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Previous Next Barbara Fraser Barbara is best known at the Garrick for her role as Bookkeeper in the 1980s and 90s, when she kept a tight grip on the budgets and expenditure of Department Heads. It was not unusual to receive a late-night phone call asking for an explanation why a particular purchase had been made. Her fun side came out in her regular performances in the Old Time Music Halls in the 1970s and 80s (see photo), and she occasionally took small roles in plays. Barbara also took a full part in social activities and worked in the coffee bar. Back to In Memoriam page

Return to Productions Archive Garrick Production Kindertransport Altrincham Garrick STUDIO 2025/26 Season - A Series of Manc Plays Ran Jan 20, 2026 - Jan 27, 2026 Age guidance 12+ Venue STUDIO Theatre Running time TBC Tickets Price Range £13 - £15 Description Written by Diane Samuels Directed by Celia Bonner Between 1939 until the outbreak of World War II, nearly 10,000 Jewish children were taken from their families in Nazi-occupied Germany and sent to live with foster families in Britain. Diane Samuels’ seminal play, Kindertransport , imagines the fate of one such child. Nine-year-old Eva is taken from her home in Germany and sent to Manchester to live with the Miller family. At first, she clashes with her foster mother, Lil, but slowly a bond of trust forms between them. After she learns that her parents have failed to escape Germany, the Millers become her family, and a new identity begins to form. After the war is over, she changes her name to Evelyn and acquires British citizenship. Over thirty years later, her now grown-up daughter, Faith stumbles across some old letters in their attic and Evelyn is forced to confront her traumatic past… Samuels deftly weaves together Evelyn’s past and present as she explores the devastating impact of the Holocaust on three generations. Now widely considered a modern classic, Kindertransport has been read and studied all over the world. Age Guidance: 12+ PLEASE NOTE - The performance on Sunday 25th January starts at the earlier time of 7pm to allow for a post show Q&A session with the Holocaust Centre North. Reviews Gallery Trailer Trigger Warning This production contains themes of child separation, racism, anti-Semitism, War, the Holocaust and the Nazi-regime, and trauma. Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Garrick Production Disney's FROZEN Date range Tickets £18 - £20 Age guidance Recommended 6+ Strictly No Under 4's Venue Main House Trigger warning Find out more Book now Running time TBC Group bookings Find out more Accessibility Find out more For the first time in forever, experience the musical phenomenon that has taken the world by snowstorm at Altrincham Garrick Playhouse! In the beautiful mountainous kingdom of Arendelle, Princesses Anna and Elsa grow up sheltered inside their castle, isolated from the world and increasingly distant from each other. When Elsa is crowned queen, the magical powers she’s desperately tried to conceal from her sister take control, and she flees into the mountains. As a ferocious winter descends on Arendelle, Anna sets off on an epic journey to find Elsa and bring her home – with the help of hardworking ice harvester Kristoff, his loyal reindeer Sven, and a happy-go-lucky snowman named Olaf. Based on the Academy Award-winning animated feature film, Disney’s Frozen includes all the film’s beloved songs by Kristen Anderson-Lopez and Robert Lopez, along with new music written exclusively for the stage. Full of magic, humour, and a stunning music, Frozen is a powerful tale of sisterhood, acceptance, and finding the real meaning of true love. Directed by Joseph Meighan Garrick Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Previous Next George Kilburn George worked with Sale Nomads before joining the Garrick as Head of Lighting, for some seasons in the 1980s and 90s. He trained several lighting technicians and built up an proficient team. He also worked as stage crew, and was a member of the Executive Committee. George's hobby outside the Garrick was as an accomplished builder of model ships. Back to In Memoriam page

Previous Next Audrey Hughes Audrey was a wonderful character actress, often taking on the roles of strong, powerful women. She joined the Garrick in the early 1980s, and quickly became a regular onstage. Probably her most memorable roles were as Emma Hornett (the role made famous by Peggy Mount) in Sailor Beware, and working with her best friend at the theatre, Stella Fogg , as the two murderous old ladies in Arsenic and Old Lace . Audrey also took a full part in the social life of the Garrick and appeared in many Music Halls on the Mainstage and cabarets in the Bar. Back to In Memoriam page

Return to Productions Archive Garrick Productions Free as Air Ran Jan 1, 1960 - Jan 1, 1960 Age guidance Venue Running time Tickets Price Range Description Bell, Richard Burgess, Pamela Caldwell, Pamela Evison, Ray Grimshaw, Joan Harrop, David Holt, Margaret Lee, Muriel Lee, Reg Lewis, Cynthia Loveday, Harry Owen, Barbara Price, Mair Shaw, John Walton, Barbara Wilkinson, Wallace Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

This page is used to allow a donor to select and then pay for the plaque they want, to recognise their donation to the Garrick CHILI fund-raising campaign. Your Selection Your selection Basket Checkout Thank you for your donation. Please add the plaque to your basket and complete the purchase, so that we get the dosh. Note: your requested wording is as follows. We shall review it before confirming that we will inscribe it on the plaque, and will contact you very soon to confirm the details. Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Return to Productions Archive Garrick Productions Waters of the Moon Ran Jan 1, 1955 - Jan 1, 1955 Age guidance Venue Running time Tickets Price Range Description Allen, Doreen Bourne, Dorothy Gorna, Christina Oddey, John Pearce, Rosemary Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Previous Next Jeanne Anderson Jeanne was a leading dramatic actress at the Garrick from the late 1960s through to her final play in 1985. Her first play at the Garrick was in Fools Paradise in October 1968 and she then took on numerous lead roles right up to her tragic, untimely death in 1985, after falling from a stepladder. Her credits included Under Milk Wood ; Vivat!Vivat! Regina (for which she received a Manchester Evening News Oscar as Best Actress playing Mary, Queen of Scots); Portia in Merchant of Venice ; Habeus Corpus ; A Woman of No Importance ; Cause Celebre ; The Dresser and The Prime of Miss Jean Brodie . The last time she appeared on the Garrick stage was as Ethel Thayer in On Golden Pond in 1985. Like most people on the acting list at that time, Jeanne played a full role backstage. She was ASM for numerous plays throughout the 1970s and 80s as well as occasionally directing a production. Back to In Memoriam page

Return to Productions Archive Garrick Productions The Deep Blue Sea Ran Jan 1, 1954 - Jan 1, 1954 Age guidance Venue Running time Tickets Price Range Description Corness, Ian Pimlott, (Allman) Emmie Richardson, George Sykes, Constance D Waterhouse, Ann Wilson, George E Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Garrick Production Robin Hood Pantomime Date range Tickets £17 - £22 Age guidance Recommended 3+ Venue Main House Trigger warning Find out more Book now Running time TBC Group bookings Find out more Accessibility Find out more Written by Tom Whalley Directed by Joseph Meighan The Merry Garrick Panto that really hits the bullseye! The fine folk of Sherwood Forest are terrorised by the mounting taxes imposed by the wicked Sheriff of Nottingham who’ll stop at nothing to seize the throne of England and claim the fair Maid Marian as his bride. Only the outlaw Robin Hood and his band of Merry Men can save the day. With the help of the hapless Silly Willy and his not so glamorous mother Nanny Fanny, can Sherwood be saved from the Sheriff’s clutches? Or will they be left all aquiver? Packed with laugh-out-loud comedy, audience interaction, toe-tapping tunes, dazzling dance numbers, and a fresh twist on a classic tale, ROBIN HOOD promises to be the perfect theatre outing for the entire family. Whether you're young or just young at heart, this is a magical festive treat you won’t want to miss. Grab your tickets, gather your gang, and join us for a Panto full of heart, heroism, and hilarity! Age Guidance: 3+ Content Warning: Panto is A LOT of fun, but sometimes it can be quite loud, and a little bit cheeky, with some jokes that only grown-ups will understand. We also use special effects that include loud bangs, flashing lights and pyrotechnics. We do also offer a Relaxed Performance where these effects are reduced to lessen sensory overwhelm, but keeping all the great fun for our audience! Garrick Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Return to Productions Archive Garrick Productions The Immortal Lady Ran Jan 1, 1932 - Jan 1, 1932 Age guidance Venue Running time Tickets Price Range Description Bonson, John P Bramwell, Madge Brierley, Norman Briggs, Harry Bullivant, Erick Gow, Ronald Hankins, J Jones, Arthur C Kewell, H Lawley, Mollie Matthews, Marion Thwaite Monkhouse, Mary H Osborne, Edgar Palmer, Jack A Pennington, Muriel Rose, Gertrude Ross, Donald A Shaw, A Keble Smith, J B Stevens, Kate Warburton, Kathleen Wilson, Kathleen Wilkinson, John Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

We are always looking for actors of all agesto appear in our productions. No previous experience is necessary, simply sign up here to be auditioned. Get Involved Auditions Come and act in one of the 18 productions that the Altrincham Garrick Society produces each season ! Please refer to the Garrick Actor’s Guide for all information about auditioning for acting roles in our 2025/2026 Season at Altrincham Garrick Playhouse. Download the Actor's Guide for the 2025-2026 Season In addition, each production has a dedicated audition pack, which will be uploaded to our website about 4 weeks before the auditions, and which will include information about what to prepare, character descriptions and more. Note that the Altrincham Garrick is a non-professional organisation, meaning that actors are not paid. If you have any questions about the casting process, please email casting@altrinchamgarrick.co.uk Auditions for Upcoming Productions Auditions for THE GOOD LIFE - Altrincham Garrick Playhouse AUDITIONS FOR "THE GOOD LIFE " - Altrincham Garrick Playhouse The Audition Date for this production is Tuesday 24th February The Rehearsal Start Date for this production is Sunday 26th April The Production Dates for this production are 1st - 7th June 2026 Adapted for the Stage by Jeremy Sams Directed by Dan Ellis When Tom and Barbara Good decide to exchange the pressures of the rat race for an alternative, more sustainable way of living, they set about turning their suburban home in Surbiton into a model of self-sufficiency. They grow their own fruit and veg, keep livestock in the garden, make their own clothes, and even generate their own electricity from manure. It's the good life for them – but not for Margo and Jerry Leadbetter, who live next door, and are desperately trying to maintain the Surbiton status quo. Jeremy Sams' stage play, based on the hugely popular sitcom by John Esmonde and Bob Larbey, reunites the well-loved characters (not forgetting Geraldine the goat) as they get themselves into and out of scrapes – some old, some new, all hilarious. Tapping into issues that resonate now more than ever, The Good Life is a witty reimagining of a television classic, with a wellyful of laughs that's sure to delight audiences everywhere. We are a diverse theatre and we welcome auditionees of all ages (above the age of 18) and all genders, ethnicities, sexualities, disabilities and races, to enrich the work of the production. For more information, please check out our Audition Pack below! Rehearsals : Every Monday, Wednesday and Friday 7.30pm – 10pm, and every Sunday 2pm – 5.30pm Click on our AUDITION PACK below for more information! Download the "THE GOOD LIFE" Audition Pack AUDITIONS FOR " THE CRUCIBLE " - Altrincham Garrick Playhouse AUDITIONS FOR "THE CRUCIBLE " - Altrincham Garrick Playhouse The Audition Date for this production is Tuesday 17th February The Rehearsal Start Date for this production is Sunday 29th March The Production Dates for this production are Monday 11th - Sunday 17th May 2026 By Arthur Miller Directed by Joseph Meighan “We are what we always were…” Betty Parris lies in a trance after a childish game spins out of control, and accusations of witchcraft are quickly manipulated by those with something to gain. However, when false allegations reach fever pitch, the devout community of Salem, Massachusetts descends into a cauldron of hysteria, manipulation and paranoia it can never return from… What lies are the townspeople prepared to tell themselves in order to survive? Speak of the devil and he appears. Nobody is safe. Written in the 1950s when the insidious fear of communism gripped America, “The Crucible” is a devastating portrayal of the human cost of tyranny and vengeance, and a timeless warning to us all. An intense and revolutionary piece by Arthur Miller (Death of A Salesman, A View From The Bridge, All My Sons) - inspired by the 1692 Witch Trials in Salem. Content Warning: This production contains depictions of physical violence, very loud noises, themes of racism, and references to sex, violence, emotional abuse, torture, hanging and child loss. We are a diverse theatre and we welcome auditionees of all ages (above the age of 18) and all genders, ethnicities, sexualities, disabilities and races, to enrich the work of the production. Rehearsals : Every Monday, Wednesday and Friday 7.30pm – 10pm, and every Sunday 2pm – 5.30pm Click on our AUDITION PACK below for more information! Download THE CRUCIBLE Audition Pack All in-house Garrick productions are cast by auditions. Once you’ve read all the information in the relevant audition pack, and if you wish to audition, then please email casting@altrinchamgarrick.co.uk with the name of the production in the Subject field, and include your name and contact number. By emailing, you will have registered for an audition. To sign up to our Actor’s Mailing List (to receive regular updates about upcoming auditions) please email casting@altrinchamgarrick.co.uk . Auditions are confirmed and announced here on this page. Auditions are also announced on our own Facebook page and Twitter Feed: https://www.facebook.com/AltrinchamGarrick/ https://twitter.com/AltrinchamG Join our mailing list Subscribe

Previous Next Terry Chandler Terry Chandler was a very well-known figure throughout Manchester dramatics, and the theatre is very proud that he called the Garrick "home". He performed on the Garrick stage many times, and will always be remembered for the role of Albin in La Cage Aux Folles , which became his from the first moment he pulled on his frock. La Cage Aux Folles was such a success that it was performed for a total of 8 times, due to unprecedented public demand. A Garrick record. Many in the audience came to multiple performances, often in fancy dress. The show created an electric atmosphere and the finale was always greeted by a standing ovation. Terry also performed his Albin at Oldham Coliseum. . Terry also served on the Executive Committee, and directed many plays and musicals at the Garrick and elsewhere. He won awards from NODA and GMDF both for acting and directing, and NODA established "The Terry Chandler Award for Best All Round Performer" in his memory. Terry died tragically too early, of a heart attack in 2008, leaving his wife Anne and daughter Laura to carry on his support for the Garrick. See also this tribute from the Manchester Evening News. Back to In Memoriam page

The Garrick Academy of Performing Arts runs classes for ages 5 to 18 and is the place to be if you love acting, singing or dancing. The Academy About GAPA & How to Join? Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. The Garrick Academy of Performing Arts, or GAPA as it is now affectionately known, continues to go from strength-to-strength. Formed in 2003 by Peter Birch and Dean Sumner, it has developed from 60 students to more than twice that number today. GAPA now has 3 teaching staff, 3 senior assistants – all of whom have been professionally trained in various disciplines within the performing arts. Additionally we have trainee junior assistants, who have been brought up through the GAPA ranks, all working with our students to develop their drama knowledge and gain experience. GAPA currently runs: SATURDAY CLASSES SCHOOL HOLIDAY COURSES SPEECH AND DRAMA Through all our courses and weekly classes we provide, train and develop the performance skills of our students and give them a theatre grounding; should they wish to just enjoy the fun of performing or should they eventually work professionally within the business. We focus on performance, inclusion and fun, and we ensure the students are constantly working towards the presentation of their work. Our annual productions see students preparing for a full-length show which, depending upon the production chosen, may be performed on the Garrick main stage or the more intimate Lauriston Studio, if the show or play is more suited. We look forward to seeing you at the next GAPA production, when you can watch our next generation of performing talent. Joining GAPA To join GAPA’s Saturday groups please contact our box office on 0161 928 1677 or email boxoffice@altrinchamgarrick.co.uk Join our mailing list Subscribe

Return to Productions Archive Garrick Productions Then There Were None Ran Jan 19, 2004 - Jan 24, 2004 Age guidance Venue Running time Tickets Price Range Description Take ten characters - all with carefully hidden guilty secrets - put them on a remote island from where escape is impossible and let the murders begin. Where is the host, and presumably the killer, hiding himself? Or is the murderer one of the guests? Who will be the next victim? To find out, make a date to see this thrilling production. CAST Hugh Everett as Captain Lombard Ros Greenwood as Vera Claythorne Trevor McKie as Anthony Marston Mike Shaw as William Blore Frank Boylan as General Mackenzie Pat Williamson as Emily Brent Roger Metcalfe as Sir Lawrence Wargrave Richard Frost as Dr. Armstrong David Leathlean as Rogers Mollie Woodbine as Mrs Rogers Brian Moore as Narracott Directed by Paul Jaynes Designer: Juliet Jones Sound: Colin Woods Lighting: Fred Isaac-Dixon Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Garrick Production My Fair Lady Date range Tickets £19 - £24 Age guidance Venue Main House Trigger warning Find out more Book now Running time TBC Group bookings Find out more Accessibility Find out more What a smashing, positively dashing finale to the 2025/2026 Altrincham Garrick Season - Lerner and Loewe ’s classic rags to riches tale, MY FAIR LADY . MY FAIR LADY follows Eliza Doolittle, a cockney flower seller in Covent Garden, who by chance meets phonetics professor, Henry Higgins. As part of a wager with a fellow phonetician, Higgins sets out to teach Eliza how to speak like a lady of high society – but learns a few lessons of his own along the way. Filled with comedy, romance, and dazzling songs such as The Rain in Spain , Wouldn’t It Be Loverly and I Could Have Danced All Night , this will be an unmissable production. A beautiful musical adaptation of George Bernard Shaw’s 1913 play PYGMALION, MY FAIR LADY was first performed on Broadway in 1956 starring Julie Andrews and adapted into a 1964 Oscar-winning film starring Audrey Hepburn. It’s going to be bloomin’ loverly! Garrick Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Previous Next Sheila Hine Sheila had a long and distinguished career in amateur dramatics, at both the Garrick and the Wilmslow Green Room. At the Garrick, she was a prolific and versatile actress, performing in numerous plays from the 1960s into the 2000s. Her first time on stage was in Goodnight Mr Puffin in 1965 and some of her other credits include The Killing of Sister George , Relatively Speaking , Vivat! Vivat! Regina (as Elizabeth I), Cause Celebre , and The Wizard of Oz (as Aunt Em). Her final performance was in Les Liaisons Dangereuse in 2005. She was also an occasional director, and worked backstage in make-up, as an ASM and as prompt. Sheila was equally busy at the Wilmslow Green Room during the same period. As an actress, her first role there was in Nude with Violin in 1966. She also directed productions, and was involved backstage in make-up, wardrobe and as a prompt. Sheila also took part in the Green Room's many productions at Gawsworth Hall, both as an actress and director. Back to In Memoriam page

We’d like to invite you to become a Friend of the Garrick, to join the Garrick Community and receive tickets at a discount. Please enrol online here, or speak to our box office staff, to become a member of our Friends of the Garrick audience loyalty scheme. Get Involved Garrick Friends Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. Become a Friend of the Garrick Our Theatre is a charity, and is managed by a handful of paid staff and many volunteers. We receive no funding from local authorities or Arts organisations. We are an important part of the local community, offering opportunities for learning in our Academy, making friendships in our Show Choir, and hosting local social groups. Our overriding aim is to bring alive your imagination, through our varied productions on our main stage and in our studio theatre. We’d like to invite you to become a Friend of the Garrick , to join the Garrick Community and receive tickets at a discount. Please enrol online here , or speak to our box office staff, to become a member of our Friends of the Garrick audience loyalty scheme. Gold Friends , for a £30 annual fee, can purchase unlimited discounted priced tickets*. Silver Friends , for a £20 annual fee, can purchase 2 discounted priced tickets per production*. 25U , free for 16 to 25 year olds, can purchase one discounted ticket (for every performance, of Garrick productions only). * Note: Gold and Silver discounts apply to all Garrick productions, in addition to some visiting productions. We really need your financial support, so please be a “Friend” to the Garrick. John Gibson, Membership Secretary Friend of the Garrick Loyalty Scheme What else can I do to play my part? If you have an interest in theatre, want to tread the boards or work front or back stage then become a Garrick Volunteer for free. We are always looking for new talent, any age, to volunteer in all areas of the theatre. Your help is invaluable to us and we promise you that the satisfaction of a job well done, will really surprise you, as well as the opportunity to make new friends and become part of the Garrick Team. If you are interested, please email: membership@altrinchamgarrick.co.uk with your full contact details and the area which you are interested getting involved in. Even if you are unable to spend the time helping the Garrick in a more active way, or maybe, work and other commitments mean time is at a premium, there other simple ways you can help your Garrick. When you come and see a show, try to pick up a leaflet or A4 poster from the the Box Office or in the Bar. You could display one in your local Library, office/place of work or even your local club or shop, (please make sure you have permissions to do so). If you have enjoyed a show, tell your friends/colleagues – please spread the word about your theatre! – this kind of help, however small can make a huge difference to the Garrick. Thank you. Join our mailing list Subscribe

Visiting Production Jive Talkin' Perform The Bee Gees Live In Concert Date range Tickets £14 - £26.50 Age guidance Venue Main House Trigger warning Find out more Book now Running time TBC Group bookings Find out more Accessibility Find out more Renowned as the original and very best Bee Gees tribute show, and THE ONLY Bee Gees tribute show that has actually performed with the original Bee Gees! In 1997 Gary & Darren from Jive Talkin performed LIVE on HEART FM with THE BEE GEES and received great compliments from both Maurice and Barry Gibb...... As with the original Bee Gees, Jive Talkin is very much a family affair, with brothers Gary and Darren Simmons taking the roles of Barry and Maurice Gibb, with Darren's son Jack joining the group in 2014 and taking on the role of Robin Gibb. The guys are supported musically by a four piece band with Lead Guitar, Violin, Cello and Drums, to ensure that every note in every song is just right! Wherever the group play they receive superb plaudits; "The Soundalike quality is quite sensational" (The Stage), "Amazing similarity to the real Bee Gees" (Wakefield Express), Absolutely Brilliant (Maurice Gibb), WOW (Barry Gibb)......... For a truly amazing experience and an opportunity to hear all the great Bee Gees hits; Tragedy, Night Fever, Massachusetts, Stayin Alive, Jive Talkin, etc, in a 2 hour explosion of music and vocal harmony, this is a night not to be missed!. Visiting Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Return to Productions Archive Garrick Production Jane Eyre - By Charlotte Bronte A bold and theatrically inventive adaptation of the literary classic. Ran Oct 7, 2024 - Oct 12, 2024 Age guidance 11+ Venue Main House Running time TBC Tickets Price Range £10.50 - £16.50 Description Jane Eyre Written by Charlotte Bronte Adapted by Polly Teale and Directed by Carole Carr. As a child, the orphaned Jane Eyre is taught by a succession of severe guardians to stifle her natural exuberance. A part of herself is locked away, out of view of polite society... until she arrives at Rochester's house as a governess to his young child. Soon Rochester's passionate nature reawakens Jane's hidden self, but darker secrets are stirring in the attic... A bold and theatrically inventive adaptation of the literary classic that puts the interior life of the novel on stage. Charlotte Brontë’s story of the trailblazing Jane Eyre is as inspiring as ever. Reviews 5 Stars from Rick Bowen at Stagestruck "Altrincham Garrick is theatrically the place to be at the moment. Fabulous and unmissable." To read the full review from STAGESTRUCK click below: https://www.stagestruck.info/blog/2024/10/8/jane-eyre-altrincham-garrick-1 Lou Steggals from North West End UK “a visually captivating experience that will linger with audiences long after the curtain call" To read the full review from NORTH WEST END click the link below: https://northwestend.com/jane-eyre-altrincham-garrick-playhouse/ Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Previous Next Rita Howard Rita was a fine dramatic actress who joined the Garrick in the 1960's, but she also occasionally played comedy roles such as Madame Arcati in Blithe Spirit . With her strong and powerful personality, she later became actively involved in the day-to-day running of the theatre, serving on the Executive Committee for many years. She was also a leading member of the Play Selection and Casting Committee. Rita's overall contribution to the continued success of the Garrick cannot be underestimated. Back to In Memoriam page

Return to Productions Archive Garrick Productions Listen to the Wind Ran Jan 1, 1959 - Jan 1, 1959 Age guidance Venue Running time Tickets Price Range Description Buttenshaw, Elizabeth Clegg, Robin Cordingly, Anne Davenport, Anne Day, Susan Ewart, Martin Hacking, Joanne Howson, Ray Mellor, Gail Rames, Gay Renshaw, Margaret Spraggs, Margaret Thorp, Peta Tinker, David Wilson, Rosemary Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Productions When We Are Married Ran Oct 8, 2007 - Oct 13, 2007 Age guidance Venue Running time Tickets Price Range Description The hilarious tale of three middle-aged Yorkshire couples (pillars of the community) who are celebrating their joint silver weddings. In the midst of the celebrations arrives the chapel organist with some very disturbing news concerning the validity of their marriages. An evening of home-truths, recriminations and mayhem ensues. Reviews Sale & Altrincham Messenger's Review by Rick Bowen Till death do us part Isn't it funny, how your memory plays tricks on you. I arrived at Altrincham Garrick expecting not to enjoy 'When We Are Married' and left feeling well and truly entertained. Even though I've seen the play several times I thought, for some reason, that it was old hat. And yet, although society's rules have changed, it's remarkable how fresh and sprightly Priestley's dialogue still sounds today. He certainly has a way with words, does our JB. Three couples, all pillars of the Yorkshire community in which they live, have their lives turned upside down when they discover, to their horror, that their marriage certificates aren't worth the paper they're written on. Throw into the comedy mix a newspaper photographer whose world is permanently out of focus as a result of his penchant for the booze and a hard as nails housekeeper who's out to line her own pockets and you have the recipe for an evening of good, clean fun. You could take granny to see this, as there's nothing to offend. Maureen Casket's production zips along and the director makes sure her cast, one of the strongest ensembles seen at the Garrick this season, doesn't waste a word of Priestley's often witty script. Geoff Noar treats us to a brilliant piece of character acting as the pie eyed photographer Henry Ormonroyd and Julie Broadbent is really good as Ruby the maid. It's probably unfair to single out individuals because, to borrow a phrase from the world of sport, this is a great team performance. What I liked about this play is that the characters are real people and not shallow, plumy voiced, middle class twits getting their knickers in a twist over their potential loss of face. Indeed, had Priestley set the piece among the chattering classes it probably would have been a complete turn off. These are people who have pulled themselves up by their own boot straps and got on in life. Margaret Norris has designed a sumptuous set - a perfect backdrop for a perfect evening in the theatre. When We Are Married may have received its world premiere in the 1930's, but there's no sign of any wrinkles in this production. Enjoy. Star Rating ★★★★ M.E.N.'s Review by Julia Taylor I HAVE never, as a journalist, come across a photographer who got drunk on duty. But who can blame Henry Ormonroyd for having one too many in this classic comedy at the Garrick Theatre. After all, he has to snap three anxious couples who, after 25 years together, discover they are not legally married! Even when squiffy, Henry is a philosopher. If God had intended men to wear collars he would have put collar studs in their necks!?, he announces in his slurred way. Geoff Noar is an inspired choice for this part - character parts are his forte. J.B.Priestley's comedy was first performed in 1938 at the Manchester Opera House, six years after the Garrick opened, yet, even now when there is no longer a taboo about "living in sin", people still enjoy seeing the pompous floored. Indeed, the audience on Monday night liked it more than most. Their applause at the end was deafening. The dilemma of the three respectable couples is conveyed with well observed Yorkshire accents. They contrast with the 'lah-di-dah' voice of Gerald Forbes, (Nick Curror) the church organist who breaks the news that they are not technically wed. The hosts of the joint silver wedding party are Alderman Helliwell and his society wife, Maria (Alison Davis). How proudly David Gonet's Helliwell flaunts his local eminence and how amusing both verbally and facially is his reaction to his downfall. The other two couples, the Parkers and the Soppitts, appear to be enjoying married bliss but, when the ties are apparently cut, they express their real feelings. Mike Shaw's Councillor Albert Parker is selfish, conceited, and above all 'stingy' treating his long-suffering wife Annie (Margaret Leslie) with contempt. She appears unconcerned but, my, how she changes when released from wedlock. The situation is reversed with the Soppitts. It is the husband, Herbert, (Bill Platt) who is downtrodden and his wife, Clara (Janet Slade) who has the upper hand. Bill and Janet give first class performances when Herbert finds his voice and Clara is placed under his newly found firm thumb. The play brims with gentle humour particularly when Dawn Flint's raunchy Lottie upsets the apple cart even further. I like the way Priestley plans the stage appearances of the men, women and couples at different times enabling us to understand their motives. The ending, like the final bars of a symphony reaches a well-rounded crescendo and Henry Ormonroyd finally gets his explosive photo! Star Rating ★★★★ Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Garrick Production The Good Life Date range Tickets £13 - £18 Age guidance 10+ Venue Main House Trigger warning Find out more Book now Running time TBC Group bookings Find out more Accessibility Find out more When Tom and Barbara Good decide to exchange the pressures of the rat race for an alternative, more sustainable way of living, they set about turning their suburban home in Surbiton into a model of self-sufficiency. They grow their own fruit and veg, keep livestock in the garden, make their own clothes, and even generate their own electricity from manure. It's the good life for them – but not for Margo and Jerry Leadbetter, who live next door, and are desperately trying to maintain the Surbiton status quo. Jeremy Sams' stage play, based on the hugely popular sitcom by John Esmonde and Bob Larbey, reunites the well-loved characters (not forgetting Geraldine the goat) as they get themselves into and out of scrapes – some old, some new, all hilarious. Tapping into issues that resonate now more than ever, The Good Life is a witty reimagining of a television classic, with a wellyful of laughs that's sure to delight audiences everywhere. Garrick Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Return to Productions Archive Garrick Productions Blackadder Goes Forth Ran Nov 5, 2018 - Nov 10, 2018 Age guidance Venue Running time Tickets Price Range Description MARKING THE CENTENARY OF THE END OF WORLD WAR ONE (ALSO SUPPORTING COMIC RELIEF) Based on the well loved television series, we are taken back to the First World War, with all the usual characters are involved in many anarchic situations. Blackadder and Baldrick are just two of the many characters who are caught up trying trying to escape the war. Laugh out loud comedy throughout but with an unforgettable ending. We are also delighted to be featuring, in our programme and an exhibition in our Foyer, the cartoons of Noel Whittles MC, a soldier from Altrincham, who served in the First World War. These cartoons, mostly never seen before have been kindly lent to us by his family. CAST Captain Edmund Blackadder - Steven Finney Private S. Baldrick - Michael Gallagher General Sir Anthony Cecil Hogmanay Melchett - David Beddy Lieutenant The Honourable George Colthurst St Barleigh - Hugh Everett Captain Kevin Darling - Steve Searcy Corporal Perkins - Charlie Gallagher Field Marshal Haig - Charlie Tomlinson Sergeant Jones - Richard Finney Private Robinson - Sam Evans Driver Parkhurst & Nurse Mary - Emma Turner Brigadier Smith - Roberto Lavorini Private Tipplewick - Ollie Tomlinson The Production is proudly sponsored by UNKNOWN On the Sunday after the last night of Blackadder we have A Special Commemorative Celebration marking the end of World War One, 100 years ago, on the 11th November 1918 Proceeds going to The British Legion Poppy Appeal The concert will feature at least 20 well know Garrick performers in memory of 'The Fallen' - especially the 29 who gave their lives from the 'bravest little street in England' - Chapel Street - Altrincham, appropriately set on the set of 'Blackadder' Production Photographs by Vish Sharma Reviews Review by Rick Bowen for Stagestruck WHAT makes a good sitcom? For me, one of the most important things is for the TV viewers to take the characters to the hearts and warm to them. Here we have an embarrassment of riches, from the bumbling Private Baldrick to the crown prince of the put down, Captain Edmund Blackadder, brought so engagingly to life on the small screen by Tony Robinson and Rowan Atkinson. I never thought I’d feel the same deep seated warmth for these characters again. But in Charlie Tomlinson’s flawless and fabulous stage production I felt it - in spades. As Blackadder, Steven Finney treats us a one man comedy masterclass and displays a sense of timing that is simply sublime. He can also make you laugh when he doesn’t actually say anything and while there are echoes of Atkinson, he’s more than succeeded in putting his individual stamp on this classic part. Michael Gallagher is equally memorable as his sidekick and the butt of his jokes, Baldrick. There’s a natural rapport between the two of them. Rehearsals must have been a hoot. In this particular outing, Blackadder and Baldrick are fighting for King and country in the First World War. They’re trying to keep their spirits up as they’re waiting for the next offensive, “the big push,” to begin. While Blackadder is unashamedly cynical about the War and what he sees as a senseless loss of life, the scriptwriters, Richard Curtis, Ben Elton, John Lloyd and Rowan Atkinson, never cross into irreverence and maintain the respectful tone needed when tackling a subject as difficult as this one. If their script was a drink it would definitely be vintage champagne and not a word is wasted by a cast that includes a superb Hugh Everett performance as the unbelievably dense Lieutenant The Honourable George Colthurst St Barleigh. This production made me laugh until my sides ached but when the ending came the tears were in my eyes. And I, as a lifelong fan of this TV classic, knew what was coming. Star Rating ★★★★★ Review by Max Eden for North West End If there has ever been a time to revisit the Classic BBC television series; Blackadder, it would be this week - with this Sunday marking the centenary of the end of the First World War and the First World War being very much in the forefront of people’s minds. So, when I had the opportunity to see the theatre production of Blackadder Goes Forth at the Altrincham Garrick Playhouse this week, I jumped at the chance. First things first, this production is anything but amateur, it’s slick, funny and professional throughout. The script written by Richard Curtis, Rowan Atkinson, Ben Elton and John Lloyd’s is as razor sharp as it was when it first aired with hilarious set ups and gags throughout and has been cleverly adapted for the stage. As with most productions; the cast can make or break a show like this and in this case; it’s the cast who makes this show as powerful as it is. The lead; Captain Blackadder is played by Steve Finney who has embraced the mannerisms and style of Rowan Atkinson down to the very last detail, it’s no surprise when you realise he’s played Blackadder before in 2015 because he’s just too good not too. Finney is joined by a stellar cast including the hilarious Michael Gallagher who plays Baldrick and David Beddy who plays General Sir Anthony; both of which are wickedly funny with impeccable timing and delivery throughout. The entire cast deserve high praise for this production and I couldn’t fault any of them for what was a magnificent performance. Directed by Charlie Tomlinson who also plays Field Marshal Haig; you are immediately transported back to the trenches of WW1 and thanks to an impressive set design which features full sized trenches and dorms which are West End quality sets. This show is wickedly funny throughout until the end, but nothing can prepare you for that final scene which so cleverly puts the men who fought the war right in the forefront of your mind; the choices they had to make and the sacrifice they did in order for us to live today. I don’t think there was a dry eye in the room tonight as poppies fell from above once the cast had gone ‘over the top’. A wonderful production with a stellar cast and witty script which poignantly remembered the fallen just when we weren’t expecting it. Verdict: Anything but Amateur, this is magnificent! Star Rating ★★★★★ Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production The White-Headed Boy Ran Jan 1, 1921 - Jan 1, 1921 Age guidance Venue Running time Tickets Price Range Description By Lennox Robinson CAST Gorman, Nell Hellin, Doris Hill, Arthur P Mason, Edward Matthews, Marion Thwaite Owen, Gwen Owen, Tom Pownall, Clarence Warburton, Ida Winn, Rex Wilkinson, John Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Lauriston Studio Bombshells Ran Sep 26, 2023 - Oct 1, 2023 Age guidance Venue Altrincham Garrick Studio Running time Tickets Price Range Description Six women on the edge - of greatness, of love, and their sanity. These monologues showcase six women balancing their inner and outer lives with humour, poignancy and depth. Meet Meryl who fears she is the world's worst mother; Tiggy who has taken refuge in her local cacti- appreciation society; Mary who refuses to be upstaged by her arch-nemesis; Theresa who couldn't be more excited to be in her wedding dress; Winsome who has grown tired of being 'one of the widows'; and, finally, Zoe who wants you to know that despite what you've heard, she's back and better than ever! Delve into each character's life as they bare their most urgent wishes and thoughts - at times hilarious and, at others, heart breaking. Bombshells tells riveting personal stories that everyone can find themselves in, for better or worse... Reviews Number 9 Reviews Following on from last Season’s successful all-LBGTQ+ productions, Altrincham Garrick Studio opens this year’s Season of all female themed plays with 'Bombshells' by Joanna Murray-Smith. Originally written as a one woman show, the play features six monologues; a schoolgirl, a bride, a hassled young mother, a widow, a suburban divorcee, and a has-been cabaret singer. Six stories, six ages of woman, six insights, six emotional states. I love a monologues structure. It allows the actor an intimacy of connection that isn’t usually experienced in a traditional play and for the audience it can be electric. If the quality of the writing and the quality of the performance are strong, Bingo! You have yourself a hit. Joanna Murray-Smith has, in these six monologues, create a very entertaining, humorous and contrasting work. Each woman has her own insight, her own experience, her own denial, her own victories and failures, her own fears and joys. First we meet Meryl (Eilidh Pollard) mother of three very young children. We wake with her at 6.07am when her crying baby starts the day and we stay with her for 24 hours until 6.07am the next morning when the whole routine (or lack of) starts again. She is hassled, harassed, tired and emotional. She is overwhelmed with love for her beautiful children and the endless repetition of the tasks of the day. She craves approval, acceptance, reassurance that she is a good mum, and coffee. She is filled with self-doubt and chastises herself as a selfish woman for ever considering her own needs; for ever being anything other than a slave to mother and wifehood. Pollard portrays well a loving woman who is under pressure. Her interactions with her children are well expressed and she uses her voice effectively and understands the rhythm and psyche of the character. I would have liked to have seen a more realistic handling of her ever present, milk demanding baby with a more realistic and believable baby prop. I think it would have allowed more moments of change of pace for her by utilising her breastfeeding regime and given contrast to the frantic pace of her day. Next we meet Tiggy. (Lindsay Barker) Shy, sad Tiggy. Poor lonely Tiggy. Abandoned, angry Tiggy. Her husband Harry has left her for a much younger woman and in response she has embraced the world of cacti and succulents by joining a local appreciation society. She gives talks about them in local community centres. She comes alive when speaking on this her specialist subject. Barker conveys a gentle, shy woman who is kind and thoughtful, sweet and gentle, but much like a cactus if you catch it the wrong way, a sharp, stabbing painful moment can occur at any time. There is a vulnerability about her that Barker portrays effectively. Young Mary O’Donnell (Ciara-Alexandra Booker) is the MOST talented girl in her school. She can sing and dance like no other and is hotly tipped to win the prestigious St Bridget’s Annual Talent Contest as she did last year, and the year before. When her nemesis Angela McTerry unexpectedly performs the very song and dance routine that Mary has been preparing, she has minutes to decide what to do as an alternative performance. It’s not a problem. She is talented, almost a professional, she will cope. If Meryl Streep can, she can. What unfolds is hilarious, well judged and sweetly psychopathic. Booker excels in this performance. Just like Les Dawson’s piano playing – you have to be pretty good to be able to do it that badly and Booker was THAT good. Theresa McTerry (Kim Armston) is The Bride. Today is the happiest day of her life. We see her prepare excitedly for her wedding telling us of how she has planned this moment since being a young girl. As she dresses herself for this, the most important day of her life, we share her excitement and anticipation. But as the moment comes and she steps into the ceremony her doubts and fears begin to emerge with great comedy. Turns out she hasn’t really thought much beyond the dress and Amston portrays this role with great humour and nicely timed focus. As the ceremony moves to the reception her state of mind declines and her desperation to escape her reality hits home. It really WAS all about the dress and her journey from giddy girl to desperate woman is laid bare. It is a nicely jugged and well paced performance Winsome (Sarat Broughton) is a widow. Her widowhood defines her as she copes with life following the death of her husband. She surrounds herself with the company of other widows and falls into a fixed routine of activity that seems to function as an anaesthetic to her pain and loss. When volunteering for a local Blind Society, reading books to it’s members, she meets Patrick, a much younger man. Gradually he seduces her and an awakening occurs that is both unexpected and beautiful. It takes some skill to perform a seduction alone on a stage and I must applaud Broughton for her portrayal. Her movement, vocal expression and nuanced performance was for me, impressive. Zoe Struthers (Annabel Fox) is a Diva. An ageing, alcoholic diva who is past her best. We witness her swansong, a final performance for her adoring fans. She is demanding, self pitying, deluded and drunk. She laps up the adoration and manipulates it to suit her many needs. A monologue which is styled with audience banter inserted between songs this could have been a final showstopper. For me, Fox did not quite deliver. Her tragic performance needed to be much bigger, bolder, drunker and more Diva-esque. Basically, more Liza Minelli. In conclusion, I did enjoy this show. The intimacy of this lovely studio worked very well for this piece of theatre and there was a lovely connection with an appreciative audience. Between the monologues, actors repositioned the stage for the next performer and for me this did not work and lacked directorial imagination. Connections could have been made using these moments and I felt clear opportunities were lost. This was a shame as there was some real talent amongst a generally good cast. The piece was entertaining and enjoyable. It was good. It could have been great. Reviewer - Lou Kershaw on - 27.9.23 Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Previous Next Diana Provan (née Harker) Diana and her husband Joe joined the theatre in the early 1960s, and she soon proved her worth as a very talented actress. She presented many outstanding performances at the Garrick before moving on to professional theatre. She then returned to the Garrick some few years later to direct many of our plays, and once again her exceptional talent shone through with some wonderful productions. Wonderfully imaginative, artistic, dedicated and with a refusal to accept nothing but the best, she became a much loved character at the Garrick. Many actors considered Diana as the best person they ever acted with or performed for. Diana and Joe moved to their beloved Italy in the early 2000s when Joe retired, and lived there very happily, visited regularly by their children Jeremy, Julia and Nicholas and their respective families. Rick Bowen wrote this Tribute to Diana in the Sale and Altrincham Messenger in March 2013. Back to In Memoriam page

Return to Productions Archive Garrick Productions Communicating Doors Ran Jan 17, 2000 - Jan 22, 2000 Age guidance Venue Running time Tickets Price Range Description By: Alan Ayckbourn Directed By: Nigel Machin This ingenious comic thriller spans three time zones, each twenty years apart and joined by communicating doors. Beginning in 2014 a classy prostitute has a booking at a de luxe hotel, but not for her regular services. She is asked to witness a document detailing the murder of her client's two wives by his business associate. Escaping from the business associate she goes through the 'communicating door' and finds herself back twenty years and confronting Ruella, the second wife. Ruella is naturally sceptical until she, in turn, goes through the same door, meets Jessica, the first wife, and decides to rewrite the future. Written with Ayckbourn's consummate skill this comedy enjoyed a huge success in London. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production If Four Walls Told Ran Jan 4, 1920 - Jan 4, 1920 Age guidance Venue Running time Tickets Price Range Description By Edward Percy CAST Blackburn, Lydia Brierley, Norman Green, Freda Loft, J H Harold Lowe, Lois M Matthews, Marion Thwaite Owen, Gwen Pownall, Clarence Winn, Rex Wilkinson, John Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production A Man of No Importance The Irish Studio Season: A Musical Comedy about an amdram group facing opposition from the Church Ran Mar 25, 2025 - Mar 30, 2025 Age guidance 12+ Venue Altrincham Garrick Studio Running time TBC Tickets Price Range £14.50 - £16.50 (Studio Musical) Description Book by Terrance McNally Music by Stephen Flaherty Lyrics by Lynn Ahrens Directed by Barry Purves In Dublin in 1964, bus conductor and Oscar Wilde fan Alfie has ambitions to stage Salome , despite the objections of the church hierarchy at St Imelda's, where his amateur theatre group is based. When a newcomer to town, Adele, joins his passengers, he realises he has found the right person for the title role and starts to assemble his cast. Meanwhile Alfie's sister Lily mistakes her brother's interest in Adele as romantic - she longs to have him off her hands so she can be free to marry. Little does Lily realise that Alfie's love "dare not speak its name" and the object of his affections is in fact bus driver Robbie. As opening night draws near, secrets come spilling out which threaten to shake this little community to its core. But camaraderie and the redeeming power of theatre offer a thread of hope in this story of friendship, forbidden love and finding our place in the world. Winner of the 2003 Outer Critics Circle Award for Best Musical, A Man Of No Importance is the second successful collaboration by the team of Terrence McNally, Lynn Ahrens and Stephen Flaherty, all of whom won Tony Awards for Ragtime . Reviews Rick Bowen - Stagestruck - 5 Stars Please visit: https://www.stagestruck.info/blog/2025/3/26/a-man-of-no-importance-lauriston-studio Gallery Trailer Trigger Warning This production contains depictions and themes of violence and homophobia and includes and mild language. Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production Rutherford and Son The first production after the end of World War I Ran Jan 1, 1919 - Jan 1, 1919 Age guidance Venue Running time Tickets Price Range Description By Githa Sowerby CAST Blackburn, Lydia Hill, Arthur P Matthews, Marion?Thwaite Moston, Harry Nixon, Walter S Warburton, George A Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

We are always looking for new talent (of any age) to work in all areas of the theatre – no experience is necessary as you will be given full training by our qualified staff. Support the Garrick Financially Donate once, or set up a monthly donation The Altrincham Garrick is a registered charity, and we receive no public funding from any other organisation, or from our regional or local council. We value any and all support you can provide. Far too verbose, and I would like to put in a pie chart showing where our income comes from, and another one showing what we spend it on. At the Altrincham Garrick, we pride ourselves on offering unforgettable performances in a space where everyone feels comfortable and cared for. We do this as a registered charity, and we receive no public funding from any other organisation, or from our regional or local council. Our income comes mainly from the tickets that our audience buys, with smaller contributions from elsewhere in the Garrick (for example: from our GAPA education programme, and from daytime rental of the Car Park). The building dates from 1933, with ever-increasing operational and production costs. Our energy bills are high (productions use a lot of electricity; our bills are sometimes over £3,000 per month) and we have a small number of dedicated staff whom we pay. Our programme of building improvements is currently aimed at reducing winter heating bills. However, maintenance and urgent repairs take precedence, and this can often cost 10s of thousands of pounds per year. On top of all this, we have to continue investing in the equipment that a theatre needs, to keep on presenting productions of the high quality that our audiences deserve. Two major infrastructure projects are currently urgently required.Our roof is in very poor condition and needs a major overhaul. We also need to find money to install air-conditioning in the main auditorium. The Garrick aims to do all the above while still maintaining our low ticket prices. Occasional increases are unavoidable, but our goal is to make sure that theatre is available to all in the community, at a price that they can afford. We exist today due to the generosity and support of local people and businesses. We are very grateful to those who not only pay to see a show, but who also buy a drink in the bar, buy a programme, and indulge in sweets or an ice-cream from our kiosk. We need you and the local community to support us, so we can continue doing what we do so well. Business sponsorships are also very welcome, click here for more. Please donate now what you can, and please also add a donation to your ticket purchases. One Time Donation Custom Donation Amount Select a Preset Amount £100 £250 £1,000 £100 is small but generous, because ... every little counts it will pay for one day's use of new system once it's in place £250 is even more generous, because ... it pays for the lights on one of our panto performances £1000 is absolutely tip-top, because ... it gets us one twentieth towards our Phase 1 target Recognition Name I would like this donation to be anonymous I would like to dedicate this donation to someone Add to Basket Monthly Donations Select a Monthly Donation Amount £10 £25 £50 £100 £200 £1,000 Add to Basket Want to speak with someone before making your gift? Our team would love to hear from you. We’re happy to answer any questions and help you explore the giving option that’s right for you. admin@altrinchamgarrick.co.uk 0161-928-1677 For businesses: Sponsorship Opportunities Join our mailing list Subscribe

Previous Next Charles Foster Charles was an outstanding Garrick actor in the 1960s and early 70s, appearing in numerous productions including The Crucible , Much Ado About Nothing , Wait Until Dark , and Say Who You Are . From the 1970s into the 90s, with his unmistakable voice, he became one of the most recognisable faces on Granada Television as an on-screen continuity announcer. He also provided the voice over on shows such as Judge Rinder , Catchphrase and The Krypton Factor , and he had acting roles in Coronation Street , Emmerdale and Crown Court . In 2009, Charles was asked to play Sergeant Wilson in the Garrick's memorable production of Dad's Army alongside Allan Taylor's Captain Mainwaring - the last roles played by both these acting stalwarts on the Garrick stage. Charles is pictured as Sergeant Wilson from that production. Back to In Memoriam page

We are looking for creative, talented, pragmatic, friendly and organised team players to join our working volunteer community here at the Garrick. About Us Vacancies Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. We are looking for volunteers in our props department. We are looking for someone to take over the voluntary position of HEAD OF PROPS at the Altrincham Garrick Playhouse. We are looking for a creative, talented, pragmatic, friendly and organised team player to join our working volunteer community here at the Garrick. The duties and responsibilities of the role include: Plan and execute the construction, sourcing, and/or purchasing of all prop elements for use in both rehearsal and performance. Maintain the highest standards of production quality, safety, and artistry. Maintain a clean, organised and safe working, including tools and storage areas. Work with the Garrick's Artistic Director, with the Director of each production and with Production Designers to build elements as accurately as possible with available resources. Attend all production meetings, technical rehearsals, and other sessions as scheduled. Keep an eye on the Props Budget, as well as production expenses, providing all receipts and a full reconciliation to the Artistic Director on Opening Night. This role has previously suited newly retired individuals and also people in full time employment. Due to the level of commitment required, we do need someone who can be at the Theatre a couple of times a week, at least. We are also open to job shares and/ or the growth of the Props Department to develop a team of volunteers working together. The various Props stores and areas are located at different points across the Theatre, and so the HEAD OF PROPS must be comfortable climbing up and down stairs. Altrincham Garrick Playhouse is a registered charity and all production departments are run by volunteers. It is a social and creative hub and many of our volunteers find a happy home here; it is a great place to learn and develop skills and make new friends along the way. If you’re interested, and wish to find out more, please email us on admin@altrinchamgarrick.co.uk and please include HEAD OF PROPS VACANCY in the subject heading. Join our mailing list Subscribe

Return to Productions Archive Garrick Productions Spring Tide Ran Jan 1, 1938 - Jan 1, 1938 Age guidance Venue Running time Tickets Price Range Description Abbott, Amy Barker, Winifred Cavanagh, Cliff Cherry, Helen Courtney, Donald Dickenson, Herbert Hall, Rene Harris, Frank Hill, Arthur P Hulme, Irene Pye, George H Terras, Kenneth Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Activities & Events Febtastic - GAPA Half Term Drama Workshop (TUESDAY) Date range Tickets £35 per day or £30 if book all 5 days Age guidance 6 - 18 years Venue Annex Trigger warning Find out more Book now Running time 6 hours Group bookings Find out more Accessibility Find out more Exciting drama workshops for students aged 6-18. Join us during the February half term to enjoy theatrical fun: combining music, movement, monologues and much more! Sign up to half-term holidays for a day or for the full week. GAPA’s half-term workshops encourage the participants to explore their creative side and promote teamwork, in a safe and friendly environment. Classes run 10am - 4pm and cost £35 per day, or book the full 5 days and receive a £25 discount. Workshops start each day at 10.00am and finish at 4.00pm. Attendees are required to bring their own refreshments to see them through the day. Attendees are also requested to wear clothes suitable for movement and appropriate footwear, which will enable them to engage in all of the daily activities. Students will be required to read text unaided. Activities & Events Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Return to Productions Archive Garrick Productions 'Allo 'Allo Ran Nov 30, 2009 - Dec 5, 2009 Age guidance Venue Running time Tickets Price Range Description Rene Artois wants peace and quiet to run his cafe and 'ave is way' with waitresses Yvette and Mimi without wife Edith catching him out. Unfortunately there is a war on. The Resistance needs his help and Rene wants to avoid being shot by the Germans. You know the rest, totally hilarious. Cast Graham Simmonds as Rene Artois Angela Wetherill as Edith Artois Laura Chandler as Yvette Carte-Blanche Paula Keen as Mimi La Bonq Jacqueline Wheble as Michelle Dubois Brian Tickle as Colonel Kurt Von Strohm Mandy White as Private Helga Geerhart Mike Shaw as Herr Otto Flick Barry Spencer as Captain Alberto Bertorelli David Leathlean as Officer Crabtree Brian Hewlett as Monsieur Le Clerc Richard Layfield as Lieutenant Hubert Gruber Frank Boylan as General Ludwig Von Schmelling Stuart Bilson as 1st Airman Pete Blain as 2nd Airman Reviews Sale & Altrincham Messenger's Review by Rick Bowen While Altrincham Garrick's production of Dads' Army really gave you a flavour of the original, 'Allo 'Allo ' merely tickles the taste buds. There are some magical comedy moments to enjoy but for me, there's a lack of pace in places. In saying that though, there's every reason to assume the tempo will increase as the run progresses. Now I know Rene the randy cafe owner is the main character, but the performance of the evening comes from Barry Spencer as the incurably vain Captain Alberto Bertorelli. His impersonation of a ranting and rabid Adolf Hitler is worth the ticket money on its own. Graham Simmonds as Rene demonstrates his gift for both verbal and visual comedy, ably assisted on one occasion by an inflatable Adolf. That scene is so funny you could easily crack a rib or two and there's an enjoyable chemistry between Graham and Angela Wetherill who plays his long suffering wIfe Edith, a woman who is desperate for the spark to return to her passion free marriage. Steve Bradshaw has designed an attractive set that serves as everything from a cafe interior to Rene and Edith's bedroom. It allows the production to flit from scene to scene with admirable smoothness. If you're a fan of the original TV series or a lover of old school comedy garnished with a little sauce, you'll love this. Star Rating ★★★ Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Rent our theatre prop Swords and Daggers - a large variety Available. Garrick Hire Prop Swords, Knives and Miscellaneous The Garrick offers a range of bladed weapons and related miscellaneous items for hire About the Armoury Prop Gun & Rifle Hire Prop Swords, Knives & Miscellaneous Hire prop swords, fake knifes and daggers directly from us, here at The Garrick in Altrincham. We have a large collection suitable for film/movies, TV and all kinds of theatrical performances, from pantomimes to whodunnits and dramas. All of our stage swords and other pointed weapons are stored at a secure location in Altrincham. Note that these are not for fancy dress parties, stag dos or other party events – we do not have a licence to rent out to the general public. There are strict rules and regulation surrounding the hire and carrying of these items. We also have a number of interesting related items for hire that you may require to sit alongside the prop swords and prop guns hire. These items don’t fit neatly into the other sections, so we have separated them out below. Please take a look at the photos below, then contact us and give us an idea of the type of production you are engaged with. We will be happy to advise on which type of weapon(s) you need, and can then give you a quotation and timescale for rental. Alternatively, if you know exactly what you require then please include the reference numbers from the photo. Please fill in our online form , ring us on 0161 928 1677 or send us an e-mail, to hire@altrinchamgarrick.co.uk . Hire Form Prop Swords From prop pirate cutlasses suitable for pantomimes, such as those seen in Peter Pan above, to classic replica gladiator, claymore, classic long swords, epees and Samurai swords (as seen in movies such as like Kill Bill), we have a large collection for hire. Prop Knives & Daggers We have a large collection of prop knifes, stilettoes and daggers including retractable knife props (with retractable blades), suitable for stage, screen and television. There are knives from almost every era, including prop machetes, flick knifes and kirpans. Miscellaneous Items to Hire Other weapons include prop duelling pistols, fake Uzi , prop hand grenades & mortar bomb, Note that items 1& 2 are no longer available. Accessories include prop truncheons, western gun holsters, prop handcuffs, cowboy belts and shoulder holsters. Hire Form Join our mailing list Subscribe

Previous Next Linda Panton Linda had been associated with the theatre for over 40 years. She appeared on the Garrick stage at least once per season, and worked both backstage and Front of House, as did her husband Terry and daughter Jenny. She was Head of Creative and Performing Arts at Trafford College, and brought many of her skills to help with the Garrick. Back to In Memoriam page

Complete this form for hiring stage weaponry (guns, swords and more), costumes and props. You can also hire our auditoria and meeting rooms - or even the whole Playhouse itself. Garrick Hire Altrincham Garrick Hire Form Complete this form to start an enquiry about hiring from the Garrick To initiate a new hire request of the Altrincham Garrick, please complete the following form. Don’t forget the Submit button at the end! We will reply to you as soon as possible, which should be within one working day. (Note: we aren’t likely to process requests over a weekend.) Hire Form Organisation Contact Name Telephone Email How did you hear about us? Production Title Hire Dates Enquiry Submit Thank you for asking about hiring from the Altrincham Garrick. We aim to get back to you very soon. Join our mailing list Subscribe

Return to Productions Archive Garrick Productions The Cemetary Club (sic) Ran Jan 31, 2000 - Feb 5, 2000 Age guidance Venue Running time Tickets Price Range Description By: Ivan Menchal Directed By: Bill Clancy THE GOLDEN GIRLS - Ida, Lucille and Doris are - The Cemetary Club (sic). Every month they meet at Ida's to go and visit their respective husbands, graves. They gossip, bitch a little and prepare to become joint bridesmaids at a friend's umpteenth wedding and ... prepare for the future. A delightful comedy of romance. CAST Maureen Casket Leila Glancy Adele Singer Roger Metcalfe Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Previous Next Maggie Foy Throughout the 1970s and 80s, Maggie worked as Stage Director and Stage Manager on numerous productions, She was highly respected by everyone, both on- and off- stage, for her calm nature and efficiency. It was not a surprise, therefore, when she became Joint General Secretary on the Executive in 1982. Maggie was also fully involved in the social life and activities of the theatre. Back to In Memoriam page

Previous Next Harry Williams Harry was a very valued acting member for many years, and appeared in many plays, including the Tin Man in our first production of The Wizard of Oz , and Tony in The Boyfriend . He had a wide scope, appearing in many other productions from Shakespeare to Music Hall. Back to In Memoriam page

Return to Productions Archive Garrick Productions Curtain Call Ran May 6, 2002 - May 11, 2002 Age guidance Venue Running time Tickets Price Range Description Thurlow Playhouse is in the running for an Arts Council Grant, and do they need it! The Chairman of the Board of Trustees - one Clarence Mason - perpetually squanders the Theatre Trust's money by hosting lavish parties, insisting on real horses for his wife's amateur productions, sacking the entire backstage staff on a whim and generally bullying everyone who attempts to oppose him - his wife in particular. Unfortunately he goes too far when he tries his domineering antics on Ms Murdstone - the Arts Council representative. However, fortified by the demon drink, his wife Doretta comes out with a few home truths, assisted by the chief usherette, Rita, and order is restored and everything ends happily. A day in the life of a regional theatre may not be strictly accurate, but it is enormous farcical fun. CAST Sarat Broughton as Val Marshall Mark Edgar as Alec Partridge Ros Greenwood as Lulu Lynchpin Lynda Newton as Doreta Mason Hugh Everett as Murphy Beverley Stuart-Cole as Rita Val Watkinson as Ms Murdstone Steve Williamson as Clarence Mason Directed by Bill Platt Designer: Peter Coatman Sound: Robin Watkinson Lighting: Geoff Scullard Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Previous Next Ken Curragh Ken was a long standing member of the Garrick as an actor, and was at one time Workshop Manager. He also acted for a number of other societies in the area and was a very enthusiastic supporter of amateur theatre. Back to In Memoriam page

Return to Productions Archive Garrick Production House of Ghosts Calling all Morse fans and super sleuths Ran May 23, 2022 - May 28, 2022 Age guidance Venue Running time Tickets Price Range Description Directed by Mike Shaw Oxford, 1987, and a young actress playing Shakespeare’s doomed heroine Ophelia ends up dying on-stage during a theatrical production of Hamlet. A “suspicious death” inquiry is opened, but when a suspect in the case is also murdered, veteran police Inspector Morse becomes convinced the two deaths are related to the strange events of a similar student production from 1962, one that he himself was a part of… Morse faces dark memories and suspects in a theatrical murder mystery by Alma Cullen. Reviews Review from Rick Bowen at Stagestruck WHEN I discovered John Thaw was to play another TV detective I expected him to be something like Jack Regan, who I idolised as a child when I sat glued to The Sweeney in the 70’s. This was a man straight out of the boot in the door and ask questions later school of policing. But Inspector Morse was a world away from the much loved maverick from the Flying Squad, cultured, considered, cerebral and with a deep seated love of classical music. It takes a lot of guts and no amount of talent to play a character so inextricably linked with an acting icon like Thaw. But Jonathan Black certainly succeeds here and doesn’t try to impersonate the late stage and screen great. Black has quite a presence and the way he reprimands his sidekick Sergeant Lewis for his verbal faux pas is genuinely funny. Andrew Higson plays the part perfectly and the chemistry between the two very different men certainly comes across. The duo are asked to investigate the dubious death of a young actress playing Ophelia in Shakespeare’s Hamlet. All of a sudden the company finds itself embroiled in a real life tragedy as fingers of suspicion are pointed and cupboards release their skeletons. I’ve seen Sarat Broughton in countless productions at the Garrick and her performance as Ellen Underwood is her best yet and Jacque Hamilton also impressed me as the old soak actress Verity Carr, an actress who has been there, done it and bought enough t-shirts to open her own t-shirt shop. My only criticism of Alma Cullen’s play is it is something of a slow burner in places. But this in an engrossing and intriguing tale all the same. Who can resist the chance to play detective? Until May 28. Tickets are available from 0161 928 1677 or www.altrinchamgarrick.co.uk . Star rating 3.5/5. Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

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Return to Productions Archive Visiting Production The Adult Panto: Snow White and the Magnificent Seven! Get ready for an evening of slick, fast-moving, farcical fun with The Market Theatre's Adult Panto! Ran Jan 18, 2026 Age guidance Strictly 16+ Venue Main House Running time TBC Tickets Price Range £19 - £20 Description Taking the UK by storm since 2004, the Market Theatre’s Adult Panto Company are back on tour and out to corrupt another classic fairy tale beyond recognition with their unique style of Adult Panto. Can the fearless company of just 3 actors hold it all together and pull off their biggest challenge yet, their very own adult version of Snow White and the Seven Dwarfs using a minimum of set props, costume and actors!? Get ready for an evening of slick, fast-moving, farcical fun and bawdy sexual innuendo for adults only. Not suitable for under 16’s. Reviews ‘Another very naughty "big" show, pulled off with ease-exactly what the audience expects!’–A View from the stalls (on the Adult PantoBeauty and the Big Beast!) ‘It’s fast, furious and very funny...’–Choice Radio, Worcester (on Hansel & Gretel Go Down in the Woods) ‘Some of the sketches are worthy of The Two Ronnies with their extensive wordplay, faultlessly delivered.’–ChoiceRadio, Worcester (on Peter Panties) ‘Quintessentially British...Like a Carry On film made by a Rugby Club!’ -The StageNewspaper Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive