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Previous Next Ian Crownshaw Ian was Head of Lighting for several seasons in the 1980s and 90s. The first play he worked on was Joking Apart by Alan Ayckbourn, in 1981. Highly committed to the Garrick, he built up a departmental team, was keen on installing new tech into the theatre, designed some sets, and acted as an ASM occasionally. He was also heavily involved with Alistair Donkin's Gilbert and Sullivan Society, one of the annual visiting societies to the theatre. Back to In Memoriam page

Return to Productions Archive Garrick Production The White-Headed Boy Ran Jan 1, 1921 - Jan 1, 1921 Age guidance Venue Running time Tickets Price Range Description By Lennox Robinson CAST Gorman, Nell Hellin, Doris Hill, Arthur P Mason, Edward Matthews, Marion Thwaite Owen, Gwen Owen, Tom Pownall, Clarence Warburton, Ida Winn, Rex Wilkinson, John Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production Jack & The Beanstalk - The Garrick Pantomime This GIANT adventure is the pantomime you've BEAN waiting for! Ran Dec 6, 2024 - Jan 5, 2025 Age guidance 3+ Venue Main House Running time 2.5 hours (inc. 20 mins interval) Tickets Price Range £14 - £18 Description Our festive show for 2024/25 is our pantomime Jack & The Beanstalk ! The Garrick Panto is back and full of FEE, FIE, FOE, FUN !! Young Jack, his daft-as-a-brush brother, Silly Simon, and his long-suffering mother, Dame Trott, live in a tiny cottage in the shadow of the terrible giant, Blunderbore. With the rent overdue they have no choice but to sell their beloved cow, Daisy. After tricking the Trotts into selling her for a bag of worthless beans, the villainous giant's henchman – Fleshcreep - kidnaps the Princess for his master's supper. Will Jack be able to rescue Daisy and Princess Jill in time? Perhaps those beans aren't as worthless as they seemed ... Expect laughs, music, dance, special effects, dazzling costumes, stunning sets, magic beans and bundles of audience participation at the Altrincham Garrick Playhouse! This GIANT adventure is the pantomime you've BEAN waiting for! Reviews Peter Ruddick - North West End UK "Professional, gorgeous and delightful" Read the full review HERE Rick Bowen - StageStruck Read the full review HERE Gallery Trailer Trigger Warning Flashing lights and special effects, loud noises and pyrotechnics Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Garrick Production Blackadder Goes Forth Date range Tickets £14 - £19.50 Age guidance 12+ Venue Main House Trigger warning Find out more Book now Running time TBC Group bookings Find out more Accessibility Find out more A stage adaptation based on the original BBC Television Series. Created by Richard Curtis, Rowan Atkinson, Ben Elton and John Lloyd. Directed by Charlie Tomlinson. One of TV’s most enduringly popular comedies returns to the Garrick stage, after our memorable production in 2018. Here, in all of their BAFTA-winning hilarity, are the adventures of the cynical Captain Edmund Blackadder, in his forlorn quest to survive the madness and buffoonery of all who surround him. The play weaves together moments of uproarious comedy and poignant reflection, exploring the absurdity of war and the indomitable human spirit that persists even in the face of adversity. With impeccable timing and a stellar cast, “Blackadder Goes Forth ” promises an unforgettable evening of laughter, nostalgia, and a fresh perspective on the timeless humour of this beloved classic. Age Guidance: 12+ Presented by permission of United Agents Limited, with all royalty payments going to Comic Relief. Content Warning: This production contains the use of theatrical haze and smoke, loud explosions, and live gunfire. Garrick Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Return to Productions Archive Garrick Productions What Happened to George Ran Jan 1, 1947 - Jan 1, 1947 Age guidance Venue Running time Tickets Price Range Description Abbott, Amy Beck, June Blackhurst, Ernest Brown, Sydney Creacall, Edward Daltry, Joyce Dean, Kenneth W Falkner, Robert Green, Joyce Hibbert, Sydney Lightowler, Ronnie R Neil, Ian Neild, Barry Pimlott, (Allman) Emmie Poole, Brian Stroud, Barbara Walsh, Katie Warrington, Betty Wood, Barrie Wood, Michael Whyatt, Egerton G Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Productions Communicating Doors Ran Jan 17, 2000 - Jan 22, 2000 Age guidance Venue Running time Tickets Price Range Description By: Alan Ayckbourn Directed By: Nigel Machin This ingenious comic thriller spans three time zones, each twenty years apart and joined by communicating doors. Beginning in 2014 a classy prostitute has a booking at a de luxe hotel, but not for her regular services. She is asked to witness a document detailing the murder of her client's two wives by his business associate. Escaping from the business associate she goes through the 'communicating door' and finds herself back twenty years and confronting Ruella, the second wife. Ruella is naturally sceptical until she, in turn, goes through the same door, meets Jessica, the first wife, and decides to rewrite the future. Written with Ayckbourn's consummate skill this comedy enjoyed a huge success in London. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Garrick Production Disney's FROZEN Date range Tickets £18 - £20 Age guidance Recommended 6+ Strictly No Under 4's Venue Main House Trigger warning Find out more Book now Running time TBC Group bookings Find out more Accessibility Find out more For the first time in forever, experience the musical phenomenon that has taken the world by snowstorm at Altrincham Garrick Playhouse! In the beautiful mountainous kingdom of Arendelle, Princesses Anna and Elsa grow up sheltered inside their castle, isolated from the world and increasingly distant from each other. When Elsa is crowned queen, the magical powers she’s desperately tried to conceal from her sister take control, and she flees into the mountains. As a ferocious winter descends on Arendelle, Anna sets off on an epic journey to find Elsa and bring her home – with the help of hardworking ice harvester Kristoff, his loyal reindeer Sven, and a happy-go-lucky snowman named Olaf. Based on the Academy Award-winning animated feature film, Disney’s Frozen includes all the film’s beloved songs by Kristen Anderson-Lopez and Robert Lopez, along with new music written exclusively for the stage. Full of magic, humour, and a stunning music, Frozen is a powerful tale of sisterhood, acceptance, and finding the real meaning of true love. Directed by Joseph Meighan Garrick Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Visiting Production The Take That Experience Date range Tickets £25.50 - £27.50 Age guidance - Venue Main House Trigger warning Find out more Book now Running time 1 hour 50 minutes (including 20 minute interval) Group bookings Find out more Accessibility Find out more The UK’s Number 1 tribute to Take That - The Take That Experience is ready to relight your fire!!! As Take That celebrate over 30 years as the UK's number one boy band, The Take That Experience mark over a decade together as the ultimate tribute act with their best show yet! Wowing audiences everywhere they go with their amazing vocals, replica costumes and electrifying dance routines, they continue to successfully recreate the magic of Take That with the ‘Greatest Hits Tour’. Join Gary, Howard, Mark, Jason and of course the ultimate entertainer Robbie for an evening of hit after hit, that has earned Take That iconic status and without doubt the title of the UK’s favourite boy band. The Take That Experience has been endorsed by Nigel Martin Smith, Take That’s original manager as the closest thing to Take That. The Take That Experience perform all the classic songs you know and love from the 90s through to the present, including smash hits Pray, Relight My Fire, Patience, Shine , These Days and Giants ! The show also features a solo set from the one and only "Robbie Williams" who brings alive firm fan favourite songs Angels , Rock DJ, Candy and of course Let me Entertain you to an already explosive show! The boys don’t just give you a night you’ll Never Forget ... they give you The Take That Experience! Visiting Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews “A show you will never forget!” Audience Member “The closest thing to Take That ” Nigel Martin Smith (Take That’s original manager) “An experience you won’t want to end ” The Stage Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Return to Productions Archive Garrick Production It's A Wonderful Life A joyful story of love, hope and community based on the critically acclaimed Christmas film Ran Nov 17, 2025 - Nov 23, 2025 Age guidance Venue Main House Running time TBC Tickets Price Range £14 - £19 Description “You want the moon? Just say the word, and I'll throw a lasso around it and pull it down” Christmas Eve, 1946, Bedford Falls. Down-on-his-luck banker George Bailey feels life has passed him by, and he's at the end of his rope… But when George's guardian angel pays him a visit, he's amazed to discover what life in his beloved town would be like without him. Maybe it's a wonderful life, after all? Based on the critically acclaimed Frank Capra movie, which is arguably the most popular Christmas film of all time, Mary Elliott Nelson's reimagining is a joyful story of love, hope and community. A perfect way to begin the Festive period! Adapted for the Stage by: Mary Ellott Nelson Director: Barry Purves Reviews Rick Bowen - Stage Struck "While I knew exactly what was coming in act two... I felt as moved as always. This is a tribute in no small part to director Barry Purves and Jonathan Higgs who shines as George, a character who is just as angelic as the wonderfully named Clarissa Oddbody..." "Pete Grimshaw’s atmospheric music for a production that will move all who see it..." "Not to be missed" Star rating – 4.5 out of 5 Read the full review HERE Gallery Trailer Trigger Warning This production contains themes of intense financial crisis and suicide, as well as discussions of hopelessness and feeling lost, suggestions of violence, alcohol abuse and distressing arguments. Ultimately, the production is a positive and uplifting navigation through a difficult time in the main characters life journey. Age Guidance: 10+ Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

The Altrincham Garrick Playhouse recognizes its duty of care under the Children and Young Persons Act 1963, the Child (Performances) Regulations 1968, the Protection of Children Act 1999 and the Criminal Justice and Court Services Act 2000. The Academy Altrincham Garrick Child Protection Policy Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. The Altrincham Garrick Playhouse recognizes its duty of care under the Children and Young Persons Act 1963, the Child (Performances) Regulations 1968, the Protection of Children Act 1999 and the Criminal Justice and Court Services Act 2000.The society recognizes that abuse can take many forms, whether it be physical abuse, emotional abuse, sexual abuse or neglect. The society is committed to practice which protects children from harm. All members of the society accept and recognize their responsibilities to develop awareness of the issues which cause children harm. The society believes that: The welfare of the child is paramount; All children, whatever their age, culture, disability, gender, language, racial origin, religious beliefs and/or sexual identity have the right to protection from abuse; All suspicions and allegations of abuse should be taken seriously and responded to swiftly and appropriately; All members and employees of the society should be clear on how to respond appropriately. The society will ensure that: All children will be treated equally and with respect and dignity; The welfare of each child will always be put first; A balanced relationship based on mutual trust will be built which empowers the children to share in the decision making process; Enthusiastic and constructive feedback will be given rather than negative criticism Bullying will not be accepted or condoned; All adult members of the society provide a positive role model for dealing with other people; Action will be taken to stop any inappropriate verbal or physical behaviour; It will keep up-to-date with health & safety legislation; It will keep informed of changes in legislation and policies for the protection of children; It will undertake relevant development and training; It will hold a register of every child involved with the society and will retain a contact name and number close at hand in case of emergencies. The society has child protection procedures which accompany this policy. This policy should also be read in conjunction with the society’s Theatre Handbook and Health & Safety Policy. The society has a dedicated Child Protection Officer, who is in charge of ensuring that the Child Protection policy and procedures are adhered to. This policy will be regularly monitored by the Executive Committee of the society and will be subject to annual review. Child Protection Procedures Responsibilities of the Society At the outset of any production involving children the society will: Undertake a risk assessment and monitor risk throughout the production process; Identify at the outset the person with designated responsibility for child protection; Engage in effective recruitment of chaperones and other individuals with responsibility for children, including appropriate vetting (if necessary in consultation with the local education authority); Ensure that children are supervised at all times; Know how to get in touch with the local authority social services, in case it needs to report a concern. Parents The society believes it to be important that there is a partnership between parents and the society. Parents/guardians are encouraged to be involved in the activities of the society and to share responsibility for the care of children. All parents will be given a copy the society's Child Protection Policy and procedures .All parents/guardians have the responsibility to collect (or arrange collection of) their children after rehearsals or performances. It is NOT the responsibility of the society to take children home. Unsupervised Contact The society will attempt to ensure that no adult has unsupervised contact with children. If possible there will always be two adults in the room when working with children. If unsupervised contact is unavoidable, steps will be taken to minimize risk. For example, work will be carried out in a public area or in a designated room with a door open. If it is predicted that an individual is likely to require unsupervised contact with children, he or she may be required to obtain a criminal record disclosure. Physical Contact All adults will maintain a safe and appropriate distance from children. Adults will only touch children when it is absolutely necessary in relation to the particular activity. Adults will seek the consent of the child prior to any physical contact and the purpose of the contact shall be made clear. Managing sensitive information The society has a policy and procedures for the taking, using and storage of photographs or images of children. Permission will be sought from the parents/guardians for use of photographic material featuring children for promotional or other purposes. The society’s web-based materials and activities will be carefully monitored for inappropriate use. The society will ensure confidentiality in order to protect the rights of its members, including the safe handling, storage and disposal of any sensitive information such as criminal record disclosures. Suspicion of abuse If you see or suspect abuse of a child while in the care of the society, please make this known to the person with responsibility for child protection. If you suspect that the person with responsibility for child protection is the source of the problem, you should make your concerns known to the Chairman. Please make a note for your own records of what you witnessed as well as your response, in case there is follow-up in which you are involved. If a serious allegation is made against any member of the society, chaperone, venue staff etc., that individual will be suspended immediately until the investigation is concluded. The individual will be excluded from the theatre; rehearsal rooms etc. and will not have any unsupervised contact with any other children in the production. Disclosure of abuse If a child confides in you that abuse has taken place: Remain calm and in control but do not delay taking action. Listen carefully to what has been said. Allow the child to tell you at their own pace and ask questions only for clarification. Don’t ask questions that suggest a particular answer. Don’t promise to keep it a secret. Use the first opportunity you have to share the information with the person with responsibility for child protection. Make it clear to the child that you will need to share this information with others. Make it clear that you will only tell the people who need to know and who should be able to help. Reassure the child that they did the right thing in telling someone. Tell the child what you are going to do next. Speak immediately to the person with responsibility for child protection. It is that person’s responsibility to liaise with the relevant authorities, usually social services or the police. As soon as possible after the disclosing conversation, make a note of what was said, using the child’s own words. Note the date, time, any names that were involved or mentioned, and who you gave the information to. Make sure you sign and date your record. Recording In all situations, including those in which the cause of concern arises from a disclosure made in confidence, the details of an allegation or reported incident will be recorded, regardless of whether or not the concerns have been shared with a statutory child protection agency. An accurate note shall be made of the date and time of the incident or disclosure, the parties involved, what was said or done and by whom, any action taken to investigate the matter, any further action taken e.g. suspension of an individual, where relevant the reasons why the matter was not referred to a statutory agency, and the name of the persons reporting and to whom it was reported. The record will be stored securely and shared only with those who need to know about the incident or allegation. Rights & Confidentiality If a complaint is made against a member of the society he or she will be made aware of their rights under the society's disciplinary procedures. No matter how you may feel about the accusation, both the alleged abuser and the child who is thought to have been abused have the right to confidentiality under the Data Protection Act 1998. Remember also that any possible criminal investigation could be compromised through inappropriate information being released. In criminal law the Crown or other prosecuting authority has to prove guilt and the defendant is presumed innocent until proven guilty. Accidents To avoid accidents, chaperones and children will be advised of ‘house rules’ regarding health and safety and will be notified of areas that are out of bounds. Children will be advised of the clothing and footwear appropriate to the work that will be undertaken. If a child is injured while in the care of the society, a designated first-aider should administer first aid and the injury will be recorded in the society’s accident book. This record will be counter-signed by the person with responsibility for child protection. If a child joins the production with an obvious physical injury a record of this will be made in the accident book. This record will be counter-signed by the person with responsibility for child protection. Criminal Record Disclosures If the society believes it in is in its best interests to obtain criminal record disclosures for chaperones or other personnel it will inform the individual of the necessary procedures and the level of disclosure required. An Enhanced disclosure will be required. The society will have a written code of practice for the handling of disclosure information and aim to prevent misuse. Chaperones Chaperones will be appointed by the society/appointed persons for the care of children during the production process. By law the chaperone is acting in loco parentis and should exercise the care which a good parent/guardian might be reasonably expected to give to a child. The maximum number of children in the chaperone’s care shall not exceed 12. Potential chaperones may be required to supply photographic proof of identity and two references from individuals with knowledge of their previous work with children, unless already well known to the society. They may also be asked to sign a declaration stating that there is no reason why they would be considered unsuitable to work with children. Chaperones will be made aware of the society’s Child Protection Policy and Procedures. Where chaperones are not satisfied with the conditions for the children, they should bring this to the attention of the director/stage manager. If changes cannot be made satisfactorily the chaperone should consider not allowing the child to continue. If a chaperone considers that a child is unwell or too tired to continue, the chaperone must inform the director/stage manager and not allow the child to continue. No child of compulsory school age is permitted to do anything which may endanger life or limb. This could include working on wires or heavy lifting. Chaperones should tell the director/stage manager to cease using children in this way, and should contact the local authority. During performances, chaperones will be responsible for meeting children at the stage door and signing them into the building. Children will be kept together at all times except when using separate dressing rooms. Chaperones will be aware of where the children are at all times. Children are not to leave the theatre unsupervised by chaperones unless in the company of their parents/guardians. Children will be adequately supervised while going to and from the toilets. Children will not be allowed to enter the adult dressing rooms. Chaperones should be aware of the safety arrangements and first aid procedures in the venue, and will ensure that children in their care do not place themselves and others in danger. Chaperones should ensure that any accidents are reported to and recorded by the society. Chaperones should examine accident books each day. If an accident has occurred, the producer is not allowed to use that child until a medically qualified opinion has been obtained (not just the word of the parent or child). Chaperones should have written arrangements for children after performances. If someone different is to collect the child, a telephone call should be made to the parent/guardian to confirm the arrangements. Children should be signed out when leaving and a record made of the person collecting. If a parent has not collected the child, it is the duty of the chaperone to stay with that child or make arrangements to take them home. This policy is applicable to and focuses on, children of compulsory school age and below. A child is required to attend school unless they are over the age of 16 on 31st of August, or until the last Friday in June after their 16th birthday. Join our mailing list Subscribe

Return to Productions Archive Garrick Production The Curious Incident of the Dog in the Night-Time A touching and bleakly humorous tale, performed by The Garrick Ensemble, Ran Feb 3, 2025 - Feb 8, 2025 Age guidance 12+ Venue Main House Running time TBC Tickets Price Range £10.50 - £16.50 Description Written by Mark Haddon Adapted by Simon Stephens Directed by Joseph Meighan Christopher, fifteen years old, stands beside Mrs Shears’ dead dog. It has been speared with a garden fork, it is seven minutes after midnight, and Christopher is under suspicion. He records each fact in the book he is writing to solve the mystery of who murdered Wellington. He has an extraordinary brain and is exceptional at maths, but he is ill-equipped to interpret everyday life. He has never ventured alone beyond the end of his road, he detests being touched, and he distrusts strangers. But Christopher’s detective work, forbidden by his father, takes him on a frightening journey that turns his world upside-down. Simon Stephens’ adaptation of Mark Haddon’s bestselling, award-winning novel, The Curious Incident of the Dog in the Night-Time offers a richly theatrical exploration of this touching and bleakly humorous tale. This production is performed by THE GARRICK ENSEMBLE. The Garrick Ensemble is a company of 18 – 30 year old aspiring actors from Greater Manchester and Cheshire who perform one production each year as part of the Altrincham Garrick Playhouse Main House Season. The production will be directed by Artistic Director Joseph Meighan. The Garrick Ensemble aims to make theatre that is fresh, innovative and exciting. See the very best of local, up and coming talent before they move forward in the next stages of their careers in the Arts. Altrincham Garrick Playhouse are proud to be supporting I AM with this production. At I AM , we’re dedicated to supporting autistic individuals to thrive, connect, and achieve their full potential. Based in the heart of Manchester, we provide tailored programmes, inclusive activities, and vital resources that empower autistic children, young people, and adults, as well as their families. Together, we’re building a more understanding and inclusive community - because every voice matters. For more information visit: https://i-am-autism.org.uk Reviews FIVE STAR REVIEW - Paul Wilcox at North West End UK “Despite its apparently serious subject matter, ‘Curious Incident’ is a wonderfully positive and life affirming play that has been adapted beautifully by a strong cast, crew and creative team and topped with an excellent central performance.” Read the Full Review from North West End: CLICK HERE ANOTHER FIVE STARS - Rick Bowen at StageStruck “the storm of applause that swept through the auditorium and came seriously close to lifting the theatre’s roof off at the end.” Read the Full Review by Stage Struck: CLICK HERE Gallery Trailer Trigger Warning This production contains themes and depictions that may be distressing to some audience members, including descriptions of physical and emotional abuse, discussions of mental health and disability, and strong language. The production also features loud noises and some moments of sensory intensity, reflecting the content of the novel and autistic experience. Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Productions Return to the Forbidden Planet Ran May 22, 2000 - May 27, 2000 Age guidance Venue Running time Tickets Price Range Description By: Bob Carlton Directed By: Val Watkinson Designer: Stephen Bradshaw Climb aboard Captain Tempest's Starship for the trip of a lifetime. The Garrick are delighted to end the season with the award-winning musical - Shakespeare's forgotten Rock'n'Roll masterpiece, bursting at the seams with such hits as Good Vibrations, Great Balls of Fire, Only the Lonely and Teenager in Love. So - fasten your seatbelts and prepare to Shake, Rattle and Roll. A Cosmic Adventure. Simply out of this world!! Reviews SAM's view on "Return to the Forbidden Planet" Rock on, Garrick - Rock musical is a real hit It's Shakespeare Jim, but not as we know it. Heaven only knows what the Bard would make of this space age revamp of The Tempest mixed with 1950's sci-fi classic The Forbidden Planet. But Return To The Forbidden Planet was a hit, indeed a very palpable hit with the opening night audience at Altrincham's Garrick Theatre. The cast work hard to whip up a party spirit in the audience and the end result is two hours of inter galactic fun and frolics. A space ship and it's (sic) crew crash land on a planet governed by Dr Prospero, a mad scientist with a hairstyle to match. The ship's cook falls in love with the barmy boffin's innocent daughter, Miranda. But the loveable Cookie has a rival in the shape of the smooth talking Captain Tempest. Plot isn't really important here. You go to see Return To The Forbidden Planet to let your hair down, to enjoy the bad jokes and the great music. The score reads like a who's who of rock and roll and the highlights include the immortal foot tappers Johnny B Goode and Great Balls of Fire, Good Vibrations and the incurably catchy Shoop Shoop Song. As for the best performances, it's impossible to ignore the contribution of the usual suspects. Charlie Tomlinson as a manic Dr Prospero, Peter Birch as the rolling skating robot Ariel and Barry Spencer as love lorn Cookie. Sarah Taylor makes an impressive full Garrick debut as Science Officer and Wayne Holt radiates a comic book appeal as Captain Tempest. This was an ambitious project for the Garrick to take on and they've succeeded superbly. Make sure you don't miss their riotous end of season party. Anyone who does deserves a good zapping. Rick Bowen. Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production RELAXED PERFORMANCE of The Curious Incident of the Dog in the Night-Time RELAXED PERFORMANCE - A touching and bleakly humorous tale, performed by The Garrick Ensemble Ran Feb 9, 2025 Age guidance 12+ Venue Main House Running time TBC Tickets Price Range £10.50 - £12.50 Description Christopher, fifteen years old, stands beside Mrs Shears’ dead dog. It has been speared with a garden fork, it is seven minutes after midnight, and Christopher is under suspicion. He records each fact in the book he is writing to solve the mystery of who murdered Wellington. He has an extraordinary brain and is exceptional at maths, but he is ill-equipped to interpret everyday life. He has never ventured alone beyond the end of his road, he detests being touched, and he distrusts strangers. But Christopher’s detective work, forbidden by his father, takes him on a frightening journey that turns his world upside-down. Simon Stephens’ adaptation of Mark Haddon’s bestselling, award-winning novel, The Curious Incident of the Dog in the Night-Time offers a richly theatrical exploration of this touching and bleakly humorous tale. Age: 12 + Warning: This production contains themes and depictions that may be distressing to some audience members, including descriptions of physical and emotional abuse, discussions of mental health and disability, and strong language. The production also features loud noises and some moments of sensory intensity, reflecting the content of the novel and autistic experience. These will be heavily toned down or removed for the Relaxed Performance. WHAT IS A RELAXED PERFORMANCE? If you are a parent, guardian, or work with people with learning or sensory disabilities – such as those on the autism spectrum – you’ll know how difficult it can sometimes be for them to attend regular theatre performances; loud noises, lighting effects and large crowds can make stage shows overwhelming. At Altrincham Garrick Playhouse, we believe that everyone should be able to experience the magic and wonder of live theatre, and so we are proud to be producing a Relaxed Performance for THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME which will deliver the same theatrical experience but with an atmosphere and attitude in the auditorium that makes everyone feel comfortable and safe. Relaxed Performances are open to anyone who would benefit from a more relaxed performance environment. This may include children, young people and adults with neurodivergence such as autism, learning disabilities and other sensory or communication needs. WHAT TO EXPECT FROM OUR RELAXED PERFORMANCE: A number of adaptations will be made to the show to ensure a comfortable and enjoyable environment for everyone. These include: - Come and go from the auditorium as you wish, even during the show. - Express yourself as loudly as you like, or with physical movement, without judgement. - Access the Theatre and auditorium early. - Extra Staff on hand to support audiences during their time with us. - A quiet breakout space available before, during and after the performance. - Changes to the production’s lighting and sound including reducing the sound levels and removing any lighting that could be overpowering to lessen sensory overload. There’ll be no loud bangs during the performance. - Auditorium lighting will remain on throughout the performance. - Elements of surprise will be reduced. Altrincham Garrick Playhouse are proud to be supporting I AM with this production. At I AM , we’re dedicated to supporting autistic individuals to thrive, connect, and achieve their full potential. Based in the heart of Manchester, we provide tailored programmes, inclusive activities, and vital resources that empower autistic children, young people, and adults, as well as their families. Together, we’re building a more understanding and inclusive community - because every voice matters. For more information visit: https://i-am-autism.org.uk Reviews Gallery Trailer Trigger Warning Age: 12 + Warning: This production contains themes and depictions that may be distressing to some audience members, including descriptions of physical and emotional abuse, discussions of mental health and disability, and strong language. The production also features loud noises and some moments of sensory intensity, reflecting the content of the novel and autistic experience. These will be heavily toned down or removed for the Relaxed Performance. Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Productions Curtain Call Ran May 6, 2002 - May 11, 2002 Age guidance Venue Running time Tickets Price Range Description Thurlow Playhouse is in the running for an Arts Council Grant, and do they need it! The Chairman of the Board of Trustees - one Clarence Mason - perpetually squanders the Theatre Trust's money by hosting lavish parties, insisting on real horses for his wife's amateur productions, sacking the entire backstage staff on a whim and generally bullying everyone who attempts to oppose him - his wife in particular. Unfortunately he goes too far when he tries his domineering antics on Ms Murdstone - the Arts Council representative. However, fortified by the demon drink, his wife Doretta comes out with a few home truths, assisted by the chief usherette, Rita, and order is restored and everything ends happily. A day in the life of a regional theatre may not be strictly accurate, but it is enormous farcical fun. CAST Sarat Broughton as Val Marshall Mark Edgar as Alec Partridge Ros Greenwood as Lulu Lynchpin Lynda Newton as Doreta Mason Hugh Everett as Murphy Beverley Stuart-Cole as Rita Val Watkinson as Ms Murdstone Steve Williamson as Clarence Mason Directed by Bill Platt Designer: Peter Coatman Sound: Robin Watkinson Lighting: Geoff Scullard Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Productions Misery Ran May 1, 2000 - May 6, 2000 Age guidance Venue Running time Tickets Price Range Description By Stephen King. Directed by Angie Wetherill. The greatest horror master of our time turns the screws of suspense to lock us into terrifying tension. Best selling fiction writer, Paul Sheldon, is cut off from civilisation by blizzards and is increasingly crippled by the tender loving care of No. 1 fan and nurse, Annie Wilkes. Annie is intent on using all her demonic skills to persuade Paul to change the ending of his latest novel - MISERY. She takes her time, won't be hurried, sparing neither details nor feelings in her quest for satisfaction. Remember the Oscar winning performance by Kathy Bates in the Hollywood movie? This stage version is even scarier... so be warned. Those of our patrons with a nervous disposition are advised to stay at home!! A two hander, it will feature Alison Davis and Dick Sails These two Garrick Stalwarts seem to have been cast as a couple on a number of occasions:- In "A Chorus of Disapproval" as Dafydd ap Llewellyn and Hannah Llewellyn In "When we are Married" as Albert and Clara Parker In "Company" (for Stages & Co) as Joanne and Larry Reviews SAM's view on "Misery" Welcome to Fright Night If you go to see Misery, the latest Altrincham Garrick show, I guarantee you'll shudder every time you hear the words "I'm your number one fan" after watching this dark, at times unbearably tense, psychological thriller. Alison Davis is at the top of her form as Annie Wilkes, the mad medic who makes Nurse Ratchett look like Florence Nightingale. When writer Paul Sheldon has a car crash he wakes up in the home of Annie and soon discovers that his carer needs a check from the neck up. She's crazy about his work to the point of obsession, is prone to the most violent mood swings and loves to play cruel mind games with her patient cum captive. We also discover that this frumpy wacko left her former profession under something of a cloud, suspected of causing the deaths of patients and colleagues alike. Altrincham Garrick audiences will know Alison more for her numerous appearances in amateur musicals but, as far as straight acting is concerned, she's been hiding her light under a bushel for far too long. She's so menacing my stomach turned over several times, and like many of you I winced during the harrowing "hobbling" scene. The acting jobs will flood in after this performance. Dick Sails (Paul) further cements his reputation as one of the Garrick's finest actors and he's highly accomplished when it comes to conveying both total despair and the black humour which brings welcome relief to a depressing script. Director Angie Wetherill must have had a ball working with these two. If you've seen the film you won't be disappointed by this stage version of Misery. The suspense is certainly there and like their big screen counterparts, Davis and Sails are a formidable double act. Unmissable. Rick Bowen Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production Cinderella - A GAPA Spring Pantomime A classic Fairytale Panto style, performed by our Youth Academy Ran Mar 11, 2024 - Mar 17, 2024 Age guidance 3+ Venue Main House Running time TBC Tickets Price Range £2 - £8 Description Performed by the Garrick Academy of Performing Arts (GAPA) Join all your favourite Pantomime characters and be amazed as our fantastic GAPA students bring the magic of Panto to Altrincham ! Filled with songs, comedy, dance and much more, this will be a hugely entertaining production of the classic fairytale! Monday 11th March 2024 - 7:30pm - Groups 3 & 6 (ages 14-18 years) Tuesday 12th March 2024 - 7:30pm - Groups 2 & 5 (ages 11-14 years) Wednesday 13th March 2024 - 7:30pm - Groups 3 & 6 ( ages 14-18 years) Thursday 14th March 2024 - 7:30pm - Groups 2 & 5 (ages 11-14 years) Friday 15th March 2024 - 7.30pm - Groups 3 & 6 (ages 14-18 years) Saturday 16th March 2024 - 2.30pm (Matinee) - Groups 1, 4 & 7 (ages 5-11 years) Saturday 16th March 2024 - 7:30pm - Groups 2 & 5 (ages 11-14 years) Sunday 17th March 2024 - 2:30pm (Matinee) - Groups 1, 4 & 7 (ages 5-11 years) Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Productions The Strange Case of Mr Jekyll and Mr Hyde Ran Jan 1, 1960 - Jan 1, 1960 Age guidance Venue Running time Tickets Price Range Description Clancy, Patrick Hamblin, Phyllis Porter, Kathryn Ruddick, Maurice Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production Jumpers for Goalposts A hilarious and heart-warming comedy Ran May 9, 2022 - May 14, 2022 Age guidance Venue Running time Tickets Price Range Description A hilarious and heart-warming comedy about football, friendship and finding your way. “Barely Athletic” are part of a four-team five-a-side LGBTQ+ football league which Viv, their bullish head coach, is desperate to win. Or if they can’t win, at least they should try not to lose. Chucked out of the “Lesbian Rovers” for being too bossy, she desperately tries to instil some competitive spirit into the boys. Problem is, Beardy Geoff is copping off with the opposition, Danny is nursing a painful secret, Luke only joined because he fancies Danny, and Viv’s brother-in-law Joe is trying to cope with his grief after losing his wife. Together, they might just be able to claw back up from the bottom of the league… Tom Wells’ drama bears the hallmarks of his warm comedic style, which were displayed in his previous hit play “The Kitchen Sink”, and is a paean to the virtues of friendship and love. Jumpers for Goalposts premiered at Watford Palace Theatre in 2013, before touring the UK, including a run at the Bush Theatre, London. Warning: Strong language Altrincham Garrick Playhouse is proud to support the George House Trust. Since 1985, George House Trust has been inspiring people living with HIV to live healthy, confident lives by providing HIV support, advice and advocacy services. For more information email: talk@ght.org.uk Reviews Review by Rick Bowen at Stagestruck Jumpers For Goalposts will, on the evidence of Monday night’s performance, attract a different, younger audience. For far too many years Altrincham Garrick has been seen as a safe night out for older people and the appointment of artistic director Joseph Meighan, a dynamic and adventurous twenty something, is about to change that misguided perception. A quiet revolution is taking place on Barrington Road and it feels so exciting and exhilarating to be part of it. But this theatre is working hard to get the message across that the Garrick is a theatre for everybody. All power to their elbow, say I. Jumpers for Goalposts follow the misfortunes of Barely Athletic, a five-a-side team largely made up of gay men who struggle with the basics of the beautiful game. This doesn’t stop Viv, their straight talking coach with a very short fuse, encouraging her clueless charges to try to win the league in which they play. It’s certainly a league with a difference – one team plays in drag! The play takes place in the club’s dressing room, an ideal backdrop for writer Tom Wells to delve into the private lives of the players, including a burgeoning relationship between Danny and Luke. Danny carries a secret that he feels unable to share with the childlike Luke, a lovable geek and a study in social awkwardness. Joe Meighan, who directs this engaging, absorbing and heart-warming comedy must have thought all his birthdays had come at once when Dan Ellis and Mason Lockwood turned up to audition for these roles. If anyone was ever born to play these parts it’s these two actors and Lockwood, who gets the funniest lines as Luke, displays a sense of comic timing that is simply second to none. Beverley Stuart-Cole is highly believable as Viv, Sebastian Farrell is also enjoyable as the team’s token straight man Joe, aka the keeper who couldn’t catch a cold and Lewis Sewell is perfect as the crackpot Beardy Geoff. Throughout the production the cast convinces the audience they’re watching a real football team, complete with the personality clashes you find in all organisations, sporting or otherwise. They say football is a game of two halves and that old adage can certainly be applied to Jumpers for Goalposts , with the best one liners saved for the second half. While this play contains some strong language it’s in context and gives the play a realistic feel. It’s sure to strike a chord with anyone whose set foot inside a sports club’s dressing room while not alienating those who haven’t. Great fun, with a dash of poignancy thrown in. Until May 14. Tickets are available from 0161 928 1677. Star rating **** In aid of The George House Trust. Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Productions The Manchester Man Ran Oct 9, 2000 - Oct 14, 2000 Age guidance Venue Running time Tickets Price Range Description Based on an original novel by Mrs G. Linnaeus-Banks, the narrative features well-known characters and events in Manchester's history. Encompassing events leading up to the Peterloo Massacre this is an ensemble piece with lovely tuneful music and lots of drama. The story begins in 1799 when the infant Jabez is found, Moses-like, on the banks of the Irwell and is adopted by Bess. With Joshua Brookes the local parson looking out for him, Jabez begins to make his way in the world. An unmissable event. CAST Jabez Clegg: Tom Pinnock/Wayne Holt Bessie Clegg: Nina Williamson Thomas Hulme: Dez Renshaw Matthew Cooper: Richard Frost Parson Joshua Brookes: Dean Sumner Augusta Ashton: Dawn Flint Mr Ashton: Hugh Wolfson Mrs Ashton: Sandie McGuire Ellen Chadwick: Sarah Goodier/Victoria Bennett/Cyanne Holt Mr Chadwick: Frank Boylan Mrs Chadwick: Helen Ellis Laurence Aspinall: Andrew Higson Mrs Aspinall: Marina Anderson Kit Townley: Joe Douglas Ben Travis: Hugh Everett Additional Characters played by: Victoria Bennett Hannah Bowley Julie Broadbent Jill Chamberlain Laura Corcoran Lorraine Dallas Alison Eastham Nick Eastham Kathryn Goggins Natalie Goodier Rebecca Haden Vicki Jones Simon Kennedy Jane Lewis Dave McGuire Mike Nicholson Sid Robbins Peter Roberts Bernie Taylor Amy Warhurst Lisa Woodhead Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Previous Next Norma Noar Norma served the Garrick in many ways over many years, as a member of the Social Committee, working as an ASM or Prompt, and for a very long time as a highly-valued member of the Play Selection and Casting Committee. In the latter role she was also a tireless administrator - organising all the performance licenses for Garrick productions and ordering the many scripts. Back to In Memoriam page

Return to Productions Archive Garrick Productions A Touch of the Sun Ran Jan 1, 1960 - Jan 1, 1960 Age guidance Venue Running time Tickets Price Range Description Barker, Ian Caldwell, Pamela Johnston, Robert Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Previous Next Ron Harvi Ron was Artistic Director at the Garrick from 1967-71, when he directed at least six shows each season as well as designing sets and working in the Sound box. He started his career at Manchester Polytechnic teaching speech and drama and, after his stint at the Garrick, he worked for Granada Television, appearing in shows and series such as Coronation Street (see photo). He also took part in several productions of Shakespeare plays for Birmingham Rep, and acted at the Manchester Library Theatre. Ron had a wonderful speaking voice and he was often heard on Book at Bedtime and Storytime on Radio 4. Back to In Memoriam page

Previous Next Gerry Turnock Bar Manager from the late 1980s to the 2010s, Gerry's humour was outwardly very dry and wry. Underneath was a genuine warmth and real supportiveness ... especially when City were playing well or he'd been successful on the golf course. Back to In Memoriam page

Previous Next Rita Howard Rita was a fine dramatic actress who joined the Garrick in the 1960's, but she also occasionally played comedy roles such as Madame Arcati in Blithe Spirit . With her strong and powerful personality, she later became actively involved in the day-to-day running of the theatre, serving on the Executive Committee for many years. She was also a leading member of the Play Selection and Casting Committee. Rita's overall contribution to the continued success of the Garrick cannot be underestimated. Back to In Memoriam page

This page is part of the Booking Journey, for booking events and tickets at the Altrincham Garrick Playhouse. Your Selection Your selection Basket Checkout The girl on the train 18 - 26 October 2023 Please select the performance Thu 19 Oct 14:00 PM Book Now Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Return to Productions Archive Garrick Production A Streetcar Named Desire Tennessee Williams's American Masterpiece Ran Nov 15, 2021 - Nov 20, 2021 Age guidance Venue Running time Tickets Price Range Description By Tennessee Williams Directed by John Cunningham Winner of the Pulitzer Prize One of the greatest American plays Fading Southern belle Blanche DuBois depends on the kindness of strangers and is adrift in the modern world. When she arrives to stay with her sister, Stella, in a crowded, boisterous corner of New Orleans, her delusions of grandeur bring her into conflict with Stella’s crude, brutish husband Stanley. Eventually their violent collision course causes Blanche’s fragile sense of identity to crumble, threatening to destroy her sanity and her one chance of happiness. Reviews Angela Kelly - North West End UK First performed on Broadway in 1947, Tennessee Williams ‘A Streetcar Named Desire’ is a tragedy that highlights the inequalities of society in post war America. The play particularly shares the negative effects experienced by women during this time. Associated by many as one of the most significant of all American plays, it is certainly a brave step that the Altrincham Garrick Playhouse have undertaken in performing this epic tale. For those unfamiliar with the story, the play relays the story of Blanche Dubois (Kathryn Worthington) who arrives in New Orleans from Laurel, Mississippi having been given “a leave of absence” from her teaching role. She moves into her sister Stella’s apartment (Fiona Primrose) in the unbearable heat of New Orleans that she shares with Stella’s husband, the formidable Stanley Kowalski (Matthew Barnell). The antagonistic relationship between Blanche and Stanley from the moment she arrives in New Orleans provides the audience with a relationship that is uneasy to watch yet at the same time, extremely hard not to watch. Kathryn Worthington must be applauded for her excellent performance as Blanche Dubois, Stella’s estranged sister. Her portrayal of Blanche as a vulnerable woman from Mississippi, desperate to be loved and accepted by all was phenomenal. Her character crumbles as the play progresses and her fragility is heightened when finally, her sanity is questioned towards a dramatic ending. Worthington displays an almost “musical” southern states accent and her portrayal of Blanche's happy go lucky, innocence versus her deep-rooted insecurities was executed to perfection. Fiona Primrose, who portrayed the part of the dutiful wife Stella Kowalski, in some ways demonstrated the hopelessness of a woman in this era. Primrose displayed the internal struggle to fight the desperation to please her husband whilst battling with her need to provide Blanche with stability, love and understanding. Primrose demonstrated clearly to the audience that she was in turmoil between her need to protect Blanche and her duty to stay married to Stanley, even when violence ensued. Primrose’s representation of the character was exemplary. Matthew Barnell gave a solid performance as Stanley Kowalski and his unwavering masculinity, anger, pride and insistence on consistently being “top dog”. The poker scenes were well executed, and the drunken behaviour made it clear to the audience that whatever state Stanley Kowalski was in he always was to be “the man in charge.” With an abundance of stage presence, Barnell ensured Stanley was viewed as man hard to love, even by his friends at times. The set and staging worked very well in that it was consistent throughout. Impressive that even the bathroom which was a key reference point (and in reality, actually only showed the actors walking in and out of a door) demonstrated how well this was carried out. The various areas on stage were all meaningful to the entire play so it was a positive decision that they appeared to be fluidly utilised. The outside of the apartment of a noisy New Orleans and the inside of the apartment were closely connected which was key to the entire play. The deterioration of Blanche's mental health was also displayed by the clever use of jazz music on the set and Christine Mills on sound designed by director John Cunningham must be congratulated for this. The music continued during Blanche's eventual demise but eventually the sounds were almost entirely only experienced by Blanche. It did not go unnoticed that even the sound of the doorbell on set needed to be executed to perfection. A Streetcar named Desire is a story about types of love alongside fantasy versus the harsh reality of society. It is evident that Director John Cunningham has produced another fabulous piece of theatre and must be congratulated. It is no easy feat to produce such an iconic piece of theatre and A Streetcar Named Desire has given a much loved play a very positive nod. A play that is as thrilling to watch as it is uncomfortable, if you are a fan of this classic play by Tennessee Williams it is essential viewing for sure. An excellent production. Reviewed: 15th November 2021 Rating: ★★★★★ Rick Bowen - Stagestruck Director John Cunningham and his cast take the audience on an emotional journey in a captivating and at times touching and deeply moving production of this American classic. Unless you don’t have a heart, it’s impossible not to be affected by what unfolds on stage, in this absorbing piece of theatre from the pen of the great Tennessee Williams. Watching the play is draining at times, so goodness knows what performing it must be like for a tight knit and talented cast who make it their mission to make sure not a word of the wonderful Williams dialogue isn’t wasted. Blanche goes to stay with her sister, Stella, in the seedily seductive French quarter of New Orleans, where she finds her sibling living in a dingy two bedroom flat with her husband, Stanley. It’s a strange set up because the family has known the meaning of the word ‘affluence’ in the past and mystery surrounds just what happened to the former family home. Stanley quickly resents having Blanche around, with what he sees as her dubious past and irritating airs and graces. She compares the self-proclaimed king of his castle to an ape, branding him ‘common.’ But that really is an insult to our closest relatives. While I was naturally repulsed by the way Stanley treats his visitor and women in general, maybe I’m being a little too 21st century about it and ignoring the fact there were and surely still are many men like him who make the lives of those around them utterly miserable. Cunningham’s accomplished direction has drawn out fine performances from Matthew Banwell as Stanley and Kathryn Worthington and Fiona Primrose as Blanche and Stella, who evoke an authentic and endearing sisterly bond on stage. I also liked Paul Cuddy as Mitch, one of Stanley’s poker player pals who is by far the most gentlemanly of a motley crew. Cuddy ensures you feel for Mitch as he attempts to woo Blanche as she toys with his affection. Don’t miss this memorable production of an all American classic. Exceptional. Star rating **** Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Previous Next Christine Sammon (née Adams) Christine was a wonderful singer and talented actress. When she joined the Garrick in the early 1990s, she was already well known on the local amateur operatic circuit. Throughout the nineties she took a leading part in many Garrick musicals, before her sad and untimely passing. She was also involved in two highly successful and enjoyable Playathons - The Boyfriend and Irene . These were plays put on with only 48 hours notice, to raise funds for the STAGE Appeal. The secret play was announced at 7.30pm on a Friday night and the entire Garrick family was involved in presenting the full-length production at 7.30pm on the Sunday night with full staging, sound and lighting, costume, musical arrangements and choreography with all books down. The greasy spoon in the bar was kept open throughout the entire weekend. A Playathon was a testing - yet ultimately rewarding - challenge, and Christine was an enthusiastic participant. Back to In Memoriam page

Previous Next Nick Johnson Nick was one of the real characters at the Garrick, who joined in the early 1960's. His forte was comedy, and he was outstanding in numerous plays such as Hay Fever , How the Other Half Loves , Having a Ball , Hobson's Choice , Lettice and Lovage , and An Ideal Husband . He was also a talented writer, writing and performing in many shows and cabarets, some of which he produced in the Garrick bar to raise funds for the STAGE Appeal. These were often zany events, but always highly entertaining. Even after he had his leg amputated, he still performed and was able to access the stage via the lift from the dressing room installed after the 1999 renovation. Nick was a great patron of the bar, where his conversations were always highly amusing. He is fondly remembered for his sense of humour and his indomitable spirit despite his handicap. Back to In Memoriam page

Return to Productions Archive Garrick Production If Four Walls Told Ran Jan 4, 1920 - Jan 4, 1920 Age guidance Venue Running time Tickets Price Range Description By Edward Percy CAST Blackburn, Lydia Brierley, Norman Green, Freda Loft, J H Harold Lowe, Lois M Matthews, Marion Thwaite Owen, Gwen Pownall, Clarence Winn, Rex Wilkinson, John Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production The Vicar of Dibley The deliciously funny TV series live on stage! Ran Feb 26, 2024 - Mar 2, 2024 Age guidance 10+ Venue Main House Running time 2.5 hours (inc. 20 mins interval) Tickets Price Range £10 - £16 Description Based on the much-loved BBC sitcom, this stage adaptation brings a selection of the best episodes of this multi-award-winning show to the Altrincham Garrick Playhouse. When the new vicar arrives at the sleepy English village of Dibley, the last thing the locals are expecting is a woman. But the irrepressibly cheerful Reverend Geraldine Granger soon wins over the hearts and minds of her flock. Featuring everyone's favourite eccentric cast of characters including star-crossed lovers Alice and Hugo, colonically-challenged farmer Owen, pompous chairman David Horton, and will Jim Trott be there? ...no, no, no, no, no...YES!! The Vicar of Dibley is a is heart-warming comedy and full of larger-than-life characters that audiences will immediately love. With kind permission of Tiger Aspect Productions. In Support of Comic Relief. Reviews “I feel I’ve just watched the best comedy to grace the Garrick stage for the past five years. Flawless and outstanding - in every respect.” - Rick Bowen Read the Full Review from StageStruck CLICK HERE "Altrincham Garrick Playhouse’s production of The Vicar of Dibley was a resounding success, thanks to its talented cast, slick values, and uproarious script. With its blend of humour and heart, it captured the essence of the beloved TV series while also standing as a delightful theatrical experience in its own right." - Max Eden Read the Full Review from North West End UK CLICK HERE Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Previous Next George Kilburn George worked with Sale Nomads before joining the Garrick as Head of Lighting, for some seasons in the 1980s and 90s. He trained several lighting technicians and built up an proficient team. He also worked as stage crew, and was a member of the Executive Committee. George's hobby outside the Garrick was as an accomplished builder of model ships. Back to In Memoriam page

Visiting Production In The Air Tonight - The ultimate tribute to Phil Collins Date range Tickets £32 Age guidance Venue Main House Trigger warning Find out more Book now Running time TBC Group bookings Find out more Accessibility Find out more Get ready for a Night to Remember – as we bring the unforgettable sound of Phil Collins to life! This is IN THE AIR TONIGHT - the ultimate live tribute to the one and only Phil Collins. From the epic drum breaks to the soul-stirring ballads, this showbrings the sound of ageneration roaring back to life. Relive the magic of Phil’s greatest moments – from his Genesis roots to his incredible solo career - in a concert that will have you singing, swaying, and dancing all night long. Starring an electrifying live band, powerhouse vocals, and a stellar cast of musicians, In The Air Tonight captures the unmistakable energy, emotion, and drive of Phil Collins like neverbefore. Featuring all the classics, including:“You Can’t Hurry Love,” “Take Me Home,” “I Wish It Would Rain Down,” “One MoreNight,” and the explosive “In the Air Tonight” - with that drum solo performed live and louder than ever. Don’t miss your chance to experience the sound, the soul, and the sheer brilliance of Phil Collins -live on stage! Visiting Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Altrincham Garrick Playhouse is committed to protecting personal information. This Privacy Policy relates to our use of any personal information we collect. Terms and Conditions T&C’s for Sale of Tickets GDPR Privacy Policy Health and Safety Policy Child Protection Policy The Altrincham Garrick Playhouse Privacy Policy Altrincham Garrick Playhouse is committed to protecting personal information. This Privacy Policy relates to our use of any personal information we collect. Our Privacy Policy relates broadly to these groups of people: Audience : the people who attend our shows, visiting shows and events and/or have requested information about the theatre Friends : people who pay a subscription to the Altrincham Garrick Society Supporters : people who are support the activities of the Society in a particular way. This involvement may include, but is not limited to: scenery construction; costumes; properties; make-up and hair; publicity; front of house; backstage; administration; website; design; technical; directing; sponsorship; donations; consultants; those giving specialist advice to the Altrincham Garrick. Staff : those employed by Altrincham Garrick Suppliers : organisations and businesses that provide goods or services to the theatre Committees : Board of Trustees, Volunteers’ Committees, Play Selection and Casting Committee GAPA Members : members of Garrick Academy of Performing Arts and their parents/guardians/carers The personal information we collect from you Audience : Our email database contains your name and email address. Our box office contains your name, address, email address and telephone numbers so we can contact you with information relating to Altrincham Garrick only. We may hold details on previous bookings, group bookings and any preferences you may share with us. 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GAPA Members : We hold basic information such as name, address, telephone number, email address. How we use information and data Audience : We will send you regular bulletins via email with news about the theatre and our shows and other shows and events that appear at the theatre. There is an ‘unsubscribe’ option on every email. We will perform some basic interrogation of our email statistics, such as open-rates and click-through rates via various software. Friends, group bookers and ticket holders may receive limited further information by post and email from time to time. We may contact you by telephone if there is problem with tickets or changes to a performance you are booked to attend. We will not share your information with any third parties without your consent. Friends : We will use your information to send you newsletters, letters or emails to give you details of General Meetings, shows, rehearsals, production meetings, casting, news from meetings and general events that are likely to be of interest to you. Your name, and possibly photograph and biography may appear in newsletters or show programmes, website or other publicity relating to a production you are involved in. Your information may be shared with committee members, staff and heads of departments for use in ‘legitimate interest’ and in line with GDPR regulations. Please be aware that our show programmes, website and publicity are public documents and that our newsletters are shared with supporters of the theatre. We will not share your information with other third parties without your consent. Supporters : We will use your information as and when required to contact you for Garrick matters related to your involvement with us. We will not share your information with other third parties without your consent. Staff : We will use your information as and when required to contact you for Garrick matters related to your involvement with the Garrick and as your employer. We will not share your information with other third parties without your consent. Any personal data relating to your employment will be protected and limited to those involved to line management, Board of Trustees and for payroll purposes. Suppliers : We will use your information as and when required to contact you for Garrick matters related to your involvement with the Garrick. We will not share your information with other third parties without your consent. Committees : We will use your information as and when required to contact you for Garrick matters related to your involvement with the Garrick. We will not share your information with other third parties without your consent. GAPA Members : We will use your information as and when required to contact you for Garrick Academy of Performing Arts such as subscriptions, rehearsals, summer school, productions, ticket offers, newsletters, auditions, changes of dates, nominations. Under 18s will be contacted via their parents. We will not share your information with other third parties without your consent. Your name, and possibly photograph and biography may appear in newsletters or show programmes, website or other publicity relating to a production you are involved in. Your information may be shared with committee members, staff and heads of departments for use in ?legitimate interest? and in line with GDPR regulations. Please be aware that our show programmes, website and publicity are public documents and that our newsletters are shared with supporters of the theatre. We will not share your information with other third parties without your consent. How we use information held by our Box Office Systems The Box office at Altrincham Garrick process tickets and sales by telephone, by email, by post and in person. Processing tickets may display your name, address, email address and telephone number. For reporting purposes, we may interrogate data held in the box office to inform our business planning but personal data will not be shared with any third parties. We may hold your personal details in our records in case we need to contact you with further information if there is a change to performance details, for example. Tickets booked via the website are linked to Tickets.com. You can find details of their Privacy Policy here . Security We put in place reasonable security measures to protect against any unauthorised access or damage to, or disclosure or loss of, your information Your Rights Audience, Friends, Supporters, Staff, Committees and GAPA Please let us know if your information changes as it is important that the information we hold about you is accurate and up to date. You have the right to request a copy of all the information we hold about you in a Subject Access Request. To do this, simply write to us at the address below. We will take all reasonable steps to confirm your identity before providing you with details of any information we may hold about you. You can ask us to remove your information from our records at any time and cease any further communication. You can do this by writing to the address below. Friends, Supporters, Committees and GAPA We will keep your information indefinitely after you remain an active Friend, Supporter, sit on a Committee or are a member of GAPA. We keep your information because you may resume your connection with and take part again in our activities. However, you can ask us to remove your information from our records at any time and we will do so and stop sending you any further communications. You can do this by writing to the address below. Changes to our Privacy Policy We may amend this Privacy Policy from time to time; for example, to keep it up to date or to comply with legal requirements. If there will be any significant changes made to the use of your information in a manner different from that stated, we will seek your permission first. How to Contact Us For any questions or concerns relating to this Privacy Policy or our data protection practices, or to make a Subject Access Request, please contact us in one of these ways: By email admin@altrinchamgarrick.co.uk By post Operations Director Altrincham Garrick Theatre Barrington Road Altrincham WA14 1HZ This page was updated on 8 September 2022 by HFE. 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Return to Productions Archive Garrick Production Pennyroyal The Studio 2023/2024 Season - A Series of All Female Plays. Ran Jan 23, 2024 - Jan 28, 2024 Age guidance 14+ Venue Studio Running time 1 hour and 20 minutes with no Interval Tickets Price Range £12 - £14 Description “I think of my body sometimes like it's stubborn. We're not good friends. Like it's a spooky hotel, and I'm a ghost haunting it. 'Cause you don't live in a hotel, you just pass through.” When Daphne is diagnosed with Premature Ovarian Insufficiency at the age of nineteen, her sister Christine steps in to help in the only way she knows how: by donating her eggs. For a while, the world seems corrected. But as the years go by – and Daphne sets out on the long road of IVF – the sisters' relationship begins to twist. Pennyroyal is a heartrending new play by Lucy Roslyn about sisterhood and motherhood, enduring love, and regrets many years in the making. Inspired by Edith Wharton's 1922 novella The Old Maid , it premiered at the Finborough Theatre, London, in 2022. This play runs at 1 hour and 20 minutes with No Interval. Reviews 5 Stars from Rick Bowen at Stagestruck who describes the play as "Exceptional, a must see" To read the full review, CLICK HERE: https://www.stagestruck.info/blog/2024/1/23/pennyroyal-lauriston-studio Gallery Trailer Trigger Warning This production contains very strong language and some upsetting themes including infertility and IVF Treatment. Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production A Vicar of Dibley Christmas: The Second Coming Following our recent smash hit production, the nations favourite chocolate loving Vicar is back! Ran Nov 18, 2024 - Nov 23, 2024 Age guidance 10+ Venue Main House Running time TBC Tickets Price Range £10.50 - £16.50 Description A Stage Play by Ian Gower and Paul Carpenter adapted from the original TV series by Richard Curtis and Paul Mayhew-Archer. Directed by Pete Brassington No, no, no, no, Yes! That’s right… Following on from our recent smash hit production of “The Vicar of Dibley” in February 2023, the nation’s favourite chocolate loving Vicar and her beloved sidekicks are back! When Hugo and Alice return from their honeymoon, Alice finds that she is putting on a little more than just holiday weight and she turns to the Vicar for advice! Geraldine is still desperately trying to bring the Dibley Parish Council to some order. After the carnage of the Village Quiz and organising a week of 'Radio Dibley', the Vicar feels she may be living on a different planet. Then just when things couldn’t get any more bizarre in Dibley, Geraldine is flabbergasted when little verger Alice actually has a good idea! Why not put on a Nativity? Why not indeed! What could possibly go wrong? A Fantastically festive and belly-laughing production awaits at Altrincham Garrick Playhouse with A Vicar of Dibley Christmas: The Second Coming! Reviews STAGESTRUCK - Review by Rick Bowen "Director Pete Brassington’s production is sure to get audiences in a festive mood. Even Victor Meldrew would raise a smile or two watching this." Click HERE to read the full review North West End UK - Review by Brian Madden “With its faithful nod to the original series and strong ensemble performances, this production of A Vicar of Dibley Christmas – The Second Coming delivers a thoroughly entertaining night of festive cheer.” Click HERE to read the full review Gallery Trailer Trigger Warning This production contains some strong language. Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production Di and Viv and Rose The Studio 2023/2024 Season - A Series of All Female Plays. Ran Jun 4, 2024 - Jun 9, 2024 Age guidance 14+ Venue Studio Running time TBC Tickets Price Range £12 - £14 Description “How do you want to live here? I mean we could come and go and lead separate lives. Or we could really live together. What do you think?” Three women are thrown together in their late teens. They are very different people but it isn’t long before they are living in each other’s pockets. Life is a blast and together they can do anything. But life also has unexpected plans for them... A funny, moving and surprising story of friendship’s impact on life, and life’s impact on friendship. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Productions Camelot The first production on stage after the major Auditorium and Foyer refurbishment of 1999 Ran Oct 18, 1999 - Oct 23, 1999 Age guidance Venue Running time Tickets Price Range Description Directed By: Terry Chandler Music by Frederick Loewe Book & Lyrics by Alan Jay Lerner The Court of Camelot receives Guinevere as King Arthur's Queen. The fame of Arthur's Round Table brings the cream of Knighthood to Camelot and none is more renowned than Lancelot du Lac. Guinevere is attracted to Lancelot and is torn between her love for Arthur and her fascination for Lancelot. When their illicit love is revealed by Mordred they are sentenced to burn, but escape to France where Arthur finally forgives them. This breathtakingly glamorous musical will have costumes designed and made by our Wardrobe Master, Mike Shaw, will be under the direction of Terry Chandler and Mark Goggins will be our musical director. One not to be missed! Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Productions Alice Thomas and Jane Ran Jan 1, 1936 - Jan 1, 1936 Age guidance Venue Running time Tickets Price Range Description Agar, Marie Alexander, Tom Billcliff, Lillian Brierley, Norman Brown, Sydney A Davenport, Alfred Fletcher, Joan Godby, Jack Gooby, Roy Hall, Irene Hall, Margaret Hughes, Geoffrey Justice, Margery King, Diana M King, John G King, M Inez Landon, Graham Litherland, Cyril L Matthews, Walter R Osborne, Edgar Pennington, Muriel Pennington, Wyn Ross, Jean Rourke, Norah J Wilson, Kathleen Willan, John P Willan, Robert M Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Previous Next Mike Stocks Mike was a talented set designer, with many of his sets gracing the stage between the 1980s and the early 2000s. Mike spent most of his working life in the profession, designing and working on sets for theatre and TV. He worked in the design department at Granada TV on such classics as Brideshead Revisited until his retirement. Happily for the Garrick, he spent his latter years volunteering. Mike had a great sense of humour and a very quick wit. Having run his own dance band after the war, he was no mean performer on the drums ... as Garrickers often witnessed at the Christmas Draw. Back to In Memoriam page

Join us during the half term holidays for a day or for the full week to enjoy theatrical fun: combining music, movement, monologues and much much more! The Academy Groups and Classes Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. GAPA Saturday Group School Holiday Courses Speech & Drama/ LAMDA Classes School Holiday Courses Half term and Easter Holiday Clubs Octopia - October Half-Term (5 days) : 27th - 31st October 2025 Febtastic - February Half-Term (5 days) : 16th – 20th February 2026 Easter Eggstravaganza (5 days) : 13th - 17th April 2026 May-Hem - May Half-Term (4 days) : 26th – 29th May 2025 Join us during the holidays to enjoy theatrical fun: combining music, movement, monologues and much much more! (Nb: You can sign up to half- term holidays for a day or for the full week.) GAPA’s half-term workshops encourage the participants to explore their creative side and promote teamwork, in a safe and friendly environment. Our aim is to deliver exciting drama workshops for students aged 6-18, where they can learn drama skills, gain confidence and above all have fun. Classes run 10am - 4pm and cost £35 per day, or book the full 5 days and receive a £25 discount. Summer Holiday Courses Summer School Week 1 (full 5 days) : 27th July - 31st July 2026 Summer School Week 2 (full 5 days) : 3rd - 7th August 2026 Sign up for the full week, 10am - 4pm. Cost £185 per week. For more information please contact our box office on boxoffice@altrinchamgarrick.co.uk Join our mailing list Subscribe

If you have an interest in theatre, want to tread the boards or work front or back stage then why not become a Garrick volunteer? Get Involved Volunteering Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. If you have an interest in theatre, want to tread the boards or work front or back stage then why not become a Garrick volunteer ? We are always looking for new talent (of any age) to work in all areas of the theatre – no experience is necessary as you will be given full training by our qualified staff. We promise you that the satisfaction of a job well done will really surprise you, and you will make many new friends. Register your Interest Simply fill in this form to register your interest in getting involved in the theatre. You can also ring us on 0161 928 1677 , or send an e-mail to admin@altrinchamgarrick.co.uk Name Email Telephone Tell us how you would like to get involved, and we'll respond as soon as possible Submit Thanks for registering your interest in getting involved. We aim to get back to you very soon. What else can I do to play my part? Even if you are not able to spend the time time helping the theatre in a more active way (maybe work and other commitments mean that your time is at a premium), there other simple ways you can help your Garrick. When you come and see a show, try to pick up a leaflet or A4 poster from the Box Office or in the Bar. You could display one in your local Library, office/place of work or even your local club or shop (please make sure you have permission to do so). If you have enjoyed a show, tell your friends/colleagues – please spread the word about your theatre! Find us on Social Media and tweet/post your thoughts. This kind of help, however small, can make a huge difference to the theatre. Thank you. Join our mailing list Subscribe

Return to Productions Archive Garrick Production Peter Pan - The Garrick Pantomime The High Flying Garrick Pantomime Ran Dec 10, 2021 - Jan 3, 2022 Age guidance Venue Running time Tickets Price Range Description OUR FESTIVE SHOW FOR 2021/22 IS OUR PANTOMIME VERSION OF ‘PETER PAN’ The High Flying Garrick Pantomime BOOKING NOW! Journey to Neverland for a high-flying Pantomime adventure you’ll never forget! The forever-young Peter Pan sails through the skies to bring Wendy and the Darling children to the Lost Boy’s enchanted island, where the fearsome Captain Hook rules over the high seas. Written by Tom Whalley and based on the timeless book by JM Barrie, the Altrincham Garrick Playhouse brings you a perfect Pantomime for all the family. Fairies, mythical creatures, pirates, singing, dancing and flying! Take the second star to the right and keep straight on ’til morning and we’ll see you in Neverland! By Tom Whalley Directed by Joseph Meighan and Val Watkinson Musical Direction by Peter England Choreography by Vanessa Cockburn Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Garrick Production Robin Hood Pantomime Date range Tickets £17 - £22 Age guidance Recommended 3+ Venue Main House Trigger warning Find out more Book now Running time TBC Group bookings Find out more Accessibility Find out more Written by Tom Whalley Directed by Joseph Meighan The Merry Garrick Panto that really hits the bullseye! The fine folk of Sherwood Forest are terrorised by the mounting taxes imposed by the wicked Sheriff of Nottingham who’ll stop at nothing to seize the throne of England and claim the fair Maid Marian as his bride. Only the outlaw Robin Hood and his band of Merry Men can save the day. With the help of the hapless Silly Willy and his not so glamorous mother Nanny Fanny, can Sherwood be saved from the Sheriff’s clutches? Or will they be left all aquiver? Packed with laugh-out-loud comedy, audience interaction, toe-tapping tunes, dazzling dance numbers, and a fresh twist on a classic tale, ROBIN HOOD promises to be the perfect theatre outing for the entire family. Whether you're young or just young at heart, this is a magical festive treat you won’t want to miss. Grab your tickets, gather your gang, and join us for a Panto full of heart, heroism, and hilarity! Age Guidance: 3+ Content Warning: Panto is A LOT of fun, but sometimes it can be quite loud, and a little bit cheeky, with some jokes that only grown-ups will understand. We also use special effects that include loud bangs, flashing lights and pyrotechnics. We do also offer a Relaxed Performance where these effects are reduced to lessen sensory overwhelm, but keeping all the great fun for our audience! Garrick Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Previous Next Jan Maddox Jan had been associated with the Garrick all her life, mainly supporting events on the social side of things at the theatre. She was often seen selling Christmas Draw tickets or serving up hot food at the many after-show parties over the years. Jan's maiden name was Byrom - she was part of the family that played such an important part in the formation of the Society and (in time) the theatre itself. All the meetings and rehearsals in the early days took place in her Great Grandfather's premises, known as Byrom's Buildings on Kingsway in Altrincham. Jan's Grandfather was a founder member and remained involved throughout his life and, naturally, introduced her to the theatre. Jan is sadly missed by all her many friends and family, and particularly so by all of at the Garrick. Back to In Memoriam page

Return to Productions Archive Garrick Production My Fair Lady What a smashing, positively dashing Musical, filled with comedy, romance, and dazzling songs Ran Jun 22, 2026 - Jun 28, 2026 Age guidance Venue Main House Running time TBC Tickets Price Range £19 - £24 Description What a smashing, positively dashing finale to the 2025/2026 Altrincham Garrick Season - Lerner and Loewe ’s classic rags to riches tale, MY FAIR LADY . MY FAIR LADY follows Eliza Doolittle, a cockney flower seller in Covent Garden, who by chance meets phonetics professor, Henry Higgins. As part of a wager with a fellow phonetician, Higgins sets out to teach Eliza how to speak like a lady of high society – but learns a few lessons of his own along the way. Filled with comedy, romance, and dazzling songs such as The Rain in Spain , Wouldn’t It Be Loverly and I Could Have Danced All Night , this will be an unmissable production. A beautiful musical adaptation of George Bernard Shaw’s 1913 play PYGMALION, MY FAIR LADY was first performed on Broadway in 1956 starring Julie Andrews and adapted into a 1964 Oscar-winning film starring Audrey Hepburn. It’s going to be bloomin’ loverly! Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Previous Next Anne Chandler Anne was part of a hugely talented family who contributed much to the Garrick, including husband, Terry, and daughter, Laura. She had a wonderful singing voice and, apart from appearing regularly in Garrick musicals, she was also a member of several local choirs and musical societies. Her credits included appearing in Mame , Cabaret , A Little Night Music , La Cage Aux Folles , and Acorn Antiques, the Musical . She also took a full part in the social life of the Garrick, performing in several fund-raising cabarets - and she became a regular behind the bar pulling pints along with Janet Slade and Elaine Saville - a formidable, yet fun, trio. Back to In Memoriam page

Return to Productions Archive Garrick Production Hobson's Choice Altrincham Garrick STUDIO 2025/26 Season - A Series of Manc Plays Ran Apr 28, 2026 - May 3, 2026 Age guidance Venue STUDIO Theatre Running time TBC Tickets Price Range £13 - £15 Description Written by Harold Brighouse Directed by Ros Greenwood Salford. 1880. A father and daughter go head to head in this classic comedy. Widower Henry Hobson is struggling to handle his three grown-up daughters, each seeking a husband and an escape from the family boot-makers’ shop. But with the domineering Hobson spending more time boozing in the Moonraker’s Arms than on the business, the future of the firm and the family is in the hands of eldest daughter, the no-nonsense Maggie. When she sets her sights on the talented boot-maker Willie Mossop, it’s the start of an unlikely partnership that threatens to ruin Hobson’s trade. Reluctantly, he’s forced to make a choice… Reviews Stage Struck - Rick Bowen "The Garrick’s intimate studio theatre turns out to be the perfect setting for a play that still sounds remarkably fresh when you consider it was first performed more than 100 years ago...", "Not a word of the dialogue is lost and all the cast deserve plaudits for the way they bring their respective roles to life..." "A much needed, feel good antidote to these very serious times. Have a right good laugh and enjoy." READ THE FULL REVIEW HERE: https://www.stagestruck.info/blog/2026/4/29/hobsons-choice-altrincham-garrick Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production Oppenheimer Bio-drama about J. Robert Oppenheimer, the mastermind of the atomic bomb Ran Feb 24, 2025 - Mar 1, 2025 Age guidance Age: 14 + Venue Main House Running time TBC Tickets Price Range £10.50 - £16.50 Description By Tom Morton-Smith Directed by John Cunningham Associate Direction by Carole Carr 1939: fascism spreads across Europe, Franco marches on Barcelona and two German chemists discover the processes of atomic fission. In Berkeley, California, theoretical physicists recognise the horrendous potential of this new science: a weapon that draws its power from the very building blocks of the universe. Struggling to cast off his radical past and thrust into a position of power and authority, the charismatic J Robert Oppenheimer races to win the 'battle of the laboratories' and create a weapon so devastating that it would bring about an end not just to the Second World War but to all war. Originally written for the RSC in 2015, Tom Morton-Smith's play takes us into the heart of science, politics and humanity clashing in the propulsive story of the Manhattan Project and the development of the world’s first nuclear bombs. Reviews Gallery Trailer Trigger Warning This production contains strong language, sexual references and adult themes, including suicide, references to racism and other challenging themes. The production also contains graphic descriptions of the Hiroshima and Nagasaki nuclear attacks and aftermath, which may cause upset or distress. Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Previous Next Sheila Hine Sheila had a long and distinguished career in amateur dramatics, at both the Garrick and the Wilmslow Green Room. At the Garrick, she was a prolific and versatile actress, performing in numerous plays from the 1960s into the 2000s. Her first time on stage was in Goodnight Mr Puffin in 1965 and some of her other credits include The Killing of Sister George , Relatively Speaking , Vivat! Vivat! Regina (as Elizabeth I), Cause Celebre , and The Wizard of Oz (as Aunt Em). Her final performance was in Les Liaisons Dangereuse in 2005. She was also an occasional director, and worked backstage in make-up, as an ASM and as prompt. Sheila was equally busy at the Wilmslow Green Room during the same period. As an actress, her first role there was in Nude with Violin in 1966. She also directed productions, and was involved backstage in make-up, wardrobe and as a prompt. Sheila also took part in the Green Room's many productions at Gawsworth Hall, both as an actress and director. Back to In Memoriam page

Previous Next Janet Slade Janet joined the Garrick in 1986. She appeared in over 70 plays on the Mainstage, in the Studio and at the Edinburgh Fringe. She was a primary school teacher who, for 14 very successful years, became heavily involved in gymnastics, primarily as a choreographer to international level. Her first protégé, Kathy Williams MBE, competed at the Los Angeles Olympics in 1984. After she retired from the sport, and because she had studied Drama and Dance at Didsbury College, it was natural that she should try her hand at acting. Following a successful Garrick audition, she very quickly showed her versatility by being cast in 4 productions in her first season including as 15-year-old Ruby in 'When we are Married' and as 60-year-old Aunt Edie in 'Sailor Beware'. Known as a director's dream, with immaculate comic timing, she was cast in many comedies and farces, and she used to say that one of her greatest thrills on stage was delivering a laugh line and then waiting a split second to hear the audience explode with laughter. A GMDF and NODA award winning actress, she was also heavily involved off-stage, prompting many productions, serving pints behind the bar, choreographing several musicals, and serving on the Play Selection and Casting Committee. One theatre critic wrote 'Janet Slade might be small in stature but she absolutely fills the stage'. Audiences agreed. Back to In Memoriam page