews “Alan Bennett’s multi award winning play launches the Garrick’s season in spectacular fashion and the curtain call at the end made me feel I was at a pop concert. The noise, the out pouring of appreciation from the audience very nearly lifted the theatre roof off.” - Rick Bowen Read the full review by StageStruck https://www.stagestruck.info/blog “At its best, The History Boys is thought provoking and challenging. This production is just that….. Audiences still crave an accomplished The History Boys production. The Garrick Playhouse have, once again, delivered.” - Peter Ruddick North West End UK Gallery Trailer Trigger Warning This play contains strong language and adult themes, including sexual misconduct and discussions about sensitive historical events. Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Previous Next George Howard George was an accountant with Altrincham accounting firm Allen, Mills, Howard. He became heavily involved with the Garrick, alongside his wife Rita, and from the 1960s onwards he was an enthusiastic member of the Social Committee that ran numerous events each year. He famously organised two raffles to raise money for the building fund, with the first prize each time being a BMC Mini car. In addition he helped the Executive apply for numerous grants. He worked as Front of House manager in the 1980s, and was Treasurer to the Executive Committee from the 1980s until his death in 1992. Back to In Memoriam page

Visiting Production Pinked Floyd Date range Tickets £25 Age guidance Venue Main House Trigger warning Find out more Book now Running time TBC Group bookings Find out more Accessibility Find out more This eight-piece tribute band is delighted to return to the Garrick with an engaging and energetic performance celebrating the magical music of Pink Floyd. A stunning light and video show compliment their exciting and amazingly accurate performance of music spanning the entire output of the Floyd, with a selection of tracks from the timeless albums Dark Side of the Moon, The Wall, The Division Bell, Wish You Were Here, Animals, A Momentary Lapse of Reason as well as delving deeper into the Floyd back catalogue. Visiting Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews "Blown away by this band. Professional and talented on the next level!! I've sound engineered touring bands for many years and not many bands grab my attention the way these guys did.” (James). “I’m a lifelong Floyd fan and this was one of the best tribute band performances I’ve ever seen (and I’ve seen plenty)” (Mike Halls). “I've seen a number of Pink Floyd tribute bands over the years and I can honestly say that Pinked Floyd are by far the best. Never have I seen a group full of SUCH incredibly talented musicians, a lead guitarist that's so good you can't take your eyes off him and a singer so unbelievably good you can't breathe .... Pinked Floyd you nailed it!” (Joe Max). “My heroes will never be forgotten as long as you are on the stage and that’s from a 68-year-old roadie of the original PF! You are another brick in the wall!" (David Larkin, former PF roadie) Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Garrick Production The Mirror Crack'd Date range Tickets £13 - £18 Age guidance 12+ Venue Main House Trigger warning Find out more Book now Running time TBC Group bookings Find out more Accessibility Find out more THE MIRROR CRACK’D Written by Agatha Christie Adapted by Rachel Wagstaff Directed by Mike Shaw 1960s England, and a wind of change is blowing through the land. It has even reached the sleepy village of St. Mary Mead. There’s a new housing estate to make the villagers curious and fearful. And even stranger, a rich American film star has bought the Manor House. Jane Marple, confined to a chair after an accident, is wondering if life has passed her by. Then there is a vicious murder, and Miss Marple must unravel a web of lies, tragedy and danger. This adaptation of Agatha Christie’s 1962 novel, The Mirror Crack’d , brings real emotional depth and psychological insight to a thrilling story of revenge and the dark secrets that we all hide. But can anything be hidden from Miss Marple, the sweet old lady with mind like a steel trap? Garrick Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Return to Productions Archive Garrick Production She Stoops to Conquer Ran Jan 2, 1921 - Jan 2, 1921 Age guidance Venue Running time Tickets Price Range Description By Oliver Goldsmith CAST Bonson, John P Bullivant, Erick Calderbank, Arthur Churm, V Ida Dykes, Tom Kerridge, Stanley Matthews, Walter R Owen, Tom Pye, George H Slinn, Ella Walsh, Katie Warburton, George A Wilson, Tom Wood, Doris Woodhead, Fred Wilkinson, John Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Garrick Production Punk Rock Date range Tickets £13 - £15 Age guidance 16+ Venue STUDIO Theatre Trigger warning Find out more Book now Running time TBC Group bookings Find out more Accessibility Find out more Written by Simon Stephens Directed by Meg Brassington “I hate normal people. Normal people should be eviscerated.” Tucked away in a library in a Stockport grammar school, half-a-dozen sixth formers, on the cusp of adulthood, are whiling away the hours… A clatter of teenage thoughts tumble out between the friends. Dreams of Oxbridge, contempt for the locals and of course: sex, sex, sex. But as exams approach and pressures rise, real brutality emerges from behind their playful barbs. And soon there is nothing left but violence. From Manchester power-house playwright, Simon Stephens, Punk Rock is a brutal and urgent examination of contemporary adolescence. Intelligent. Articulate. F***ed. Age Guidance: 16 + Warning: This production contains strong and offensive language, and discussions of self-harm, sexual abuse, racism, homophobia, ableism, body shaming, gun violence, murder, and mental health issues. Garrick Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Return to Productions Archive Garrick Productions Boyd's Shop Ran Jan 1, 1948 - Jan 1, 1948 Age guidance Venue Running time Tickets Price Range Description Bramwell, Madge Carter, Harold Farebrother, Arthur F Jenkinson, Philip Osborne, Edgar Pimlott, (Allman) Emmie Snape, Joyce Sykes, Constance D Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production The Curious Incident of the Dog in the Night-Time A touching and bleakly humorous tale, performed by The Garrick Ensemble, Ran Feb 3, 2025 - Feb 8, 2025 Age guidance 12+ Venue Main House Running time TBC Tickets Price Range £10.50 - £16.50 Description Written by Mark Haddon Adapted by Simon Stephens Directed by Joseph Meighan Christopher, fifteen years old, stands beside Mrs Shears’ dead dog. It has been speared with a garden fork, it is seven minutes after midnight, and Christopher is under suspicion. He records each fact in the book he is writing to solve the mystery of who murdered Wellington. He has an extraordinary brain and is exceptional at maths, but he is ill-equipped to interpret everyday life. He has never ventured alone beyond the end of his road, he detests being touched, and he distrusts strangers. But Christopher’s detective work, forbidden by his father, takes him on a frightening journey that turns his world upside-down. Simon Stephens’ adaptation of Mark Haddon’s bestselling, award-winning novel, The Curious Incident of the Dog in the Night-Time offers a richly theatrical exploration of this touching and bleakly humorous tale. This production is performed by THE GARRICK ENSEMBLE. The Garrick Ensemble is a company of 18 – 30 year old aspiring actors from Greater Manchester and Cheshire who perform one production each year as part of the Altrincham Garrick Playhouse Main House Season. The production will be directed by Artistic Director Joseph Meighan. The Garrick Ensemble aims to make theatre that is fresh, innovative and exciting. See the very best of local, up and coming talent before they move forward in the next stages of their careers in the Arts. Altrincham Garrick Playhouse are proud to be supporting I AM with this production. At I AM , we’re dedicated to supporting autistic individuals to thrive, connect, and achieve their full potential. Based in the heart of Manchester, we provide tailored programmes, inclusive activities, and vital resources that empower autistic children, young people, and adults, as well as their families. Together, we’re building a more understanding and inclusive community - because every voice matters. For more information visit: https://i-am-autism.org.uk Reviews FIVE STAR REVIEW - Paul Wilcox at North West End UK “Despite its apparently serious subject matter, ‘Curious Incident’ is a wonderfully positive and life affirming play that has been adapted beautifully by a strong cast, crew and creative team and topped with an excellent central performance.” Read the Full Review from North West End: CLICK HERE ANOTHER FIVE STARS - Rick Bowen at StageStruck “the storm of applause that swept through the auditorium and came seriously close to lifting the theatre’s roof off at the end.” Read the Full Review by Stage Struck: CLICK HERE Gallery Trailer Trigger Warning This production contains themes and depictions that may be distressing to some audience members, including descriptions of physical and emotional abuse, discussions of mental health and disability, and strong language. The production also features loud noises and some moments of sensory intensity, reflecting the content of the novel and autistic experience. Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Previous Next Val Lynch Trained at RADA, Val was a leading director at the Garrick, and she also performed on stage in the 1980s and 90s. Her acting debut was in Neil Simon's Last of the Red Hot Lovers ' in 1981 (with leading actor, Tony Mathews ). Other acting credits included Under Milk Wood , The Musical Comedy Murders of 1941 , and Alan Bennett's Simple Spies where she played HM The Queen brilliantly. Val also appeared in two Coarse Acting Plays, which were performed in the bar and studio to raise funds for the STAGE Appeal. Her straight face under all circumstances was hilarious, and apparently she never corpsed once. Her directing credits are impressive and long. Some highlights include Say Who You Are ( her directorial debut in 1983), Outside Edge , Bedroom Farce , Daisy Pulls it Off , The Heiress (for which she won GMDF Best Director in 1993), An Ideal Husband , The Winslow Boy , and Macbeth . Val played a full part in the social life of the Garrick, as well as being a member of both the PSCC and the Executive Committee and regularly helping out backstage. Back to In Memoriam page

Return to Productions Archive Garrick Production A Taste of Honey Altrincham Garrick STUDIO 2025/26 Season - A Series of Manc Plays Ran Sep 23, 2025 - Sep 28, 2025 Age guidance 12+ Venue STUDIO Theatre Running time TBC Tickets Price Range £13 - £15 Description Written by Shelagh Delaney Directed by Carole Carr Living in a filthy tenement bedsitter, 17-year-old Jo is deserted by her nagging peroxided mother, Helen, who is unaware that her daughter is pregnant by a black sailor. To soothe, clean and cook for Jo is Geoff, an effeminate art student, with whom she makes a temporary home. Bruised by insensitivity and rejection, the boy and girl find a very real comfort in each other. A stunning portrayal of the complex bond between a mother and daughter, who – despite their sharp bickering – are both holding on for that taste of honey. This iconic play is a sharply observed portrait of working-class life in Salford in the late 1950s. Age Guidance: 12 + Warning: this production contains themes of alcohol abuse, racism, domestic violence, sexual themes, teenage pregnancy, homophobia, sexism, and ableism. Reviews "...a flowing and real depiction of an iconic and important piece of theatre" Lou Kershaw - North West End UK Click HERE to read the full review Gallery Trailer Trigger Warning Warning: 12+ This production contains themes of alcohol abuse, racism, domestic violence, sexual themes, teenage pregnancy, homophobia, sexism, and ableism. Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Visiting Production The Eras Experience: Taylor Swift Tribute by Xenna Date range Tickets £23 - £28 Age guidance Kids and family of all ages are welcome. Audience ages vary from young people to adults. Venue Main House Trigger warning Find out more Book now Running time 1 hour 50 minutes (inc. 20 min interval) Group bookings Find out more Accessibility Find out more Step into the unparalleled world of Taylor Swift in this ENCHANTED tribute show featuring the incredible: Xenna as Taylor. A celebration of the iconic pop sensation's music, style, and unrivalled stage presence. Xenna embodies every essence of Taylor Swift, capturing her voice, signature looks, and magnetic charisma. Audiences will be transported through Taylor's world as they sing along to timeless classics from "Love Story," "Blank Space," and "Shake It Off," to “Fortnight” and “The Tortured Poets Department”. With dancers and replica costumes, showcasing Swift's distinctive looks. The show now spans all 12 eras, including songs from the latest Album - Opalite, Fate of Ophelia and The Life of a Showgirl . This new era adds glamour and storytelling sparkle to the set, celebrating every chapter of Taylor’s talents. Whether you're a die-hard Swiftie or simply love great music, this is the ultimate homage to one of the biggest stars in the world. Get ready to relive Taylor Swift's greatest hits in a show that's as close to the real thing as it gets! VIP Ticket Holders - Please Note that VIP Meet and Greet takes place 1 hour before the show, and ticket holders will meet Xenna, get the chance to questions, get a selfie and a free poster. Visiting Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Return to Productions Archive Garrick Production Cinderella - A GAPA Spring Pantomime A classic Fairytale Panto style, performed by our Youth Academy Ran Mar 11, 2024 - Mar 17, 2024 Age guidance 3+ Venue Main House Running time TBC Tickets Price Range £2 - £8 Description Performed by the Garrick Academy of Performing Arts (GAPA) Join all your favourite Pantomime characters and be amazed as our fantastic GAPA students bring the magic of Panto to Altrincham ! Filled with songs, comedy, dance and much more, this will be a hugely entertaining production of the classic fairytale! Monday 11th March 2024 - 7:30pm - Groups 3 & 6 (ages 14-18 years) Tuesday 12th March 2024 - 7:30pm - Groups 2 & 5 (ages 11-14 years) Wednesday 13th March 2024 - 7:30pm - Groups 3 & 6 ( ages 14-18 years) Thursday 14th March 2024 - 7:30pm - Groups 2 & 5 (ages 11-14 years) Friday 15th March 2024 - 7.30pm - Groups 3 & 6 (ages 14-18 years) Saturday 16th March 2024 - 2.30pm (Matinee) - Groups 1, 4 & 7 (ages 5-11 years) Saturday 16th March 2024 - 7:30pm - Groups 2 & 5 (ages 11-14 years) Sunday 17th March 2024 - 2:30pm (Matinee) - Groups 1, 4 & 7 (ages 5-11 years) Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

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Return to Productions Archive Visiting Production The Adult Panto: Snow White and the Magnificent Seven! Get ready for an evening of slick, fast-moving, farcical fun with The Market Theatre's Adult Panto! Ran Jan 18, 2026 Age guidance Strictly 16+ Venue Main House Running time TBC Tickets Price Range £19 - £20 Description Taking the UK by storm since 2004, the Market Theatre’s Adult Panto Company are back on tour and out to corrupt another classic fairy tale beyond recognition with their unique style of Adult Panto. Can the fearless company of just 3 actors hold it all together and pull off their biggest challenge yet, their very own adult version of Snow White and the Seven Dwarfs using a minimum of set props, costume and actors!? Get ready for an evening of slick, fast-moving, farcical fun and bawdy sexual innuendo for adults only. Not suitable for under 16’s. Reviews ‘Another very naughty "big" show, pulled off with ease-exactly what the audience expects!’–A View from the stalls (on the Adult PantoBeauty and the Big Beast!) ‘It’s fast, furious and very funny...’–Choice Radio, Worcester (on Hansel & Gretel Go Down in the Woods) ‘Some of the sketches are worthy of The Two Ronnies with their extensive wordplay, faultlessly delivered.’–ChoiceRadio, Worcester (on Peter Panties) ‘Quintessentially British...Like a Carry On film made by a Rugby Club!’ -The StageNewspaper Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive