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Previous Next Barbara Fraser Barbara is best known at the Garrick for her role as Bookkeeper in the 1980s and 90s, when she kept a tight grip on the budgets and expenditure of Department Heads. It was not unusual to receive a late-night phone call asking for an explanation why a particular purchase had been made. Her fun side came out in her regular performances in the Old Time Music Halls in the 1970s and 80s (see photo), and she occasionally took small roles in plays. Barbara also took a full part in social activities and worked in the coffee bar. Back to In Memoriam page

Previous Next Marion Eaves Marion was a nurse by profession, so she brought a demeanour of calm and super efficiency to her Garrick volunteering role as a member of the Props team. She worked closely with John Newton, and some referred to them as 'The Dynamic Duo'. Marion worked for over 30 years from the early 1990's, on countless productions and was also occasionally an ASM. Her contribution to the success of productions on stage cannot be over emphasised. Though generally quiet and reserved, she took a full part in all the social activities at the theatre. Back to In Memoriam page

Previous Next Ian Appleyard Ian had been a member for over 50 years and spent some of his retirement as a volunteer member of the Front of House Staff. He also took on minor roles on stage in pantomimes and plays in the 1970s. Back to In Memoriam page

Previous Next Jeanne Anderson Jeanne was a leading dramatic actress at the Garrick from the late 1960s through to her final play in 1985. Her first play at the Garrick was in Fools Paradise in October 1968 and she then took on numerous lead roles right up to her tragic, untimely death in 1985, after falling from a stepladder. Her credits included Under Milk Wood ; Vivat!Vivat! Regina (for which she received a Manchester Evening News Oscar as Best Actress playing Mary, Queen of Scots); Portia in Merchant of Venice ; Habeus Corpus ; A Woman of No Importance ; Cause Celebre ; The Dresser and The Prime of Miss Jean Brodie . The last time she appeared on the Garrick stage was as Ethel Thayer in On Golden Pond in 1985. Like most people on the acting list at that time, Jeanne played a full role backstage. She was ASM for numerous plays throughout the 1970s and 80s as well as occasionally directing a production. Back to In Memoriam page

Previous Next Liam Sammon Liam was a well-known local estate agent. He joined the Garrick in the early 1990s and was already an established leading man on the local amateur operatic circuit. He took part in many musicals including one of the Garrick's smash hit productions of La Cage Aux Folles as George, the night club owner. He also often appeared on-stage with Christine Adams , who later became his wife : a true Garrick romance. Back to In Memoriam page

Previous Next Mike Stocks Mike was a talented set designer, with many of his sets gracing the stage between the 1980s and the early 2000s. Mike spent most of his working life in the profession, designing and working on sets for theatre and TV. He worked in the design department at Granada TV on such classics as Brideshead Revisited until his retirement. Happily for the Garrick, he spent his latter years volunteering. Mike had a great sense of humour and a very quick wit. Having run his own dance band after the war, he was no mean performer on the drums ... as Garrickers often witnessed at the Christmas Draw. Back to In Memoriam page

Previous Next John Chidgey John was well known on the local amateur dramatic circuit since directing his first play, A Lion in Winter , in 1967 for the Wilmslow Guild Players. He was very active with both the Guild and the Wilmslow Green Room, directing more than 30 plays and being awarded GMDF Best Director in 1991 for The Chalk Garden . He was also heavily involved with the Green Room performances at Gawsworth Hall, appearing in The Merchant of Venice and Romeo and Juliet as well as directing Henry V , Much Ado About Nothing , and Midsummer Night's Dream . John joined the Altrincham Garrick in 1996, appearing in The Crucible and Seasons Greetings, as well as directing The Business of Murder and My Night with Reg . After a break of over a decade, John returned to the Garrick to direct many plays, both on the Main Stage and in the Studio. Between 2010 and 2019 these included Fawlty Towers , An Inspector Calls , Last of the Summer Wine , Business Affairs , My Mother Said (for which he was awarded GMDF Best Director when it was performed at the Green Room) and Seasons Greetings . Back to In Memoriam page

Previous Next Stephen Wardale Stephen was the Garrick's longest-serving supporter, having been a member for over 75 years at the time of his death. He was a great patron and benefactor. His aunt and uncle were founding members, and it was they who took him to see his first play : George Bernard Shaw's The Devil's Disciple . That was performed in 1922 at the Dunham Road Unitarian Chapel, the Garrick's former home. Stephen remembered the current theatre being built in 1932, and in the late 1960s he became a long-serving Front of House manager. He was aware of the refurbishment plans put forward in 1998 and knew that Lottery Funding had been obtained, but unfortunately didn't live long enough to see the theatre as it is today. There is no doubt that he would have been thrilled at the outcome. Stephen is pictured after receiving his Open University degree when he was in his 70's. Back to In Memoriam page

Previous Next Val Watkinson Val was a highly valued member of the Garrick, having joined in 1991. She was multi-talented and became involved in every branch of theatre production : actress, director, technical assistant (sound and lights), stage manager, deputy stage manager, ASM, prompt, and producer - as well as being one of the longest-serving members of the Play Selection and Casting Committee. Val was also well known as the Garrick trouble-shooter, solving issues as and when they arose. Most notably, she stepped in at the last moment to direct Aladdin, following the very sad, very sudden death of Terry Chandler in 2013. Val appeared in many plays at the Garrick, including The Pocket Dream , There Goes the Bride , one of the three witches in Macbeth , An Ideal Husband , Fur Coat and No Knickers , and Love on the Dole. Most memorably, she played Vera Duckworth and Ena Sharples in Corrie (her last performance on stage). Her credits as director and assistant director are impressive, and include Private Lives , Return to the Forbidden Planet (three times !), Amadeus , The Sunshine Boys , Hindle Wakes , Catherine Howard and Snow White . After 2012, she was either Assistant Director or Deputy Stage Manager for some of the biggest Garrick musicals and Pantomimes (first with Adam Whittle and then Joe Meighan) such as Acorn Antiques , Grease , Cats , Priscilla, Queen of the Desert , The Little Mermaid , Peter Pan , Chitty Chitty Bang Bang , Aladdin , Dick Whittington , and The Wizard of Oz . Val was also very well known in amateur dramatic circles and was associated with CHADS, Tyldesley Little Theatre, the Wilmslow Guild and especially the Wilmslow Green Room. Every summer between 1991 and 2007, she was involved in the Green Room's productions at Gawsworth Hall, as an actress and, most importantly, back stage working as stage manager or sound or lighting technician. Back to In Memoriam page

Previous Next Izzy (Valerie Isabel) Dempsey Izzy was an invaluable volunteer member of the Front of House team, which she joined in 2011. She quickly learnt the ropes of the role : usher, ticket collector and programme seller. In 2014, despite poor health, she started running the kiosk in conjunction with Eileen Smith, following the retirement of Brian Moore . This is a vital role, especially in Panto season when the sales of ice cream absolutely rocket. Later, she and Eileen even redecorated the kiosk. With her excellent organisational skills, in 2018/19 Izzy began managing the merchandise stand during the Pantomime (see picture) and, in 2023 (following the Covid lockdowns), set up the very successful and revamped coffee bar. Never complaining, and always positive, Izzy was fun loving and compassionate with a wonderful sense of humour - absolutely nothing was too much trouble. Back to In Memoriam page

Previous Next Allan Taylor Allan, who joined the theatre in the early 1970's, was undoubtedly one of the finest actors to grace the Garrick stage. With his wonderfully commanding voice, he played the lead in many varied types of roles such as Dr. Bryant in Educating Rita (see photo), Captain Mainwaring in Dad's Army, Georges opposite Terry Chandler 's Albin in many productions of La Cage Aux Folles, Danny in Brassed Off and, one of his biggest roles, Salieri in Amadeus . Offstage, he was a pivotal figure in the running of the theatre, both as Chairman of the Executive Committee and (inevitably, given his background as a bank manager) as Treasurer overseeing the finances of the theatre. Allan was a giant of the Garrick whose overall contribution to its success cannot be underestimated. Back to In Memoriam page

Previous Next Phil Gleave Phil's working background didn't really indicate an interest in theatre, with his jobs including miner, fireman, coach driver and bus inspector. However, he first came to the Garrick in the late 1980s, to build sets as a member of the stage crew, and stayed to become a highly valued and legendary Stage Manager actively involved in hundreds of productions. Greatly respected by his peers, he was a straight-talking and very competent person, essential qualities in ensuring productions of the highest standard. Phil had only one obvious weakness : Jelly Babies (see picture) ... especially at Panto time. Outside the Garrick, he had a passion for diesel railway engines and worked as a volunteer at East Lancashire Railways as Responsible Officer, in charge of the running of the engines when the public was in attendance. Back to In Memoriam page

Previous Next Ken Weston Ken Weston was a local councillor and then Mayor of Trafford - but the Garrick members will remember him best as a staunch and regular supporter. Ken appeared on television in Coronation Street , but only occasionally graced the Garrick stage. At the Garrick he was a wonderful addition to the Front of House department (sometimes working as the Front of House Manager) and was a good friend to many. See also this tribute to Ken from the Manchester Evening News of November 2013. Back to In Memoriam page

Previous Next Peter Jackson Peter was Head of Workshop throughout the 1990s and 2000s. Apprenticed for 7 years from the age of 14, he became a Master Joiner working in the domestic and commercial fields. After joining the Garrick, he worked on over 400 mainstage and studio shows building and helping to design sets and making props plus working, and collaborating, with stage crew, designers and directors. He was much appreciated by all of them for his expert knowledge. He also was involved with helping to put on the one-night shows performed by visiting professional acts. Outside the Garrick, he took a keen interest in country sports and activities. Back to In Memoriam page

Previous Next Ian Crownshaw Ian was Head of Lighting for several seasons in the 1980s and 90s. The first play he worked on was Joking Apart by Alan Ayckbourn, in 1981. Highly committed to the Garrick, he built up a departmental team, was keen on installing new tech into the theatre, designed some sets, and acted as an ASM occasionally. He was also heavily involved with Alistair Donkin's Gilbert and Sullivan Society, one of the annual visiting societies to the theatre. Back to In Memoriam page

If you have an interest in theatre, want to tread the boards or work front or back stage then why not become a Garrick volunteer? Get Involved Volunteering Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. If you have an interest in theatre, want to tread the boards or work front or back stage then why not become a Garrick volunteer ? We are always looking for new talent (of any age) to work in all areas of the theatre – no experience is necessary as you will be given full training by our qualified staff. We promise you that the satisfaction of a job well done will really surprise you, and you will make many new friends. Register your Interest Simply fill in this form to register your interest in getting involved in the theatre. You can also ring us on 0161 928 1677 , or send an e-mail to admin@altrinchamgarrick.co.uk Name Email Telephone Tell us how you would like to get involved, and we'll respond as soon as possible Submit Thanks for registering your interest in getting involved. We aim to get back to you very soon. What else can I do to play my part? Even if you are not able to spend the time time helping the theatre in a more active way (maybe work and other commitments mean that your time is at a premium), there other simple ways you can help your Garrick. When you come and see a show, try to pick up a leaflet or A4 poster from the Box Office or in the Bar. You could display one in your local Library, office/place of work or even your local club or shop (please make sure you have permission to do so). If you have enjoyed a show, tell your friends/colleagues – please spread the word about your theatre! Find us on Social Media and tweet/post your thoughts. This kind of help, however small, can make a huge difference to the theatre. Thank you. Join our mailing list Subscribe

Terms and Conditions for the Sale of Tickets for The Garrick Terms and Conditions T&C’s for Sale of Tickets GDPR Privacy Policy Health and Safety Policy Child Protection Policy Terms and Conditions for the Sale of Tickets The customer’s attention is particularly drawn to the provisions of Clause 2 (basis of contract). Table of Contents Interpretation Basis of contract Tickets & Entry Terms of Admittance Cancellation Delivery Consents and Prohibitions Liability Data Protection Third Parties Governing Law Jurisdiction 1 Interpretation 1.1 Definitions: “Conditions ” Means the conditions for the purchase of Tickets made between a Customer and The Theatre “Customer ” The person or firm who purchases a Ticket from The Theatre “Event ” Means any entertainment event or performance occurring at the Venue in respect of which Tickets are sold “The Theatre ” Altrincham Garrick Playhouse Limited,Barrington Road, Altrincham, Cheshire, WA15 1HZ “Promoter ” Means the entity which is staging/producing the Event. “Staff ” Employees and volunteers of The Theatre “Tickets ” Means any item which confirms the right to attend the Event “Venue ” Altrincham Garrick Playhouse Limited, Barrington Road, Altrincham, Cheshire, WA15 1HZ 1.2 Interpretation: 1.2.1 A reference to a statute or statutory provision is a reference to it as amended or re-enacted. A reference to a statute or statutory provision includes any subordinate legislation made under that statute or statutory provision, as amended or re-enacted. 1.2.2 Any phrase introduced by the terms including, include, in particular or any similar expression, shall be construed as illustrative and shall not limit the sense of the words preceding those terms. 1.2.3 A reference to writing or written includes email. 2 Basis of contract 2.1 All Tickets are sold subject to availability and these Conditions. 2.2 The order constitutes an offer by the Customer to purchase a Ticket in accordance with these Conditions. 2.3 The order shall be deemed as accepted upon purchase of a Ticket. As such the Customer should read these Conditions prior to purchase. 2.4 These Conditions apply to the contract to the exclusion of any other terms that the Customer seeks to impose or incorporate, or which are implied by trade, custom, practice or course of dealing. 2.5 Customers may purchase tickets online at https://www.altrinchamgarrick.co.uk . Completion of the booking process shall constitute an offer to purchase the Tickets subject to these Terms and Conditions. Acceptance of this offer will only take place once a Booking Confirmation has been sent to the registered email address, not when the credit/debit card is charged. 2.6 If a Customer makes a group booking they accept these Terms and Conditions on behalf of all members of the group and are responsible for any payment which may be due as a result of any member of the group’s actions. 3 Tickets & Entry 3.1 The price of Tickets is specified on The Theatre website at https://www.altrinchamgarrick.co.uk . 3.2.1 Tickets may be subject to change and the Venue reserves the right to change the price of Tickets and/or introduce discounts / special offers which cannot be retrospectively applied to Tickets already purchased. 3.2.2 All discounts/promotional offers are offered subject to availability and therefore Tickets may not be available at all advertised prices at all times. 3.2.3 Concession/discounted Ticket prices must be applied for at the time of purchase and cannot be applied to Tickets already purchased. Proof of entitlement to a concession/discount/promotional offer may be requested from the Customer at the time of booking and/or when they attend the Event. Failure to produce reasonable proof of entitlement to a concession/discount may invalidate the Ticket and result in refusal of admittance or ejection from the Venue. 3.3 All Customers must produce a valid Ticket for the event in order to gain entry to the Venue. All valid tickets must be retained by the Customer for the duration of the event and made available for inspection on request by a member of Staff. Inability to produce a valid ticket may lead to expulsion from the venue. 4 a. 3.4 It is the Customer’s responsibility to contact The Theatre if a Ticket is lost, damaged or destroyed. Duplicate Tickets may be issued at the discretion of The Theatre (on the evening of the performance only). In such instances photographic identification and proof of address may be requested. 3.5 The Customer is responsible for ensuring that the information on their Ticket is correct. Customers are encouraged to bring any error to the attention of The Theatre as soon as possible. 3.6 The Theatre will use reasonable endeavours to contact Customers if an Event is cancelled/postponed. It is the Customer’s responsibility to check for changes to the Event prior to attending. 3.7 All children regardless of age require a Ticket. 4 Terms of Admittance 4.1 The Theatre reserves the right to refuse admission to a Customer or to eject them from the Venue at any point during an event if in The Theatre’s reasonable opinion a Customer’s behaviour is not suitable for the Event. No Ticket refunds will be available is such instances. Such behaviour includes, but is not limited to, a Customer: 4.1.1 acting in an aggressive manner; 4.1.2 being abusive to, or compromising the safety of any member of Staff, Promoters’ representatives, performer or other Customer; 4.1.3 distracting other Customers from enjoying the Event. 4.1.4 being under the influence of alcohol or drugs; 4.1.5 any breach of these Conditions or statutory law. 4.2 Customers are not allowed to smoke or use e-cigarettes at the Venue. 4.3 Whist reasonable efforts shall be made by The Theatre to give warnings to Customers regarding special effects it is the responsibility of each individual to seek further information or medical advice. 4.4 Mobile phones and any other electronic equipment (e.g. cameras) must be switched off during the Event and no unauthorised recording equipment is allowed in the Venue. Any unauthorised recordings or photographs may be confiscated and destroyed. Neither The Theatre nor the Promoter will be responsible for any loss sustained. 5 Cancellation 5.1 No refunds are available unless the Event is cancelled, postponed or if the Event is materially changed. A material change in the context of these Conditions is a change which, in The Theatre’s reasonable opinion, makes the Event materially different from that booked by a Customer. A cast change, use of understudies and alteration of running time are not considered a material change. 5.2 Exchanges are only permitted at the discretion of the theatre manager and due to exceptional circumstances. If so agreed, the exchange must be for the same event and no later than 5 days before the performance takes place. Exchanges are subject to a £1.00 per ticket administration charge. 5.3 If an Event is cancelled Customers will be refunded the face value of the Ticket. The Theatre will endeavour to refund any monies by the same means as it was received. 5.4 If an Event is postponed or rescheduled the Customer will be offered alternative Tickets. If the alternative Ticket is cheaper the Customer shall be reimbursed the difference. Conversely, if the alternative Ticket is more expensive the Customer shall pay the difference. If the Customer does not wish to take up the offer of an alternative Ticket then they shall be refunded the face value of the Ticket for the cancelled Event. 6 Delivery 6.1 If a Customer chooses to receive their Ticket by post or via the print-at-home facility then it is their responsibility to contact The Theatre if no ticket is received within 7 days of booking. If The Theatre is not notified of the non-receipt of the Ticket then no refund, alternative Ticket or duplicate Ticket shall be offered. 6.2 Tickets shall be posted to the Customer by second class post within 48 hours of the booking being made. The Theatre will not accept any liability for any Tickets mislaid or lost by Royal Mail. 6.3 A delivery fee of £1 per transaction shall be applied in addition to the Ticket price in respect of all Tickets sent from the Box Office to a UK address. For deliveries outside of the UK, Customers are encouraged to contact the Box Office to make additional arrangements. 6.4 Any Tickets booked 7 days or less before the Event is scheduled to take place must collect their Tickets from The Theatre Box Office. 6.5 When collecting Tickets from The Theatre Box Office Customers may be required to provide photographic identification and proof of address. 7 Consents and Prohibitions 7.1 The resale of Tickets is prohibited. The Theatre takes no responsibility for the validity of Tickets purchased through unauthorised facilities. 7.2 By purchasing a Ticket, Customers are deemed to consent to being filmed or photographed where the event or performance is being filmed or photographs taken. 8 Liability 8.1 The Theatre shall not be responsible for any injury to the Customer or loss, theft or damage of Customer’s belongings, other than that caused as a direct result of negligence or other breach of statutory duty. 8.2 Subject to clause 8.1, The Theatre’s total liability to the Customer, whether in contract, tort (including negligence), breach of statutory duty, or otherwise, arising under or in connection with the Conditions shall be limited to the total amount paid for Tickets. 8.3 Nothing in clause 8 excludes or limits liability for death, personal injury or fraud. 8.4 Neither party shall be in breach of this Contract nor liable for delay in performing, or failure to perform, any of its obligations under this Contract if such delay or failure result from events, circumstances or causes beyond its reasonable control, such as power or equipment failure. 8.5 Arrangements, including but not limited to, travel and accommodation, are booked at the Customer’s risk and The Theatre shall not be liable for any additional costs associated with the cancellation of the Event. 9 Data Protection 9.1 The Theatre may use your personal information together with other information for providing services marketing administration and training. We may also keep your information for a reasonable period in order to contact you about our services. Although you may decide by giving us notice in writing at any time that you no longer wish to receive marketing materials. By accepting these terms you are giving your consent to these activities. 10 Third Parties 10.1 No one other than a party to the Conditions shall have any right to enforce any of its terms. 11 Governing Law 11.1 The Contract, and any dispute or claim (including non-contractual disputes or claims) arising out of or in connection with it or its subject matter or formation shall be governed by, and construed in accordance with the law of England and Wales. 12 Jurisdiction 12.1 Each party irrevocably agrees that the courts of England and Wales shall have exclusive jurisdiction to settle any dispute or claim (including non-contractual disputes or claims) arising out of or in connection with the Contract or its subject matter or formation. 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Previous Next Chris Wetherill Chris was yet another Garrick stalwart who did an immense lot of work in many areas of the theatre. Acting on stage was not his main contribution, although his participation in the bloodthirsty mob during The Scarlet Pimpernel will never be forgotten by those who were there. Chris was Chair of the Board of Trustees and an invaluable Executive Committee member, and he also worked in Lighting, Sound and Set Construction. His professional background in civil engineering helped enormously when such work at the Garrick was needed, and he was vital to the refurbishment of 1999. Chris project-managed the 1999 refurbishment, dealing with architects and contractors, completing the entire job on budget and in time. A miracle worker! The opening show of the refurbished Garrick was Camelot , as a tribute to the company running the National Lottery at the time, because they provided a large portion of the funding. Chris was also an accomplished trumpeter, and he was still scuba-diving when he and his wife Angie moved to Cornwall in his 60s. He is sorely missed. Back to In Memoriam page

Previous Next Val Bacon Val Bacon was a regular performer with a number of local dramatic societies, including Urmston Musical Theatre, Sale Nomads, Edge Fold Players, All Saints and Salford Operatic. In her later years she concentrated all her attention to the Garrick, and was an acting member for over a decade from the late 1990s. Val also worked as an ASM, and helped out Front of House. Val's TV credits include Coronation Street , Emmerdale and Linda Green (with Lisa Tarbuck). She also appeared in television advertisements (for example Hotter Shoes and Sheerings Holidays. Back to In Memoriam page

A copy of our Health and Safety Policy for Altrincham Garrick Playhouse Terms and Conditions T&C’s for Sale of Tickets GDPR Privacy Policy Health and Safety Policy Child Protection Policy For a copy of our Health and Safety Policy please click HERE Join our mailing list Subscribe

The Garrick has a long and illustrious history from its initial stirrings in November 1913 through the major redevelopment/refurbishment completed in 1999, to the present day set of offerings including amateur performances, professional productions, youth training and a cinema-quality Picturehouse. About Us History of the Garrick Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. About the Theatre History of the Garrick In Memoriam: Past Members of the Garrick Productions Archive The History of the Theatre The Garrick has a long and illustrious history, from its initial stirrings in November 1913 through the major redevelopment/refurbishment completed in 1999, to the present day set of offerings including amateur performances, professional productions, youth training and a cinema-quality Picturehouse. Those who are interested in a more complete account than is presented here may wish to buy a copy of The Flame Still Burns , the story of Altrincham Garrick Playhouse compiled by a true Garrick stalwart, the late Pamela Knox. Copies are still available from the theatre (at the give-away price of ONE pound only) and cover the tale of the Garrick from its inception to the 1992/93 season. 1913 – 1999 1913, November 25th – Inaugural meeting and formation of a provisional committee, followed by two further meetings in December 1914, January 20th – First meeting proper held in the new headquarters, the cellar of Mr Jack Byrom’s shop in Kingsway. The name of Altrincham Garrick Society adopted 1914, February 17th – First Rehearsal of the First Play, The Silver Box by John Galsworthy 1914, March 18th – First Production ( The Silver Box ) performed at the Public Hall, Altrincham with scenery hired from the Gaiety Theatre, Manchester 1915, May 4th – a number of members were struck off the list for non-payment of subscriptions (a warning for some of us these days!). 1916, May – Productions were suspended because of the difficulties arising from the war. 1920 – Following an attempt to persuade George Bernard Shaw to allow a production of Major Barbara without paying royalties, the great man advised the theatre to become a Repertory Theatre, paying the actors, since this would result in a lower payment of royalties (unless very successful!). As a result of this the play was produced and all actors were paid five shillings, which was promptly taken back by the Treasurer and put into a Building Fund, with the aim of building our own theatre 1923, January – ‘Fred Arnold Enterprises’ wrote to the society offering to stage Garrick productions on a commercial basis. This offer was not accepted! 1924, June – Membership now stood at 813 1926, June – At the AGM it was announced that a plot of land had been acquired on Barrington Road suitable for building the proposed new theatre. The land had been purchased by an anonymous member and the Society would hold it on payment of the chief rent only. It eventually emerged that the benefactor was A.P.Hill, a founder member who had worked tirelessly towards the goal of a theatre in its own grounds. 1927, September – Mr R A Smith, who had produced the vast majority of plays since 1914, resigned as producer 1928, December – the ‘Sell a Brick for 2d’ scheme was inaugurated – by October 1930 the scheme had raised £37. 2. 6d (£37.12 in today’s money!) 1930, September – Membership hit 1000 1931, July 14 – the first sod was cut at Barrington Road by Jack Byrom and the building of today’s theatre was begun 1931, October 29 – Garrick Playhouse Ltd registered as a public company 1932, October 1st – The first play opened at the new playhouse – ‘The Immortal Lady‘ by Clifford Bax 1935, February 13th – Standards of behaviour had clearly deteriorated seriously and the Executive Committee issued the following notice:- The Committee regrets that the unofficial sanction to members of the cast bringing intoxication liquor into the Playhouse is being considerably abused. It is necessary, therefore, to remind members that: 1) Only members actually taking part in a play, stage staff and producer, are allowed to bring beer, etc. into the dressing rooms. 2) All glasses must be washed immediately after use and all bottles, whether full or empty, must be kept in closed bags or receptacles 3) Members in the cast cannot be allowed to offer drinks to their members not in the cast, nor to non-members. 4) Members of the cast are asked to refrain from drinking beer etc. until they have finished their part each evening. 1935, March 11th to 18th – the 21st birthday of the Garrick Society was celebrated by the production of the Chinese play ‘Lady Precious Stream‘ , its first amateur production 1935, August – Ruth Dunning , who first appeared at the Garrick in 1934, took over the role of Sally from Wendy Hiller in ‘Love on the Dole‘ at the Garrick Theatre, London, the first Garrick amateur to be successful as a professional 1939 – The Silver Jubilee play was ‘1066 and all that‘ , with a cast of 150, 27 scenes and 3 levels 1939 – From a piece by ‘John Falstaff‘ of the Manchester Evening Chronicle – The Altrincham Garrick is one of the show places of the British Amateur Movement and its merit is twofold. First, it is secure and permanent; second, not only is the normal standard high, but the achievement also. There are few professional companies with such a striking list of pioneer efforts in plays and authors. 1939 – 1945 – For the duration of the war the theatre was handed over to a professional company, although the Society still provided staff and looked after the running of the building 1945, October – The first post-war production was ‘The Good Companions‘ by J B Priestley 1953 – A new building fund was started to be used for the erection of a small theatre at the rear of the Playhouse for experimental plays etc. 1957, October – the 25th anniversary of the Playhouse was celebrated by a production of ‘Teahouse of the August Moon‘ 1958 – a Young Garrick Club was started for 15 to 18 year olds, soon named ‘Studio G’. Their first production was staged in June 1960 in the rehearsal room. 1961, September – The Garrick Bar opened for the first time, the first bar steward being Reg Hughes. He was succeeded early in 1962 by Albert Riddell who was to remain an indispensible part of the Garrick scene until 1981 1963, May – The first of five years of BBC radio recordings of Music Hall at the Garrick 1963 – 50th Jubilee Season – The theatre was re-decorated inside and out and a new central heating boiler installed – The main Jubilee production was ‘Becket‘ 1965, January – First staging of the now famous Garrick Pantomime – that year it was ‘Aladdin‘ 1968-69 – The ‘collection’ system of raising revenue at performances was finally dispensed with and a charge made for tickets 1972-73 season – The 40th anniversary of the Playhouse – the Foyer was modernised with a new Box Office, there was new decoration and, most important, re-upholstered seating. Supporters were invited to endow a seat in the theatre, with 5 securing a name plate affixed to the seat 1973, May – It was announced that while membership would continue performances would be open to the Public and advertised as such 1976 – A thrust stage installed during the close season 1977, August – The Garrick made its first appearance at the Royal Exchange with ‘Sergeant Musgrave’s Dance‘ 1982, August – First visit to the Edinburgh Fringe with two home-grown Kevin Madley plays and Edward Bond’s ‘Bingo‘ 1982, September – The season opened with a world stage premiere of ‘Psycho‘ 1984, July – The Garrick produced a Music Hall as a part of the Edwardian Extravaganza in Dunham Park 1988-89 – The Society’s 75th Anniversary season – Stage 2 (the natural successor to Studio G) presented ‘Oh What a Lovely War‘ to mark the occasion 1990 – the Northern Amateur Premiere of ‘La Cage Aux Folles‘ – Little did we realise then what had started; this was the first of seven productions of it! 1990, November – Redevelopment fever had started. At an Extraordinary General Meeting an ambitious modernisation project which including selling the land on which the theatre stood and leasing the theatre back at a low rent for 999 years was rejected, but the drive had begun and the S.T.A.G.E. fund was started with the aim of raising £500,000 by December 1992 1992, July – the first Garrick Playathon. A host of members arrived at the theatre on Friday evening to discover that the show they were to perform on Sunday evening was ‘The Boyfriend’ by Sandy Wilson. After a massive amount of work pulled together by four directors, two musical directors, two choreographers and four set designers a superb performance was given on the Sunday evening (requiring a massive three prompts during the entire show!) 1998 – The Garrick’s third bid for National Lottery funding was successful, resulting in a grant of £675,000 as part of the £900,000 project. 1999 – The 1998/99 season finished early, in March, and the gutting of the auditorium began. The artistic side of the enterprise was kept occupied with a major open air production in Dunham Massey Hall of “Tom Jones” while the refurbishment went ahead. The grand (if a little delayed) reopening took place in October with a glittering production of “Camelot” (and a good deal of last minute rushing around!). The verdict was unanimous – Coming to the Garrick for a night out is now a real, and very comfortable, treat. Spread the word! To coincide the start of the first season in the refurbished Playhouse, the Society also started with its own website, created and run by Richard Sails. Richard managed the original website for 14 years until it was relaunched in 2013. 2000 to 2020 2006 – Following the generous donation of some tiered, retractable seating by The Lauriston Trust, the newly-christened Lauriston Studio was officially opened to the public in October 2006 with a memorable production of Two by Jim Cartwright. Seating 49 people, it is an extremely intimate and stimulating theatre space that has become a fully integral part of the Altrincham Garrick Playhouse. Since then the Studio has staged many exciting and cutting edge productions, and has won awards for the quality of work produced there. 2013 – For the start of the 2013/14 Centenary season, the Playhouse relaunched its revamped website. This was overseen and managed by Stephen Bradshaw, who then ran the web-site until mid 2020. 2014 – The Society celebrated its 100th Season. 2019 – The Garrick launched the Picturehouse. A versatile addition to the Garrick’s offerings to the community, this comprises a huge retractable screen plus projection equipment, which allows the auditorium to be used as a cinema. The screen can be set up in minutes, in front of most stage sets, and allows up to 350 people to view the latest cinematic releases, classical films, quirky “independent” productions and, most noticeably, showings of professional stage productions “as-live”. The first season included Kinky Boots , A Woman of No Importance (featuring Jennifer Saunders) and two wonderful modern ballets (Swan Lake and Romeo and Juliet ) from Matthew Bourne. 2020 onwards: COVID and other changes 2020 – The Covid-19 pandemic hit the Garrick just as hard as most theatres. The season was abruptly cut short in the middle of March, with the last “production” being an Illustrated Talk by Garrick stalwart Richard Sails, describing his hike in 1999 from Land’s End to John O’Groats. The building then went dark, as the first lockdown took hold. 2020 - March onwards Due to the "first lockdown", nothing was staged at the Garrick from March until the 14th of August 2020, when the Picturehouse re-opened with 42nd Street (an as-live theatrical screening) and then Aladdin (the 2019 film). From then until the end of October 2020, while indoor live performances were banned due to the pandemic, the Garrick Picturehouse continued to show cinematic and theatrical screenings, at the rate of 3 or 4 a week. In 2020, Joe Meighan became the Artistic Director of the Garrick, working in partnership with Sarah Reilly as the Operations Director. On the 1st of November 2020, when the "second lockdown" took effect, the screening of Paddington was cancelled, and the building went dark again. 2021 – In February 2021, the Garrick hosted a "ghost production". Nothing was produced for an audience, but in memory of the Garrick's first ever production in March 1914 (see above), Garrick members were invited to donate to the theatre. Two "online screenings", allowing audiences to watch previously-recorded Garrick plays from their homes, were shown, in February and May 2021. Alongside these, due to "second lockdown" restrictions, the Garrick could offer only Picturehouse cinematic and as-live screenings. These included many classic films curated by Barry Purves. They required the audience and staff to wear masks throughout the performances, and they conformed to restricted seating (groups of up to 6 could sit next to each other, but had to be separated by 2m from other groups). On the 7th of June 2021, the Garrick showed its first live performance since March 2020: a socially-distanced One Act Musical The Last Five Years . September 2021 saw the opening of the first "normal" season since 2018-2019, although some productions were subject to Covid seating restrictions and face-mask directives as guidelines changed during the winter of 2021-2022. Join our mailing list Subscribe

Previous Next Rita Howard Rita was a fine dramatic actress who joined the Garrick in the 1960's, but she also occasionally played comedy roles such as Madame Arcati in Blithe Spirit . With her strong and powerful personality, she later became actively involved in the day-to-day running of the theatre, serving on the Executive Committee for many years. She was also a leading member of the Play Selection and Casting Committee. Rita's overall contribution to the continued success of the Garrick cannot be underestimated. Back to In Memoriam page

Previous Next Ken Curragh Ken was a long standing member of the Garrick as an actor, and was at one time Workshop Manager. He also acted for a number of other societies in the area and was a very enthusiastic supporter of amateur theatre. Back to In Memoriam page

Previous Next Pamela Knox Pam was a true Garrick stalwart, being a tireless supporter of the theatre, working primarily in the Props Department and also looking after the archives for many, many years. Her lasting legacy for the theatre was writing and producing in 1993 the published history of the theatre The Flame Still Burns, the story of Altrincham Garrick . Back to In Memoriam page

Wheelchair spaces are available in the Auditorium and there is a toilet and a lift for disabled patrons. We do require advanced booking for Wheelchair spaces and please tell our Box Office if you have any special requirements when booking. There is also a loop system for patrons. About Us Booking and Access Information Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. Booking Fees There is £2.50 transaction fee for each individual payment made by telephone or online. Refunds or Exchanges The Box Office will try to re-sell unused tickets subject to a £1 per ticket exchange fee, on the understanding that the sale of the Garrick’s own available seats takes priority. Concessions This include, Adults 60+, Students (Student Card required), Unemployed, NHS and Fire Service (last three – ON PRESENTATION OF RELEVANT PROOF) Disabled Facilities There are 2 disabled parking spaces to the left of the Playhouse entrance, 1 to the right and 2 directly in front of the Foyer, plus additional spaces outside our Studio Theatre. Please display permits at all times and only use these spaces if you have a current permit. Wheelchair spaces are available in the Auditorium and there is a toilet and a lift for disabled patrons. The main auditorium can accommodate 4 wheelchairs and the Studio 1 wheelchair. We do require advanced booking for Wheelchair spaces and please tell our Box Office if you have any special requirements when booking. There is also a loop system for patrons. Join our mailing list Subscribe

Previous Next Stella Sails (née Doyle) Stella was a wonderfully versatile actress, first performing at the Garrick in 1975 in Who killed Santa Claus . Her other credits include After the Fall by Arthur Miller, Twelfth Night (playing Maria), A Man for All Seasons , Fifteen Streets , Move Over Mrs Markham , and The Winslow Boy . She also appeared with the Garrick company at the Edinburgh Fringe in 1982. Backstage, Stella was heavily involved in wardrobe, as an ASM and prompt, and she took a full part in the social life of the theatre. Back to In Memoriam page

Previous Next Peter Coatman Peter was an outstanding character actor, who joined the theatre in the 1960's. In his later years his style of acting led to him playing many vicars, doctors and lawyers, but in fact he had a far wider repertoire. He was also an excellent set designer. A true gentleman, Peter was a long-time servant of the Garrick on the Executive Committee during the 1980s and 90's, and was heavily involved in the discussions and decisions regarding the refurbishment of the theatre that took place in 1999. Back to In Memoriam page

Previous Next Eric Bradshaw Eric had an association with the Garrick for over 60 years. He, his wife Dallas and their son Stephen contributed huge amounts of time and effort to the success of the theatre. Eric's chief role was working on hundreds of productions as a member of the Front of House team ... we have no evidence that he ever appeared on stage. Back to In Memoriam page

Previous Next Linda Panton Linda had been associated with the theatre for over 40 years. She appeared on the Garrick stage at least once per season, and worked both backstage and Front of House, as did her husband Terry and daughter Jenny. She was Head of Creative and Performing Arts at Trafford College, and brought many of her skills to help with the Garrick. Back to In Memoriam page

Previous Next Jennie Holman Jennie, along with husband Geoff, was a great supporter of the Garrick for over 50 years. She joined the theatre in 1966 and became a long serving ASM, being involved in more than fifty productions, the first being An Ideal Husband in her first season. She was always keen on 'getting things right', a quality much appreciated by both actors and directors. Her life outside the Garrick was as a work counsellor. She helped groups of people - for example enabling 52 workers made redundant from Pilkington’s Glass to find new jobs - and individuals - for example assisting a redundant Veterinary Surgeon find a new job at Chester Zoo. Jennie was always smiling with a positive outlook and was a pleasure to work with. Back to In Memoriam page

Previous Next Terry Panton Terry was a very popular and versatile actor throughout the 1970s, taking on many leading roles. He first appeared at the Garrick in a little-known play called Summertime , in 1969. His other credits included Boeing Boeing ; The Lion in Winter ; Midsummer Night's Dream ; Barefoot in the Park ; Royal Hunt of the Sun ; Ayckbourn's Time and Time Again and Trespass by Emlyn Williams. Terry, alongside his wife Linda, also played a full role in the social life at the Garrick. Back to In Memoriam page

Previous Next Buff Monck This is an early picture of Buff, taken in the 1960s. He was an Honorary Life Member, having been a volunteer at the Garrick for almost 40 years. In the late 1950s and the whole of the 1960s, he was Stage Manager - but he also appeared on stage. He was in several pantomimes and many large cast plays such as A Midsummer Nights Dream , mostly in smaller roles. He was also involved with the stage crew and set construction, and he played an active role in the social life of the Garrick. Right up to his death in 1993, he was still attending every show and enjoying a pint in the bar. Back to In Memoriam page

Previous Next Diana Provan (née Harker) Diana and her husband Joe joined the theatre in the early 1960s, and she soon proved her worth as a very talented actress. She presented many outstanding performances at the Garrick before moving on to professional theatre. She then returned to the Garrick some few years later to direct many of our plays, and once again her exceptional talent shone through with some wonderful productions. Wonderfully imaginative, artistic, dedicated and with a refusal to accept nothing but the best, she became a much loved character at the Garrick. Many actors considered Diana as the best person they ever acted with or performed for. Diana and Joe moved to their beloved Italy in the early 2000s when Joe retired, and lived there very happily, visited regularly by their children Jeremy, Julia and Nicholas and their respective families. Rick Bowen wrote this Tribute to Diana in the Sale and Altrincham Messenger in March 2013. Back to In Memoriam page

Previous Next Derrick Kay Derrick joined the theatre in the 1960's. He acted in, and especially directed, many productions, and played an important role in the development of the theatre. He was best known as the Chairman of the Play Selection and Casting Committee for many years, setting a style that was very similar to that used later by Alan Sugar. Garrick auditions could be nerve-wracking experiences for anyone attempting to get onto the acting list, and Derrick retained the final say as to who would be accepted. He would write personal letters to each person who had auditioned, using either "congratulations" or "regrets". It was considered a great honour among the local amateur acting fraternity to receive one of his congratulatory letters. Derrick was determined to maintain the highest acting abilities at the Garrick, an ambition which, to his credit, he achieved. Back to In Memoriam page

Previous Next Christine Sammon (née Adams) Christine was a wonderful singer and talented actress. When she joined the Garrick in the early 1990s, she was already well known on the local amateur operatic circuit. Throughout the nineties she took a leading part in many Garrick musicals, before her sad and untimely passing. She was also involved in two highly successful and enjoyable Playathons - The Boyfriend and Irene . These were plays put on with only 48 hours notice, to raise funds for the STAGE Appeal. The secret play was announced at 7.30pm on a Friday night and the entire Garrick family was involved in presenting the full-length production at 7.30pm on the Sunday night with full staging, sound and lighting, costume, musical arrangements and choreography with all books down. The greasy spoon in the bar was kept open throughout the entire weekend. A Playathon was a testing - yet ultimately rewarding - challenge, and Christine was an enthusiastic participant. Back to In Memoriam page

Previous Next Freda Kilburn Freda was heavily involved in customer service at the Garrick in the 1980s and 90s. She ran the Coffee Bar, worked in the Kiosk and Bar, and was a regular member of the Front of House staff. She was also one of Mike Shaw's sewing team in Wardrobe, and helped with the many social activities at the theatre. Back to In Memoriam page

Previous Next Verity Fairclough The list of what Verity did for the Garrick is longer than what she didn't do. She was a worker backstage, an ASM, a member of the Front of House team, Chairman of the Executive Committee, a member of the Board of Trustees ... and she even appeared on stage (sometimes seen, sometimes not). Verity was the model society member and, with more like her, who knows what could be achieved ... and all quietly and without fuss. If you cut her in half she would, like Blackpool rock, have Altrincham Garrick written all the way through her. Back to In Memoriam page

The Garrick Academy of Performing Arts runs classes for ages 5 to 18 and is the place to be if you love acting, singing or dancing. The Academy About GAPA & How to Join? Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. The Garrick Academy of Performing Arts, or GAPA as it is now affectionately known, continues to go from strength-to-strength. Formed in 2003 by Peter Birch and Dean Sumner, it has developed from 60 students to more than twice that number today. GAPA now has 3 teaching staff, 3 senior assistants – all of whom have been professionally trained in various disciplines within the performing arts. Additionally we have trainee junior assistants, who have been brought up through the GAPA ranks, all working with our students to develop their drama knowledge and gain experience. GAPA currently runs: SATURDAY CLASSES SCHOOL HOLIDAY COURSES SPEECH AND DRAMA Through all our courses and weekly classes we provide, train and develop the performance skills of our students and give them a theatre grounding; should they wish to just enjoy the fun of performing or should they eventually work professionally within the business. We focus on performance, inclusion and fun, and we ensure the students are constantly working towards the presentation of their work. Our annual productions see students preparing for a full-length show which, depending upon the production chosen, may be performed on the Garrick main stage or the more intimate Lauriston Studio, if the show or play is more suited. We look forward to seeing you at the next GAPA production, when you can watch our next generation of performing talent. Joining GAPA To join GAPA’s Saturday groups please contact our box office on 0161 928 1677 or email boxoffice@altrinchamgarrick.co.uk Join our mailing list Subscribe

Previous Next Anne Chandler Anne was part of a hugely talented family who contributed much to the Garrick, including husband, Terry, and daughter, Laura. She had a wonderful singing voice and, apart from appearing regularly in Garrick musicals, she was also a member of several local choirs and musical societies. Her credits included appearing in Mame , Cabaret , A Little Night Music , La Cage Aux Folles , and Acorn Antiques, the Musical . She also took a full part in the social life of the Garrick, performing in several fund-raising cabarets - and she became a regular behind the bar pulling pints along with Janet Slade and Elaine Saville - a formidable, yet fun, trio. Back to In Memoriam page

Previous Next Derek Killeen Derek became Artistic Director of the Garrick in 1979 and, during his three-year tenure, he also became Theatre Administrator in 1980. His directorial credits include Charley's Aunt , Abigail's Party , When We Are Married , The Merchant of Venice , and The Importance of Being Earnest . Prior to joining the Garrick, he worked in the Drama Department at Bristol University and as Production Manager at Liverpool Playhouse. Later in his career, after leaving the Garrick, he became the Artistic Director of the Peterborough Key Theatre from 1992- 2001, where he used his Garrick experience to the full by starting a Drama School and introducing Musical Theatre. Derek died in 2004. Back to In Memoriam page

Garrick Production Test Event - this is the Title Thrilling, gory and deeply disturbing - Please Note: Reduced seating capacity on Tuesday, Wednesday and Thursday evenings. Ran Oct 27, 2025 - Oct 28, 2025 Age guidance Group 3: Ages 14 - 18 years Venue Altrincham Garrick Studio Running time 1 hour 45 minutes (15 interval) Tickets Price Range £35 per day (£25 discount if all 5 days Mon-Fri booked) Description James Cameron’s Titanic is an epic, action-packed romance set against the ill-fated maiden voyage of the R.M.S. Titanic, the pride and joy of the White Star Line and, at the time, the largest moving object ever built. She was the most luxurious liner of her era -- the “ship of dreams” -- which ultimately carried over 1,500 people to their death in the ice cold waters of the North Atlantic in the early hours of April 15, 1912. Our reasonably priced bar will be open before and after the screening. Free car park for customers and in easy walking distance of Altrincham and local tram and train stations. So what are you waiting for? BUY YOUR TICKETS NOW! Reviews Max Eden at North West End UK - 5 Star Review Click HERE Rick Bowen at StageStruck - 5 Star Review HERE Gallery Trailer https://youtu.be/cZxccYj3HyI Trigger Warning Warning: This performance contains haze, loud music, discussion of bereavement, mention of physical violence and abuse, discussion of homophobia, discussion of discrimination, strong language, and discussion of sexual abuse. This production contains some references and language that may be unsuitable for younger children. Documents related to this Production View the Programme View the Poster (portrait)

GAPA currently runs seven Saturday groups. Six on a Saturday morning for our 8 to 18 year olds, plus our MINI GAPA, 5 to 8 year old class on Saturday afternoons. The Academy Groups and Classes Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. GAPA Saturday Group School Holiday Courses Speech & Drama/ LAMDA Classes GAPA Saturday Groups GAPA currently runs seven Saturday groups: six on a Saturday morning for our 8 to 18 year olds, with our MINI GAPA class, for 5 to 8 year olds, on Saturday afternoons. Throughout the year, the groups work towards the goal of putting a production onto the main stage. The year starts with stagecraft, skills and audition preparation, giving students the opportunity to enhance and develop their performance skills. Then it’s audition time and, once the play is cast, the rehearsals start and all the elements of the show are put together. Working through this process, the students learn the valuable skills required of rehearsing and putting on a production, whilst being surrounded by fun and laughter. The Saturday group times are as follows: Session 1: 9:00-11:00 (Classes 1-3) Session 2: 11:30-13:30 (Classes 4-6) Session 3: 14:00 – 15:30 (Class 7 MINI GAPA) Term Dates The teaching year is broken into three terms. GAPA Term Dates 2025-26 Term 1 06/09/2025 - 06/12/2025 - not including 25/10/25 & 01/11/25 Term 2 10/01/2026 - 14/03/2026 - not including 14/02/26 & 21/02/26 Term 3 25/04/2026 - 11/07/2026 - not including 23/05/26 & 30/05/26 Student Area Join our mailing list Subscribe

Previous Next Audrey Skinner (née Lawson) Audrey's main contribution to the Garrick was on-stage, portraying many larger-than-life characters in both comedic and serious roles for many years. She and her husband Mike were fully involved in the social life of the theatre until they moved away from Altrincham in the late 2000s. Audrey proudly won the competition to invent a catchy name for the fund raising effort in the early 1990's (to raise funds for the theatre renovation). She came up with the S.T.A.G E APPEAL : Support The Altrincham Garrick Enterprise Appeal. Her prize? A bottle of bar steward Gerry Turnock 's champagne ! Back to In Memoriam page

Garrick Academy Octopia - Half Term Drama Workshop (WEDNESDAY) Exciting drama workshops for students aged 6-18 years. Join us for a day, or the whole week! Ran Oct 29, 2025 Age guidance 6 years - 18 years Venue Rehearsal Room Running time 10am - 4pm (6 hours) Tickets Price Range £35 per day (£25 discount if all 5 days Mon-Fri booked) Description Octopia (5 days) 27/10/25 - 31/10/25 The Garrick Academy of Performing Arts Half Term Drama Workshop. Join us during this October half term holiday for a day or for the full week to enjoy theatrical fun: combining music, movement, monologues and much, much, more! GAPA’s half term workshops encourage the participants to explore their creative side and promote teamwork in a safe and friendly environment. Students can learn drama skills, gain confidence and above all have fun! - Students from 6-18 years will be expected to work together, as well as individually. - Workshops start each day at 10.00am and finish at 4.00pm. - Attendees are required to bring their own refreshments to see them through the day. - Attendees are requested to wear clothes suitable for movement and appropriate footwear. - Students will be required to read text unaided. - £35 per day or book the whole week and receive a £25 discount. - Once you have signed up, please click on the attachment in the email you receive. You will be provided with a link to complete a 'Registration Form' . This is required before your child can gain access to the workshop. Reviews Gallery Trailer Ticket Pricing Details £35 per day (£25 discount if all 5 days Mon-Fri booked) There is a £2.50 transaction fee for each individual payment made by telephone or online. Trigger Warning N/A

Garrick Academy Octopia - Half Term Drama Workshop (TUESDAY) Exciting drama workshops for students aged 6-18 years. Join us for a day, or the whole week! Ran Oct 28, 2025 Age guidance 6 years - 18 years Venue Rehearsal Room Running time 10am - 4pm (6 hours) Tickets Price Range £35 per day (£25 discount if all 5 days Mon-Fri booked) Description Octopia (5 days) 27/10/25 - 31/10/25 The Garrick Academy of Performing Arts Half Term Drama Workshop. Join us during this October half term holiday for a day or for the full week to enjoy theatrical fun: combining music, movement, monologues and much, much, more! GAPA’s half term workshops encourage the participants to explore their creative side and promote teamwork in a safe and friendly environment. Students can learn drama skills, gain confidence and above all have fun! - Students from 6-18 years will be expected to work together, as well as individually. - Workshops start each day at 10.00am and finish at 4.00pm. - Attendees are required to bring their own refreshments to see them through the day. - Attendees are requested to wear clothes suitable for movement and appropriate footwear. - Students will be required to read text unaided. - £35 per day or book the whole week and receive a £25 discount. - Once you have signed up, please click on the attachment in the email you receive. You will be provided with a link to complete a 'Registration Form' . This is required before your child can gain access to the workshop. Reviews Gallery Trailer Ticket Pricing Details £35 per day (£25 discount if all 5 days Mon-Fri booked) There is a £2.50 transaction fee for each individual payment made by telephone or online. Trigger Warning N/A

Private Release GAPA Term 2 Group 3: 9am - 11am, Ages 14 - 18 years Jan 6, 2024 Tickets Not Available Venue Altrincham Garrick Playhouse Running time Age guidance 14 - 18 years Trigger warning Find out more The Garrick Academy of Performing Arts Saturday Class - Term 2 2023/24 Season Group 3: 9am - 11am, Ages 14 - 18 years GAPA Saturday Groups GAPA currently runs seven Saturday groups: six on a Saturday morning for our 8 to 18 year olds, with our MINI GAPA class, for 5 to 8 year olds, on Saturday afternoons. Throughout the year, the groups work towards the goal of putting a production onto the main stage. The year starts with stagecraft, skills and audition preparation, giving students the opportunity to enhance and develop their performance skills. Then it’s audition time and, once the play is cast, the rehearsals start and all the elements of the show are put together. Working through this process, the students learn the valuable skills required of rehearsing and putting on a production, whilst being surrounded by fun and laughter.

Private Release GAPA Term 2 Group 5: 11.30am - 1.30pm, Ages 11 - 14 years Jan 6, 2024 Tickets Not Available Venue Altrincham Garrick Playhouse Running time Age guidance 11 - 14 years Trigger warning Find out more The Garrick Academy of Performing Arts Saturday Class - Term 2 2023/24 Season Group 5: 11.30am - 1.30pm, Ages 11 - 14 years

Private Release GAPA Term 2 Group 7: 2pm - 3.30pm, Mini GAPA Ages 5 - 8 years Jan 6, 2024 Tickets Not Available Venue Altrincham Garrick Playhouse Running time Age guidance 5 - 8 years Trigger warning Find out more The Garrick Academy of Performing Arts Saturday Class - Term 2 2023/24 Season Group 7: 2pm - 3.30pm, Mini GAPA Ages 5 - 8 years

Private Release GAPA Term 2 Group 4: 11.30am - 1.30pm, Ages 8 - 11 years Jan 6, 2024 Tickets Not Available Venue Altrincham Garrick Playhouse Running time Age guidance 8 - 11 years Trigger warning Find out more The Garrick Academy of Performing Arts Saturday Class - Term 2 2023/24 Season Group 4: 11.30am - 1.30pm, Ages 8 - 11 years

Private Release GAPA Term 2 Group 6: 11.30am - 1.30pm, Ages 14 - 18 years Jan 6, 2024 Tickets Not Available Venue Altrincham Garrick Playhouse Running time Age guidance 14 - 18 years Trigger warning Find out more The Garrick Academy of Performing Arts Saturday Class - Term 2 2023/24 Season Group 6: 11.30am - 1.30pm, Ages 14 - 18 years