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< Back Death Takes a Holiday ˂ Previous Production Next Production ˃ to 12 August 2019 Churm, V Ida Crompton, E Cutler, James E De Prez, Raymond Fleeson, Margery Fullerton, Irene Galloway, E L C Haycock, John Mendelsohn, Maurice T Ruse, Ernest J Smith, J B Wood, Kathleen

< Back EUROPHORIA ˂ Previous Production Next Production ˃ to 26 October 2021 It’s the world’s biggest pop show. Eurovision has provided a platform for ABBA, Celine Dion, Julio Iglesias and Olivia Newton-John as well as Britain’s Bucks Fizz, Bonnie Tyler, Cliff Richard and more. Europhoria brings together the biggest hits from the past 65 years. This jukebox musical celebrates the biggest hits, from Katrina & The Waves to Johnny Logan, via Conchita and TikTok sensation Duncan Lawrence. Pour yourself a prosecco, lace up your dancing shoes and get ready to party to the glitz and glamour of Europhoria. Our reasonably priced bar will be open before, during the interval and after the show. Free car park for customers and in easy walking distance of Altrincham and local tram and train stations. So what are you waiting for? BUY YOUR TICKETS NOW!

< Back The Confidential Clerk ˂ Previous Production Next Production ˃ to 12 August 2019 Bell, Richard Cherry, Helen Farebrother, Arthur F

< Back An Evening and a little bit of a morning with Mark Steel ˂ Previous Production Next Production ˃ to 17 June 2022 There is so much to yell about. There’s the modern world in which you spend so long trying to work out iTunes, that it’s easier to form a band and learn the songs. But there’s also so much to be delighted with. Like the fact that everyone in Northampton knows the sign that says ‘Family Planning Advice – Use Rear Entrance’. Then there’s the crazy story of being brought up in a working-class street in Kent, to discover my natural father was a millionaire backgammon player who was best mates with Lord Lucan. I’ve come to terms with the fact I’m a heap of contradictions, trying to stay young while being unable to log into any website. Trying to be respectable and mainstream (in this show there will even be a piano and a bit of singing), until I can’t help breaking into a steaming rant that would get me locked away somewhere secure if it wasn’t on a stage. And this is stand-up, so whatever has happened in the room, in the town or in the world that day will almost certainly be in the show. So, I’ll try to keep it to a decent length, but it could so easily end up as an evening and part of the next day. The critically acclaimed Mark Steel’s in Town was voted the 6th best radio comedy ever and Mark is a regular on the BBC’s Have I Got News For You, QI and BBCR4’s News Quiz. He has been named newspaper columnist of the year and is author of the award-winning audiobook Who Do I Think I Am. AGE GUIDANCE: STRICTLY 14+ Likely to be swearing and adult content Do not admit children younger than this even if accompanied with an adult Our reasonably priced bar will be open before, during the interval and after the show. Free car park for customers and in easy walking distance of Altrincham and local tram and train stations. So what are you waiting for? BUY YOUR TICKETS NOW!

< Back The Truth About Blokes ˂ Previous Production Next Production ˃ to 21 June 2016 The Truth About Blokes is a new play presented in three distinct sections, The Truth, The Enforcer & Two Sides, in turns comic, tragic and intriguing. It's the bloke's perspective on all things blokish, a no-punches-pulled evening of testosterone-fuelled entertainment with stories ranging from the outrageous to the thought-provoking. If you think you already know what makes blokes tick ? think again. This show offers a set of unexpected and uproarious insights into the male psyche looking at sex, violence and stalking from a totally fresh, often cock-eyed viewpoint. Written by Trevor Suthers, ex 'Coronation Street' and 'Eastenders' writer and founder of Manchester's most popular and long running theatre event JB Shorts, The Truth About Blokes is a show you will be talking about and debating long after it's over. WARNING This play contains very graphic sexual references and strong language. CAST The Truth about Blokes:?? Scott Ransome The Enforcer:?? Geoff Holman and Sandy McGuire Two Sides:?? Peter Brassington (Gary) and Mark Edgar (Oliver) REHEARSAL PHOTOS [gallery ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSCF3389.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSCF3404.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSCF3412.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSCF3414.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSCF3388.jpg|"] PHOTOGRAPHS by Jacob Samuel [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/JS1_9952.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/JS1_9954.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/Copy1.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/JS1_0009.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/JS1_0038.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/JS1_9853.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/JS1_9874.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/JS1_9945.jpg|" orderby="rand"]

< Back Billy ˂ Previous Production Next Production ˃ to 7 February 2014 Billy Fisher lives at home with Mum, Dad and Gran, in Stradhoughton and is an undertaker?s clerk ? but in his mind he is President of Ambrosia, a film star, a scriptwriter ? and anything else that happens to occur to him! However, nobody else believes him, certainly neither Barbara nor Rita, to both of whom he has promised marriage, though there is only one engagement ring! He frantically tries to lie his way out, so he can run away with Liz, the only girl who understands him. But we know he will never quite make it. CAST Adam Whittle as Billy Fisher Alison Davis as Mum Bill Platt as Dad Maureen Casket as Gran Anthony Morris as Arthur Crabtee Laura Chandler as Rita Stephanie Hawthorn as Barbara Sally Egginton as Liz Roger Metcalfe as Mr Shadrack Brian Tickle as Councillor Duxbury Rob Watson as Stamp Sophie Bowden as Marilyn Andrew Close as 1st Man Brian Sudweeks as 2nd Man Mandy White as Woman Ruth Metcalfe as Mrs Crabtree Daniel Shaw as Boy [gallery columns="5" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/billyb.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/billya.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/billyd.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/billym.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/billyc.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/billye.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/billyi.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/billyk.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/billyg.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/billyf.jpg|"]

< Back Matthew Bourne's 'The Red Shoes' - Theatrical Picturehouse Screening (Cancelled) ˂ Previous Production Next Production ˃ to 19 May 2021 Unfortunately we have had to cancel this screening. The Red Shoes is a tale of obsession, possession and one girl's dream to be the greatest dancer in the world. Victoria Page lives to dance but her ambitions become a battleground between the two men who inspire her passion. Set to the achingly romantic music of golden-age Hollywood composer Bernard Herrmann , The Red Shoes is orchestrated by Terry Davies , with cinematic designs by Lez Brotherston , lighting by Paule Constable , sound by Paul Groothuis and projection design by Duncan McLean . Matthew Bourne’s The Red Shoes was filmed live at Sadler’s Wells in London and is the seventh New Adventures production to be filmed in partnership with More2Screen and distributed to cinemas worldwide. World-famous dancer, actor and choreographer, Adam Cooper , returns to New Adventures after more than 20 years to play the iconic role of Svengali-like Impresario ‘Boris Lermontov’. One of New Adventures much-loved stars, Ashley Shaw, reprises her award-winning role of ‘Victoria Page’ having first created it for the 2016 World Premiere Season. Acclaimed New Adventures performer Dominic North dances the role of struggling composer ‘Julian Craster’, with whom Victoria falls in love. The filmed cast also includes other celebrated New Adventures dancers: Michela Meazza as the Prima Ballerina of Ballet Lermontov ‘Irina Boronskaya’, Liam Mower as Premier Danseur ‘Ivan Boleslawsky’ and Glenn Graham as the Ballet Master ‘Grischa Ljubov’. Matthew Bourne’s The Red Shoes is directed for the screen by Ross MacGibbon and produced by Illuminations . ‘Utterly enthralling’ ★★★★★ Daily Express ‘Bourne’s supremacy is assured with a gorgeous take on a film classic’ ★★★★ The Times ‘Matthew Bourne’s finest achievement to date’ ★★★★★ The Stage The Garrick team is delighted to show this lovely production to you on our big screen as if live. Come and join us in a friendly, informal and Covid-19 safe atmosphere, to take advantage of sensational screening facilities as well as our low prices and free car park. Our bar will be open before and after the screening.

< Back Waiting for Gillian ˂ Previous Production Next Production ˃ to 12 August 2019 Allman, William Pearce, Rosemary Pearce, Tom Talbot, Ernest K

< Back Harvey ˂ Previous Production Next Production ˃ to 12 August 2019 Clephan, Gay Downs, James Gratton, Valerie Griffiths, Jeanne Harris, Frank Nicholls, John Pearce, Gladys Plested, James Snape, Joyce Sykes, Constance D

< Back The Nightmare Before Christmas (1993 film) ˂ Previous Production Next Production ˃ to 1 January 1970 Jack Skellington, the Pumpkin King of Halloween Town, stumbles through a portal to Christmas Town and becomes obsessed with celebrating the holiday. This film received widespread critical acclaim, with critics and audiences praising the originality and creativity of the visual and storytelling elements, the soundtrack and the characters. It introduced several innovatory techniques in stop-motion animation (particularly most of the effects). The review site Rotten Tomatoes described it as "a stunningly original and visually delightful work of stop-motion animation". This screening will (as always) be introduced by the Garrick's very own stop-motion Oscar-nominee, Barry Purves, with informed trivia, anecdotes and some background of the production. Come and join us in a friendly, informal and Covid-19 safe atmosphere, to take advantage of sensational screening facilities as well as our low prices and free car park.

< Back The Purple Bedroom ˂ Previous Production Next Production ˃ to 12 August 2019 Billcliff, Arthur Shaw, A Keble Shepherd, J E Wood, Ivy

< Back It Could Be Any One of Us ˂ Previous Production Next Production ˃ to 11 December 2013 A second play this season by popular Alan Ayckbourn, but this one we just could not resist. A homage to Agatha Christie, with extra surprises for good measure. A clever pastiche of the traditional country house murder. A thunderstorm. A family of failures - a detective who has never solved a case, a writer who has not been published, a composer whose compositions have never been performed, a dysfunctional teenager, wrangling over a bequest. All this and more make this a thriller not to be missed. CAST David Reynolds as Mortimer Chalke Janet Slade as Jocelyn Polegate Mike Shaw as Brinton Chalke Becky Wright as Amy Polegate Brian Stoner as Norris Honeywell Ros Greenwood as Wendy Windwood

< Back The Secret Lives of Henry and Alice ˂ Previous Production Next Production ˃ to 29 June 2018 For Henry, business tycoon, secret agent, Casanova and acting President of the United States, life was rarely dull. For his wife, Alice, life was rarely anything but dull. Enter Michel, a French waiter, tall dark and available! Fantasy blurs into reality and secret passions explode in this two hander where both actors quickly change into and out of a variety of outrageous characters. CAST Alice - Dawn Flint Henry - Steven Finney [gallery columns="5" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/03/Lives-1.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/03/Lives-2.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/03/Lives-4.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/03/Lives-5.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/03/Lives-6.jpg|"] This season's productions in our Lauriston STUDIO have been sponsored by (Please click the Banner to go to their website)

< Back The Queen and the Welshman ˂ Previous Production Next Production ˃ to 12 August 2019 Robbie, Christopher Walton, Barbara

< Back Alice's Adventures in Wonderland ˂ Previous Production Next Production ˃ to 12 August 2019 Allman, William Armitage, Graham Bayliss, Tony Bradshaw, Janet Brewer, Brian B Brown, Sydney A Budworth, Angela Burnett, Anne Burton, Ruth Christie, Alan Dodd, Pamela Ellis, Eric Gillespie, Robert Gregory, Martin Hinchcliffe, Moreen Hobbs, Olive Nellie Hulmes, Anna Jones, John Glynn Kamberian, Tahouhi Kerrs, Sylvia Kinnebrough, Stella Knowles, Mary Lightowler, Ronnie R Lloyd, Jacqueline Mackay, Barbara Mackay, Beryl Milligan, Tim I Owen, Judith Patterson, Anne Percival, Fay Royle, Dudley Stockdale, Leslie Sykes, K Tinker, David Wallwork, Sheila Walton, Barbara Warrington, Betty Waterhouse, Ann Wilson, Enid Wilson, Frank Wiltshire, H John Withers, Audrey Wildgoose, Gail Wilson, Enid

< Back Madam Louise ˂ Previous Production Next Production ˃ to 12 August 2019 Carter, Harold Cavanagh, Cliff Davenport, Alfred Isley, Hilda Lightowler, Ronnie R Morison, Diana Pearce, Rosemary Pimlott, (Allman) Emmie Shakespeare, Mary Sykes, Constance D Taylor, Jean Marion Wiltshire, H John

< Back Comfort and Joy ˂ Previous Production Next Production ˃ to 7 February 2014 It's Christmas! Identify with past festivities and all the usual disasters. Boring relatives (often drunk) mystifying presents. Dodgy plumbing, very strange neighbours. Sounds Familiar? Then come along and enjoy this hilarious comedy. Review from the Manchester Evening News ANYONE in their right mind would condemn Mike Harding's 1997 farce, Comfort and Joy as a load of piffle. But when you see this ridiculous Christmas comedy, you are not in your right mind because you laugh so much it sends you off kilter. This is thanks to the team work and timing of a top rate cast who present a sequence of chaotic incidents which disturb a Christmas gathering. The intricate set with eye-catching details is, at first, dominated by an unbenevolent Santa Claus. He turns out to be Goff, a widower who is awaiting the return of his daughter and son-in-law after 30 years in Australia. 'Geoff Noar's Goff is stubborn. He has never forgiven his daughter's husband for taking his prized saw Down Under. Their return home is dampened by his resentment which he takes to ridiculous lengths. But this isn't a one man show. There are 12 people in it and, together, they illustrate the familiar stress and squabbles of the festive season. In the midst of it all there are some delightful cameos, I particularly liked the crazy pair who were away with the fairies because they thought they had been abducted by aliens. The play is well-laced with political incorrectness. The scene where this dysfunctional family play charades is particularly well done. It appears spontaneous and provides some of the best laughs of the evening. The production seems easy and natural though it must have been a challenge to director Val Watkinson. There is constant and swift interaction and it makes big demands on the energy of the players. The episode where Christmas presents are given and opened is highly demanding and equally funny. Comfort and Joy is the perfect antidote to a windy winter's night.

< Back Sunset Boulevard ˂ Previous Production Next Production ˃ to 18 August 2015 Following the sell out success of the Garrick's spectacular production of Andrew Lloyd Webber's The Phantom Of the Opera, we present Andrew Lloyd Webber's iconic world wide success, Sunset Boulevard. We are in the glamorous world of Hollywood, where Norma Desmond, a faded star of the silent screen is living alone with her memories in her crumbling mansion on Sunset Boulevard Enter the handsome young writer, Joe Gillis who is fascinated by her past glories. Can he create her glorious comeback to the screen? This award winning musical will sweep you away with the romance, jealousies and excitement of Hollywood. Packed with Andrew Lloyd Webbers's stunning music which includes the show stopping "With One Look" as Norma says the immortal words, "and now Mr DeMille, I'm ready for my close up!". Be sure not to miss out on yet another Garrick musical success. [gallery type="rectangular" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/08/DSC_2249.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/08/DSC_8171.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/08/DSC_8242.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/08/DSC_8266.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/08/DSC_8389.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/08/DSC_8434.jpg|" orderby="rand"] CAST Joe Gillis - Steven Finney Artie Green - Tim Wood Betty Shaeffer - Natalie Bennett Sheldrake - David Leathlean Max Von Mayerling - David Gill Norma Desmond - Vicki Clarkson Manfred - John Mulholland Cecil B DeMille - Alan Lowe Company Di Boyer, Amy Brown, Joanne Buxton, Holly Cooper, Rob Dutton, Georgina Goodchild, Pete Grimshaw, Sam Hey, Vicki Harrison, Steven Mercer, David Richardson, Lauren Robinson, Richard Ross, Debbie Norris Orchestra Violin: Bianca Blezard, Julia Taylor, Viola: Ewart Hodge, Cello: Rachel Shakespeare, Acoustic/Electric Bass: Josh Cavanagh-Brierley, Keyboards, John Barry, Simon Pickup, Mark White, Piccolo/Flute/Alto Flute: Kathryn Dunphy, Flute/Clarinet/Tenor Sax: Kath Small, Alto Sax/Clarinet/Bass Clarinet: Dan White, Trumpet: Tony Armitstead, Horn: Mike Arnold, Trombone: Matthew Corrigan, Guitar: Sam Quinn, Percussion: Michael Clark Musical Director - Simon Murray Choreographer - Debbie Norris Set Designer - Barry Fletcher Lighting Design/Operator - Geoff Scullard Sound Design/Operator - Colin Woods/Christine Mills/Ari Levy Costume Design - Garrick Wardrobe Company Stage Manager - Mark McEwan DSM - Val Watkinson ASM's - Susan Duffy & Alastir Duffy Stage Crew - Adam Hooper Review by Rick Bowen - Altrincham Messenger 'Sunset Boulevard - musical movie magic at Altrincham Garrick' Sunset Boulevard takes us back to the golden age of cinema when people worshipped the ground movie stars walked on. Hollywood, an exciting place where dreams could become reality and hopes could be dashed in equal measure. Altrincham Garrick's fabulous production left me wondering why this show isn't performed more often. The score is a non stop delight, frequently having the feel of an old school film score. Rehearsals must have been a pleasure from start to finish for director Neil Coe, lucky enough to work with the likes of principals like Steven Finney, Vicki Clarkson and Natalie Bennett, who should be plying their musical trade on a professional stage. Luckily for us, they aren't and the end result is an evening of pure magic in a theatre that just can't stop raising standards. Finney plays Joe Gillis, a screenwriter who falls under the spell of a faded star of the silent screen Norma Desmond. Desmond, brilliantly played by Vicki Clarkson, is desperate to make a comeback and is the expert when it comes to playing the vulnerable victim, shunned by the industry she still loves. When they sing on their own they're incredible, together they're sensational. Like these two Bennett is outstanding as Betty Shaeffer, the young script writer who dreams of making a name for herself in the movies. All three could sing the phone book and it would be worth paying good money to hear them.It would be easy to be catty about Lloyd Webber's musical style, which can lack subtlety sometimes, but this is his best work for me, an honour I'd previously given to Evita. So, how frustrating it was to see some empty seats on opening night because this is a major musical triumph for Altrincham Garrick. Packed houses for the rest of the run are the least the theatre deserves. Magnificent and magical. Star Rating ★★★★ ★ Remotegoat.com Review by Julia Taylor Altrincham Garrick could not have chosen a better show than Andrew Lloyd Webber's Sunset Boulevard for their first musical of the year. Lloyd Webber's score played by an on stage orchestra is captivating and I am surprised so few people know of this show. The original book and lyrics are by Don Black and Christopher Hampton. Based on the 1950 film of the same name, its stage premier was in 1993. It's about Norma Desmond, a silent movie actress of a certain age whose career takes a dive when talkies arrive. Rather than retire she employs young Joe Gillis to work on her screenplay and, thus, deliver a comeback. She uses her womanly wiles to ensnare him as her toy boy.?But it is not to be. Despite the desperate attempts by Norma to keep him in her clutches, he falls for the much younger Betty Schaeffer. Vicki Clarkson, who plays the seemingly confident Norma, with panache, belts out her most famous numbers - With One Look and As if We Never said Goodbye charismatically. Yet Clarkson illustrates a woman with ingrained sadness. You suspect that the disillusioned star is losing her mind as she becomes more and more dependant on Joe. The higher you rise, the lower you fall and this one time star feels the pressure. This comes to a head in the final, tragic scene. Clarkson fills this major role brilliantly but equally important is the part of Joe. Steven Finney is an exceptionally good leading man. Finney comes into his own as he, too, has a lovely voice. His clear vocals spell out the narrative clearly but, more important, is what he doesn't say. Even when he kisses the former star, you know he feels pity rather than love for her and his expression spells out a bird caught in a gilded cage. His true love is 22-year-old effervescent Betty Schaeffer (Natalie Bennett) The attentive butler trying to shelter her from reality is played by David Gill who conveys strangeness about his character that puts you on your guard. He conveys in song his affection for Norma. The Garrick's costume and set designers add much to the musical's success. And, of course, no musical can be a hit without an excellent supporting orchestra which we have. Star Rating ★★★★

< Back The Applecart ˂ Previous Production Next Production ˃ to 12 August 2019 Ablewhite, Stanley Bashford, Victor Bell, Richard Dean, Margaret Greir, Alma Turner, Marion

< Back Into the Woods Jr. ˂ Previous Production Next Production ˃ to 21 June 2016 Into the Woods Jr. Lauriston Studio - 15 to 18 yr olds The Brothers Grimm go Broadway as Sondheim and Lapine offer up a cockeyed fairy tale where all of your favorite characters-Cinderella, Little Red Riding Hood, Jack (and his beanstalk) and The Witch-meet and interact on their journeys. With unforgettable roles, little dancing and no chorus, Into The Woods Junior showcases a medium-sized ensemble of talented singers and actors. The sophisticated score has been adapted to make it easier-though still challenging-for young performers. Into The Woods Junior is a funny and engaging way to get young people to think about the stories with which they?ve grown up and the ethical issues raised therein.

< Back Who's Afraid of Virginia Woolf? (Postponed) ˂ Previous Production Next Production ˃ to 30 July 2019 Coronavirus (COVID-19) Closure Update In line with Government instructions we are classed as a non-essential business and no member of staff is able to continue working at the theatre until Government restrictions ease. Please be assured that the vast majority of events have been postponed and not cancelled so therefore all tickets remain valid. Once we are able to operate again we will be in touch with you with details of the rescheduled dates. You can then transfer your current tickets to the new date, however if you are unable to transfer to the new date or don’t wish to have your ticket transferred to another production you will be given a full refund. You will not lose any money. This is an unprecedented event for our venue, and we thank you for your continued support and loyalty. Best wishes Your Garrick Playhouse Team. First staged in 1962, this Tony Award winning play examines the complexities of the marriage of a middle-aged couple, Martha and George. Late one evening, after a university faculty party, they receive an unwitting younger couple, Nick and Honey, as guests, and draw them into their bitter and frustrated relationship. This season's productions in our Lauriston STUDIO have been sponsored by

< Back How The Other Half Loves ˂ Previous Production Next Production ˃ to 7 February 2014 First produced in 1972, How the Other Half Loves had a long and successful run in the West End and is Ayckbourn at his comedic best. Three surburban couples are linked by the work of the husbands. Frank and business subordinates Bob and William, get together with their wives for two dinner parties held on consecutive nights but happening on stage at the same time! As with so many of Ayckbourn's hits, the clever staging is almost an extra character, providing for unusual goings-on and plenty to laugh at infidelity, unfortunate blunders and finally, utter confusion! [gallery ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/otherhalfn.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/otherhalfi.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/otherhalfo.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/otherhalfk.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/otherhalfc.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/otherhalfq.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/otherhalfd.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/otherhalfa.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/otherhalfp.jpg|"] CAST Victor Hassan as Frank Foster Ros Greenwood as Fiona Foster Simon Royce as Bob Phillips Victoria Johnson as Teresa Phillips Gary Collins as William Featherstone Pam Nolan as Mary Featherstone

< Back The Happy Times ˂ Previous Production Next Production ˃ to 12 August 2019 Allen, Doreen Arnoll, Sidonie Howat, Robert (Bob) A Jenkinson, Philip Kamberian, Tahouhi Ladyman, Oliver Le Comber, Annette Talbot, Ernest K

< Back And No Birds Sing ˂ Previous Production Next Production ˃ to 12 August 2019 Blackhurst, Ernest Cavanagh, Cliff Downes, James Farebrother, Arthur F Harris, Frank Hobbs, Olive Nellie Pearce, Rosemary Snape, Joyce Sykes, Constance D Tomlinson, Doris (Dorrie)

< Back Oh! What a Lovely War (1969 musical film) ˂ Previous Production Next Production ˃ to 29 September 2020 To coincide with the week of Remembrance Sunday, please come and watch Richard Attenborough’s star-studded and imaginative version of the angry, powerful and cruelly ironic musical about World War One. The film finishes with probably the most poignant and telling shot in film history. This screening will (as always) be introduced by Barry Purves with informed trivia, anecdotes and some background of the production. The bar will be open before and after the show. Come and join us in a friendly, informal and Covid-19 safe atmosphere, to take advantage of sensational screening facilities as well as our low prices and free car park.

< Back The Crooked Cross ˂ Previous Production Next Production ˃ to 12 August 2019 Abbott, Amy Baines, Dorothy Cavanagh, Cliff Cookson, Harold Courtney, Donald Davenport, Alfred Gee, Dorothy Godby, Jack Gooby, Roy Hall, Rene Johnson, Eric W Justice, Margery Litherland, Cyril L Marsh, Russell Matley, Henry (Harry) Monkhouse, Mary H Nicholson, Vera Osborne, Edgar Ross, Jean Ruse, Marjorie T Thompson, Barbara Wood, Joan Willan, John P

< Back 12 Years A Slave 2013 (Film Screening) ˂ Previous Production Next Production ˃ to 4 August 2021 In the years before the Civil War, Solomon Northup (Chiwetel Ejiofor), a free black man from upstate New York, is kidnapped and sold into slavery in the South. Subjected to the cruelty of one malevolent owner (Michael Fassbender), he also finds unexpected kindness from another, as he struggles continually to survive and maintain some of his dignity. Then in the 12th year of the disheartening ordeal, a chance meeting with an abolitionist from Canada changes Solomon's life forever. Our reasonably priced bar will be open before and after the screening. Free car park for customers and in easy walking distance of Altrincham and local tram and train stations. So what are you waiting for? BUY YOUR TICKETS NOW!

< Back NATIONAL THEATRE LIVE - Dear England ˂ Previous Production Next Production ˃ to 11 October 2023 National Theatre Live: Dear England a new play by James Graham directed by Rupert Goold Joseph Fiennes (The Handmaid’s Tale) plays Gareth Southgate in James Graham’s (Sherwood) gripping examination of nation and game. The country that gave the world football has since delivered a painful pattern of loss. Why can’t England’s men win at their own game? With the worst track record for penalties in the world, Gareth Southgate knows he needs to open his mind and face up to the years of hurt, to take team and country back to the promised land. Filmed live on stage at the National Theatre, Rupert Goold (Judy) directs this spectacular new play.

< Back 42nd Street ˂ Previous Production Next Production ˃ to 2 June 2014 This spectacular musical is the truly inspiring story of small-town girl, Peggy Sawyer and her meteoric rise from chorus line to Broadway star. Based on the original film starring Ruby Keeler, this feel good show boasts the immortal numbers, 'We're in the money', 'The Lullaby of Broadway', 'Keep young and beautiful' and the spectacular title number '42nd Street'. It's not all plain sailing for Peggy, who has to contend with the fiery director Julian Marsh, but as Julian reminds him before the opening night- 'You are going out there a girl, but you are coming back a star! This show has won many accolades over the years, so whether it's your first time or umpteenth time- 'come and meet those dancing feet, on the avenue I'm taking you to- 42nd Street!' [gallery type="rectangular" columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/DSC_8418.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/DSC_8394-2.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/DSC_8348.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/DSC_8309.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/DSC_8267.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/DSC_8476.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/DSC_8461.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/DSC_8208.jpg|"] CAST Dorothy Brock, a Broadway star Vicki Stott Peggy Sawyer, young talented and hopeful Megan-Hollie Robertson Julian Marsh, a Broadway show director Charlie Tomlinson Maggie Jones, author of "Pretty Lady Laura Chandler Bert Barry, co author of "Pretty Lady" Paul Wilson Billy Lawlor, a juvenile lead Sam Jones Pat Denning, Dorothy's secret lover Richard Ross Abner Dillon, a rich business man Richard Sails Andy Lee, the dance director Michael Byer s Mac, A stage manager Elliot Horler Ann Reilly, a young starlet Anysia Bramante-Waring Ethel, a performer Jessica Hill Phyllis, a performer Stephanie Haighton Lorraine, a performer Olivia Lindley Gladys, a performer Victoria Davies Winnie, a performer Shannon Platt Jack, assistant to the director Jack Hales Two thugs David Burilin Elliot Horler Doctor James Bowling The ensemble of "Pretty Lady" Members of the company Creative Team Choreographer Debbie Norris Musical Director. Simon Murray Set designed by Barry Fletcher and Mandy Cooke Costumes designed by Mike Shaw Costumes made by the Garrick Wardrobe Assistant choreographer Jessica Hill Construction by Peter Jackson [gallery columns="6" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/42nd-Street-Reh-01.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/42nd-Street-Reh-02.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/42nd-Street-Reh-03.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/42nd-Street-Reh-04.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/42nd-Street-Reh-05.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/42nd-Street-Reh-06.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/42nd-Street-Reh-07.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/42nd-Street-Reh-08.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/42nd-Street-Reh-09.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/42nd-Street-Reh-10.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/42nd-Street-Reh-11.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/08/42nd-Street-Reh-12.jpg|"] Messenger Review by Rick Bowen - 'Sensational 42nd Street at Altrincham Garrick' Dance heaven - 42nd Street ALTRINCHAM Garrick's 42nd Street is an amateur production in name alone, performed by a company that was simply born to sing and dance. Even on a miserable Monday masquerading as the first day of summer, it left the audience with that floating on air feeling, this absorbing and warmly funny tale of a chorus girl whose simply a star in waiting. Under the inspired direction of executive producer Paul Kerryson this show simply couldn't fail. Garrick members must have been rubbing their hands when he agreed to join the theatre and he particularly excels when it comes to musicals, bringing the best out of a cast who give the distinct impression they don't want to leave the stage. The dance routines are slick, stylish and sensual and for this I must praise choreographer Deborah Norris for bringing us some sensational tap numbers. It feels like magic is coasting through the feet of the dancers, who make it look oh so easy. Megan-Hollie Robertson makes a perfect Peggy Sawyer, battling against the fading star Dorothy Brock as she dreams of stardom. As the diva like Brock, Vicki Clarkson has a terrific voice and both wouldn't sound out of place on a professional stage. Then there's the ever watchable Charlie Tomlinson as the demanding director Julian Marsh. Not so much a tough taskmaster, more the tough taskmaster's more demanding twin brother. Add some classic showstoppers like Lullaby of Broadway and You're In The Money, and you have the complete musical package. So, why were there some empty seats on Monday night. Productions as brilliant as this should have people beating down the box office door. The best musical I've ever seen in Trafford by a street, a 42nd Street. Star Rating ★★★★ ★ Remotegoat.com Review - 'A Happy Tapping Show' As always, the Garrick breaks up for the summer with a show to remember. This time, it's the happy, tapping 42nd Street with Al Dubin's lyrics and Harry Warren?s music. It rattles along with a live, on stage band led by Simon Murray and a troop of well-choreographed dancers. The show keeps you on a high throughout. It amazes me how the Garrick, can with apparent ease, find ten lively, competent, people who don't just dance but sing simultaneously. And what wonderful songs they sing. Songs which never date such as We're in the Money, Shuffle off to Buffalo and Lullaby of Broadway are just a few, not to mention the show stopping title song.? The thin plot centres on chorus girl Peggy Sawyer who steps into the breach when ageing star Dorothy Brock breaks an ankle in Pretty Lady, the show within the show that must go on at all costs. Megan-Hollie Robertson is well cast as the lively, light-hearted Peggy, the girl whose dreams come true. The other leading lady, Vicki Clarkson's Dorothy has no more dreams to dream. Her show-biz career is over. Clarkson takes us through her descending journey. Her rendering of I only have Eyes for You is tear jerking and indicates that love is more important than success. She proves it by marrying her true love, Pat Denning (Richard Ross). The task of keeping Pretty Lady on the road falls to dynamic Charlie Tomlinson as Julian Marsh, its director. His main aim is 'The show must go on' and he becomes frustrated when this aim is in doubt. His singing of 42nd Street is delightful. Director Paul Kerryson?s professional touch proves to be a winning one. 'With Mike Shaw's imaginative costume design, this happy production is one to remember. Star Rating ★★★★ Entertianment Manchester - Review by Chris Oatway It is always difficult to have an open mind with a show you have a preconception of having performing in it twice yourself, but I tried with Altrincham Garrick's latest offering of 42nd Street and really enjoyed what I saw. Having also performed in the show at that very same theatre in the previous production by Trafford Margaretians, it was hard to side-step the impression that there were quite a few changes to the script, and indeed a few of the songs (showstopper 'I Only Have Eyes For You' from the film Dames, replacing 'I Know Now' at the end of the bar scene). Nonetheless, it is the whole experience that makes a show and with the demand for strong dancing - particularly tap - and the portrayal of vanity, despair, love, aspiration and ambition, the show offered these in bundles, mainly through talents of students from Chester's The Hammond School, as well as society regulars. Following the insight of renown theatre director Julian Marsh (Charlie Tomlinson), the show begins at the 'audition tap' where we meet choreographer Andy Lee (Michael Byers) and a group of enthusiastic and ambitious young 'chorines' each wanting to get into Marsh's latest show 'Pretty Lady', written by duo Maggie Smith (Laura Chandler) and Bert Barry (Paul Wilson) and funded by Kiddie Car'tycoon Abner Dillon (Richard Sails), who is also sugar daddy to 'has been' leading lady Dorothy Brock (Vicki Clarkson) who still has feelings for her vaudeville partner Pat Denning (Richard Ross). Late-comer to the audition is 'young and healthy' Peggy Sawyer (Megan-Hollie Robertson) of Allen Town Pennsylvania who bumps in to leading man and 'one of Broadway's better juvenile tenors' Billy Lawlor (Sam Jones) who reassures her that she will gain a place in the show, but Andy won't 'audition [her] unless he's got no choice'. Off they go with a duet of singing and dancing before Mr Marsh arrives at the theatre to welcome the successful chorus members of his show. He realises he is 'shy one girl' and so turns to 'the first girl [he] meets on the street' in the form of Peggy. Later in the show Dorothy accidently trips over after being 'pushed' by Peggy during a dance routine and Marsh causing Pretty Lady to close. The female supporting cast of 'Anytime Annie' Reilly (Anysia Bramante-Wareing), Gladys (Victoria Davies), Winnie (Shannon Platt) and Phyllis (Stephanie Haighton) propose that talented newcomer Peggy be considered to fill the leading part and, with no other option, he agrees, forcing her to learn the whole show in a matter of hours. With comedy playing a big part throughout the show, the strongest musical parts of the show, as well as some of the solos, have to be the group vocal pieces with a welcomed section during ?Dames? from David Burilin. Choreography from Deborah Norris and Jessica Hill (who also plays Ethel) is well thought out and most matches that of the original and subsequents but it was not always in sync, when it was it became the highlights of the show.?With a beautiful art deco set, in which MD Simon Murray?s 10-piece band were encased, was nice even when closed to provide an indoor setting for the dressing room and scenes but I did miss the iconic steps and railway bridge which I think could have still been included above the band. The whole stage was utilised as were the doors around the auditorium which occasionally detracts from the scenes on stage. As the show follows the progress and transitions of a Broadway show from rehearsal to theatre before theatre to theatre, you can?t fail to mention the likes of Stage Manager Mac (Elliot Horler) and Jack (Jack Hales) - not a double act! - Who both double up as dancers (Elliot also taking on the role of a Thug and Doctor) and contribute to the 'backstage' sense. Directed by the theatre?s figurehead Creative Director Paul Kerryson, overall a good show that 'should' be a sell out, so you better get your tickets for at least one of the remaining 7 performances of its run.

< Back New Writing - Two New One-Act Plays ˂ Previous Production Next Production ˃ to 10 February 2014 Taking Stock?by Rob Johnston Directed by Mary Wright Five working women put the shelf-stacking on hold while they try to fix the world from the comfort of the tea-room. And the world needs a bit of fixing - there?s a petrol strike raging outside, chaos down the aisles inside, and the search is already on for the elusive Barmy Bob ? ?Women are from Salford. Who cares where men are from?? CAST Ruth Metcalfe as Elaine Julie Cunningham as Jude Janet Slade as Mary Jacqueline Wheble as Beth Ashley Foster as Kaz ASM - Ken Curragh Consequences?by Duncan Battman Directed by Mark Butt An elderly man is found dead in his home.?By his side is a note confessing to a murder of some thirty years earlier. But who was the victim? Was anyone else convicted of the crime? What were the circumstances? Whose lives were forever changed? Indeed, what were the consequences?? CAST Tony Broughton as Norman Sarah Roberts as Cilla Andrew Higson as Danny Martin Pritchard as Alan ASM - Val Watkinson [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/june09a.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/june09b.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/june09c.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/june09d.jpg|"] Directed by Mark Butt

< Back NATIONAL THEATRE LIVE - Good ˂ Previous Production Next Production ˃ to 14 December 2022 David Tennant (Doctor Who ) makes a much-anticipated return to the West End in a blistering reimagining of one of Britain’s most powerful, political plays. As the world faces its Second World War, John Halder, a good, intelligent German professor, finds himself pulled into a movement with unthinkable consequences. Olivier Award-winner Dominic Cooke (Follies ) directs C.P. Taylor’s timely tale, with a cast that also features Elliot Levey (Coriolanus ) and Sharon Small (The Bay ). Filmed live at the Harold Pinter Theatre in London. By C.P. Taylor Directed by Dominic Cooke

< Back Two Talking Heads (One Bennett, One Battman) ˂ Previous Production Next Production ˃ to 10 February 2014 A Lady of Letters?by Alan Bennett Alan Bennett's masterful piece about a lonely meddlesome pensioner played in the TV series so beautifully by Patricia Routledge. Irene Ruddock is not afraid to speak, or rather write, her mind: she writes letters to her MP the police, the chemist - everyone she can - to remedy the social ills she sees around her. After one too many accusations of misconduct from Irene's pen, she is sent to prison where, for the first time in her life, she truly feels free. The Substitute?by Duncan Battman An ex footballer in a wheel chair is tidying his cell on the day of his release from a long jail sentence. Frank remembers the glory days at Leeds United in the early seventies when he shared a room with Paul Madely but he also remembers the end of his career playing on mud baths for Crewe Alexandra. How did he end up in a wheel chair? How did he end up in prison? The story unfolds like a football game with a ninetieth minute twist.

< Back Beyond Reasonable Doubt ˂ Previous Production Next Production ˃ to 7 August 2013 his is a courtroom drama par excellence. Famous and compassionate QC Sir David Metcalfe is on trial for the alleged murder of his wife. Conducting his own defence and facing the redoubtable skill of the prosecuting counsel Anthony Blair Booth QC, Sir David also has to counter the damning evidence of his wife's housekeeper and deadly enemy. This gripping drama will intrigue to its unexpected end. CAST Court Usher Andrew Bebiki Clerk of the Court Sandy McGuire Mr Justice Tredwell Hugh Wolfson Anthony Blair-Booth Terry Chandler Det Chief Insp Travers Bryn Thomas Sir David Metcalfe Geoff Noar Prison Officer Ian Richardson Mrs Rogers Alison Davis Dr Weeden Richard Frost Lional Hamilton Derrick Linter Mr Cole Dave Midgley Robert Pierson Mark Edgar Stenographer Lisa Bowker Lady Metcalfe Angela Wetherill

< Back The Lovely April ˂ Previous Production Next Production ˃ to 12 August 2019 Garland, Lorna Hooper, Alfred Pearce, Rosemary Pearce, Tom Stockton, Reg Stott, Kenneth

< Back Alty Fringe: The Very Best of Tommy Cooper ˂ Previous Production Next Production ˃ to 23 October 2020 Multi-talented Daniel Taylor stars as comedy legend Tommy Cooper. The Very Best Of Tommy Cooper is the follow-up to Taylor's award-winning The Tommy Cooper Show . He will focus the spotlight entirely on Tommy’s stand-up act, offering all the misfiring magic, trademark one-liners and dazzling wordplay in this unmissable production. This show is part of the Alty Fringe 2021 - socially distanced and safe for all! The theatre has extensive COVID-19 safety measures in place, including a redesigned socially distanced auditorium, contactless tickets, regular deep cleans after each performance, timed entry slots, hand sanitiser stations around the theatre ... and much more. The Alty Fringe is proud to be appearing at the Altrincham Garrick from 12 March to 28 March 2021 . #altyfringe

< Back Closer ˂ Previous Production Next Production ˃ to 16 December 2013 "What's so great about the truth? Try lying for a change - it's the currency of the world". "A Man and a Woman have one important thing in common at the start of a romance. They are both in love with him". Two of the many quotes concerning this play, which is a drama of the game of sexuality and infidelity written by one of our most illustrious new playwrights, Patrick Marber, who served his apprenticeship writing for television, haveing written amongst others AFTER MISS JULIE starring Kathy Burke and Phil Daniels. He has co-written and appeared in the comedy programmes THE DAY TODAY, THE PAUL CALF VIDEO DIARY, KNOWING ME, KNOWING ... WITH ALAN PARTRIDGE and THREE FIGHTS, TWO WEDDINGS AND A FUNERAL. CLOSER is his second play after DEALER'S CHOICE and like the latter also won the Evening Standard Award for Best Comedy (amongst many others). PLEASE BE WARNED, THIS IS DEFINITELY ADULT THEATRE AND WILL NOT SUIT EVERYONE'S TASTE CAST Pam Nolan as Anna Beverley Stuart-Cole as Alice Bryn Thomas as Larry John Keen as Dan ?

< Back The Rose without a Thorn ˂ Previous Production Next Production ˃ to 12 August 2019 Briggs, Harry Bullivant, Erick Cummings, Amy Davies, Dorothy Hankins, J Hill, Arthur P Jones, Beatrice P Jones, T L Lawley, Mollie Mansbridge, Brenda Nixon, Beryl Nixon, Walter S Osborne, Edgar Palmer, Jack A Royse, Mary W Waddington, R H Wallis, Ruby Wallis, Tom Wilson, Kathleen Wilson, Tom Winter, A R

< Back The Peep Show ˂ Previous Production Next Production ˃ to 12 August 2019 Courtney, Donald Coventry, Betty Cramer, Anne Croft, H J A Daniels, Marion Daniels, R W Falkner, Robert Hall, Irene Kauffman, M H Matthews, Marion Thwaite Pennington, Muriel Roberts, Eunice Robinson, Dorothy A Zorian, Satinig

< Back Alty Fringe: Music of the Night ˂ Previous Production Next Production ˃ to 29 October 2020 Direct from their 5-star reviews at the Epstein Theatre, Bill Elms and Liverpool-based company Absolute Opera present a very special evening of the finest musical theatre. This features internationally-acclaimed artist Roy Locke (Phantom of the Opera , Australian Opera ) and his special guest, direct from the West End, soprano Olivia Brereton (Phantom of the Opera , Les Misérables ). Music Of The Night is a spectacular evening of songs and duets from the most popular and best loved West End and Broadway musicals, including Les Misérables , West Side Story , The Lion King and of course The Phantom Of The Opera . This show is part of the Alty Fringe 2021 - socially distanced and safe for all! The theatre has extensive COVID-19 safety measures in place, including a redesigned socially distanced auditorium, contactless tickets, regular deep cleans after each performance, timed entry slots, hand sanitiser stations around the theatre ... and much more. The Alty Fringe is proud to be appearing at the Altrincham Garrick from 12 March to 28 March 2021 . #altyfringe

< Back Hairspray ˂ Previous Production Next Production ˃ to 21 August 2015 "You can't stop the beat " in this enormously successful musical comedy which is the perfect way to end the season. Hairspray is the genuine "feel good" musical. With an explosion of hit songs set in the heady days of the 1960's, the story follows the fortunes of teenager Tracy Turnblad- a big girl with big hair and an even bigger heart as she pursues her dream of stardom on a local TV show. On the way she inspires her mother, Edna, the local communities and of course, wins the boy she loves. Hairspray was nominated for a record breaking eleven Laurence Olivier awards winning Best New Musical and three others. The musical was made into an equally successful film starring Jon Travolta as Edna. This breathtakingly dynamic musical combines the wittiest and funniest of stories, fantastic dancing and a fabulous musical score including Good Morning Baltimore, Big Blonde and Beautiful, Without Love and of course, You Can't Stop the Beat. Relive the fun of the 1960's in this blast of a show! [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/08/IMG_4925-2.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/08/DSC_7041.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/08/DSC_7145.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/08/DSC_7249.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/08/DSC_7528.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/08/DSC_7536.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/08/IMG_4642-2.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/08/IMG_4893-2.jpg|"] Review by Rick Bowen - Stagestruck There's one song in Altrincham Garrick's production of Hairspray that is so stirring, so moving and so well sung it's worth the ticket money on it's own. The number in question is I Know Where I've Been, performed with heartfelt passion by Nicole Battick, who plays Motormouth Marybelle, I was very nearly in tears. With a voice as soulful as this, many Trafford musical societies are sure to be clamouring for the vocal services of this very, very talented performer. The song epitomised the serious story that runs alongside that of Tracy Turnbald, an ordinary girl-next-door who dreams of being famous courtesy of a hilariously superficial teen music show. Hairspray is set in Baltimore in the early 60's and while you're sure to leave the theatre on cloud nine, it also pays tribute to the courage of those involved in the black civil rights movement. As Tracy, the daughter of a mother with flouted dreams, Olivia Tringham is every inch the unlikely heroine as she battles against catty teenage girls and an education system that, despite her tender years, has dumped her on the scrapheap. You're sure to find yourself willing her to live happily ever after with wannabe pop star Link Larkin, played by the likeable and charismatic Michael Twigg. Whether he's on the stage or working behind it, director Charlie Tomlinson is consistently brilliant. So too are Andrew Lee as Tracy's pantomime dame of a mother and Ivor Farley as her equally lovable dad, Wilber. Add an infectious musical score and some laugh out loud jokes and you have the complete musical package. What a way to end your current season, Altrincham Garrick. Congratulations, to you all. Star Rating ★★★★★ Review by Julia Taylor - Altrincham Messenger HAIRSPRAY'S a happy choice for the Garrick's end of season musical. Filmed in 1988 and 2007, it sits more comfortably on a stage. It's so comfortable on the Garrick stage, it makes the Garrick seem more like a musical theatre than a playhouse. Set in 1962 Baltimore, the Marc Shaiman//Scott Wittman musical features big haired, overweight Tracy Turnblad (Olivia Tringham) who longs to become a dancer on the Corny Collins? Show. Eventually, she and her friend, Penny Pingleton (Abigail Harper) are auditioned. Tracy gets the job and eventually the love of teenage heart throb, Link Larkin, (Michael Twigg), a would-be Elvis with a great voice. Olivia Tringham portrays a caring and enthusiastic Tracy who eventually wins her fight against discrimination. She sings catchy songs such as her opening number, Good Morning Baltimore and Welcome to the Sixties with her mum. Tracy's loving parents are played by Andrew Lee as her mum and Ivor Farley as her dad. Their duet Timeless to Me is warm and funny. Andrew does well to dress in glittery frocks, wear high heels and dance. The baddies are Amber Von Tussle and her mother, Velma, racists who resent Tracy?s campaign to promote black talent. These two are portrayed in pantomime fashion by Clare Louise Garrett and Stephanie Niland. Amber's pouting resentment at Tracy's success is classic. Nicole Battick's Motormouth Maybelle has a voice which stands out especially when she sings I know Where I've Been. Thanks to choreographer, Debbie Norris and her assistant, Jess Hill, the non-stop dancing to Daniel McDwyers' musicians, is well co-ordinated in this riot of fun, romance, colourful costumes and dramatic wigs. Star Rating ★★★★ Review by Paul Downham - North West End The Altrincham Garrick have ended the 2015/16 season on a high with their energy filled production of Hairspray. Based on the 1988 film starring John Travolta this musical burst onto the stage in 2002 and has been delighting audience around the world ever since. Later this year a live television version of the show is to be broadcast in the USA starring amongst others Jennifer Hudson. In 1962 Baltimore, Maryland, plump teenager Tracy Turnblad's dream is to dance on The Corny Collins Show, a local TV dance program based on the real-life Buddy Deane Show. When Tracy wins a role on the show, she becomes a celebrity overnight, and meets a colourful array of characters. She then launches a campaign to integrate the show. Hairspray is a social commentary on the injustices of parts of American society in the 1960s. The production at the Garrick has been skillfully and thoughtfully cast and directed by Charlie Tomlinson with each pairing playing perfectly off each other. Tracy (Olivia Tringham) almost steals the show with her high energy portrayal and her relationship with Link Larkin (Michael Twigg) is totally believable from the moment they bump into each other at auditions for the Cory Collins (Jake Robson) Show. Tracy's best friend Penny (Abigail Harper) is also played well although I would have like to see a little more of a transformation from plain Jane to temptress at the end when she finally gets to dance in public with her coloured boyfriend Seaweed (Stephenson Ardern-Sodje). Penny?s mother Prudy is wonderfully portrayed by Christina Williams who also plays the Gym Teacher and Matron during the evening. TV producer and villain of the piece Velma Von Tussle (Stephanie Niland) and her spoilt, selfish daughter Amber (Clare Louise Garrett) are an absolute joy to watch throughout and never once stray out of character even when out of the spotlight. I have been fortunate to see many a production of Hairspray and can honestly say these two were one of the best pairings I have seen. The role made famous on screen by Travolta and later on stage by Michael Ball is that of Tracy's mother Edna. Tonight Andrew Lee took on this role with gusto and confidence. With a great voice and delightful on stage relationship with Wilber (Ivor Farley), her husband, their duet of 'You're Timeless To Me' was one of the highlights of the show. But for me the star of the show was Nicole Battick as Motormouth Maybelle. She commanded the stage whenever she was on it and her performance of 'I Know Where I've Been' was by far the stand out performance of the night. As I mentioned above I have seen many a production of this show and Battick's performance of this number is second only to Brenda Edwards who recently starred in the UK national tour. A simple set, somewhat similar to the last UK touring production served its purpose well and provided ample room to show off the choreography from Debbie Norris which was pretty much faultless in the group numbers. Special mention should also be made to MD Daniel McDwyer and his band. Somewhat too loud in places they sounded incredible and deserved their applause at the end of the night. There however was a frustrating side to this production, the lighting. It seemed to me that they were trying to do too much with it. At times it completely missed the action it was supposed to illuminate and at times it was way too much with seemingly random flashing lights in the audience. The use of the moving lights as spotlights totally failed also as they didn't keep up with their intended targets on stage in most cases. Good old fashioned hand operated spots would have been so much more effective here. However, in criticising the lighting this could not take away the passion and drive of those performing on stage. This show was a joy from start to finish and despite the heat in the auditorium (and many more around the country tonight) it did not lack one ounce of energy, although they must have been melting on stage. I am already looking forward to the 2016/17 season which goes on sale next month at this gem of a theatre.

< Back Sinbad the Sailor ˂ Previous Production Next Production ˃ to 12 August 2013 The story is (very loosely!) based on the Arabian Nights stories, and The Seven Voyages of Sinbad. Sinbad sets off on a hazardous journey to the mysterious island of Colossus. His quest is to break the spell cast over his beloved princess by an evil sinister magician. But before he can save her, Sinbad must encounter an array of mythical obstacles and creatures that stand in his way. A band of cut throat pirates, a shipwreck, sabre-wielding skeletons, a fire breathing dragon, the Giant Roc bird and much more. But with the help of his loyal crew, his well meaning brother, and his doting mother, he will make his fortune, save the Princess, be given half The Caliphs kingdom, and live happily ever after. He's always there in the nick of time - Of course he is, it's Panto Time! Review from Sale & Altrincham Messenger by Rick Bowen Garrick panto will delight all ages PANTOMIME isn't my favourite form of theatre but I have to give credit where credit's due and Altrincham Garrick's seasonal offering,Sinbad The Sailor, is funny, perfectly paced and just the right length to prevent an outbreak of fidgeting among the little ones. It's a difficult task to single out individual performances as there aren't any bad ones and this production is the perfect advertisement for the Garrick's youth theatre. The youngest members of the cast looked impressively self-assured, without that air of precociousness that gets up my nose. Whenever I hear 'Peter England' is involved in a show I always sit up and take notice as he has this gift of getting the best out of a cast vocally and this production is no exception. Thanks to his skills as musical director, the company sounds magnificent, delivering every song with enthusiasm and panache. If I have a criticism it's that some of the jokes are milked far too much, but everything else is flawless. Mike Shaw (The Great Mysterioso) really reminded me of the villainous Professor Snape from the Harry Potter movies, Grace Garside is a likeable Princess Sharizar and Adam Gonet, born to be in panto, had the children in the audience hanging on his every word as the lovable Ali Bonkers. Natalie Hinchcliffe is a charismatic Sinbad and Sean Gonet and Dave Jones are perfect as the daft as a brush duo, Hubble and Bubble. Star Rating ★★★★

< Back Dangerous Liaisons: Northern Ballet (Theatrical Screening) ˂ Previous Production Next Production ˃ to 27 July 2021 In 18th century France, letters fly between the mansions of two bored aristocrats as they spin a web of heartbreak and ruin. It might seem like a game, but lives will be ruined and love irrevocably lost. From the original scandalous novel, the acclaimed film starring John Malkovich and Michelle Pfeiffer and iconic retelling Cruel Intentions, this dangerous story has been thrilling audiences for over 200 years. Northern Ballet's bodice-ripping adaptation is set to Vivaldi’s The Four Seasons, played live by Northern Ballet Sinfonia. You’ll feel every heartbeat of this intimate performance. Age guidance : 12+ Contains scenes of a sexual nature and sexual violence including a rape scene. Running time: 1 hour 35 minutes (including interval, approximately) Our reasonably priced bar will be open before, during the interval and after the show. Free car park for customers and in easy walking distance of Altrincham and local tram and train stations. So what are you waiting for? BUY YOUR TICKETS NOW!

< Back Anne of a Thousand Days ˂ Previous Production Next Production ˃ to 29 July 2013 Anne of the Thousand Days covers three of the most turbulent years in our country's history. Henry VIII, desperate for a son to secure the succession, starts to court Anne Boleyn while he is still married to Catherine of Aragon - and while he is having an affair with Anne's sister! The play explores the relationships of the central characters as the crisis develops: the shattering outcome is the creation of a new Church of England, the looting of Catholic monasteries and abbeys and a seismic change in England's relationships with Rome and other major European powers. And a show-trial ... CAST Anne Boleyn Ali Davenport Henry the Eighth Scott Ransome Cardinal Wolsey Nick Sample Thomas Boleyn Geoff Noar Henry Norris Jon White Mark Smeaton Joe Meighan Duke of Norfolk Bill Platt Lord Percy, Duke of Northumberland Andrew Higson Elizabeth Boleyn Sandy McGuire Mary Boleyn Di Boyer Jane Seymour Paula Keen Thomas Cromwell Trevor McKie Ensemble Cast: Kathryn Worthington, David Ades Jonathan Black, Paul Wilson Review from Sale & Altrincham Messenger by Rick Bowen Fit for a King - Anne at Altrincham Garrick If you're expecting a dry and dull history lesson when you go to see 'Anne of the Thousand Days' you'll be very pleasantly surprised. There's plenty of humour in Maxwell Anderson's expertly constructed play, Altrincham Garrick's latest production, and Anderson also humanises King Henry VIII and Anne Boleyn. So much so you do feel for her when the court conspires against her and she ultimately ends up with her head on the chopping block. It's worth paying the ticket money just to see Scott Ransome play Henry - what a stage presence this man has and there's an emotional intensity between him and Ali Davenport who plays Anne. So much so they seem, to all intents and purposes, like a real couple. The production's success is also down to director Geoff Holman who is highly adept when it comes to getting the best out of a cast. Anne of the Thousand Days' grips, moves and amuses in equal measure and not a word of the rich, intelligent and accessible dialogue is wasted. It would be impossible to review this without mentioning the lavish costumes designed by Mike Shaw and his team. Eye poppingly lavish, these costumes certainly wouldn't look out of place on the Manchester professional stage. Anne of the Thousand Days 'might not instantly appeal to some, but if you stay at home you'll be missing out on a truly memorable theatrical experience. A play fit for a king. Star Rating ★★★★ Review of Anne Of The Thousand Days by Julia Taylor for remotegoat Anne Boleyn, Queen and victim I wonder if Elizabeth 1st ever forgave her father for engineering the execution of her mother, Anne Boleyn? We don't find the answer in Maxwell Anderson's Anne of the Thousand Days because we don't actually see her, just her cradle. But no-one would blame her if she held that resentment for life. Henry VIII's scheming, lusting and attitude to religion are presented graphically in this production centred on the coupling of the King with Anne even though he has already seduced her sister and she is only 18 and engaged to someone else. This play depends, not only on superb acting provided by a cast which exceed even the Garrick's high standard of performance, but also on the accuracy and intricacy of the costumes Mike Shaw and his wardrobe department are to be congratulated. Ali Davenport, who is on stage most of the time in the role of Anne, captures well the emotion of a girl who at first resents Henry's approaches but then falls if not for him, for his power. In the thousand days after her coronation as queen , there is only one day when they come together equally in love. For the rest she is a feisty tease until Henry bores of her. Yet, even when he visits her in the Tower of London, you can still detect the sexual chemistry between them. Anne revels in wealth and position only to be dragged down into fear and outrage at the way she is treated when, after giving birth to a daughter and a stillborn son, Henry's lusting eyes turn elsewhere. Betrayed by her uncle, the Duke of Norfolk (Bill Platt) she faces execution bravely. Henry is played by Scott Ransome. He illustrates the selfishness of a man who murders Roman Catholic clergy and burns down monasteries just to have Anne whom he later casts aside like a toy thrown out of the bath. Petulant, bitter and aging, he is surrounded by sycophants, yet all he craves is love and a son. He says so in a wonderful speech which receives audience applause. In his maltreatment of Anne, he is assisted by, not only the scheming Duke of Norfolk, but also the snake-like Thomas Cromwell (Trevor McKie) who tortures several men whom he accuses of committing adultery with the Queen. This play is worth seeing just to be reminded of the cataclysmic time when our relationship with Rome was broken and the Church of England created. The relationship between Henry VIII and Anne Boleyn is one which changed the course of history and, in this production, directed by Geoff Holman, the Garrick have changed the course of their own history. NODA Review by Kevin Proctor The Altrincham Garrick presents this production of Maxwell Anderson's 1948 historical drama which details the relationship, eventual marriage and tragic climax between Henry VIII and Anne Boleyn. The story of how Henry, eager to end his marriage to Catherine of Aragon so he may legitimately marry Anne Boleyn, comes into conflict with the Pope and eventually breaks with the Catholic Church, is indeed powerful material and delivered with excellence by yet another of the Garrick's thriving casts. The entire performance was full of grand pageantry, the set was a collection of simple columns and arches with drapes while the back wall of the stage was used to project colour and images to enhance the mood of each particular scene, as well as keep us in line with dates to follow the story, all working to full effect. Making one of the grandest statements, yet again were Mike Shaw?s collection of magnificent costumes. Ali Davenport - never failing to impress - portrayed Anne Boleyn with vigour as did Scott Ransome as King Henry VIII. Scott's emphasis on the character was pushed to all the right levels, he was powerful, charismatic and arrogant equally exposing the Kings softer, more loving side to outstanding results. Henry can easily become the Lead in this play but both the Director Geoff Holman and Scott as Henry understood that this is ultimately Anne?s story and held back Henry's character which could easily overtake and become the front runner, kudos for this! The text is no walk in the park, keeping the audience engaged was an immense effort from both the players and the director, to which they succeeded. Personally I would've liked Anne?s death to have been a little more creative and gruesome instead of symbolic, but that?s me, any excuse for a bit of gore and slaughter, well, it is Tudor after all! The cast of 14 supporting roles each delivered competent performances of high calibre, particularly Nick Sample as Cardinal Wolsey who performed with ease and demonstrated a formidable interpretation. Another thoroughly enjoyable evening at the Garrick, Thank you and Congratulations!

< Back For Better or Worse ˂ Previous Production Next Production ˃ to 12 August 2019 Billcliff, Lillian Blackhurst, Ernest Caldwell, Pamela Carter, Harold Pearse, Bette Stockton, Reg

< Back Octopia - GAPA Half Term Drama Workshop (WEDNESDAY) ˂ Previous Production Next Production ˃ to 26 September 2023 October Half Term Drama Workshop The Garrick Academy of Performing Arts WEDNESDAY 25th October 2023 10:00am - 16:00pm Ages 6-18 BOOK THE FULL 5 DAYS AND RECEIVE £25 DISCOUNT Join us during this October half term holiday for a day or for the full week to enjoy theatrical fun: combining music, movement, monologues and much much more! GAPA’s half term workshops encourage the participants to explore their creative side, and promote teamwork in a safe and friendly environment. Our aim is to deliver exciting drama workshops for students aged 6-18, where they can learn drama skills, gain confidence and above all have fun. Workshops start each day at 10.00am and finish at 4.00pm. Attendees are required to bring their own refreshments to see them through the day. Attendees are also requested to wear clothes suitable for movement and appropriate footwear, which will enable them to engage in all of the daily activities. Students will be required to read text unaided. If you need a fun-filled week in a high energy, performance based environment, then we'd love for you to join us at the Altrincham Garrick Playhouse. PLEASE NOTE - Once you have signed up, please click on the attachment in the email you receive. You will be provided with a link to complete a 'Registration Form'. This is required before your child can gain access to the workshop.

< Back GAPA Term 1 - Group 4 ˂ Previous Production Next Production ˃ to 10 August 2023 GAPA – Garrick Academy of Performing Arts TERM 1 Enrolment: 9th September to 9th December 12 week term - Saturday Class Not including: 21/10/23 and 28/10/23 - October Half Term Dates Group 4 - 11.30am to 1.30pm for students aged 8 - 11 years The Garrick Academy of Performing Arts runs classes for ages 5 to 18 on Saturday and is the place to be if you love acting, singing or dancing. IMPORTANT: Please do not sign up to this class if your child does not fall within this age bracket. If you are enrolling more than one student, please ensure the correct Group is selected for each child. Due to limited spaces, if you select the incorrect group we cannot guarantee your child a place at GAPA this term. PLEASE NOTE: We will be advertising any remaining spaces in all 7 Groups to new students after 29th August 2023.

< Back Summer School ˂ Previous Production Next Production ˃ to 17 July 2019 Once again, the GAPA Summer School will be held at Altrincham Garrick Playhouse for one week during the 2019 Summer holidays. In the course of the week we will introduce the participants to a range of stage skills as part of putting together a performance that will be shown back to parents, friends and family on the final day. If you wish to enrol your child, please speak to our box office staff or contact the Playhouse for further information and an application form. The Summer School will run on Monday to Friday from 10.00am until 4.00pm and on the Friday evening the children will put on a performance at 5.30pm for parents/guardians. ‘I had a fantastic week!’ ‘Thank you to the GAPA staff for a brilliant summer school’ ‘Can we come back next week, too?’ 'See you in September when I join GAPA’

< Back All Our Yesterdays (Postponed) ˂ Previous Production Next Production ˃ to 18 August 2015 Coronavirus (COVID-19) Closure Update In line with Government instructions we are classed as a non-essential business and no member of staff is able to continue working at the theatre until Government restrictions ease. Please be assured that the vast majority of events have been postponed and not cancelled so therefore all tickets remain valid. Once we are able to operate again we will be in touch with you with details of the rescheduled dates. You can then transfer your current tickets to the new date, however if you are unable to transfer to the new date or don’t wish to have your ticket transferred to another production you will be given a full refund. You will not lose any money. This is an unprecedented event for our venue, and we thank you for your continued support and loyalty. Best wishes Your Garrick Playhouse Team. Another sensational show from the producers of ‘Memory Lane’, ‘Rolling back the Years’, and ‘Memories are Made of This’. One of the biggest shows of its kind in the UK, taking the audience on a breathtaking musical journey through the 50’s, 60’s, and some of the brilliant sounds of the 1970’s. Including songs by Barry Manilow, Buddy Holly, Frank Sinatra, Petula Clark, The Drifters, Elvis Presley, Abba, Queen and many more. Over 160 amazing costumes and choreographed for each decade, performed by ‘West End’ and international vocalists, along with the stunning ‘Timeless Showgirls’.

< Back Rebecca ˂ Previous Production Next Production ˃ to 12 August 2013 Maxim de Winter, still troubled by the death of his first wife Rebecca, falls in love with a shy ladies' companion. They get married, but on arriving at the country seat, Manderley, the second Mrs de Winter discovers that Rebecca still has a strong hold on everyone in the house, particularly on Mrs Danvers, the housekeeper, who begins driving the young wife to madness. A classic story which unfolds to a dramatic conclusion. CAST Frith Geoff Noar Beatrice Lacy Sarat Parker-Broughton Giles Lacy Victor Hassan Frank Crawley Steve Williamson Maxim de Winter Bryn G Thomas Mrs de Winter Emily Heyworth Mrs Danvers Celia Bonner Jack Favell Jason Dunk Colonel Julyan Michael Bullimore William Tabb John Westbrook

< Back Octopia - GAPA Half Term Drama Workshop (TUESDAY) ˂ Previous Production Next Production ˃ to 26 September 2023 October Half Term Drama Workshop The Garrick Academy of Performing Arts TUESDAY 24th October 2023 10:00am - 16:00pm Ages 6-18 BOOK THE FULL 5 DAYS AND RECEIVE £25 DISCOUNT Join us during this October half term holiday for a day or for the full week to enjoy theatrical fun: combining music, movement, monologues and much much more! GAPA’s half term workshops encourage the participants to explore their creative side, and promote teamwork in a safe and friendly environment. Our aim is to deliver exciting drama workshops for students aged 6-18, where they can learn drama skills, gain confidence and above all have fun. Workshops start each day at 10.00am and finish at 4.00pm. Attendees are required to bring their own refreshments to see them through the day. Attendees are also requested to wear clothes suitable for movement and appropriate footwear, which will enable them to engage in all of the daily activities. Students will be required to read text unaided. If you need a fun-filled week in a high energy, performance based environment, then we'd love for you to join us at the Altrincham Garrick Playhouse. PLEASE NOTE - Once you have signed up, please click on the attachment in the email you receive. You will be provided with a link to complete a 'Registration Form'. This is required before your child can gain access to the workshop.