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Previous Next George Kilburn George worked with Sale Nomads before joining the Garrick as Head of Lighting, for some seasons in the 1980s and 90s. He trained several lighting technicians and built up an proficient team. He also worked as stage crew, and was a member of the Executive Committee. George's hobby outside the Garrick was as an accomplished builder of model ships. Back to In Memoriam page

Previous Next Chris Shepherd Chris was a journalist with the Oldham Evening Chronicle and worked and performed at the Oldham Coliseum. In 1982, the then Artistic Director, Chris Fogg, cast Chris as Norman Bates in the World Amateur Premiere of Psycho . This obviously created huge media interest, which resulted in audiences queueing round the block. From then, until his untimely death in 1987, Chris directed many plays at the Garrick including How the Other Half Loves by Alan Ayckbourn, 'The Killing of Sister George , The Prime of Miss Jean Brodie , Agatha Christie's Dial M for Murder and, most famously for all who saw it, Having a Ball by Alan Bleasedale which, by the end of its run, was a total sell-out with some ladies including the WI booking more than once! He also directed a massive version of The Tempest , set in the future on an isolated planet. He was also an accomplished musician, and played the piano in many Manchester hotels, bars and pubs. Back to In Memoriam page

Altrincham Garrick Playhouse is committed to protecting personal information. This Privacy Policy relates to our use of any personal information we collect. Terms and Conditions T&C’s for Sale of Tickets GDPR Privacy Policy Health and Safety Policy Child Protection Policy The Altrincham Garrick Playhouse Privacy Policy Altrincham Garrick Playhouse is committed to protecting personal information. This Privacy Policy relates to our use of any personal information we collect. Our Privacy Policy relates broadly to these groups of people: Audience : the people who attend our shows, visiting shows and events and/or have requested information about the theatre Friends : people who pay a subscription to the Altrincham Garrick Society Supporters : people who are support the activities of the Society in a particular way. This involvement may include, but is not limited to: scenery construction; costumes; properties; make-up and hair; publicity; front of house; backstage; administration; website; design; technical; directing; sponsorship; donations; consultants; those giving specialist advice to the Altrincham Garrick. Staff : those employed by Altrincham Garrick Suppliers : organisations and businesses that provide goods or services to the theatre Committees : Board of Trustees, Volunteers’ Committees, Play Selection and Casting Committee GAPA Members : members of Garrick Academy of Performing Arts and their parents/guardians/carers The personal information we collect from you Audience : Our email database contains your name and email address. Our box office contains your name, address, email address and telephone numbers so we can contact you with information relating to Altrincham Garrick only. We may hold details on previous bookings, group bookings and any preferences you may share with us. Friends : Our database contains your name, address, phone number/s, email address and data on your subscription preferences. We also hold information on dates joined, renewals and details on payments and your subscription. If you have chosen to pay by standing order or joined our 200 club we will hold those details for processing purposes only. Supporters : We collect basic information such as name, address, telephone number, email address, quotes, emails. Staff : We hold details of your name, address, phone number email address, National Insurance, tax details, payslips and employment history. Suppliers : We collect basic information such as name, address, telephone number, email address, quotes, emails. Committees : We collect basic information such as name, address, telephone number, email address, quotes, emails. For the Board of Trustees, information is also held at Companies House and with the Charity Commission, in line with legal requirements. GAPA Members : We hold basic information such as name, address, telephone number, email address. How we use information and data Audience : We will send you regular bulletins via email with news about the theatre and our shows and other shows and events that appear at the theatre. There is an ‘unsubscribe’ option on every email. We will perform some basic interrogation of our email statistics, such as open-rates and click-through rates via various software. Friends, group bookers and ticket holders may receive limited further information by post and email from time to time. We may contact you by telephone if there is problem with tickets or changes to a performance you are booked to attend. We will not share your information with any third parties without your consent. Friends : We will use your information to send you newsletters, letters or emails to give you details of General Meetings, shows, rehearsals, production meetings, casting, news from meetings and general events that are likely to be of interest to you. Your name, and possibly photograph and biography may appear in newsletters or show programmes, website or other publicity relating to a production you are involved in. Your information may be shared with committee members, staff and heads of departments for use in ‘legitimate interest’ and in line with GDPR regulations. Please be aware that our show programmes, website and publicity are public documents and that our newsletters are shared with supporters of the theatre. We will not share your information with other third parties without your consent. Supporters : We will use your information as and when required to contact you for Garrick matters related to your involvement with us. We will not share your information with other third parties without your consent. Staff : We will use your information as and when required to contact you for Garrick matters related to your involvement with the Garrick and as your employer. We will not share your information with other third parties without your consent. Any personal data relating to your employment will be protected and limited to those involved to line management, Board of Trustees and for payroll purposes. Suppliers : We will use your information as and when required to contact you for Garrick matters related to your involvement with the Garrick. We will not share your information with other third parties without your consent. Committees : We will use your information as and when required to contact you for Garrick matters related to your involvement with the Garrick. We will not share your information with other third parties without your consent. GAPA Members : We will use your information as and when required to contact you for Garrick Academy of Performing Arts such as subscriptions, rehearsals, summer school, productions, ticket offers, newsletters, auditions, changes of dates, nominations. Under 18s will be contacted via their parents. We will not share your information with other third parties without your consent. Your name, and possibly photograph and biography may appear in newsletters or show programmes, website or other publicity relating to a production you are involved in. Your information may be shared with committee members, staff and heads of departments for use in ?legitimate interest? and in line with GDPR regulations. Please be aware that our show programmes, website and publicity are public documents and that our newsletters are shared with supporters of the theatre. We will not share your information with other third parties without your consent. How we use information held by our Box Office Systems The Box office at Altrincham Garrick process tickets and sales by telephone, by email, by post and in person. Processing tickets may display your name, address, email address and telephone number. For reporting purposes, we may interrogate data held in the box office to inform our business planning but personal data will not be shared with any third parties. We may hold your personal details in our records in case we need to contact you with further information if there is a change to performance details, for example. Tickets booked via the website are linked to Tickets.com. You can find details of their Privacy Policy here . Security We put in place reasonable security measures to protect against any unauthorised access or damage to, or disclosure or loss of, your information Your Rights Audience, Friends, Supporters, Staff, Committees and GAPA Please let us know if your information changes as it is important that the information we hold about you is accurate and up to date. You have the right to request a copy of all the information we hold about you in a Subject Access Request. To do this, simply write to us at the address below. We will take all reasonable steps to confirm your identity before providing you with details of any information we may hold about you. You can ask us to remove your information from our records at any time and cease any further communication. You can do this by writing to the address below. Friends, Supporters, Committees and GAPA We will keep your information indefinitely after you remain an active Friend, Supporter, sit on a Committee or are a member of GAPA. We keep your information because you may resume your connection with and take part again in our activities. However, you can ask us to remove your information from our records at any time and we will do so and stop sending you any further communications. You can do this by writing to the address below. Changes to our Privacy Policy We may amend this Privacy Policy from time to time; for example, to keep it up to date or to comply with legal requirements. If there will be any significant changes made to the use of your information in a manner different from that stated, we will seek your permission first. How to Contact Us For any questions or concerns relating to this Privacy Policy or our data protection practices, or to make a Subject Access Request, please contact us in one of these ways: By email admin@altrinchamgarrick.co.uk By post Operations Director Altrincham Garrick Theatre Barrington Road Altrincham WA14 1HZ This page was updated on 8 September 2022 by HFE. 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Activities & Events Level 2: Beginner / Improver - Musical Theatre Adult Dance Class Date range Tickets £60 Age guidance 18+ Venue Annex Trigger warning Find out more Book now Running time 1 hour per week (6 week block) Group bookings Find out more Accessibility Find out more Get Ready to Move, Dance and Have Fun at the Altrincham Garrick Playhouse with our Musical Theatre Dance Classes. Perfect for anyone aged 18+ who wants to learn, improve, or simply enjoy the joy of dance. Our second weekly, block of six classes starts on Tuesday 14th April and runs until Tuesday 19th May. One class per week. Block of six classes is £60. Spaces are limited, so secure your place now! Musical Theatre Adult Dance Classes: Level 2: Beginner / Improver Time: 6:30pm – 7:30pm Focus: Foundational technique and choreography. Designed for those with basic dance knowledge or returning to the studio after a break. This class moves at a moderate tempo, introducing more specific musical theatre vocabulary and multi-step combinations. It is ideal for dancers looking to build confidence, improve their muscle memory, and refine their performance style. Classes led by Louise Pettitt Louise trained at the Northern School of Contemporary Dance, graduating with a degree in dance and the performing arts. She holds a Master’s Degree in Creative Practice and Education and a Post Graduate Certificate in Education. Her professional theatre credits include Cats (UK, Italy, Portugal Tours), Beauty and the Beast understudy Belle (UK Tour), Starlight Express understudy Pearl (Bochum, Germany), Verve (UK Tour), Aura Dance Company (UK), and Cinemagique (Costa Cruises). Television and recording credits include Casualty 1909 (BBC), Nightmare in Suburbia (Nine Lives Media), Holland’s Meat Pies Commercial (MTP), and Starlight Express New Songs (Universal Music). Louise has choreographed numerous shows and musicals for leading vocational dance and performing arts colleges, including Move it , Sadler’s Wells Making Moves , Rambert Elements , Chicago (Waterside Arts), A Chorus Line , Guys and Dolls , The Phantom of the Opera , and Scrooge! The Musical . She has held prestigious roles as a Senior Lecturer and Programme Leader at leading Higher Education institutions. Her choreography for Altrincham Garrick Playhouse includes A Chorus Line , Beautiful , Merrily We Roll Along , Chitty Chitty Bang Bang , The Sound of Music , and Priscilla Queen of the Desert . Musical Movement and Intermediate/Advanced classes are also available to book. So whether you’re taking your first dance steps or looking to brush up your skills, there’s a place for you at the Altrincham Garrick Playhouse Musical Theatre Dance Classes . Come move, dance, and discover your rhythm ! Activities & Events Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Return to Productions Archive Garrick Productions Camelot The first production on stage after the major Auditorium and Foyer refurbishment of 1999 Ran Oct 18, 1999 - Oct 23, 1999 Age guidance Venue Running time Tickets Price Range Description Directed By: Terry Chandler Music by Frederick Loewe Book & Lyrics by Alan Jay Lerner The Court of Camelot receives Guinevere as King Arthur's Queen. The fame of Arthur's Round Table brings the cream of Knighthood to Camelot and none is more renowned than Lancelot du Lac. Guinevere is attracted to Lancelot and is torn between her love for Arthur and her fascination for Lancelot. When their illicit love is revealed by Mordred they are sentenced to burn, but escape to France where Arthur finally forgives them. This breathtakingly glamorous musical will have costumes designed and made by our Wardrobe Master, Mike Shaw, will be under the direction of Terry Chandler and Mark Goggins will be our musical director. One not to be missed! Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Productions The Deep Blue Sea Ran Sep 20, 1954 - Sep 25, 1954 Age guidance Venue Running time Tickets Price Range Description Corness, Ian Pimlott, (Allman) Emmie Richardson, George Sykes, Constance D Waterhouse, Ann Wilson, George E Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Productions What Happened to George Ran Jan 1, 1947 - Jan 1, 1947 Age guidance Venue Running time Tickets Price Range Description Abbott, Amy Beck, June Blackhurst, Ernest Brown, Sydney Creacall, Edward Daltry, Joyce Dean, Kenneth W Falkner, Robert Green, Joyce Hibbert, Sydney Lightowler, Ronnie R Neil, Ian Neild, Barry Pimlott, (Allman) Emmie Poole, Brian Stroud, Barbara Walsh, Katie Warrington, Betty Wood, Barrie Wood, Michael Whyatt, Egerton G Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Productions Experiment Ran Jan 1, 1932 - Jan 1, 1932 Age guidance Venue Running time Tickets Price Range Description Fisher, Kathleen A Francis, W M Fullerton, Irene Gow, Ronald Landon, Henry Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Garrick Production Come From Away Date range Tickets £19 - £24 Age guidance Recommended: 10 + Venue Main House Trigger warning Find out more Book now Running time 1 Hour and 45 Minutes, with no interval Group bookings Find out more Accessibility Find out more 7,000 Stranded Passengers. One Small Town. A Remarkable True Story. This smash hit show shares the incredible real-life story of the 7,000 air passengers from all over the world who were grounded in Canada during the wake of 9/11, and the small Newfoundland community that invited these ‘come from aways’ into their lives with open hearts. Experience this joyous story and soaring music as spirited locals and global passengers come together to forge friendships that will stay with them forever. The first female American Airlines captain, the quick-thinking town mayor, the mother of a New York firefighter and the eager local news reporter are among the many real characters caught at the start of the moment that changed the course of history and whose stories became a true celebration of hope, humanity and unity. Winner of four Olivier Awards including Best New Musical and the Tony Award for Best Direction of a Musical on Broadway, now experience this new production at Altrincham Garrick Playhouse, 25 Years on from the events of 9/11. Directed by Joseph Meighan. Performance Schedule: Thursday 10th September - 8pm Friday 11th September - 8pm Saturday 12th September - 3pm Saturday 12th September - 8pm Sunday 13th September - 4pm Wednesday 16th September - 8pm Thursday 17th September - 8pm Friday 18th September - 8pm Saturday 19th September - 3pm Saturday 19th September - 8pm Garrick Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Return to Productions Archive Garrick Production The Tragedy of Nan Ran Jan 1, 1915 - Jan 1, 1915 Age guidance Venue Running time Tickets Price Range Description By John Masefield CAST Blackburn, Lydia Bonson, John P Byrom, Mrs Jack Hall, S Lyndon Higgs, Elsie Hill, Arthur P Jones, Lily Nixon, Walter S Noble, Miss May Warburton, George A Wilson, Tom Wilkinson, John Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production Unravelling the Ribbon The Studio 2023/2024 Season - A Series of All Female Plays. Ran Mar 19, 2024 - Mar 24, 2024 Age guidance 14+ Venue Studio Running time TBC Tickets Price Range £12 - £14 Description The touching - and frequently hilarious - story of three women whose lives are touched by breast cancer. Rose is thirty-four and lives on a farm with her husband and two children. She worries she may have married too young. Lola is fifty and wants to sell her home. Nobody ever calls and she has stopped opening her post. Lyndsey is eleven and her best friend has stopped sitting beside her in art class. When breast cancer touches their lives, everything starts to unravel - Rose's marriage falls apart, Lola gets arrested and Lyndsey hides a cooked ham in a thorn bush... A moving and powerful tale of friendship and survival. Reviews Gallery Trailer Trigger Warning This production contains some upsetting scenes Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Visiting Production The Take That Experience Date range Tickets £25.50 - £27.50 Age guidance - Venue Main House Trigger warning Find out more Book now Running time 1 hour 50 minutes (including 20 minute interval) Group bookings Find out more Accessibility Find out more The UK’s Number 1 tribute to Take That - The Take That Experience is ready to relight your fire!!! As Take That celebrate over 30 years as the UK's number one boy band, The Take That Experience mark over a decade together as the ultimate tribute act with their best show yet! Wowing audiences everywhere they go with their amazing vocals, replica costumes and electrifying dance routines, they continue to successfully recreate the magic of Take That with the ‘Greatest Hits Tour’. Join Gary, Howard, Mark, Jason and of course the ultimate entertainer Robbie for an evening of hit after hit, that has earned Take That iconic status and without doubt the title of the UK’s favourite boy band. The Take That Experience has been endorsed by Nigel Martin Smith, Take That’s original manager as the closest thing to Take That. The Take That Experience perform all the classic songs you know and love from the 90s through to the present, including smash hits Pray, Relight My Fire, Patience, Shine , These Days and Giants ! The show also features a solo set from the one and only "Robbie Williams" who brings alive firm fan favourite songs Angels , Rock DJ, Candy and of course Let me Entertain you to an already explosive show! The boys don’t just give you a night you’ll Never Forget ... they give you The Take That Experience! Visiting Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews “A show you will never forget!” Audience Member “The closest thing to Take That ” Nigel Martin Smith (Take That’s original manager) “An experience you won’t want to end ” The Stage Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Previous Next Sylvia Hay Sylvia was involved in most aspects of the Garrick: on stage, as a set designer, serving behind the Bar, working in the workshop - tireless working to help the Garrick in all ways she could. Back to In Memoriam page

Return to Productions Archive Garrick Production The Drone The last production before the theatre closed during World War I. Ran Jan 1, 1916 - Jan 1, 1916 Age guidance Venue Running time Tickets Price Range Description By Rutherford Mann CAST Bonson, John P Higgs, Elsie Hutchinson, T D B Megson, Miss Margaret Nixon, Walter S Noble, Jack Noble, Miss May Warburton, George A Wilkinson, John Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Visiting Production K-POP PARTY Date range Tickets £17 (Family of 4 group discount price) - £18 Age guidance N/A Venue Main House Trigger warning Find out more Book now Running time TBC Group bookings Find out more Accessibility Find out more The Non-Stop K-POP Concert Experience! 🎤 Get ready to sing, dance, and party like never before with K-POP PARTY – the ultimate live celebration of Korea’s global music phenomenon! Featuring the BIGGEST hits and fan-favourite tracks from the smash-hit film K-POP DEMON HUNTERS 🗡️🩸💫 , this high-energy, family-friendly show is packed with electrifying performances, iconic choreography, and non-stop music from your favourite idols. With songs from BLACKPINK, AESPA, BTS, TWICE, NEW JEANS, STRAY KIDS and more, this party show is for all ages whether you’re a hardcore fan or brand new to the K-Pop wave. ✨ The stage is set. It's time to shine like you’re born to be. Make the Honmoon Golden at the K-POP PARTY! 💫 Visiting Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Garrick Production The Good Life Date range Tickets £13 - £18 Age guidance 10+ Venue Main House Trigger warning Find out more Book now Running time TBC Group bookings Find out more Accessibility Find out more When Tom and Barbara Good decide to exchange the pressures of the rat race for an alternative, more sustainable way of living, they set about turning their suburban home in Surbiton into a model of self-sufficiency. They grow their own fruit and veg, keep livestock in the garden, make their own clothes, and even generate their own electricity from manure. It's the good life for them – but not for Margo and Jerry Leadbetter, who live next door, and are desperately trying to maintain the Surbiton status quo. Jeremy Sams' stage play, based on the hugely popular sitcom by John Esmonde and Bob Larbey, reunites the well-loved characters (not forgetting Geraldine the goat) as they get themselves into and out of scrapes – some old, some new, all hilarious. Tapping into issues that resonate now more than ever, The Good Life is a witty reimagining of a television classic, with a wellyful of laughs that's sure to delight audiences everywhere. Garrick Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Previous Next Phil Gleave Phil's working background didn't really indicate an interest in theatre, with his jobs including miner, fireman, coach driver and bus inspector. However, he first came to the Garrick in the late 1980s, to build sets as a member of the stage crew, and stayed to become a highly valued and legendary Stage Manager actively involved in hundreds of productions. Greatly respected by his peers, he was a straight-talking and very competent person, essential qualities in ensuring productions of the highest standard. Phil had only one obvious weakness : Jelly Babies (see picture) ... especially at Panto time. Outside the Garrick, he had a passion for diesel railway engines and worked as a volunteer at East Lancashire Railways as Responsible Officer, in charge of the running of the engines when the public was in attendance. Back to In Memoriam page

Visiting Production Tenor Martin Toal's 2026 Summer Concert Date range Tickets £16 - £20 Age guidance N/A Venue Main House Trigger warning Find out more Book now Running time TBC Group bookings Find out more Accessibility Find out more TENOR MARTIN TOAL’s 2026 SUMMER CONCERT INCLUDING FAVOURITE SONGS, MUSIC & DANCE FROM THE WORLD OF OPERA. POP & MUSICAL THEATRE, CONCLUDING WITH A LAST NIGHT OF THE PROMS AUDIENCE SINGALONG Manchester tenor Martin Toal is back at the Altrincham Garrick to bring you his ever-popular annual one night only summer concert of favourite songs, music and dance from the world of opera, musicals and pop, concluding with a singalong and flag-waving Last Night of the Proms Finale! Returning with Martin in 2026 as guest artists are fiddle player Richard Sanderson, soprano Millie Royle, the June Rendell Academy of Dance and the children’s choir of St Hugh’s Primary school. Performing since 2004, tenor Martin Toal is a top class vocalist and entertainer very much in demand for major sporting, corporate, concert and charity events. He has performed with some of Europe’s top artists including tenor Alfie Boe, sopranos Lesley Garrett and Laura Wright, and Ireland’s Chris de Burgh who described Martin’s voice as “phenomenal”. His performance credits include having sung at all the major UK sporting venues including Old Trafford & the Etihad in Manchester, and Twickenham & Wembley in London! His clients have included the FA, Coutts Bank, the Prince’s Trust, Lord’s Taverners and former Dragons Den star and entrepreneur Theo Paphitis. Martin’s TV & radio appearances include BBC1’s Inside Out, BBC2’s A Band for Britain with actor Sue Perkins, ITV, SKY News, SKY Sports news, and BBC’s radio 2 and 5 live. Book early to avoid disappointment! Visiting Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews “His beautiful voice and perfect expression sometimes brought tears to your eyes but just as you were feeling totally carried away with the romance of it all, he would switch to a foot-tapping rendition of La Donna e Mobile and instantly change your mood”. (Concert review by Julia Taylor) Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Previous Next Jennie Holman Jennie, along with husband Geoff, was a great supporter of the Garrick for over 50 years. She joined the theatre in 1966 and became a long serving ASM, being involved in more than fifty productions, the first being An Ideal Husband in her first season. She was always keen on 'getting things right', a quality much appreciated by both actors and directors. Her life outside the Garrick was as a work counsellor. She helped groups of people - for example enabling 52 workers made redundant from Pilkington’s Glass to find new jobs - and individuals - for example assisting a redundant Veterinary Surgeon find a new job at Chester Zoo. Jennie was always smiling with a positive outlook and was a pleasure to work with. Back to In Memoriam page

Previous Next Derek Killeen Derek became Artistic Director of the Garrick in 1979 and, during his three-year tenure, he also became Theatre Administrator in 1980. His directorial credits include Charley's Aunt , Abigail's Party , When We Are Married , The Merchant of Venice , and The Importance of Being Earnest . Prior to joining the Garrick, he worked in the Drama Department at Bristol University and as Production Manager at Liverpool Playhouse. Later in his career, after leaving the Garrick, he became the Artistic Director of the Peterborough Key Theatre from 1992- 2001, where he used his Garrick experience to the full by starting a Drama School and introducing Musical Theatre. Derek died in 2004. Back to In Memoriam page

The Altrincham Garrick Playhouse recognizes its duty of care under the Children and Young Persons Act 1963, the Child (Performances) Regulations 1968, the Protection of Children Act 1999 and the Criminal Justice and Court Services Act 2000. Child Protection Policy T&C’s for Sale of Tickets GDPR Privacy Policy Health and Safety Policy Child Protection Policy The Altrincham Garrick Playhouse recognizes its duty of care under the Children and Young Persons Act 1963, the Child (Performances) Regulations 1968, the Protection of Children Act 1999 and the Criminal Justice and Court Services Act 2000.The society recognizes that abuse can take many forms, whether it be physical abuse, emotional abuse, sexual abuse or neglect. The society is committed to practice which protects children from harm. All members of the society accept and recognize their responsibilities to develop awareness of the issues which cause children harm. The society believes that: The welfare of the child is paramount; All children, whatever their age, culture, disability, gender, language, racial origin, religious beliefs and/or sexual identity have the right to protection from abuse; All suspicions and allegations of abuse should be taken seriously and responded to swiftly and appropriately; All members and employees of the society should be clear on how to respond appropriately. The society will ensure that: All children will be treated equally and with respect and dignity; The welfare of each child will always be put first; A balanced relationship based on mutual trust will be built which empowers the children to share in the decision making process; Enthusiastic and constructive feedback will be given rather than negative criticism Bullying will not be accepted or condoned; All adult members of the society provide a positive role model for dealing with other people; Action will be taken to stop any inappropriate verbal or physical behaviour; It will keep up-to-date with health & safety legislation; It will keep informed of changes in legislation and policies for the protection of children; It will undertake relevant development and training; It will hold a register of every child involved with the society and will retain a contact name and number close at hand in case of emergencies. The society has child protection procedures which accompany this policy. This policy should also be read in conjunction with the society’s Theatre Handbook and Health & Safety Policy. The society has a dedicated Child Protection Officer, who is in charge of ensuring that the Child Protection policy and procedures are adhered to. This policy will be regularly monitored by the Executive Committee of the society and will be subject to annual review. Child Protection Procedures Responsibilities of the Society At the outset of any production involving children the society will: Undertake a risk assessment and monitor risk throughout the production process; Identify at the outset the person with designated responsibility for child protection; Engage in effective recruitment of chaperones and other individuals with responsibility for children, including appropriate vetting (if necessary in consultation with the local education authority); Ensure that children are supervised at all times; Know how to get in touch with the local authority social services, in case it needs to report a concern. Parents The society believes it to be important that there is a partnership between parents and the society. Parents/guardians are encouraged to be involved in the activities of the society and to share responsibility for the care of children. All parents will be given a copy the society's Child Protection Policy and procedures .All parents/guardians have the responsibility to collect (or arrange collection of) their children after rehearsals or performances. It is NOT the responsibility of the society to take children home. Unsupervised Contact The society will attempt to ensure that no adult has unsupervised contact with children. If possible there will always be two adults in the room when working with children. If unsupervised contact is unavoidable, steps will be taken to minimize risk. For example, work will be carried out in a public area or in a designated room with a door open. If it is predicted that an individual is likely to require unsupervised contact with children, he or she may be required to obtain a criminal record disclosure. Physical Contact All adults will maintain a safe and appropriate distance from children. Adults will only touch children when it is absolutely necessary in relation to the particular activity. Adults will seek the consent of the child prior to any physical contact and the purpose of the contact shall be made clear. Managing sensitive information The society has a policy and procedures for the taking, using and storage of photographs or images of children. Permission will be sought from the parents/guardians for use of photographic material featuring children for promotional or other purposes. The society’s web-based materials and activities will be carefully monitored for inappropriate use. The society will ensure confidentiality in order to protect the rights of its members, including the safe handling, storage and disposal of any sensitive information such as criminal record disclosures. Suspicion of abuse If you see or suspect abuse of a child while in the care of the society, please make this known to the person with responsibility for child protection. If you suspect that the person with responsibility for child protection is the source of the problem, you should make your concerns known to the Chairman. Please make a note for your own records of what you witnessed as well as your response, in case there is follow-up in which you are involved. If a serious allegation is made against any member of the society, chaperone, venue staff etc., that individual will be suspended immediately until the investigation is concluded. The individual will be excluded from the theatre; rehearsal rooms etc. and will not have any unsupervised contact with any other children in the production. Disclosure of abuse If a child confides in you that abuse has taken place: Remain calm and in control but do not delay taking action. Listen carefully to what has been said. Allow the child to tell you at their own pace and ask questions only for clarification. Don’t ask questions that suggest a particular answer. Don’t promise to keep it a secret. Use the first opportunity you have to share the information with the person with responsibility for child protection. Make it clear to the child that you will need to share this information with others. Make it clear that you will only tell the people who need to know and who should be able to help. Reassure the child that they did the right thing in telling someone. Tell the child what you are going to do next. Speak immediately to the person with responsibility for child protection. It is that person’s responsibility to liaise with the relevant authorities, usually social services or the police. As soon as possible after the disclosing conversation, make a note of what was said, using the child’s own words. Note the date, time, any names that were involved or mentioned, and who you gave the information to. Make sure you sign and date your record. Recording In all situations, including those in which the cause of concern arises from a disclosure made in confidence, the details of an allegation or reported incident will be recorded, regardless of whether or not the concerns have been shared with a statutory child protection agency. An accurate note shall be made of the date and time of the incident or disclosure, the parties involved, what was said or done and by whom, any action taken to investigate the matter, any further action taken e.g. suspension of an individual, where relevant the reasons why the matter was not referred to a statutory agency, and the name of the persons reporting and to whom it was reported. The record will be stored securely and shared only with those who need to know about the incident or allegation. Rights & Confidentiality If a complaint is made against a member of the society he or she will be made aware of their rights under the society's disciplinary procedures. No matter how you may feel about the accusation, both the alleged abuser and the child who is thought to have been abused have the right to confidentiality under the Data Protection Act 1998. Remember also that any possible criminal investigation could be compromised through inappropriate information being released. In criminal law the Crown or other prosecuting authority has to prove guilt and the defendant is presumed innocent until proven guilty. Accidents To avoid accidents, chaperones and children will be advised of ‘house rules’ regarding health and safety and will be notified of areas that are out of bounds. Children will be advised of the clothing and footwear appropriate to the work that will be undertaken. If a child is injured while in the care of the society, a designated first-aider should administer first aid and the injury will be recorded in the society’s accident book. This record will be counter-signed by the person with responsibility for child protection. If a child joins the production with an obvious physical injury a record of this will be made in the accident book. This record will be counter-signed by the person with responsibility for child protection. Criminal Record Disclosures If the society believes it in is in its best interests to obtain criminal record disclosures for chaperones or other personnel it will inform the individual of the necessary procedures and the level of disclosure required. An Enhanced disclosure will be required. The society will have a written code of practice for the handling of disclosure information and aim to prevent misuse. Chaperones Chaperones will be appointed by the society/appointed persons for the care of children during the production process. By law the chaperone is acting in loco parentis and should exercise the care which a good parent/guardian might be reasonably expected to give to a child. The maximum number of children in the chaperone’s care shall not exceed 12. Potential chaperones may be required to supply photographic proof of identity and two references from individuals with knowledge of their previous work with children, unless already well known to the society. They may also be asked to sign a declaration stating that there is no reason why they would be considered unsuitable to work with children. Chaperones will be made aware of the society’s Child Protection Policy and Procedures. Where chaperones are not satisfied with the conditions for the children, they should bring this to the attention of the director/stage manager. If changes cannot be made satisfactorily the chaperone should consider not allowing the child to continue. If a chaperone considers that a child is unwell or too tired to continue, the chaperone must inform the director/stage manager and not allow the child to continue. No child of compulsory school age is permitted to do anything which may endanger life or limb. This could include working on wires or heavy lifting. Chaperones should tell the director/stage manager to cease using children in this way, and should contact the local authority. During performances, chaperones will be responsible for meeting children at the stage door and signing them into the building. Children will be kept together at all times except when using separate dressing rooms. Chaperones will be aware of where the children are at all times. Children are not to leave the theatre unsupervised by chaperones unless in the company of their parents/guardians. Children will be adequately supervised while going to and from the toilets. Children will not be allowed to enter the adult dressing rooms. Chaperones should be aware of the safety arrangements and first aid procedures in the venue, and will ensure that children in their care do not place themselves and others in danger. Chaperones should ensure that any accidents are reported to and recorded by the society. Chaperones should examine accident books each day. If an accident has occurred, the producer is not allowed to use that child until a medically qualified opinion has been obtained (not just the word of the parent or child). Chaperones should have written arrangements for children after performances. If someone different is to collect the child, a telephone call should be made to the parent/guardian to confirm the arrangements. Children should be signed out when leaving and a record made of the person collecting. If a parent has not collected the child, it is the duty of the chaperone to stay with that child or make arrangements to take them home. This policy is applicable to and focuses on, children of compulsory school age and below. A child is required to attend school unless they are over the age of 16 on 31st of August, or until the last Friday in June after their 16th birthday. Join our mailing list Subscribe

Century-old theatre staging new Altrincham Garrick productions and classics, plus comedy and musicals. Everyone is welcome Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. Garrick Production The Railway Children Apr 8, 2026 - Apr 18, 2026 Find out more Book Now What's On See More Do you want to help the Playhouse financially? The Garrick's vital community work provides life-changing experiences and makes exceptional theatre available to all. None of this would be possible without your support. Help us raise funds and reach even more people by donating or becoming a Friend of the Garrick today. Donate Friend of the Garrick Loyalty Scheme Get to know us There’s so much more to the Altrincham Garrick than the performances on our stages. Find out how to get involved in making theatre with us, try an audition or join our academy and truly get behind the scenes. Just follow the links below to explore… Find us Altrincham Garrick Playhouse Barrington Road, Altrincham, Greater Manchester WA14 1HZ Free parking available Box office 0161 928 1677 Mon – Fri : 11am – 4pm & 6pm – 8.30pm Sat: 9am – 12pm Drink & relax Bar: Non-show nights: Wed, Thurs & Fri 6.30pm – 11pm Show nights: 6pm - 11pm Matinees 1 hour before start. Find out more Join our mailing list Subscribe

Return to Productions Archive Garrick Productions Bonaventure Ran Jan 1, 1951 - Jan 1, 1951 Age guidance Venue Running time Tickets Price Range Description Bramwell, Madge Caldwell, Pamela Clephan, Gay Ely, Michael D Grimshaw, Harold Hobbs, Olive Nellie Morrison, Elspeth Richardson, George Walker, Kathleen Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production Translations The Irish Studio Season: A Drama about community, culture and language Ran Jun 10, 2025 - Jun 15, 2025 Age guidance 12+ Venue Altrincham Garrick Studio Running time TBC Tickets Price Range £12.50 - £14.50 Description Written by Brian Friel Directed by Charlie Tomlinson It’s August 1833. The pupils have gathered in a hedge-school in the townland of Baile Beag/Ballybeg; an Irish-speaking community in County Donegal which has become the unlikely focal point for a changing world. Progress is coming. Tensions are growing. There are plans for a new English-speaking national school and a recently arrived detachment of the Royal Engineers are making the first Ordnance Survey. For the purposes of cartography, the local Gaelic place names are to be recorded and rendered into English… Brian Friel’s modern masterpiece Translations examines the fractious relationship between people and nations through the lens of language and (mis)communication. Please contact our Box Office on 0161 928 1677 or email boxoffice@altrinchamgarrick.co.uk to book in your school or group (10 tickets or more). Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Productions Listen to the Wind Ran Jan 1, 1959 - Jan 1, 1959 Age guidance Venue Running time Tickets Price Range Description Buttenshaw, Elizabeth Clegg, Robin Cordingly, Anne Davenport, Anne Day, Susan Ewart, Martin Hacking, Joanne Howson, Ray Mellor, Gail Rames, Gay Renshaw, Margaret Spraggs, Margaret Thorp, Peta Tinker, David Wilson, Rosemary Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Previous Next Mike Stocks Mike was a talented set designer, with many of his sets gracing the stage between the 1980s and the early 2000s. Mike spent most of his working life in the profession, designing and working on sets for theatre and TV. He worked in the design department at Granada TV on such classics as Brideshead Revisited until his retirement. Happily for the Garrick, he spent his latter years volunteering. Mike had a great sense of humour and a very quick wit. Having run his own dance band after the war, he was no mean performer on the drums ... as Garrickers often witnessed at the Christmas Draw. Back to In Memoriam page

Private Release GAPA - Group 3 Date range Tickets £185 Age guidance Group 3: 9am - 11am (Ages 14 -18) Venue Rehearsal Room Trigger warning Find out more Book now Running time 2 hours Group bookings Find out more Accessibility Find out more The Garrick Academy of Performing Arts, affectionately known as GAPA currently runs seven Saturday drama groups: six on a Saturday morning for our 8 to 18 year olds, with our MINI GAPA class, for 5 to 8 year olds, on Saturday afternoons. Throughout the year, the groups work towards the goal of putting a production onto the main stage. Term 3 is all about stagecraft, skills and audition preparation, giving students the opportunity to enhance and develop their performance skills. Then in Term 1 in September, it’s audition time and, once the play is cast, the rehearsals start and all the elements of the show are put together, ready to showcase in Term 2. Working through this process, the students learn the valuable skills required of rehearsing and putting on a production, whilst being surrounded by fun and laughter. Term 3 25th April 26 to 11th July 26 (not including 23rd May and 30th May 2026). Please select the correct age group for your child: Group 1: 9am - 11am (Ages 8 -11) Group 2: 9am - 11am (Ages 11-14) Group 3: 9am - 11am (Ages 14-18) Group 4: 11.30am - 1.30pm (Ages 8 - 11) Group 5: 11.30am - 1.30pm (Ages 11 - 14) Group 6: 11.30am - 1.30pm (Ages 14 - 18) Group 7 (Mini GAPA): 2pm - 3.30pm (Ages 5 - 8) Private Release Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Return to Productions Archive Garrick Production Jack & The Beanstalk - The Garrick Pantomime This GIANT adventure is the pantomime you've BEAN waiting for! Ran Dec 6, 2024 - Jan 5, 2025 Age guidance 3+ Venue Main House Running time 2.5 hours (inc. 20 mins interval) Tickets Price Range £14 - £18 Description Our festive show for 2024/25 is our pantomime Jack & The Beanstalk ! The Garrick Panto is back and full of FEE, FIE, FOE, FUN !! Young Jack, his daft-as-a-brush brother, Silly Simon, and his long-suffering mother, Dame Trott, live in a tiny cottage in the shadow of the terrible giant, Blunderbore. With the rent overdue they have no choice but to sell their beloved cow, Daisy. After tricking the Trotts into selling her for a bag of worthless beans, the villainous giant's henchman – Fleshcreep - kidnaps the Princess for his master's supper. Will Jack be able to rescue Daisy and Princess Jill in time? Perhaps those beans aren't as worthless as they seemed ... Expect laughs, music, dance, special effects, dazzling costumes, stunning sets, magic beans and bundles of audience participation at the Altrincham Garrick Playhouse! This GIANT adventure is the pantomime you've BEAN waiting for! Reviews Peter Ruddick - North West End UK "Professional, gorgeous and delightful" Read the full review HERE Rick Bowen - StageStruck Read the full review HERE Gallery Trailer Trigger Warning Flashing lights and special effects, loud noises and pyrotechnics Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production House of Ghosts Calling all Morse fans and super sleuths Ran May 23, 2022 - May 28, 2022 Age guidance Venue Running time Tickets Price Range Description Directed by Mike Shaw Oxford, 1987, and a young actress playing Shakespeare’s doomed heroine Ophelia ends up dying on-stage during a theatrical production of Hamlet. A “suspicious death” inquiry is opened, but when a suspect in the case is also murdered, veteran police Inspector Morse becomes convinced the two deaths are related to the strange events of a similar student production from 1962, one that he himself was a part of… Morse faces dark memories and suspects in a theatrical murder mystery by Alma Cullen. Reviews Review from Rick Bowen at Stagestruck WHEN I discovered John Thaw was to play another TV detective I expected him to be something like Jack Regan, who I idolised as a child when I sat glued to The Sweeney in the 70’s. This was a man straight out of the boot in the door and ask questions later school of policing. But Inspector Morse was a world away from the much loved maverick from the Flying Squad, cultured, considered, cerebral and with a deep seated love of classical music. It takes a lot of guts and no amount of talent to play a character so inextricably linked with an acting icon like Thaw. But Jonathan Black certainly succeeds here and doesn’t try to impersonate the late stage and screen great. Black has quite a presence and the way he reprimands his sidekick Sergeant Lewis for his verbal faux pas is genuinely funny. Andrew Higson plays the part perfectly and the chemistry between the two very different men certainly comes across. The duo are asked to investigate the dubious death of a young actress playing Ophelia in Shakespeare’s Hamlet. All of a sudden the company finds itself embroiled in a real life tragedy as fingers of suspicion are pointed and cupboards release their skeletons. I’ve seen Sarat Broughton in countless productions at the Garrick and her performance as Ellen Underwood is her best yet and Jacque Hamilton also impressed me as the old soak actress Verity Carr, an actress who has been there, done it and bought enough t-shirts to open her own t-shirt shop. My only criticism of Alma Cullen’s play is it is something of a slow burner in places. But this in an engrossing and intriguing tale all the same. Who can resist the chance to play detective? Until May 28. Tickets are available from 0161 928 1677 or www.altrinchamgarrick.co.uk . Star rating 3.5/5. Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Previous Next Terry Chandler Terry Chandler was a very well-known figure throughout Manchester dramatics, and the theatre is very proud that he called the Garrick "home". He performed on the Garrick stage many times, and will always be remembered for the role of Albin in La Cage Aux Folles , which became his from the first moment he pulled on his frock. La Cage Aux Folles was such a success that it was performed for a total of 8 times, due to unprecedented public demand. A Garrick record. Many in the audience came to multiple performances, often in fancy dress. The show created an electric atmosphere and the finale was always greeted by a standing ovation. Terry also performed his Albin at Oldham Coliseum. . Terry also served on the Executive Committee, and directed many plays and musicals at the Garrick and elsewhere. He won awards from NODA and GMDF both for acting and directing, and NODA established "The Terry Chandler Award for Best All Round Performer" in his memory. Terry died tragically too early, of a heart attack in 2008, leaving his wife Anne and daughter Laura to carry on his support for the Garrick. See also this tribute from the Manchester Evening News. Back to In Memoriam page

Return to Productions Archive Garrick Productions Flare Path Ran Nov 24, 1945 - Dec 1, 1945 Age guidance Venue Running time Tickets Price Range Description Abbott, Amy Cavanagh, Cliff Harris, Frank Jones, John Glynn Pimlott, (Allman) Emmie Sanders, Hugh Walker, Kathleen White, Elliot Although we cannot confirm when this play was produced, we believe that it was the first one to be staged by the Garrick after World War II. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

This page is used to allow a donor to select and then pay for the plaque they want, to recognise their donation to the Garrick CHILI fund-raising campaign. Your Selection Your selection Basket Checkout Thank you for your donation. Please add the plaque to your basket and complete the purchase, so that we get the dosh. Note: your requested wording is as follows. We shall review it before confirming that we will inscribe it on the plaque, and will contact you very soon to confirm the details. Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Previous Next Audrey Hughes Audrey was a wonderful character actress, often taking on the roles of strong, powerful women. She joined the Garrick in the early 1980s, and quickly became a regular onstage. Probably her most memorable roles were as Emma Hornett (the role made famous by Peggy Mount) in Sailor Beware, and working with her best friend at the theatre, Stella Fogg , as the two murderous old ladies in Arsenic and Old Lace . Audrey also took a full part in the social life of the Garrick and appeared in many Music Halls on the Mainstage and cabarets in the Bar. Back to In Memoriam page

Garrick Production The Railway Children Date range Tickets £14 - £19 Age guidance 7+ Venue Main House Trigger warning Find out more Book now Running time TBC Group bookings Find out more Accessibility Find out more Written by E. Nesbit Adapted for the Stage by Mike Kenny Directed by Jonathan Barker "Try to imagine it as an adventure, all sorts of things might happen." A beloved children’s classic pulls in to the Altrincham Garrick Playhouse for the Easter holidays! When their father leaves suddenly under mysterious circumstances, Bobbie, Peter, Phyllis and their mother must move to a small cottage in rural Yorkshire where life is very different. The children meet new friends, save the day and divert disasters, and along the way discover a world full of imagination, love and resilience. All aboard for Mike Kenny’s delightful adaptation of E. Nesbit's much-loved story of family, adventure and trains. Capturing all of the angsts and exhilarations of childhood, it promises to be a heart-warming treat for all ages! Mike Kenny's version of The Railway Children was first staged at the National Railway Museum in York in 2008, before receiving a major production at Waterloo Station in London in 2010. Garrick Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

This page is part of the Booking Journey, for booking events at the Altrincham Garrick Playhouse. Checkout Your selection Basket Checkout Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

The Altrincham Garrick is delighted to make our mainstage auditorium, our studio theatre and other rooms available for hire. We al;so hire out props, costume and theatrical weaponry. Garrick Hire Hire the theatre, hire from the theatre The Garrick offers a comprehensive hire service. The Altrincham Garrick is delighted to make our main stage auditorium, our studio theatre and other rooms available for hire to local organisations and to professional companies. In addition, we have a huge range of theatrical props, costumes, weaponry and theatrical equipment available for hire . We welcome enquiries of all sorts. Please fill in our online form , ring us on 0161 928 1677 or send us an e-mail, to hire@altrinchamgarrick.co.uk . Hire Form Join our mailing list Subscribe

Return to Productions Archive Garrick Productions Neville's Island Ran Feb 21, 2000 - Feb 26, 2000 Age guidance Venue Running time Tickets Price Range Description By: Tim Firth Directed By: Dick Sails Designer: Stephen Bradshaw What a cock-up! Four out-of-condition businessmen get themselves marooned on an island on Derwentwater during a team-building exercise. Confident of rescue (at first), they prepare to dine on a shared sausage, but fog rolls in, they are menaced by wildlife and their SOS flares go unnoticed by November 5th revellers. The 'bonding' exercise turns into a carnival of recrimination with a surreal denouement. CAST Charlie Cook as Neville Barry Spencer as Gordon Hugh Everett as Angus Mark Edgar as Roy Reviews Sale & Altrincham Messenger's Review Team building is taken to extremes in 'Neville's Island', Tim Firth's testosterone driven comedy which is currently playing at Altrincham Garrick. A group of businessmen find themselves marooned on an island and try to come to terms with each other's irritating little foibles. It's a temperamental cauldron which takes seconds to boil over and when it does, it's impossible not to laugh. The brash Gordon gets the best lines, haranguing Neville for his inept leadership, Roy for his Christian beliefs and Angus for his uptight manner. But their experiences bring out the best in Neville and Angus, while smart alec Gordon is well and truly put in his place. All four characters will strike a chord with anyone who has worked in an office but they aren't stereotypes. The writer puts enough flesh on their bones to make us like and actually care about these guys. We all know someone like Gordon would be a nightmare to work with, but he's very funny, isn't he? The play does contain bad language but I felt it was in context. After all, when you're cold, wet and hungry minding your p's and q's won't be too high on your list of priorities. Barry Spencer seems to have cornered the market when it comes to playing rough types, and anyone who sees his Gordon will agree he does them superbly. Hugh Everett is a very believable Angus, the human equivalent of the cowardly lion and Mark Edgar grows on you as the screwed up Roy. But the real star of the show is the authentic island set created by Steve Bradshaw and his team. Take a bow guys, you deserve it. Rick Bowen Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Productions Waters of the Moon Ran Jan 1, 1955 - Jan 1, 1955 Age guidance Venue Running time Tickets Price Range Description Allen, Doreen Bourne, Dorothy Gorna, Christina Oddey, John Pearce, Rosemary Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Garrick Production The Crucible Date range Tickets £13 - £18 Age guidance 12 + Venue Main House Trigger warning Find out more Book now Running time 3 hours (including interval) Group bookings Find out more Accessibility Find out more THE CRUCIBLE By Arthur Miller Directed by Joseph Meighan “We are what we always were…” Betty Parris lies in a trance after a childish game spins out of control, and accusations of witchcraft are quickly manipulated by those with something to gain. However, when false allegations reach fever pitch, the devout community of Salem, Massachusetts descends into a cauldron of hysteria, manipulation and paranoia it can never return from… What lies are the townspeople prepared to tell themselves in order to survive? Speak of the devil and he appears. Nobody is safe. Written in the 1950s when the insidious fear of communism gripped America, “The Crucible ” is a devastating portrayal of the human cost of tyranny and vengeance, and a timeless warning to us all. An intense and revolutionary piece by Arthur Miller (Death of A Salesman, A View From The Bridge, All My Sons) - inspired by the 1692 Witch Trials in Salem. This play appears on the recommended Secondary School Reading List. Post Q&A's are available for Schools. Please contact our box office for more information. Garrick Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Garrick Production My Fair Lady Date range Tickets £19 - £24 Age guidance Venue Main House Trigger warning Find out more Book now Running time TBC Group bookings Find out more Accessibility Find out more What a smashing, positively dashing finale to the 2025/2026 Altrincham Garrick Season - Lerner and Loewe ’s classic rags to riches tale, MY FAIR LADY . MY FAIR LADY follows Eliza Doolittle, a cockney flower seller in Covent Garden, who by chance meets phonetics professor, Henry Higgins. As part of a wager with a fellow phonetician, Higgins sets out to teach Eliza how to speak like a lady of high society – but learns a few lessons of his own along the way. Filled with comedy, romance, and dazzling songs such as The Rain in Spain , Wouldn’t It Be Loverly and I Could Have Danced All Night , this will be an unmissable production. A beautiful musical adaptation of George Bernard Shaw’s 1913 play PYGMALION, MY FAIR LADY was first performed on Broadway in 1956 starring Julie Andrews and adapted into a 1964 Oscar-winning film starring Audrey Hepburn. It’s going to be bloomin’ loverly! Garrick Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

We are looking for creative, talented, pragmatic, friendly and organised team players to join our working volunteer community here at the Garrick. About Us Vacancies Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. Volunteering If you’re interested in volunteering at Altrincham Garrick Playhouse whether it be front of house or backstage and you wish to find out more, please email us on boxoffice@altrinchamgarrick.co.uk Join our mailing list Subscribe

The Altrincham Garrick is a registered charity and your kind donations will support future developments. Support the Altrincham Garrick Playhouse. Donating towards our CHILI Fund I would like to donate £75 or more (Includes an optional Commemorative Plaque) If less than £75, please enter the amount below and select Add To Basket . Setting up a Regular Donation The Altrincham Garrick is a registered charity, and we receive no public funding from any other organisation, or from our regional or local council. Our income comes mainly from the tickets that our audience buys, with smaller contributions from elsewhere in the Garrick (for example: from our GAPA education programme, and from daytime rental of the Car Park). The building dates from 1933, with ever-increasing operational and production costs. Our energy bills are high (productions use a lot of electricity; our bills are sometimes over £3,000 per month) and we have a small number of dedicated staff whom we pay. Our programme of building improvements is currently aimed at reducing winter heating bills. However, maintenance and urgent repairs take precedence, and this can often cost 10s of thousands of pounds per year. On top of all this, we have to continue investing in the equipment that a theatre needs, to keep on presenting productions of the high quality that our audiences deserve. Two major infrastructure projects are currently urgently required.Our roof is in very poor condition and needs a major overhaul. We also need to find money to install air-conditioning in the main auditorium. The Garrick aims to do all the above while still maintaining our low ticket prices. Occasional increases are unavoidable, but our goal is to make sure that theatre is available to all in the community, at a price that they can afford. We exist today due to the generosity and support of local people and businesses. We are very grateful to those who not only pay to see a show, but who also buy a drink in the bar, buy a programme, and indulge in sweets or an ice-cream from our kiosk. We need you and the local community to support us, so we can continue doing what we do so well. Business sponsorships are also very welcome, click here for more . Please donate now what you can, and please also add a donation to your ticket purchases. If you would like to set up a regular donation then ask at our Box Office or fill in the form below. Name* Email address Phone How would you like to set up a regular donation ? Submit

Rent our theatre prop Swords and Daggers - a large variety Available. Garrick Hire Prop Swords, Knives and Miscellaneous The Garrick offers a range of bladed weapons and related miscellaneous items for hire About the Armoury Prop Gun & Rifle Hire Prop Swords, Knives & Miscellaneous Hire prop swords, fake knifes and daggers directly from us, here at The Garrick in Altrincham. We have a large collection suitable for film/movies, TV and all kinds of theatrical performances, from pantomimes to whodunnits and dramas. All of our stage swords and other pointed weapons are stored at a secure location in Altrincham. Note that these are not for fancy dress parties, stag dos or other party events – we do not have a licence to rent out to the general public. There are strict rules and regulation surrounding the hire and carrying of these items. We also have a number of interesting related items for hire that you may require to sit alongside the prop swords and prop guns hire. These items don’t fit neatly into the other sections, so we have separated them out below. Please take a look at the photos below, then contact us and give us an idea of the type of production you are engaged with. We will be happy to advise on which type of weapon(s) you need, and can then give you a quotation and timescale for rental. Alternatively, if you know exactly what you require then please include the reference numbers from the photo. Please fill in our online form , ring us on 0161 928 1677 or send us an e-mail, to hire@altrinchamgarrick.co.uk . Hire Form Prop Swords From prop pirate cutlasses suitable for pantomimes, such as those seen in Peter Pan above, to classic replica gladiator, claymore, classic long swords, epees and Samurai swords (as seen in movies such as like Kill Bill), we have a large collection for hire. Prop Knives & Daggers We have a large collection of prop knifes, stilettoes and daggers including retractable knife props (with retractable blades), suitable for stage, screen and television. There are knives from almost every era, including prop machetes, flick knifes and kirpans. Miscellaneous Items to Hire Other weapons include prop duelling pistols, fake Uzi , prop hand grenades & mortar bomb, Note that items 1& 2 are no longer available. Accessories include prop truncheons, western gun holsters, prop handcuffs, cowboy belts and shoulder holsters. Hire Form Join our mailing list Subscribe

The Altrincham Garrick Playhouse recognizes its duty of care under the Children and Young Persons Act 1963, the Child (Performances) Regulations 1968, the Protection of Children Act 1999 and the Criminal Justice and Court Services Act 2000. The Academy Altrincham Garrick Child Protection Policy Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. The Altrincham Garrick Playhouse recognizes its duty of care under the Children and Young Persons Act 1963, the Child (Performances) Regulations 1968, the Protection of Children Act 1999 and the Criminal Justice and Court Services Act 2000.The society recognizes that abuse can take many forms, whether it be physical abuse, emotional abuse, sexual abuse or neglect. The society is committed to practice which protects children from harm. All members of the society accept and recognize their responsibilities to develop awareness of the issues which cause children harm. The society believes that: The welfare of the child is paramount; All children, whatever their age, culture, disability, gender, language, racial origin, religious beliefs and/or sexual identity have the right to protection from abuse; All suspicions and allegations of abuse should be taken seriously and responded to swiftly and appropriately; All members and employees of the society should be clear on how to respond appropriately. The society will ensure that: All children will be treated equally and with respect and dignity; The welfare of each child will always be put first; A balanced relationship based on mutual trust will be built which empowers the children to share in the decision making process; Enthusiastic and constructive feedback will be given rather than negative criticism Bullying will not be accepted or condoned; All adult members of the society provide a positive role model for dealing with other people; Action will be taken to stop any inappropriate verbal or physical behaviour; It will keep up-to-date with health & safety legislation; It will keep informed of changes in legislation and policies for the protection of children; It will undertake relevant development and training; It will hold a register of every child involved with the society and will retain a contact name and number close at hand in case of emergencies. The society has child protection procedures which accompany this policy. This policy should also be read in conjunction with the society’s Theatre Handbook and Health & Safety Policy. The society has a dedicated Child Protection Officer, who is in charge of ensuring that the Child Protection policy and procedures are adhered to. This policy will be regularly monitored by the Executive Committee of the society and will be subject to annual review. Child Protection Procedures Responsibilities of the Society At the outset of any production involving children the society will: Undertake a risk assessment and monitor risk throughout the production process; Identify at the outset the person with designated responsibility for child protection; Engage in effective recruitment of chaperones and other individuals with responsibility for children, including appropriate vetting (if necessary in consultation with the local education authority); Ensure that children are supervised at all times; Know how to get in touch with the local authority social services, in case it needs to report a concern. Parents The society believes it to be important that there is a partnership between parents and the society. Parents/guardians are encouraged to be involved in the activities of the society and to share responsibility for the care of children. All parents will be given a copy the society's Child Protection Policy and procedures .All parents/guardians have the responsibility to collect (or arrange collection of) their children after rehearsals or performances. It is NOT the responsibility of the society to take children home. Unsupervised Contact The society will attempt to ensure that no adult has unsupervised contact with children. If possible there will always be two adults in the room when working with children. If unsupervised contact is unavoidable, steps will be taken to minimize risk. For example, work will be carried out in a public area or in a designated room with a door open. If it is predicted that an individual is likely to require unsupervised contact with children, he or she may be required to obtain a criminal record disclosure. Physical Contact All adults will maintain a safe and appropriate distance from children. Adults will only touch children when it is absolutely necessary in relation to the particular activity. Adults will seek the consent of the child prior to any physical contact and the purpose of the contact shall be made clear. Managing sensitive information The society has a policy and procedures for the taking, using and storage of photographs or images of children. Permission will be sought from the parents/guardians for use of photographic material featuring children for promotional or other purposes. The society’s web-based materials and activities will be carefully monitored for inappropriate use. The society will ensure confidentiality in order to protect the rights of its members, including the safe handling, storage and disposal of any sensitive information such as criminal record disclosures. Suspicion of abuse If you see or suspect abuse of a child while in the care of the society, please make this known to the person with responsibility for child protection. If you suspect that the person with responsibility for child protection is the source of the problem, you should make your concerns known to the Chairman. Please make a note for your own records of what you witnessed as well as your response, in case there is follow-up in which you are involved. If a serious allegation is made against any member of the society, chaperone, venue staff etc., that individual will be suspended immediately until the investigation is concluded. The individual will be excluded from the theatre; rehearsal rooms etc. and will not have any unsupervised contact with any other children in the production. Disclosure of abuse If a child confides in you that abuse has taken place: Remain calm and in control but do not delay taking action. Listen carefully to what has been said. Allow the child to tell you at their own pace and ask questions only for clarification. Don’t ask questions that suggest a particular answer. Don’t promise to keep it a secret. Use the first opportunity you have to share the information with the person with responsibility for child protection. Make it clear to the child that you will need to share this information with others. Make it clear that you will only tell the people who need to know and who should be able to help. Reassure the child that they did the right thing in telling someone. Tell the child what you are going to do next. Speak immediately to the person with responsibility for child protection. It is that person’s responsibility to liaise with the relevant authorities, usually social services or the police. As soon as possible after the disclosing conversation, make a note of what was said, using the child’s own words. Note the date, time, any names that were involved or mentioned, and who you gave the information to. Make sure you sign and date your record. Recording In all situations, including those in which the cause of concern arises from a disclosure made in confidence, the details of an allegation or reported incident will be recorded, regardless of whether or not the concerns have been shared with a statutory child protection agency. An accurate note shall be made of the date and time of the incident or disclosure, the parties involved, what was said or done and by whom, any action taken to investigate the matter, any further action taken e.g. suspension of an individual, where relevant the reasons why the matter was not referred to a statutory agency, and the name of the persons reporting and to whom it was reported. The record will be stored securely and shared only with those who need to know about the incident or allegation. Rights & Confidentiality If a complaint is made against a member of the society he or she will be made aware of their rights under the society's disciplinary procedures. No matter how you may feel about the accusation, both the alleged abuser and the child who is thought to have been abused have the right to confidentiality under the Data Protection Act 1998. Remember also that any possible criminal investigation could be compromised through inappropriate information being released. In criminal law the Crown or other prosecuting authority has to prove guilt and the defendant is presumed innocent until proven guilty. Accidents To avoid accidents, chaperones and children will be advised of ‘house rules’ regarding health and safety and will be notified of areas that are out of bounds. Children will be advised of the clothing and footwear appropriate to the work that will be undertaken. If a child is injured while in the care of the society, a designated first-aider should administer first aid and the injury will be recorded in the society’s accident book. This record will be counter-signed by the person with responsibility for child protection. If a child joins the production with an obvious physical injury a record of this will be made in the accident book. This record will be counter-signed by the person with responsibility for child protection. Criminal Record Disclosures If the society believes it in is in its best interests to obtain criminal record disclosures for chaperones or other personnel it will inform the individual of the necessary procedures and the level of disclosure required. An Enhanced disclosure will be required. The society will have a written code of practice for the handling of disclosure information and aim to prevent misuse. Chaperones Chaperones will be appointed by the society/appointed persons for the care of children during the production process. By law the chaperone is acting in loco parentis and should exercise the care which a good parent/guardian might be reasonably expected to give to a child. The maximum number of children in the chaperone’s care shall not exceed 12. Potential chaperones may be required to supply photographic proof of identity and two references from individuals with knowledge of their previous work with children, unless already well known to the society. They may also be asked to sign a declaration stating that there is no reason why they would be considered unsuitable to work with children. Chaperones will be made aware of the society’s Child Protection Policy and Procedures. Where chaperones are not satisfied with the conditions for the children, they should bring this to the attention of the director/stage manager. If changes cannot be made satisfactorily the chaperone should consider not allowing the child to continue. If a chaperone considers that a child is unwell or too tired to continue, the chaperone must inform the director/stage manager and not allow the child to continue. No child of compulsory school age is permitted to do anything which may endanger life or limb. This could include working on wires or heavy lifting. Chaperones should tell the director/stage manager to cease using children in this way, and should contact the local authority. During performances, chaperones will be responsible for meeting children at the stage door and signing them into the building. Children will be kept together at all times except when using separate dressing rooms. Chaperones will be aware of where the children are at all times. Children are not to leave the theatre unsupervised by chaperones unless in the company of their parents/guardians. Children will be adequately supervised while going to and from the toilets. Children will not be allowed to enter the adult dressing rooms. Chaperones should be aware of the safety arrangements and first aid procedures in the venue, and will ensure that children in their care do not place themselves and others in danger. Chaperones should ensure that any accidents are reported to and recorded by the society. Chaperones should examine accident books each day. If an accident has occurred, the producer is not allowed to use that child until a medically qualified opinion has been obtained (not just the word of the parent or child). Chaperones should have written arrangements for children after performances. If someone different is to collect the child, a telephone call should be made to the parent/guardian to confirm the arrangements. Children should be signed out when leaving and a record made of the person collecting. If a parent has not collected the child, it is the duty of the chaperone to stay with that child or make arrangements to take them home. This policy is applicable to and focuses on, children of compulsory school age and below. A child is required to attend school unless they are over the age of 16 on 31st of August, or until the last Friday in June after their 16th birthday. Join our mailing list Subscribe

Visiting Production Dinosaur Adventure Live Presents The Big Jurassic Storm Date range Tickets £17 - £20 Age guidance Fun for all the family. No age limit but at parental/guardian discretion for little ones who might get scared easily. Aimed at parents of 4 - 8 year olds but lot’s of ages attend the show. Venue Main House Trigger warning Find out more Book now Running time 1 hour Group bookings Find out more Accessibility Find out more Are you ready for a BRAND NEW ADVENTURE with DINOSAUR ADVENTURE LIVE?! When a satellite tasked with controlling the island's weather systems malfunctions, chaos erupts. The island's tropical climate spirals leading to one big JURASSIC STORM. If not stopped, it will erase all existence of the island… forever! The mission: find the code hidden deep within the island, reboot the satellite and save the Dinosaurs before it's too late. The adventure of a lifetime awaits… bring the family on a T-REX-IFFIC journey with our BRAND NEW dinosaurs, meet their ROAR-SOME babies and help the rangers save the Island. Are you brave enough to face the Jurassic Storm! Visiting Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Return to Productions Archive Garrick Production Goldilocks & The Three Bears A rip-ROARing Panto FUR all the Family! Ran Dec 5, 2025 - Jan 4, 2026 Age guidance 3+ Venue Main House Running time Tickets Price Range £15 - £19 Description Roll up! Roll up! The Circus is in town! Dame Gertie Dollop runs a Circus show with her son - Silly Billy, but they have fallen on hard times particularly with the dastardly Ringmaster Heinkel, owner of the rival 'Circus of Horrors' up to his devious old tricks. Goldilocks dreams of running away with the circus but her father the debt-collecting Baron Wasteland won't allow it and demands the overdue pitch fees from Gertie and Billy. They need a miracle however after their honeypot full of money is taken in the middle of the night by three porridge hungry, talking bears. Could the bears be the new star attraction Dame Gertie has been searching for? And can Mystic Sharon with her crystal ball see a future for the Circus and save the day? Well, there’s only one way to find out! Head down to the Altrincham Garrick Playhouse for the big top pantomime that's just right! Reviews Stage Struck - Rick Bowen "...a cast who made it their mission to ensure the kids, even the big ones, left the theatre with a smile on their faces." Gallery Trailer Trigger Warning Contains loud noises, flashing lights, pyros and special effects. Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

We are always looking for actors of all agesto appear in our productions. No previous experience is necessary, simply sign up here to be auditioned. Get Involved Auditions Come and act in one of the 18 productions that the Altrincham Garrick Society produces each season ! Please refer to the Garrick Actor’s Guide for all information about auditioning for acting roles in our 2025/2026 Season at Altrincham Garrick Playhouse. Download the Actor's Guide for the 2026-2027 Season In addition, each production has a dedicated audition pack, which will be uploaded to our website about 4 weeks before the auditions, and which will include information about what to prepare, character descriptions and more. Note that the Altrincham Garrick is a non-professional organisation, meaning that actors are not paid. If you have any questions about the casting process, please email casting@altrinchamgarrick.co.uk Auditions for Upcoming Productions Auditions for COME FROM AWAY - Altrincham Garrick Playhouse AUDITIONS FOR "COME FROM AWAY " - Altrincham Garrick Playhouse The Audition Date for this production is Sunday 12th April The Rehearsal Start Date for this production is Sunday 26th July The Production Dates for this production are 10th - 19th September 2026 Director: Joseph Meighan Musical Director: Mark Goggins 7,000 Stranded Passengers. One Small Town. A Remarkable True Story. This smash hit show shares the incredible real-life story of the 7,000 air passengers from all over the world who were grounded in Canada during the wake of 9/11, and the small Newfoundland community that invited these ‘come from aways’ into their lives with open hearts. Experience this joyous story and soaring music as spirited locals and global passengers come together to forge friendships that will stay with them forever. The first female American Airlines captain, the quick-thinking town mayor, the mother of a New York firefighter and the eager local news reporter are among the many real characters caught at the start of the moment that changed the course of history and whose stories became a true celebration of hope, humanity and unity. Winner of four Olivier Awards including Best New Musical and the Tony Award for Best Direction of a Musical on Broadway, now experience this new production at Altrincham Garrick Playhouse, 25 Years on from the events of 9/11. Warning: This performance contains haze, loud music, strobe, theatrical smoke, discussion of bereavement, mention of physical violence and abuse, discussion of homophobia, discussion of discrimination, strong language, and discussion of sexual abuse. This production contains some references and language that may be unsuitable for younger children. We are a diverse theatre and we welcome auditionees of all ages (above the age of 18) and all genders, ethnicities, sexualities, disabilities and races, to enrich the work of the production. For more information, please check out our Audition Pack below! Rehearsals : Every Monday, Wednesday and Friday 7.30pm – 10pm, and every Sunday 2pm – 5.30pm Click on our AUDITION PACK below for more information! Download the "COME FROM AWAY" Audition Pack Auditions for Upcoming Productions Auditions for PUNK ROCK - Altrincham Garrick Studio AUDITIONS FOR "PUNK ROCK " - Altrincham Garrick Studio The Audition Date for this production is Tuesday 17th March The Rehearsal Start Date for this production is Sunday 3rd May The Production Dates for this production are 9th - 14th June 2026 Written by Simon Stephens Directed by Meg Brassington “I hate normal people. Normal people should be eviscerated.” Tucked away in a library in a Stockport grammar school, half-a-dozen sixth formers, on the cusp of adulthood, are whiling away the hours… A clatter of teenage thoughts tumble out between the friends. Dreams of Oxbridge, contempt for the locals and of course: sex, sex, sex. But as exams approach and pressures rise, real brutality emerges from behind their playful barbs. And soon there is nothing left but violence. From Manchester power-house playwright, Simon Stephens, Punk Rock is a brutal and urgent examination of contemporary adolescence. Intelligent. Articulate. F***ed. Age Guidance: 16 + Warning: This production contains strong and offensive language, and discussions of self-harm, sexual abuse, racism, homophobia, ableism, body shaming, gun violence, murder, and mental health issues. We are a diverse theatre and we welcome auditionees of all ages (above the age of 18) and all genders, ethnicities, sexualities, disabilities and races, to enrich the work of the production. Rehearsals : Every Monday, Wednesday and Friday 7.30pm – 10pm, and every Sunday 2pm – 5.30pm Click on our AUDITION PACK below for more information! Download the "PUNK ROCK" Audition Pack All in-house Garrick productions are cast by auditions. Once you’ve read all the information in the relevant audition pack, and if you wish to audition, then please email casting@altrinchamgarrick.co.uk with the name of the production in the Subject field, and include your name and contact number. By emailing, you will have registered for an audition. To sign up to our Actor’s Mailing List (to receive regular updates about upcoming auditions) please email casting@altrinchamgarrick.co.uk . Auditions are confirmed and announced here on this page. Auditions are also announced on our own Facebook page and Twitter Feed: https://www.facebook.com/AltrinchamGarrick/ https://twitter.com/AltrinchamG Join our mailing list Subscribe

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Return to Productions Archive Garrick Productions Fatal Attraction Ran Jan 20, 2020 - Jan 25, 2020 Age guidance Venue Main House Running time Tickets Price Range Description While at her beach house, (a remote cliff side cottage on Nantucket Island) sorting out her divorce, movie star Blair Griffin spots a paparazzo who has been stalking her. She takes a bold step to shake him loose, setting in motion a series of shocking and terrifying events. The unconventional Lieutenant Braden delves into sinister motivations to unravel the plots within plots in this thrill-a-minute action mystery. A Fantastic Mystery Thriller (not to be confused with the film of the same name). Reviews Review by Rick Bowen for StageStruck FIRST things first. This is nothing to do with the steamy thriller starring Michael Douglas but rest assured dear theatregoer, it is just as compelling and just as captivating. We meet one of the most fascinating female characters I’ve seen on any stage, amateur or professional, in the shape of actress Blair Griffin, who apparently witnesses the murder of her ex husband at her hilltop retreat. But all is not what it seems in Bernard Slade’s cleverly crafted and darkly funny thriller as we see another side of the enigmatic fading film star, brought so engagingly to life here by Garrick debutante Antonia Whitehead. Even I felt spooked as she played the victim - Blair just never stops acting and can turn on emotions as easily as most of us would turn on a tap. Whitehead’s performance is so convincing I’m certain her first performance on this stage won’t be her last. But has Blair met her match in seasoned and cynical cop Gus Braden - an outstanding Nick Sample - in a play that’s sure to get the audience’s tongues wagging afterwards? Beverley Stuart Cole gives her best acting performance to date as Blair’s lush of an agent, Maggie Stratton. Fatal Attraction is a major triumph for Director Bill Platt and his creative team and it would be a crime - pun intended - if theatre as good as this failed to play to packed houses. You really have no idea what’s coming next in a piece that’s perfect for dark, winter nights.. A real tale of the unexpected, this one. Highly recommended. Rating: ★★★★ Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Productions Return to the Forbidden Planet Ran May 22, 2000 - May 27, 2000 Age guidance Venue Running time Tickets Price Range Description By: Bob Carlton Directed By: Val Watkinson Designer: Stephen Bradshaw Climb aboard Captain Tempest's Starship for the trip of a lifetime. The Garrick are delighted to end the season with the award-winning musical - Shakespeare's forgotten Rock'n'Roll masterpiece, bursting at the seams with such hits as Good Vibrations, Great Balls of Fire, Only the Lonely and Teenager in Love. So - fasten your seatbelts and prepare to Shake, Rattle and Roll. A Cosmic Adventure. Simply out of this world!! Reviews SAM's view on "Return to the Forbidden Planet" Rock on, Garrick - Rock musical is a real hit It's Shakespeare Jim, but not as we know it. Heaven only knows what the Bard would make of this space age revamp of The Tempest mixed with 1950's sci-fi classic The Forbidden Planet. But Return To The Forbidden Planet was a hit, indeed a very palpable hit with the opening night audience at Altrincham's Garrick Theatre. The cast work hard to whip up a party spirit in the audience and the end result is two hours of inter galactic fun and frolics. A space ship and it's (sic) crew crash land on a planet governed by Dr Prospero, a mad scientist with a hairstyle to match. The ship's cook falls in love with the barmy boffin's innocent daughter, Miranda. But the loveable Cookie has a rival in the shape of the smooth talking Captain Tempest. Plot isn't really important here. You go to see Return To The Forbidden Planet to let your hair down, to enjoy the bad jokes and the great music. The score reads like a who's who of rock and roll and the highlights include the immortal foot tappers Johnny B Goode and Great Balls of Fire, Good Vibrations and the incurably catchy Shoop Shoop Song. As for the best performances, it's impossible to ignore the contribution of the usual suspects. Charlie Tomlinson as a manic Dr Prospero, Peter Birch as the rolling skating robot Ariel and Barry Spencer as love lorn Cookie. Sarah Taylor makes an impressive full Garrick debut as Science Officer and Wayne Holt radiates a comic book appeal as Captain Tempest. This was an ambitious project for the Garrick to take on and they've succeeded superbly. Make sure you don't miss their riotous end of season party. Anyone who does deserves a good zapping. Rick Bowen. Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive