Hi-De-Hi at the Altrincham Garrick Theatre. Garrick Production Hi-De-Hi Ran Invalid Date - Dec 16, 2013 Age guidance Venue Running time Tickets Price Range Description The National Premiere Following the enormous success of "Dad's Army" last season, we are thrilled to have been given special permission, by the writers, to present the stage version of this very successful and long-running TV series. Come back with us to the late 50s/early 60s and enjoy once again all the simple humour of a bygone age. With the words "Hello, Campers" ringing in your ears meet again Gladys Pugh, Jeffrey Fairbrother, Ted Bovis and of course Spike and Peggy and others. Relive a time when Yellow Coats, Chalets with bunk beds, canteen type meals and talent shows were the order of the day. All the characters are here waiting to entertain you and after the "Dad's Army" sell out don't leave it too late to order your tickets for this one. CAST Alex Wilson as Jeffrey Fairbrother Brian Tickle as Ted Bovis Caroline Hickey as Gladys Pugh David Leathlean as Spike Dixon Brian Howlett as Fred Quilly Juliet Wilson as Peggy Mike Shaw as Barry Stuart-Hargreaves Natalie Horne as Yvonne Stuart-Hargreaves Frank Boylan as Uncle Benjamin Graham Simmonds as Stanley Robert Watson as Bruce Yellowcoats Mandy White Jane Gallagher Ashley Foster Laura Whitehurst Robin Coulthard as Bert Swanley Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

A short obituary of Phil Gleave, from the Altrincham Garrick Society. Previous Next Phil Gleave Phil's working background didn't really indicate an interest in theatre, with his jobs including miner, fireman, coach driver and bus inspector. However, he first came to the Garrick in the late 1980s, to build sets as a member of the stage crew, and stayed to become a highly valued and legendary Stage Manager actively involved in hundreds of productions. Greatly respected by his peers, he was a straight-talking and very competent person, essential qualities in ensuring productions of the highest standard. Phil had only one obvious weakness : Jelly Babies (see picture) ... especially at Panto time. Outside the Garrick, he had a passion for diesel railway engines and worked as a volunteer at East Lancashire Railways as Responsible Officer, in charge of the running of the engines when the public was in attendance. Back to In Memoriam page

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The 39 Steps at the Altrincham Garrick Theatre. Garrick Production The 39 Steps Ran Invalid Date - Jul 24, 2013 Age guidance Venue Running time Tickets Price Range Description The 39 Steps as you've never seen it before in this brilliant, Olivier Award Winning, comic adaptation. This blissfully funny show follows the incredible adventures of our handsome hero, Richard Hanney, complete with stiff-upper lip, British gung-ho and pencil moustache as he encounters dastardly murders, double-crossing agents, and, of course, devastatingly beautiful women. This wonderfully inventive comedy thriller features four fearless actors, playing 139 roles in 100 breath-taking minutes of fun and thrilling action. Seen at the Garrick two seasons ago this popular production demanded a place in the 100th season! If you missed it first time you won't want to miss out again. [gallery ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/The-39-Steps-51.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/The-39-Steps-81.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/The-39-Steps-31.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/The-39-Steps-11.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/The-39-Steps-91.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/The-39-Steps-21.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/The-39-Steps-61.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/The-39-Steps-41.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/The-39-Steps-71.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/The-39-Steps-2.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/The-39-Steps-8.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/The-39-Steps-9.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/The-39-Steps-3.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/The-39-Steps-4.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/The-39-Steps-7.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/The-39-Steps-6.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/The-39-Steps-5.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/The-39-Steps-1.jpg|"] CAST Richard Hannay - Sean Duvall Annabella Schmidt/Pamela/Margaret - Stephanie Niland Clown - Barry Spencer Clown - Scott Ransome Prompt - Margaret Leslie ASM - Ros Greenwood ASM - Clare Gresty 'Saw 'the 39 steps' on Monday with friends .... It was my first visit to the Garrick Playhouse & I was hugely impressed by the venue, organisation, play, and especially to the 4 actors involved. Great entertainment, visuals, energy levels, use of humour & involvement with the audience, all those involved should be immensely proud. ?Thanks for a great night. 'Saw it last night - absolutely the funniest play I've ever seen - well done to all the actors and backstage staff!!' 'Just saw The 39 Steps at @AltrinchamG . My cheeks ache from laughing so hard! It's brilliant!!' "Such a fantastic evening tonight, this to me... Along with Fur Coat And No Knickers was the funniest show I've ever seen, all four actors were amazing and so talented, what a performance! Once again brilliant night, cannot wait for the next show" 'Tears rolling down my face at @AltrinchamG Go and see " The 39 Steps" - a brilliantly comic take on a Hollywood thriller. Pure quality!' and actually sent to us DURING the interval!... @AltrinchamG It is hilarious! Well done to all involved. Really enjoying it ;-) Finally from one of the members of the cast... "And so it ends. Sadly our short rerun of The 39 Steps has ended. If you missed it then I suspect that all the team will happily repeat it again soon. Thanks to an amazing crew, director and cast." Messenger Review By Julia Taylor The 39 Steps - the Best Production in Years It's only two years since the Garrick presented The 39 Steps. By popular demand, and with the original cast, they're repeating it in their centenary season. John Buchan's novel about dastardly murders, double-crossing agents and beautiful women, seen in an Alfred Hitchcock film, is adapted for stage by Patrick Barlow. The play is, again, directed by Andrew Close, who makes this the best Garrick production for years. This time, the script even includes the names of all 53 Hitchcock films! Our hero, Sean Duvall, is a moustached and Brylcreemed Richard Hannay, who heads for the Highlands to avoid arrest. His funniest scene is when, in handcuffs. he makes a satirical political speech. With unstoppable energy and a stiff upper lip, he runs around at a furious pace. Barry Spencer and Scott Ransome move even faster. Between them they play 153 characters, quickly changing both outfits and facial expressions, becoming both sexes, goodies and baddies, speaking with Scottish accents, and using exaggerated body language and mime. You feel exhausted just watching their breathtaking skill especially when they play four characters at once! Stephanie Niland is the femme fatale who draws Hannay into her web. She also plays two other women and obviously enjoys roles more suited to a James Bond film. She?s a talented actress who understands the play's comic cut nature. If you saw it before, come again. You won't regret it. Star Rating ★★★★★ Remotegoat Review of The 39 Steps by Julia Taylor Frenetic Comedy never loses it's Allure It's only two years since the Garrick presented The 39 Steps. By popular demand, and with the original cast, they are repeating it in their centenary season. John Buchan's novel about dastardly murders, double-crossing agents and beautiful women, used in a film version by Alfred Hitchcock, is adapted for stage by Patrick Barlow. The play is again directed by Andrew Close who, last time, stepped in at short notice. He ensures the correct frenetic pace in one of the best productions I've seen in a long time. Our hero is Sean Duvall, a moustached and Brylcreemed Richard Hannay who flees London for the Highlands to escape arrest. I love his energy and the lip which remains stiff as he races from place to place at a furious pace. The timing is even faster for Barry Spencer and Scott Ransome. Between them they play 153 parts, popping up all over the place wearing different outfits and wigs, speaking with pronounced Scottish accents, and using exaggerated body language. You feel exhausted just watching them especially when they play four characters at once! The play illustrates three modes of transport in an innovative way. The first is a model plane on a fishing rod which emulates the real thing. It crashes and is replaced by two miniature parachutes. Then comes the steam train, largely shown by mime, and, finally, a car consisting of four chairs and a lectern. All good fun. Stephanie Niland is the femme fatale who draws Hannay into her web. She also effectively plays two other women and obviously enjoys roles more suited to a James Bond film. The small cast give their all but, on this occasion, I should mention John Newton in charge of props. Without his expertise in providing guns and other vital equipment at breakneck speed, the expertise of the cast would be wasted. If you saw it before, come again. It?s even better this time. Star Rating ★★★★★ NODA Review by Kevin Proctor This is a frivolously hilarious and terribly British upper class farce with an intelligent wit encountering murder, secret agents and pretty ladies set to a backdrop of the 1930's. Based on John Buchan's novel and the highly regarded Hitchcock film version, 'The 39 Steps' is adapted by Patrick Barlow and performed by a stellar cast of just four. My favourite aspect of this production is how it's hinted as though the actors play actors who're in a slightly feeble production of 'The 39 Steps' - The apologetic asides to the audience which say 'Yep, can you believe we've 'really' been told to do' this !'? and the embarrassment on the players faces when an actor is perhaps overdosing on 'ham' were all touches of genius! Director, Andrew Close, has worked wonders on this production. I very much appreciated his own inclusions put into the piece, particularly how he'd (just for fun) introduced as many Hitchcock titles into the text which added even more chuckles, some of which were quite ingenious, my personal favourite being 'Mr & Mrs Waltzes from Vienna! particularly after wondering How will they manage to sneak that one in!? This production is silly in the very best sense of the word causing many involuntary chuckles, snorts and giggles - but for some reason this play really does work as a terrific piece of theatre with its stiff-upper-lip manner, the not so staggering special effects which are greatly shameless yet creative, not forgetting the false over acting and prop / set chaos all adding to the endless fun and havoc! The duo of 'clowns' provide masses of characterisations aptly presented by Scott Ransome and Barry Spencer who both appeared to be in their element with this production, they instantly set the tone and kept the show moving installing its pace with their quick-fire changes and tight verbal tennis skills making this pair a very impressive turn. Stephanie Niland smoulders as the femme fatale in each scene, excellently providing a cascade of short lived characters after her impromptu early death she brought glamour and romance to the show with bursts of film noir and Hollywood 1930's lushness. Sean Duvall suitably portrays the man on the run; Richard Hannay, the only constant in the ever changing world of variables. His charm and charisma holds the audience?s attention throughout while he juggles the tone of the play perfectly, wonderfully done! The visuals are central to the hilarity. Every set change, effected by the cast (regardless of how unwilling they may be), is turned into an event, from a hilarious sequence with a movable lamppost to endless window and door manoeuvres all engages the audience deeper into the whirlwind and magic! Although this production does have countless strong advances in its favour I do feel I need to mention the show ran quite long (coming down at 10:30pm) and technically, on occasion, players were performing out of light but - no qualms about it, this spoofy spy thriller made a jolly good evening of theatrical tomfoolery entertainment! Congratulations Altrincham Garrick! 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Beyond Reasonable Doubt at the Altrincham Garrick Theatre. Garrick Production Beyond Reasonable Doubt Ran Invalid Date - Aug 7, 2013 Age guidance Venue Running time Tickets Price Range Description his is a courtroom drama par excellence. Famous and compassionate QC Sir David Metcalfe is on trial for the alleged murder of his wife. Conducting his own defence and facing the redoubtable skill of the prosecuting counsel Anthony Blair Booth QC, Sir David also has to counter the damning evidence of his wife's housekeeper and deadly enemy. This gripping drama will intrigue to its unexpected end. CAST Court Usher Andrew Bebiki Clerk of the Court Sandy McGuire Mr Justice Tredwell Hugh Wolfson Anthony Blair-Booth Terry Chandler Det Chief Insp Travers Bryn Thomas Sir David Metcalfe Geoff Noar Prison Officer Ian Richardson Mrs Rogers Alison Davis Dr Weeden Richard Frost Lional Hamilton Derrick Linter Mr Cole Dave Midgley Robert Pierson Mark Edgar Stenographer Lisa Bowker Lady Metcalfe Angela Wetherill Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Scrooge (The Musical) at the Altrincham Garrick Theatre. Garrick Production Scrooge (The Musical) Ran Dec 18, 1999 - Jan 3, 2000 Age guidance Venue Running time Tickets Price Range Description Charles Dickens' A CHRISTMAS CAROL encompasses the spirit of Christmas and here, a familiar story is faithfully retold and embellished with glorious songs and spectacle. Follow the adventures of Scrooge, Bob Cratchit, Tiny Tim and the Christmas Spirits, in this wonderful celebration of Christmas. A spectacular for all the family. Featuring Geoff Noar as Scrooge himself with a cast of Thousands! By: Leslie Bricusse Directed By: Chris Corcoran Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Lady Windermere's Fan at the Altrincham Garrick Theatre. Garrick Production Lady Windermere's Fan Ran Invalid Date - Jan 9, 2014 Age guidance Venue Running time Tickets Price Range Description A deliciously witty insight on London?s sophisticated yet fickle society in the late 19th Century. Chronicling a series of misunderstandings and deceptions in this high society world, critics and audiences alike were charmed by Wilde?s trademark wit and intelligence.?Lady Windermere?s Fan?continues to entertain audiences all over the world. CAST John Keen as Lord Windermere Mark Butt as Lord Darlington Brian Stoner as Lord Augustus Lorton David Leathlean as Cecil Graham Jenny Panton as Lady Windermere Ros Greenwood as Mrs Erlynne Alex Wilson as Mr Dumby Richard Haynes as Mr Hopper Barry Purves as Parker Maureen Casket as The Duchess Of Berwick Hannah Lambert as Lady Agatha Carlisle Maureen Devlin as Lady Plymdale Pat Williamson as Lady Jedburgh Mollie Woodbine as Lady Stutfield Sandy McGuire as Mrs Cowper-Cowper [gallery columns="5" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/01/windermerem.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/01/windermerel.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/01/windermerek.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/01/windermerej.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/01/windermerei.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/01/windermereh.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/01/windermereg.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/01/windermeref.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/01/windermeree.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/01/windermered.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/01/windermerep.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/01/windermerec.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/01/windermeren.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/01/windermereb.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/01/windermereo.jpg|"] Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Bombshells at the Altrincham Garrick Theatre. Lauriston Studio Bombshells Ran Sep 26, 2023 - Oct 1, 2023 Age guidance Venue Altrincham Garrick Studio Running time Tickets Price Range Description Six women on the edge - of greatness, of love, and their sanity. These monologues showcase six women balancing their inner and outer lives with humour, poignancy and depth. Meet Meryl who fears she is the world's worst mother; Tiggy who has taken refuge in her local cacti- appreciation society; Mary who refuses to be upstaged by her arch-nemesis; Theresa who couldn't be more excited to be in her wedding dress; Winsome who has grown tired of being 'one of the widows'; and, finally, Zoe who wants you to know that despite what you've heard, she's back and better than ever! Delve into each character's life as they bare their most urgent wishes and thoughts - at times hilarious and, at others, heart breaking. Bombshells tells riveting personal stories that everyone can find themselves in, for better or worse... Reviews Number 9 Reviews Following on from last Season’s successful all-LBGTQ+ productions, Altrincham Garrick Studio opens this year’s Season of all female themed plays with 'Bombshells' by Joanna Murray-Smith. Originally written as a one woman show, the play features six monologues; a schoolgirl, a bride, a hassled young mother, a widow, a suburban divorcee, and a has-been cabaret singer. Six stories, six ages of woman, six insights, six emotional states. I love a monologues structure. It allows the actor an intimacy of connection that isn’t usually experienced in a traditional play and for the audience it can be electric. If the quality of the writing and the quality of the performance are strong, Bingo! You have yourself a hit. Joanna Murray-Smith has, in these six monologues, create a very entertaining, humorous and contrasting work. Each woman has her own insight, her own experience, her own denial, her own victories and failures, her own fears and joys. First we meet Meryl (Eilidh Pollard) mother of three very young children. We wake with her at 6.07am when her crying baby starts the day and we stay with her for 24 hours until 6.07am the next morning when the whole routine (or lack of) starts again. She is hassled, harassed, tired and emotional. She is overwhelmed with love for her beautiful children and the endless repetition of the tasks of the day. She craves approval, acceptance, reassurance that she is a good mum, and coffee. She is filled with self-doubt and chastises herself as a selfish woman for ever considering her own needs; for ever being anything other than a slave to mother and wifehood. Pollard portrays well a loving woman who is under pressure. Her interactions with her children are well expressed and she uses her voice effectively and understands the rhythm and psyche of the character. I would have liked to have seen a more realistic handling of her ever present, milk demanding baby with a more realistic and believable baby prop. I think it would have allowed more moments of change of pace for her by utilising her breastfeeding regime and given contrast to the frantic pace of her day. Next we meet Tiggy. (Lindsey Barker) Shy, sad Tiggy. Poor lonely Tiggy. Abandoned, angry Tiggy. Her husband Harry has left her for a much younger woman and in response she has embraced the world of cacti and succulents by joining a local appreciation society. She gives talks about them in local community centres. She comes alive when speaking on this her specialist subject. Barker conveys a gentle, shy woman who is kind and thoughtful, sweet and gentle, but much like a cactus if you catch it the wrong way, a sharp, stabbing painful moment can occur at any time. There is a vulnerability about her that Barker portrays effectively. Young Mary O’Donnell (Ciara-Alexandra Booker) is the MOST talented girl in her school. She can sing and dance like no other and is hotly tipped to win the prestigious St Bridget’s Annual Talent Contest as she did last year, and the year before. When her nemesis Angela McTerry unexpectedly performs the very song and dance routine that Mary has been preparing, she has minutes to decide what to do as an alternative performance. It’s not a problem. She is talented, almost a professional, she will cope. If Meryl Streep can, she can. What unfolds is hilarious, well judged and sweetly psychopathic. Booker excels in this performance. Just like Les Dawson’s piano playing – you have to be pretty good to be able to do it that badly and Booker was THAT good. Theresa McTerry (Kim Armston) is The Bride. Today is the happiest day of her life. We see her prepare excitedly for her wedding telling us of how she has planned this moment since being a young girl. As she dresses herself for this, the most important day of her life, we share her excitement and anticipation. But as the moment comes and she steps into the ceremony her doubts and fears begin to emerge with great comedy. Turns out she hasn’t really thought much beyond the dress and Amston portrays this role with great humour and nicely timed focus. As the ceremony moves to the reception her state of mind declines and her desperation to escape her reality hits home. It really WAS all about the dress and her journey from giddy girl to desperate woman is laid bare. It is a nicely jugged and well paced performance Winsome (Sarat Broughton) is a widow. Her widowhood defines her as she copes with life following the death of her husband. She surrounds herself with the company of other widows and falls into a fixed routine of activity that seems to function as an anaesthetic to her pain and loss. When volunteering for a local Blind Society, reading books to it’s members, she meets Patrick, a much younger man. Gradually he seduces her and an awakening occurs that is both unexpected and beautiful. It takes some skill to perform a seduction alone on a stage and I must applaud Broughton for her portrayal. Her movement, vocal expression and nuanced performance was for me, impressive. Zoe Struthers (Annabel Fox) is a Diva. An ageing, alcoholic diva who is past her best. We witness her swansong, a final performance for her adoring fans. She is demanding, self pitying, deluded and drunk. She laps up the adoration and manipulates it to suit her many needs. A monologue which is styled with audience banter inserted between songs this could have been a final showstopper. For me, Fox did not quite deliver. Her tragic performance needed to be much bigger, bolder, drunker and more Diva-esque. Basically, more Liza Minelli. In conclusion, I did enjoy this show. The intimacy of this lovely studio worked very well for this piece of theatre and there was a lovely connection with an appreciative audience. Between the monologues, actors repositioned the stage for the next performer and for me this did not work and lacked directorial imagination. Connections could have been made using these moments and I felt clear opportunities were lost. This was a shame as there was some real talent amongst a generally good cast. The piece was entertaining and enjoyable. It was good. It could have been great. Reviewer - Lou Kershaw on - 27.9.23 Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Fatal Attraction at the Altrincham Garrick Theatre. Garrick Production Fatal Attraction Ran Jan 20, 2020 - Jan 25, 2020 Age guidance Venue Main House Running time Tickets Price Range Description While at her beach house, (a remote cliff side cottage on Nantucket Island) sorting out her divorce, movie star Blair Griffin spots a paparazzo who has been stalking her. She takes a bold step to shake him loose, setting in motion a series of shocking and terrifying events. The unconventional Lieutenant Braden delves into sinister motivations to unravel the plots within plots in this thrill-a-minute action mystery. A Fantastic Mystery Thriller (not to be confused with the film of the same name). Reviews Review by Rick Bowen for StageStruck FIRST things first. This is nothing to do with the steamy thriller starring Michael Douglas but rest assured dear theatregoer, it is just as compelling and just as captivating. We meet one of the most fascinating female characters I’ve seen on any stage, amateur or professional, in the shape of actress Blair Griffin, who apparently witnesses the murder of her ex husband at her hilltop retreat. But all is not what it seems in Bernard Slade’s cleverly crafted and darkly funny thriller as we see another side of the enigmatic fading film star, brought so engagingly to life here by Garrick debutante Antonia Whitehead. Even I felt spooked as she played the victim - Blair just never stops acting and can turn on emotions as easily as most of us would turn on a tap. Whitehead’s performance is so convincing I’m certain her first performance on this stage won’t be her last. But has Blair met her match in seasoned and cynical cop Gus Braden - an outstanding Nick Sample - in a play that’s sure to get the audience’s tongues wagging afterwards? Beverley Stuart Cole gives her best acting performance to date as Blair’s lush of an agent, Maggie Stratton. Fatal Attraction is a major triumph for Director Bill Platt and his creative team and it would be a crime - pun intended - if theatre as good as this failed to play to packed houses. You really have no idea what’s coming next in a piece that’s perfect for dark, winter nights.. A real tale of the unexpected, this one. Highly recommended. Rating: ★★★★ Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

A short obituary of Linda Panton, from the Altrincham Garrick Society. Previous Next Linda Panton Linda had been associated with the theatre for over 40 years. She appeared on the Garrick stage at least once per season, and worked both backstage and Front of House, as did her husband Terry and daughter Jenny. She was Head of Creative and Performing Arts at Trafford College, and brought many of her skills to help with the Garrick. Back to In Memoriam page

Sugar Daddies at the Altrincham Garrick Theatre. Garrick Production Sugar Daddies Ran Invalid Date - Feb 7, 2014 Age guidance Venue Running time Tickets Price Range Description The latest funny and moving comedy from the nation?s favourite playwright. Val first enters as ?Father Christmas? having just played the role at a children?s party. Leaving the party in full regalia he is knocked down but fortunately not hurt by a hit-and-run driver. He is rescued by Sasha, a kind and unsophisticated girl who shares a flat with her sister who has ?boyfriend trouble?. To show his gratitude Val attempts to help them both but his understanding of the modern girl is sadly lacking and his efforts are doomed to failure. A timely warning about the dangers of role-playing and pretence. CAST Sarah Roberts as Sasha Geoff Noar as Val Caroline Hickey as Chloe Bill Platt as Ashley Carole Carr as Charmaine [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/sugardaddiesb.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/sugardaddiesi.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/sugardaddiesm.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/sugardaddiesf.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/sugardaddieso.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/sugardaddiesc.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/sugardaddiesg.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/sugardaddiesn.jpg|"] Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Circle Mirror Transformation at the Altrincham Garrick Playhouse. A Season of Connection: Stories that bind us, break us, and bring us back together. Garrick Production Circle Mirror Transformation Date range Tickets £13 - £15 Age guidance Venue Garrick Studio Trigger warning Find out more Book now Running time TBC Group bookings Find out more Accessibility Find out more Written by Annie Baker Directed by Barry Purves In a small town in Vermont, New England, five unlikely strangers come together in their community centre for a creative drama class for adults. The free-spirited Marty, recently-divorced Schulz, former actress Teresa, the self-conscious high school student Lauren and Marty’s quiet husband, James. Over six weeks of drama exercises and games ranging from the hilarious to the heartbreaking, their lives become entangled and transformed in the most humorous and moving ways. Annie Baker's quiet masterpiece, Circle Mirror Transformation , opened Off-Broadway in 2009 and received the 2010 Obie Award for Best New American Play. It was voted one of the top ten plays of 2009 by the New York Times, Time Out and the New Yorker. It received its European premiere in a Royal Court Theatre production at the Rose Lipman Building in De Beauvoir Town, London in 2013, with a superb cast including Toby Jones and Imelda Staunton. This production is part of the Garrick Studio 26/27 Season - A Season of Connection: Stories that bind us, break us, and bring us back together. Garrick Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Subscribe to our Mailing List

Blackadder Goes Forth at the Altrincham Garrick Playhouse. An unforgettable evening of laughter, nostalgia and a fresh perspective on this beloved classic! Garrick Production Blackadder Goes Forth Date range Tickets £14 - £19.50 Age guidance 12+ Venue Main House Trigger warning Find out more Book now Running time TBC Group bookings Find out more Accessibility Find out more A stage adaptation based on the original BBC Television Series. Created by Richard Curtis, Rowan Atkinson, Ben Elton and John Lloyd. Directed by Charlie Tomlinson. One of TV’s most enduringly popular comedies returns to the Garrick stage, after our memorable production in 2018. Here, in all of their BAFTA-winning hilarity, are the adventures of the cynical Captain Edmund Blackadder, in his forlorn quest to survive the madness and buffoonery of all who surround him. The play weaves together moments of uproarious comedy and poignant reflection, exploring the absurdity of war and the indomitable human spirit that persists even in the face of adversity. With impeccable timing and a stellar cast, “Blackadder Goes Forth ” promises an unforgettable evening of laughter, nostalgia, and a fresh perspective on the timeless humour of this beloved classic. Age Guidance: 12+ Presented by permission of United Agents Limited, with all royalty payments going to Comic Relief. Content Warning: This production contains the use of theatrical haze and smoke, loud explosions, and live gunfire. Garrick Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Subscribe to our Mailing List

Chitty Chitty Bang Bang at the Altrincham Garrick Theatre. Garrick Production Chitty Chitty Bang Bang Ran Oct 23, 2023 - Oct 29, 2023 Age guidance Venue Running time Tickets Price Range Description Altrincham Garrick Playhouse presents the most Fantasmagorical musical, Chitty Chitty Bang Bang , for October Half Term… a high-flying, fun-filled adventure for the entire family! An eccentric inventor, Caractacus Potts sets about restoring an old race car from a scrap heap with the help of his children, Jeremy and Jemima. They soon discover the car has magical properties, including the ability to float and take flight. Trouble occurs when the evil Baron Bomburst desires the magic car for himself. The family joins forces with Truly Scrumptious and batty Grandpa Potts to outwit the dastardly Baron and Baroness and their villainous henchman, the Child Catcher. One of the world’s favourite musicals, Chitty Chitty Bang Bang will have audiences of all ages flying high with its mixture of madness, intrigue and exuberance. Based on the beloved 1968 film version of Ian Fleming's children's book, and featuring an unforgettable score by the Sherman Brothers (Mary Poppins ),Chitty Chitty BangBang is one family-friendly show that you’ll find "Truly Scrumptious." Music and Lyrics by Richard M. Sherman and Robert B. Sherman Music by Special Arrangement with Sony/ATV Publishing Adapted for the Stage by Jeremy Sams Based on the MGM Motion Picture Licensed Script Adapted by Ray Roderick Production shots taken by Martin Ogden Reviews REVIEWS StageStruck - Rick Bowen "The production has a dream team of creatives behind it and a cast who are determined the audience, children and adults, are totally swept along by this fun filled evening of classic, feel good musical theatre." "This is an evening of unbridled, unashamed escapism. We the audience find ourselves transported to a world of colourful, larger than life characters." Read the full review on Stagestruck Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

After the Dance at the Altrincham Garrick Theatre. Garrick Production After the Dance Ran Invalid Date - Jul 30, 2013 Age guidance Venue Running time Tickets Price Range Description As the world races towards catastrophe, a crowd of Mayfair socialites parties its way to oblivion. At its centre is David, who idles away his sober moments researching a futile book until the beautiful Helen decides to save him, shattering his marriage and learning too late the depth of both David's indolence and his wife's undeclared love. But with finances about to crash and humanity on the brink of global conflict, the drink keeps flowing and the revellers dance on. Both an insightful, witty critique of a generation and a profound dissection of the depths of human emotion. CAST Joan Scott-Fowler Ros Greenwood Helen Banner Kate Millington David Scott-Fowler Peter Birch Julia Browne Laura Chandler Dr George Banner Ian Simmonds Miss Potter Julie Broadbent Peter Scott-Fowler Chris Mawson Moya Lexington Clare Muldoon Williams Jon White Cyril Carter Ryan Clerk John Reed Mike Shaw Lawrence Walters David Ades Arthur Power Paul Wilson Partygoers Sylvia Hay Elaine Saville Val Watkinson Jeannie Honeyman Anna Croughan David Walton Review by Julia Taylor for remotegoat Married love revealed too late Terence Rattigan's golden oldie After the Dance first performed in 1939 and not well-known, proves popular with the audience and I must congratulate the Garrick on presenting it. This play has the professional stamp of experienced director, John Chidgey who brings out the best in a 15 strong cast. As the Second World War approaches, David Scott-Fowler and his wife Joan, forget their troubles in a round of imbibing and partying in their luxury Mayfair apartment, beautifully illustrated by Sylvia Hay's set. Most of the drinking is done by David who blots out his hard work as a historical writer and the forthcoming war in a haze of the hard stuff which seriously affects his health. Then along comes his young cousin Peter with Helen, his 20-year-old fiancee. As soon as she meets David, Helen sets her cap at him, determined to stop him boozing and then marry him. Of course, he is already married but both he and Joan are too inhibited to reveal their mutual love. Yet talented actors, Peter Birch and Ros Greenwood, make the audience aware of their true feelings, whilst behaving in a shallow and flippant way towards each other. Ros gives an unforgettable performance in the play's most moving moment. It is when she realises her husband is swapping her for a younger model and temporarily discards her perpetual jauntiness to give a heart-warming display of grief. We have a sterling performance by Kate Millington as the over-zealous Helen nonchalantly setting out to break a marriage that has survived for 12 years. She tells Joan of her relationship with David without a flicker of conscience or care for her feelings and boasts about how well she has taken the news. Her soulful ex-partner, Peter (Chris Mawson) makes his views clear as much by facial expression as language. The play owes a lot to Mike Shaw who, not only plays John, David's well oiled but ultimately wise friend but also heads the Garrick's wardrobe team. He interprets the former with light-hearted humour and delivers amusing one-liners. In the latter capacity he comes up with beautiful costumes of the thirties. I especially like the long dress worn by Joan at her final party. Laura Chandler, also exquisitely turned out, adds colour as the party pooping Julia Browne. I'm glad the Garrick has revived this play. In the second half, a shocking event takes you aback but, unfashionable by today's standards, there is a comparatively if not happy then neat ending. NODA Review by Christine Hunter Hughes After the Dance is generally known as one of the 'lost' Rattigan plays - although it was televised in 1994 Rattigan himself did not include the play in his own collected works and the original West-End run closed after only 60 performances, due in no small part to the outbreak of war. It is set just before the outbreak of the Second World War as the 'bright young things' in London attempt to blot out the upcoming horrors with a hedonistic run into drinks, drugs and parties. However in this case the protagonists are no longer bright or young! It portrays beautifully the very British habit of repressing emotion, or indeed anything serious, as being 'just too boring'. The open set was a stunning portrayal of the opulent Mayfair flat of David and Joan Scott-Fowler. There was great attention to details in costumes and props (although I was not sure that the telephone was quite authentic) and they reflected the era beautifully. Lighting was good but I was disappointed with the sound from the 'piano'. It came from the wrong place and was not bright and crisp but muted and obviously recorded. There was without doubt some excellent acting and characterisations well maintained throughout the production with some lovely 'clipped' speech so typical of the period. Diction was superb from all the major principals and we clearly heard every word. The cast all looked extremely comfortable both with their characters and costumes and on the excellent set the fourth wall became just that we were looking into the flat - great acting and direction. Like all Rattigan plays it is fairly 'uncomfortable' and there was no applause by the fairly large audience at the end of scenes which I found almost more disturbing than the play - although the applause at the end was certainly most appreciative. Thank-you for a most interesting and entertaining evening and for the revival of this almost forgotten work. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Piaf at the Altrincham Garrick Theatre. Lauriston Studio Piaf Ran Mar 15, 2022 - Mar 20, 2022 Age guidance Venue Running time Tickets Price Range Description “You don’t have to stay in the gutter just because you were born there…” Born Edith Gassion in 1915, no one could have predicted Edith Piaf’s phenomenal rise to fame – from singing in the streets of Paris to becoming one of France’s biggest international stars, her voice is still revered to this day. But her extraordinary talent was matched with an equally extraordinary personal life… Pam Gems has reworked her celebrated 1978 original, " Piaf ." She vividly captures the glamour and squalor, the rise and fall of the complex, fragile, and enigmatic performer Edith Piaf, who continues to be remembered and revered for her exceptional voice and extraordinary life. The play also features some of Piaf’s most famous songs, including La Vie en Rose , Hymne à l’amour and Non, Je Ne Regrette Rien . Reviews WHEN Emily Leeland sings Piaf in this warts and all portrayal of the iconic French star my top lip quivered with emotion and my insides turned to jelly. More than once. Leeland is also every inch the diva in Pam Gems’ captivating play, not holding back when it comes to getting exactly what Piaf wants. Top of Piaf’s list are a career and a man, a man who can live up to her exacting demands. She gives a whole new meaning to the phrase ‘high maintenance.’ What makes Piaf’s story so captivating is it’s a story of success against all odds, how a young girl abandoned by her mother and raised in a brothel ended up having an audience with a US President. For me, there were echoes of Evita , reminding us that yes, it’s still possible to triumph in the face of adversity. You should feel very jealous of anyone lucky enough to have a ticket for this, because director Charlie Tomlinson and his creative team serve up a theatrical treat here. The production is just over two hours long and it feels like you’ve been in the theatre no more than around 20 minutes. But Leeland’s performance is by no means the only one to enjoy here. Olivia Riley is seriously funny as Piaf’s long suffering and loyal friend Tonie, with the two actresses establishing an effortless camaraderie from the start. The velvety-voiced Steven Finney is excellent as the plain speaking nightclub owner Louis Leplee and I can’t wait for the next production in which he has a bigger singing part. Sam Evans is sure to have you swooning as the silky smooth French singer Charles Aznavour. This is a production that simply must be experienced. A joy and a major triumph for all concerned. Tickets are available from 0161 928 1677 or www.altrinchamgarrick.co.uk . Good news - the Garrick is planning to put on a Saturday matinee to meet demand for tickets. Call the box office for details. RICK BOWEN - StageStruck - 5 Star Review Photos - Martin Ogden Gallery Trailer Trigger Warning WARNING - Please note this play contains Adult Language Documents related to this Production View the Programme View the Advertising Poster

Of Mice and Men at the Altrincham Garrick Theatre. A classic story of enduring friendship and hope, with themes of economic migration and racism Garrick Production Of Mice and Men A classic story of enduring friendship and hope, with themes of economic migration and racism Ran May 8, 2025 - May 18, 2025 Age guidance Recommended: 12+ Venue Main House Running time TBC Tickets Price Range £10.50 - £16.50 Description Written by John Steinbeck Directed by Joseph Meighan “Guys like us, that work on ranches, are the loneliest guys in the world. They got no family. They don't belong no place...with us it ain't like that. We got a future. We got somebody to talk to that gives a damn about us.” George and Lennie are migrants with a dream; a dream of a better life, a place where they can belong, where Lennie feels safe and George can be somebody. But this is the Great Depression, not many dreams come true in a time where a few have plenty but most have nothing. When the friends take a job on Curly’s farm, tragedy unfolds leading to a heart-breaking decision. John Steinbeck’s classic novel is more than 80 years old, but with themes of economic migration, racism, prejudice and exclusion it remains a parable for our times. A story of enduring friendship and hope. Reviews Gallery Trailer Trigger Warning This production stays true to the original novel, exposing the depths of the characters and inviting conversations around difficult topics set against the brutality of the time. It contains sensitive content including topics that cover racism, ableism, sexism, violence, assault, murder, death, plus some strong and offensive language. Documents related to this Production View the Programme View the Advertising Poster

Abigail's Party at the Altrincham Garrick Theatre. Garrick Production Abigail's Party Ran Invalid Date - Dec 16, 2013 Age guidance Venue Running time Tickets Price Range Description The action takes place at the "would-be" trendy modern estate house owned by upwardly mobile Beverley and Laurence. Beverley is "the perfect hostess", eager to show off her gadgets and her cocktails. Laurence is the stressed out estate agent more interested in selling property than impressing new neighbours. The evening is set for an embarassing and well observed portrayal of one kind of suburban existence. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Ross and Rachel at the Altrincham Garrick Theatre. Garrick Production Ross and Rachel Ran May 17, 2022 - May 22, 2022 Age guidance Suitability: 14+ Venue Running time Tickets Price Range Description By James Fritz Directed by Carole Carr Performed by Fiona Primrose No one told them life was gonna be this way… Ross & Rachel . You know the ones. Will they? Won’t they? On. Off. On again. Off again. On a break. Vegas. Emma. “I got off the plane”… Ross & Rachel tells the mind-bending, heart-breaking story of what happens when a couple that was always meant to be together, gets together. And stays together. James Fritz’s play isn’t about Ross Geller and Rachel Green, the ultimate Friends-turned-lovers. But it’s not – not about them. A dark and uncompromising play that explores romance, expectation and mortality, and the idea of ‘happy-ever-after’ – sold to us by rom-coms and sitcoms, whether it’s Ross and Rachel or Romeo and Juliet – and how this affects our real-life relationships. Suitability: 14+ Contains strong language and adult themes which some viewers may find disturbing. Reviews Gallery Trailer Trigger Warning Contains strong language and adult themes which some viewers may find disturbing. Documents related to this Production View the Programme View the Advertising Poster

Come From Away at the Altrincham Garrick Theatre. 7,000 Stranded Passengers. One Small Town. A Remarkable True Story becomes a hit Musical! Garrick Production Come From Away 7,000 Stranded Passengers. One Small Town. A Remarkable True Story becomes a hit Musical! Ran Sep 10, 2026 - Sep 19, 2026 Age guidance Recommended: 10 + Venue Main House Running time 1 Hour and 45 Minutes, with no interval Tickets Price Range £19 - £24 Description 7,000 Stranded Passengers. One Small Town. A Remarkable True Story. This smash hit show shares the incredible real-life story of the 7,000 air passengers from all over the world who were grounded in Canada during the wake of 9/11, and the small Newfoundland community that invited these ‘come from aways’ into their lives with open hearts. Experience this joyous story and soaring music as spirited locals and global passengers come together to forge friendships that will stay with them forever. The first female American Airlines captain, the quick-thinking town mayor, the mother of a New York firefighter and the eager local news reporter are among the many real characters caught at the start of the moment that changed the course of history and whose stories became a true celebration of hope, humanity and unity. Winner of four Olivier Awards including Best New Musical and the Tony Award for Best Direction of a Musical on Broadway, now experience this new production at Altrincham Garrick Playhouse, 25 Years on from the events of 9/11. Directed by Joseph Meighan. Commemorative Performance: Friday 11th September at 8pm "Tonight we honour what was lost. But we also commemorate what we have found." The performance of COME FROM AWAY on Friday 11th September marks the 25th Anniversary of 9/11. At this performance, we will have a ten-minute break after the bows, and then the Cast and Creative Team will return to the stage for a post show Q&A and discussion. All ticket holders for this performance are welcome to stay for this special event. Come From Away - Pay It Forward Campaign In the true spirit of Gander, we want the generosity on stage to extend far beyond the curtain call. Inspired by the way an entire town opened its arms to strangers; we are running our own "Pay It Forward" initiative throughout the run. We invite you, our audience, to bring donations of non-perishable food items, toiletries, and essentials to leave in our foyer collection points. All donations will go directly to support local food banks (Trafford North and Trafford South) across our community. It is a simple way for us to honour the legacy of Gander and Come From Away by turning empathy into direct, local action. We will be collecting items in our foyer during the run of Come From Away, and in particular, we are in need of: Shampoo / Body wash / Deodorant / Sanitary Towels / Toilet Roll / Toothpaste / Tinned Meats / Sugar / Tinned Vegetables / Noodles / Coffee / Cordial If you wish to donate, simply bring one of the above items (or several) to the Theatre when you visit to see our production of Come From Away. Thank you for your support and your generosity. Reviews “Life affirming theatre, this. If you only visit the Garrick once this season, make sure it’s to see this.” - Rick Bowen Read the full review from StageStruck CLICK HERE “Before seeing this show, I thought Come From Away was a musical about 911, how wrong I was. It’s a musical about what people are capable of doing in response to tragedy…… If you haven’t seen Come From Away before, go. If you have seen it before, go again. Be prepared to leave the theatre believing in people just a little bit more.” - Steph Wiswall Read the full review by North West End CLICK HERE Gallery Trailer Trigger Warning This production contains strong language, adult themes, and some upsetting scenes connected to bereavement and loss. The story centres around the terrorist attacks that took place on September 11th, 2001, in America, and therefore could be distressing to some audience members Documents related to this Production View the Programme View the Advertising Poster

Two into One at the Altrincham Garrick Theatre. Garrick Production Two into One Ran Invalid Date - Aug 18, 2015 Age guidance Venue Running time Tickets Price Range Description "There's far too much sex in this hotel and I'm not having any of it!" Following the Garrick's hugely successful Run For Your Wife by Ray Cooney, we now bring Cooney's vintage farce Two Into One to the stage. If you enjoy your farce, you will have a ball at this delicious web of intrigue and joyous sexual mayhem. Considered by some to be his most successful comedy ever, this deliriously manic farce has been described as " a hilarious orgy of door slamming". With ingredients like a Tory junior minister, extra marital nookie, suspicious hotel managers and a corridor prowling lady Labour MP you have a recipe for panic, preposterous disguises and side splitting mistaken identity. If you enjoy crazy mad cap comedy this is definitely a popular hit not to be missed! [gallery ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/05/DSC_6504.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/05/DSC_6267.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/05/DSC_6417.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/05/DSC_6430.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/05/DSC_6165.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/05/DSC_6005.jpg|"] CAST The Rt. Hon. Richard Willey MP - Jonathan Black Pamela Willey - Mandy White Receptionist - Carol Gibson Manager - Phil Edwards Waiter - Dan Ellis Lily Chatterton MP - Christine Perry George Pigden - Mike Shaw Maria, the Chambermaid - Anna Haddad Jennifer Bristow - Sarah Roberts Edward - Tom Oliver Review by Julia Taylor - Altrincham Messenger RAY Cooney's farce, Two into One, at the Garrick Playhouse, is a credit to director, Alan Clements.It's about Richard Willey, a junior minister in Margaret Thatcher's government, who plans an assignation with a secretary in a hotel, complete with revolving stage and realistic lift, expertly designed by Trevor McKie. Unknown to Willey, his wife, Pamela, is smitten by his parliamentary private secretary, George Pigdon. The straight-laced hotel manager, played amusingly by Phil Edwards, frowns on the goings on, declaring with innocent aplomb: ?There's far too much sex in this hotel and I;m not having any of it. Double entendres like this abound. Doors open and close as embarrassed miscreants hastily try to cover their tracks, Farce may appear easy but it requires much skill. Utterly at home with the genre is Jonathan Black as Willey. His suave, snake in the grass manner is perfect as he tries to wriggle his way out of preposterous situations. The long suffering George is illustrated well by Mike Shaw who can also dance. Often near-naked, you can practically hear his blood pressure rise as he attempts to lie himself out of tricky moments. Mandy White is delightful as the frustrated wife, and Sarah Roberts is a sultry temptress of a secretary. I like the unexpected appearances of Dan Ellis, as the Chinese waiter. Star Rating ★★★★★ Review by North West End by Mark Dee There can be few things more iconic in the recent history of British theatre than The Whitehall Farce, and those expert exponents of this genre, with Ray Cooney being right at the top of the pile. Fallen somewhat out of favour at the moment, this style of farce - trousers down and more tea vicar - has probably had its day. It's appeal is only to reminisce times gone by when actors like Sir Brian Rix would grace the stage and you would see more people in lingerie on hotel corridors than you would in a brothel. Comedy has moved on. Younger people - in fact more than likely anyone under forty - will never have heard of Cooney, Rix or The Whitehall Farce, and if last night's audience is anything to judge by, then once the current pensioners stop going to the theatre, they will die a natural death. I am not saying that I don't like them or that they shouldn't be performed, no. I am simply saying that they will become products of their time and museum curios to be replaced by current farces and absurdist comedy. This style of farce requires both actor and audience to accept that grown men can hide behind a newspaper or wear a pair of sunglasses and not be recognised, their behaviour can be completely OTT and inappropriate and it not appear in the slightest odd, and conversations cannot be overheard even if standing next to them. These 'conventions' are the backbone of this particular style of farce - and Cooney was the master. Two Into One tells the story of a politician and his wife staying the night at a hotel in their constituency. The husband has arranged to have a romantic dalliance with a married secretary from another department, and asks his PPS to arrange it for him. Of course thing go from bad to worse and then to complete anarchy as every time someone tries to right a wrong they only compound the issue in true farce style. The time is 1984, and Thatcher is on her 'throne', and there is a big pornography bill going to be debated in the House. The set design for this production was a good idea. I liked the idea. Sadly it really didn't work too well in practice. The first thing to note was that despite my attending on the second night of the run, flats were visible in the wings: actors could be seen waiting for their entrance behind black curtains and through the door behind the set on the revolve; the exits from the hotel reception stage left were left uncovered and so we could see them step off the set and onto the stage floor and disappear and meet in the black curtain and beyond; a door that should have been able to be locked clearly wasn't or couldn't; and it was possible to see actors in one bathroom from the other bathroom. Using the theatre's revolve the adjoining bedrooms did work quite well, and using stage hands in brown smocks to move the set and sweep the stage also worked well. Sadly though, it was just a little too insubstantial and the exits weren't covered. The acting in general was of the high standard that one has come to expect from The Garrick. Jonathan Black was the MP who was ready to risk everything for a couple of hours of lust with a younger and sexier model than his wife, and played that extremely tricky balance of keeping it real and hamming it up really rather well. I liked his body language and his mannerisms, and he carried, even when all the odds and fates were most definitely against him, an air of optimism to the end. His wife, Mandy White, again playing that tricky balance between realism and surrealism with seeming ease, and certainly not afraid to throw caution to the wind. The star of this particular production though was without doubt Mike Shaw's delightful interpretation of George Pigdon. His physicality and comic timing were just a joy. Obviously a seasoned actor who understands this genre, he was able to squeeze every last morsel of nuance from his lines and his character but still managing to remain real and believable. If we are not able to empathise with Pigdon, then the play doesn't work. We were with him all the way. Superb. These three protagonists were supported by several others who came in and out in true farce style - just appearing without warning and developing the plot. Of these, Christine Perry, playing Lily Chatterton, was my favourite. Her Yorkshire accent was lovely, and her bustling with indignation and mock prudery just right. The one thing that really irritated me though was sadly the part of the waiter, played here by Dan Ellis. To be fair, it wasn't really his fault. However, the script kept referring to him as Chinese and much of the humour of him being Chinese would have worked and would have been funny if he had indeed have been Chinese. However, Ellis was clearly NOT Chinese, nor did he act Chinese, despite speaking in a broken pigeon English. This is 1984 remember and taking the Mickey out of silly accents and national stereotypes was allowed. No-one had invented the word 'racist' yet. The directing, (Alan Clements), surprisingly was a little sluggish. It took a while to warm up, and Clements found little humour and pace in the exposition, only really getting into third gear once the cast went to the bedrooms. I felt the pace could have been lifted throughout generally; there were really quite a few too-long pauses without action or indeed waiting for the action. The worst example of this was the 'slippy floor' scene where the waiter is left standing on one side of the stage holding Edward Bristow's walking stick. We all know that something is going to happen because it is so obviously a set up, but it all takes far too long to affect and for so little a pay-off. His work on character, characterisation and their development was very good, but the pace just simply wasn't frenetic enough.Saying that though, this is still a very good and enjoyable play, conventionally and traditionally presented, and the themes of this play - politics and sex scandals - are just as relevant today as ever. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Cinderella at the Altrincham Garrick Theatre. Garrick Production Cinderella Ran Invalid Date - Dec 11, 2013 Age guidance Venue Running time Tickets Price Range Description No information for this show at this time Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

A short obituary of Gareth Gwenlan, from the Altrincham Garrick Society. Previous Next Gareth Gwenlan Gareth was born in Wales and trained as an actor and teacher at Drama School after National Service. He started out as a theatre director in York and Derby, then moved to the Altrincham Garrick as Artistic Director for the 1964/65 season. Although only at the Garrick for that one season, what a season he chose. It included The Rattle of a Simple Man , An Ideal Husband , A Man for All Seasons , The Boyfriend , plus a Pantomime that nearly broke the bank. In 1965, he left the Garrick to join the BBC, for what he described in his memoir as "an extra 10 bob". At the BBC, Gareth became a well-known producer responsible for such shows as Only Fools and Horses , Butterflies , To the Manor Born , The Green Green Grass , and The Rise and Fall of Reginald Perrin . Between 1983 and 1990, he became Head of BBC Comedy, commissioning such iconic shows as Blackadder , One Foot in the Grave , Bread , and Birds of a Feather. He also received 2 BAFTAs. Back to In Memoriam page

Alice In Wonderland Jr. - A Garrick Academy Production at the Altrincham Garrick Theatre. Garrick Production Alice In Wonderland Jr. - A Garrick Academy Production Ran Mar 23, 2022 - Mar 27, 2022 Age guidance Venue Running time Tickets Price Range Description The Garrick Academy's (GAPA) production of 'Alice In Wonderland Jr' A complicated set of performances: Wednesday 23rd March 2022 7.30pm - Class 2 (ages 11-13 years) Thursday 24th March 2022 7.30pm - Class 5 (ages 11-13 years) Friday 25th March 2022 7.30pm - Class 2 ( ages 11-13 years) Saturday 26th March 2022 2.00pm - Classes 1, 4 & 7 (ages 5-10 years) Saturday 26th March 2022 7.30pm - Class 5 (ages 11-13 years) Sunday 27th March 2022 2.00pm Classes 1, 4 & 7 (ages 5-10 years) DISCOVER THE ENCHANTING WORLD OF ALICE IN WONDERLAND JR. Travel down the rabbit-hole and join Alice, one of literature’s most beloved heroines, in her madcap adventures. Featuring updated songs from Disney’s thrilling animated motion picture, Disney’s Alice in Wonderland JR is a fast-paced take on the classic tale. The ever-curious Alice’s journey begins innocently enough as she chases the White Rabbit, after which her adventures become increasingly more strange as she races the Dodo Bird, gets tied up with Tweedle Dee and Tweedle Dum, raps with a bubble-blowing Caterpillar and beats the Queen of Hearts at her own game! A fun-filled show night is guaranteed with the Garrick Academy's musical youth presenting all of the usual Alice characters, including three Cheshire Cats and dozens of other wonderfully wacky individuals! Adapted especially for young performers, this musical includes favorites from the Disney cannon such as “I'm Late,” “The Unbirthday Song,” and “Zip-A-Dee-Doo-Dah” in a charming updated retelling of the Lewis Carroll classic. Whether this is your first experience with Alice or your hundredth, you'll lose your head (and your heart) for Alice in Wonderland JR.! Music and Lyrics by Sammy Fain & Bob Hilliard, Oliver Wallace & Cy Coban, Allie Wrubel & Ray Gilbert, Mack David, Al Hoffman & Jerry Livingston Music Adapted and Arranged and Additional Music and Lyrics by Bryan Louiselle Book and Additional Lyrics by David Simpatico Based on the 1951 Disney film Alice in Wonderland and the novels The Adventures of Alice in Wonderland and Through the Looking-Glass by Lewis Carroll Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Natural Causes at the Altrincham Garrick Theatre. Garrick Production Natural Causes Ran Invalid Date - Dec 11, 2013 Age guidance Venue Running time Tickets Price Range Description No information available at this time Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Terry Christian - Confessions of an Irish Catholic at the Altrincham Garrick Playhouse. Terry lifts the lid on Catholicism, Madchester, The Word, Hollywood Stars and Celebrity! Visiting Production Terry Christian - Confessions of an Irish Catholic Date range Tickets £18.50 Age guidance 18+ Venue Main House Trigger warning Find out more Book now Running time TBC Group bookings Find out more Accessibility Find out more A bitingly funny journey through the inner-city childhood of one of Britain’s most outspoken TV presenters, Terry Christian. Terry bares all in his stand-up show, ‘Confessions of an Irish Catholic’, lifting the lid on Catholicism ; Madchester; The Word; Hollywood Stars; and Celebrity . “Christian himself is a natural and fantastically self-deprecating stand-up. He has found a natural home on the stage – a welcome reinvention for him and a great evening of laughs for those in the audience. As someone who is also from a massive Irish-Mancunian Catholic family, there was so much I could relate to and Christian's very cheeky and spikey pops at the Catholic Church would make my Irish mammy blush (but chuckle too) and for anyone who has ever know a nasty nun or pompous priest, there are lots of laughs to be had. I grew up watching my parents howl with laughter at the Irish comedian Dave Allen and parts of Christian's set echo some of Allen's philosophy that it is healthy to laugh not just at yourself but of course, at the Church and those in power.” (The Huffington Post) “Easy to watch, intelligent and funny for that. A great night out.” (Yorkshire Times). “This hilarious romp through the guilt ridden, and occasionally dark, realms of life is another brave step for Terry. He brings all the maverick qualities that made him a media bête noire in the 90s, via C4’s The Word, to deliver an honest, funny and sometimes profound stand-up performance.” (The Yorkshire Post) Visiting Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Subscribe to our Mailing List

An Evening of Burlesque Cabaret at the Altrincham Garrick Playhouse. Stylish cabaret, comedy, music, and burlesque - A spectacular extravaganza of glitz and glamour! Visiting Production An Evening of Burlesque Cabaret Date range Tickets £32 Age guidance 18+ Venue Main House Trigger warning Find out more Book now Running time TBC Group bookings Find out more Accessibility Find out more An Evening of Burlesque Cabaret - A glorious Night of Glamour, Laughter and Feel-Good Fun. Roll up, roll up... the Uk’s longest-running burlesque show is back touring the nation with a thrilling new twist for 2026! Presenting An Evening of Burlesque Cabaret – a dazzling celebration of cabaret, burlesque, and world-class entertainment. The ultimate variety show blends stylish cabaret, comedy, music, and burlesque into a spectacular extravaganza of glitz and glamour. Featuring dazzling showgirls, specialty cabaret artists, and stars of the stage and screen, this is a night of sophistication and stunning performances. Expect fun, feathers, and fabulous costumes as we showcase the finest selection of specially artistes, comedians, and champagne showgirls. With its blend of cabaret charm and burlesque allure, this sensational show promises a uniquely seductive experience that redefines variety for the 21st Century. Burlesque has enraptured audiences for centuries, and An Evening of Burlesque Cabaret delivers the very best in contemporary burlesque and cabaret artistry. Expect the unexpected with plenty of glitter, glamour, and unforgettable moments. It’s cocktails and cabaret o’clock – a night to remember awaits! Tickets are on sale now. Don’t miss the magic! Age restriction: 18+ Visiting Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Subscribe to our Mailing List

The Audience at the Altrincham Garrick Theatre. Innovative, multi-award winning play by the acclaimed writer Peter Morgan Garrick Production The Audience Innovative, multi-award winning play by the acclaimed writer Peter Morgan Ran May 20, 2024 - May 25, 2024 Age guidance 10+ Venue Main House Running time 2.5 hours (inc. 20 mins interval) Tickets Price Range £10 - £16 Description “Every week the Queen of the United Kingdom has a private audience with her Prime Minister. It is not an obligation. It is a courtesy extended by the Prime Minister to bring her Majesty up to speed.” Spanning sixty years from the 1950s through to the 21st century, Peter Morgan’s The Audience vividly illustrates what might have happened between the late Queen Elizabeth II and her Prime Ministers behind closed doors during their weekly meetings. From young mother to grandmother, these private audiences chart the arc of the second Elizabethan Age. Politicians come and go through the revolving door of electoral politics, while Queen Elizabeth II remained constant, waiting to welcome her next Prime Minister. A creative mix of historical evidence, back room gossip and literary imaginings, this play is a witty, thought provoking and a highly entertaining piece of unmissable theatre. The Audience has received sell out runs in both London and on Broadway. Altrincham Garrick Playhouse are thrilled to present this multi-award winning play by the acclaimed writer Peter Morgan (“The Queen ” and Netflix’s “The Crown ”). Reviews Rick Bowen from Stagestruck describes 'The Audience' as "Stunning" Read the full review here: https://www.stagestruck.info/blog/2024/5/21/the-audience-altrincham-garrick Paul Wilcox from North West End UK describes 'The Audience' as a “…sumptuous and informative production sprinkled with excellent performances.” Read the full review here: https://northwestend.com/the-audience-altrincham-garrick-playhouse/?fbclid=IwZXh0bgNhZW0CMTEAAR2cYFmwDQs-aTXoHNexgWObyHa--NTlh_9jxNxKTwqojj3E3dYB0zrUy0M_aem_AXSz5EBZdHoPxBRAcxAtoVQLNMt27Csig-zOgZDaWqi9m2U_J7MXr6O-GuEzakcIpbx2prUkQ7YQFQq3SQacV88b Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

And Then There Were None at the Altrincham Garrick Theatre. Garrick Production And Then There Were None Ran Jan 13, 2014 - Jan 18, 2014 Age guidance Venue Running time Tickets Price Range Description Adapted from one of the bestselling books of all time, Agatha Christie's classic, spine-chilling thriller sees a disparate group of people invited to a house party on a remote and inaccessible island. As dinner is served, the guests begin to realise that their host, the mysterious Mr Owen, is absent. After dinner, the guests hear an eerie voice accusing each of them in turn of murder, and it soon becomes apparent that they've not been invited for the jolly sojourn they had thought. Before long, the bodies are stacking up. Banish the January doldrums with a night of thrilling suspense. CAST Rogers - Brian Howlett Mrs Rogers - Margaret Kenyon Fred Narracott/Narrator - David Richardson Vera Claythorne - Kate Millington Phillip Lombard - Jonathan Black Anthony Marston - Stuart Bilson William Blore - Mark Edgar General MacKenzie - John Westbrook Emily Brent - Sandra Thomas Dr Armstrong - David Ades Sir Lawrence Wargrave - David Reynolds Prompt - John Chidgey ASM - Anne O'Reilly Reviews NODA Review by Kevin Proctor While many playwrights bring out the best in their characters, Christie is unafraid to mine the worst in hers. The story involves eight guests who have never met each other lured by a cryptic invitation to a deserted island and marooned, along with two house servants. A nursery rhyme suggestively embossed above ten little statuettes tells them how each of them will die. After a mysterious voice accuses each of the Guests having gotten away with murder the group begins dwindling one-by-one, but who has it in for this odd collection of individuals invited to spend a weekend mini-break on an exclusive remote island. Direction by Ros Greenwood enhances the plot and the personality of the play as well as the energy and chemistry of the cast. Ros had approached the piece as a revival rather than a re-enactment presenting the piece for a modern audience which translated really nicely and without any impede to the style and intended delivery of the text. Ros also took charge of designing the set, rather than sticking to the traditional three wall parlour set as instructed in the script, she'd gone for a more contemporary feel as she'd included the outdoors with her staging which created something a little more interesting given the setting and script refer to the island and the surrounds of the house, it created some attractive visuals and added to the eerie ambiance. From the modern approach to the staging, the piece didn't feel as dated as I'd have expected it to; it seemed more of a morality play than a whodunit romp and an examination of the nature of justice. It's very difficult to mention the performances without giving too much of the plot away to anyone who may not have seen or read the piece before but the cast is uniformly excellent and boasting some well-known Garrick faces. In particular David Reynolds is tremendous, playing Lawrence Wargrave with just the right mixture of pillar-of-the-community uprightness and subtle sadism. Kate Millington gave a strong delivery as the secretary who adds a touch of glamour to the gathering and Jonathan Black gave strength as the morally ambiguous Phillip Lombard, but, in all, the entire ensemble cast worked incredibly well as a team and bar the odd exception, no one really out shone anyone else which is commendable. I appreciate that the eerie chills approach is more in keeping with Dame Agatha, and we certainly got them in bucket loads but for the deaths, I like to see some gore, it's a thriller, right? Perhaps being a little more gruesome (wherever possible) would have been fun, but I appreciate that may just be my morbid side creeping to the surface. David Richardson as the Narrator/Fred Narracott certainly was mysterious and brought the perfect tone and haunting stare to his performance which was perfectly understated as it needed to be but quite discomfiting, lovely! It is enormous fun witnessing the ten little sailor boys getting their comeuppance. Old-fashioned hokum you may say, but by the end, this makeover mystery with a moral twist leaves you feeling that the Queen of Crime has, in her own understated way, gunned down an entire class of decadent Brits. Congratulations AG! Messenger Review by Rick Bowen When you think about it, it's perfectly logical who the baddie is in And Then There Were None. The character, whose identity I won't reveal, is just too calm and collected as the assembled party guests start falling like nine pins. As the other characters try to make sense of the macabre events, this cool customers disects them with the calm rationale of a forensic scientist. But Agatha Christie being Agatha Christie, she does throw in a red herring and I'm sure some members of the Altrincham Garrick audience will be fooled by her trickery. The production has been directed by Ros Greenwood who has designed a set that makes us feel just as trapped and claustrophobic as the poor souls marooned on the island. It conjurs the atmosphere of a funeral which is rather apt when you consider the fate awaiting most of the unfortunates lured to the coastal retreat. The suspense is largely maintained throughout and I particularly liked David Reynolds as Sir Lawrence Wargrave and Sandra Thomas as the horrendous Emily Brent, a good Christian woman who seems to have forgotten the compassionate part of Christianity. David Richardson also has quite a presence as the Narrator, with a singing voice that is as pleasurable as it is chilling. I'm not an Agatha Christie fan but this is an enjoyable night out, with moments of genuine shock and surprise that just might make certain audience members jump. Star Rating ★★★ Review by Julia Taylor of remotegoat Classic Whodunnit keeps you guessing The Garrick, in their centenary year, shine their spotlight on a writer who has been going almost as long as they have. She is Agatha Christie and they have chosen And Then There were None, previously known as Ten Little Indians and, before that, Ten Little N..s, to represent her work. It is set in Soldier Island in 1938 where a group of well-heeled guests have answered the invitation of Mr and Mrs U N Owen. It transpires that the eight arrivals and their two servants are all responsible for the deaths of others as one by one, they are seen off. At the same time, ten ornamental little sailor boys are individually despatched. The first to pop his clogs is the car mad Anthony Marston. Stuart Billson comes up with a realistic choking fit and dies. The next death, to servant Mrs Rogers (Margaret Kenyon), is far less dramatic. She apparently dies in her sleep. More dramatically, John Westbrook's General Mackenzie, who threatens Kate Millington's Vera. is stabbed in the back. And so it continues. Their chief suspect, Rogers, the butler, (Brian Howlett) is ruled out when he is mown down by an axe. I am particularly impressed with Kate Millington's portrayal of the glamorous Vera Claythorne especially since she is on stage most of the time. I also like David Reynolds as Sir Lawrence Wargrave. You look every inch a judge in those robes, David. Sandra Thomas does well, too, as the humourless Miss Brent. I am disappointed with the colourless set designed by Ros Greenwood who also directed. It leaves the large cast with nowhere to sit and often standing in an uncomfortable line. For that reason I was on the verge of giving the play three stars. That was before the final scene where the dead return as ghosts and the living, before they expire, reveal who the culprit is. A tribute to Ros's directing skills, this excellent scene upped my review to four stars. It's more like doing a puzzle than watching a play but equally enjoyable. Star Rating ★★★★ Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Oh What a Lovely War at the Altrincham Garrick Theatre. Garrick Production Oh What a Lovely War Ran Invalid Date - Jun 2, 2014 Age guidance Venue Running time Tickets Price Range Description To mark and celebrate the 100th anniversary of the Great War in 1914 we are proud to present the hugely popular play including great songs based on stories and songs from the Music Hall period. The original production in 1963 had a tremendous impact and set out to change attitudes to war using a devastating and successful theatrical style. There is humour and irony to be found even in this tragic event. With famous songs like 'Pack up your Troubles' and 'They didn't believe Me'- join in the fun and memories in this great piece of theatre. [gallery columns="5" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/OWALW-D.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/OWALW-A.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/DSC_7614.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/OWALW-B.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/OWALW-E.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/DSC_4534.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/DSC_7561.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/DSC_7691.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/DSC_7428.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/DSC_7546.jpg|"] CAST The Pierrot Troupe: Aidan Burgess Dillon Burgess Ali Davenport Hannah Edwards Michael Gardiner Caroline Hickey Trevor Mckie Tom Oliver Scott Ransome Jacqueline Wheble Paul Wilson Directed By Celia Bonner (with assistance from Stephanie Niland) Choreography: Celia Bonner & Ali Davenport Musical Director: Simon Murray Set and Video Design: Stephen Bradshaw Lighting Design: Lauren Sanders Sound Design: Christine Mills Video Projection: Jo Myers Costume Design: Garrick Wardrobe Military Adviser: CSM Guy Spencer of No 1 (Minden) Company GMACF [gallery columns="6" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/OWALW-reh-01.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/OWALW-reh-12.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/OWALW-reh-02.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/OWALW-reh-03.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/OWALW-reh-04.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/OWALW-reh-05.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/OWALW-reh-06.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/OWALW-reh-07.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/OWALW-reh-08.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/OWALW-reh-09.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/OWALW-reh-10.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/OWALW-reh-11.jpg|"] Comments Posted to our Twitter Page during the week from some of the audience: WOW! What an incredible performance of 'Oh What a Lovely War!' My students loved it!? Another successful trip to see Oh What a Lovely War! at the @AltrinchamG what a fab way to extend learning and experience! Well done to the cast and crew at @AltrinchamGm for "Oh What a Lovely War" - very well performed and timely! Excellent performance tonight by all cast and crew. Took me back 33 years. Will be singing all the songs -Superb production of Oh, What a Lovely War @AltrinchamG Brilliantly talented and versatile cast The Set - at the planning stages! [gallery ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/10/OWALW-Sketchup-1.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/10/OWALW-Sketchup-3.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/10/OWALW-Sketchup-2.jpg|"] Messenger Review by Julia Taylor Altrincham Garrick serves up nostalgic musical feast It is apt that Altrincham Garrick should put on Oh, What a Lovely War during the centenary commemorations of the Great War between 1914 and 1918. Joan Littlewood's 1963 musical illustrates the futility of battle by using contemporary songs such as Keep the Home Fires Burning and Pack up your Troubles to recall the brave attitudes of the time. The singing and dancing are good and accompanied enthusiastically by musical director, Simon Murray on keyboard. The dancing is well choreographed by Celia Bonner who also directs. The sounds and flashing lights of shells created by Christine Mills and Lauren Sanders are so realistic that you jump. Casualty numbers, which in total amounted to 37 million, are projected on the white curtains of a Pierrot show and, together with original photographs, recreate four years of horror. Even so, most of the show is light-hearted. That is especially true of Scott Ransome's comic cut performance as a sergeant drilling his troops with deranged fervour. Many of the cast sing solos and duets but this show is a team effort and it would be unfair to single out some and not others. A memorable scene features Christmas Day 1914. For 24 hours only, enemies become friends as they swap gifts and sing carols. Despite the trauma of war, you can still enjoy the songs and subtle humour in this show. Remotegoat Review by Julia Taylor Glimmer of Hope and Carnage Oh what a lovely idea for Altrincham Garrick to put on Oh, What a Lovely War in the centenary year of the Great War between 1914 and 1918. Joan Littlewood's 1963 musical, presented in the guise of a Pierrot show, illustrates the futility of battle with popular songs of the time such as Keep the Home Fires Burning and Pack up your Troubles in your old kit bag.?The singing and dancing by a lively cast is good probably because Simon Murray?s accompaniment on keyboard is so invigorating. It is a team effort so I won?t name individuals. The sound and light of shells created by Lauren Sanders and Christine Mills are so realistic they make you jump. Casualty numbers and original photographs are projected on the white curtains of the Pierrot Show to recreate the four years of carnage. Scott Ransome gives a comic cut performance as a sergeant drilling his troops with deranged fervour. There is an unforgettable scene of hope amongst the horror when, on Christmas Day, 1914, the British and German troops leave their trenches to give presents and sing carols. A lump comes into your throat when the Germans sing Stille Nacht, Heilige Nacht (Silent Night). It's an unpalatable fact that over 37 million members of the military and civilians were casualties of the war to end all wars. Nevertheless, you will still enjoy the songs and the subtle humour of yesteryear. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

CANCELLED - Present Laughter By Noel Coward at the Altrincham Garrick Theatre. Garrick Production CANCELLED - Present Laughter By Noel Coward Ran Invalid Date - Nov 1, 2021 Age guidance Venue Running time Tickets Price Range Description Unfortunately, our production of “Present Laughter” by Noel Coward has had to be cancelled due to an illness within the cast. The illness is not related to Covid-19 and this does not affect any other production. If you have already booked tickets to see this production, we are terribly sorry to disappoint you as we know you will have been looking forward to your visit. Our Box Office staff will be contacting everyone to advise you of your options. Please do not contact us, we will contact you as soon as possible. We apologise for any inconvenience caused and thank you for your understanding. Best wishes, Sarah Reilly (Operations Director) & Joseph Meighan (Artistic Director) Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

A short obituary of Tony Mathews, from the Altrincham Garrick Society. Previous Next Tony Mathews Tony was one of the leading actors and directors of his generation, having joined the Garrick in the early 1970's. He had a huge range of skills, never failed to deliver and was a commanding figure both on the Mainstage and in the Studio. He played major roles in dramatic plays such as Macbeth , A Man for All Seasons , and Royal Hunt of the Sun. Tony was equally proficient in comedies and high farce such as What the Butler Saw , How the Other Half Loves , and Habeus Corpus . Critics and audiences alike were aways highly impressed by his performances. Back to In Memoriam page

Towards Zero at the Altrincham Garrick Theatre. Garrick Production Towards Zero Ran Invalid Date - May 30, 2019 Age guidance Venue Running time Tickets Price Range Description A Nail Biting Thriller What is the connection between a colonial adventurer, a well known "lounge lizard", a retired barrister and the complicated marital arrangements of a famous tennis player? To the casual observer apparently nothing. But when a house party gathers at "Gulls Point", the seaside home of the elderly (and rich) Camilla Tressilian, earlier events come to a dramatic head! Superintendent Battle must unravel these connections if the wrong person is not to be hanged for murder! [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/09/DSCF6531.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/09/DSCF6373.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/09/DSC_2416.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/09/DSC_2351.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/09/DSCF6327.jpg|,|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/09/DSCF6349.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/09/DSCF6412.jpg|"] Production photos by Vish Sharma CAST Thomas Royde - Chris Catney Kay Strange - Lara Hancox Mary Aldin - Lindsey Barker Matthew Treves - David Reynolds Neville Strange - David Glover Lady Tressilian - Pat Williamson Audrey Strange - Arianna Glenton Ted Latimer - Ben Moser Superintendent Battle - Wayne Holt Inspector Leach - Gino Scrigna P C Benson - Jack Deighton-Brown [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/09/TZ-1.jpg|,|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/09/TZ-3.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/09/TZ-4.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/09/TZ-5.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/09/TZ-6.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/09/TZ-8.jpg|"] Rehearsal photos by David Hutchinson North West End Review - Reviewer: Gray Freeman Towards Zero was written by the Queen of Crime, Agatha Christie, first published as a novel in 1944 and reworked as a play a decade later. It revolves around a summer gathering of friends and family at the lavish home of a wealthy widow, Lady Tressilian, a frail, but sprightly and spirited gal, hilariously played by Garrick veteran, Pat Williamson, who delivers some classic one-liners. “You should never let your affairs interfere with your marriage.” (I suspected her straight away.)Her ward, Neville, is played by David Glover, who shows a wide range of naturalistic acting. (I suspected him straight away.) He rather awkwardly brings his current wife (Lara Hancox) and ex-wife (Arianna Glenton) along with friend and lethario, Ted (Ben Moser). (I suspected all of them.) Thomas (Chris Catney) is the spurned lover of Neville’s first wife, a young man who lives in the shadow of his much better looking and more successful (and dead) brother. (I really suspected him.) Then there’s wise old Mr Treves (David Reynolds), trusted family friend – and possible murderer? Last but not least, we have Lady Tressilian’s hard working, long suffering aide, Mary, (Lindsey Barker). (I suspected her immediately.) We’ve got a lot of wealthy but fractious people in one place, we’ve got a rambling and isolated location on a Cornish river estuary, we’ve got envies, bitterness and acrimony… we’ve got summer sunshine, but there is evil under the sun. The first half does contain a lot of sometimes rather clunky exposition. All the characters and their backstories are laid before the audience and it can be somewhat overwhelming and confusing as a barrage of names, relationships, inter-relationships and situations are fired at you in rapid succession. It’s too easy to get bogged down and lose track of who married who and who divorced who, when and why. This is not a criticism of the engaging cast at all, who all performed ably and indeed admirably. The characters are all very clearly delineated and – thanks largely to their excellent portrayals – it all starts to fall into place. This is a period piece in more ways than one. It was written in a different era, when people could sit through something longer than a viral video on Facebook. It unfolds gradually, probably too gradually for most audiences today, but that’s also part of the beauty of it. It’s an Agatha Christie, it does what it’s supposed to do and almost follows a formula. Thankfully, there is no attempt to bring it up to date, which has seldom worked. It is set proudly, unmistakably in the past and the wardrobe department have gone to town… and come back with a plethora of vintage costumes. The men are always dapper in a variety of formal or casual suits, and the woman are vibrant in an array of florid and sometimes gaudy dresses and trouser suits, creating an effective feeling of yesteryear. With the characters established, the in-fighting, backbiting, breakdowns, acrimony and threats ensue… and by the end of this endless night one of the assembled players has an appointment with death. In the morning a murder is announced: someone has been brutally bludgeoned in the night… and one of their number is a murderer. Part two involves the police investigation and the various suspects being interviewed, as they fall under the moving finger of suspicion. This was, unfortunately, less tight than the first half had been, with a few pauses and a few fluffs, but it was still hugely enjoyable. I felt sure I’d worked out who the murderer was; I thought this repeatedly and was wrong every time. I won’t give the game away, but the actor playing the murderer was fantastic. When required he – or she – changed into an obvious, but still credible villain. There is an unexpectedly exciting and action-packed finale, which was absolutely thrilling, including some very well-staged physical acting, a bit of a tussle and a few punches thrown, all incredibly well-executed. The audience were loving it. If you don’t like Agatha Christie and aren’t a fan of the whodunit genre, then this probably won’t appeal to you, but if you do, then it’s a beautifully indulgent treat. It delivers everything an Agatha Christie should deliver and at the climax, quite a bit more. The wonderful cast make it look like murder is easy. Incredibly enjoyable . Rating: ★★★★ No 9 Review - Reviewer - Sam Lowe There was one question in everyone’s mind tonight… whodunnit? With Agatha Christie’s cleverly elaborate writing it could have been several suspects in tonight’s play, “Towards Zero”. Christie is renowned for writing the world’s longest running play, “The Mousetrap”. This was similar in premise but set in a more appealing location: the terrace of Lady Tressilian’s house (Saltcreek, Cornwall) in summer. Or maybe not actually given the circumstances. Lady Tressilian (Pat Williamson) was an old and cold-hearted woman. She had invited numerous people into her home called “Gull's Point” by the sea, at the end of the summer. Neville Strange (David Glover), star of the tennis world, annoyed Lady Tressilian by bringing both his new wife Kay (Lara Hancox) and ex-wife, Audrey (Arianna Glenton) resulting in the most awkward and uncomfortable romance triangle. To make matters worse, Lady Tressilian was brutally murdered with a golf club and Superintendent Battle (Wayne Holt) found himself no longer holidaying but getting back to work to fathom out and solve just whodunnit. This was a detective play which opened up an intricate web of scenarios in your mind; it made your brain go to work - but that’s a positive comment for Christie. Williamson received laughter from the audience because of how ruthless and blunt her character was. Glover made for a convincing Neville, you could tell his past was weighing him down and his quick-fire temper came across as natural. Kay definitely wore the trousers in a relationship, as played by Hancox. She was caught up in her role and gave a confident and polished performance. The rest of cast did a good job in supporting one another. However, some actor’s voices were rather deficient when it came to enunciation and resonance. Other performers looked as though they were waiting for a cue to say their next line, instead of being present as their character. A prompt was used a few times and some actors kept tripping over their words too, which in a wordy Agatha Christie play does spoil things to be honest. Designer, Laura McKie had come up with a lavish-looking and aesthetically-pleasing “house with garden” set. Generously spoiled with flowers, vines, roses, pink and red colours. Although the sofa, table and chairs looked too modern for the 1940s and was an anachronism. While Geoff Scullard and his team created a lighting design which captured the beautiful late-summer weather, perhaps too welcoming and lovely for what in reality is meant to be the scene of a horrendous crime. Saying that, the lit cyclorama of paint pallet, sunset colours looked attractive. The blackouts in-between scenes were conventional to a Christie play. I think it was Frankie Laine’s “Jealousy” that was the song playing in the background in the transition between scenes. An appropriate choice which set the mood just right for the production. The play is advertised as a “Nail Biting Thriller” but under Mike Shaw’s direction it only felt truly thrilling towards the end – and that wasn’t just because it was the big reveal. Taking everything into account, there was some good artistic choices and a few notable actors in this production, unfortunately it was let down by a lack of tension for most of it. It felt like you were watching a drama, you could relax a little and enjoy it. Sadly though, it didn’t want to make you bite your nails in terror. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Comic Potential at the Altrincham Garrick Theatre. Garrick Production Comic Potential Ran Invalid Date - Dec 11, 2013 Age guidance Venue Running time Tickets Price Range Description We are pleased to be able to present this latest release by the master of comedy, Alan Ayckbourn. Comic Potential shows he is on form again to amuse and divert. The setting is a third-rate TV studio churning out low budget daytime soaps. The difference is that the time is the foreseeable future and cheap actors in the form of programmable "actoids" provide the drama. But human nature will out with a result that will hurt with the sheer exuberance of its unexpectedness. CAST John Keen as Adam Trainsmith Terry Chandler as Chandler Tate Alex Wilson as Lester Trainsmith Mark Edgar as Doctor/Farmer/Man in Dress Shop/Turkey Eric Vogel as The Son/Marmion Laura Chandler as Jacie Triplethree Stephanie Hawthorn as Trudi Floote Beverley Stuart-Cole as Prim Spring Angela Wetherill as Carla Pepperbloom Jeryl Whitelock as Dress Shop Assistant/Prostitute Julie Broadbent as the Mother Carole Gibson as the Farmer's Wife Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

RELAXED PERFORMANCE of The Curious Incident of the Dog in the Night-Time at the Altrincham Garrick Theatre. RELAXED PERFORMANCE - A touching and bleakly humorous tale, performed by The Garrick Ensemble Garrick Production RELAXED PERFORMANCE of The Curious Incident of the Dog in the Night-Time RELAXED PERFORMANCE - A touching and bleakly humorous tale, performed by The Garrick Ensemble Ran Feb 9, 2025 Age guidance 12+ Venue Main House Running time TBC Tickets Price Range £10.50 - £12.50 Description Christopher, fifteen years old, stands beside Mrs Shears’ dead dog. It has been speared with a garden fork, it is seven minutes after midnight, and Christopher is under suspicion. He records each fact in the book he is writing to solve the mystery of who murdered Wellington. He has an extraordinary brain and is exceptional at maths, but he is ill-equipped to interpret everyday life. He has never ventured alone beyond the end of his road, he detests being touched, and he distrusts strangers. But Christopher’s detective work, forbidden by his father, takes him on a frightening journey that turns his world upside-down. Simon Stephens’ adaptation of Mark Haddon’s bestselling, award-winning novel, The Curious Incident of the Dog in the Night-Time offers a richly theatrical exploration of this touching and bleakly humorous tale. Age: 12 + Warning: This production contains themes and depictions that may be distressing to some audience members, including descriptions of physical and emotional abuse, discussions of mental health and disability, and strong language. The production also features loud noises and some moments of sensory intensity, reflecting the content of the novel and autistic experience. These will be heavily toned down or removed for the Relaxed Performance. WHAT IS A RELAXED PERFORMANCE? If you are a parent, guardian, or work with people with learning or sensory disabilities – such as those on the autism spectrum – you’ll know how difficult it can sometimes be for them to attend regular theatre performances; loud noises, lighting effects and large crowds can make stage shows overwhelming. At Altrincham Garrick Playhouse, we believe that everyone should be able to experience the magic and wonder of live theatre, and so we are proud to be producing a Relaxed Performance for THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME which will deliver the same theatrical experience but with an atmosphere and attitude in the auditorium that makes everyone feel comfortable and safe. Relaxed Performances are open to anyone who would benefit from a more relaxed performance environment. This may include children, young people and adults with neurodivergence such as autism, learning disabilities and other sensory or communication needs. WHAT TO EXPECT FROM OUR RELAXED PERFORMANCE: A number of adaptations will be made to the show to ensure a comfortable and enjoyable environment for everyone. These include: - Come and go from the auditorium as you wish, even during the show. - Express yourself as loudly as you like, or with physical movement, without judgement. - Access the Theatre and auditorium early. - Extra Staff on hand to support audiences during their time with us. - A quiet breakout space available before, during and after the performance. - Changes to the production’s lighting and sound including reducing the sound levels and removing any lighting that could be overpowering to lessen sensory overload. There’ll be no loud bangs during the performance. - Auditorium lighting will remain on throughout the performance. - Elements of surprise will be reduced. Altrincham Garrick Playhouse are proud to be supporting I AM with this production. At I AM , we’re dedicated to supporting autistic individuals to thrive, connect, and achieve their full potential. Based in the heart of Manchester, we provide tailored programmes, inclusive activities, and vital resources that empower autistic children, young people, and adults, as well as their families. Together, we’re building a more understanding and inclusive community - because every voice matters. For more information visit: https://i-am-autism.org.uk Reviews Gallery Trailer Trigger Warning Age: 12 + Warning: This production contains themes and depictions that may be distressing to some audience members, including descriptions of physical and emotional abuse, discussions of mental health and disability, and strong language. The production also features loud noises and some moments of sensory intensity, reflecting the content of the novel and autistic experience. These will be heavily toned down or removed for the Relaxed Performance. Documents related to this Production View the Programme View the Advertising Poster

Merrily We Roll Along at the Altrincham Garrick Theatre. Garrick Production Merrily We Roll Along Ran Invalid Date - Apr 18, 2023 Age guidance Venue Running time Tickets Price Range Description “It's our time, breathe it in... Worlds to change and worlds to win” Spanning three decades in the entertainment business and told in reverse order, Merrily We Roll Along charts the turbulent relationship between composer Franklin Shepard and his two lifelong friends — writer Mary and lyricist & playwright Charley. A powerful, moving, thrilling and compelling fable about friendship, compromise and the high price of success. An inventive, cult-classic ahead of its time, Merrily We Roll Along features some of Stephen Sondheim’s most celebrated, personal and beautiful songs including “Good Thing Going”, “Not A Day Goes By” and “Our Time”. This unmissable Musical Comedy is a spirited and cautionary tale for anyone who has ever pursued a dream. Originally opening on Broadway in 1981, and having countless revivals and and revisions along the way, Merrily We Roll Along found great success in 2013 when London’s Menier Chocolate Factory produced the production, which subsequently transferred to the Harold Pinter Theatre to critical acclaim - the most five- tar reviews in West End history - and winning the Olivier Award for Best Musical. It has most recently returned to Broadway, starring Daniel Radcliffe. --------------------------------------------------------------------------------------------------------------------------- Free Car Parking. Cosy Bar. Great Prices. --------------------------------------------------------------------------------------------------------------------------- Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

The Madness of George III at the Altrincham Garrick Theatre. Garrick Production The Madness of George III Ran Invalid Date - Jun 9, 2015 Age guidance Venue Running time Tickets Price Range Description Alan Bennett's award winning play is a terrific mix of terror, comedy and tragedy. This is the true story of a king's perceived eccentric behaviour and declining mental state and equally declining relationship with his son and heir which threatens the institution of the monarchy itself. Political intrigues and attempts to reverse the state of the king's insanity desperately try to fend off the Princes's attempts to seize the throne. The insatiable fascination with the royal family and their domestic problems continues to the present day. The original National Theatre production was so successful both in London and New York, that it was also made into an enduringly popular film. Alan Bennett is one of the worlds best loved playwrights whose many credits include The History Boys, The Lady in the Van ?and Talking Heads. [gallery ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/04/DSC_5776.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/04/DSC_5650.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/04/DSC_5577.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/04/DSC_5544.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/04/DSC_5424.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/04/DSC_5867.jpg|" orderby="rand"] CAST Nick Sample - King George Sarat Broughton - Queen Charlotte Peter Brassington - George, Prince of Wales Tom Oliver - Frederick, Duke of York Megan Royle - Lady Pembroke/Margaret Nicholson Steven Finney - William Pitt Steve Williamson - Lord Thurlow, the Lord Chancellor Ewan Henderson - Dundas Dan Lockett - Charles Fox Simon Liversidge - Richard Brinsley Sheridan Martin Oldfield - Dr Willis Dave Midgley - Sir George Baker Dave Richardson - Dr Richard Warren Bryan Higgins - Sir Lucas Pepys/Sir Boothby Skrymshir Anthony Morris - Fitzroy Lewis Kirk - Greville Leon McKenna - Papandiek Alex Hewitt - Fortnum/Ramsden Chris Simmons - Braun RICK BOWEN'S Review NickSample's performance in The Madness of George III represents a high water mark for both Altrincham Garrick but for amateur theatre in general. We share ever second of the monarch's mental and physical torment as he embarks on a heart breaking battle against an illness that mystifies both the medics, his family and his courtiers. But he's also a master of the put down and Sample is equally accomplished when it comes to putting across the lighter elements of Alan Bennett's sublime script. I also like the way this superb play humanises the royals an there are some touching, tender scenes to enjoy between King George and Queen Charlotte, so well played by Sarat Broughton. They come across as, shock horror, real people, warts and all. Don't be fooled into thinking this is a dry and highbrow piece of theatre. There are plenty of laughs to be had at the expense of the establishment and the king's outbursts of irreverence. The most difficult scenes involve a medical treatment that verges on sadism, scenes that, even after watching the film version starring the mighty Nigel Hawthorne, make my stomach turn over. Director Celia Bonner has a major triumph on here hands here. Steven Finney impresses yet again and I really liked Peter Brassington as the scheming stuffed shirt, George, Prince of Wales. The ever watchable Martin Oldfield is perfect in the role of Dr Francis Willis. It would be a travesty if The Madness of George III doesn't play to packed houses and anyone who refuses to go should be sent to the Tower. Star Rating ★★★★★ MESSENGER REVIEW - by Julia Taylor The Madness of George III is too good to be missed. Like old King Coal, George III is a merry old soul affectionately calling his wife, delightfully played by Sarat Broughton, Mrs King. That is until he contracts Porphyria which slowly drives him mad. It all happens at Altrincham Garrick Playhouse in Celia Bonner's unforgettable production of Alan Bennett's play - one of their best. In their eighteenth century ignorance, doctors inflict ineffective and tortuous remedies upon the poor King. Yet he is sane when he loses the American colonies , an event which concerns him so much he won?t talk about it. There is a scheming opposition party plot to make vain George, the eldest of many children, Prince Regent. Nick Sample's performance is one that will go down in the Garrick's history as special. Indeed, he shows true genius. He makes the monarch his own, illustrating the King's pleasant side as well as reacting with heart rending shrieks to the terror and pain inflicted on him after slowly going mad. It means being burnt, purged and laced in a straight jacket by his tormenting doctors. In outstanding dramatic moments, he stutters, mutters obscenities, swears, talks incessantly, and falls to the ground, groaning. The only doctor with common sense is Dr Francis Willis, played in another exceptional performance, by Garrick veteran, Martin Oldfield. Others worthy of mention are Peter Brassington as son, George, Steven Finney as William Pitt, and Meg Royle as Lady Pembroke who gently rebuffs the King's lustful advances. The elaborate eighteenth century costumes, themed in black and white, are a credit to Mike Shaw and his team. Star Rating ★★★★★ Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

A Chorus of Disapproval at the Altrincham Garrick Theatre. Garrick Production A Chorus of Disapproval Ran Invalid Date - Feb 7, 2014 Age guidance Venue Running time Tickets Price Range Description A diffident North Country widower attempts to escape from his loneliness by joining the local amateur light operatic society. By accident, rather than design (in fact, by not saying 'no' to anything be it a request to obtain confidential information from his company or an offer of illicit sex) he advances from a one-line part to the lead. As the play progresses the author skilfully draws parallels between John Gay's The Beggar's Opera and the day to day activities of the Society who are performing it. Ayckbourn goes on showing how painfully embarrassed are the British in the face of emotion and keeps us laughing in happy recognition. CAST Guy John Keen Dafydd Dave Midgley Hannah Pam Nolan Bridget Victoria Johnson Enid Margaret Leslie Ted Brian Sudweeks Rebecca Ruth Metcalfe Jarvis Brian Tickle Fay Ros Greenwood lan Mark Jephcott Crispin Robert Watson Linda Sally Eggington Mr.Ames Peter England Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

The History Girl at the Altrincham Garrick Theatre. Garrick Half Term Holiday Clubs|Lauriston Studio The History Girl Ran Apr 1, 2022 - Apr 2, 2022 Age guidance Venue Running time Tickets Price Range Description The History Girl University is an opportunity for students to explore the subjects they love and to develop their skills. For Becky, it's also a time for indecision. Having second thoughts brings its own challenges. Becky's Lecturer, Laura, sees the makings of an outstanding student in Becky. It's just case of finding the character from history that's going to turn her on to the subject. Becky also finds herself falling for her course leader, Connor. As we share Becky's journey through history , we encounter the struggle for women's emancipation and the place of women in this world...and someone else. Someone who believes in her cause. Someone in who's cause Becky can believe. Will Becky find Kitty before she quits the course? This is the story about being able to learn from history ...if we can't learn from history , then we're doomed to repeat it..." The History Girl by Elaine McCann and Dean Sumner, with additional material by Miranda Watkin. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Hay Fever at the Altrincham Garrick Theatre. Garrick Production Hay Fever Ran Invalid Date - Aug 7, 2013 Age guidance Venue Running time Tickets Price Range Description To borrow Coward's own description of his life - this play is "fabulously enjoyable" and a glamorous and glittering comedy. No-one was more astonished than Noel Coward when Hay Fever "exuberantly tapped out on his typewriter in 1924". It endured to become so popular that it was presented by the National Theatre in 1964 with an illustrious cast featuring Edith Evans, Maggie Smith, Lynn Redgrave, Robert Stephens and more. The Garrick are looking forward to entrancing you yet again with its own illustrious cast, sumptuously set and gowned in this period revival. CAST Angela Wetherill as Judith Bliss David Reynolds as David Bliss Stephanie Hawthorn as Sorel Bliss Trevor Lee Brown as Simon Bliss Ros Greenwood as Myra Arundel Victor Hassan as Richard Greatham Dawn Flint as Jackie Coryton John Keen as Sandy Tyrell Stella Fogg as Clara Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

A short obituary of Val Lynch, from the Altrincham Garrick Society. Previous Next Val Lynch Trained at RADA, Val was a leading director at the Garrick, and she also performed on stage in the 1980s and 90s. Her acting debut was in Neil Simon's Last of the Red Hot Lovers ' in 1981 (with leading actor, Tony Mathews ). Other acting credits included Under Milk Wood , The Musical Comedy Murders of 1941 , and Alan Bennett's Simple Spies where she played HM The Queen brilliantly. Val also appeared in two Coarse Acting Plays, which were performed in the bar and studio to raise funds for the STAGE Appeal. Her straight face under all circumstances was hilarious, and apparently she never corpsed once. Her directing credits are impressive and long. Some highlights include Say Who You Are ( her directorial debut in 1983), Outside Edge , Bedroom Farce , Daisy Pulls it Off , The Heiress (for which she won GMDF Best Director in 1993), An Ideal Husband , The Winslow Boy , and Macbeth . Val played a full part in the social life of the Garrick, as well as being a member of both the PSCC and the Executive Committee and regularly helping out backstage. Back to In Memoriam page

Mother Goose at the Altrincham Garrick Theatre. Garrick Production Mother Goose Ran Invalid Date - Jan 1, 1970 Age guidance Venue Running time Tickets Price Range Description The Altrincham Garrick team is very proud to offer to you our Festive Show for 2020/21 a pocket-sized pantomime for all the family: MOTHER GOOSE Booking Now! The Garrick is very well-known for its marvellous pantomimes. Due to COVID-19, we could not stage Peter Pan this season, as we had planned. So, instead, we are delighted to be able to bring this One-Act Pantomime to the stage. It's "COVID-19 safe" and features socially-distanced seating - but it still provides all the usual Garrick Panto fun! Full details of the Garrick's COVID-19 safety features are here. Note that there is limited seating, so ensure you book your tickets soon. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

A Vicar of Dibley Christmas: The Second Coming at the Altrincham Garrick Theatre. Following our recent smash hit production, the nations favourite chocolate loving Vicar is back! Garrick Production A Vicar of Dibley Christmas: The Second Coming Following our recent smash hit production, the nations favourite chocolate loving Vicar is back! Ran Nov 18, 2024 - Nov 23, 2024 Age guidance 10+ Venue Main House Running time TBC Tickets Price Range £10.50 - £16.50 Description A Stage Play by Ian Gower and Paul Carpenter adapted from the original TV series by Richard Curtis and Paul Mayhew-Archer. Directed by Pete Brassington No, no, no, no, Yes! That’s right… Following on from our recent smash hit production of “The Vicar of Dibley” in February 2024, the nation’s favourite chocolate loving Vicar and her beloved sidekicks are back! When Hugo and Alice return from their honeymoon, Alice finds that she is putting on a little more than just holiday weight and she turns to the Vicar for advice! Geraldine is still desperately trying to bring the Dibley Parish Council to some order. After the carnage of the Village Quiz and organising a week of 'Radio Dibley', the Vicar feels she may be living on a different planet. Then just when things couldn’t get any more bizarre in Dibley, Geraldine is flabbergasted when little verger Alice actually has a good idea! Why not put on a Nativity? Why not indeed! What could possibly go wrong? A Fantastically festive and belly-laughing production awaits at Altrincham Garrick Playhouse with A Vicar of Dibley Christmas: The Second Coming! Reviews STAGESTRUCK - Review by Rick Bowen "Director Pete Brassington’s production is sure to get audiences in a festive mood. Even Victor Meldrew would raise a smile or two watching this." Click HERE to read the full review North West End UK - Review by Brian Madden “With its faithful nod to the original series and strong ensemble performances, this production of A Vicar of Dibley Christmas – The Second Coming delivers a thoroughly entertaining night of festive cheer.” Click HERE to read the full review Gallery Trailer Trigger Warning This production contains some strong language. Documents related to this Production View the Programme View the Advertising Poster

The Quest at the Altrincham Garrick Theatre. Garrick Production The Quest Ran Jan 4, 1915 - Jan 4, 1915 Age guidance Venue Running time Tickets Price Range Description By Matthew Boulton CAST Nixon, Walter S Noble, Miss May Slinn, Ella Wilkinson, John Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Ronnie, Reggie & Me at the Altrincham Garrick Playhouse. Fred Dinenage shares untold stories and rare moments never revealed before of the infamous two! Visiting Production Ronnie, Reggie & Me Date range Tickets £32 Age guidance 16+ Venue Main House Trigger warning Find out more Book now Running time TBC Group bookings Find out more Accessibility Find out more FRED DINENAGE’S RONNIE, REGGIE & ME The definitive insight into the real lives of Britain’s most notorious gangsters. For decades, they ruled the London underworld with fear and violence. But in 1969, the reign of Ronnie Kray and Reggie Kray came crashing down when both were sentenced to life imprisonment at the Old Bailey. Reggie would spend years behind bars in some of Britain’s toughest prisons, while Ronnie was confined to Broadmoor, his mental illness controlled only by heavy medication. Chosen by the twins themselves to tell their official story, TV legend Fred Dinenage became one of the very few people ever granted access to their inner circle-gaining extraordinary insight into the real lives behind the headlines. Now appearing live on stage, Fred Dinenage shares untold stories and rare moments never revealed before - including recordings made during his visits to Ronnie at Broadmoor. Hosted by broadcaster Alex Dyke, this gripping show brings you closer than ever to two of the most feared figures in criminal history - men other journalists could never get near. Hear first-hand what it was like to step inside Britain’s most formidable institutions, and uncover the gritty reality of gangland life in 1960s London - told by the only man they trusted. Age guidance: 16 Visiting Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Subscribe to our Mailing List

The Tragedy of Nan at the Altrincham Garrick Theatre. Garrick Production The Tragedy of Nan Ran Jan 1, 1915 - Jan 1, 1915 Age guidance Venue Running time Tickets Price Range Description By John Masefield CAST Blackburn, Lydia Bonson, John P Byrom, Mrs Jack Hall, S Lyndon Higgs, Elsie Hill, Arthur P Jones, Lily Nixon, Walter S Noble, Miss May Warburton, George A Wilson, Tom Wilkinson, John Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

A short obituary of Audrey Hughes, from the Altrincham Garrick Society. Previous Next Audrey Hughes Audrey was a wonderful character actress, often taking on the roles of strong, powerful women. She joined the Garrick in the early 1980s, and quickly became a regular onstage. Probably her most memorable roles were as Emma Hornett (the role made famous by Peggy Mount) in Sailor Beware, and working with her best friend at the theatre, Stella Fogg , as the two murderous old ladies in Arsenic and Old Lace . Audrey also took a full part in the social life of the Garrick and appeared in many Music Halls on the Mainstage and cabarets in the Bar. Back to In Memoriam page

Manchester Tenor Martin Toal's - A Night at the Summer Proms at the Altrincham Garrick Playhouse. Including songs, music & dance from the world of opera, musicals & pop Visiting Production Manchester Tenor Martin Toal's - A Night at the Summer Proms Date range Tickets £18 - £22 Age guidance Venue Main House Trigger warning Find out more Book now Running time TBC Group bookings Find out more Accessibility Find out more MANCHESTER TENOR MARTIN TOAL’s A NIGHT AT THE SUMMER PROMS INCLUDING FAVOURITE SONGS, MUSIC & DANCE FROM THE WORLD OF OPERA, MUSICALS & POP, AND CONCLUDING WITH A LAST NIGHT OF THE PROMS AUDIENCE SINGALONG Manchester tenor Martin Toal brings you his ever-popular one night only summer concert of favourite songs, music and dance from the world of opera, musicals and pop, concluding with a singalong and flag-waving Last Night of the Proms Finale! Returning as Martin’s special guests are Lord of the Dance fiddle player Richard Sanderson, stunning soprano Millie Royle, and after an absence of three years, the children’s choir of All Saints RC Primary school. And Martin is delighted to announce that appearing for the first time in his concert will be the brilliant LA School of Dance. Performing at the highest level since 2003, tenor Martin Toal is a top class vocalist and entertainer who has sung at all the major UK sporting venues including Old Trafford & the Etihad in Manchester, Headingley and Elland Road in Leeds, and Twickenham & Wembley in London! He has performed with some of Europe’s top artists including fellow tenor Alfie Boe, sopranos Lesley Garrett and Laura Wright, and Ireland’s Chris de Burgh who described Martin’s voice as “phenomenal”. Book early to avoid disappointment! “His beautiful voice and perfect expression sometimes brought tears to your eyes but just as you were feeling totally carried away with the romance of it all, he would switch to a foot-tapping rendition of La Donna e Mobile and instantly change your mood". (Concert review by Julia Taylor) Visiting Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Subscribe to our Mailing List

The Pride at the Altrincham Garrick Playhouse. A Season of Connection: Stories that bind us, break us, and bring us back together Garrick Production The Pride Date range Tickets £13 - £15 Age guidance Venue Garrick Studio Trigger warning Find out more Book now Running time TBC Group bookings Find out more Accessibility Find out more Written by Alexi Kaye Campbell Directed by Dan Ellis The powerful debut play from Alexi Kaye Campbell, winner of an Olivier Award, the Critics' Circle Award for Most Promising Playwright, and the John Whiting Award for Best New Play. Alternating between 1958 and 2008, The Pride examines changing attitudes to sexuality, looking at intimacy, identity and the courage it takes to be who you really are. The 1958 Philip is in love with Oliver, but married to Sylvia. The 2008 Oliver is addicted to sex with strangers. Sylvia loves them both. The Pride is a hilarious and heart-felt landmark play about courage, compassion and the fear of loneliness in life's journey towards self-discovery. The Pride was first performed at the Royal Court Theatre, London, in the Jerwood Theatre Upstairs in November 2008. Content Warning: This production contains brief nudity, sexual content, strong language, violence and sexual violence, homophobic language and attitudes, on-stage smoking, and includes themes some audience members may find disturbing. This production is part of the Garrick Studio 26/27 Season - A Season of Connection: Stories that bind us, break us, and bring us back together. Garrick Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Subscribe to our Mailing List

High Society at the Altrincham Garrick Theatre. Garrick Production High Society Ran Invalid Date - Aug 14, 2013 Age guidance Venue Running time Tickets Price Range Description Featuring the delightful Cole Porter score - with songs as well known as 'Who Wants to be a Millionaire', 'True Love', 'Well Did You Ever' and many more, this much loved musical tells the story of Tracy Lord who is engaged to one man, attracted to another and maybe in love again with her ex-husband. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster