Garrick Production Skin Deep Ran Invalid Date - Aug 12, 2019 Age guidance Venue Running time Tickets Price Range Description Bramwell, Madge Gatley, Edith Lawley, Mollie Palmer, Jack A Settle, Minnie Stevens, Catherine Welsh, Malcolm Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production CATS Ran Invalid Date - Jun 29, 2018 Age guidance Venue Running time Tickets Price Range Description The multi award winning musical featuring the well known characters of Grizabella, Run Tum Tugger, Old Deuteronomy, Mister Mistoffeles and many many more of the alley cats invite you into their domain to celebrate the lives of the Jellicle cats. Midnight. Not a sound from the pavement and then suddenly an explosion of music and lights. Fabulous entertainment. This Production is proudly sponsored by [gallery columns="2" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_2119.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_2085.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_1605.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_1538.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_1467.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_1415.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_1210.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_1140.jpg|"] REVIEW by North West End Of all Andrew Lloyd Webber’s musicals; Cats is a firm favourite with most musical theatre fans and this latest production at Altrincham Garrick is something not to be missed, saving the best for the finale in their season. Cats was first performed in 1981 and has been delighting fans around the world ever since, being the sixth longest running musical in the West End’s history. The musical is based on Old Possum’s Book of Practical Cats by T S Eliot and features the well-known characters of Grizabella, Run Tum Tugger, Old Deuteronomy, Mister Mistoffeles and more of the Jellicle alley cats. The Altrincham Garrick’s production is categorically not amateur, this is a show which has been delivered to international standards - everything from costume and set to cast and those all-important vocals; it’s truly outstanding and all members of the cast and crew should be commended highly. Firstly the staging is very clever by Stephen Bradshaw; featuring rooftops and chimneys maximising the space on stage to its full potential and once the cast take to the stage striding through the audience in the overture - you’re struck by how intricate and stunning the costumes are - Mike Shaw has done a stellar job indeed. But the biggest attribute to this production is the cast, I guarantee you will be in awe within the first 10 minutes if not sooner. Old Duteronomy played by Wayne Holt has great presence, Rum Tum Tugger is played by Kevin Senduwala and has just the right amount of swagger. Bethan Jackson is entertaining as Jennyanny Dots with buckets of energy and Abby Walton and Caitlin Medcalfe as Rumpleteazer and Mungojerry have a playful chemistry on stage which is infectious. I can go on; Greg James as Munkustrap is a perfect casting and James Glasgow plays Macavity with just the right amount of mystery. The routines are sublime and when you’re sat in the third row; it simply blows you away - the sheer talent on stage. The vocals are all note perfect throughout the evening but I must say Vicky Clarkson’s rendition of Memory as Grizabella will leave the hairs standing on the back of your neck, it’s outstanding. The vocals are accompanied by a live orchestra under the baton of Mark Goggins which gives this production even more authenticity. You don’t get productions to this standard very often, take advantage of such an entertaining production in the area; I strongly recommend getting your tickets, I may go again, and again before the weeks out. Cats directed and choreographed by Deborah Kate Norris continues at the Altricham Garrick until the 25th May with limited availability on Friday and Saturday. Verdict: Musical theatre at its very best, a dynamic cast & creative team sure to entertain! Reviewer: Max Eden Star rating ★★★ ★★ REVIEW BY RICK BOWEN (STAGESTRUCK) THE curtain comes down on an outstanding season at the Garrick, with a magical production that’s sure to live for long in the Memory of audiences who see it. Sorry, I couldn’t resist that one. Memory is the best song in the show by a mile and becomes a thing of beauty when sun by singers as gifted as Vicky Clarkson and Neve Finnigan, who play Grizabella and Jemima respectively. It made me forget the weaknesses in Lloyd Weber’s score which are sporadic but still there. Based on TS Eliot’s Old Possum’s Book of Practical Cats, it’s a major triumph for choreographer Deborah Kate Norris, who, along with her assistant Val Watkinson, has helped create a feast for the senses, served up by a vibrant and exciting, largely young company. When it comes to the dance routines, the cast are highly versatile, whether they’re performing slinky, sensual, at times balletic routines or mesmerising tap numbers in this celebration of all things feline. Judging by the standards achieved in this show, which has the consistently impressive Mark Goggins as its musical director, the future of amateur musical theatre in this area looks very bright indeed. Mark Goggins simply doesn’t have it in his DNA to preside over a bad show. The magical element of the evening is enhanced by a rooftop set designed by Stephen Bradshaw. It was also pleasing to see children in the audience - I can’t think of a better way to introduce them to an art form that has yet to lose its power over me, 30 years and several hundred reviews later. When word gets out as to just how breathtakingly brilliant this show is I expect tickets to be snapped up. So book now to avoid disappointment. Make sure you don’t miss this evening of unforgettable musical escapism. Star rating ★★★★★ Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Bees on the Boat Deck Ran Invalid Date - Aug 12, 2019 Age guidance Venue Running time Tickets Price Range Description Abbott, Amy Brierley, Norman Brown, Sydney A Chapman, Laurie Courtney, Donald Cutler, James E Hill, Arthur P Larsen, Nora Osborne, Edgar Pearce, Tom Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Lady Precious Stream Ran Mar 11, 1935 - Mar 18, 1935 Age guidance Venue Running time Tickets Price Range Description A traditional Chinese play in Four Acts by S. I. Hsiung Cast and Character List Alexander, Tom W. - Wang Attendant Bankes, Erik - Soldier, Hsieh's Attendant Bateman, Brian - Suitor, Soldier, Hsieh's Attendant Birch, Lloyd - Hsieh Ping-Kuei, their Gardener Birch, Rose - Lady Precious Stream's Maid Bramwell, Madge - Madam Wang, of the Chen Family, his Wife Brierley, Norman - Kiang Hai Briggs, Harry - Su, The Dragon General, their Eldest Son-in-law Bullivant, Erick - His Excellency the Minister of Foreign Affairs Clark, Muriel - Maid to HRH Coventry, Betty - Precious Stream, their Third Daughter De Lange, Adela - Maid to HRH De Prez, Raymond - Suitor Fletcher, Joan - Lady Precious Stream's Maid Fullerton, Irene - HRH, the Princess of the Western Regions Gibbon, E P - Old Man Gooby, Roy - Ma Ta Hughes, Geoffrey - Driver, Tavist Priest, Soldier James, Barbara - Maid to HRH Justice, Margery - Madam's Main Kaye, Gilbert L - Soldier, Messenger Kirton, C H - Suitor Larsen, Nora - Silver Stream, their Second Daughter, Wei's Wife Matley, Henry (Harry) - Executioner Matthews, Walter R - Honourable Reader Mendelsohn, Maurice T - His Excellency Wang Yun, the Prime Minister Nield, G - Suitor, General Mu Osborne, Edgar - Warden Pennington, Muriel - Madam's Maid Pye, George H - Property Man Roberts, Eunice - Lady Precious Stream's Maid Shepherd, J E - Wang Attendant Thompson, Brenda - Lady Precious Stream's Maid Tootill, W. W. - Wei, The Tiger General, their Second Son-in-law Wilson, Kathleen - Golden Stream, their Eldest Daughter, Su's Wife Wood, Ivy - Maid to HRH Wilkinson, John - Property Man The play produced by Liang Pao-Lu According to the conventions of the Chinese Stage, all characters enter from the right and exit by the left Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Behind the Beyond Ran Invalid Date - Aug 12, 2019 Age guidance Venue Running time Tickets Price Range Description De Prez, W R Mond, R Parchment, Doris L Pennington, Muriel Raymond, D Rice, Effie Talbot, Ernest A Vernon, Arthur Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production The Will and The Way Ran Jan 1, 1920 - Jan 1, 1920 Age guidance Venue Running time Tickets Price Range Description By Walter R Matthews CAST Gorman, Dora Gorman, Philip?Norris Hough, B G Llewellyn, Helen M Lowe, Edgar M Matthews, Marion Thwaite Nixon, Walter S Owen, Gwen Winn, Rex Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Dick Whittington and his Wonderful Cat Ran Invalid Date - Jun 20, 2016 Age guidance Venue Running time Tickets Price Range Description The rags to riches story of Dick Whittington and his loyal friend Tommy the Cat is a panto extravaganza that's purrfect for the whole family. Dick is off to London to seek his fortune... ...but he needs your help! Come cheer and sing along for our hero and his lovable sidekick, as they travel to exciting lands and magical worlds. Will our hero defeat the evil King Rat? Will he win the hand of the beautiful Alice? And will he make his fortune and become Lord Mayor of London? With the help of everyone's favourites, Dame Sarah the Cook, and Idle Jack, together with a host of exciting characters, and a sprinkling of fairy dust from The Spirit of the Bells, everything is set to be alright in the end! Everything you have come to expect from traditional family pantomime at The Altrincham Garrick Playhouse. [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_9417.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_9480.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_9580.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_9600.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_9660.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_9728.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_9901.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_9969.jpg|"] Photos by Vishal Sharma CAST Spirit of the Bells - Helen Lawrence King Rat - Mike Shaw Captain Cockles - Ewan Henderson Mr Mussels - Howard Yaffe Alderman Fitzwarren - Ivor Farley Alice Fitzwarren - Claire Louise Garrett Dick Whittington - Meg Royle Tommy the Cat - Daisy Brocklehurst Sarah the Cook - Phil Edwards Idle Jack - Peter Brassington The Sultana of Morocco - Helen Lawrence Dancers / Chorus of Citizens / Spirits / Rats / Nubians etc. Ella Murphy, Rose Morris, Amelia Fay, Georgia Geupel, India Connor-Blow, Sophia Simpson, Sophie Lefton, Lydia Horsefield, Lily Odwyer, Emilia Law, Florence Gray, Lauren Cooke Review by Rick Bowen for STAGESTRUCK THE foyer was buzzing with excitement before we went in to watch this fun filled family pantomime, the mood heightened by a small army of enthusiastic children, eager to enjoy their festive treat. And yes, both they and the big kids weren't disappointed, as this perfectly paced production, with its perfect comedy timing, left everyone feeling well and truly entertained. That's praise indeed from yours truly, who, when it comes to pantos, is usually less than enthusiastic. For me, this is the best panto I've seen at this theatre, with everything falling perfectly into place. Who can resist the tale of an underdog, as our hero Dick Whittington (a suitably likeable Meg Royle) travelling a long and difficult road determined to achieve his dreams and get his girl. This theatre has a youth group. However, it must have been a great learning curve, particularly for the younger actors, to work with Phil Edwards, who plays the show's larger than life Dame, Sarah the Cook. A seasoned panto performer, Phil really makes the role his own, winning everybody over and swanning around the stage in frocks as loud as the children's boos, hisses and singing. He's ably assisted by his hapless and hopeless son Idle Jack, a Christmas present of a role for Peter Brassington. If I have a minor quibble I thought the cast were more comfortable acting than they were singing, but that in no way diminishes the enjoyment of the audience who were very appreciative when I saw the show. Writer/director Alan Clements shows its perfectly possible to wear with distinction "two hats," which should be paper and coloured at this time of year. If you want to escape the repeats on Christmas TV or just fancy a good night out, Dick Whittington and his Wonderful Cat is for you. Star rating ★★★★ Review by Julia Taylor for SALE AND ALTRINCHAM MESSENGER FROM the opening scene featuring the citizens of London, the Garrick's Panto warms the hearts of young and old. There are no smutty jokes though it's full of fun as it tells the tale of Dick Whittington and his wonderful Cat as he seeks his fortune in London. The script is written by Alan Clements who also directs it. He's a master of the art of panto and the cast soon has the kids at the matinee performance shouting 'He's Behind You.' They love every minute and shout their heads off every time a gorilla appears. Dick Whittington is played by a thigh slapping Meg Royle with a gorgeous voice. Her girlfriend, Alice, (Clare Louise Garrett) sings equally well and their duet sends shivers down your spine. No microphones needed here! Phil Edwards returns as the Dame singling out someone called Nigel sitting on the front row for special taunting. Nigel is a great sport. Phil and Peter Brassington's Idol Jack keep the kids amused. Mike Shaw, who plays the baddy, King Rat, gets his just deserts at the end from Daisy Brocklehurst's clever cat and, throughout, from the booing, jeering kids. In contrast, the scene representing fish and sea creatures apparently swimming across the stage is haunting. The dancing, too, is second to none. From the hornpipe to gentle ballet movements, they are a joy to watch. Mike Shaw and his team of helpers must be congratulated on the colourful costumes. This is panto at its best. Star rating ★★★★ Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Jeeves and Wooster in Perfect Nonsense Ran Invalid Date - Aug 19, 2019 Age guidance Venue Running time Tickets Price Range Description An Award Winning Comedy This winner of the Olivier Award for New Comedy in 2014 sees Bertie Wooster struggling with how to explain a particularly frightful weekend at Totleigh Towers, involving an eighteenth century cow creamer, saucy romantic shenanigans, and much heroic derring do! A play is the answer and soon the stage is peopled with a dozen gloriously eccentric characters such as Gussie Fink Nottle, the fierce Aunt Dahlia, Stiffy Bing, and the beautiful Madeline Bassett, all gallantly played by just Wooster, Aunt Dahlia's butler Seppings and Jeeves himself, who against all odds, endeavours to bring order to the escalating chaos. Expect an outrageously inventive evening of fast paced comedy, dramatic car chases, heinous heists, swooning lovelies, and the odd, very odd, newt impersonation. *** Review by Rick Bowen for Stagestruck *** HAND on heart I have to say these chalk and cheese comedy creations passed me by when Fry and Laurie played them on TV. I got the joke of course. Jeeves, the buttoned up, deadpan butler forever cleaning up his master’s mess, a social superior with very little between his ears. Barry Purves’ energetic production barely draws breath and is beautifully and brilliantly played against the backdrop of one of his trademark, ingenious sets. Jamie Sloan delivers a performance of real star quality as the deliciously dim toff Bertie Wooster, ably supported by Andrew Higson and Graham Simmonds. Higson is perfect as Jeeves, the sensible and dependable butler but, along with comedy natural Simmonds, plays a plethora of other roles of both sexes and without a single costume change. But it was Sloan’s comic timing that really caught my eye in a frantic, madcap piece that places huge demands on a very hard working, three strong cast. Verbally and visually, Sloan was simply born to be funny. Why have I not mentioned the plot? Simply because it’s largely irrelevant. Although there is a frequent mention of something called a cow creamer. Answers on a postcard, please. An onstage band provides the ideal musical backing for an evening of theatre that does exactly what it says on the tin. This really is perfect nonsense. But a much needed antidote to a world that’s far too serious at times. Spiffing good fun. Star rating - 3/5 Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production The Peep Show Ran Invalid Date - Aug 12, 2019 Age guidance Venue Running time Tickets Price Range Description Courtney, Donald Coventry, Betty Cramer, Anne Croft, H J A Daniels, Marion Daniels, R W Falkner, Robert Hall, Irene Kauffman, M H Matthews, Marion Thwaite Pennington, Muriel Roberts, Eunice Robinson, Dorothy A Zorian, Satinig Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Wolf Hall Ran Invalid Date - Apr 11, 2017 Age guidance Venue Running time Tickets Price Range Description Epic, unmissable, historical drama - huge television hit. England, 1527. The court of Henry VIII is in upheaval as the King rages over his lack of a male heir. But when Henry's anger turns to passion for the alluring Anne Boleyn, the Pope refuses to grant him an annulment from his wife, Katherine of Aragon. Into the fray steps Thomas Cromwell, a shrewd and ambitious politician, who realizes that the man who gets Anne into Henry's bed will win the favour of the Crown. Using charm, deception and wit, Cromwell will climb the thorny ladder of power and bring the King what he most desires. This production is proudly sponsored by [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_5307.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_5486.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_5502.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_5529.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_5160.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_5216.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_5233.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_5288.jpg|"] Photographs by Vish Sharma CAST Stephen Gardiner Secretary to Cardinal Wolsey, later Bishop of Winchester - Simon Garland Thomas Cromwell An ambitious commoner in Cardinal Wolsey's household - Mark Butt Cardinal Thomas Wolsey The Lord Chancellor - Geoff Holman Mark Smeaton His Lutenist - Ben Hanley Rafe Sadler A young gentleman - Cromwell's ward and secretary - Chris Wagstaff Elizabeth (Liz) Cromwell Thomas Cromwell's wife - Sarat Broughton Christophe A French boy and thief - Cromwell's manservant - Paul Butcher Thomas More later Lord Chancellor - David Baxendale Sir Thomas Boleyn Anne's father, later The Earl of Wiltshire - Paul Wilson George Boleyn Anne's brother, later Lord Rochford - Sam Hey Jane Boleyn, Lady Rochford Wife of George Boleyn - Sarat Broughton Harry Percy A young lord later Earl of Northumberland - Anthony Morris King Henry VIII King of England for the last 20 years - Sean Duvall Anne BoleynLady-in-waiting to Queen Katharine - later the Queen - Lara Hancox Katharine of Aragon The Queen. Henry's first wife - Emily Duffy Eustace Chapuys Imperial Ambassador to the court of King Henry - Simon Garland Gregory Cromwell Son of Thomas and Elizabeth Cromwell - Oliver Knowles The Duke of Suffolk Charles Brandon, the King's friend and brother-in-law - Jonathan Black Thomas Wyatt A young poet, friend to King Henry - Luke Robinson The Duke of Norfolk Thomas Howard, England's premier nobleman, Anne Boleyn's uncle - Matthew Banwell Sir Henry Norris The King's Groom of the Stool - David Baxendale Sir William Brereton A gentleman of the King's Chamber - Dave Richardson Mary Boleyn Anne's sister, King Henry's mistress - Sara Nelson Jane Seymour Lady-in-waiting to Anne Boleyn - Elizabeth Lomas Archbishop William Warham Archbishop of Canterbury - Geoff Holman Thomas Cranmer Anne's Chaplain later Archbishop of Canterbury - Paul Wilson Francis Weston One of the King's gentlemen - Paul Butcher Princess Mary Daughter of King Henry VIII and Queen Katharine - Elizabeth Lomas An Ambassador from France - Ben Hanley Ensemble - Margaret Armstrong. Holly Gibson, Pippa Greenhalgh, Alan Lomas, Ruth Metcalfe, Scott Ransome,Dave Richardson, Sue Richardson, Rose Wilson Servants, Dancers, Lords, Ladies, Guards, Plunderers, Attendants etc. all played by members of the Company. Altrincham Garrick Playhouse's Wolf Hall production is a masterpiece Review by Julia Taylor for Sale and Altrincham Messenger The familiar characters of Elizabethan times come to life in Mike Poulton?s adaptation of Hilary Mantel?s Wolf Hall, directed by Nick Sample at the Altrincham Garrick Playhouse this week. Overwhelmed with lust for Anne Boleyn and longing for a son, he appeals for help from the scheming Thomas Cromwell who, in return for power, gets him the divorce from Katherine of Aragon that he desires. Henry VIII is played by a tempestuous Sean Duvall whilst Mark Butt gets into the mindset of Thomas Cromwell so well you can almost hear his scheming whispers to the King. Mark is on stage most of the time and he gives an outstanding performance. Cromwell remains loyal to Cardinal Wolsey (Geoff Holman), a man he respects even when the Cardinal falls from grace. Lara Hanco's Anne Boleyn is almost as bad as Cromwell, when she conceals a secret marriage to Harry Percy (Anthony Morris). The King?s former wife, played exactly right by Emily Duffy, continues to call Anne ;a concubine' and fears, rightly, for her own daughter, Mary. The King is ruthless with those who disagree with him. In one case he shows mercy by substituting decapitation for being hung, drawn and quartered. The costume department deserves praise for a shimmering array of costumes. Henry VIII's is a fur endorsed masterpiece. The Elizabethan dancing is the icing on the cake. Star rating ★★★ ★★ Review by Rick Bowen for StageStruck THE costumes in this production are stunning and richly deserving of the heartfelt applause that greeted their first appearance on Monday night. Mike Shaw and his wardrobe team have been working their magic at this theatre for decades and their latest creations have to rank among the best I've seen at this theatre, the cast resplendent in their Tudor finery. But there's plenty more to admire in this very watchable adaptation of Hilary Mantel's novel, skilfully adapted for the stage by Mike Poulton. Most notably Mark Butt who is never offstage as Thomas Cromwell. I also really enjoyed Geoff Holman as Cardinal Thomas Wolsey, with Geoff putting in the sort of performance tat left me asking one question - why doesn't he do more at the Garrick? The play is a living, breathing and completely absorbing history lesson with King Henry VIII (Sean Duvall) fighting the Catholic church to get the divorce that will allow him to marry Ann Boleyn played by an at times frighteningly feisty Lara Hancox. At three hours including an interval this sounds like a marathon but for me the time flew. While Nick Sample's production has one or two flaws it a fascinating tale well told. I hope potential audiences aren't put off by the subject matter which is never dry or boring and there's even a dash of humour to keep the audience amused. A history lesson with jokes. Whatever next. Enjoy. Star rating ★★★ Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Annie Ran Invalid Date - Jun 21, 2016 Age guidance Venue Running time Tickets Price Range Description Based on Little Orphan Annie, the popular comic strip by Harold Gray, Annie has become a worldwide sensation. Winner of seven Tony Awards, including Best Musical, the beloved show features a wonderful score written by Charles Strouse and Martin Charnin, including the Broadway smash hit, 'Tomorrow'. With a perfect combination of street-smarts and optimism, Annie warms the hearts of the audience as we witness her rise from next-to-nothing in New York City. She is determined to find her parents, who left her at the orphanage years ago. Though things don't quite work out the way she has planned, she does manage to thwart the plans of the evil Miss Hannigan and find a new family with billionaire Oliver Warbucks, his secretary Grace Farrell, and her lovable pooch, Sandy. The production is proudly sponsored by The Greenhouse Vegetarian Restaurant [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/Annie_2791.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/Annie_1111.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/Annie_0551.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/Annie_0201.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/Annie_468.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/Annie_427.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/Annie_338.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/Annie_310.jpg|"] Photographs by Vishal Sharma CAST The Child Company Annie - Caitlin Reeves Duffy - Chloe Radford July - Olivia Streeter Kate - Anna Peart Molly - Alice Cross Pepper - Daisy Higgins Tessie - Chloe Sudworth Orphans: Rosy O'Connor, Nicole Astbury, Ellen Thomas- Anderson, Jemima Kloss, Eva Briggs, Pippa Banford, Lily Pearson, Sophie Whittingham, Grace Dougall The Adult Company Miss. Hannigan - Laura Aremia Oliver Warbucks - Richard Sails Grace Farrell - Sasha Carrillo de Albornoz Rooster Hannigan/ Hooverville Man - Sam Berrie Lily St. Regis/ Hooverville Woman - Claire Garrett Hooverville Man/ Fred McCracken and Wacky/Dog Catcher/ Cordell Hull/ Servant/ New York Citizen - Chris Wagstaff Bert Healy/ Hooverville Man/Assistant Dog Catcher/ Louis Howe/Servant/ New York Citizen - Danny McCarrick Annette/ Star To Be/ Connie/ Hooverville Woman - Hannah Cound Bundles McCloskey/ Harold Ickes/ Hooverville Man/ Servant/ New York Citizen - Brendan Cunningham Mrs. Greer/ Sophie/ Jimmy Johnson/ New York Citizen - Samantha O'Connor Drake/ Henry Morgenthau/ Eddie/ Sound Effects Man/ New York Citizen - Joshua Crook President FD Roosevelt/ LT Ward/ Announcer/Servant/ New York Citizen - Dave Midgley Francis Perkins/ Mrs Pugh/ Hooverville Woman/New York Citizen - Sarah Reilly Ronnie/ Hooverville Woman/ New York Citizen - Rachel Gerring Bonnie/ Usherette/ Hooverville Woman/ Servant - Kitty West Cecille/ Hooverville Woman/ New York Citizen/Politician - Susan Mowat Apple Seller/ Justice Brandeis/ Kaltenborn Voice/ Politician/ Servant/ New York Citizen - Dave Richardson Hooverville-ites/ Servants/ New York Citizens - Rebecca Hanley, Lottie Warburton, Niamh Green, Lauren Whiteley, Ian Daubeney REVIEW by Julia Taylor for Sale and Altrincham Messenger The Garrick's production of Annie is full of warmth THE Garrick Playhouse is full of excitement as people wait to see their favourite musical and the theatre's last production of the year, Annie. The story about the orphan who rises from rags to riches is full of warmth and the triumph of the human spirit over adversity. The director, Joseph Meighan, his superb adult cast and a host of little girls, not to mention a dog, win round the audience immediately. The dog, the younger brother of the original dog who was ill, took his bow, or should I say bow-wow, by launching himself off the stage practically into my husband?s lap! The choice of 12-year-old Caitlin Reeves as Annie is inspired. She is naively optimistic about finding her parents and keeps the other kids happy, especially nine-year-old Alice Cross who plays little Molly who misses her mummy. Caitlin can dance, and sing songs like Tomorrow with perfect diction and feeling. Her saviour, Oliver Warbucks, is played by charismatic Richard Sails. His attraction to his PA Grace Farrell (Sasha Carrillo de Albornoz), when they dance, is clear. All these lovely people would be boring if there wasn't a wicked one. That comes from child hating, self-loving, gin swilling Miss Hannigan. She?s a witch in the hands of Laura Aremia who adds humour to the role. Both the adult and junior choruses sing well and, thanks to choreographer, Alexandra Howarth, are well positioned, excellent dancers, too. Star Rating ★★★★ REVIEW by Nicky Lambert for North West End Most people are familiar with the story of 'Annie', the well known tale of an orphan girl who runs away from the orphanage run by the awful Miss Hannigan and is subsequently adopted by a billionaire. In all honesty, it's never appealed to me but I left the Altrincham Garrick Theatre tonight on an absolute show high. This production has a professional edge from start to finish. The ensemble pieces are absolutely wonderful and perfectly executed so that they create a very pure musical theatre sound. I would say they are up there with some of the best I have ever seen. "It's The Hard Knock Life" is the first that we see and it really sets the tone – the girls are fierce and angry and it's really exciting to watch. Miss Hannigan, played so expertly by Laura Aremia, is the Social Services nightmare who runs the orphanage and she's the pantomime baddie that I sneakily really liked (is that so wrong?!) Miss Hannigan is no stranger to the gin bottle, so is therefore inebriated most of the time and Laura played this absolutely perfectly: it's very easy to overdo drunken acting but she absolutely got it right and it was hilarious. I loved the way she just had absolute contempt for everyone and she even carried this through to the curtain call, telling the audience to "shut up". Brilliant! In the current West End production of 'Annie', this part is played by Miranda Hart and I can't imagine she could do a better job than Laura! The relationship between Oliver Warbucks (Richard Sails) and Annie (Caitlin Reeves) is absolutely charming and they have superb chemistry. I particularly liked "I Don't Need Anything But You" which he sings to Annie and which is very touching. They are so good together and perfectly matched. Caitlin has a beautiful singing voice and it was a pleasure to listen to her. Richard's portrayal of the kindly billionaire was really lovely to watch and their scenes together were very sweet. I do have to give a special mention to Alice Cross who played "Molly" and who executed an astounding hands-free cartwheel which was precariously near the drop to the orchestra pit! Alice is an extremely talented performer who is quite captivating to watch and I look forward to seeing her in future productions. I would also like to congratulate Sasha Carrillo de Albornoz for her totally credible performance as Grace, everything about her performance was excellent and she has an amazing singing voice. However, the show-stealer is Sandy – Annie's dog – who, although he wasn't in many scenes, certainly stole all of them...by barking at the audience and taking a flying leap off the stage at the end into the front row! The cast handled his excitement admirably and he was a favourite with the audience who loved his participation. I'm sure all this was opening night excitement and by Saturday, he'll be taking it all in his stride and probably signing autographs. I would like to congratulate everyone involved in this entertaining and heart-warming production. The ensemble are particularly strong – the stand out performer for me being Brendan Cunningham who, as my theatre companion remarked "really gives value for money" with his completely rounded performance comprising great facial expressions and total immersion in the choreography. I loved the scene with the Presidential aides where he jumps on the table and sings, it was pure entertainment! The costumes, lighting and sets were wonderful. I did like the use of the jigsaw piece motif – keep your eye open as one by one, the missing jigsaw pieces appear as we draw near to the end of the story, a very nice touch indeed. This really is a musical theatre treat and one that should not be missed. Star Rating ★★★★★ REVIEW by Nigel Carr for Hale and Altrincham Life Annie played by Caitlin Reeves, the eponymous red headed central character is a child in the Hudson Street Orphanage where she has been since 1922 The musical opens to slides depicting the Great Depression following the Wall Street crash in 1929. Hooverville, the homeless persons village that grew up in Central Park, New York was a shanty town constructed of cardboard, tar paper, glass, wood, tin and whatever other materials people could find. It’s 1933 and President Herbert Hoover has just been replaced by F D Roosevelt. The play opens with the all the children making the most of life in the cramped dormitory faux kowtowing to the evil Miss Hannigan, the conniving, gin swilling supervisor. Miss Hannigan (Laura Aremia) & Grace (Sasha Carrillo De Albonoz) The plot follows Annie’s escape from the Orphanage and her planned adoption by Oliver Warbucks, the billionaire industrialist owner of a number of factories, who doesn’t seem to have fared too badly in the crash. Friends with the president and a host of other famous politicians and sportsmen, (‘how’d you like to meet Babe Ruth ? – Annie, erm?’). He is played by Richard Sails, who brings warmth and gravitas to the boy from the wrong side of town made good. The children’s singing is completely professional and hugely entertaining. From the opening It’s a Hard Knock Life and the highlight You’re Never Fully Dressed Without A Smile, with accompanying dance routine and acrobatics. Special mention must be made of Caitlin who never misses a beat and Sasha Carrillo de Albornoz as Warbucks’ PA Grace, whose incredible range and tone is on the scale of a young Julie Andrews. Frankly all of the children deserve a special mention as they were just so enchanting and entertaining! Laura Aremia’s portrayal of the drunken Miss Hannigan is hilarious – she staggers around the stage, managing an almost calamitous curtsy to the wheelchair bound president. Annie (Caitlin Reeves) & President FD Roosevelt (Dave Midgely) With song after familiar song including Tomorrow and Easy Street, spot on American accents and a hyperactive shaggy Dulux dog, the musical went down a storm. The audience was on its feet at the end in a well deserved standing ovation. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production The Importance of Being Earnest Ran Invalid Date - Feb 7, 2014 Age guidance Venue Running time Tickets Price Range Description This classic comedy of manners is the story of two couples struggle to find love in a conflict of deception and false identities. Jack takes on the identity of Ernest to capture the heart of Gwendolyn. Algernon becomes Ernest because he is in love with Cecily. Through a series of hilarious situations the characters all learn the importance of being earnest with each other. [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/earnesta.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/earnestb.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/earnestc.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/earnestd.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/earnestg.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/earnesth.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/earnesti.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/earnestj.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/earnestf.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/earneste.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/earnestk.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/earnestl.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/earnestm.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/earnestn.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/earnesto.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/earnestp.jpg|"] CAST John Keen as John Worthing JP Phil Duncan as Algernon Moncrieff Hugh Everett as Rev Canon Chasuble Nick Curror as Merriman Brian Howlett as Lane Alison Davis as Lady Bracknell Paula Keen as Hon Gwendolen Fairfax Sinead Parker as Cecily Cardew Jo Freeman as Miss Prism Sale & Altrincham Messenger's Review by Julia Taylor Full of charm One of the most famous lines in the history of British theatre consists of just two words - "a handbag!" They are spoken in Oscar Wilde's comedy, 'The Importance of Being Earnest' at the Garrick this week. You can often judge the quality of a play by the way these words are spoken. They are uttered when Lady Bracknell discovers that her prospective son-in-law, Jack, was found as a baby in a handbag at a railway station. The words first became famous when Dame Edith Evans spoke them in the 1952 film. In this version, Alison Davis's booming, throaty, upper-class voice make her the ideal person for the overpowering part. She gets the intonation of those two words right even though they are nothing like Dame Edith's. The rest of the cast successfully capture the style and feel of the upper-class in-crowd who are constantly trying to be other people instead of being true to themselves. The play is so full of charm that it doesn't really matter that it has a flimsy plot and light weight characters. The storyline hangs on a thread. Jack becomes Ernest to capture the heart of Gwendolyn and Algernon also becomes Ernest because of his love for Cecily. The dialogue is pure, late nineteenth century banter full of irresistible one liners. I am so glad director, Barry Purves sticks to Wilde's script as used at the premier at the St. James Theatre, London, in 1895. I have seen versions of this play where it has been updated and, as a consequence, completely ruined. Phil Duncan is an ever so far back Algernon Moncrieff. His switch to becoming Ernest, the imaginary brother of Jack Worthing, (the one found in the handbag) is doubly amusing. Jack becomes the pivot around whom everyone else revolves thanks to a sterling performance by John Keen. Paula Keen and Sinead Parker as Gwendolen Fairfax and Cecily Cardew sail through the amusingly indignant repartee that results when they mistakenly believe they are both engaged to the same man (naturally called Ernest!). There is even a fracas with a knife - if only a cake knife! Thanks not just to the cast but to the costume department, the Garrick successfully capture frivolity, snobbishness and humour amid the cucumber sandwiches and the audience love it. Star Rating ★★★★ Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Around the World in 80 Days Ran Invalid Date - Jun 29, 2018 Age guidance Venue Running time Tickets Price Range Description A WONDERFUL ROMP FOR ALL AGES A crazy caper involving lots of adventures plus journeys on many different types of transport. There is even an elephant involved! Can Phileas Fogg win his bet to go around the world in 80 days or will he lose his life's fortune? Plenty of laughs as you accompany Fogg and Passepartout on their manic trip around the globe. This Production is proudly sponsored by [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/ATW80DAYS_021.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/ATW80DAYS_032.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/ATW80DAYS_074.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/ATW80DAYS_076.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/ATW80DAYS_104.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/ATW80DAYS_228.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/ATW80DAYS_260.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/ATW80DAYS_276.jpg|"] Production Photographs by Vish Sharma CAST Mrs. Aouda - Laura Crow Phileas Fogg - Jamie Sloan Passepartout - Tim Cooper Inspector Fix - Mark Jephcott Ensemble 1 - Emily Duffy Ensemble 2 - Liam Dood Ensemble 3 - Ali Davenport Ensemble 4 - Arthur Hulse Non-Speaking Porter - Edward Beasley Non-Speaking Porter - Ben Hanley Review by Julia Taylor for The Messenger A timeless adventure THE Garrick Playhouse succeed in taking us around the world in two hours when they present Laura Eason’s version of the Jules Verne classic, Around the World in 80 Days. This remarkable, fast-paced production is a fun adventure. With just six cast members playing over 100 characters, simply by swapping clothes and props, they achieve a feat as impressive as the fantastical voyage itself. The leading character is Jamie Sloan’s Phileas Fogg, who takes a bet from the Reform Club’s whist section, to circumnavigate the globe in record time. His modes of transport include trains, a ship, a sleigh and even an elephant. All are created simply and effectively, often by the versatile use of suitcases. Jamie illustrates a well-heeled gentleman with a stiff upper lip. He has, until his adventure, been set in his ways. But travel changes his attitude, if only slightly. But Phileas Fogg would be helpless without his faithful valet, Passepartout, brought to life by an acrobatic Tim Cooper. An ideal choice to play a former circus performer, his physical contortions are fascinating. As Fogg’s comic sidekick, he puts keeps the audience constantly amused by rescuing his boss from a series of unfortunate situations. Mark Jephcott is impressive as the wily Inspector Fix, who uses every trick to delay the pair of mavericks in his relentless pursuit to arrest Fogg. Laura Crow is also delightful as the beautiful Indian woman who joins them on their adventure after they dramatically rescue her from a funeral pyre. Even the music is appropriate and this is just one of the many threads drawn together by director Celia Bonner. This is a show which the whole family will enjoy. Star Rating ★★★★ Review by Rick Bowen for Stagestruck It's two relative newcomers who light up the Garrick stage in this engaging, vibrant and gloriously tongue in cheek adaptation of this globe trotting classic. They are Jamie Sloan, a perfect piece of casting as Phileas Fogg, a buttoned up quintessential English toff and Tim Cooper as his valet, PassePartout. They made their respective debuts at this theatre in 2016 and 2018 respectively and together they make such an engaging double act I for one hope they work together again, very soon. Sloan had me totally convinced as Fogg, a stickler for routine who takes up the offer of a daunting bet, while Cooper combines a boundless energy with a sense of comic timing that is, quite simply, exemplary. It was pleasing to see so many children in the audience for a production that can be enjoyed by all the family, a phrase that in my experience has often been shorthand for mindless and moronic entertainment. But Director Celia Bonner’s production is perfectly paced and includes a very clever use of props to denote the various exotic locations Fogg and his trusty sidekick find themselves in. But this is far from the Sloan and Cooper show, with the entire company providing a real antidote to these dark early autumn night. Hot on the heels of Fogg and PassePartout is old school policeman Inspector Fix, perfectly played by the always watchable Mark Jephcott. Fix believes Fogg is a criminal on the run and he inevitably ends up embroiled in the duo’s increasingly exotic adventures. Light entertainment at its best - make sure you book for this fantastic theatrical journey. Star Rating ★★★★ Review by Brian Madden for North West End Around the World in 80 Days is a rather new play, only first published in 2013. However, the book on which the play is based on was originally published in 1873. It tells the story of Phileas Fogg (Jamie Sloan) who bets his fellow card players £20,000 that he can make it around the world in 80 days. To a person living in today’s world travelling around the world in 80 days may seem very easy, however one needs to remember this story is set in 1872 - years before the first flight took off. So instead Fogg makes his way around the world travelling by train, boat and even hitches a ride on an elephant. While watching the show it appeared as if we were going on a journey that are historic to British people for one reason or another. We visit some of former colonies; India, New York and Hong Kong. Even though the story is set over 100 years ago, it was nice to add some modern touches to this production, most notably the inclusion of ‘My Heart Will Go On’ from the movie Titanic while the cast were on one of their boats. All of the cast did well in their respective roles, Sloan never strayed from his English gent ways. However, a special mention has to go to Ben Hanley who played the role of a Porter. You could tell he was absolutely loving it. It was really nice to see someone who didn’t having a speaking role to make as much of the role as he could. The turnout was fantastic as ever at the Altrincham Garrick. They audience received the show really well - they clapped along and got involved when they were told to. I’m sure the audience helped put the actor’s nerves at ease. Margaret Norris did a great job on designing the set. I was not expecting to see such an elaborate set. The rustic staircase and map really helped set the tone and era for the piece. There was a moment when the cast asked a member of the audience to join them on stage to help control the boat in choppy waters. This was absolutely hilarious. However, the actors carried on with their dialogue while the audience were still in stitches watching a grown man pretend to hold down a table on-board a ship. I for one was so wrapped up in what the man was doing I missed all the dialogue - I even whispered to my friend “I hope they didn’t say anything important because I wasn’t listening”. On a couple of occasions I felt the narrative was moving too fast and we didn’t get a true representation of each area visited. The visit to India was great and we got a true sense of the Indian culture, but I feel like none of the other visits came close to that in terms of exploring the locality. Around the World in 80 Days in a very fast moving show and this ensemble certainly did make the most of it. I did get lost a few moments on the way, however on the whole it was very enjoyable. Star Rating: ★★★ Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Things I Know to be True Ran Invalid Date - Jun 29, 2018 Age guidance Venue Running time Tickets Price Range Description A BEAUTIFULLY TOUCHING, FUNNY AND BOLD PLAY... NOT TO BE MISSED Andrew Bovell has written about how families can struggle to love and how also members of even the strongest of families can easily hurt those who are the closest to them. The play poses these questions - "What do generations owe to each other?" "Can the 'sacrifice now live later' ethos of our parents ever find a happy meeting point with the 'live now' approach of the millennials? Most of all this play looks at the tightness of ties that bind families and how we must face our parents? imperfections as a part of facing our own. The Garrick is delighted to be staging this beautiful play and bringing it alive for our audiences to absorb and enjoy. This Production is proudly sponsored by [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_9359.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_9568.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_9596.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_8609.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_8807.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_8934.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_9284.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_9291.jpg|"] Production Photographs by Vish Sharma CAST Bob - Charlie Tomlinson Fran - Brigid Hemingway Pip - Holly Boland Mark - Alexander Mike Thompson Ben - Anthony Morris Rosie - Megan Relph Rehearsal Photographs [gallery columns="6" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/IMG_2827-Medium-e1554794401718.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/IMG_2820-Medium.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/IMG_2857-Medium.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/IMG_2871-Medium.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/IMG_2851-Medium.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/IMG_2869-Medium-e1554794440943.jpg|"] Director's Note: Many congratulations to actor Anthony Morris who ran the Manchester Marathon in just over 4 hours then came on to rehearsals for Things I Know To Be True - only to be chased round and then thrown to the floor by his Father in the play Charlie Tomlinson. What a Star - Anthony we are all so proud of you! Review by Rick Bowen for Stagestruck THE words “family strife” take on a whole new meaning in this modern day classic, Altrincham Garrick’s production of the season. Andrew Bovell writes in a way that’s sure to affect those who see this piece very deply. Bovell’s writing is thoughtful, thought provoking, touching and warmly funny and the cast give performances of a professional standard, thanks to expert direction from Carole Carr. Poor Rosie (Megan Relph) returns home early from a backpacking trip to Europe after having her heart broken by a Spanish confidence trickster and who would blame here if she packed her bags and did a runner to escape the unfolding turmoil in her family home. It’s a home presided over by her doting but suffocating dad Bob, played by the always watchable Charlie Tomlinson and her mum Fran, one of the most fascinating female characters I’ve ever encountered in contemporary theatre, brilliantly portrayed here by Brigid Hemmingway. Bob is a dethroned patriarch and Fran is a woman who speaks her mind, but nothing can prepare them for the shocks that come courtesy of their other three grown up kids, Pip, Mark and Ben. This piece , while it shouldn’t be dismissed as an angst fest is hard on the emotions at times but it makes you feel like you’re actually living. Add a gorgeous set from Juliet Jones, some equally lovely and tender music and you have the complete theatre package. Hopefully the remaining seats will be snapped up because productions as good as this deserve packed houses. Go and send the box office phones into meltdown, for this is flawlessly brilliant. Star rating ★★★ ★★ Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Romeo and Juliet Ran Invalid Date - Jun 20, 2016 Age guidance Venue Running time Tickets Price Range Description In a world of music, fame and money, Shakespeare's classic play about love is brought to life in a brand new telling. The Montague and Capulet families are embroiled in a long-running feud and the hatred seems to be impossible to shift. When Romeo, a Montague, attends a Capulet ball in disguise, he falls in love with the beautiful Juliet, and she returns the love. A secret marriage takes place between the two young lovers, but happiness and harmony are not quite in reach as circumstances and fate continue to keep them apart. Perhaps one of the most famous plays of all time will be brought to the main stage in 2016, marking the 400th anniversary of Shakespeare's death. [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_6494.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSCF0817.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSCF0704.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_6651.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_6829.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_6882.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_7069.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_7110.jpg|"] CAST Friar Laurence - Mark Butt Juliet Capulet - Becky Myers Romeo Montague - Haroun Al Jeddal Nurse - Beverley Stuart-Cole Lady Capulet - Sarah Roberts Lord Capulet - Geoff Holman Lord Montague - Steve Williamson Lady Montague - Sandy McGuire Prince Escalus - John Westbrook Count Paris - Harry Jackson Mercutio - Tom Oliver Tybalt - Jackson Hayes Benvolio - James London Sampson - Kathryn Morris Gregory - Ben Hanley Balthazar - Emily Sibley Abram - Aidan Burgess Chorus - Barry Purves Chorus of singers, musicians and fighters, Tabitha Hughes, Rebecca Hanley, Ella Kirk, Tara Kitson, Sam Hey, Lara Hancox, Matthew Spilsbury, Simon Liversidge, Olivia Newhouse, Jack Gibson, Michael Twigg, Daniel McDwyer, Chis Wagstaff ASM - Sue Berry [gallery columns="6" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/09/IMG_3759.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/09/IMG_3764.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/09/IMG_3763.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/09/IMG_3762.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/09/IMG_3770.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/09/IMG_3769.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/09/IMG_3768.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/09/IMG_3767.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/09/IMG_3765.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/09/IMG_3766.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/09/IMG_3761.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/09/IMG_3771.jpg|"] REVIEW by Julia Taylor for Altrincham and Sale Messenger Romeo and Juliet production leaps to life at Altrincham Garrick I HAVE never seen a Shakespeare play move an audience so much as Joe Meighan's production of Romeo and Juliet at Altrincham Garrick. Joe has used imagination to create a play that, while sticking to Shakespeare's immortal words, uses modern dress, and a moral to make this play, presented 400 years after Shakespeare's death, leap to life. Set at the millennium, the Montagues and Capulets run rival record companies. The striking feature is the fight scenes. We have a huge battle at the start which is nothing compared with the stag-like conflicts between Tybalt (Jackson Hayes) and Mercutio (Tom Oliver) who dies. In revenge, Romeo kills Tybalt in another violent fight. These fights are graphic, disturbing, full of anger and, at times, even clumsy but they are realistic. Added to this, the 23-year-old director has introduced music including a remarkable unaccompanied harmony. Juliet was originally 13 but Joe has realistically upped her age to 16. Rebecca Myers, who plays her, is only 17. She gives a passionate performance as she and 17-year-old Haroun Al Jeddal illustrate how life?s strongest emotion, love, can overcome body and mind. The part of Juliet's nurse is interesting, made more so by Beverley Stuart-Cole. Deeply caring of Juliet, she adds ripples of humour. Mark Butt's Friar Laurence is played well as a wise mediator. The surprise ending makes you realise that attitudes, unchanged since the sixteenth century, need changing. Star rating ★★★★★ Review by Rick Bowen for Stagestruck DYNAMIC young director Joseph Meighan returns to the Trafford stage with a Romeo and Juliet for the Internet generation. But despair not - oldies like me certainly didn't feel excluded from a production with a soundtrack of pop songs. If I have a criticism I think the opening fight scene was a little over done, descending into comedy by the end. This is, after all, a play about two rival. feuding families who hate the bones of each other. JM is a very promising talent and the fact that Romeo and Juliet are close to the age they're meant to be gives the classic teen love story added authenticity. The two leads struggle to keep a lid on their emotions when Cupid's arrow strikes. Haroun Al Jeddal's Romeo is very much "one of the boys" and his performance is sure to strike a chord with the teenagers in the theatre - there were nearly 100 in the auditorium on Monday night - and those of us who can just about remember what it felt like to be young. With Rebecca Myers (Juliet) there are some memorable scenes to enjoy and the duo perfectly capture the awkwardness and emotional highs of young love. After seeing this production I really hope we see more of Geoff Holman on the Garrick stage for, as Juliet's tyrant of a father Lord Capulet, he is outstanding. The scene in which he rips into his daughter is quite frightening, as she dares to go against his marital decree. Don't be a stranger Geoff - you have a very strong stage presence. Any production that features Barry Purves as its designer is always something to write home about and he delivers yet again with a set that's a positive visual treat. What the purists will make of this I don't know and don't really care as live theatre is forever evolving. It's also a welcome return to Mark Butt whose Friar Laurence seems to have converted to Buddhism. Looking like he's dropped off a 60's album cover, Mark gives a very credible performance as a character full of eloquent authority - Star rating ★★★ Review by Mark Dee for North West End I suppose that one must come to accept that modern adaptations, reworkings and updatings of Shakespeare are not only acceptable but preferable to both modern actors and audiences. My personal feeling towards this is that if the work is to be changed to bring it more 'up-to-date', then don't just change the setting and the costumes, but the language also needs to change too... in other words, do as Shakespeare himself did with most of his plays... find a good story already in existence, and then write your own version. West Side Story is a classic example. A contemporary Musical set in New York using original dialogue and song. All too often do I see a modern interpretation of a Shakespeare play to find that the spoken word is at odds with action and costume. And so whilst the themes of Shakespeare's plays way well be timeless, the setting and language certainly are not. I am very happy to report then that despite my misgivings, Joseph Meighan's reworking and adapting of possibly Shakespeare's most famous play, and certainly his most universal, works really quite well indeed. And in a year that marks the 400th anniversary of the death of the great man himself, and with countless Shakespeare productions happening throughout the year, productions of his work this year especially need to have something different about them to make them stand out. This did, and did. I feel certain that I do not need to tell anyone the storyline, do I? However tonight's setting was Fair Verona, a nightclub, a short while before the 2000 Millennium chimes, and we could be very 'artsy' and say that perhaps the chimes of the new year were also the tragic death knells for our ill-fated protagonists. Although once the prologue had been spoken and the action moved away from the rather BGT-style opening, the Fair Verona sign should have been moved since we never returned to this nightclub again. The set was both excellent and constrictive at one and the same time. Consisting of a raised triangular dais centre stage upon which majority of the acting for each scene took place and two walls angled outwards either side at the same angle as the lengths of the triangle and lit with magentas and reds with occasional green light tubes appearing it was non-naturalistic and ultra-modern. Doors, windows, cabinets etc all were cleverly 'hidden' within these two wall flats and were operated seamlessly and quietly every time. The problem with Shakespeare's plays in general is that there are many scenes, often very short scenes, and this can be a director's and designer's nightmare. Here. however, director Joseph Meighan had chosen to incorporate into his cast a 'chorus' of young actors and actresses to sing some songs at opportune moments throughout the play, and it was these performers who also acted very much like background artists on a film set, filling out the scenes as necessary, and also bringing on and taking off the items of set and design for each scene. The scene changes were swift, but after a while became very predictable and I suppose more obvious too because of this. Before I turn to the main acting, I have mentioned the singing chorus so let me stay with them for a while. What a fantastic idea, and despite my conservatism and traditionalist values when it comes to The Bard, I have to admit to really enjoying this aspect of the adaptation. Starting with a Boy Band wowing the partygoers, to singing some beautiful complimentary songs (all from the chosen period of 1999 / 2000) throughout. The candlelit sung vigil at the tomb of Juliet was simply breathtaking. In general, the acting was of a high standard, and Meighan used a mostly young cast. It was a high-energy production and really quite 'raw'. There was lots of shouting and fighting....yes, lots of fighting, and the fight scenes were extremely well directed. For me there were certainly some stand-out performances in this very large and well chosen cast. Not only that but some highly original interpretations too. In the order they appear in the programme..... Mark Butt's Friar Lawrence was as original an interpretation as I have seen. A weed-smoking Buddhist! However, I think he made the right choices in playing this character very seriously and angst-ridden and I enjoyed the candidness and simplicity of this character who can all too often be seen as a comedy role. The programme next credits Beverley Stuart-Cole as the Nurse. Although in this reworking perhaps calling her a governess might have been more appropriate). Again, a unique interpretation, full of fun, sincerity, love, and indeed humanity. Stuart-Cole found both humour and gravitas in her role and it was one of the most enjoyable interpretations of Nurse I have ever seen. Next comes Rebecca Myers, playing a young teenage girl in love to a Tee. Her Juliet was giddy, naive, bouncy and immature when it should have been, and mature, tragic-heroic, and serene when it should have been; and goodness knows how many emotions she had to portray in between. A notoriously difficult role for any actress, since the part requires a maturity of acting prowess not normally available in the age of the character, and within the space of only 2 hours has to go through every emotion known to man. Shakespeare didn't write many truly great female roles, but when he did, boy, oh boy, he made them extremely difficult for the actress! Again, a most sensible and enjoyable interpretation. Juliet's love rivals were played by a love-sick and tormented but at times rather phlegmatic Harroun Al Jeddal (Romeo) and Harry Jackson (Paris), with a rather enigmatic and brazen interpretation of Mercutio by Tom Oliver. There were also a couple of odd choices too. I was uncertain as to why Lady Capulet (Sarah Roberts) was the only one with a southern accent when all the rest of the cast were most obviously northern. The part of Chorus (Barry Purves) also needed some highlighting. From an excellent beginning using his 'power' to freeze the action and for him to speak and explain the story, to him wandering about the set, lurking and silent. This 'presence' as not just a commentator but manipulator [in a smaller but similar way as the Emcee is in the Musical Cabaret] was a nice idea but underdeveloped and perhaps went unnoticed or uncomprehended by most. Perhaps a more obvious way of doing this might be to morph this role with Prince Escalus? (Just a thought..!) Joseph Meighan's directing was consistent and tight, and although I found a couple of his choices a little odd, they worked in context and with his utilisation of such a large and majority youthful cast did a wonderful job of making this story relevant and enjoyable, appealing greatly this evening to a capacity audience filled in the main with a whole group of A-level students from a local high school who are studying this text for their A levels. Modernising Shakespeare I guess is a little like Marmite - you either love it or you hate it - and as a traditionalist at heart I always find it very difficult to appraise modern interpretations. However this evening's offering was accessible to all - mostly! Maybe it was just first night nerves, but the beginning dialogues were rushed and quiet, and this naturalistic way of speaking Shakespeare is at odds with the declamatory and poetic writing style. With some simple but effective lighting, and a 'rough-diamond' feel to the whole show, this is one of the best modern reworkings I have seen in a long while, and although the older generation of audience members may not find much in this 'Godfather'-esque modernisation, it certainly appealed greatly to the younger generations, and, since it is a very long time since the Garrick's season included any Shakespeare (GAPA notwithstanding), it was a very welcome addition to their season and will undoubtedly prove to be a huge success. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Oliver! Ran Invalid Date - Jun 2, 2014 Age guidance Venue Running time Tickets Price Range Description The Garrick is thrilled to offer another treat for the Christmas season! Lionel Bart's brilliant adaptation of Charles Dickens' Oliver Twist has enjoyed sell out runs since its London premiere in 1960 and the award winning screen version in 1967. The famous story of orphan Oliver and his sometimes frightening journey to London where he encounters the dubious friendship of the artful dodger, Fagin and Bill Sykes is packed with favourite songs including, 'Food, glorious food', 'Consider Yourself', 'I'd Do Anything' and the classic, 'As long as he needs me'. This new version will bring the Victorian streets of London to life again and is sure to leave you asking for more! [gallery columns="5" type="rectangular" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/01/Oliver-2.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/01/Oliver-01.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/01/DSC_0393.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/01/DSC_0227.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/01/DSC_5362.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/01/DSC_0488.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/01/DSC_0479.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/01/DSC_0456.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/01/DSC_0424.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/01/DSC_0323.jpg|"] Messenger Review by Rick Bowen More like this please - a triumphant Oliver! at Altrincham Garrick One to watch - Nathan Ng as Oliver I can remember as a child being absolutely petrified of the Bill Sykes character in the big screen version of Oliver! A tribute, of course, to the considerable acting skills of the late Oliver Reed, who was far more than just a headline making hell raiser. Likewise, Charlie Tomlinson oozes menace as the notorious baddie in Altrincham Garrick's triumphant production of Lionel Bart's classic show. The directing team, the dream team, that brought us Gypsy earlier in the season have been re-united for a musical that deserves far more than the empty seats that greeted me on opening night.?No excuses - the TV isn't that inspiring and the weather not that bad. I studied in Sheffield where the climatic conditions we currently find ourselves in would have been considered balmy. Well no, but you get the gist. Nathan Ng strikes the balance between being suitably cherubic and endearingly feisty as Oliver and he's sharing the plum role with Michael Gaughan. I hope you like a challenge Michael, as Nathan also has one of the purest singing voices I've ever heard. You'll be biting your bottom lip during the beautiful number, Where Is Love For me, that's not the best song in the show. Who Will Buy? during which Oliver is serenaded by an assortment of street vendors congregating below his bedroom window, is my personal favourite, beginning as it does with a haunting solo. Doubling up seems to be the order of the order of the day here, with Stephanie Niland sharing the role of Nancy, Bill Sikes' long suffering but bafflingly loyal girlfriend. Her rendition of As Long As He Needs Me, in which this ultimately good sort tries to put the case for her devotion, is one of the high points of the show. Star Rating ★★★★ Remotegoat Review An Oliver to be remembered - A show to make you forget your post Christmas credit card bill, Oliver! simply must not be missed. The whole cast shine. You start to feel hungry even before Nathan Ng's Oliver asks for more. Just the sound of 17 boys voices singing Food, Glorious Food with such gusto starts your tummy rumbling. Your appetite is whetted in a different way by the quality of this Dickens' tale performed by a fantastic cast who are a delight. Young Nathan does wonderfully well in the title role and we are on his side as he faces hardship at the work house, from his undertaker boss, and in the hands of his counterpart, the Artful Dodger, a cunning but likeable Rob Dutton. These two young actors are so impressive, it is hard to realise they are only 12 and 16 respectively. Despite the jollity of the dancing (choreographed by director, David Needham) and songs like Nancy's Oom-Pah-Pah, this show has it's sadder moments. The one that stays with you is Nancy's murder by lover, Bill Sykes. Her loyalty to this evil man is hard to understand and you conclude the only answer is that she loves him. Charlie Tomlinson's despicable Bill makes scoundrel Fagin, look like an angel. Stephanie Niland sings As Long as He Needs Me both poignantly and beautifully, illustrating well her attraction to this bastard. The quality of Stephanie's voice is as good as any professional. Although Fagin is a criminal who uses children to pick pocket for him, Steven Finney projects him as an old man who is genuinely fond of them and acts like a father figure. His rendering of Reviewing the Situation is particularly expressive. A word in praise of the ten-strong orchestra led by Steven Mercer. They are the perfect accompaniment to the many catchy numbers but also add atmosphere. For instance, when Oliver is arrested, the violinist, Rachael Drury, creates an element of surprise and dismay by making a discordant screeching sound on her instrument. Some roles are interchangeable over the course of the production. Other well known Garrick names take over on other nights and because I know them, I can give assurance they will be equally as good as those involved on the first night. The Production Supervisor is Paul Kerryson, the Garrick's new Executive Producer. If, under his guidance, this show is an indication of what is to come, we are in for exciting times. Oliver is one of the best musicals I have seen at this excellent theatre although I have seen many other good ones as well. Preview in the Messenger A show to leave audiences wanting more at Altrincham Garrick Planning mischief - Steven Finney as Fagin and his gang in rehearsal First publishedTuesday 13 January 2015 by Rick Bowen ALTRINCHAM Garrick turns to a giant of musical theatre for its next production, in the shape of the Lionel Bart classic, Oliver! Immortalised on the big screen in a famous movie starring Ron Moody as the slippery petty criminal Fagin and Oliver Reed as the genuinely scary Bill Sykes, Oliver! is crammed with showstoppers that are certain to please theatregoers of all ages. Memorable numbers include Food, Glorious Food sung by Oliver and his fellow orphans and As Long As He Needs Me, performed by Sykes' long suffering but unbelievably loyal partner, Nancy. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production The Nelson Touch Ran Invalid Date - Aug 12, 2019 Age guidance Venue Running time Tickets Price Range Description Bradshaw, James H Courtney, Donald Field, Charles W Gooby, Kathleen Hughes, Geoffrey Kaye, Gilbert L Wood, Joan White, Leo Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production The Custody of Parents Ran Invalid Date - Aug 12, 2019 Age guidance Venue Running time Tickets Price Range Description Bateman, Brian Coventry, Betty Gough, Eva Kay R H Matley, Henry (Harry) Monkhouse, Mary H Shaw, A Keble Stevens, Catherine Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production 42nd Street Ran Invalid Date - Jun 2, 2014 Age guidance Venue Running time Tickets Price Range Description This spectacular musical is the truly inspiring story of small-town girl, Peggy Sawyer and her meteoric rise from chorus line to Broadway star. Based on the original film starring Ruby Keeler, this feel good show boasts the immortal numbers, 'We're in the money', 'The Lullaby of Broadway', 'Keep young and beautiful' and the spectacular title number '42nd Street'. It's not all plain sailing for Peggy, who has to contend with the fiery director Julian Marsh, but as Julian reminds him before the opening night- 'You are going out there a girl, but you are coming back a star! This show has won many accolades over the years, so whether it's your first time or umpteenth time- 'come and meet those dancing feet, on the avenue I'm taking you to- 42nd Street!' [gallery type="rectangular" columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/DSC_8418.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/DSC_8394-2.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/DSC_8348.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/DSC_8309.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/DSC_8267.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/DSC_8476.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/DSC_8461.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/DSC_8208.jpg|"] CAST Dorothy Brock, a Broadway star Vicki Stott Peggy Sawyer, young talented and hopeful Megan-Hollie Robertson Julian Marsh, a Broadway show director Charlie Tomlinson Maggie Jones, author of "Pretty Lady Laura Chandler Bert Barry, co author of "Pretty Lady" Paul Wilson Billy Lawlor, a juvenile lead Sam Jones Pat Denning, Dorothy's secret lover Richard Ross Abner Dillon, a rich business man Richard Sails Andy Lee, the dance director Michael Byer s Mac, A stage manager Elliot Horler Ann Reilly, a young starlet Anysia Bramante-Waring Ethel, a performer Jessica Hill Phyllis, a performer Stephanie Haighton Lorraine, a performer Olivia Lindley Gladys, a performer Victoria Davies Winnie, a performer Shannon Platt Jack, assistant to the director Jack Hales Two thugs David Burilin Elliot Horler Doctor James Bowling The ensemble of "Pretty Lady" Members of the company Creative Team Choreographer Debbie Norris Musical Director. Simon Murray Set designed by Barry Fletcher and Mandy Cooke Costumes designed by Mike Shaw Costumes made by the Garrick Wardrobe Assistant choreographer Jessica Hill Construction by Peter Jackson [gallery columns="6" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/42nd-Street-Reh-01.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/42nd-Street-Reh-02.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/42nd-Street-Reh-03.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/42nd-Street-Reh-04.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/42nd-Street-Reh-05.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/42nd-Street-Reh-06.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/42nd-Street-Reh-07.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/42nd-Street-Reh-08.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/42nd-Street-Reh-09.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/42nd-Street-Reh-10.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/42nd-Street-Reh-11.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/42nd-Street-Reh-12.jpg|"] Messenger Review by Rick Bowen - 'Sensational 42nd Street at Altrincham Garrick' Dance heaven - 42nd Street ALTRINCHAM Garrick's 42nd Street is an amateur production in name alone, performed by a company that was simply born to sing and dance. Even on a miserable Monday masquerading as the first day of summer, it left the audience with that floating on air feeling, this absorbing and warmly funny tale of a chorus girl whose simply a star in waiting. Under the inspired direction of executive producer Paul Kerryson this show simply couldn't fail. Garrick members must have been rubbing their hands when he agreed to join the theatre and he particularly excels when it comes to musicals, bringing the best out of a cast who give the distinct impression they don't want to leave the stage. The dance routines are slick, stylish and sensual and for this I must praise choreographer Deborah Norris for bringing us some sensational tap numbers. It feels like magic is coasting through the feet of the dancers, who make it look oh so easy. Megan-Hollie Robertson makes a perfect Peggy Sawyer, battling against the fading star Dorothy Brock as she dreams of stardom. As the diva like Brock, Vicki Clarkson has a terrific voice and both wouldn't sound out of place on a professional stage. Then there's the ever watchable Charlie Tomlinson as the demanding director Julian Marsh. Not so much a tough taskmaster, more the tough taskmaster's more demanding twin brother. Add some classic showstoppers like Lullaby of Broadway and You're In The Money, and you have the complete musical package. So, why were there some empty seats on Monday night. Productions as brilliant as this should have people beating down the box office door. The best musical I've ever seen in Trafford by a street, a 42nd Street. Star Rating ★★★★ ★ Remotegoat.com Review - 'A Happy Tapping Show' As always, the Garrick breaks up for the summer with a show to remember. This time, it's the happy, tapping 42nd Street with Al Dubin's lyrics and Harry Warren?s music. It rattles along with a live, on stage band led by Simon Murray and a troop of well-choreographed dancers. The show keeps you on a high throughout. It amazes me how the Garrick, can with apparent ease, find ten lively, competent, people who don't just dance but sing simultaneously. And what wonderful songs they sing. Songs which never date such as We're in the Money, Shuffle off to Buffalo and Lullaby of Broadway are just a few, not to mention the show stopping title song.? The thin plot centres on chorus girl Peggy Sawyer who steps into the breach when ageing star Dorothy Brock breaks an ankle in Pretty Lady, the show within the show that must go on at all costs. Megan-Hollie Robertson is well cast as the lively, light-hearted Peggy, the girl whose dreams come true. The other leading lady, Vicki Clarkson's Dorothy has no more dreams to dream. Her show-biz career is over. Clarkson takes us through her descending journey. Her rendering of I only have Eyes for You is tear jerking and indicates that love is more important than success. She proves it by marrying her true love, Pat Denning (Richard Ross). The task of keeping Pretty Lady on the road falls to dynamic Charlie Tomlinson as Julian Marsh, its director. His main aim is 'The show must go on' and he becomes frustrated when this aim is in doubt. His singing of 42nd Street is delightful. Director Paul Kerryson?s professional touch proves to be a winning one. 'With Mike Shaw's imaginative costume design, this happy production is one to remember. Star Rating ★★★★ Entertianment Manchester - Review by Chris Oatway It is always difficult to have an open mind with a show you have a preconception of having performing in it twice yourself, but I tried with Altrincham Garrick's latest offering of 42nd Street and really enjoyed what I saw. Having also performed in the show at that very same theatre in the previous production by Trafford Margaretians, it was hard to side-step the impression that there were quite a few changes to the script, and indeed a few of the songs (showstopper 'I Only Have Eyes For You' from the film Dames, replacing 'I Know Now' at the end of the bar scene). Nonetheless, it is the whole experience that makes a show and with the demand for strong dancing - particularly tap - and the portrayal of vanity, despair, love, aspiration and ambition, the show offered these in bundles, mainly through talents of students from Chester's The Hammond School, as well as society regulars. Following the insight of renown theatre director Julian Marsh (Charlie Tomlinson), the show begins at the 'audition tap' where we meet choreographer Andy Lee (Michael Byers) and a group of enthusiastic and ambitious young 'chorines' each wanting to get into Marsh's latest show 'Pretty Lady', written by duo Maggie Smith (Laura Chandler) and Bert Barry (Paul Wilson) and funded by Kiddie Car'tycoon Abner Dillon (Richard Sails), who is also sugar daddy to 'has been' leading lady Dorothy Brock (Vicki Clarkson) who still has feelings for her vaudeville partner Pat Denning (Richard Ross). Late-comer to the audition is 'young and healthy' Peggy Sawyer (Megan-Hollie Robertson) of Allen Town Pennsylvania who bumps in to leading man and 'one of Broadway's better juvenile tenors' Billy Lawlor (Sam Jones) who reassures her that she will gain a place in the show, but Andy won't 'audition [her] unless he's got no choice'. Off they go with a duet of singing and dancing before Mr Marsh arrives at the theatre to welcome the successful chorus members of his show. He realises he is 'shy one girl' and so turns to 'the first girl [he] meets on the street' in the form of Peggy. Later in the show Dorothy accidently trips over after being 'pushed' by Peggy during a dance routine and Marsh causing Pretty Lady to close. The female supporting cast of 'Anytime Annie' Reilly (Anysia Bramante-Wareing), Gladys (Victoria Davies), Winnie (Shannon Platt) and Phyllis (Stephanie Haighton) propose that talented newcomer Peggy be considered to fill the leading part and, with no other option, he agrees, forcing her to learn the whole show in a matter of hours. With comedy playing a big part throughout the show, the strongest musical parts of the show, as well as some of the solos, have to be the group vocal pieces with a welcomed section during ?Dames? from David Burilin. Choreography from Deborah Norris and Jessica Hill (who also plays Ethel) is well thought out and most matches that of the original and subsequents but it was not always in sync, when it was it became the highlights of the show.?With a beautiful art deco set, in which MD Simon Murray?s 10-piece band were encased, was nice even when closed to provide an indoor setting for the dressing room and scenes but I did miss the iconic steps and railway bridge which I think could have still been included above the band. The whole stage was utilised as were the doors around the auditorium which occasionally detracts from the scenes on stage. As the show follows the progress and transitions of a Broadway show from rehearsal to theatre before theatre to theatre, you can?t fail to mention the likes of Stage Manager Mac (Elliot Horler) and Jack (Jack Hales) - not a double act! - Who both double up as dancers (Elliot also taking on the role of a Thug and Doctor) and contribute to the 'backstage' sense. Directed by the theatre?s figurehead Creative Director Paul Kerryson, overall a good show that 'should' be a sell out, so you better get your tickets for at least one of the remaining 7 performances of its run. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Gypsy Ran Invalid Date - Jun 2, 2014 Age guidance Venue Running time Tickets Price Range Description This is one of the most outstanding comedy musicals ever written. Based on the true memoires of Gypsy Rose Lee, it tells the story of the fiercely ambitious show business mother, Mama Rose and her daughters June and Louise. It is the late 1920's and the world of vaudeville is fast dying out. When June falls in love with a boy in the act, Rose turns her attention to the seemingly less talented Louise, but it is not in a tacky vaudeville that Louise is destined. Louise gets her break in the new sensation which is the spectacular and glamorous world of burlesque. With a score packed with hits like, 'Everything?s coming up roses', 'Let me entertain you', 'Together, wherever we go' and the show stopping, 'You've Got to get a gimmick'- Not to be missed! [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/10/DSC_5293.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/10/DSC_5340.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/10/DSC_5307.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/10/DSC_5250.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/10/DSC_5116.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/10/DSC_5049.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/10/DSC_2257.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/10/DSC_2191.jpg|"] CAST ROSE - Dawn Flint HERBIE -Steven Finney LOUISE -Megan-Hollie Robertson DAINTY JUNE -Bethan Jacks MAZEPPA - Laura Chandler ELECTRA - Alexandra Howarth TESSIE TURA / MISS CRATCHITT - Stephanie Niland UNCLE JOCKO / MR. KRINGELEIN - Mike Shaw TULSA - Sam Jones POP / CIGAR / MR. GOLDSTONE - Bill Platt YONKERS / PASTEY - Elliot Horler ANGIE - Jack Hales L.A - Jon Walker DOLORES - Katie Thorpe MARJORIE - Megan Flanagan THELMA - Bethany-Jayne Dalton AGNES - Bethan Jacks Messenger Review Flawless - Gypsy at Altrincham Garrick Can somebody tell me, what actors have to do to get a standing ovation these days? I really thought we were on the verge of witnessing one at Altrincham Garrick on Monday night, after the audience had been treated to a production of Gypsy that was flawless in every respect. But the audience, appreciative throughout nearly three hours of unadulterated musical pleasure, somehow managed to stay in their seats. The show is inspired by the memoirs of Gypsy Rose Lee who made her name as a burlesque entertainer and unusually for musicals of this genre you do care about the leading characters. Mama Rose may be the archetypal pushy parent as she strives to turn her daughters into showbiz stars but it's impossible not to like this larger than life, no nonsense character. Dawn Flint is fabulous in the role and she certainly does justice to the big numbers with her awesome vocal range. There's a great chemistry between her and her loyal daughter Louise, played to perfection by Megan-Hollie Robertson. Megan-Hollie has a fabulous voice and is a very gifted actress, conveying her character's transformation from frightened rabbit to demanding diva quite brilliantly. Steven Finney is highly likeable as Rose's love interest, Herbie. The production's other big selling point is the choreography which makes for some truly exhilarating and memorable dance routines. Choreographer David Needham, who is also the stage director, deserves an enormous amount of credit for this. Sometimes children look as if they're performing in front of a firing squad when they're on stage. The youngsters in this production look like they've been acting, singing and dancing forever and I was particularly impressed with Isabelle Smith and Chloe Radford and Baby Louise and Baby June. If there were ever two children who were born to perform, it's these two. When word gets out as to just how good this Gypsy is, it is sure to sell out. So, make sure you don't miss the best musical to hit Trafford in years. Brilliant. Star Rating ★★★★★ Remotegoat Review of Gypsy by Julia Taylor A Show to stop Hearts The Garrick's production of Jule Styne and Stephen Sondheim's Gypsy is a show and heart stopper to beat anything they've done before. The sheer professionalism of all concerned takes your breath away. As well as the cast, that goes for the seven piece orchestra, the 10 strong wardrobe department, the set designer, lighting and sound engineers and even the unnamed make up artist. This musical based on a book by Arthur Laurents is about real life star Gypsy Rose Lee. Rarely seen since 1959 it pinpoints a familiar theme the desire of parents to bask in their offspring's glory. This time the parent is Rose, a red-headed hunk of womanhood who cannot be ignored and leaves you in no doubt that show business is her business. She has two daughters. One, a lively, beautiful child, June, is a chip off the old block. The other, Louise is so quiet she is virtually ignored by her mother but eventually turns the tables on her in a spectacular way. The three times married Rose preens herself before men and one rather weak man, Herbie (Steven Finnie) falls for her charms. That's the set up. And it's an excuse for some lovely singing and dancing. The pivotal role is, of course, that of Rose. Dawn Flint is the perfect choice. She is pushy and brassy and has a fantastic voice. There are a couple of songs she sings with Steven Finney's Herbie. They are Small World and You'll Never Get Away from Me performed movingly by both. Her piece de resistance is Everything's coming up Roses, as she stands in front of the apron which extends the stage, opens her arms and virtually envelops the audience into her bosom resulting in rapturous applause. The other two leading roles are played by Bethan Jacks and Megan-Hollie Robertson. Bethan's June is a regular little Shirley Temple as, wearing a blonde wig, she belts out Vaudeville songs as well as tap dancing and doing the splits. The role of Louise is even more taxing because Megan-Hollie has to transform her from a shy violet to an outgoing charismatic woman. The pair do well in their duet If Mamma was Married. There is an appealing scene when three strippers, played by Laura Chandler, Alexandra Howarth and Stephanie Niland sexily perform You Gotta get a Gimick. Sam Jones in the small role of Tulsa tap dances his way through All I need is a Girl in an unforgettable way. This is a great night's entertainment and well worth seeing. There' s a Saturday matinee, too. Star Rating ★★★★★ NODA Review by Kevin Proctor I once heard it said that this show shouldn't ever be mentioned as a possibility unless you know you have someone who was born to play 'her', following on from that, I once read in an article talking about 'Gypsy'; should the topic of the orchestra budget being reduced ever come up 'it's time to close! If these two belting statements should tell you anything, it's how vital these two components are to the success of this show!? Gypsy is not a project to be approached lightly, it's a show which has everything and therefore needs everything throwing at it. Whenever I discover that I'm going to see a show I hold so dear to my heart, it's not uncommon for me to sense a rush of nerves (and excitement). The excitement - well, that's a given - but the nerves?? Could it be because I hold such high esteem and expectations towards the shows I adore most? This production was delivered with a modern outlook which is always an exciting prospect for me and something I always admire. Upon entering the auditorium it was clear, in an instant, that this production had been given a bold new stamp - however, I can?t deny that such a bold and new statement for this show made me feel a little nervous (that word again) ? and this is even before the houselights had begun to fade! Yes, I'm talking about the design of the show, and a masterpiece it was. The ?look?, created by Barry Purves was not what you?d expect for this show, it had a modern / contemporary feel and a fresh outlook; A distressed flag of the USA swooped across the stage suggesting that this piece is set against a time when America was suffering, a broken proscenium arch framed half of the stage to suggest that this was also a time when theatres and live entertainment were also wounded. The design of the staging was minimal with no real set changes, just the required furniture which worked and erased any unnecessary fuss and allowed the show to keep moving like the freight train it is! Dawn Flint (returning to the Garrick after a few years off) tackled what is arguably the most demanding female role in Musical Theatre?ever; Mama Rose! Dawn indeed demonstrated qualities required for Rose and interpreted this iconic Broadway figure with a good punch. Dawns highlights were in all the right places; 'Everything's Coming Up Roses' & 'Roses Turn' were indeed her strongest moments. It would be unfair for me to grill this performance too deeply - I could go on forever - but what cannot be denied is the stamina to hold her own. With this epic and mammoth delight of a part, just to carry out what the book and score asks alone is a mighty achievement in itself on which she must be congratulated! The production was gorgeously directed (and choreographed) with tenderness and empathy by David Needham - the humour, drama and poignancy of this show were all impeccably exposed. Referring back to a statement I made at the start of this report, I was surprised to learn upon perusing the programme before taking my seat that instead of an orchestra, we were being given a seven piece band this, for me, was the shows biggest mistake. The Septet were indeed a strong and tight collection of musicians, though, no matter how well they each play an instrument, they cannot be expected to make up for so many missing parts. The marvellous Gypsy Overture (in fact; the very best of all Broadway Overtures) sounded empty and incomplete, as did all of the instrumentals throughout the show - though, giving them their due they did manage to fill out the sound for more of the show than I'd have thought possible considering they were approximately twenty musicians too few. This, the first musical presented by the Garrick under the new creative supervision of Paul Kerryson has attracted an influx of new blood to the company, this draw has enabled the Garrick to vividly broaden the scope of production genres they can now present, opening up an entire new and exciting catalogue of possible future productions, exciting times indeed! Before I get carried away back to the production in hand! - As important as new blood is to any aspiring theatre group, the part which stole this production of 'Gypsy' and ultimately brought the house down was 'Gotta Get A Gimmick' which featured two Garrick stalwarts (Laura Chandler & Stephanie Niland) and one new face to the Garrick, albeit a regular face amongst the local scene (Alexandra Howarth) these three girls nailed this sequence, undoubtedly the productions top highlight for me! Megan-Hollie Robertson took the role of Louise, at the tender age of just 19, Megan delivered the journey and telling of this character with such maturity and understanding, way beyond her years a beautiful actress with a voice to match.? The relatively short lived role of Dainty June was delivered on fine form by Bethan Jacks as was the two tots playing Baby June and Baby Louise (Isabelle Smith & Chloe Radford). Bill Platt and Mike Shaw presented many humorous faces throughout the production injecting good energy and fun into the proceedings popping up as Uncle Jocko, Pop & Mr. Goldstone et al. Though, Stephanie Niland as Tessie (and making a delightful cameo appearance in Act I as Miss Cratchitt) stood out, her calibre as an actress is second to none with a command and charisma so infectious, a superb performer! This production was indeed mighty, the overall delivery of this classic was presented to a very high standard which was indeed impressive and worthy of high praise indeed, many congratulations. Preview in the Messenger - First published Monday 29 September 2014 byRick Bowen Gypsy about to cast its spell at Altrincham Garrick Pictured are Dawn Flint (left) as Mama Rose and Megan-Hollie Robertson (right) as Louise With a famous score that includes lyrics by one of the giants of the modern musical Stephen Sondheim, Gypsy is sure to cast a spell over Trafford audiences. The musical, Altrincham Garrick's next production, tells the story of burlesque entertainer Gypsy Rose Lee and has a score boasting showstoppers like Everything's Coming Up Roses and You've Got To Get A Gimmick. The show was inspired by the memoir of Gypsy Rose Lee - entertainer, actress, author and playwright. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production The Phantom of the Opera (Youth Version) Ran Invalid Date - Jun 2, 2014 Age guidance Venue Running time Tickets Price Range Description Recently our talented young director, Joe Meighan directed a sell out version of Les Miserables at the Garrick performed by a stunning cast of young performers. Now Joe returns with perhaps the most successful of all musicals- Andrew Lloyd Weber's masterpiece, The Phantom of the Opera. Far beneath the majesty of the Paris opera House hides the shadowy existence of the Phantom. Shamed by his physical appearance and feared by all, the love he holds for his beautiful Christine is so strong that even her heart cannot resist. With fabulous songs, 'Music of the Night', 'All I ask of You' and 'Masquerade'- this promises to be a night at the opera not to be missed. [gallery columns="5" type="rectangular" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/04/DSC_2373.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/04/DSC_2189.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/04/DSC_2326.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/04/DSC_2133.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/04/DSC_2160.jpg|"] CAST The Phantom of the Opera - CHRIS WAGSTAFF Christine Daa - JESSICA HEAPS Raoul, Vicomte de Chagny - JACOB ROBSON Carlotta Giudicelli - BEATRICE MARSHALL Monsieur Firmin - JAMES LONDON Monsieur Andr - DILLON BURGESS Madame Giry - EMILY YARWOOD Meg Giry - MEGAN JOHNSTONE Ubaldo Piangi - DANIEL UPCHURCH Auctioneer/Monsieur Lef'vre - RYAN CLARKE Joseph Buquet - AIDAN BURGESS Monsieur Reyer - JORDAN PENDLETON The Company - AIDAN BURGESS, RYAN CLARKE, AMY FAULKNER, LIZ FRASER, DOMINIC GRATTON, REBECCA HANLEY, ELISSA HEADFORD, EVIE HEADFORD, LUCY SHORT, HANNAH WILLIAMS The Ballet Chorus of the Opera Populaire - EMILY BARNETT, REBECCA DALE, BETHANY DONELON, MADDIE DORE, MADELEINE FAY, KATE HOWKINS THE ORCHESTRA Conductor - DANIEL MCDWYER Violin I (Leader):TOM ROWAN-YOUNG ViolinII:JO LUCAS Viola:LIAM REDMOND Cello:CARA JANES Contrabass:ALI MCMATH Harp:SOPHIE ROCKS Flute/Piccolo:CONOR PRESCOTT Flute:CLARE HOUGHTON Clarinet/Bass Clarinet:EMILY FARREN Oboe/Cor Anglais:HEREWARD READE Bassoon:BETH DAVIS TrumpetI:BEN CONWAY TrumpetII:ADAM ALBINSON Trombone:MATTHEW CORRIGAN HornI:ADAM JORDAN HornII:DAVID MAXTED Percussion:TREVOR BARTLETT KeyboardI/Accompanist:SAM DAVIS KeyboardII:RUAIRI LEONARD CREW Choreographer - KIRSTY HOOPER Musical Director - DANIEL MCDWYER Assistant Musical Director - RUAIRI LEONARD Set Design - ROS GREENWOOD Lighting Design - GEOFF SCULLARD Sound Design - COLIN WOODS Sound Assistant: ARI LEVY Costume Design - GARRICK WARDROBE Scenic Artist - MANDY COOKE Production Carpenter - PETER JACKSON Properties & Furniture - JOHN NEWTON & JO MYERS Company Stage Manager - CLARE GRESTY Assistant Stage Managers - JESS FAWCETT & TONI RUTA Stage Crew: MARK McEWAN, STUART KILBURN, JO MYERS, ADAM HOOPER & PHIL GLEAVE On-stage Scenery Technician: PAUL SIMPSON Deputy Stage Manager - VAL WATKINSON Phantom Make-up Artist - LIZZY GARRETTY Make-up & Wigs - PATRICIA SHAW AND THE GIRLS FROM SOUTH TRAFFORD COLLEGE [gallery columns="5" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/03/The-Phantom-of-the-Opera-10-.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/03/The-Phantom-of-the-Opera-09-.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/03/The-Phantom-of-the-Opera-08-.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/03/The-Phantom-of-the-Opera-07-.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/03/The-Phantom-of-the-Opera-06-.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/03/The-Phantom-of-the-Opera-05-.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/03/The-Phantom-of-the-Opera-04-.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/03/The-Phantom-of-the-Opera-03-.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/03/The-Phantom-of-the-Opera-02-.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/03/The-Phantom-of-the-Opera-01-.jpg|"] Messenger Review by Rick Bowen Phant-astic - Garrick youth shine in latest show Magical moment - Chris Wagstaff as the Phantom and Jessica Heaps as Christine The last youth production I saw, opposite Shakespeare's Globe in London, was pure torture. Altrincham Garrick's The Phantom of the Opera, on the other hand, is pure brilliance with the cast spectacularly rising to the many challenges this fabulous musical poses. Musically, this is Lloyd Webber's finest hour for me, with a score teeming with memorable, sumptuous showstoppers. It is difficult to perform but this vibrant young company make it look oh so easy, under the accomplished direction of Joseph Meighan from Flixton. Remember that name - on the evidence of this stunning show he is going places. Not only are the cast gifted singers, but they are equally adept when it comes to conveying the intense emotion running through this most un-orthodox of love stories. Jessica Heaps is spellbinding as Christine, with a voice so pure and powerful it is sure to bring you out in goose pimples. The scenes with the Phantom are so good, so captivating, you don't want them to end. A powerful chemistry exists between Jessica and Chris Wagstaff, who is as sympathetic as he is scary in this difficult stage role. Jacob Robinson also excels as Raoul and a very bright future awaits all three if they embark on a career on the professional stage. It seems unfair to single out individual performances as there aren't any weak ones and I wish I had the column inches to mention all of you, as this show represents a high water mark for youth theatre. The standard has been well and truly set.?Musical director Daniel McDwyer and choreographer Kirsty Hooper also deserve praise because they've also played their part in making this a truly memorable night at Altrincham Garrick. Star Rating ★★★★ ★ Remotegoat.com Review by Julia Taylor 'A kaleidoscope of young talent' Just imagine. You have left the Garrick Theatre behind and are now sitting in the bowels of the Paris Opera House where you meet the disfigured Phantom who haunts it. His voice is clipped giving away his disturbed state of mind after the loss of a woman?s love and he plans revenge., He weeps, howls and groans when she rejects him and your attention never leaves him. What is more, he's only 17-years-old. For Chris Wagstaff who plays him, is taking part in a youth production of The Phantom of the Opera that is utterly mind boggling in its professionalism. Director Joe Meighan, who took charge of last year's youth hit Les Miserables, is only 20. Yet his Phantom, which the Garrick asked him to direct, is even better. The Garrick Youth Group ring out with Andrew Lloyd Webber's glorious songs accompanied by a live orchestra also made up of young people. The cast are impressive in their mastery of intricate operatic interaction. Singers with unforgettable voices are Jessica Heaps as Christine, the opera singer, and Jacob Robson who is her first love, Raoul before the phantom lures her away. Their rendering of All I ask of You sends shivers down your spine. Not only is their singing out of this world but their acting skills are sensational. I am equally impressed by Beatrice Marshall's Carlotta. A third year student at the Royal Northern College of Music, her soprano voice can reach the highest notes yet she varies the sound to suit the script. James London and Dillon Burgess add a lighter touch as Monsieurs Firmin and Andre. A word about the costumes. The Masquerade scene, in particular, which features the whole company, indicates the variety of imaginative and colourful designs. The phantom also wears spectacular outfits. And what an ending! It builds up dramatically to a horrifying climax. This kaleidoscope of young talent is a must see. It finishes on Friday so don't miss it. Star Rating ★★★★ ★ NODA Review by Kevin Proctor I have always studiously avoided this musical which I perceived to be a mawkish melodrama with a few played-to-death love songs. It wasn't until I could no longer choose the productions I attended that I ever saw this show in its entirety and to my surprise I rather enjoyed it. Like other recent Garrick presentations, I was somewhat surprised to see this title when this season was announced - an interesting choice and another challenging one! The in-house wardrobe team lead by Mike Shaw tops all triumphs with their extravagant costuming, the Phantom himself could easily be upstaged! Not so, Chris Wagstaff oozes menacing sensuality as the man behind the mask with dramatic power and twisted pathos. The second time I've seen Chris take on the role following his success with the PADOS production last year, unbelievably, with this performance, he has overtaken his own winning standard. Flawless. Jessica Heaps as Christine Daae, the beauty to the beast, has many of the qualities required for the role, some of her moments were strong indeed bringing an honest likability and confident energy to her performance. At times appearing a tad 'stagey' for me which certainly would have worked if confined for the moments she performed the 'shows within the show' but I would have liked to have seen a more tranquil and naturalistic presentation for the majority. Jacob Robson as Raoul, the love struck Vicomte de Chagny was refined and elegant. The role was charmingly underplayed transforming a wet (arguably slimy) part into a potent and warm character. A class act! There are marvellous cameos by; Beatrice Marshall as the outrageous prima donna Carlotta, exposing remarkable vocals amidst her hilarious riotous trait; as so with Daniel Upchurch's ostentatious tenor Ubaldo Piagi; Megan Johnstone as Meg offered a genuine warmth to her interpretation and the austere ballet mistress, Madame Giry brought a perturbed depth which Emily Yarwood uncovered, creating an untold interest to what can be a forgettable role. I wouldn't have thought it but a static set does indeed work for this production, it administered more of the action to take place down stage (which is never a bad thing) while creating visual interest with its many levels and towering structure. This, working closely with the effects contributed to the overall impressive delivery. Speaking of effects, I was stunned with the vanishing act for the Phantoms final exit, terrific! It is unfortunate that if things run smoothly from the technical side, they'll not get a mention in a critique unless they've done something particularly impressive, the technical aspect of a production, sadly, only get mentioned should something have gone awry. This production was still finding its feet on the night I attended as several sound q's were missed with some mic's being turned up too late if at all and the unlucky misplacement of the 'tomb stone' blocking the lighting special for the whole of 'Wishing You Were Somehow Here Again' which resulted in Christine performing the entire number in complete darkness. The sound from the pit was outstanding! Daniel McDwyer headed a fine orchestra indeed which complimented the whole show, rocketing it into a whole new level. The production was sensitively directed by Joseph Meighan who presented a warm salute to a show loved and favoured by so many. There are some shows open to fresh interpretation and there are others which you don?t mess with, I sensed this to be an opinion Joseph is well aware of! Congratulations to a production team (Kirsty Hooper too, for her movement) who should be immensely pleased with such a result. 'Phantom' will never be a show I'd get overly excited about (personal taste) though I'd challenge anyone to not enjoy or appreciate this production which has obtained more enthusiasm from me towards this show than anyone else ever could. Feeling the need to remind the reader that this is a critique for a youth production, I've not at all softened or censored my feelings towards this production because of its youth cast. Whether these players were adult or youth, they were marvellous all the same! Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production The Rise and Fall of Little Voice Ran Invalid Date - Aug 18, 2015 Age guidance Venue Running time Tickets Price Range Description This is a wonderful heartwarming northern comedy play about a shy reclusive girl with hidden talent. Living alone with her larger than life and sometimes raucous mother Mari, "little voice" escapes from her loud blouse mother to her bedroom where she immerses herself with her late and greatly missed father's LPs. Here she discovers the voices of Piaf, Shirley Bassey, Judy Garland and many more. She discovers a unique talent to copy these sounds. Enter Mari's new rough diamond boyfriend, and would be club agent Ray and Little Voice is in danger of being exploited in his ambition to make her a "star" and hit the big time. But will anyone ask Little Voice what she wants. This award winning play by the incredibly talented northern playwright, Jim Cartwright mixes northern grit with Hollywood glamour, hilarious characters and iconic songs in this story of emotion and earthy comedy. CAST Mari Hoff - Lise Banks Little Voice - Olivia Archbold Phone Man - Paul Clarkson Billy - Rob Dutton Sadie - Roz Ford Ray Say - Andrew Higson Mr. Boo - Martin Oldfield [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/01/DSC_2672.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/01/DSC_2941.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/01/DSC_2902.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/01/DSC_2844.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/01/DSC_2843.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/01/DSC_2858.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/01/DSC_3123.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/01/DSC_2696.jpg|"] Review - Rick Bowen PAINFULLY timid, Little Voice spends most of her time shut away in her bedroom, playing her late father's beloved vinyl collection on a museum piece?of a record player. She's so quiet in company you could forget she's there, but beneath her mousy exterior lies a remarkable talent that nobody can ignore. Altrincham Garrick launches its new season with a modern day classic, in the shape of Jim Cartwright's The Rise and Fall of Little Voice. One of my favourite writers, Cartwright's script is as laugh out loud funny as it is poignant and he makes you care about Little Voice, a fragile flower who also has a domineering drunk of a mother to contend with as well?as her socially debilitating hang ups. This is a tribute to Cartwright's writing, the direction of Peter Birch and the performance of Olivia Archbold as Little Voice. I really enjoyed the way she developed the character and I'm sure I wasn't the only one willing her and the lovable Billy, LV's male equivalent, to strike up a romance, It was like watching?a northern Romeo and Juliet, for the balcony we had this young girl's bedroom window. These scenes, humorous and touching, were beautifully played by Olivia and Rob Dutton. Lise Banks was also very good value as LV's mother, Mari Hoff, a good-time-girl whose appetite for the booze is as insatiable as her appetite for the men. I?use the word 'girl' in its loosest possible sense, by the way. Lise also managed to make the awful Marie sympathetic and nowhere is this more evident when Mari is given a brutal dressing down by the sleazy showbiz talent scout Ray Say (Andrew Higson). She looks like a wounded animal after Say's verbal assault.By far?the funniest character is Sadie, Mari's daft as a brush next door neighbour. No wonder Mari never has anything in her fridge as this good soul seems to be on a "see food and eat it" diet. While this play isn't wall to wall hilarity it provides an enjoyable start to?a gloomy time of year,?when many of us are coming to terms with eye watering post Christmas credit card bills. More Jim Cartwright at the Garrick, please. REVIEW - NORTH WEST END by Mark Dee Written in 1992 by Bolton born playwright, Jim Cartwright, this play has seen success on the West End and Broadway stages with a great 1998 film version starring the original West End Little Voice of Jane Horrocks and Michael Caine. With such a progeny it is no wonder that many companies fight shy of producing the play these days, and so when one dares to stand up and be counted, it naturally produces quite a buzz. And who better than Altrincham Garrick to do just that; an amateur theatre company that thinks big and has lofty ambitions.I last saw the play myself in 2012 at The Octagon Theatre in Bolton, and so it was definitely time for me to reacquaint myself with it. The play is set in the early 1990s in a northern town not dissimilar to the one where you are now; we see a teenage girl, timid and unsociable, retreating into herself after the death of her father and her overbearing and rather out of control alcoholic mother, Mari, who neither understands nor really knows how to show affection to her daughter just compounding the situation and there is a rift between them. One keeping the house in a permanent state of untidiness with never any food in the cupboards, but plenty of booze in the drink's cabinet; whilst the other keeps her bedroom spotless and tidy, and amasses a huge collection of records which she will sing along to and imitate the singers she hears, finding escape and solace there. When Mari starts dating a small-time talent scout Ray, and brings him home one evening; he hears Little Voice singing in the bedroom and realises that he has found a hidden talent and gets to work on bringing her to the local club to sing there. Ray has seen the pound-signs in his eyes and sees this as a ticket to his fame, Mari sees Ray as her ticket to a better life and clings on to him whatever the cost to her daughter's health and happiness; and all her daughter really wants is to feel loved and be happy. It's not going to end well! In this production I felt the first act worked better than the second. One reason for this was the set. In the first act, the play is set entirely in Mari's house, and we were presented with a rather interesting and clever two-storey design with the kitchen and living room below and LV's bedroom above. It was fitted with period furniture and appliances and looked very good indeed. I really loved the wallpaper of record-sleeve spines - an ingenious touch! The problems I did have with this though were that it was set on the revolve, and so it was a little too far from the front of the stage if the revolve was not being used - which it wasn't, and the distinction between the house interior and exterior was often blurred and unclear, especially when characters had to go up or down the stairs behind the living room. There was an area of stage right which became both part of the house and also the path outside. In the second act though, the constant bringing in of the glitter curtain for the night club seemed to be less well thought through. There was absolutely no night club atmosphere, and the only addition to the curtain was a sunken area at the front of the stage where two tables had been set up for the cast to sit at and watch LV's performance. I was sitting on the very back row of the raked auditorium and still was unable to see this to any great extent. The front row would have seen only the very tops of the actors' heads. No attempt was made to create an 'audience' for the club and the whole thing lacked an atmosphere. It was sparse, minimalist, and after such a realistic and well-thought out first act set, it seemed almost as though you'd run out of budget and decided to simply bring in the tabs. Why wasn't the revolve used? Surely that would have been better. The other criticism I have of the second act is that after the fire, which started well, but all too quickly got out of control and was far too big, happening in the neighbouring houses too, for such a little after-effect once the smoke cleared. The house should not get burnt-out, the upstairs rooms being damaged but not badly so, and downstairs being in cinders. However, once the smoke cleared on stage last night, we could see that a black piece of material had been used to cover the sofa, some more strands to cover the standard lamp, and a burnt kitchen table had replaced the original. Once again, after such a magnificent start in set design, this was a huge let-down. I simply did not believe this to be fire-damaged at all, nor that the cast were walking though after-burn smoke. They made no attempt at covering their mouths or coughing and spluttering as you would when faced with this in reality. The acting, at least from the three main principals was though absolutely solid and first class. Very wisely choosing not to try and imitate the famous performances that have gone before them, finding new and interesting nuances in the writing and bringing their own personalities into the mix to give three extremely well-rounded and bravura performances. Olivia Archbold, a very naturalistic actress, who did some rather credible mimicry of Shirley Bassey, Edith Piaf and others, played Little Voice; Lisa Banks played the last-chance lush Mari Hoff to comedic perfection, and Andrew Higson, the agent of no-hopers dreaming of the big time. His little asides showing us his true feelings about Mari were lovely and we enjoyed the complicity of this. These three were ably assisted by Rob Dutton, who played a young electrician Billy who becomes LV's love interest and, through their mutual understanding of each other, builds up a lovely trust between them, their long silences extremely well played. Rosalind Ford is the friendly neighbour who pops in for a cup of sugar with some tea, Sadie; and Martin Oldfield is Mr. Boo, the owner of the club.It was a very good play and I enjoyed rekindling my enthusiasm for it. This though is now the third Garrick production I have seen in the last month or so, the first being Snow White, and then only last week watching The Price. Had this play been produced by any other society I would probably have given it 5 stars, however, after seeing what the Garrick is truly capable of, I can only put this production in a worthy third place. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production My Mother Said I Never Should Ran Invalid Date - May 30, 2019 Age guidance Venue Running time Tickets Price Range Description A poignant, bittersweet story about love, jealousy and the price of freedom. First staged in Manchester in 1987, the play is about the relationships between mothers and daughters, and explores the themes of independence, growing up and secrets. It addresses the issues of teenage pregnancy, career prioritisation and single motherhood. It is also about how the different generations break free from their parents' traditions and culture. The story explores the lives and relationships of four generations of women: Their loves, expectations, and choices are set against the huge social changes of the twentieth century. [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/10/DSC_8776.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/10/DSC_8886.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/10/DSC_9289.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/10/DSC_9266.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/10/DSC_9239.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/10/DSC_9174.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/10/DSC_9151.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/10/DSC_8964.jpg|"] Production photos by Vish Sharma CAST Doris Partington - Margaret Leslie Margaret Bradley - Sarat Broughton Jackie Metcalfe - Kathryn Worthington Rosie Metcalfe - Meg Brassington [gallery columns="6" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/09/My-Mother-Said-I-never-Should-1.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/09/My-Mother-Said-I-never-Should-2.jpg|,|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/09/My-Mother-Said-I-never-Should-6.jpg|"] Rehearsal photos by David Hutchinson Review by Rick Bowen for StageStruck BRACE yourselves for what is, in parts, a highly charged and emotional play. I use the word ‘emotional’ but writer Charlotte Keetley doesn’t explicitly play on the audience’s emotions in what is my most memorable outing with director John Chidgey to date. Of all the productions I’ve seen of his, this is his best to date. It’s evidently been nurtured with tender loving care, helped by a superb script that surely makes the piece, which premiered in Manchester in 1987, a modern day classic. This is a play about life, love, sacrifice, guilt and of young women finding their feet and shaking off the shackles of tradition. Chidgey must have thought Christmas had come early when he held the first rehearsal for this cast who give their all in their roles. As Doris, Margaret, Jackie and Rosie, Margaret Leslie, Sarat Broughton, Kathryn Worthington and Meg Brassington are outstanding and I particularly enjoyed the convincing way in which Meg as Rosie “grows up” before our very eyes, making a very convincing transition from crabby teen to young woman with a burgeoning interest in social activism. The play really gets going for me when Margaret comes to the rescue of her struggling daughter, Jackie, making a life changing decision so Jackie, in the pit of despair, can have a life. My Mother Said takes place over 50 years, making it a truly epic and ambitious piece of theatre. What I will say about this play is be prepared to listen, otherwise you’ll fail to get the full effect of what is for me, one of the most memorable theatrical experiences I’ve had for a long time. Moving and warmly funny, this is a must see production. Outstanding. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production "The Devil's Disciple Ran Invalid Date - Jul 1, 2014 Age guidance Venue Running time Tickets Price Range Description CAST Blackburn, Lydia Briggs, Harry Crabb, Florence Creaton V Dykes, Tom Gorman, Philip?Norris Landon, W Eric Lowe, Edgar M Mason, Edward Matthews, Marion Thwaite Owen, Tom Stickland, Lil Stone, Suzanne Warburton, George A Wilkinson, John Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Comfort and Joy Ran Invalid Date - Feb 7, 2014 Age guidance Venue Running time Tickets Price Range Description It's Christmas! Identify with past festivities and all the usual disasters. Boring relatives (often drunk) mystifying presents. Dodgy plumbing, very strange neighbours. Sounds Familiar? Then come along and enjoy this hilarious comedy. Review from the Manchester Evening News ANYONE in their right mind would condemn Mike Harding's 1997 farce, Comfort and Joy as a load of piffle. But when you see this ridiculous Christmas comedy, you are not in your right mind because you laugh so much it sends you off kilter. This is thanks to the team work and timing of a top rate cast who present a sequence of chaotic incidents which disturb a Christmas gathering. The intricate set with eye-catching details is, at first, dominated by an unbenevolent Santa Claus. He turns out to be Goff, a widower who is awaiting the return of his daughter and son-in-law after 30 years in Australia. 'Geoff Noar's Goff is stubborn. He has never forgiven his daughter's husband for taking his prized saw Down Under. Their return home is dampened by his resentment which he takes to ridiculous lengths. But this isn't a one man show. There are 12 people in it and, together, they illustrate the familiar stress and squabbles of the festive season. In the midst of it all there are some delightful cameos, I particularly liked the crazy pair who were away with the fairies because they thought they had been abducted by aliens. The play is well-laced with political incorrectness. The scene where this dysfunctional family play charades is particularly well done. It appears spontaneous and provides some of the best laughs of the evening. The production seems easy and natural though it must have been a challenge to director Val Watkinson. There is constant and swift interaction and it makes big demands on the energy of the players. The episode where Christmas presents are given and opened is highly demanding and equally funny. Comfort and Joy is the perfect antidote to a windy winter's night. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production If Four Walls Told Ran Invalid Date - Jul 1, 2014 Age guidance Venue Running time Tickets Price Range Description CAST Blackburn, Lydia Briggs, Harry Byrom, Brian Hodgson, E R Irving, Ella Lowe, Lois M Matthews, Marion Thwaite Mounfield,?Frank Owen,?Gwen Wilkinson, John Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Priscilla Queen of the Desert Ran Invalid Date - May 30, 2017 Age guidance Venue Running time Tickets Price Range Description Take two drag queens, a transgender woman and a bus and you have the story of their race to get from Sydney to Alice Springs in time to perform their act at Lasseter's Hotel Casino Resort. Adventures occur along the way, including the bus breaking down and being repaired by a local mechanic which leads to an unexpected and warm relationship, and add as many disco tunes as possible. The result is Priscilla Queen of the Desrt which is an uplifting musical with the serious aspect of homosexuality and it's acceptance playing a major part in the show, especially as one of the drag queens is still married and is about to meet his 6 year old son for the first time. This production is proudly sponsored by Myerson Solicitors [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/05/DSC_8030-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/05/DSC_8041-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/05/DSC_8322-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/05/DSC_8618-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/05/DSC_7990-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/05/DSC_7975-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/05/DSCF6968-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/05/DSCF7260-Small.jpg|"] Production Photographs by Vish Sharma CAST Tick/Mitzi - Todd Bennett Adam/Felicia - Rhys Nuttall Bernadette - Mark Butt Diva - Lara Hancox Diva - Lauren Whiteley Diva - Rachel Gerring Bob - Ivor Farley Cynthia - Claire Garrett Shirley - Caroline Knight Benji - Dylan Williams Marion - Sarah Reilly Miss Understanding - Brendan Cunningham Farrah/Young Bernadette - Jack Gibson Frank - Josh Crook Errol - Danny McCarrick Pastor/Barman - James Desmond Ensemble & Dancers Ceri Graves, Emma Lester, Stuart Angus, Tara Kitson, Katie Blackett, Hannah Cound, Sara Nelson, Danny McCarrick, James Desmond, Jack Gibson, Josh Crook, Dominic Smith, Maisie Marsden, Joshua Smith, Meg Dempster, Greg James, Jen Kirton, Patti Kirton, Charlie Lewis Review by Rick Bowen for Stagestruck DYNAMIC young director Joseph Meighan makes a welcome return to the stage with his and this theatre's best production to date. You simply must not miss this vocal and visual treat, packed full of outrageous humour and costumes so unashamedly camp your eyes could easily pop out when you see them. Inspired by a movie that I would certainly rank as a modern day classic it's the tale of two drag queens and a transgender woman who journey across Australia to perform their unique brand of cabaret. As you can imagine they encounter prejudice along the way - small town means small minds in too many places - and one of them faces the daunting prospect of being re-united with his young son. Beneath the laughter are serious messages about the need to look beyond our differences and live together in harmony. But no point in the evening do you feel preached to, thanks Stephen Elliott and Allan Scott's first class script. Some of the dialogue, the put downs in particular, are both priceless and brilliant. This brings me on to the performance of the three leads, Todd Bennett (Tick/Mitzi), Rhys Nuttall (Adam/Felicia) and Mark Butt, who is a revelation as the transsexual Bernadette. I really liked the way he played the scenes with Bob, the trio's unlikely knight in shining armour, a perfectly cast Ivor Farley. Todd Bennett also treats us to an inspired rendition of the timeless classic MacArthur Park, which came mighty close to bringing the house down. With a score that's sure to have Victor Meldrew tapping his feet and a musical director in the shape of none other than Mark Goggins, Altrincham Garrick has a huge hit on its hands. You simply must see this - at least twice. What a way to end a season. Star rating ★★★★★ Review by Nicky Lambert for North West End As I sat waiting for the show to begin tonight, I looked at the orchestra pit which is actually a huge hole in the stage of the Garrick and all I could think was "how on earth are they going to manage to navigate around that in heels?" This is an everyday(!) story of two drag queens, a transsexual and a pink bus...so not your run of the mill 'safe' musical and quite a brave choice as it's very risqu with some choice language at times. From the beginning of the overture with the accompanying lights and mirror ball, the audience is completely enveloped in kitsch, camp and even more camp until the end notes of the finale. My first "Bravery in Heels" award has to go to Brendan Cunningham as Miss Understanding ? His saucy looks and not so subtle innuendo was perfectly placed and at times, he reminded me of a half-crazed bird of paradise so what a great way to start the show. I literally held my breath as he walked backwards in heels right on the edge of the orchestra pit but I needn't have worried. The three main roles: Tick, Bernadette and Adam (Felicia) are larger than life, in fact they're great big, out-there characters so they cannot be underplayed and the casting of Todd Bennett (Tick), Rhys Nuttall (Adam) and Mark Butt (Bernadette) is inspired. Todd encompasses Tick's serious side but also camps it up royally, particularly during the 'McArthur Park' scene which earned its own round of applause. He also has a much better voice than Jason Donovan (who was cast as Tick in the West End and the national tour). Mark's version of Bernadette was everything that I love about this character. He gave her class, elegance and poise - and managed to deliver Bernadette's killer one liners with cut glass aplomb ("do I LOOK like a bus person?!") The rest are too rude to reproduce here but trust me, they're hilarious. Priscilla may be Queen of the Desert but Bernadette is Queen of the Put Down. And Rhys...oh my goodness...I don't think I'll be able to see him in anything else in the same light again...! I have to say that this was the best version of Adam/Felicia that I have ever seen. He completely inhabited the role and then some with his high energy performance - not to mention his fearlessness in being almost naked in front of the audience...then donning a very clingy dress and silver heels...then running round the stage in them. Oh and he can certainly work a basque! One of the stand out moments of the show is 'Sempre Libra' which Rhys performs on his own...it is an absolutely amazing showstopper. The Three Divas (Lara Hancox, Lauren Whiteley and Rachel Gerring) sounded fabulous and did a sterling and sparkling job. Another special mention must go to Claire Garrett who played Cynthia. All I'm saying is...ping pong balls. You'll just have to go and see it to find out. I must congratulate Dylan Williams (Benji) on his great accent and despite this being his first stage performance, I didn't see any sign of nerves at all. The ensemble scenes were quite amazing ? not only because every one of them was a fantastic and colourful spectacle to behold but because of the high quality of everyone's performance. There was a massive hole in the stage but everyone navigated around it perfectly without seeming to even have to look where they were placing their feet! I am lost in admiration. I really enjoyed the choreography of all these numbers and I feel I have to give a special mention to Stuart Angus, one of the ensemble, who absolutely nailed all the moves and had a smile that dazzled as much as the sequins. The costumes are breathtakingly fabulous and as for the lightning speed of the costume changes ? this is quite unbelievable, I can only imagine what the stress levels must be like backstage so a big well done to everyone involved! One of my favourite scenes comes at the end of part one and sees the company wearing the over the top wide legged trousers and huge wigs which have become the trademark of this show. It was performed outstandingly and the five stars that I have awarded could have come from that scene alone. The final scene at Ayres Rock is extremely powerful and uplifting and then we are hit with a dazzlingly colourful finale with some absolutely stunning costumes. Everyone involved in this show should be so proud. A huge well done must go to Joseph Meighan (Director) and Louise Pettitt (Choreographer) for doing such an outstanding job in what must be a very challenging space to work in (did I mention there's a huge hole in the stage!) 'Priscilla' is a story of triumphing over adversity and also has a message about acceptance but it's also just really good fun and a hysterical night out. This production more than does the original cult film justice. It's colourful, over the top and just downright fabulous. Do not miss this camper-than-a-row-of-tents, hilarious, dazzlingly brilliant spectacle. You'll never know unless you give it a go! Star rating ★★★★★ Five Fabulously Flamboyant Stars Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Corrie! Ran Invalid Date - May 13, 2019 Age guidance Venue Running time Tickets Price Range Description World Amateur Premier The first and most iconic TV soap began in December 1960. This play covers the period from that first episode and for 50 more years. Do you remember the legendary rows between Elsie Tanner and Ena Sharples, Hilda Ogden's 'murial' and Gail's many husbands? They are all here alongside the Ken, Deidre and Mike Baldwin affair and there is Alan Bradley's demise under a Blackpool tram plus Richard Hillman's fatal car crash into the canal. Humour, excitement and tragedy are all part of this wonderful celebration of 50 years of Corrie! CAST Martin Oldfield Janet Slade Beverley Stuart-Cole Val Watkinson Adele Higson Graham Simmonds Charlie Gallagher Ruth Metcalfe Sam Evans Laura Therese Carmel Price Andy Withers Andrew Higson James Merrington Sarah Kirk Kim Armston Michael Gallagher Josh Bluer Lottie Warburton Eddie Beasley Natalie Hinchliffe Adam Rogers REVIEW by Nicky Lambert for North West End Coronation Street is a national institution, set in the fictional area of Weatherfield in Salford – and if you don’t know that, then you must have been hiding under a rock (or a cobble) for the past 60 years. “Corrie” is a play featuring characters from 1960-2010. Written by Jonathan Harvey, himself a Coronation Street writer with over 200 episodes to his credit, it promises to be a celebration of the first 50 years, featuring many familiar and much loved characters. Tonight was the World Amateur Premiere and it was surprising and disappointing to see the very low attendance on opening night – at a rough estimate, I think were less than 60 people in tonight’s audience. I wasn’t really sure what to expect and I have to say I found the premise quite odd to start off with. There is a narrator (Martin Oldfield) who also doubles as St Peter at the pearly gates and the opening scene is him debating with Blanche Hunt (Deirdre’s mother) whether she can get into heaven or not. It was all a little surreal. Elsie Tanner (Beverley Stuart-Cole) then appears under a street lamp and says a few words about the street itself, then the play begins in earnest and that most archetypal of stern, northern women, Ena Sharples (Val Watkinson – who also played Vera Duckworth absolutely superbly), makes her presence known in a scene from the very first episode of Coronation Street. The play is a compilation of vignettes really. We are literally hurled down the cobbles as numerous iconic scenes are recreated, including the confrontation between Ken, Mike and Deirdre when Mike and Deirdre’s affair came to light and also the demise of Alan Bradley under a Blackpool tram! Some of the scenes worked very well and were absolutely hilarious but I do think this play will only hit the mark for those who have watched Coronation Street over the years and are familiar with the characters and storylines. There is a lot of humour in some of the linking narrative and asides by the characters which will be lost on people who aren’t fans. A lot of the interlinking humour relies on the audience already having knowledge of the storylines otherwise it probably wouldn’t make sense or be that funny on a standalone basis. As someone who watched Coronation Street through the 70s, 80s and 90s, I found the asides absolutely hilarious. A lot of the scenes crammed in potted versions of various storylines and the pace was sometimes frenzied and a little chaotic but once you realise this is how it’s going to be, you really get into it. By contrast, however, I found a couple of the scenes in Act 2 to be overlong and I was surprised they had been chosen over others. Most of the actors played various roles tonight to great effect. The nuances of the characters were, on the whole, captured perfectly. Many of them were instantly recognisable even if they didn’t look like them. Beverley Stuart-Cole as Elsie Tanner and Bet Lynch caught the essence of these two man-eaters perfectly. Her Elsie Tanner was particularly impressive and realistic. Andrew Higson’s Ken Barlow was eerily similar and as for Eddie Beasley’s Roy Cropper, well, he absolutely nailed the part, right down to the shopping bag which he never let out of his clutches! I think my favourites, however, were Michael Gallagher as the sinister and homicidal pantomime baddie, Richard Hillman and also Charlie Gallagher as Hilda. Hilda had one of the best lines of all time and Charlie paid tribute to it superbly: after Stan has kissed her and asks “what’s that lipstick taste of?”, Hilda replies “woman, Stanley. Woman!” The set was imaginatively done using railway arches to great effect with the actors appearing out of them on sliding scenery and the infamous tram crash from December 2010 was recreated in such a way that it got the loudest laugh of the night but no spoilers here, you’ll have to go and see it! By the end we have gone full circle and are back with Blanche and St Peter to round it all off. It might be grim up north but it’s also laugh-at-yourself hilarious at times and to sum up, I would say that this is a warm and affectionate tribute which doesn’t take itself seriously and is a wonderful trip down a cobbled memory lane . Star Rating: ★★★★ REVIEW by Rick Bowen for Stagestruck All your favourite soap characters are here in Jonathan Harvey’s love letter to Weaterfield, as are some of the story lines that helped turn the show into a much loved TV institution. While I’ve not watched the programme on a regular basis since I was a student - more years ago than I can remember - I really loved spending time with its lovable clown figures like Jack and Vera Duckworth (pictured being played here). It is fair to say that none of today’s characters have the same mystique as Elsie Tanner, who always looked so out of place on those world famous cobbles. It’s as if she’s just stepped out of one of those old black and white films they used to show on soggy Saturday afternoons when I was a kid. Harvey takes a largely lighthearted look at the famous plot lines but managed to add a dash of poignancy too, such as the scene in which we find Hilda Ogden mourning her late husband, Stan. Oh yes, the mural provides the backdrop of course. We also see Rita’s dodgy beau Alan Bradley meet his end when he’s hit by a tram in Blackpool. Guiding us through proceedings is Martin Oldfield. While some of the actors are more successful than others when it comes to capturing the mannerisms and look of the Coronation Street characters, I’m sure I’ve not the only one who relished an opportunity to escape the long running farce that is British politics at the moment. By ‘eck, this is great fun. Star Rating: ★★★★ REVIEW by John Kristof for Number 9 reviews ‘A national institution’, northern soap opera Coronation Street approaches its celebration of 60 years on our TV screens; in our living rooms; in our lives; and in our hearts, and many characters have duly earned the title of ‘national treasure’. To mark the golden milestone of 50 years, back in 2010, long-standing scriptwriter for the show, Jonathan Harvey, penned Corrie!, the play looking back on a period of 2,000 thousand storylines, 37 births, 115 deaths, 86 marriages and countless iconic and memorable characters, emulating and mirroring normality and real life. The comedic play, written as a string of scenes from the serial drama, premiered at The Lowry in Salford Quays in August 2010 and a musical of similar style followed, written by a co-writer, entitled ‘Street of Dreams’ - it opened for the only time at Manchester Arena for a surprisingly short run and was matched by an almost unheard album called ‘Rogues, Angels, Heroes & Fools’ which also featured iconic characters and scenes. Another institution is that of the arts, particularly theatre, and those within a society or company could indeed be local heroes and treasurers. That is true for one Altrincham Garrick Playhouse, who/which plays host to the play for its World Amateur Premiere! With stalwarts of the theatre’s own society, newcomers and those who have performed there as members of both theatre itself and the various societies who have used it as a receiving house, the cast - doubling up on some parts - of 22 are brilliant at portraying a whole selection of characters, aided by wigs, accents and carefully matched mannerisms. It really is a joy to behold. Directed by seasoned performer himself, Bill Platt, we are treated to narrator Martin Oldfield guiding us through the scenes, starting with the unforgettable “battleaxe”, Blanche Hunt (played by Janet Slade) at the pearly gates of Heaven, with Oldfield as St Peter. With reference to her renowned presence at the funerals of strangers, often for the free buffet, and attendance at the court trials of murderers, complete with a packed lunch, her portrayal is the first of many perfect replications of the originals. We also experience the reminiscence of {apologises for some of the missing pieces} Ena Sharples (Val Watkinson), Elsie Tanner (Beverley Stuart-Cole), Gail Potter/Tilsley/Platt/Hillman/etc. (Kim Armston), Brian Tilsley and Denis Tanner (Sam Evans), Sarah-Lou Platt (Lottie Warburton), Martin Platt (James Merrington), Ken Barlow (Andrew Higson) and Deidre Rashid/Barlow (Sarah Kirk), Valerie Barlow, Ray Langton (Jame Merrington), Raquel (Kim Armston), Mike Baldwin (Graham Simmonds), Audrey Roberts, Ivy Tilsley and Rita Littlewood/Tanner/Fairclough (Carmel Price), Len Fairclough (Andy Withers) and Alan Bradley/Richard Hillman (Michael Gallagher), Hilda Ogden (Charlie Gallagher) and Stan (Andy Withers), Jack and Vera Duckworth (Andy Withers and Val Watkinson), Minnie Caldwell (Graham Simmonds), Martha Longhurst (Adele Higson), Roy (Eddie Beasley) and Hayley Cropper, Hylda Baker, Annie Walker (Ruth Metcalfe), Peter Barlow (Sam Evans), Tracy Barlow, Steve McDonald (Adam Rogers) and one-time wife Karen and Shelley Unwin (both Beverley Stuart-Cole), florist Lucy (Laura Therese), Becky Grainger/McDonald (Kim Arnston), Eileen Grimshaw (Ruth Metcalfe) and sons Jason (Adam Rogers) and Todd (Charlie Gallagher), and even Fred Elliott and son Ashley Peacock, wife Maxine, Emily Bishop, Tony Gordon (Andy Withers), Carla and Michelle Connor, as well as the only reference to the John Stape/Colin Fishwick fraud saga, Gail’s many husbands and lovers - we forgot boat-sailing fraudster Joe - and Peter’s son Simon and his many love triangles, Tracy’s daughter Amy and her tricking Roy and Hayley into paying to look after her before admitting her biological father s Steve McDonald, Hayley’s ‘coming out’ to Roy as transgender, the Sally-Kevin/Molly-Tyrone hoo-har, as well as Ken and canal boat/barge owner/writer, Martha. {Sorry I have omitted Josh Bluer and Laura Therese and the actress playing Hayley} The clever use of the well-though out and constructed set for scene changes via rolling platforms through archways was slick and effective, contributing to the comedy at times. These depicted the famous living rooms, Blackpool (including tram), a Metrolink tram that derailed off the viaduct, the florist, corner shop and, of course, The Rovers Return, among other nostalgic event settings. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Season's Greetings Ran Invalid Date - Apr 11, 2017 Age guidance Venue Running time Tickets Price Range Description A Superb Ayckbourn comedy - one of his best! A riotous Christmas farce from Alan Ayckbourn. When family and friends get together at Neville and Belinda's house to celebrate Christmas what could go wrong? Plenty as we find out when Bernard produces his excruciatingly bad puppet show and has a row with Harvey. A young stranger, Clive, suddenly becomes romantically involved with Belinda even though it is Belinda's sister, Rachel, who has brought him to the party. There is a shooting the next day, a case of mistaken identity, before normality is resumed at the house. This production is proudly sponsored by [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_6774-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_6599-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_6529-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_6481-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_6416-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_6401-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_6382-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_6248-Small.jpg|"] Production Photographs by Vish Sharma CAST BERNARD - BILL PLATT BELINDA - VICTORIA EVANS NEVILLE - BARRY SPENCER HARVEY - GARY COLLINS RACHEL - VICTORIA JOHNSON CLIVE - PETER RUDDICK EDDIE - DAN FERGUSON PATTY - APRIL WALKER PHYLLIS - TRACY BURNS [gallery columns="5" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/JS1_13181.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/JS1_13021.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/js1_1220-copy1.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/JS1_10971.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/JS1_13751.jpg|"] Rehearsal Photographs by Jacob Samuel Review by Rick Bowen for Stagestruck Everyone knows there are two images of Christmas. There's the fluffy one the advertisers try to sell us, all chunky jumpers and beaming smiles. Then there's that notorious party pooper called reality. For many, it's the season to be sniping at each other. But I doubt anyone's Yuletide is as colourful or as memorable as this one, vividly and at times hilariously captured by the prolific playwright Alan Ayckbourn and a cast expertly led by director John Chidgey, who manages to make everyone feel invited to the at times chaotic seasonal celebrations. Let's just say a typical family gathering, a gathering that will be repeated thousands of times up and down the land in a month's time, turns out to be far from typical. Ayckbourn writes about a world I don't live in. But thanks to Chidgey and his charges I felt totally immersed in it. This is a major comedy triumph for this theatre, with each performance characterised by impeccable comic timing. I particularly enjoyed Bill Platt as the hopeless puppeteer and equally clueless medic Bernard, Victoria Evans as the flirty Belinda and Peter Ruddick as the only eligible guest, Clive. Gary Collins ensures you wouldn't want to meet the barking Harvey on a dark night. That said, I don't like singling out individual performances because there aren't any weak ones, with the company gelling quite brilliantly. Make sure you don't miss this early Christmas present from the Garrick - with plenty of ho, ho, ho. Star rating ★★★★★ Review by Julia Taylor for Sale and Altrincham Messenger CHRISTMAS should be a time of peace and good will. In Alan Ayckbourn's play, Season?s Greetings, written in 1980, well directed by John Chidgey and performed at Altrincham Garrick Playhouse, this is not the case. The family and friends of Neville and Belinda Bunker have gathered for three days of Yuletide celebration. Sadly, familiarity breeds contempt. Neville's inebriated sister, Phyllis (Tracy Burns) and her puppet-obsessed husband, Bernard (Bill Platt) are there as he prepares for his annual show. In one of the funniest scenes, it turns out to be a disaster yet indicates Bill Platt's versatility. Among the guests is Clive (Peter Ruddick) whom Belinda finds irresistibly attractive because he writes. Neville's uncle, Harvey, is a security guard who takes his job so seriously that he carries a knife strapped to his calf. Played outstandingly by Gary Collins, he works his evil wherever he can. On one amusing occasion, a couple embracing under the Christmas tree are halted by the sound of a mechanical toy. The protagonists, Neville and Belinda, are portrayed well by Barry Spencer and Victoria Evans. Belinda obviously has no time for her husband. At the end, they are the last on stage. This play is not easy since it involves many different moves and complicated relationships. Well done Dan Ferguson who stepped in at short notice to play Eddie. Star rating ★★★ ★ Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Miss Linley of Bath Ran Invalid Date - Aug 12, 2019 Age guidance Venue Running time Tickets Price Range Description Bankes, Eric Bramwell, Madge Cavanagh, Cliff Cookson, Harold Fletcher, Joan Gregory, Mary P Hall, Margaret Haycock, John Hooper, Alfred Leadstone, Irene Osborne, Edgar Pearce, A J Wilson, Kathleen Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Sleeping Beauty Ran Invalid Date - Feb 7, 2014 Age guidance Venue Running time Tickets Price Range Description All the fairies have been invited to Princess Beauty's christening except one, the evil Carabosse. She gate-crashes the party and casts a terrible spell. Only the power of Fairy Crystal can help but to do so she must cast her own spell and send a whole castle and everybody in it to sleep for 100 years. Will the handsome prince be able to defeat Carabosse and wake Beauty with a kiss. A traditional pantomime for all the family, with music, glamour, magic and a bit of time-travel. Every year our panto is a sell out so don't wait to book your tickets and possibly miss out, book now as soon as the Box Office opens, you won't be disappointed. [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/sleepinga.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/sleepingb.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/sleepingc.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/sleepingd.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/sleepingl.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/sleepingr.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/sleepingo.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/sleepingt.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/sleepingk.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/sleepingj.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/sleepingf.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/sleepingq.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/sleepingn.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/sleepings.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/sleepingg.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/sleepingu.jpg|"] CAST Mandy White as Fairy Crystal Siobhan Morgan as Fairy Rose Hannah Pond as Fairy Columbine Mike Shaw as Carabosse Rosi Hunter as Prince Florizel David Gonet as King Wayne Julie Broadbent as Queen Coleen Lucy Parkinson as Princess Beauty Don Poole as Lord Chamberlain David Reynolds as Dame Cookie, the Cook Anthony Morris as Robbie, her son Adam Gonet as Wuffles 23rd, a dog and?Wuffles 25th Courtiers, Goblins etc Laura Whitehurst, Lizzie Carr, Megan Royle Felicity Jones, Alice Connelly, Imogen Jones Anna Aslanova, Grace Smith, Gaby Scott Stuart Bilson, James McMenamin, Lewis Woodward, Jamie Boughen Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production A Murder Has Been Arranged Ran Invalid Date - Jun 29, 2018 Age guidance Venue Running time Tickets Price Range Description A UNIQUE THRILLER AND GHOST STORY Is this a thriller or a ghost story? It is a seat gripping drama with a murder and its consequences. There are many people involved in the production which takes place in a supposedly haunted theatre. There have been several mysterious deaths in the theatre in the past. A party on stage reveals a missing relative, an untimely death and a ghost like figure. This is a superb play from Emlyn Williams, definitely not to be missed! This Production is proudly sponsored by CAST Miss Groze – Fiona Primrose Mrs. Wragg - Christine Perry Jimmy North - Chris Wagstaffe Beatrice Jasper - Chloe Malandra Mrs. Arthur - Caroline Knight Sir. Charles Jasper - David Baxendale Maurice Mullins - Anthony Morris A Woman - Mandy White Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Handbagged Ran Invalid Date - Jun 21, 2016 Age guidance Venue Running time Tickets Price Range Description Olivier Award for Best New Comedy 2015. Mrs Thatcher meets The Queen!!! A satirical/comedic play examining the relationship between Margaret Thatcher and Elizabeth II. Two enduring icons born in the same year. One destined to rule, the other elected to lead. But when the stiff upper lip softened and the gloves came off, which one had the upper hand? Moira Buffini?s celebrated new comedy speculates on what the world's most powerful women really talked about behind closed palace doors. The production is proudly sponsored by Myerson Solicitors [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_0387.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_0501.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_0517.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_0592.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_0782.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_0809.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_0823.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSCF5998.jpg|"] Photographs by Vishal Sharma CAST Q - Dawn Flint T - Caroline Knight Liz - Rachel Horobin Mags - Fiona Primrose Actor 1 - Jamie Sloan Actor 2 - Mark Edgar Revi ew by Rick Bowen for Stagestruck Margaret Thatcher, like numerous prime ministers before her, had regular, private audiences with the Queen. What was said remained a closely guarded secret of course, however, I can recall rumblings in the media at the time, suggesting they didn't always see eye to eye on certain issues. But what did these two powerful women really talk about? Award-winning writer Moira Buffini takes that idea and runs with it in this classy comedy set inside the corridors of power. This really is clever stuff, without being dry or self indulgent and Buffini certainly doesn't gloss over the fact Mrs T was, politically, something of a "Marmite" figure. In this production, expertly directed by Carole Carr, you get two actresses playing Maggie and both Caroline Knight and Fiona Primrose sound remarkably like the real thing. Close your eyes and you could be in the presence of the so-called Iron Lady. We also get a double dose of He Majesty, with Dawn Flint and Rachel Horobin sharing the crown. Now, if you're an actor looking to test your versatility look no further than Handbagged. Mark Edgar and Jamie Sloan take on a variety of roles from Denis Thatcher to Nancy Reagan and result is much hilarity. Sloan's portrayal of the stick like former First Lady is a show stealing performance from a man who was born to be funny. This is the Garrick's production of the season for me - do not miss it. Star rating ★★★★★ Review by Julia Taylor for Sale and Altrincham Messenger Altrincham Garrick production captures frostily polite meetings between the Queen and Thatcher TWO of the most powerful women in Britain, the Queen and her 1980's Prime Minister, Margaret Thatcher, get together in Moira Buffini's award winning play, Handbagged. It is at Altrincham Garrick Playhouse where four talented actors play Thatcher and the monarch when young and older with film backdrops of the real Iron Lady. Its talk of special relationships rings bells in 2017! Buffini only speculates about weekly meetings between the two, but with insight into their characters, the play could be surprisingly near to the truth. Caroline Knight as the older Thatcher captures the former PM's belief that she, a grocer's daughter, is equal to the Queen. Dawn Flint's older Queen remains as gracious and aloof as ever. The portrayals of them earlier show Rachel Horobin as a sovereign wary of taking on the responsibilities of office and Fiona Primrose, an ambitious and clever Maggie. We are reminded of the assassination of Airey Neave and Mountbatten which affected them both personally. Then there is the Brighton Bomb, the miners' strike, and the Falklands war. Two men, Jamie Sloan and Mark Edgar - take on the roles of husbands, palace servants and ministers of state with versatility and humour. They interact with each other and the audience like pantomime dames and have everyone in stitches. The two ladies who apparently view each other with mild dislike, always remain frostily polite. That is until Maggie's demise when the Queen substitutes a whisky for eleven years of tea. Star rating ★★★★ Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production The Man with a Load of Mischief Ran Invalid Date - Jul 1, 2014 Age guidance Venue Running time Tickets Price Range Description CAST Bramwell, Madge Brown, Sydney A Gow, Ronald Lucius, Esme Wilson, Tom Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Mirandolina Ran Invalid Date - Jul 1, 2014 Age guidance Venue Running time Tickets Price Range Description CAST Bullivant Erick Jackson, George Lowe, Edgar M Mason, Edward Matthews, Marion Thwaite Warburton, George A Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production The Dear Departed Ran Invalid Date - Jul 1, 2014 Age guidance Venue Running time Tickets Price Range Description CAST Blackburn, Lydia Pye, George H Slinn, Ella Walton, Mary Warburton, George A Wilkinson, John Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production The Graduate Ran Invalid Date - Feb 7, 2014 Age guidance Venue Running time Tickets Price Range Description The play was a sensation in London's West End and on Broadway. A cult novel, a classic film, a quintessential hit of the 60's. It is now time to be seduced by the graduate all over again. Based on the novel by Charles Webb and the motion picture screenplay by Calder Willingham and Buck Henry, the play has been adapted for stage by multi award winning author and director Terry Johnson. Benjamin has excellent grades, very proud parents and, since he helped Mrs Robinson with her zipper, a fine future behind him. WARNING: THE PLAY CONTAINS NUDITY. M.E.N.'s Review by Julia Taylor NUDITY is becoming a habit with Altrincham Garrick. Its first show of the season 'The Full Monty' displayed the male full frontal variety and in this week's production, The Graduate, the, shall we call it, half frontal female version. Although genuine, both revelations are, in a sense, illusory. Blinding white light blanked out the Full Monty version. Likewise, dim lighting partly hides the exposure of the seductive Mrs Robinson in The Graduate Based on Charles Webb;s novel, the role of Mrs Robinson was made famous by Anne Bancroft in Mike Nichols? 1967 film version and, in the subsequent stage version, by Kathleen Turner and then Jerry Hall, Mick Jagger's ex. Jerry played to full houses for six months though one wonders whether the audience were more interested in her body than her acting ability! She was later followed by Amanda Donahoe, Anne Archer and Linda Gray of Dallas fame. What leads to all this nakedness? Basically, it?s because Mrs Robinson, the wife of his father's business partner seduces a dilatory student after his homecoming party. The student, Benjamin Braddock, is a perplexed 21-year-old who resents the wealth-acquisition of his affluent parents. To add to the puzzle, Ben falls for Mrs Robinson?s daughter, Elaine. Well-known Garrick performer, Beverley Stuart-Cole brings swathes of sensuality to the role of Mrs Robinson. Here is a woman who must not be ignored, a woman of the world with an unfulfilled appetite for sex. She is all fur coat and no knickers, a cool, world weary bitch. You can?t ignore Mrs Robinson especially in Beverley's hands. And what of the hapless Benjamin - Phil Duncan (22), making his debut at the Garrick, portrays a young man who doesn't know what he wants of life though he does know that he wants Elaine. Both Phil and Sinead Parker who plays Elaine spell out their characters well and you can sense very clearly their mutual attraction and youthful uncertainty. I wondered how the Garrick would tackle the scene where Benjamin stands at the bottom of the family pool wearing a scuba outfit in order to find time for his hobby, thinking. The answer is simple. He doesn't get as far as the pool but tries on the comical outfit in his bedroom. Another good scene was where Mrs Robinson and her daughter become impossibly drunk and Mrs R teaches naive Elaine how to cope with the effects. Bryn Thomas's production is a remarkable example of how scenery can be used to good effect. Set designer Barry Fletcher's use of a revolving stage enables the audience to follow the action in ten different settings. The play is almost as effective as the movie when it comes to locations. Another backroom boy, Mike North also deserves praise for his pastel lighting and subtle sound effects. In the words of the background song 'Mrs Robinson' I can only add 'Here's to you Mrs Robinson', for 'The Graduate' is full of humour presented in a professional way. Star Rating ★★★★ ★ Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production The Silver Box The first show that the Altrincham Garrick Society staged. Ran Mar 18, 1914 - Mar 21, 1914 Age guidance Venue Public Hall, Altrincham Running time Tickets Price Range Description CAST Bonson, John P Byrom, J W Jr Clough, Gilbert S Driver, J N Hamilton, J T Higgs, Elsie Higson, Nellie J Hill, Arthur P Kenyon, Frank Manley, Miss E Middleton, P Nixon, Walter S Noble, Miss May Noble, Jack Roberts, I Slinn, Ella Taylor, Fred Trevor, E Wilkinson, John Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Up Stream Ran Invalid Date - Jul 1, 2014 Age guidance Venue Running time Tickets Price Range Description CAST Bullivant Erick King, D W Stevens, Catherine Welsh, Malcolm Wilson, Tom Wilkinson, John Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Uncle's Been Dreaming Ran Invalid Date - Aug 12, 2019 Age guidance Venue Running time Tickets Price Range Description Brown, Sydney A Clarke, Muriel Iredale, Emmie Lawley, Mollie Maud, Harry Michaelis, Winifred Pye, George H Royse, Mary W Slinn, Ella Stevens, Kate Wood, Kathleen Zorian, Satinig Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Fifinella Ran Invalid Date - Aug 12, 2019 Age guidance Venue Running time Tickets Price Range Description Aldcroft, June Alexander, Tom Allardyce, Margaret Beck, Marjorie Boardman, Sylvia Hope Brown, Gerald S Brown, Shiela Brown, Sydney A Burton, Ruth Cavanagh, Cliff Chapman, Laurie Crabb, Joan Davenport, Alfred Davenport, Margaret Dawson, Elsie Dean, William J Dixon, Kenneth N Edwards, Betty Ellis, Joyce Furnival, Jane Godby, Jack Gooby, Kathleen Hall, Irene Harris, Derek Harris, Frank Haworth, Sheila Hooper, Alfred Hope, Peggy Kent, Norman McLean, Janet Lomas, Dora Matley, Henry (Harry) Millward, Barbara Moody, Diana Percival-Kaye, Julia Pye, George H Roberts, Anne Roberts, Jean Royle, Joan Sanderford, Dorothy Slack, Joan Slack, Marjorie Stockbridge, Norma Talbot, Jean Thompson, Barbara Turner, Joan Turner, Joan M Wallwork, Sheila Walton, Joan Watson, G Watson, Rosemary Wood, Veneta Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Doctor Knock Ran Invalid Date - Jul 1, 2014 Age guidance Venue Running time Tickets Price Range Description CAST Booth, Elsie Booth, G Frederick Bramwell, Madge Briggs, Harry Downs, A Hill, Arthur P Iredale, W R Iredale, W R Irving, Ella Jackson, George Kirton, C H Mounfield, Frank Owen, Gwen Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Yes, Prime Minister Ran Invalid Date - May 30, 2014 Age guidance Venue Running time Tickets Price Range Description This is one of the most successful plays in recent years. The original writers, Antony Jay and Jonathan Lynn have reunited for this new play based on the classic and much loved TV series with a new satirical take on Whitehall. Prime Minister Jim Hacker and his Cabinet Secretary Sir Humphrey Appleby are back, spinning out of control through the collapsing euro and austerity measures in a world of 24 hour news, Blackberrys and 'sexed up' dossiers. With the country on the brink of financial meltdown the PM is staring disaster in the face with his only apparent salvation in a morally dubious deal with the Foreign Minister of Kumranistan. Will Jim Hacker and his team of advisors be able to rescue the country from the edge? Laughs galore in this comedy treat. [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/YPM-01.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/YPM-02.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/YPM-03.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/DSC_8689.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/DSC_8704.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/DSC_8833.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/DSC_4789.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/YPM-04.jpg|"] CAST SIR HUMPHREY APPLEBY, CABINET SECRETARY - Andrew Higson BERNARD WOOLLEY, PRINCIPAL PRIVATE SECRETARY - Daniel Ferguson JIM HACKER, PRIME MINISTER - Malcolm Cooper CLAIRE SUTTON, SPECIAL POLICY ADVISOR - Beverley Stuart-Cole THE KUMRANISTAN AMBASSADOR - Graham Simmonds JEREMY BURNHAM, DIRECTOR-GENERAL OF THE BBC - Martin Oldfield SIMON CHESTER, BBC PRESENTER - Alan Rothwell LIGHTING DESIGN - Fred Isaac-Dixon SOUND DESIGN - Pete Blain COSTUME DESIGN - Garrick Wardrobe PROPERTIES / FURNITURE - John Newton and?Jo Myers STAGE MANAGER - Clare Gresty ASM -Anne O'Reilly DEPUTY STAGE MANAGER -Trevor Mckie PROMPT - Ruth Metcalf [gallery columns="9" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/YPM-Reh-1.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/YPM-Reh-4.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/YPM-Reh-3.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/YPM-Reh-2.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/YPM-Reh-5.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/YPM-Reh-6.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/YPM-Reh-7.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/YPM-Reh-9.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/YPM-Reh-8.jpg|"] Reviews/Comments from our audience on our Twitter Account 'What a FANTASTIC performance of "Yes, Prime Minister" tonight at ?@AltrinchamG . It's on for one more night if you can make it!' 'Really enjoyable matinee performance of Yes Prime Minister at @AltrinchamG - great cast and friendly & welcoming front of house staff' Really enjoyed #yesprimeminister last night at the @AltrinchamG Messenger Review by Rick Bowen In need of divine help - Daniel Ferguson as Bernard Wooley and Malcolm Cooper as Jim Hacker If you see Andrew Higson in the bar after Yes, Prime Minister buy him a drink. He certainly deserves one. As Sir Humphrey Appleby he jumps through hoops verbally as the character hides behind a smokescreen of some very big words that give the distinct impression the top civil servant has swallowed a dictionary. Sir Humphrey may have a skewed sense of morality but it's impossible not to warm to him, as he delights in keeping the PM in the dark. The TV version was a classic, which meant Altrincham Garrick had a battle on its hands when it decided to put on the stage version. But, this is a theatre company that has never shied away from challenges and thanks to some expert and astute direction from Alan Rothwell, and a strong cast, they strike comedy gold here. Garrick new boy Malcolm Cooper is perfect as the beleaguered Prime Minister Jim Hacker, a man who gives a whole new meaning to the phrase "a lot on his plate." Malcolm manages to capture that 'rabbit caught in headlights' vulnerability that made the late Paul Eddington so watchable in the role on the small screen. Then there's the script of course, some of the lines in Antony Jay and Jonathan Lynn's script are so breathtakingly brilliant it makes you give thanks you own a pair of ears. I also really liked Daniel Ferguson as the lovable Bernard, with his penchant for Latin quotations and endearing sense of bewilderment. How does Jim and his aides solve a problem like a randy visiting dignitary with a raging libido?Pleasing him could mean the difference between and important deal collapsing and being struck. Yes, Prime Minister certainly gets my vote. Great, grown up fun. Star Rating ★★★★ Remotegoat Review by Julia Taylor 'Parliamentary blunders are good fun' The original writers of the 1980's TV series, have come up with a stage version of Yes Prime Minister. The Garrick receive well deserved laughs for their portrayal of the goings on in a coalition government. The cast are, as usual, top brass but it is the writers, Antony Jay and Jonathan Lynn I call into question. Surely they could have come up with a better reason than paedophilia as a way of persuading a foreign minister from an oil-rich state to build a European pipeline. Then, as we know from the TV show, Jim Hacker, the incompetent PM, will stoop at nothing to save his own bacon. All the same, it seems distasteful and unfunny for him to request the company of an underage girl for sex with the rich Eastern European who dangles the deal before him. That said, you have to laugh at the futile attempts made by Hacker, his scheming Cabinet Secretary, Sir Humphrey Appleby and the PM's Personal Private Secretary, Bernard Woolley, to manage the country's affairs. Malcolm Cooper is spot on as the Prime Minister with a constant air of bewilderment whilst an outstanding Andrew Higson portrays well the wheeling, dealing Sir Humphrey who has seen it all before. Malcolm deserves praise for two marathon soliloquies spoken in civil service gobbledygook one of which, at least,, receives a huge round of applause. Daniel Ferguson's Bernard, an upright chap, has problems with his conscience, a rare phenomenon in the turbulent world of Jim Hacker's government.?Then comes the femme fatale in the form of Beverley Stuart-Cole as a titillating special advisor who adds sparkle as well as complications to the plot.There is a hilarious scene near the end when the PM, appears live on TV using a new scam to save his skin. NODA Review by Kevin Proctor This modern political farce has been widely acclaimed since its conception in 2010, adapted from the 1980's TV comedy of the same name starring David Haig as the futile PM. I'm not convinced this sitcom translates overly well as a piece of theatre, I never watched any of the episodes on TV though whilst watching the live production I could sense something about the piece that it hadn't originally been intended for live theatre, seeming to lack a theatrical inkling. It's evident that fans of the televised original are supporting the live adaptation and are enjoying and appreciating it, perhaps I should've endured the box set before casting this opinion. The set was a traditional three wall box which did the job with the lighting design only requiring a simple set up. Graham Simmonds recovered well from an ungainly dry spell in his first scene, I was sure the performance would take a minor reprieve but we were eventually back in full swing, Graham and the cast recovered well from the unnerving phase and continued with the proceedings without a glitch. Andrew Higson splendidly catches an astute, public-school superiority in Sir Humphrey who regards the PM as a distressingly common and slow-witted oaf, his monologues swerving a direct answer to a straightforward question are hilariously accurate and were well received. There are fine turns, too, from Daniel Ferguson as the harassed principal private secretary, Bernard, and Beverley Stuart-Cole presenting the PMs Special Policy Advisor both immersed in the complexities of morality versus the common good. The star performance, for me, is that of Malcolm Cooper as the PM with his glassy eyes and rigid grin as the situation slips out of his control are a joy to behold, and the hilarious sequence when he crawls under his desk like a terrified dog as disaster stares him in the face. Safely directed by Alan Rothwell who presented, I'm sure, exactly what the script asks. I cannot comment on how he'd translated any inspiration from the original series though I expect it to be an accurate imitation. Alan had an undeniably strong cast who certainly did what they could to add vitality to this hauled and overextended script. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production The Quest Ran Invalid Date - Jun 27, 2014 Age guidance Venue Running time Tickets Price Range Description CAST Nixon, Walter S Noble, Miss May Slinn, Ella Wilkinson, John Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Caroline, or the Unattainable Ran Invalid Date - Aug 12, 2019 Age guidance Venue Running time Tickets Price Range Description Bramwell, Madge Cracknell, C J Fullerton, Irene Hill, Arthur P Leadstone, Irene Wilson, Kathleen Whitehead, Gerald Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production The Black Eye Ran Invalid Date - Aug 12, 2019 Age guidance Venue Running time Tickets Price Range Description Bankes, Eric Croft, H J A Daniels, R W Fletcher, Joan Foyster, Eileen Hooper, Alfred Howat, Robert (Bob) A Johnson, Eric W Litherland, Cyril L Lonsdale, Masie Matthews, Marion Thwaite Osborne, Edgar Pepper, Gertrude R Riley, Pearl Ruse, Marjorie T Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Time and the Conways Ran Invalid Date - Dec 16, 2013 Age guidance Venue Running time Tickets Price Range Description At the time the play opens the world has just emerged from the horrors of the Great War. A party is in progress to celebrate a Conway daughter's 21st birthday and to toast a glorious future for all the Conways. On to Act 2 and it is just before World War 2 and 19 years later. We see what has happened to the Conways and how events have shaped them in the intervening years. Then back to the party in Act 1 and we can see our family as they were but with our personal knowledge of what cards they have been dealt and how life has treated them. This is a compelling play, full of insight. CAST Maureen Casket as Mrs Conway Duncan Battman as Alan Conway Pam Nolan as Madge Conway John Keen as Robin Conway Rachel Forrest as Hazel Conway Tracey Clapham as Kay Conway Becky Wright as Carol Conway Jenny Panton as Joan Helford Paul Shaw as Ernest Beevers Richard Frost as Gerald Thornton Rehearsal photos [gallery columns="5" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/conwaysj.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/conwaysi.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/conwaysh.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/conwaysg.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/conwaysf.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/conwayse.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/conwaysd.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/conwaysc.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/conwaysb.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/conwaysa.jpg|"] Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Hyacinth Halvey Ran Invalid Date - Jul 1, 2014 Age guidance Venue Running time Tickets Price Range Description CAST Bullivant Erick Jackson, George Kirton, C H Ross, Dora Toder, Mrs Eva Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production To Have the Honour Ran Invalid Date - Jul 1, 2014 Age guidance Venue Running time Tickets Price Range Description CAST Griffiths, Peggy Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production The Ladykillers Ran Invalid Date - Jun 2, 2014 Age guidance Venue Running time Tickets Price Range Description This is a hilarious dark comedy based on the famous Ealing comedy film of the same title. Posing as amateur musicians, Professor Marcus and his gang rent rooms in the lopsided house of sweet but strict Mrs Wilberforce. The villains plot to involve her unwittingly in Marcus' brilliantly conceived heist job. The police are left stumped but Mrs Wilberforce becomes wise to their ruse and Marcus concludes that there is only one way to keep the old lady quiet. With only her parrot, General Gordon, to help her, Mrs Wilberforce is alone with five desperate men. But who will be forced to face the music? This award winning comedy was recently seen in the West End. [gallery columns="4" type="rectangular" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/09/The-Ladykillers-01.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/09/The-Ladykillers-04a.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/09/The-Ladykillers-03.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/09/The-Ladykillers-02.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/09/The-Ladykillers-05.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/09/The-Ladykillers-06.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/09/The-Ladykillers-07.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/09/The-Ladykillers-08.jpg|"] CAST Miss Louisa Wilberforce - Maureen Casket Professor Marcus - David Reynolds Constable MacDonald - Bill Platt Major Courtney - Nick Sample Harry Robinson - Christopher Greyham One-Round - Mark Leigh Louis Harvey - Daniel Ferguson Mrs Jane Tromleyton - Margaret Kenyon Other members of Cast - Julie Broadbent, Sylvia Hay, Jaqueline Wheble, Paul Wilson Prompt - Sandra Thomas ASM's - Jaqueline Wheble and Julie Broadbent Messenger Review by Julia Taylor Garrick's Ladykillers brings the house down For an evening of far-fetched fun, you must see The Ladykillers at Altrincham Garrick. After a successful West End run and tour, Graham Linehan's stage adaptation of the 1955 Ealing comedy has been released to amateurs. The tale about a criminal gang who rent an upstairs room from a gentile old lady whilst pretending to be a string quartet, is hilarious. The revolving set designed by Barry Fletcher, emulates well the original house. and the lighting and sound designers Trevor McKie and Christine Mills, accurately capture the effect of trains rattling by. Maureen Casket playing Mrs Wilberforce, steals the show when, totally unaware that her tenants are criminals rather than musicians, believes all their trumped up stories. When the miscreants get up to one of their funniest tricks, Mrs Wilberforce asks them why? They reply 'We are artists' as though artists always do crazy things. In one unforgettable scene, the so-called musicians give a concert to Mrs Wilberforce's middle class friends. In an outstanding performance, David Reynolds as Professor Marcus, seduces them with smooth words into thinking they have heard something wonderful. Wearing his Dr Who length scarf, David plays the role with charisma. Nick Sample?s Major Courtney - a cross dresser - coyly explains that donning a frock happened when he bumped into it when singing! The actors playing the other three criminals differentiate their personalities well. A must see. Star Rating ★★★★★ Review of The Ladykillers for Remotegoat.com "Criminal gang hoodwink old lady" It is great news that Graham Linehan's stage adaptation of the 1955 Ealing Comedy, The Ladykillers, has been released to amateurs. So, well done Altrincham Garrick for presenting it so soon afterwards. Their programme even contains a note from Marcia Warren who played the original Mrs Wilberforce. This amusing tale about a criminal gang who rent an upstairs room from a gentile old lady and pretend to be a rehearsing string quartet, is ideal for amateurs. I was concerned, however, about the ability of the Garrick set designer and his team to emulate the superb higgledy piggedly house used in the professional production. My concerns were fruitless. For the Garrick theatre's revolving set is remarkably similar. Their house also has stairs and an upstairs room. Barry Fletcher and his team must have been working all summer to create such an edifice. Congratulations, too, to sound designer, Christine Mills. She has captured well, the rattle of trains passing the house. Lighting designer, Trevor Mckie does an equally good job. The five so called musicians are, of course, anything but. Take, for example, the not so bright, One-Round (Mark Leigh), who thinks cellos are held under the chin. In one unforgettable scene, the 'musicians' give a concert to Mrs Wilberforce's middle class friends. Like in the Emperor's New Clothes, the ladies believe they have heard something wonderful when what they have actually heard is something akin to tuning up. One Round has three other, equally untrustworthy friends. They are Romanian gangster, Louis Harvey (Daniel Ferguson), the pill popping Harry Robinson (Christopher Graham) and a superb Major Courtney. Played coyly by Nick Sample, he dons a dress using the excuse that he fell against it whilst singing! The miscreants are led by the self-styled Professor Marcus whose Dr Who length scarf is constantly being trodden on. David Reynolds captures The Professor's charming yet cunning style as he hoodwinks Mrs Wilberforce into believing every far-fetched scenario. The star of the show has to be Maureen Casket as the true lady amongst five dishonourable men. From the style with which she hands out tea in china cups to the gullible way she takes in the tales she is told, Maureen is a gem. She is the hub around which all the humour revolves. Star Rating ★★★★ ★ NODA Review by Kevin Proctor Adapted from the classic Ealing comedy starring Alec Guinness, the plot is near-perfect for stage farce; a gang of bank robbers hide out in King's Cross by disguising themselves as an amateur string quintet. The catch is not just their total inability as musicians, but their fatal undermining of their tea-making septuagenarian landlady, Mrs Wilberforce. Playing the meddling matriarch is Maureen Casket, who brought the house down with her insistence that tea time is at 3pm, not 5. "Our tea time is early - we're old, we get up at 4.30!" The basic idea of criminal 'masterminds' coming a cropper at the hands of a sweet, innocent and bullet-proof 'oiled' lady is terrific and it's this context which translates this piece beautifully onto the stage. The real star of the evening was Barry Fletchers' set; the aging King's Cross house which shakes and rattles performing its own minuet each time a train passes. Although impressive and grand, the set did incur a rather unforgiving visual problem with the window which was positioned in rather an awkward spot making it almost impossible for so many to see the majority of the show's crucial instants. David Reynolds brings an original brand of sardonic irony to the criminal mastermind Professor Marcus, his performance was laced with sideways glances and a palpable 'big fish in small pond' frustration, though never managing to persuade me the man is a certifiable maniac. Mark Leigh offers the majority of the productions humour as the slow-witted One-Round, whose first instinct on seeing a cello is to tuck it under his chin. For me, the lighting design missed a trick as the attempt to create moods and ambiance was a missing factor, the production was lit too bright and cheery for this piece.The recapture of the shows unique zest was not quite ripe but as a whole this production is perfectly amiable with some solid performances and humour which were delivered to the full effect. Being fooled by art is one of the primary pleasures afforded the middle classes, so it is - but there is no mistaking the genuine appeal of this classic parody. With this kick off to a brand new season and indeed the opening of the Altrincham Garrick's second century, the society have welcomed some fresh blood amongst their membership and with a new 'Chief Executive' at the helm, 'straight away it's clear that this theatre company have readdressed the brand of the playhouse with a plush new website and expert quality programmes, I'm certain that these changes are a just a glimpse of bigger things to come! Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster