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Terms and Conditions T&C’s for Sale of Tickets GDPR Privacy Policy Health and Safety Policy Child Protection Policy Terms and Conditions for the Sale of Tickets The customer’s attention is particularly drawn to the provisions of Clause 2 (basis of contract). ​ Table of Contents Interpretation Basis of contract Tickets & Entry Terms of Admittance Cancellation Delivery Consents and Prohibitions Liability Data Protection Third Parties Governing Law Jurisdiction ​ 1 Interpretation 1.1 Definitions: ​ “Conditions ” Means the conditions for the purchase of Tickets made between a Customer and The Theatre “Customer ” The person or firm who purchases a Ticket from The Theatre “Event ” Means any entertainment event or performance occurring at the Venue in respect of which Tickets are sold “The Theatre ” Altrincham Garrick Playhouse Limited,Barrington Road, Altrincham, Cheshire, WA15 1HZ “Promoter ” Means the entity which is staging/producing the Event. “Staff ” Employees and volunteers of The Theatre “Tickets ” Means any item which confirms the right to attend the Event “Venue ” Altrincham Garrick Playhouse Limited, Barrington Road, Altrincham, Cheshire, WA15 1HZ ​ 1.2 Interpretation: ​ 1.2.1 A reference to a statute or statutory provision is a reference to it as amended or re-enacted. A reference to a statute or statutory provision includes any subordinate legislation made under that statute or statutory provision, as amended or re-enacted. ​ 1.2.2 Any phrase introduced by the terms including, include, in particular or any similar expression, shall be construed as illustrative and shall not limit the sense of the words preceding those terms. ​ 1.2.3 A reference to writing or written includes email. 2 Basis of contract ​ 2.1 All Tickets are sold subject to availability and these Conditions. 2.2 The order constitutes an offer by the Customer to purchase a Ticket in accordance with these Conditions. 2.3 The order shall be deemed as accepted upon purchase of a Ticket. As such the Customer should read these Conditions prior to purchase. 2.4 These Conditions apply to the contract to the exclusion of any other terms that the Customer seeks to impose or incorporate, or which are implied by trade, custom, practice or course of dealing. 2.5 Customers may purchase tickets online at https://www.altrinchamgarrick.co.uk . Completion of the booking process shall constitute an offer to purchase the Tickets subject to these Terms and Conditions. Acceptance of this offer will only take place once a Booking Confirmation has been sent to the registered email address, not when the credit/debit card is charged. 2.6 If a Customer makes a group booking they accept these Terms and Conditions on behalf of all members of the group and are responsible for any payment which may be due as a result of any member of the group’s actions. ​ ​ 3 Tickets & Entry 3.1 The price of all Tickets are specified on The Theatre website at https://www.altrinchamgarrick.co.uk . 3.2 All Customers must produce a valid Ticket for the Event in order to gain entry to the Venue. All valid tickets must be retained by the Customer for the duration of the Event and made available for inspection on request by a member of Staff. Inability to produce a valid Ticket may lead to expulsion from the Venue. 3.3 It is the Customer’s responsibility to contact The Theatre if a Ticket is lost, damaged or destroyed. Duplicate Tickets may be issued at the discretion of The Theatre (on the evening of the performance only). In such instances photographic identification and proof of address may be requested. 3.4 The Customer is responsible for ensuring that the information on their Ticket is correct. Customers are encouraged to bring any error to the attention of The Theatre as soon as possible. 3.5 The Theatre will use reasonable endeavours to contact Customers if an Event is cancelled/postponed. It is the Customer’s responsibility to check for changes to the Event prior to attending. 3.6 All children regardless of age require a Ticket. 4 Terms of Admittance 4.1 The Theatre reserves the right to refuse admission to a Customer or to eject them from the Venue at any point during an event if in The Theatre’s reasonable opinion a Customer’s behaviour is not suitable for the Event. No Ticket refunds will be available is such instances. Such behaviour includes, but is not limited to, a Customer: 4.1.1 acting in an aggressive manner; 4.1.2 being abusive to, or compromising the safety of any member of Staff, Promoters’ representatives, performer or other Customer; 4.1.3 distracting other Customers from enjoying the Event. 4.1.4 being under the influence of alcohol or drugs; 4.1.5 any breach of these Conditions or statutory law. 4.2 Customers are not allowed to smoke or use e-cigarettes at the Venue. ​ 4.3 Whist reasonable efforts shall be made by The Theatre to give warnings to Customers regarding special effects it is the responsibility of each individual to seek further information or medical advice. ​ 4.4 Mobile phones and any other electronic equipment (e.g. cameras) must be switched off during the Event and no unauthorised recording equipment is allowed in the Venue. Any unauthorised recordings or photographs may be confiscated and destroyed. Neither The Theatre nor the Promoter will be responsible for any loss sustained. ​ ​ 5 Cancellation 5.1 No refunds are available unless the Event is cancelled, postponed or if the Event is materially changed. A material change in the context of these Conditions is a change which, in The Theatre’s reasonable opinion, makes the Event materially different from that booked by a Customer. A cast change, use of understudies and alteration of running time are not considered a material change. ​ 5.2 Exchanges are only permitted at the discretion of the theatre manager and due to exceptional circumstances. If so agreed, the exchange must be for the same event and no later than 5 days before the performance takes place. Exchanges are subject to a £1.00 per ticket administration charge. 5.3 If an Event is cancelled Customers will be refunded the face value of the Ticket. The Theatre will endeavour to refund any monies by the same means as it was received. ​ 5.4 If an Event is postponed or rescheduled the Customer will be offered alternative Tickets. If the alternative Ticket is cheaper the Customer shall be reimbursed the difference. Conversely, if the alternative Ticket is more expensive the Customer shall pay the difference. If the Customer does not wish to take up the offer of an alternative Ticket then they shall be refunded the face value of the Ticket for the cancelled Event. ​ ​ 6 Delivery 6.1 If a Customer chooses to receive their Ticket by post or via the print-at-home facility then it is their responsibility to contact The Theatre if no ticket is received within 7 days of booking. If The Theatre is not notified of the non-receipt of the Ticket then no refund, alternative Ticket or duplicate Ticket shall be offered. 6.2 Tickets shall be posted to the Customer by second class post within 48 hours of the booking being made. The Theatre will not accept any liability for any Tickets mislaid or lost by Royal Mail. 6.3 A delivery fee of £1 per transaction shall be applied in addition to the Ticket price in respect of all Tickets sent from the Box Office to a UK address. For deliveries outside of the UK, Customers are encouraged to contact the Box Office to make additional arrangements. 6.4 Any Tickets booked 7 days or less before the Event is scheduled to take place must collect their Tickets from The Theatre Box Office. 6.5 When collecting Tickets from The Theatre Box Office Customers may be required to provide photographic identification and proof of address. ​ ​ 7 Consents and Prohibitions 7.1 The resale of Tickets is prohibited. The Theatre takes no responsibility for the validity of Tickets purchased through unauthorised facilities. 7.2 By purchasing a Ticket, Customers are deemed to consent to being filmed or photographed where the event or performance is being filmed or photographs taken. ​ 8 Liability 8.1 The Theatre shall not be responsible for any injury to the Customer or loss, theft or damage of Customer’s belongings, other than that caused as a direct result of negligence or other breach of statutory duty. 8.2 Subject to clause 8.1, The Theatre’s total liability to the Customer, whether in contract, tort (including negligence), breach of statutory duty, or otherwise, arising under or in connection with the Conditions shall be limited to the total amount paid for Tickets. 8.3 Nothing in clause 8 excludes or limits liability for death, personal injury or fraud. 8.4 Neither party shall be in breach of this Contract nor liable for delay in performing, or failure to perform, any of its obligations under this Contract if such delay or failure result from events, circumstances or causes beyond its reasonable control, such as power or equipment failure. 8.5 Arrangements, including but not limited to, travel and accommodation, are booked at the Customer’s risk and The Theatre shall not be liable for any additional costs associated with the cancellation of the Event. ​ ​ 9 Data Protection 9.1 The Theatre may use your personal information together with other information for providing services marketing administration and training. We may also keep your information for a reasonable period in order to contact you about our services. Although you may decide by giving us notice in writing at any time that you no longer wish to receive marketing materials. By accepting these terms you are giving your consent to these activities. ​ ​ 10 Third Parties 10.1 No one other than a party to the Conditions shall have any right to enforce any of its terms. ​ ​ 11 Governing Law 11.1 The Contract, and any dispute or claim (including non-contractual disputes or claims) arising out of or in connection with it or its subject matter or formation shall be governed by, and construed in accordance with the law of England and Wales. ​ ​ 12 Jurisdiction 12.1 Each party irrevocably agrees that the courts of England and Wales shall have exclusive jurisdiction to settle any dispute or claim (including non-contractual disputes or claims) arising out of or in connection with the Contract or its subject matter or formation. 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< Back Curtain Up (Musical) Previous Production Next Production 20 September 2021 to 25 September 2021 Directed by Joseph Meighan Musical Direction By: Neil G. Bennett Curtain Up! Light The Lights! You’re invited to join a celebration of all things Musical Theatre as we kick start our Autumn/ Winter Season with a collection of your favourite songs from your favourite shows! A stylish and elegant evening of music featuring songs from “Les Misérables”, “The Phantom of the Opera”, “Wicked”, “Dear Evan Hansen”, “A Chorus Line”, “Mary Poppins”, “RENT” and more! Curtain Up will be an epic reminder that the show always goes on… Note: this was the first "proper" live show on the Garrick mainstage after the Covid-19 lockdowns of 202 and 2021.

About Us Booking and Access Information Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. Booking Fees ​ There is £2.50 transaction fee for each individual payment made by telephone or online. ​ Refunds or Exchanges ​ The Box Office will try to re-sell unused tickets subject to a £1 per ticket exchange fee, on the understanding that the sale of the Garrick’s own available seats takes priority. ​ Concessions ​ This include, Adults 60+, Students (Student Card required), Unemployed, NHS and Fire Service (last three – ON PRESENTATION OF RELEVANT PROOF) ​ Disabled Facilities ​ There are 2 disabled parking spaces to the left of the Playhouse entrance, 1 to the right and 2 directly in front of the Foyer, plus additional spaces outside our Studio Theatre. Please display permits at all times and only use these spaces if you have a current permit. Wheelchair spaces are available in the Auditorium and there is a toilet and a lift for disabled patrons. The main auditorium can accommodate 4 wheelchairs and the Studio 1 wheelchair. We do require advanced booking for Wheelchair spaces and please tell our Box Office if you have any special requirements when booking. There is also a loop system for patrons. Join our mailing list Subscribe

Garrick Production Little Gem Date range Tickets £12.50 - £14.50 Venue Altrincham Garrick Studio Age guidance 14+ Trigger warning Find out more Book now Running time TBC Group bookings Find out more Accessibility Find out more Written by Elaine Murphy Love, sex, birth, death and salsa classes. Three generations of women. One extraordinary year. Happy-go-lucky Amber, fresh out of school, is high on life, double sambucas and boyfriend Paul. That is until the fierce indigestion starts. Lorraine attacks a customer and her boss wants her to see a psychiatrist. She is told to do one nice thing for herself each week, so she starts by signing up for Salsa classes. Meanwhile, Kay is finding life on the wrong side of sixty frustrating. Ailing husband Gem doesn’t like the neighbours coming in to “mind” him, and she’s missing more than just his conversation. And if all that wasn't bad enough, Little Gem makes his presence felt and – well – life is never the same again. Elaine Murphy's play Little Gem was first staged by Guna Nua and Civic Theatre, Tallaght, in 2008, then at the Traverse Theatre, Edinburgh, in 2009. It won the Carol Tambor Best of Edinburgh Award, the BBC Northern Ireland Drama Award in Association with the Stewart Parker Trust, and the Fishamble Award for Best New Irish Writing. Garrick Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Visiting Production The Dolly Show Date range Tickets £24 - £26 Venue Main House Age guidance ​ Trigger warning Find out more Book now Running time 1 hour 50 minutes (inc. interval) Group bookings Find out more Accessibility Find out more As seen on BBC ONE and voted the U.K’s No 1. Dolly Parton tribute by the Agents Association of Great Britain! Undeniably one of the BEST Dolly impersonators you will ever see, West End star Kelly O’Brien performs the beloved hits of country legend Dolly Parton, brilliantly recreating the vitality and voice of the little lady from Tennessee. Kelly is the best in the business; she sounds like Dolly Parton, she looks like Dolly and she’s as witty and entertaining as Dolly. The show includes up-tempo numbers like 9 to 5, Baby I’m Burning and Islands in the Stream, as well as powerful ballads such as I will Always Love You, Jolene and Coat of Many Colours. Kelly is no stranger to the stage and has been performing all over the world for 20 years and is the only Dolly Parton impersonator to have been invited to sing with Dolly Parton’s band in Nashville, Tennessee. Visiting Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews One of the world’s best tribute artists. BBC ONE She is sensational as Dolly. Paddy McGuiness A true professional. An incredible tribute to the Queen of country music. Bobby Davro Wow. Kelly is ferocious as Dolly! Michael Bublé You rock bigtime. Thank you for being so kind and generous with your time and attention. You were brilliant! Jo Wiley (Radio one) You’re such an amazing singer and I loved how you paid tribute to what a generous and admirable woman she is. Your performance of Coat of many colours bought my friend to tears. You totally won my heart. Thank you for a great evening. Tom Holland (Author & Historian) Well that was just incredible!! The Dolly Show @LiveatZedel is a masterclass in charisma and magnetism, warmth and how to handle any crowd with style! Far beyond a tribute act. This is a star homage by someone who is a natural star themselves! Bunny Galore (London) Oh my god, seriously AMAZING!!! Powerhouse voice on this pocket rocket of a woman!!! I grew up watching 'The Dolly Parton Show' on TV with my family. This is a huge childhood memory for me - back in the days of The Donnie & Marie Osmond Show, Fat Cat - the good old days. Kelly absolutely nails Dolly - her persona, humour, voice, mannerisms, the way she holds herself, every little detail. It's quite amazing to see. Of course I cried. Talent on this level always gives me goose bumps and tears. Add to that - when the whole crowd is singing along...outta control. I love it. I look at you all and feel so overwhelmed with genuine emotion. You get it and we love you for that. We hope Kelly comes back next time she's in Australia. What an absolute honour for us. Forever grateful mate. The Pepper tree (music venue, Adelaide) My wife and I attended the Dolly tribute night and what a fantastic night it was. ‘Dolly’ was outstanding, from the moment she arrived she engaged with us all, amusing and entertaining, her voice, annerisms and rendition was as if Dolly was in the room. We had been to the Savoy Theatre the previous week to see 9to5 the musical but the performance by Kelly was far better and we cannot recommend her enough. Her final rendition of ‘Little sparrow’ without music brought the house down. Incredible.” Nigel Lea (Kent) Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Visiting Production Pinked Floyd Date range Tickets £25 Venue Main House Age guidance ​ Trigger warning Find out more Book now Running time ​ Group bookings Find out more Accessibility Find out more Pinked Floyd return to the Garrick with a spectacular evening packed with cherished favourites from the timeless albums Dark Side of the Moon, The Wall, The Division Bell (30th anniversary), Wish You Were Here, Animals, A Momentary Lapse of Reason as well as delving deeper into the Floyd back catalogue. This band of quality performers have an almost fanatical devotion to reproducing the very best versions of tracks from original albums, studio sessions and Pink Floyd’s famous live tours for their audience’s pleasure. Stunning guitar riffs, spine tingling keyboards, saxophone solos, beautiful female vocal harmonies, thumping bass and rhythm lines, all held together by charismatic front man Russ Samuels. To complete the sensory experience there is a mesmerising light and laser show complete with the iconic circular video screen to make this a night not to miss for lovers of Pink Floyd. Visiting Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

< Back The Magic Circle Previous Production Next Production 3 January 1915 to 3 January 1915 By Walter R Matthews CAST Blackburn, Lydia Broadsmith, Miss E Hutchinson, T D B Noble, Jack Noble, Miss May

Visiting Production LA School of Dance Proudly Presents - Bon Voyage Date range Tickets £13 - £17 Venue Main House Age guidance ​ Trigger warning Find out more Book now Running time TBC Group bookings Find out more Accessibility Find out more Join the students from the L A School of Dance as they embark on a journey around the world showcasing their talents in ballet, tap, jazz and musical theatre. A great family show to be enjoyed by all. Visiting Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

The Academy Altrincham Garrick Child Protection Policy Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. The Altrincham Garrick Playhouse recognizes its duty of care under the Children and Young Persons Act 1963, the Child (Performances) Regulations 1968, the Protection of Children Act 1999 and the Criminal Justice and Court Services Act 2000.The society recognizes that abuse can take many forms, whether it be physical abuse, emotional abuse, sexual abuse or neglect. The society is committed to practice which protects children from harm. All members of the society accept and recognize their responsibilities to develop awareness of the issues which cause children harm. ​ The society believes that: ​ The welfare of the child is paramount; All children, whatever their age, culture, disability, gender, language, racial origin, religious beliefs and/or sexual identity have the right to protection from abuse; All suspicions and allegations of abuse should be taken seriously and responded to swiftly and appropriately; All members and employees of the society should be clear on how to respond appropriately. ​ The society will ensure that: All children will be treated equally and with respect and dignity; The welfare of each child will always be put first; A balanced relationship based on mutual trust will be built which empowers the children to share in the decision making process; Enthusiastic and constructive feedback will be given rather than negative criticism Bullying will not be accepted or condoned; All adult members of the society provide a positive role model for dealing with other people; Action will be taken to stop any inappropriate verbal or physical behaviour; It will keep up-to-date with health & safety legislation; It will keep informed of changes in legislation and policies for the protection of children; It will undertake relevant development and training; It will hold a register of every child involved with the society and will retain a contact name and number close at hand in case of emergencies. ​ The society has child protection procedures which accompany this policy. This policy should also be read in conjunction with the society’s Theatre Handbook and Health & Safety Policy. The society has a dedicated Child Protection Officer, who is in charge of ensuring that the Child Protection policy and procedures are adhered to. ​ This policy will be regularly monitored by the Executive Committee of the society and will be subject to annual review. Child Protection Procedures Responsibilities of the Society At the outset of any production involving children the society will: ​ Undertake a risk assessment and monitor risk throughout the production process; Identify at the outset the person with designated responsibility for child protection; Engage in effective recruitment of chaperones and other individuals with responsibility for children, including appropriate vetting (if necessary in consultation with the local education authority); Ensure that children are supervised at all times; Know how to get in touch with the local authority social services, in case it needs to report a concern. ​ Parents ​ The society believes it to be important that there is a partnership between parents and the society. Parents/guardians are encouraged to be involved in the activities of the society and to share responsibility for the care of children. All parents will be given a copy the society's Child Protection Policy and procedures .All parents/guardians have the responsibility to collect (or arrange collection of) their children after rehearsals or performances. It is NOT the responsibility of the society to take children home. ​ Unsupervised Contact The society will attempt to ensure that no adult has unsupervised contact with children. If possible there will always be two adults in the room when working with children. If unsupervised contact is unavoidable, steps will be taken to minimize risk. For example, work will be carried out in a public area or in a designated room with a door open. If it is predicted that an individual is likely to require unsupervised contact with children, he or she may be required to obtain a criminal record disclosure. ​ Physical Contact All adults will maintain a safe and appropriate distance from children. Adults will only touch children when it is absolutely necessary in relation to the particular activity. Adults will seek the consent of the child prior to any physical contact and the purpose of the contact shall be made clear. ​ Managing sensitive information ​ The society has a policy and procedures for the taking, using and storage of photographs or images of children. ​ Permission will be sought from the parents/guardians for use of photographic material featuring children for promotional or other purposes. ​ The society’s web-based materials and activities will be carefully monitored for inappropriate use. ​ The society will ensure confidentiality in order to protect the rights of its members, including the safe handling, storage and disposal of any sensitive information such as criminal record disclosures. ​ Suspicion of abuse ​ If you see or suspect abuse of a child while in the care of the society, please make this known to the person with responsibility for child protection. If you suspect that the person with responsibility for child protection is the source of the problem, you should make your concerns known to the Chairman. Please make a note for your own records of what you witnessed as well as your response, in case there is follow-up in which you are involved. ​ If a serious allegation is made against any member of the society, chaperone, venue staff etc., that individual will be suspended immediately until the investigation is concluded. The individual will be excluded from the theatre; rehearsal rooms etc. and will not have any unsupervised contact with any other children in the production. ​ Disclosure of abuse ​ If a child confides in you that abuse has taken place: ​ Remain calm and in control but do not delay taking action. Listen carefully to what has been said. Allow the child to tell you at their own pace and ask questions only for clarification. Don’t ask questions that suggest a particular answer. Don’t promise to keep it a secret. Use the first opportunity you have to share the information with the person with responsibility for child protection. Make it clear to the child that you will need to share this information with others. Make it clear that you will only tell the people who need to know and who should be able to help. Reassure the child that they did the right thing in telling someone. Tell the child what you are going to do next. Speak immediately to the person with responsibility for child protection. It is that person’s responsibility to liaise with the relevant authorities, usually social services or the police. As soon as possible after the disclosing conversation, make a note of what was said, using the child’s own words. Note the date, time, any names that were involved or mentioned, and who you gave the information to. Make sure you sign and date your record. ​ Recording ​ In all situations, including those in which the cause of concern arises from a disclosure made in confidence, the details of an allegation or reported incident will be recorded, regardless of whether or not the concerns have been shared with a statutory child protection agency. ​ An accurate note shall be made of the date and time of the incident or disclosure, the parties involved, what was said or done and by whom, any action taken to investigate the matter, any further action taken e.g. suspension of an individual, where relevant the reasons why the matter was not referred to a statutory agency, and the name of the persons reporting and to whom it was reported. ​ The record will be stored securely and shared only with those who need to know about the incident or allegation. ​ Rights & Confidentiality ​ If a complaint is made against a member of the society he or she will be made aware of their rights under the society's disciplinary procedures. ​ No matter how you may feel about the accusation, both the alleged abuser and the child who is thought to have been abused have the right to confidentiality under the Data Protection Act 1998. Remember also that any possible criminal investigation could be compromised through inappropriate information being released. ​ In criminal law the Crown or other prosecuting authority has to prove guilt and the defendant is presumed innocent until proven guilty. ​ Accidents ​ To avoid accidents, chaperones and children will be advised of ‘house rules’ regarding health and safety and will be notified of areas that are out of bounds. Children will be advised of the clothing and footwear appropriate to the work that will be undertaken. ​ If a child is injured while in the care of the society, a designated first-aider should administer first aid and the injury will be recorded in the society’s accident book. This record will be counter-signed by the person with responsibility for child protection. If a child joins the production with an obvious physical injury a record of this will be made in the accident book. This record will be counter-signed by the person with responsibility for child protection. ​ Criminal Record Disclosures ​ If the society believes it in is in its best interests to obtain criminal record disclosures for chaperones or other personnel it will inform the individual of the necessary procedures and the level of disclosure required. An Enhanced disclosure will be required. The society will have a written code of practice for the handling of disclosure information and aim to prevent misuse. ​ Chaperones ​ Chaperones will be appointed by the society/appointed persons for the care of children during the production process. By law the chaperone is acting in loco parentis and should exercise the care which a good parent/guardian might be reasonably expected to give to a child. The maximum number of children in the chaperone’s care shall not exceed 12. ​ Potential chaperones may be required to supply photographic proof of identity and two references from individuals with knowledge of their previous work with children, unless already well known to the society. They may also be asked to sign a declaration stating that there is no reason why they would be considered unsuitable to work with children. ​ Chaperones will be made aware of the society’s Child Protection Policy and Procedures. Where chaperones are not satisfied with the conditions for the children, they should bring this to the attention of the director/stage manager. If changes cannot be made satisfactorily the chaperone should consider not allowing the child to continue. If a chaperone considers that a child is unwell or too tired to continue, the chaperone must inform the director/stage manager and not allow the child to continue. No child of compulsory school age is permitted to do anything which may endanger life or limb. This could include working on wires or heavy lifting. Chaperones should tell the director/stage manager to cease using children in this way, and should contact the local authority. During performances, chaperones will be responsible for meeting children at the stage door and signing them into the building. Children will be kept together at all times except when using separate dressing rooms. Chaperones will be aware of where the children are at all times. Children are not to leave the theatre unsupervised by chaperones unless in the company of their parents/guardians. Children will be adequately supervised while going to and from the toilets. Children will not be allowed to enter the adult dressing rooms. Chaperones should be aware of the safety arrangements and first aid procedures in the venue, and will ensure that children in their care do not place themselves and others in danger. Chaperones should ensure that any accidents are reported to and recorded by the society. Chaperones should examine accident books each day. If an accident has occurred, the producer is not allowed to use that child until a medically qualified opinion has been obtained (not just the word of the parent or child). Chaperones should have written arrangements for children after performances. If someone different is to collect the child, a telephone call should be made to the parent/guardian to confirm the arrangements. Children should be signed out when leaving and a record made of the person collecting. If a parent has not collected the child, it is the duty of the chaperone to stay with that child or make arrangements to take them home. ​ This policy is applicable to and focuses on, children of compulsory school age and below. A child is required to attend school unless they are over the age of 16 on 31st of August, or until the last Friday in June after their 16th birthday. 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< Back David Ballard Previous Production Next Production 3 January 1920 to 3 January 1920 By Charles McEvoy CAST Bonson, John P Booth, G Frederick Gordon, Eleanor Higgs, Elsie Lowe, Lois M Nixon, Walter S Warburton, George A Warburton, Ida Wilson, Tom Wilkinson, John

Terms and Conditions T&C’s for Sale of Tickets GDPR Privacy Policy Health and Safety Policy Child Protection Policy Terms and Conditions for the Sale of Tickets The customer’s attention is particularly drawn to the provisions of Clause 2 (basis of contract). ​ Table of Contents Interpretation Basis of contract Tickets & Entry Terms of Admittance Cancellation Delivery Consents and Prohibitions Liability Data Protection Third Parties Governing Law Jurisdiction ​ 1 Interpretation 1.1 Definitions: ​ “Conditions ” Means the conditions for the purchase of Tickets made between a Customer and The Theatre “Customer ” The person or firm who purchases a Ticket from The Theatre “Event ” Means any entertainment event or performance occurring at the Venue in respect of which Tickets are sold “The Theatre ” Altrincham Garrick Playhouse Limited,Barrington Road, Altrincham, Cheshire, WA15 1HZ “Promoter ” Means the entity which is staging/producing the Event. “Staff ” Employees and volunteers of The Theatre “Tickets ” Means any item which confirms the right to attend the Event “Venue ” Altrincham Garrick Playhouse Limited, Barrington Road, Altrincham, Cheshire, WA15 1HZ ​ 1.2 Interpretation: ​ 1.2.1 A reference to a statute or statutory provision is a reference to it as amended or re-enacted. A reference to a statute or statutory provision includes any subordinate legislation made under that statute or statutory provision, as amended or re-enacted. ​ 1.2.2 Any phrase introduced by the terms including, include, in particular or any similar expression, shall be construed as illustrative and shall not limit the sense of the words preceding those terms. ​ 1.2.3 A reference to writing or written includes email. 2 Basis of contract ​ 2.1 All Tickets are sold subject to availability and these Conditions. 2.2 The order constitutes an offer by the Customer to purchase a Ticket in accordance with these Conditions. 2.3 The order shall be deemed as accepted upon purchase of a Ticket. As such the Customer should read these Conditions prior to purchase. 2.4 These Conditions apply to the contract to the exclusion of any other terms that the Customer seeks to impose or incorporate, or which are implied by trade, custom, practice or course of dealing. 2.5 Customers may purchase tickets online at https://www.altrinchamgarrick.co.uk . Completion of the booking process shall constitute an offer to purchase the Tickets subject to these Terms and Conditions. Acceptance of this offer will only take place once a Booking Confirmation has been sent to the registered email address, not when the credit/debit card is charged. 2.6 If a Customer makes a group booking they accept these Terms and Conditions on behalf of all members of the group and are responsible for any payment which may be due as a result of any member of the group’s actions. ​ ​ 3 Tickets & Entry 3.1 The price of all Tickets are specified on The Theatre website at https://www.altrinchamgarrick.co.uk . 3.2 All Customers must produce a valid Ticket for the Event in order to gain entry to the Venue. All valid tickets must be retained by the Customer for the duration of the Event and made available for inspection on request by a member of Staff. Inability to produce a valid Ticket may lead to expulsion from the Venue. 3.3 It is the Customer’s responsibility to contact The Theatre if a Ticket is lost, damaged or destroyed. Duplicate Tickets may be issued at the discretion of The Theatre (on the evening of the performance only). In such instances photographic identification and proof of address may be requested. 3.4 The Customer is responsible for ensuring that the information on their Ticket is correct. Customers are encouraged to bring any error to the attention of The Theatre as soon as possible. 3.5 The Theatre will use reasonable endeavours to contact Customers if an Event is cancelled/postponed. It is the Customer’s responsibility to check for changes to the Event prior to attending. 3.6 All children regardless of age require a Ticket. 4 Terms of Admittance 4.1 The Theatre reserves the right to refuse admission to a Customer or to eject them from the Venue at any point during an event if in The Theatre’s reasonable opinion a Customer’s behaviour is not suitable for the Event. No Ticket refunds will be available is such instances. Such behaviour includes, but is not limited to, a Customer: 4.1.1 acting in an aggressive manner; 4.1.2 being abusive to, or compromising the safety of any member of Staff, Promoters’ representatives, performer or other Customer; 4.1.3 distracting other Customers from enjoying the Event. 4.1.4 being under the influence of alcohol or drugs; 4.1.5 any breach of these Conditions or statutory law. 4.2 Customers are not allowed to smoke or use e-cigarettes at the Venue. ​ 4.3 Whist reasonable efforts shall be made by The Theatre to give warnings to Customers regarding special effects it is the responsibility of each individual to seek further information or medical advice. ​ 4.4 Mobile phones and any other electronic equipment (e.g. cameras) must be switched off during the Event and no unauthorised recording equipment is allowed in the Venue. Any unauthorised recordings or photographs may be confiscated and destroyed. Neither The Theatre nor the Promoter will be responsible for any loss sustained. ​ ​ 5 Cancellation 5.1 No refunds are available unless the Event is cancelled, postponed or if the Event is materially changed. A material change in the context of these Conditions is a change which, in The Theatre’s reasonable opinion, makes the Event materially different from that booked by a Customer. A cast change, use of understudies and alteration of running time are not considered a material change. ​ 5.2 Exchanges are only permitted at the discretion of the theatre manager and due to exceptional circumstances. If so agreed, the exchange must be for the same event and no later than 5 days before the performance takes place. Exchanges are subject to a £1.00 per ticket administration charge. 5.3 If an Event is cancelled Customers will be refunded the face value of the Ticket. The Theatre will endeavour to refund any monies by the same means as it was received. ​ 5.4 If an Event is postponed or rescheduled the Customer will be offered alternative Tickets. If the alternative Ticket is cheaper the Customer shall be reimbursed the difference. Conversely, if the alternative Ticket is more expensive the Customer shall pay the difference. If the Customer does not wish to take up the offer of an alternative Ticket then they shall be refunded the face value of the Ticket for the cancelled Event. ​ ​ 6 Delivery 6.1 If a Customer chooses to receive their Ticket by post or via the print-at-home facility then it is their responsibility to contact The Theatre if no ticket is received within 7 days of booking. If The Theatre is not notified of the non-receipt of the Ticket then no refund, alternative Ticket or duplicate Ticket shall be offered. 6.2 Tickets shall be posted to the Customer by second class post within 48 hours of the booking being made. The Theatre will not accept any liability for any Tickets mislaid or lost by Royal Mail. 6.3 A delivery fee of £1 per transaction shall be applied in addition to the Ticket price in respect of all Tickets sent from the Box Office to a UK address. For deliveries outside of the UK, Customers are encouraged to contact the Box Office to make additional arrangements. 6.4 Any Tickets booked 7 days or less before the Event is scheduled to take place must collect their Tickets from The Theatre Box Office. 6.5 When collecting Tickets from The Theatre Box Office Customers may be required to provide photographic identification and proof of address. ​ ​ 7 Consents and Prohibitions 7.1 The resale of Tickets is prohibited. The Theatre takes no responsibility for the validity of Tickets purchased through unauthorised facilities. 7.2 By purchasing a Ticket, Customers are deemed to consent to being filmed or photographed where the event or performance is being filmed or photographs taken. ​ 8 Liability 8.1 The Theatre shall not be responsible for any injury to the Customer or loss, theft or damage of Customer’s belongings, other than that caused as a direct result of negligence or other breach of statutory duty. 8.2 Subject to clause 8.1, The Theatre’s total liability to the Customer, whether in contract, tort (including negligence), breach of statutory duty, or otherwise, arising under or in connection with the Conditions shall be limited to the total amount paid for Tickets. 8.3 Nothing in clause 8 excludes or limits liability for death, personal injury or fraud. 8.4 Neither party shall be in breach of this Contract nor liable for delay in performing, or failure to perform, any of its obligations under this Contract if such delay or failure result from events, circumstances or causes beyond its reasonable control, such as power or equipment failure. 8.5 Arrangements, including but not limited to, travel and accommodation, are booked at the Customer’s risk and The Theatre shall not be liable for any additional costs associated with the cancellation of the Event. ​ ​ 9 Data Protection 9.1 The Theatre may use your personal information together with other information for providing services marketing administration and training. We may also keep your information for a reasonable period in order to contact you about our services. Although you may decide by giving us notice in writing at any time that you no longer wish to receive marketing materials. By accepting these terms you are giving your consent to these activities. ​ ​ 10 Third Parties 10.1 No one other than a party to the Conditions shall have any right to enforce any of its terms. ​ ​ 11 Governing Law 11.1 The Contract, and any dispute or claim (including non-contractual disputes or claims) arising out of or in connection with it or its subject matter or formation shall be governed by, and construed in accordance with the law of England and Wales. ​ ​ 12 Jurisdiction 12.1 Each party irrevocably agrees that the courts of England and Wales shall have exclusive jurisdiction to settle any dispute or claim (including non-contractual disputes or claims) arising out of or in connection with the Contract or its subject matter or formation. 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