An Inspector Calls at the Altrincham Garrick Theatre. Garrick Production An Inspector Calls Ran Invalid Date - Jul 24, 2013 Age guidance Venue Running time Tickets Price Range Description This riveting, ever-popular examination of conscience and class has made regular appearances throughout our history and takes pride of place in this historic season. When Inspector Goole arrives unexpectedly at the prosperous Birling family home their peaceful dinner party is shattered by his investigations into the death of a young woman. His startling revelations shake the foundations of their lives and challenge them to examine their consciences. Gripping and thrilling, if you haven't seen this theatrical masterpiece before - you must! If you have - see it again. This play never disappoints. [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/11/An-Inspector-Calls-1-e1384181709369.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/11/An-Inspector-Calls-2-e1384181091258.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/11/An-Inspector-Calls-3-e1384181162818.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/11/An-Inspector-Calls-4-e1384181199169.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/11/An-Inspector-Calls-5-e1384181230593.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/11/An-Inspector-Calls-6-e1384181258442.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/11/An-Inspector-Calls-7-e1384181291421.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/11/An-Inspector-Calls-8-e1384181322714.jpg|"] Pix by Vish CAST LIST Arthur Birling - Richard Sails Sybil Birling - Bev Stuart-Cole Gerald Croft - Anthony Morris Sheila Birling - Laura Whitehurst Edna - Margaret Kenyon Eric Birling - Tom Sneyd Inspector Goole - Paul Wilson Prompt - Ros Greenwood ASM - Jackie Wheble ASM - Margaret Kenyon Messenger REVIEW by Rick Bowen A magnificent production of a Priestley classic DEEPLY thought provoking and tense, An Inspector Calls is a truly classic play. Altrincham Garrick's production of Priestley's masterpiece is so good my eyes were glued to the stage throughout, a tribute to director John Chidgey and a very fine cast. Paul Wilson has a powerful stage presence as Inspector Goole, the mysterious character who ruins the cosy family celebration of the Birlings, with some disturbing revelations regarding a 'young woman's harrowing death of a young woman denied help when she needed it most. I can't remember the last time a performance excited me so much and I hope this is the start of a long, long association with this 100 year old society. But Paul is in very good company, with Richard Sails excelling as self-made businessman Arthur Birling, a champion of the 'survival of the fittest' philosophy. Beverley Stuart-Cole is positively hateful as Arthur's horrible, hard faced wife Sybil and it's impossible not to warm to their daughter, Sheila, thanks to Laura Whitehurst. This character and her brother Eric offer some hope for the future, in a play that?s as much a plea for social compassion as it is a compelling drama. An Inspector Calls played to a packed house on Monday night. It'd be a crime if this isn't repeated throughout the run as this is for me, the Garrick's best production of 2013. Magnificent. Star Rating ★★★★★ Review by Julia Taylor for remotegoat 'Sinister Inspector disrupts wealthy family' All I can remember about the last time the Garrick presented this play two years ago, are the copious amounts of dry ice which were slightly overpowering, especially to those on the front row. The only (very minor) irritation this time is a chair which temporarily blocks the view of the beautiful Sheila Birling, whose engagement to Gerald Croft is celebrated in the opening scene. The atmosphere is relaxed as the Birling family drink port around the table, until the unexpected arrival of Inspector Goole (Paul Wilson). His revelations about the connection of family members to the death of a young, pregnant factory worker insidiously change things. Paul Wilson's is the key role and he conveys well the manipulative side of his character though he could have been slightly more sinister. Although the Garrick stage is wide the director, John Chidgey, manages to make it feel claustrophobic as one member of the family after the other, is targeted by the wily copper. First on his list is Arthur Birling whose pomposity is well illustrated by Richard Sails. It is intriguing to see his ego slowly deflate under intense questioning. One by one, Arthur's daughter, Sheila (Laura Whitehurst), her fiance, Gerald (Anthony Morris), his son, Eric (Tom Sneyd) and wife, Sybil (Bev Stuart-Cole) are implicated. I particularly enjoy seeing the reaction of high and mighty Sybil. Bev Stuart-Cole handles her downfall well as she faces the worst possible outcome - losing face. The Wardrobe department should be praised for their work, especially the gorgeous dresses worn by Sybil and Sheila Birling. This play is beautifully written by J. B. Priestley whose surprise ending gives food for thought. Star Rating ★★★★ NODA REVIEW by Kevin Proctor 'An Inspector Calls' - J.B Priestley's finest piece which focuses on the well-off Birling Family whose night of richness and 'celebration' is interrupted by the presence of an Inspector who begins throwing accusations, at all of them, in relation to the suicide of a young working-class girl. The layout of the stage and the quality of the set really gave credit to the piece and the costumes were a vision though the focus was undoubtedly on the quick-paced and hard-hitting acting. There wasn't a single section of this production that wasn't enjoyed or appreciated. The entire cast acted superbly, not a weak link among them. Richard Sails as the bluff and smug factory owner, Arthur Birling. Tom Sneyd, as his son Eric, doesn't over-do the limp dissoluteness. Paul Wilson as Inspector Goole (entered in the recognisable raincoat and trilby) is Scottish, which works well whether deliberate or just happens to be so! Bev Stuart-Cole was transformed into the hard faced Sybil exposing her versatility as a performer as was Anthony Morris, as Gerald, who excels when playing something he can really grasp and sink his teeth into a grand job! I adored Laura Whitehurst in the role of Sheila, she literally through everything into her performance which left her an emotional wreck - entirely believable. A great team was evident in this cast; they gelled, were well balanced and clearly loved every minute of it - magic! This piece is traditionally one act, though an interval had been included, for reasons I've guessed and completely understand, though the decision was made to start the second act repeating the last two minutes from where we broke, this is a nice idea though I was a little confused as to why the blocking had changed for the second time around, was this a simple oversight. Judging by the standard of the production I find something so blatant hard to believe so began questioning whether it was deliberate to suggest that - something isn't right? Whatever the reason or fault, the interval worked in this productions favour as it was the break which highlighted to me how much I'd been engrossed as I didn't want it to end and couldn't wait for the second half to kick off again. The message that we must never forget our social consciences and the way in which we treat those around us, especially those less fortunate? was conveyed at the right level. There really isn't much more to say other than this was a faultless and incredibly impressive production which has stayed prominent in my mind for several days after. Congratulations to Director, John Chidgey, the cast and committee for a triumphant production! Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Enlightenment at the Altrincham Garrick Theatre. Garrick Production Enlightenment Ran Invalid Date - Jul 29, 2013 Age guidance Venue Running time Tickets Price Range Description Lia's son Adam has disappeared whilst on a world trip. His whereabouts at the time of his disappearance are not known exactly, but he may have been in Djakarta when it was bombed. Lia is in a state of anguished limbo not knowing if Adam is dead or how he died or is possibly alive and suffering in the hands of kidnappers. Lia turns to the comforting words of a scatty spiritualist for solace. Lia's sceptical husband Nick is concerned for his wife's mental health. Suddenly they receive the news that their son has been found. They eagerly wait to greet their son, only to find that a young man, allegedly suffering from amnesia and scarred after an accident, comes into their lives in possession of Adam's passport and personal possessions. Lia invites him to stay, against Nick's wishes, hoping to learn more about Adam's whereabouts. The young man becomes increasingly psychotic and intrusive. His erratic behaviour becomes frighteningly sinister. This is a darkly disturbing piece. CAST Lia Bev Stuart-Cole (AWARD) Nick Scott Ransome Mrs Tindle Carole Carr Gordon Alan Rothwell Joanna Kate Millington Adam Anthony Morris (AWARD) Sale & Altrincham Messenger's Review By Rick Bowen Hauntingly compelling - Enlightenment at Altrincham Garrick While I wouldn't dream of decrying light entertainment, for me live theatre is at its best when it puts you in someone else's shoes. Even if "wearing" them can, at times, be a decidely uncomfortable experience. Imagine if you can, the pain of a parent whose child has gone missing for six long and tortuous months. Lia finds herself in that situation in Enlightenment, Altrincham Garrick's hauntingly compelling penultimate play of the season. She's clinging to her memories of her missing son, Adam, while on other occasions, grieving for somebody who could still be alive. For me, this is Beverley Stuart-Cole's best ever performance on the Garrick stage and, as the liberal Lia, she ensures there's no hiding place for the audience when it comes to Lia's anguish. Things get even more tense and complicated when Lia and her more measured husband Nick (Scott Ransome) take in the dangerously manipulative Adam. He bears a passing resemblance to their missing son, according to Lia, and comes armed with his personal effects. Anthony Morris is quite outstanding as the cruel and vulnerable Adam and we never know if he had any dealings with Lia and Nick's missing boy. Sheelagh Stevenson leaves it open ended in a play that will hold your attention in a vice-like grip from the start. Enlightenment is difficult viewing at times but it is a long time since a play has affected me quite so deeply, due in no small part to director John Cunningham and a very, very good cast. Do not miss. Star Rating ★★★★ ★ Review of Enlightenment by Julia Taylor for remotegoat Parents mourn son's unexplained disappearance The Garrick have courage in putting on Shelagh Stephenson's play, Enlightenment. Unfortunately, her convoluted style distracts from the main theme of the play - the distress of parents whose backpacking son has gone missing in the Far East. This is a compelling theme so why does the writer take us down the blind alley of chaos theory and other distracting diversions? These interventions are, for me, irritating. Surely, parents who fear their child has been killed in a terrorist incident far from home would be unable to think of anything else? My thoughts about the play's style of writing, do not detract from praise for the actors and for Barry Fletchers's minimal set with photographic backdrop showing the 2006 Jakarta bombings and other themes. The key roles of parents Lia and Nick are put across well by Beverley Stuart-Cole and Scott Ransome. They interact perfectly, sharing their grief but approaching it from different angles. Lia clings to the belief that her son, Adam, is alive whilst Nick, who is not Adam's real father, tries, unsuccessfully, to get on with life. The way Beverley captures the mother's anguish indicates one of the best performances by Stuart-Cole in her 26 years with the Garrick. Her character turns to a clairvoyant (Carole Carr) for help but her intervention is, to say the least, useless. Then a stereotypical TV reporter (Kate Millington) attempts to take advantage of the situation, again leading them up a blind alley. The only incident which provides the slightest thrill (this play is dubbed a "psychological thriller") is the unexpected appearance of a young man from Thailand who has lost his memory but who obviously knew Adam. Anthony Morris who plays him brings the play to life in the second half. I expect good plays to have a clear beginning, middle and end. In this one, the beginning has too slow a pace and the end leaves you in limbo. It is the middle that stands out when the couple are told their son is alive and arriving at the airport. Lia's expression of delight is unforgettable. In the final scene, the parents embrace. Is it because they are happy or because they are sharing their sadness? And then the telephone rings. Could it be Adam? NODA Review by Kevin Proctor ENLIGHTENMENT starts with an intriguing situation: Adam, a 20-year-old backpacker vanished six months ago during a round the world trip. We watch as his mother and stepfather agonise over the mystery of his disappearance. Could he have been killed in a bomb explosion in Jakarta where he was last heard from, or is there a chance he is still alive? Beverley Stuart-Cole delivers the strenuous grief stricken Mother, Lea, with intense believability, her performance is both compelling and heartfelt. Beverley excelled and treated us to a superior performance worthy of a professional stage. John Cunningham has stunningly directed this contemporary piece, the balance is accurate and the tone of the work was impeccably communicated via his dream cast. Alan Rothwell injects some light relief as Lea's forthright Father, he certainly has the knack of delivering those genius one liners which were savoured by all. (During the interval I heard several different takes of ?'who the f**k are you'?) I very much enjoyed Carole Carr's Mrs. Tindle, she, like Alan, added some welcome light relief and she delivered the part at an accurate level. I imagine this to be one of those roles which can often be pushed too far for the laughs, Carole and John had kept a check on this which, if pushed more towards the comedy, however tempting, would've thrown the entire play off course, kudos for this! After some time away at university, Anthony Morris makes a triumphant comeback to the Garrick with a knockout performance. He plays the troubled individual with such calibre and expertise. A very thought provoking enactment from this young man - who I hope is back to stay! Excellent support was on hand too from Scott Ransome as Nick who's highlight was undoubtedly the scene with his 'Lovely, Lovely' outburst at Mrs. Tindle. Kate Millington had all the right qualities as Joanne and gave a worthy interpretation of this nuisance (who turns out to be quite lovely). There's a twisted emotional knot in the very guts of this intensely likeable and relentless drama, another exciting and audacious choice from the play selection committee! What an impressive final play of your first century Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Translations at the Altrincham Garrick Theatre. The Irish Studio Season: A Drama about community, culture and language Garrick Production Translations The Irish Studio Season: A Drama about community, culture and language Ran Jun 10, 2025 - Jun 15, 2025 Age guidance 12+ Venue Altrincham Garrick Studio Running time TBC Tickets Price Range £12.50 - £14.50 Description Written by Brian Friel Directed by Charlie Tomlinson It’s August 1833. The pupils have gathered in a hedge-school in the townland of Baile Beag/Ballybeg; an Irish-speaking community in County Donegal which has become the unlikely focal point for a changing world. Progress is coming. Tensions are growing. There are plans for a new English-speaking national school and a recently arrived detachment of the Royal Engineers are making the first Ordnance Survey. For the purposes of cartography, the local Gaelic place names are to be recorded and rendered into English… Brian Friel’s modern masterpiece Translations examines the fractious relationship between people and nations through the lens of language and (mis)communication. Please contact our Box Office on 0161 928 1677 or email boxoffice@altrinchamgarrick.co.uk to book in your school or group (10 tickets or more). Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Silly Cow at the Altrincham Garrick Theatre. Garrick Production Silly Cow Ran Invalid Date - Dec 12, 2013 Age guidance Venue Running time Tickets Price Range Description Anyone familiar with Ben Elton's flair for dialogue will know that they are in for an 'Adult Treat'. Doris Wallace is a tough tabloid columnist with a devoted following. She appears to have everything she could want: Toy boy, with unlimited stuff from Columbia; an attentive P.A.; a tame accountant; a loyal friend who is organising for her to have her very own TV show. But Doris is riding for a fall from grace - with a vengeance. Her 'coterie' is not what it seems and Doris is in for a very, very humiliating experience. Revenge can be sweet. CAST Barry Spencer as Sidney Janet Slade as Doris Pam Nolan as Peggy Allan Taylor as Douglas Matt Lees as Eduardo Rehearsal Photos [gallery columns="5" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/sillycowa.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/sillycowb.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/sillycowc.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/sillycowd.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/sillycowf.jpg|"] Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Jet Set Go! at the Altrincham Garrick Theatre. A high-flying British Musical Comedy Visiting Production Jet Set Go! A high-flying British Musical Comedy Ran Jul 15, 2025 - Jul 19, 2025 Age guidance Venue Studio Running time TBC Tickets Price Range £14 - £16 Description Book and Lyrics by Jake Brunger Music and Lyrics by Pippa Cleary Directed by Richard Ross JET SET GO! Is a high-flying British musical comedy from the writers of ‘The Great British Bake Off Musical’ and ‘The Secret Diary of Adrian Mole Aged 13¾ The Musical’. Join Nicola and her fun-loving transatlantic cabin crew, as they sing up the aisles on a flight to New York you’ll never forget! Ready for take-off is new girl Melanie, who has trouble finding her feet in the air but catches the attention of lovable First Officer Paul. Fiery Puerto-Rican stewardess Julia continues her spicy love affair with arrogant pilot Jim, meanwhile Welsh Valley girl, Hayley is desperate not to be left on the shelf. Also onboard is outrageously camp Ryan who has the hots for fellow flight attendant, Richard. Unfortunately, he is more interested in the Italian sitting in 26C. Head flight attendant, Nicola is tasked to keep control of this larger than life crew – but is she getting too old for the drama? JET SET GO! is witty, tongue-in-cheek and full of catchy tunes. It ran at Edinburgh Fringe before transferring for two sell-out seasons in London. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

The Complete Works of William Shakespeare (Abridged) at the Altrincham Garrick Theatre. Garrick Production The Complete Works of William Shakespeare (Abridged) Ran Invalid Date - Mar 31, 2021 Age guidance Venue Running time Tickets Price Range Description ------------------------------------------------------------------------------------------------------------------------------------ THIS IS A SOCIALLY DISTANCED SHOW. PLEASE ADHERE TO THE GOVERNMENT GUIDELINES WITH REGARDS TO THE WEARING OF MASKS AND GROUP BOOKINGS, IN PLACE AT THE DATE OF THE PRODUCTION. ------------------------------------------------------------------------------------------------------------------------------------ Every Shakespeare play in just 100 minutes! Yes, that's right! All 37 plays in just 100 minutes! An irreverent, fast-paced romp through the Bard’s plays, "The Complete Works of William Shakespeare (Abridged) " was London’s longest-running comedy having clocked a very palpable nine years in London’s West End at the Criterion Theatre! Join these ridiculous folk in tights as they weave their wicked way through all of Shakespeare’s Comedies, Histories and Tragedies in one wild ride that will leave you breathless and helpless with laughter. Download the programme for the week's performance. Rehearsal Photographs taken by Barry Purves [gallery size="medium" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2021/03/Complete-Works-1-scaled.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2021/03/Complete-Works-2-scaled.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2021/03/Complete-Works-3-scaled.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2021/03/Complete-works-4-scaled.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2021/03/Complete-Works-6-scaled.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2021/03/Complete-Works-7-scaled.jpg|"] For lovers of Theatre and Shakespeare everywhere! “What cheek! What nerve! What sheer, heavenly, unadulterated fun!” - Sunday Express. Running Time: 100 Minutes (No Interval) This amateur production is presented by arrangement with Josef Weinberger Limited Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Dick Whittington and his Wonderful Cat at the Altrincham Garrick Theatre. Garrick Production Dick Whittington and his Wonderful Cat Ran Invalid Date - Jun 20, 2016 Age guidance Venue Running time Tickets Price Range Description The rags to riches story of Dick Whittington and his loyal friend Tommy the Cat is a panto extravaganza that's purrfect for the whole family. Dick is off to London to seek his fortune... ...but he needs your help! Come cheer and sing along for our hero and his lovable sidekick, as they travel to exciting lands and magical worlds. Will our hero defeat the evil King Rat? Will he win the hand of the beautiful Alice? And will he make his fortune and become Lord Mayor of London? With the help of everyone's favourites, Dame Sarah the Cook, and Idle Jack, together with a host of exciting characters, and a sprinkling of fairy dust from The Spirit of the Bells, everything is set to be alright in the end! Everything you have come to expect from traditional family pantomime at The Altrincham Garrick Playhouse. [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_9417.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_9480.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_9580.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_9600.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_9660.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_9728.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_9901.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_9969.jpg|"] Photos by Vishal Sharma CAST Spirit of the Bells - Helen Lawrence King Rat - Mike Shaw Captain Cockles - Ewan Henderson Mr Mussels - Howard Yaffe Alderman Fitzwarren - Ivor Farley Alice Fitzwarren - Claire Louise Garrett Dick Whittington - Meg Royle Tommy the Cat - Daisy Brocklehurst Sarah the Cook - Phil Edwards Idle Jack - Peter Brassington The Sultana of Morocco - Helen Lawrence Dancers / Chorus of Citizens / Spirits / Rats / Nubians etc. Ella Murphy, Rose Morris, Amelia Fay, Georgia Geupel, India Connor-Blow, Sophia Simpson, Sophie Lefton, Lydia Horsefield, Lily Odwyer, Emilia Law, Florence Gray, Lauren Cooke Review by Rick Bowen for STAGESTRUCK THE foyer was buzzing with excitement before we went in to watch this fun filled family pantomime, the mood heightened by a small army of enthusiastic children, eager to enjoy their festive treat. And yes, both they and the big kids weren't disappointed, as this perfectly paced production, with its perfect comedy timing, left everyone feeling well and truly entertained. That's praise indeed from yours truly, who, when it comes to pantos, is usually less than enthusiastic. For me, this is the best panto I've seen at this theatre, with everything falling perfectly into place. Who can resist the tale of an underdog, as our hero Dick Whittington (a suitably likeable Meg Royle) travelling a long and difficult road determined to achieve his dreams and get his girl. This theatre has a youth group. However, it must have been a great learning curve, particularly for the younger actors, to work with Phil Edwards, who plays the show's larger than life Dame, Sarah the Cook. A seasoned panto performer, Phil really makes the role his own, winning everybody over and swanning around the stage in frocks as loud as the children's boos, hisses and singing. He's ably assisted by his hapless and hopeless son Idle Jack, a Christmas present of a role for Peter Brassington. If I have a minor quibble I thought the cast were more comfortable acting than they were singing, but that in no way diminishes the enjoyment of the audience who were very appreciative when I saw the show. Writer/director Alan Clements shows its perfectly possible to wear with distinction "two hats," which should be paper and coloured at this time of year. If you want to escape the repeats on Christmas TV or just fancy a good night out, Dick Whittington and his Wonderful Cat is for you. Star rating ★★★★ Review by Julia Taylor for SALE AND ALTRINCHAM MESSENGER FROM the opening scene featuring the citizens of London, the Garrick's Panto warms the hearts of young and old. There are no smutty jokes though it's full of fun as it tells the tale of Dick Whittington and his wonderful Cat as he seeks his fortune in London. The script is written by Alan Clements who also directs it. He's a master of the art of panto and the cast soon has the kids at the matinee performance shouting 'He's Behind You.' They love every minute and shout their heads off every time a gorilla appears. Dick Whittington is played by a thigh slapping Meg Royle with a gorgeous voice. Her girlfriend, Alice, (Clare Louise Garrett) sings equally well and their duet sends shivers down your spine. No microphones needed here! Phil Edwards returns as the Dame singling out someone called Nigel sitting on the front row for special taunting. Nigel is a great sport. Phil and Peter Brassington's Idol Jack keep the kids amused. Mike Shaw, who plays the baddy, King Rat, gets his just deserts at the end from Daisy Brocklehurst's clever cat and, throughout, from the booing, jeering kids. In contrast, the scene representing fish and sea creatures apparently swimming across the stage is haunting. The dancing, too, is second to none. From the hornpipe to gentle ballet movements, they are a joy to watch. Mike Shaw and his team of helpers must be congratulated on the colourful costumes. This is panto at its best. Star rating ★★★★ Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

A short obituary of Ken Curragh, from the Altrincham Garrick Society. Previous Next Ken Curragh Ken was a long standing member of the Garrick as an actor, and was at one time Workshop Manager. He also acted for a number of other societies in the area and was a very enthusiastic supporter of amateur theatre. Back to In Memoriam page

Murder On The Nile at the Altrincham Garrick Theatre. Garrick Production Murder On The Nile Ran Invalid Date - Dec 16, 2013 Age guidance Venue Running time Tickets Price Range Description Set in Agatha Christie time on a luxurious, traditional Nile steamer we are once again caught up in tangled motives, hidden agendas and crime... Who is the perpetrator? And will you, the audience, solve the mystery before the passengers? A must for all Agatha Christie lovers. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Camelot at the Altrincham Garrick Theatre. The first production on stage after the major Auditorium and Foyer refurbishment of 1999 Garrick Production Camelot The first production on stage after the major Auditorium and Foyer refurbishment of 1999 Ran Oct 18, 1999 - Oct 23, 1999 Age guidance Venue Running time Tickets Price Range Description Directed By: Terry Chandler Music by Frederick Loewe Book & Lyrics by Alan Jay Lerner The Court of Camelot receives Guinevere as King Arthur's Queen. The fame of Arthur's Round Table brings the cream of Knighthood to Camelot and none is more renowned than Lancelot du Lac. Guinevere is attracted to Lancelot and is torn between her love for Arthur and her fascination for Lancelot. When their illicit love is revealed by Mordred they are sentenced to burn, but escape to France where Arthur finally forgives them. This breathtakingly glamorous musical will have costumes designed and made by our Wardrobe Master, Mike Shaw, will be under the direction of Terry Chandler and Mark Goggins will be our musical director. One not to be missed! Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Peter Pan - The Garrick Pantomime at the Altrincham Garrick Theatre. The High Flying Garrick Pantomime Garrick Production Peter Pan - The Garrick Pantomime The High Flying Garrick Pantomime Ran Dec 10, 2021 - Jan 3, 2022 Age guidance Venue Running time Tickets Price Range Description OUR FESTIVE SHOW FOR 2021/22 IS OUR PANTOMIME VERSION OF ‘PETER PAN’ The High Flying Garrick Pantomime BOOKING NOW! Journey to Neverland for a high-flying Pantomime adventure you’ll never forget! The forever-young Peter Pan sails through the skies to bring Wendy and the Darling children to the Lost Boy’s enchanted island, where the fearsome Captain Hook rules over the high seas. Written by Tom Whalley and based on the timeless book by JM Barrie, the Altrincham Garrick Playhouse brings you a perfect Pantomime for all the family. Fairies, mythical creatures, pirates, singing, dancing and flying! Take the second star to the right and keep straight on ’til morning and we’ll see you in Neverland! By Tom Whalley Directed by Joseph Meighan and Val Watkinson Musical Direction by Peter England Choreography by Vanessa Cockburn Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Crown Matrimonial at the Altrincham Garrick Theatre. Garrick Production Crown Matrimonial Ran Invalid Date - Feb 7, 2014 Age guidance Venue Running time Tickets Price Range Description The play focuses on the private family drama of Edward VIII and the Royal Family leading up to the abdication. Set in Marlborough House between 1936 and 1945, this powerful drama provides a fascinating and moving study of both a major constitutional crisis and an over-whelming issue of private and public conflict. CAST Mabel, Countess of Airlie Helen Cowan Queen Mary Carole Carr Margaret Wyndham Ruth Metcalfe Queens page (John) Stuart Bilson King Edward VIII (David) John Keen The Princess Royal (Mary) Mandy White Alice, Duchess of Gloucester Paula Keen Walter Monkton K.C. Mark Jephcott Elizabeth, Duchess of York Beverley Stuart-Cole Bertie, Duke of York Hugh Everett [gallery columns="5" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/crowna.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/crownb.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/crownc.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/crownd.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/crowne.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/crownf.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/crowng.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/crownh.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/crowni.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/crownj.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/crownk.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/crownl.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/crownm.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/crownn.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/crowno.jpg|"] Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Middle at the Altrincham Garrick Playhouse. A Season of Connection: stories that bind us, break us, and bring us back together Garrick Production Middle Date range Tickets £13 - £15 Age guidance Venue Garrick Studio Trigger warning Find out more Book now Running time TBC Group bookings Find out more Accessibility Find out more Written by David Eldridge Directed by Lou Kershaw Every relationship reaches a crossroad some time. As dawn breaks, Maggie is heating some milk and Gary wonders what she’s doing out of bed. Maybe it’s time for an honest conversation – but how much honesty can this marriage take? Their unhappiness, questions about the direction of their lives, their years together, and what they actually still want from life. It is all about to come out. Is this the beginning of the end, or is it just the middle? Middle is a truthful, moving and funny portrait of a forty-something couple whose marriage hangs in the balance, with all the beauty, awkwardness and honesty of real life. This is the second of three plays by David Eldridge. Beginning, Middle, and most recently, End make up a fascinating trilogy exploring love and relationships. End has just recently finished a successful, sell-out run at the National Theatre. This production is part of the Garrick Studio 26/27 Season - A Season of Connection: stories that bind us, break us, and bring us back together. Garrick Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Subscribe to our Mailing List

Sherlock Holmes - The Final Case at the Altrincham Garrick Theatre. Garrick Production Sherlock Holmes - The Final Case Ran Invalid Date - Aug 12, 2013 Age guidance Venue Running time Tickets Price Range Description Having foiled the plans of his nemesis, Professor Moriarty (The Napoleon of Crime), Holmes and Watson are pursued by Moriarty and his cohorts across Europe. After many adventures Holmes and Moriarty come face to face on top of the Reichenbach Falls in Switzerland. The final contest between the two men ends Act One, with them locked in each other's arms and reeling over to surely certain death into the fearful torrent below. Act Two opens with the surprise return of Holmes and the introduction of another Sherlock Holmes favourite, Inspector Lestrade of Scotland Yard. Holmes, Watson and Lestrade are intrugued by the coincidences connecting events from Act One and a murder that has just occurred at Birlstone Manor in Sussex. They are resolved to investigate and solve the mystery. You will not be surprised to learn that they do! In fact, as Holmes explains, 'It was elementary, Watson.' On the last page of the play they learn that Professor Moriarty has also survived the Reichenbach Falls, so both men live to fight another day. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

A short obituary of Mike Stocks, from the Altrincham Garrick Society. Previous Next Mike Stocks Mike was a talented set designer, with many of his sets gracing the stage between the 1980s and the early 2000s. Mike spent most of his working life in the profession, designing and working on sets for theatre and TV. He worked in the design department at Granada TV on such classics as Brideshead Revisited until his retirement. Happily for the Garrick, he spent his latter years volunteering. Mike had a great sense of humour and a very quick wit. Having run his own dance band after the war, he was no mean performer on the drums ... as Garrickers often witnessed at the Christmas Draw. Back to In Memoriam page

A short obituary of Ron Harvi, from the Altrincham Garrick Society. Previous Next Ron Harvi Ron was Artistic Director at the Garrick from 1967-71, when he directed at least six shows each season as well as designing sets and working in the Sound box. He started his career at Manchester Polytechnic teaching speech and drama and, after his stint at the Garrick, he worked for Granada Television, appearing in shows and series such as Coronation Street (see photo). He also took part in several productions of Shakespeare plays for Birmingham Rep, and acted at the Manchester Library Theatre. Ron had a wonderful speaking voice and he was often heard on Book at Bedtime and Storytime on Radio 4. Back to In Memoriam page

The Wind in the Willows at the Altrincham Garrick Theatre. Garrick Production The Wind in the Willows Ran Invalid Date - Dec 16, 2013 Age guidance Venue Running time Tickets Price Range Description Originally commissioned by Nicholas Hytner for the National Theatre as a Christmas entertainment, this version proved so popular it was revived again and again. This is a perfectly faithful adaptation which remains true to the spirit of the joy of the riverbank without being quite so gentle. The lyricism remains through the music and all the characters, Mole, Rat, Badger and the irrepressible Toad, to say nothing of the wicked Weasel, are here in all their glory. This will be a treat for all the family and a tremendous end to our 2005 season. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

A Christmas Carol - A Ghost Story at the Altrincham Garrick Theatre. Garrick Production A Christmas Carol - A Ghost Story Ran Nov 20, 2023 - Nov 25, 2023 Age guidance Venue Running time Tickets Price Range Description A winter ghost story? Bah humbug! It's Christmas Eve. As the cold, bleak night draws in, the penny-pinching Ebenezer Scrooge is confronted by the spirit of his former business partner, Jacob Marley. Bound in chains as punishment for a lifetime of greed, the unearthly figure explains it isn't too late for Scrooge to change his miserly ways in order to escape the same fate. But first he'll have to face three more eerie encounters... Mark Gatiss' spine-tingling adaptation is faithful to the heart and spirit of Charles Dickens' much-loved festive ghost story – with an emphasis on the ghostly. Recommended: 10+ Production Shots - Taken by Martin Ogden Reviews Number 9 - John Waterhouse The story of the miser Scrooge’s redemption has become as much a part of Christmas as Santa Claus, festive decorations and mince pies. The amount of adaptations and versions almost rival any Shakespeare play with the Muppets, Blackadder and East Enders each having famously presented their take on the story alongside countless film and TV versions with the lead role going to actors as varied as Michael Caine, Patrick Stewart, George C. Scott and Albert Finney. There have been musical adaptations, animations, comedy versions and modern re-settings (notably Scrooged in 1980’s New York with Bill Murray). Against all this, Altrincham Garrick presented a new adaptation that aimed to be as true as possible to the original 1847 story. The look of this production was very ‘gothic’ with a grey set (resembling cold stone), black costumes and a sombre appearance of bookcases covered in drapes and papers littering the stage floor. This was in keeping with Dickens’s own views of the harshness of life in Victorian times and there was no attempt to find humour in any of the characters or their surroundings. A key aspect of this production was the presentation of Scrooge; not an amusingly grumpy miser but an aggressive tyrant who was not above hitting people with his stick and striking fear into those who encountered him. Jonathan Black’s interpretation of Scrooge ensured that he could not attract any kind of tragic sympathy; this was a genuine villain in a world of cruelty and injustice. No attempt was made however to change the traditional countenance of the ghosts who respectively for Christmas’s past, present and future were a whimsical fairy, a jovial character modelled on Father Christmas and the Spirit of Death. A perhaps unusual aspect of this rendition of A Christmas Carol was the transformation, once Scrooge has seen the error of his way. His glee at finding himself still alive and not too late for Christmas was in greater contrast than usual to his former self, with the character suddenly transforming from a figure of hate to one of sympathy (certainly in sharp contrast to many other adaptations!). This change was carried through into the overall show with all the characters suddenly appearing in vibrant reds, blues and greens rather than uniform sombre black. This effect was further enhanced by the sudden appearance of a choir and hand-bell ringers; everything really had gone from black & white to colour and a feeling dull morbidity transformed into celebration and good cheer. To fully tell the story, a certain amount of stylisation was needed for the stage and Gatiss used a cast of ten who variously played all the characters (apart from Scrooge) in addition to providing a narrator and collectively becoming an ensemble for street crowds, party goers, funeral mourners, and all the other presentations of life in Dickensian times. This was handled well; sometimes it being hard to tell which ensemble members had played which characters through a combination of excellent costumes and strong acting. A back curtain with slits allowed for the rapid entry and exit of the ensemble and this was overall a very slick production. Credit must also be given to some very effective sound effects that certainly enhanced the ghostly feel of the performance. This was an interesting return to the authentic concept of what A Christmas Carol was meant to be; a genuinely disturbing tale of social injustice set against the backdrop of a ghost story, tempered by some scenes of good-natured humanity and festive merriment. An enthusiastic cast and some skilful direction did full just to the adaptation providing a perfect entre for the start of the festive season. StageStruck - Rick Bowen This is a story I know backwards and yet the redemption of one of one of our most famous skinflints still captures my imagination. Jonathan Black gives the performance of his amateur acting career to date as Scrooge, a man obsessed with making money and oblivious to the plight of the poor around him. Black is ultimately convincing as a man whose money making ways are most memorably challenged by three festive spirits. Barry Purves’ production also captivated a large group of young people in the Garrick audience on opening night and will hopefully convince them to look beyond a screen for their entertainment. Scrooge’s encounters with the supernatural are also genuinely scary. I also really liked the way in which the production uses music to heighten the tension and provide a stirring seasonal climax to a hugely enjoyable evening out. Even the real life Scrooges watching this are sure to be won over and turned into fans of the impending seasonal to be cheerful thanks to the consistently creative Purves and his backstage team. But this production of A Christmas Carol isn’t just the Jonathan Black/Barry Purves show. There’s so much more to enjoy, like the performance of the supporting cast. Now here’s the bad news - the production is a complete sell out. If you hear of any returns snap them up. You certainly won’t be disappointed. This is the best Christmas present Altrincham Garrick could possibly give us theatregoers. North West End UK - Hannah Wilde The Christmas season is well and truly on now, with Altrincham Garrick’s performance of A Christmas Carol kicking off the festive roster. This production had flashes of theatrical excellence, but sadly there were a number of areas that just didn’t capture the audience in the way director Barry J C Purves would perhaps have wanted. The lead antagonist, Jonathan Black as Ebenezer Scrooge, gave a fantastically nuanced and well-delivered performance – the audience really bought into him in the first act as the well-known miser who struck fear into the heart of the people of Victorian London, yet in the second act you could really believe his redemption after seeing the spirits of Christmas Past, Present and Future. Given the supernatural nature of the story, it was a difficult narrative to portray onstage – however, director Purves and his team did put on a good show. The iconic scene where the knocker transforms into Jacob Marley’s face left a lot to be desired, but other areas (like the costume developed for the Ghost of Christmas Present, as well as the ghostly lighting and sound effects used to portray the paranormal) did give the performance more credence. That said, from a technical standpoint I do think the lead characters (Scrooge, Cratchit, Jacob Marley and Tom) would have benefitted immensely from the use of onstage microphones to keep the narrative on track. There were some areas of the show that can’t be overlooked – the stylised sequence at the Cratchit dinner table which involved some form of interpretive movement with napkins was disturbingly jarring and didn’t fit in with the overall tone and style of the piece, while the creative decision to cut to the interval just after the arrival of the Ghost of Christmas Present was equally jarring, leaving the audience (and myself) confused and a little disorientated. However, many of the elements of the show were very good – the period costumes were a great addition to set the scene, the staging was simple yet hauntingly effective, and every cast member delivered their parts with gusto and panache. Of note was the show’s finale, which saw the unexpected arrival of the full Altrincham Garrick Show Choir (led by Choir Master Dan McDwyer) to finish out the show with Victorian classic carol O Come All Ye Faithful – a fitting end to its namesake show, A Christmas Carol. All in all, although this particular Christmas Carol failed to hit all the notes, it was a very nice harmonious piece that left the audience feeling festive and fulfilled. A Christmas Carol is playing at The Altrincham Garrick Playhouse from Monday 20th to Saturday 25th November 2023 and is sold out, check daily for returns. Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Jack & the Beanstalk at the Altrincham Garrick Theatre. Garrick Production Jack & the Beanstalk Ran Invalid Date - Aug 7, 2013 Age guidance Venue Running time Tickets Price Range Description The Garrick's absolutely traditional pantomime has been given a rock'n'roll theme by Chris and features all panto's favourite characters - Jack (played, of course, by a woman), Mother Mack, the dame (played, of course, by a man), Simple Simon, the village idiot, the Sheriff (the arch villain) with his two sidekicks Georgy and Porgy, a fairy godmother, Little Bo-Peep, the Giant and his wife and not forgetting Buttercup, the cow. A real family treat. CAST Stephanie Hawthorn as Jack Derek Stuart-Cole as Mother Mac Katherine Whibley as Bo-Peep Brian Howlett as Simple Simon David Reynolds as the Sheriff Richard Frost as Georgie Frank Boylan as Porgie Brian Stoner as the Giant Jane Inglis as the Giant's Wife Marina Anderson as Miranda and the Firy Godmother John Newton & Darren Staunton as Buttercup Stephanie Hampson as Mini Mother Mac Laura Cress as Mini Simple Simon David Peckitt as Mini Sheriff Matthew Gibbon as Mini Georgie Natalie Carr as Mini Porgie Louisa Carr as the Magic Hen Other Villagers, Ghosts & Pixies played by Claudia Hamilton, Rachel Holmes, Louisa Tratalos Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

A short obituary of Sybil Dodds, from the Altrincham Garrick Society. Previous Next Sybil Dodds Sybil was a tireless volunteer at the Garrick, working mostly in the kiosk and running the coffee bar from October 1959 until the late 1970s. In recognition of her long service, she was awarded Honorary Life Membership in 1977. A generous benefactor of the Garrick, she also took a full part in its social life. Back to In Memoriam page

Drowning On Dry Land at the Altrincham Garrick Theatre. Garrick Production Drowning On Dry Land Ran Invalid Date - Feb 7, 2014 Age guidance Venue Running time Tickets Price Range Description A witty and topical play, which explores our obsession with celebrity status and the ordinary person who desperately tries to get their 15 minutes of fame. The play also demonstrates how celebrity status can be lost as quickly as it is obtained and how ruthless and fickle the media can be. However, one man's downfall inevitably leads to someone elses gain. Alan Ayckbourn's recent play reflects our obsession with celebrity culture today. CAST Charlie Conrad Simon Royce Linzi Ellison Beverley Stuart-Cole Jason Ratcliffe David Beddy Hugo de Prescourt Martin Oldfield Gale Gilchrist Kathryn Worthington Marsha Bates Natalie Horne Simeon Diggs Steve Williamson Sale & Altrincham Messenger's Review by Rick Bowen The price of fame DROWNING On Dry Land is full of characters you wouldn't cross the road to avoid - you'd cross a continent. They really are a horrible bunch and when the leading man falls off his celebrity perch you greet his demise with a mere shrug of the shoulders. It?s almost as if they?re engaged in some sort of contest to see who can be the most objectionable, from the gushing, back stabbing TV personality Gale Gilchrist to the hard faced Linzi Ellison. While I wouldn't describe the piece as vintage Alan Ayckbourn - the ending is particularly weak - there are some great lines and priceless scenarios to enjoy. He's a clever beggar, that Ayckbourn. Altrincham Garrick's latest production features a strong ensemble cast and the pick of the performances come from Simon Royce as the famous failure Charlie Conrad, Kathryn Worthington as the horrendous Gale Gilchrist and Natalie Horne as the mousy children's entertainer Marsha Bates. Her poor face was a picture as Conrad's smug and smarmy lawyer Hugo de Prescourt tied her up in knots over her allegation against Conrad, a man with all the personality of a tailor's dummy. Ms Horne consistently impresses me whenever I see her at the Garrick and this is a beautifully pitched piece of character acting. In an age in which non entities become celebrities after winning lame brained reality TV shows, 'Drowning On Dry Land' couldn't be any more topical. While it isn't in the same league as Ayckbourn classics like 'Woman In Mind' or 'Absurd Person Singular', this play is hugely enjoyable and highly entertaining and I couldn't resist a satisfied smile when Conrad's world collapses around him. God forbid anything like that should happen to Jade Goody. Star Rating ★★★ M.E.N.'s Review by Julia Taylor HOW often has a child responded to the question "What do you want to be?" with the answer, "I want to be famous". This surely stems from the current penchant for reality TV and the worship of celebrities. How many "stars" can you think of who aren't particularly good? In his 66th play, Drowning on Dry Land, Alan Ayckbourn places his magnifying glass on this aspect of modern life. He does it through a character called Charlie Conrad who becomes famous by accident because he is no good at anything. Like all those who go up, he has only one way to go and that is down, despite and, possibly because of, his agent (David Beddy) and media people who egg him on, not least of them, Gale Gilchrist (Kathryn Worthington). The irony is that his wife, Linzi, a TV presenter, is good at what she does but doesn't receive the same acclaim. Needless to say with a subject like Charlie who is as dim as they come, the play has the audience rocking with laughter. Not only is the dialogue funny but it also contains plenty of down to earth slapstick comedy. Most of this comes from a clown the couple hire to entertain their children. She has a crush on Charlie but when she asks for his autograph, all hell is let loose and it is not the clown who takes the tumble! Natalie Horne switches well from shy Marsha to confident Mr Chortles, the clown. The play is set in a folly well contrived by Juliet Jones and that, has a hidden message in its staircase which never goes to the top, but ends where it began. The irony is obvious. The Garrick are lucky to have a large number of talented people who can successfully take on lead parts. In this play we have Simon Royce who brings the not very bright Arthur to life and Beverley Stuart-Cole who turns his wife, Linzi, into something akin to Victoria Beckham. But what stands out about the Barrington Road theatre is that those who take on smaller parts are consistently good, too. In this case, I liked Martin Oldfield?s Hugo, who captures the clipped formality and stance of a lawyer who rescues Charlie when he is caught in flagrante with his children;s entertainer in front of a journalist. The usual Garrick professionalism prevails and there is just the tiniest twist at the end. Star Rating ★★★★ Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Mr Wonderful at the Altrincham Garrick Theatre. Garrick Production Mr Wonderful Ran Invalid Date - Dec 16, 2013 Age guidance Venue Running time Tickets Price Range Description Norma Green, an unwillingly single factory worker from Manchester is looking for Mr Wonderful through the services of a dating agency. Her mum, Phoebe, who is bedridden and on the verge of Alzheimer's, encourages Norma's quest for romance yet is terrified that one day Norma will leave her for a lover. We see Norma with her various dates and her very special one, Geoff, who charms them both with his wit and style. But is Geoff really all that he appears? And will Norma find true love? A delightful comedy not to be missed. CAST Caroline Hickey as Norma Green Val Bacon as Phoebe Green Alex Wilson as Geoff Lazenby Duncan Battman as Eric Box/Drunk/Lop Wink/Waiter Rehearsal photos [gallery ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/wonderfulb.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/wonderfulc.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/wonderfula.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/wonderfuld.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/wonderfule.jpg|"] Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Up and Coming at the Altrincham Garrick Theatre. Garrick Production Up and Coming Ran Invalid Date - Apr 11, 2017 Age guidance Venue Running time Tickets Price Range Description Riotous political farce from the writer of 'Rising Damp' Philip Conway, Deputy Prime Minister and Leader of the House is attending a party conference. But, tipped to be the new party leader, his campaign for power is in serious danger of collapse. Visits from rivals, fellow conspirators and the all-too-attentive Vicky coincide keeping Philip on his toes; the world's press is in the lobby; there are threats of assassination; students are rioting outside the hotel: an uncomfortable evening is the result! Who will get his - or her - just deserts? This production is proudly sponsored by FMS [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_1299.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_1423.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_1466.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_1554.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_1007.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_1087.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_1113.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_1210.jpg|"] Production Photographs by Vish Sharma CAST Higgs - Martin Oldfield The Rt. Hon. Philip Conway MP (Pip) - David Beddy Vicky - Joanne Buxton Lorna Fiske - Rachel Perrin The Rt. Hon. George Reynolds MP - Matthew Foster Lionel Berryman MP - Mark Edgar-Clarkson The Rt. Hon. John Henderson MP - David Reynolds Review by Rick Bowen for Stagestruck DAVID Beddy is a highly accomplished actor whose equally at home with both serious and comedic roles, and his portrayal of ambitious politician Philip Conway is a delight from start to finish. Pip as he's more affectionately known, has one eye on the to job. But he lacks the sort of ruthlessness that keeps the character eminently likeable in Eric Chappell's briliantly observed political comedy/farce. You get the distinct impression Pip's plans could unravel at any moment, which makes it impossible not to warm to an MP who is anything but a natural born orator. Give Beddy the chance to work alongside Martin Oldfield as Pip's personal bodyguard Higgs, a fully paid up member of the call it as he sees it brigade and Joanne Buxton as the seductive Vicky and you have the recipe for pure comedy gold. When it comes to Oldfield I firmly believe he doesn't have a bad performance in him and Joanne Buxton as Vicky expertly assumes a variety of different personas as she sweeps into Pip's hotel room. Who can forget Mark Edgar-Clarkson as Lionel Berryman MP, a serial lush with a very dubious sense of morality. Like me you probably know Eric Chappell more for his brilliant 70's sitcom Rising Damp featuring that giant of British comedy, Leonard Rossitter. But Mark Jephcott's perfectly paced production has certainly whetted my appetite when it comes to seeing more of his plays. Great fun - just what we need on these freezing late winter nights. Review by Julia Taylor for The Messenger Politics helps spice up bedroom farce at Altrincham Garrick BEDROOM farces often have more spice when there's a political element to them. An example is Eric Chappell's somewhat wordy comedy, Up and Coming, Altrincham Garrick Playhouse?s current production. It concerns the struggles of Deputy Prime Minister Pip Conway, an alcoholic with an eye on becoming PM. His weak spot is women. In that role, David Beddy is pursued by two former lover, Vicky and secretary, Lorna Fiske. Pip is, of course, married and such dalliances go against the grain for a man with political ambition. David?s face reflects all. Joanne Buxton's Vicky oozes sexiness as she lays not just herself but her motives bare. Rachel Perrin's Lorna is also besotted by Pip but her approach is totally different. One of the funniest scenes is when both ladies end up in bed, not with Pip but with the one-eyed Lionel Berryman, MP (charismatic Mark Edgar-Clarkson) causing the ever so Prime Ministeral David Reynolds with his sarcastic wit, to complain that the chandelier in his room below is rattling! It's lovely to see Garrick stalwarts such as Martin Oldfield as the amusing special branch officer, Higgs, and David Reynolds as the Rt Hon. John Henderson, MP, strutting the boards again so professionally along with newly returned Matthew Foster as the Rt Hon. George Reynolds MP.Thanks to the set designers Trevor McKie, Paula Keen and Mark Jephcott and their team the two roomed set has doors, through which the cast can appear and disappear or, where necessary, hide in their conference hotel. Star rating ★★★ 'Up & Coming' projecting the right image thanks to local firm Keyteq Local AV equipment hire firm Keyteq answered the call from the Altrincham Garrick Playhouse recently who needed a powerful projector to deliver their staging plans for their production of the political comedy farce ?Up & Coming? written by 'Rising Damp' author Eric Chappell. The play which opened this week and runs until Saturday 3rd March is set in a seaside location. The play's director Mark Jephcott explains, We like to surprise and entertain our audiences here at the Garrick with great set design and for this production of 'Up & Coming' we wanted to bring an idea of the plays location to life. To do this we needed to project giant images behind the main set construction which required an especially powerful projector. Thankfully, Keyteq were able to provide one at a budget we could afford and the result is spectacular. I'm sure that our audiences will love it. The play is a clever combination of a 'Yes Minister' style of comedy a smash TV hit at the time the play was written in 1989 and fast paced political farce. Philip Conway, Deputy Prime Minister and leader of the house is attending a party conference. Tipped to be the new party leader, his campaign for power is in danger of collapse. Visits from rivals, fellow conspirators and the all-too-attentive Vicky keep Philip on his toes. What's more, the world's press is in the lobby, there are threats of assassination and students are rioting outside the hotel. Jo Johnson, a Director at Keyteq Altrincham said, 'We are delighted to help out our local theatre. Over the years we have built our business on providing a wide range of event services to suit all budgets and we think the Garrick's set design concept which now incorporates the use of one of our projectors is fantastic' Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

A short obituary of Brian Tickle, from the Altrincham Garrick Society. Previous Next Brian Tickle Brian played many varied roles in several productions at the Garrick; most people reckoned that comedy was one of his strengths. From Nip in Fur Coat and No Knickers via Godfrey in Dad's Army to Jim Trott in The Vicar of Dibley , his comic timing and stage presence invariably stole the show. Brian also served on the Executive Committee. Back to In Memoriam page

Hindle Wakes at the Altrincham Garrick Theatre. Garrick Production Hindle Wakes Ran Invalid Date - Dec 16, 2013 Age guidance Venue Running time Tickets Price Range Description A revival of the acclaimed play from "The Manchester School". Fanny Hawthorn has been spending Wakes Week in Blackpool with her friend Mary. Or so her parents think. Strong-minded modern-thinking Fanny has other ideas about what constitutes a good time. Returning home she has to face the wrath of her working class family and the moral views of the wealthy mill-owning Jeffcote family. This is a play full of unexpected twists and turns and has a surprising outcome. CAST Pat Williamson as Mrs Hawthorn Steve Williamson as Christopher Hawthorn Summer Darcy as Fanny Hawthorn Carole Carr as Mrs Jeffcote Bill Platt as Nathaniel Jeffcote Mark Butt as Alan Jeffcote Hugh Wolfson as Sir Timothy Farrar Stephanie Hawthorn as Beatrice Farrar Julie Broadbent as Ada [gallery ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/hindlewakesd1.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/hindlewakesg1.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/hindlewakesh1.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/hindlewakesj1.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/hindlewakesk1.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/hindlewakesn1.jpg|"] Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

RELAXED PERFORMANCE of The Worst Witch at the Altrincham Garrick Theatre. RELAXED PERFORMANCE of this family fun, stage adaptation of Jill Murphy's classic story Garrick Production RELAXED PERFORMANCE of The Worst Witch RELAXED PERFORMANCE of this family fun, stage adaptation of Jill Murphy's classic story Ran Apr 13, 2025 Age guidance Recommended 7+ Venue Main House Running time TBC Tickets Price Range £13 - £18 Description WHAT IS A RELAXED PERFORMANCE? If you are a parent, guardian, or work with people with learning or sensory disabilities – such as those on the autism spectrum – you’ll know how difficult it can sometimes be for them to attend regular theatre performances; loud noises, lighting effects and large crowds can make stage shows overwhelming. At Altrincham Garrick Playhouse, we believe that everyone should be able to experience the magic and wonder of live theatre, and our Relaxed Performance will provide the same magical show but with an atmosphere and attitude in the auditorium that makes everyone feel comfortable and safe. WHAT TO EXPECT FROM OUR RELAXED PERFORMANCE: At a Relaxed Performed, you are free to: - Come and go from the auditorium as you wish, even during the show - Express yourself as loudly as you like, or with physical movement, without judgement - Access the Theatre and auditorium early. You’ll also notice that we will reduce the sound and lighting to lessen sensory overload, and no pyrotechnics or loud bangs will appear in the performance. Adapted from Jill Murphy’s original books by Emma Reeves. With Music by Luke Potter. Directed by Kay Valentine Before Harry Potter exploded onto the scene there was another seemingly ordinary child, Mildred Hubble, who wound up in the most extraordinary of places… A school for witches! Now its time for you to join the world of magic and mayhem at Altrincham Garrick Playhouse this Easter Holiday! Currently in her final year at Miss Cackle’s Academy, accident prone Mildred and her fellow pupils are about to embark on their biggest adventure yet… When Mildred and her friends decide to put on a play about their experiences as witches in training, mayhem inevitably ensues. Jealous Ethel Hallow is always out to spoil Mildred’s fun. Stern Miss Hardbroom is opposed to all fun in general. Worst of all, an old enemy returns with a plan for revenge that could threaten not just the Academy, but the whole world. Featuring all of Jill Murphy’s beloved characters, this action-packed new stage adaptation by Emma Reeves includes original music, magic and the beloved Mildred. The Worst Witch premiered at Royal & Derngate, Northampton in 2019 and toured the UK before transferring to London’s West End later that year. The production then went on to win the Olivier Award for Best Family Show in 2020! Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Unravelling the Ribbon at the Altrincham Garrick Theatre. The Studio 2023/2024 Season - A Series of All Female Plays. Garrick Production Unravelling the Ribbon The Studio 2023/2024 Season - A Series of All Female Plays. Ran Mar 19, 2024 - Mar 24, 2024 Age guidance 14+ Venue Studio Running time TBC Tickets Price Range £12 - £14 Description The touching - and frequently hilarious - story of three women whose lives are touched by breast cancer. Rose is thirty-four and lives on a farm with her husband and two children. She worries she may have married too young. Lola is fifty and wants to sell her home. Nobody ever calls and she has stopped opening her post. Lyndsey is eleven and her best friend has stopped sitting beside her in art class. When breast cancer touches their lives, everything starts to unravel - Rose's marriage falls apart, Lola gets arrested and Lyndsey hides a cooked ham in a thorn bush... A moving and powerful tale of friendship and survival. Reviews Gallery Trailer Trigger Warning This production contains some upsetting scenes Documents related to this Production View the Programme View the Advertising Poster

The Shape of Things at the Altrincham Garrick Theatre. Lauriston Studio The Shape of Things Ran Nov 9, 2021 - Nov 14, 2021 Age guidance Venue Running time Tickets Price Range Description Funny, intriguing, unsettling and, at times, creepy. It centres on the relationships of four young people and how these change, taking a sardonic look at our preoccupation with surface appearances. What is the relationship between morality and art – what is it acceptable to do in the name of art? When does provocation in art become attention seeking – or worse? Contains very adult language and explicit sexual references. Reviews FIVE STAR REVIEW - Rick Bowen at StageStruck NOVEMBER 10, 2021 IF there was such a thing as a degree in emotional cruelty and how to be a control freak, the cold and scheming arts student Evelyn is sure to walk away with first class honours. And the way in which she turns her doting lapdog boyfriend Adam from bumbling dweeb to fashion conscious cool dude is deeply, deeply disturbing when her real motivation for doing so emerges near the end of Neil La Bute’s exceptional and thought provoking play. Like probably the majority of the audience, I was repulsed and yet fascinated by and drawn to Evelyn, mainly in the hope she would pay for her actions. Altrincham Garrick’s intimate Lauriston Studio is the perfect setting for this wonderful piece which is a feast for the intellect while at the same time, not being smugly intellectual. The play covers everything from society’s obsession with physical perfection to love and relationships, minus the slushy stuff. Love hurts, the old saying goes. But after sitting through this I’m certain it should I’m sure you agree, come with a Government health warning. I had a chance meeting with director Geoff Holman at the theatre’s box office recently and he waxed lyrical about his very gifted young cast. Sam Evans as Adam, Annie Rogers as Evelyn, Sophie Cain as Jenny and Daniel Molnar as Philip give performances of a professional standard, thanks to both their considerable talent and that of Holman, whom I’ve always rated as a very capable occupant of the director’s chair. All four actors are engaging and believable and I hope for very selfish reasons they don’t plump for a career on the professional stage. Make sure you don’t miss this, the Garrick’s best production of the season so far. Photos by Martin Ogden. Star rating - ***** Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

The Jungle Book at the Altrincham Garrick Theatre. Garrick Production The Jungle Book Ran Invalid Date - May 18, 2022 Age guidance Venue Running time Tickets Price Range Description The Jungle Book An Easter half term Jungle Adventure for all the Family awaits at Altrincham Garrick Playhouse! Saved from the jaws of Shere Khan the tiger, Mowgli must learn the Laws of the Jungle from Baloo the bear and Bagheera the panther to survive. A brave little man cub grows into a confident and care-free young boy, but danger is never far away and Shere Khan is hungry for revenge. As Mowgli faces each peril and pitfall, he must decide whether he belongs in the world of men or with the animal kingdom. Stuart Paterson reimagines Kipling's much-loved stories for a new generation in a vibrant, colourful family adventure that's full of surprises. This adaptation was first staged by Birmingham Stage Company in 2004. Age Guidance: 5+ REVIEW - Rick Bowen at Stagestruck ROS Greenwood, take a bow. Not only has she directed what is sure to be an Easter hit for all the family at the Garrick, she’s designed an appealing set, complete with overhanging flora and fauna, that provides the perfect backdrop for Kipling’s timeless and heart warming children’s classic. I needed little persuading to swap soggy south Trafford for a jungle setting, warm enough for Mowgli the man cub to scamper around the stage minus his top as I sat in the auditorium, next to my overcoat. Myles Ryan is an instantly likeable, wholesome and heroic Mowgli and the actor makes us care that he doesn’t end up being gobbled up by Shere Khan, the tyrant tiger, played by Peter Birch. All your favourite characters are here in a two hour fun filled show that is a great way to introduce kids to the wonders of the theatre and reminds both them and their parents that entertainment doesn’t have to be screen shaped. Mathew Spilsbury is very watchable as Baloo the bear and I laughed when he scooped up Mowgli in one of his huge bear hugs. Ellidh Pollard fascinated the little ones in the audience as Kaa the snake and there were many volunteers when Kaa threatened to have them for dinner. “Eat me, eat me,” shouted one girl near the front of the stage. While there’s a smattering of audience participation in this Garrick show it is kept to a minimum and unlike in panto there aren’t the jokes that make you cringe. Or maybe, that’s just me. ------------------------------------------------------------------------------------------------------------------------------------ Free Car Parking. Cosy Bar. Great Prices. ------------------------------------------------------------------------------------------------------------------------------------ Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Stags and Hens (The Remix) at the Altrincham Garrick Theatre. Garrick Production Stags and Hens (The Remix) Ran Invalid Date - Apr 11, 2017 Age guidance Venue Running time Tickets Price Range Description Makes Saturday night in Blackpool look tame! The play is set in a trashy 70's disco in Liverpool, England. The action is mainly in the gents and women's toilets of the disco where both Linda (The Bride) and Dave (The Groom) have decided to hold their stags and hens nights, not knowing that their other half is at the same place. When Linda's ex-boyfriend, Peter, arrives this causes an uproar between Linda and Dave's friends and when Linda's hen party get a say in all that's happening the two groups gang together to stop Linda taking up the offer of an escape with her ex Peter she is then forced with a difficult decision - to stay or to go. [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_4404-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_4428-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_4651-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_4687-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_4713-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_4749-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_4925-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_4955-Small.jpg|"] Production Photographs by Vish Sharma CAST Linda - Francesca Smith Maureen - Megan Royle Bernadette - Fiona Primrose Carol - Tabitha Hughes Frances - Parissa Zamanpour Dave - Adam Rogers Robbie - ChrisWagstaff Billy - Charlie Gallagher Kav - Josh Evans-Smith Eddy - Josh Leach Peter - Ethan Martin Roadie - Adam Rogers Review by Rick Bowen for Stagestruck Designer Lesley McKie skilfully transforms the Garrick's main stage into nightclub toilets for Willy Russell's reworked comedy Stags & Hens. This is the scene of much booze fuelled drama and while the play has a serious theme, about the need to sometimes break away from the familiar when "the familiar" is holding you back, most people will I imagine, go to see this to watch a group of young people letting their hair down and the inevitable carnage that follows such drinking sprees. While the repetitive strong language becomes boring, it does add authenticity to the piece and so do the lively and energetic performances of a cast who really convinced me there in party mood. Although most of the high jinks take place among Linda and her curious collection of mates, from the weepy Maureen to Bernie, a woman who has, to coin the phrase, been round the block a few times. Fiona Primrose is outstanding in this role and Francesca Heraghty-Smith equally impressive as Linda. Her evening takes a very complicated turn when an old flame turns up on her hen night. Josh Leach is very intimidating as Eddy, a frightening, thuggish control freak who thinks he can bully Linda into going down the aisle when she starts to have her doubts. Stags & Hens may not be Shakespeare but it's a play with no pretensions that's sure to strike a chord with anyone whose been on a stag or a hen do. While Russell over does the swearing - and I am definitely no prude - there are some brilliant comic lines to enjoy. Lines that offer us a reminder of just why this Scouse playwright is one of our greatest. Star rating ★★★★ Review by Julia Taylor for The Messenger Stags and hens create plenty of laughs Stagsand Hens (The Remix), Willy Russell's comedy, fills the Garrick Playhouse with laughter. We laugh as Stag and Hen Nights for Dave and Linda's forthcoming marriage take place in a run-down Liverpool Club in 1977. What's more, the bride, played by Francesca Heraghty-Smith and her friend, Megan Royle, who is Maureen, are both getting married for real in the next 12 months.The bride-to-be and groom-to-be, have no idea of each other's presence. Well done Leslie Mckie for the effective split set revealing men's and ladies' lavatories, where the action takes place. Francesca's Linda starts to have doubts about her nuptials when she meets an old flame, booked for that night's gig and doing well. He is Peter. Charismatic Ethan Martin makes him stand apart from the other lads who want his autograph. Adam Rogers' Dave is already inebriated when he arrives after downing a curry swilled down with alcohol. He spends his time throwing up in the loo and ends up semi-comatose. His best mate, Eddy, who insists that your own happiness should come first, is anti-celebrity. Linda's best friend is Frances, played by Parissa Zamanpour. She always puts Linda's interests first and remains loyal. Megan Royle's portrayal of naive Maureen is good. All she wants is for everything to be nice including the joining together of bride and groom. Her sheltered life comes out every time she bursts into tears until Brandy and Babycham come to the rescue. The Garrick players retain and project their Liverpool accents throughout and indicate good teamwork. As for the bride, her friends think she has come to her senses but has she? Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

The Importance of Being Earnest - By Oscar Wilde at the Altrincham Garrick Theatre. Garrick Production The Importance of Being Earnest - By Oscar Wilde Ran Invalid Date - May 18, 2022 Age guidance Venue Running time Tickets Price Range Description Written by Oscar Wilde Reimagined by Nick Sample Set in the present day, this will be a deliciously entertaining, updated staging of one of the best comedies ever written… “Ignorance is like a delicate exotic fruit; touch it and the bloom is gone.” What happens when two pretty girls both fall in love with men they believe to be called Ernest? Will they learn that a rose by any other name still smells as sweet? Bachelor Jack Worthing and his best mate Algernon Moncrieff hope to Gwendolen Fairfax and Cecily Cardew. But the lads’ courtship of the women is far from straight forward! With double identities, plenty of ‘Bunburying’ and a number of hostile encounters with the formidable Lady Bracknell, the pair become embroiled in a web of mistaken identities with hilarious consequences. As funny and as relevant today as when it was first written! 5 STAR REVIEW - Rick Bowen at Stagestruck WITH a pre performance soundtrack that includes songs by Kylie and ABC and a silver chrome table and chairs, you’re in no doubt you’re about to experience a very different version of this masterpiece of a play. Director Nick Sample’s decision to transport this exquisitely crafted comedy to the Internet age works. And it works spectacularly well. Previous productions have irritated me and while there were obviously Wilde’s witticisms to enjoy, I always found it hard to like this menagerie of irritating, entitled upper class twits. But, thanks to Sample’s skill and ingenuity he manages to make me like them and actually enjoy spending time in the company of the scheming Algernon Moncrieff and Jack Worthing. It would be unjust to let Sample take all the credit though as the entire company displays a sense of timing that would sit very well on a professional stage. Chris Shoop-Worall and Jamie Sloan are an engaging and natural double act as Moncrieff and Worthing, as they deftly try to catch the objects of their affections. Antonia Whitehead is a formidable Gwendolen Fairfax, who has her sights well and truly set on Jack, for a reason I refuse to divulge to those who may be unfamiliar with the play and there’s a memorable spat between her and Cecily Cardew, played by Lauren Robinson, after a classic misunderstanding. There are some social references that obviously date the play. Cecily, for instance has a governess played by Sarat Broughton who gives her best performance at this theatre to date for me as the awkward, uptight Miss Prism and there’s a memorable scene with her and Adrian Grace as the lovable, old school cleric the Rev Frederick Chasuble. Wilde also uses his genius to send up the class system and the way it gives the upper classes carte blanche to behave as they like. If the cast serves us up a treat, so does Barry Purves with a clever, eye catching set. A production to really go Wilde about - this is the Garrick’s best comedy of the season for me. Until January 21. The box office is on 0161 928 1677 or you can book online at www.altrinchamgarrick.co.uk. Star rating - ***** Number 9 - Matthew Dougall "A Haaaaaaandbaaag?!!" - well, no, not really.. more of a ladies' Puma sports bag actually.... (the logo is immaterial...!) Yes, this was Altrincham Garrick's latest production of the Oscar Wilde favourite, 'The Importance Of Being Earnest', but not as we know it. Updated to the present day, with references to politics, social media, computers, and goodness knows what else, the script had been changed somewhat to reflect our current times. It did however still retain most of the original dialogue, and hereby hangs the rub. Wilde's writing is extremely stylised, a true comedy of manners, and his speech patterns and rhythms seemed to be at odds with the modern world and references thrown in. It didn't quite work, but it was a brave effort and once one became used to this, it became much easier to accept. A striking and actually quite simple set design of a single angular wall dividing the stage which turns round from town house to country worked surprisingly well, and Nick Sample's direction was a pure joy. Obviously Sample has a great sense of impish fun, which was shown throughout, adding his own little comedic touches. The production was slick and tight, and the overall arc of the production was considered and well-placed. To my surprise, a short scene in the second act - which is normally omitted, and not even printed in some playscripts, a scene involving a certain George Gribsby - had been included in this production, and it was the first time that this particular reviewer had seen it performed live. And although I understand it's omission, it was extremely interesting to see it performed, as it did add another layer of deceit, duplicity, comedy, etc, that would not have been there without it. Heading a strong cast were our two would-be Earnests; Chris Shoop-Worrall as Algernon Moncrief, and Jamie Sloan as John (Jack) Worthing. Both had made their characters their own, and showed a lovely understanding of both their roles and their characters' development. Playing 'against' them were their two love-interests; Antonia Whitehead as a very forthright, commanding, determined Gwendoline, whilst Lauren Robinson's Cecily Cardew was no less determined but a little more demure. Again they worked well both individually and together, and as a foursome the quartet were formidable. Adrian Grace gave a very understated and believable portrayal of a village vicar, Rev. Dr. Chasuble, and Sarat Broughton gave a very secure performance as the unwitting germinator of the whole farce. Sarah Kirk gave the role of Lady Bracknell a new, modern, and interesting style, but for this reviewer at least, it felt a little out of kilter with the domineering 'gorgon' that she really needs to be. Gwendoline's character was a Lady-Bracknell-in-training, and I was waiting for the full force of her 'majestic indignation' which sadly never materialised. A very proficient and focused production, which may not be to everyone's liking, but one cannot deny that the cast gave excellent performances, the direction was clever and original, and the play still extremely funny and well worth the braving the inclement winter weather to be so entertained. ------------------------------------------------------------------------------------------------------------------------------------ Free Car Parking. Cosy Bar. Great Prices. ------------------------------------------------------------------------------------------------------------------------------------ Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

The Shawshank Redemption at the Altrincham Garrick Theatre. Garrick Production The Shawshank Redemption Ran Sep 14, 2023 - Sep 23, 2023 Age guidance 14+ Venue Running time Tickets Price Range Description “Remember, hope is a good thing, maybe the best of things… and no good thing ever dies”. Based on the novella “Rita Hayworth and Shawshank Redemption” by Stephen King, The Shawshank Redemption examines desperation, injustice, friendship and hope behind the claustrophobic bars of a maximum-security facility. Despite protests of his innocence, Andy Dufresne is handed a double life sentence for the brutal murder of his wife and her lover. Incarcerated at the notorious Shawshank facility, he quickly learns that no one can survive alone. Andy strikes up an unlikely friendship with the prison fixer Red, and things take a slight turn for the better. However, when Warden Stammas decides to bully Andy into subservience and exploit his talents for accountancy, a desperate plan is quietly hatched… The Shawshank Redemption was adapted for the stage by Owen O’Neill and Dave Johns. The production first debuted in Dublin in 2009. Recommended: 14+ Based on the novella “Rita Hayworth and Shawshank Redemption” by Stephen King and sexual assault, suicide, violence, gambling and smoking. Reviews Upon entering the Altrincham Garrick , I was immediately drawn into the chilling confines of the Shawshank Prison. The stage, impressively transformed for an amateur theatre, mirrors the grim atmosphere of a bleak, metallic prison block, further intensified by dim lighting. This ambiance, paired with the methodical procession of prisoners, sets an undeniable authentic tone. I definitely wouldn’t want to be there, and Director; Joseph Meighan has done an excellent job is creating this dirty world, where new inmates dare not step a foot out of line for fear of receiving brutal consequences. This rendition of “The Shawshank Redemption” offers a fresh perspective on Stephen King’s iconic narrative, a tale that resonates with themes of resilience and hope in the face of adversity. A lengthy stay in prison would destroy most individuals, but somehow these guys manage to cling onto hope when it seems like it’s long gone. While I was familiar with the story, this adaptation managed to breathe new life into the tale, making it feel both nostalgic and novel. The arrival of Andy Dufresne (Tom Broughton) at the Shawshank sets the cats amongst the pigeons. He is an intelligent, well-spoken, quiet man which some inmates feel threatened by. Broughton delivers a performance marked by determination and unwavering hope. His portrayal is beautifully complemented by Lewis Sewell’s empathetic and authentic delivery of Ellis ‘Red’ Redding. Their palpable chemistry is a testament to their individual talents and the visionary direction of Meighan. They have pushed theatrical boundaries for Am dram without alienating traditional audiences. The depth and nuance given to each character in the ensemble are evidence of this. Some of the other members of the cast did seem a bit nervous – quite understandable given it was opening night. After a while, they relaxed into their roles. I will admit though I never once felt intimidated by any of the prison guards, I feel like they could have brought those authority figures to life a bit more. The play’s deliberate pacing, which often leans towards the slower side, doesn’t ever really overwhelm or excite. There are a few scenes where the pacing does lift, most notably when Brooksie (Bill Platt) attempts to set himself on fire. While this was an amateur production done to a very high standard, there were elements that I think could have been better. In particular, I think the costumes could have been better – some of them looked a bit too modern to be from the 1950s/1960s, and the prisoner numbers on the inmates’ shirts didn’t look authentic. Overall, a great production. Those expecting a classic retelling of the movie may be slightly disappointed. However, it’s hard not to salute the hard work that has gone into this show. Reviewer: Brian Madden Reviewed: 14th September 2023 North West End UK Rating: 4 Stars out of 5 It never ceases to amaze me, just how resilient the human spirit can be, especially in the face of overwhelming odds and trapped in a system that’s designed to crush you. Rehabilitation is definitely a dirty word at this grim, Shawshank jail, where inmates serve their time in filthy conditions, trying to avoid the attentions of the sodomites, perpetually stalking the prison’s dark corridors for their next victim. But things change with the arrival of a prisoner called Andy Dufresne, a refined, intelligent and articulate man, incarcerated for a double murder he claims he didn’t commit. I hope the subject matter doesn’t deter people from buying tickets for the Garrick’s new curtain raiser because Stephen King’s absorbing and at times deeply moving jail tale is life-affirming stuff. You’ll also miss some powerful performances from, in particular, Tom Broughton as Dufresne and Lewis Sewell as his best friend Red. There’s a natural and easy chemistry between these two, a tribute to their own talent and a man who has for me, re-defined what amateur theatre is and should be about, Joe Meighan. For Meighan, the Garrick’s artistic director, there’s no such thing as forbidden theatrical territory, daring to be different, while not alienating theatregoers with more mainstream tastes. Steven Finney is outstanding as the seemingly pious Warden Stammers and Pete Brassington’s performance as head thug Bogs Drummond is his best on the Garrick stage to date. How churlish it would be for me not to mention Bill Platt as the prison librarian Brooksie, a librarian for whom books are his reason for living. Utterly compelling, this prison masterpiece. Do not miss. Star rating - 4/5. Rick Bowen stagestruck.info Altrincham Garrick have transformed their stage rather convincingly, into a dank, dark, grey, bare and metallic prison block inside the Shawshank Penitentiary in Maine, USA. This foreboding and sparse set, together with low-key lighting, a little haze, and no auditorium music is what greets us as we take our seats this evening. The prison guard walks the prisoners in and they file into their cells one by one. It's sombre, it's ritualistic, and it is scarily real. This is 'The Shawshank Redemption', a stage adaptation of the classic Stephen King novel and award-winning film that followed. However this was my first visit to 'The Shank' .I have never read the novel, nor have I seen the film. I was therefore watching this story unfold for the first time, and was always trying to second-guess the narrative; sometimes with more success than others. Directed by The Garrick's Artistic Director, Joseph Meighan, the play had moments of genius juxtaposed with moments of tedium. I was watching a play which was at times hard-hitting and realistic with the actors performing naturalistically, whilst at times we transcended this and were transported into the realms of theatrical and presentational acting. Perhaps this was deliberate, but I am not convinced that it worked. Admittedly, this was opening night, and so the actors might well have been a little more tentative than once the play beds in, but still, there were many long gaps and "thought" pauses, especially between scenes as the cast were tasked with bringing set items in and out. The pace was set right from the start as slow, and sadly, it never truly moved out of this the whole evening. Moments of genius (and pure theatricality) did pop up occasionally, and Brooksie's attempted suicide was one such highlight. Although I found the play dynamically rather pedestrian, the characters were clearly defined, the ennui and quotidian routine of the prison well observed, and the storyline clear and nicely signposted. Taking the lead role of Andy Dufresne in this brave and bold production (which pulls absolutely no punches!) is the quietly confident and continually hopeful Tom Broughton, whilst the narration and equally important role of Ellis 'Red' Redding was played by a sympathetic and believable Lewis Sewell. It is a large, all male, ensemble cast, and everyone on stage knew their roles well and how they fit into the play. They all had backstories, and all were fully-rounded characters which is in itself, a very important aspect of this production, and credit here to Meighan for bringing this to bear. The action of the play takes place over a twenty year period, and the audience is asked to use their suspension of disbelief in this regard, however, none of the cast age either physically or visually, which, perhaps would have been the cherry on the icing if they had. With a couple more performances for this play to 'bed in' and the actors to pick up on their cues, lifting the pace a little where needed, this will be a very compelling, forthright, and uncompromising piece of theatre. Reviewer - Matthew Dougall September 15, 2023 number9reviews.blogspot.com Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

A short obituary of Pamela Knox, from the Altrincham Garrick Society. Previous Next Pamela Knox Pam was a true Garrick stalwart, being a tireless supporter of the theatre, working primarily in the Props Department and also looking after the archives for many, many years. Her lasting legacy for the theatre was writing and producing in 1993 the published history of the theatre The Flame Still Burns, the story of Altrincham Garrick . Back to In Memoriam page

Constellations at the Altrincham Garrick Theatre. Lauriston Studio Constellations Ran Feb 1, 2022 - Feb 6, 2022 Age guidance Venue Running time Tickets Price Range Description "One drink. And if you never want to see me again you never have to see me again." A quantum physicist and a beekeeper meet at a barbeque. They hit it off, or perhaps they don’t. They go home together, or maybe they go their separate ways. In the multiverse, with every possible future ahead of them, a love of honey could make all the difference... Nick Payne ‘s beautiful and heartbreaking romance Constellations is a must see. Currently celebrating a new successful Revival at the Donmar Warehouse in London's West End, it originally opened at the Royal Court in 2012 before opening on Broadway in 2015. It is a play about about free will and friendship; it's about quantum multiverse theory, love and honey. This play is directed by Pete Brassington, and is played by two casts of two actors, who will be covering three nights each. Cast A will be performing Tuesday, Thursday and Saturday. Cast B will be performing Wednesday, Friday and Sunday nights. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

A short obituary of Ian Appleyard, from the Altrincham Garrick Society. Previous Next Ian Appleyard Ian had been a member for over 50 years and spent some of his retirement as a volunteer member of the Front of House Staff. He also took on minor roles on stage in pantomimes and plays in the 1970s. Back to In Memoriam page

Cluedo at the Altrincham Garrick Playhouse. The hilarious whodunnit play! Garrick Production Cluedo Date range Tickets £14 - £19.50 Age guidance Venue Main House Trigger warning Find out more Book now Running time TBC Group bookings Find out more Accessibility Find out more Written by Sandy Rustin. Based on the Paramount Pictures Motion Picture and the Hasbro Board Game. Directed by Nick Sample. The hilarious whodunnit play! It’s a dark and stormy night, and you’ve been invited to a very unusual dinner party. Each of the guests has an alias, the butler offers a variety of weapons, and the host is, well . . . dead. So whodunnit? Join the iconic oddballs known as Scarlet, Plum, White, Green, Peacock, and Mustard as they race to find the murderer in Boddy Manor before the body count stacks up. Based on the cult classic film and the popular board game, Cluedo is a madcap comedy that will keep you guessing until the final twist. Murder and blackmail are on the menu! Based on the Screenplay by Jonathan Lynn Additional Material by Hunter Foster and Eric Price “CLUEDO is presented by special arrangement with Broadway Licensing, LLC, servicing the Dramatists Play Service Collection. (www.dramatists.com ) Garrick Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Subscribe to our Mailing List

The Father at the Altrincham Garrick Theatre. Psychological Drama by Florian Zeller and translated by Christopher Hampton Garrick Production The Father Psychological Drama by Florian Zeller and translated by Christopher Hampton Ran May 6, 2024 - May 11, 2024 Age guidance 14+ Venue Main House Running time 2.5 hours (inc. 20 mins interval) Tickets Price Range £10 - £16 Description The Father (Le Père) is a play about a man called Andre. Now 80 years old, Andre was once a tap dancer. He lives with his daughter Anne and her husband Antoine. Or was he an engineer whose daughter Anne lives in London with her new lover, Pierre? The thing is, he is still wearing his pyjamas, and he can’t find his watch. He is starting to wonder if he’s losing control… A sobering and realistic family story, and an unsentimental, emotionally intense look at the world through the eyes of a man experiencing dementia. The Father , in this English translation by Christopher Hampton, was commissioned by the Ustinov Studio, Theatre Royal, Bath and premiered in October 2014. The production transferred to the Tricycle Theatre, London, in May 2015, and subsequently to Wyndham's Theatre in the West End. The Father was awarded the Moliere Award for Best Play and the Olivier and Tony Awards for Best Actor. In 2020 a film version called The Father was released starring Anthony Hopkins and Olivia Colman, which won the Academy Award for Best Adapted Screenplay, while Hopkins won the Academy Award for Best Actor. Altrincham Garrick Playhouse are proud to be supporting Together Dementia Support with this production of THE FATHER . Together Dementia Support are here to help people to live positively with Dementia in Manchester and Trafford. "Since being established in 2014, TDS has supported over 1,000 people living with Dementia and their loved ones. We currently have over 280 members and 300 carers who we support week in, week out, 52 weeks a year. For people living with Dementia, we offer a range of activities such as social groups, walking groups, arts & crafts, music and games groups, as well as one-to-one at home social activity support. For carers, we provide online and in person group support, one-to-one advice and guidance, training opportunities and a friendly ear to listen." To learn more about us and the support services we offer, visit www.TogetherDementiaSupport.org Reviews 5 Stars from Rick Bowen at Stage Struck “…richly deserved standing ovation.” Read the full review: HERE Gallery Trailer Trigger Warning Contains scenes that some may find upsetting. Documents related to this Production View the Programme View the Advertising Poster

Blithe Spirit at the Altrincham Garrick Theatre. Garrick Production Blithe Spirit Ran Nov 8, 1999 - Nov 13, 1999 Age guidance Venue Running time Tickets Price Range Description By: Noel Coward Directed By: Maureen Casket In celebration of the centenary of the birth of "The Master" we proudly present one of his most famous plays. Charles Condomine, whose first wife Elvira has been dead for seven years, has been happy with his second wife, Ruth. After he invites the legendary Madame Arcati, a local medium, to conduct a seance at his home, Elvira returns from the dead. Determined to get Charles to herself forever, she arrranges an accident in which Ruth joins Elvira. Now plagued by the two spirits, Charles attempts to rid himself of them. Full of brilliant dialogue and hilarious situations, this is one not to be missed. CAST ... includes John Keen as Charles Ros Greenwood as Ruth Angela Wetherill as Madame Arcati Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Bronte at the Altrincham Garrick Theatre. Garrick Production Bronte Ran Invalid Date - Jun 29, 2018 Age guidance Venue Running time Tickets Price Range Description A PLAY VIVIDLY EVOKING THE LIVES OF THE BRONTES Three actresses, in modern dress, are discussing the Brontes and their work. As they don their costumes, they assume the identities of Charlotte, Emily and Anne. A revealing story, which moves back and forth in time, it attempts to show the difficulties the writers had in their private and literary lives. Some of the characters from their novels also appear occasionally to add to the mystique of the family. Their poor health lead to the untimely deaths of the sisters and their brother, Branwell, who also features in this modern yet historical drama. This Production is proudly sponsored by [gallery ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_1478.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_1499.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_2084.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_1960.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_1872.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_1851.jpg|"] CAST Patrick, Rochester & Helgen - Andrew Higson Charlotte - Parissa Zamanpour Anne - Portia Dodds Emily - Amy Harris Branwell, Heathcliffe - Anthony Morris Bertha, Cathy - Marcella Hazel Review by Rick Bowen for Stagestruck CHARLOTTE, Emily and Anne Bronte dream pf literary fame, three disarmingly decent Yorkshire lasses living with their clergyman father on the cusp of the bleak but beautiful moors. It’s impossible not to warm to them, thanks to the engaging and heart-felt performances given by Parissa Zamanpour, Amy-Lou Harris and Portia Dodds. When tragedy strikes, you will, unless you have a heart of stone, feel like you’ve undergone a bereavement. For these are performances full of warmth and intensity that give you no option but to care and care deeply about what happens to them. They feel like our very own siblings. Add a jealous, drunken brother who shares his sisters’ desire to have his writings published and you have the recipe for an evening of theatre that’s totally compelling and at times, deeply moving. Anthony Morris is perfect as this tortured soul, staggering about the stage in a haze of booze fuelled self-pity. We also are treated to extracts from the string of classics that proved to be the Bronte sisters legacy, my favourite being the scene from Jane Eyre in which Jane confronts the now blind Mr Rochester, expertly played by Andrew Higson, whose equally at home as the Bronte’s clergyman father, Patrick. Marcella Haze also impresses in the roles of Cathy and Bertha. nThe success of this rich and captivating production ultimately rests with its director/designer Barry Purves who serves up something that wouldn’t look out of place on a professional stage. His set is starkly atmospheric and the opening of Polly Teale’s piece breathtaking. Which begs the question why were there empty seats on Tuesday night? It was a travesty and my only hope is the box office will be doing very brisk business once word gets out as to just how good Bronte is. Brilliant - another major triumph for Altrincham Garrick. Star rating ★★★★★ Review by Julia Taylor for MessengerNewspapers THE success of The Garrick’s Bronte by Polly Teale s down to the smooth blending of fact with fiction and moving effortlessly through time. It’s about the creativity of the Bronte siblings and their relationship with each other. In this case they are not the gentle sisters usually portrayed but are full of melodramatic passion which goes for their brother, too. Their books were written at a time when women writers were frowned upon yet the sisters light the spark of genius. This is the time when brother Branwell returns home in disgrace after a passionate affair with his employer’s wife, and turns to the bottle. Charlotte and Emily write of fictional characters such as Bertha Rochester and Cathy Earnshaw who return to haunt them. These are the most difficult scenes in a difficult play to make convincing but Marcella Haze who plays them both, succeeds perfectly. The two leading novelists are played by Parissa Zamanpour as Charlotte and Amy-Lou Harris as Emily who convey well the differences in their characters. We also learn more about Anne Bronte who acts as peacemaker between her two warring sisters. She is played by Portia Dodds whose portrayal of her final illness and last visit to the seaside is sad. Andrew Higson is authoritative as Patrick Bronte, whose role reflects the patriarchal society in which they live, as well as three other characters. The roles of Branwell, Heathcliff and Arthur Huntingdon go to Anthony Morris whose passionate portrayal of the inebriated Branwell is unforgettable. Geoff Scullard’s lighting is exceptional especially when creating the effect of burning pages. This play could easily become confusing but director, Barry Purvis ensures that it never does. Star rating ★★★ ★ Review by Johanna Hassouna-Smith for Number 9 Polly Teale’s Bronte is based loosely on the lives of the famous Bronte sisters: Charlotte, Emily and Anne. Set in the small Yorkshire village of Hawarth in the 19th century, where the girls’ imaginations grow to become literary giants of their time, despite their secluded life with their father (the village pastor) and their over privileged brother, Branwell. The story tells their life of poverty as they struggle to become writers in a world dominated by male literary scholars and one where they have never been allowed to travel outside of their small village to explore the world. Teale’s depiction of the three sisters is cleverly told by cross-cutting between the real world of the sisters' lives and that of their famed characters. We see how the real life events helped to create the characters such as Charlotte’s time working as a nanny, being instrumental in her creation of the character of Jane Eyre. That said, there is a sense of the story jumping around in time and fiction a little too much as there are moments in the production which are difficult to place in the chronology of the story and can become rather confusing for the audience. I have to confess to that I am a novice to a Bronte novel, although I have seen Jane Eyre on stage, so this production was always going to teach me something. However, this wasn’t the reason for my confusion: the dialogue often refers to events which happen two scenes later and there was very little change in costume, setting or lights to give the audience some sense that time had lapsed or moved backwards. This must not be seen as a critique of the direction but the playwright as the actual script itself dictates so many changes in time and without written stage direction of changes in lighting states nor costume. I would have been interested to see how Teale herself directed it for Shared Experience Theatre Company when she first published the play in 2005. I think director, Barry Purves did a sterling job on this production and mustn’t be blamed for a sometimes cumbersome and confusing script. With a cast of only six, the performers had a really tough job as the dialogue was full of monologues and scenes dominated by the three quarrelsome sisters: Emily played by Amy-Lou Harris, Charlotte played by Parissa Zamanpour and Anne, by Portia Dodds. These three actresses proved their stage presence with commendable portrayals of the threesome. Zamanpour’s depiction of the passionate Charlotte was powerful and showed a bitter resentment toward the male dominated world she desperately wanted to break into. This was particularly apparent toward her brother Branwell, who was given all of the family’s wealth to make it big in London but squandered it on a frivolous lifestyle of alcohol and fancy goods. Branwell, played by Anthony Morris played a very good ‘drunk’ and his physicality of the role had the audience entertained and at other times gasping in horror that he may land on the laps of the front row audience! Although the middle sister Emily had a clear talent for writing, her gentle personality prevented her from wanting the fame of being known as a writer. In this role, Amy-Lou Harris had a sense of pathos for the character which was very easy to empathise with as the gentler, soft spoken sister. The youngest and lesser known of the Bronte sisters, Anne was depicted by Portia Dodds with a youthful innocence and charm, often lifting the lengthy script’s pace with her energy. All three performers had a wonderful rapport with one another and had the audience captivated throughout. Undoubtedly the most successful part of this production was the design. Everything was beautiful to watch. Even the stage laid bare before the house lights went down was full of the mystery of the West Yorkshire Moors, with a projected sky on the backcloth and an imposing tree stump on a raised level, centre stage. The atmosphere was ready to beckon Cathy and Heathcliffe at any moment as it looked and felt like a scene Wuthering Heights. The set design reference to books strewn across the stage created a contemporary air to the production and the opening scene of pages raining down on the actresses as they dressed themselves as the three sisters was absolutely stunning. The entire design team (of whom the list is understandably long), must be commended on all aspects of the design as this was what gave this production its professional quality. I must confess that I love the Altrincham Garrick Theatre and the quality of their productions never lets me down. From the brilliant direction and design team to the wonderful performers, this production did not disappoint and was the professional standard I have come to expect from recent shows. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

The Hollow at the Altrincham Garrick Theatre. Garrick Production The Hollow Ran Jan 20, 2003 - Jan 25, 2003 Age guidance Venue Running time Tickets Price Range Description Weekend at "The Hollow", country retreat of Sir Henry and Lucy Angkatell. Murder is on the menu and when the much sought after Cristow is found dead everyone has a motive and everyone has had the opportunity. Who actually committed the murder is discovered by Inspector Colquhoun and Sergeant Penny to everyone's surprise and satisfaction. CAST Sarat Broughton as Henrietta Angkatell Geoff Hinde as Sir Henry Angkatell KCB Jane Marsh as Lady Angkatell Juliette Wilson as Midge Harvey Brian Stoner as Gudgeon Richard Frost as Edward Angkatell Lisa Barker as Doris Caroline Hickey as Gerda Cristow John Keen as John Cristow MD FRCP Nina Williamson as Veronica Craye Hugh Everett as Inspector Colquhoun Martin Creevy as Detective Sergeant Penny Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

The Last Five Years (Musical) at the Altrincham Garrick Theatre. Garrick Production The Last Five Years (Musical) Ran Invalid Date - Mar 31, 2021 Age guidance Venue Running time Tickets Price Range Description THIS IS A SOCIALLY DISTANCED SHOW. PLEASE ADHERE TO THE GOVERNMENT GUIDELINES WITH REGARDS TO THE WEARING OF MASKS AND GROUP BOOKINGS, IN PLACE AT THE DATE OF THE PRODUCTION. Jason Robert Brown’s Drama Desk Award winning musical, The Last Five Years , is an intensely personal look at the relationship between two New Yorkers; a writer and an actress, who fall in and out of love over the course of five years. This modern, One Act musical masterpiece is emotionally powerful and intimate with one of the brightest, freshest scores of the new century. The musical’s unconventional structure unfolds as Cathy tells her story in reverse, from the end of their turbulent relationship, whilst Jamie tells his story chronologically from the spark of their initial meeting. Stop Press - 8th June Read the comprehensive and warm review from North West End ... "overall, a brilliant musical" Read the enthusiastic review from Rick Bowen's Stagestruck ... "if ever a show deserves a packed house, it’s this one" A film adaptation was released in 2014 starring Anna Kendrick and Jeremy Jordan. Originally Produced for the New York stage by Arielle Tepper and Marty Bell. Originally Produced by Northlight Theatre, Chicago, IL. This amateur production is presented by arrangement with Music Theatre International (Europe) All authorised performance materials are also supplied by MTI Europe. www.mtishows.co.uk *Please note that there is some adult language in this production* Download the programme for the week's performance. Rehearsal Photographs taken by Ryan Hall [gallery size="medium" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2021/03/L5Y4.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2021/03/L5Y3.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2021/03/L5Y2.jpg|"] Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

A View From the Bridge at the Altrincham Garrick Theatre. Garrick Production A View From the Bridge Ran Invalid Date - Jun 29, 2018 Age guidance Venue Running time Tickets Price Range Description ONE OF THE GREATEST PLAYS OF THE 20th CENTURY An Arthur Miller classic centred around the home of a longshoreman, his wife and orphaned niece. Their lives are changed forever when they shelter two illegal immigrant cousins. A powerful tale of love, violent opposition to a relationship and the ultimate climax ending in tragedy. Not to be missed! This Production is proudly sponsored by [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_8054.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_8058.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_8186.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_8218.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_8261.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_8451.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_8654.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_8698.jpg|"] Production Photographs by Vish Sharma CAST Louis/2nd Immigration Officer - Gino Scrigna Mike/Tony/1st Immigration Officer - Nick Lowe Alfieri - Nick Sample Eddie- Matthew Banwell Catherine - Charlotte Jobling Beatrice - Caroline Knight Marco - Jack Hawkins Rodolpho - Charlie Gallagher [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/watsonpictures-40-Medium.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/watsonpictures-37-Medium.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/watsonpictures-34-Medium.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/watsonpictures-30-Medium.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/watsonpictures-27-Medium.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/watsonpictures-14-Medium.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/watsonpictures-10-Medium.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/watsonpictures-3-Medium.jpg|"] Rehearsal photographs by Robert Watson Review by Rick Bowen for Stagestruck THERE are two interviews I would have killed for during my time as a reporter. One is Nelson Mandela, who never came to Trafford, sadly, the next is the American theatrical giant known as Arthur Miller, whose masterpiece A View From The Bridge is being stunningly revived by Altrincham Garrick. Pure magic flowed from that great man’s typewriter keys and not a word of his sublime dialogue is wasted by director Mark Butt and a cast who evidently share his deep seated affection for the great man’s work. I can’t say I find Miller’s plays an easy watch and I always feel emotionally drained after watching them. But I feel like I’m living - no dramatist affects quite as deeply as AM, God rest his soul.On the face of it, Eddie is a hard working soul who looks out with an almost fatherly devotion for his niece, Catherine. But Eddie has a darker side and I was completely captivated by the way in which Matthew Branwell bought this to the fore, helped in no doubt by Mark’s skilful direction. This leads to some heated exchanges between him and Catherine, a young woman starting to find her voice and expertly portrayed by Charlotte Jobling.The tension is ratcheted up in Eddie’s household with the arrival of Marco and the charismatic Rodolpho, the latter persuading Catherine there’s a more exciting life beyond the claustrophobic four walls Eddie would willingly keep her in. Charlie Gallagher excels as Rodolpho and this young actor is so disarmingly likeable you’re sure to be silently cheering him on as he locks horns with the hot tempered Eddie.The consistently impressive Nick Sample delivers yet again as the seasoned lawyer Alfieri, watching mainly from the edge of the stage as tragedy, that reminded me so much of something from a Shakespeare play, unfolds. I also liked the production’s effective and atmospheric use of music, to make this a truly memorable night out. An unmissable production. Star Rating ★★★★★ Review by Paul Wilcox for North West End Last night, a packed Altrincham Garrick audience was transported to the working class New York district of Red Hook just after WWII, and invited to sit in judgement on the life of Eddie Carbone, a longshoreman who betrays his ideals, family and community for a misguided idea of love. Arthur Miller wrote 'A View From The Bridge' in 1955 at the height of the McCarthy Communist witch-hunts in the United States, and this piece is soaked through with the notion of maintaining loyalty to your friends in the face of a state that is out to persecute you. Any deviation from this Sicilian code of 'Omerta' is dealt with harshly in this society, where street justice prevails over the rule of law. We are guided into this claustrophobic community by Alfieri (Nick Sample) the local lawyer, who acts as Greek chorus and is present on stage throughout as a witness to the events unfolding in the Carbone household. Eddie (Matthew Banwell) and Beatrice (Caroline Knight) act as surrogate parents to their 17 year old niece Catherine (Charlotte Jobling), following the death of her mother. The close parental relationship between Eddie and Catherine is in danger of tipping into something less wholesome, and Eddie struggles to contain these feelings becoming ever more suffocating in his treatment of Catherine. Following the arrival of two illegal immigrants into the family home to stay, Catherine falls in love with Rodolpho (Charlie Gallagher) and they plan to marry, forcing Eddie into a decision which has irrevocable consequences for all the family. The central performance of Banwell shows the early doting nature of Carbones' relationship with Catherine beautifully, their soft conversation illustrating the innocent closeness of the early scenes. However, the character then needs to progress more into the man who cannot understand his feelings and lashes out angrily at everyone around him, and there this portrayal was less convincing, confusing the audience with his true motivation. When Eddie kisses Rodolpho as a way of undermining his masculinity in front of his niece, the audience should be conflicted as to whether he is attracted to him or not, this nuance is missing and therefore an important layer of his character is not fully explored. Knight plays Beatrice with a convincing 'Noo Yawk' drawl throughout, but again the motivation of the character needed to be realised, her sexual frustration with Carbone should be more palpable, as should her anger at her niece and husband. The innocent dreamer Rodolpho, excited for his new life in America, is brought to life by Gallagher with a suitable naive charm, although the variation in volume and heavy accent he employed, made some of the dialogue difficult to understand. Dark menace is added by Jack Hawkins as Marco, ultimately betrayed by Eddie to the authorities and forced into a murderous act of revenge. A strong performance by Jobling as Catherine emphasised the innocence of the character, bewildered as to the change in Eddie. A more 'Lolita' like interpretation of the role has been employed in the past, but her confusion is well represented here as she struggles to escape the oppressive attention of Eddie. Director Mark Butt employs the cast on a one set stage throughout which neatly represents the small nature of the world which the Carbone family inhabit. I felt that the naturalistic style of delivery required in Miller was a little stilted with some overlong pauses throughout, but I think that the pace and flow of the piece will pick up throughout the rest of the production run. Excellent usage of period music evokes the place and setting as well as acting as a subliminal commentary on events. In his role as Greek chorus Alfieri acts as the bridge between the two societies, old Sicily and modern America, hence the duality of the title. He pronounces his judgement on the events at the conclusion by saying that Eddie 'allowed himself to be wholly known', this flaw leading to his ultimate downfall in the tradition of Greek tragedy. Whilst this production partly realises this ambition, for me it remained a volcano which constantly rumbled without ever erupting into life. Star Rating ★★★ Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Around the World in 80 Days at the Altrincham Garrick Theatre. Garrick Production Around the World in 80 Days Ran Invalid Date - Jun 29, 2018 Age guidance Venue Running time Tickets Price Range Description A WONDERFUL ROMP FOR ALL AGES A crazy caper involving lots of adventures plus journeys on many different types of transport. There is even an elephant involved! Can Phileas Fogg win his bet to go around the world in 80 days or will he lose his life's fortune? Plenty of laughs as you accompany Fogg and Passepartout on their manic trip around the globe. This Production is proudly sponsored by [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/ATW80DAYS_021.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/ATW80DAYS_032.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/ATW80DAYS_074.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/ATW80DAYS_076.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/ATW80DAYS_104.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/ATW80DAYS_228.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/ATW80DAYS_260.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/ATW80DAYS_276.jpg|"] Production Photographs by Vish Sharma CAST Mrs. Aouda - Laura Crow Phileas Fogg - Jamie Sloan Passepartout - Tim Cooper Inspector Fix - Mark Jephcott Ensemble 1 - Emily Duffy Ensemble 2 - Liam Dood Ensemble 3 - Ali Davenport Ensemble 4 - Arthur Hulse Non-Speaking Porter - Edward Beasley Non-Speaking Porter - Ben Hanley Review by Julia Taylor for The Messenger A timeless adventure THE Garrick Playhouse succeed in taking us around the world in two hours when they present Laura Eason’s version of the Jules Verne classic, Around the World in 80 Days. This remarkable, fast-paced production is a fun adventure. With just six cast members playing over 100 characters, simply by swapping clothes and props, they achieve a feat as impressive as the fantastical voyage itself. The leading character is Jamie Sloan’s Phileas Fogg, who takes a bet from the Reform Club’s whist section, to circumnavigate the globe in record time. His modes of transport include trains, a ship, a sleigh and even an elephant. All are created simply and effectively, often by the versatile use of suitcases. Jamie illustrates a well-heeled gentleman with a stiff upper lip. He has, until his adventure, been set in his ways. But travel changes his attitude, if only slightly. But Phileas Fogg would be helpless without his faithful valet, Passepartout, brought to life by an acrobatic Tim Cooper. An ideal choice to play a former circus performer, his physical contortions are fascinating. As Fogg’s comic sidekick, he puts keeps the audience constantly amused by rescuing his boss from a series of unfortunate situations. Mark Jephcott is impressive as the wily Inspector Fix, who uses every trick to delay the pair of mavericks in his relentless pursuit to arrest Fogg. Laura Crow is also delightful as the beautiful Indian woman who joins them on their adventure after they dramatically rescue her from a funeral pyre. Even the music is appropriate and this is just one of the many threads drawn together by director Celia Bonner. This is a show which the whole family will enjoy. Star Rating ★★★★ Review by Rick Bowen for Stagestruck It's two relative newcomers who light up the Garrick stage in this engaging, vibrant and gloriously tongue in cheek adaptation of this globe trotting classic. They are Jamie Sloan, a perfect piece of casting as Phileas Fogg, a buttoned up quintessential English toff and Tim Cooper as his valet, PassePartout. They made their respective debuts at this theatre in 2016 and 2018 respectively and together they make such an engaging double act I for one hope they work together again, very soon. Sloan had me totally convinced as Fogg, a stickler for routine who takes up the offer of a daunting bet, while Cooper combines a boundless energy with a sense of comic timing that is, quite simply, exemplary. It was pleasing to see so many children in the audience for a production that can be enjoyed by all the family, a phrase that in my experience has often been shorthand for mindless and moronic entertainment. But Director Celia Bonner’s production is perfectly paced and includes a very clever use of props to denote the various exotic locations Fogg and his trusty sidekick find themselves in. But this is far from the Sloan and Cooper show, with the entire company providing a real antidote to these dark early autumn night. Hot on the heels of Fogg and PassePartout is old school policeman Inspector Fix, perfectly played by the always watchable Mark Jephcott. Fix believes Fogg is a criminal on the run and he inevitably ends up embroiled in the duo’s increasingly exotic adventures. Light entertainment at its best - make sure you book for this fantastic theatrical journey. Star Rating ★★★★ Review by Brian Madden for North West End Around the World in 80 Days is a rather new play, only first published in 2013. However, the book on which the play is based on was originally published in 1873. It tells the story of Phileas Fogg (Jamie Sloan) who bets his fellow card players £20,000 that he can make it around the world in 80 days. To a person living in today’s world travelling around the world in 80 days may seem very easy, however one needs to remember this story is set in 1872 - years before the first flight took off. So instead Fogg makes his way around the world travelling by train, boat and even hitches a ride on an elephant. While watching the show it appeared as if we were going on a journey that are historic to British people for one reason or another. We visit some of former colonies; India, New York and Hong Kong. Even though the story is set over 100 years ago, it was nice to add some modern touches to this production, most notably the inclusion of ‘My Heart Will Go On’ from the movie Titanic while the cast were on one of their boats. All of the cast did well in their respective roles, Sloan never strayed from his English gent ways. However, a special mention has to go to Ben Hanley who played the role of a Porter. You could tell he was absolutely loving it. It was really nice to see someone who didn’t having a speaking role to make as much of the role as he could. The turnout was fantastic as ever at the Altrincham Garrick. They audience received the show really well - they clapped along and got involved when they were told to. I’m sure the audience helped put the actor’s nerves at ease. Margaret Norris did a great job on designing the set. I was not expecting to see such an elaborate set. The rustic staircase and map really helped set the tone and era for the piece. There was a moment when the cast asked a member of the audience to join them on stage to help control the boat in choppy waters. This was absolutely hilarious. However, the actors carried on with their dialogue while the audience were still in stitches watching a grown man pretend to hold down a table on-board a ship. I for one was so wrapped up in what the man was doing I missed all the dialogue - I even whispered to my friend “I hope they didn’t say anything important because I wasn’t listening”. On a couple of occasions I felt the narrative was moving too fast and we didn’t get a true representation of each area visited. The visit to India was great and we got a true sense of the Indian culture, but I feel like none of the other visits came close to that in terms of exploring the locality. Around the World in 80 Days in a very fast moving show and this ensemble certainly did make the most of it. I did get lost a few moments on the way, however on the whole it was very enjoyable. Star Rating: ★★★ Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

A short obituary of Maureen Halliday, from the Altrincham Garrick Society. Previous Next Maureen Halliday Maureen was a ray of sunshine and joy in the Garrick's Front of House team for many years, welcoming many people through our doors with her wonderful smile, sense of humour and warmth. A huge supporter of the Arts and Theatre, Maureen was also a long serving member of Urmston Musical Theatre. She always had time to stop and chat, she loved to have a laugh with people, and she took genuine care and consideration of all of those around her. She cared deeply about people and wanted everyone to be happy. She was one of a kind. Back to In Memoriam page

A short obituary of Sylvia Hay, from the Altrincham Garrick Society. Previous Next Sylvia Hay Sylvia was involved in most aspects of the Garrick: on stage, as a set designer, serving behind the Bar, working in the workshop - tireless working to help the Garrick in all ways she could. Back to In Memoriam page

CATS at the Altrincham Garrick Theatre. Garrick Production CATS Ran Invalid Date - Jun 29, 2018 Age guidance Venue Running time Tickets Price Range Description The multi award winning musical featuring the well known characters of Grizabella, Run Tum Tugger, Old Deuteronomy, Mister Mistoffeles and many many more of the alley cats invite you into their domain to celebrate the lives of the Jellicle cats. Midnight. Not a sound from the pavement and then suddenly an explosion of music and lights. Fabulous entertainment. This Production is proudly sponsored by [gallery columns="2" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_2119.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_2085.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_1605.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_1538.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_1467.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_1415.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_1210.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_1140.jpg|"] REVIEW by North West End Of all Andrew Lloyd Webber’s musicals; Cats is a firm favourite with most musical theatre fans and this latest production at Altrincham Garrick is something not to be missed, saving the best for the finale in their season. Cats was first performed in 1981 and has been delighting fans around the world ever since, being the sixth longest running musical in the West End’s history. The musical is based on Old Possum’s Book of Practical Cats by T S Eliot and features the well-known characters of Grizabella, Run Tum Tugger, Old Deuteronomy, Mister Mistoffeles and more of the Jellicle alley cats. The Altrincham Garrick’s production is categorically not amateur, this is a show which has been delivered to international standards - everything from costume and set to cast and those all-important vocals; it’s truly outstanding and all members of the cast and crew should be commended highly. Firstly the staging is very clever by Stephen Bradshaw; featuring rooftops and chimneys maximising the space on stage to its full potential and once the cast take to the stage striding through the audience in the overture - you’re struck by how intricate and stunning the costumes are - Mike Shaw has done a stellar job indeed. But the biggest attribute to this production is the cast, I guarantee you will be in awe within the first 10 minutes if not sooner. Old Duteronomy played by Wayne Holt has great presence, Rum Tum Tugger is played by Kevin Senduwala and has just the right amount of swagger. Bethan Jackson is entertaining as Jennyanny Dots with buckets of energy and Abby Walton and Caitlin Medcalfe as Rumpleteazer and Mungojerry have a playful chemistry on stage which is infectious. I can go on; Greg James as Munkustrap is a perfect casting and James Glasgow plays Macavity with just the right amount of mystery. The routines are sublime and when you’re sat in the third row; it simply blows you away - the sheer talent on stage. The vocals are all note perfect throughout the evening but I must say Vicky Clarkson’s rendition of Memory as Grizabella will leave the hairs standing on the back of your neck, it’s outstanding. The vocals are accompanied by a live orchestra under the baton of Mark Goggins which gives this production even more authenticity. You don’t get productions to this standard very often, take advantage of such an entertaining production in the area; I strongly recommend getting your tickets, I may go again, and again before the weeks out. Cats directed and choreographed by Deborah Kate Norris continues at the Altricham Garrick until the 25th May with limited availability on Friday and Saturday. Verdict: Musical theatre at its very best, a dynamic cast & creative team sure to entertain! Reviewer: Max Eden Star rating ★★★ ★★ REVIEW BY RICK BOWEN (STAGESTRUCK) THE curtain comes down on an outstanding season at the Garrick, with a magical production that’s sure to live for long in the Memory of audiences who see it. Sorry, I couldn’t resist that one. Memory is the best song in the show by a mile and becomes a thing of beauty when sun by singers as gifted as Vicky Clarkson and Neve Finnigan, who play Grizabella and Jemima respectively. It made me forget the weaknesses in Lloyd Weber’s score which are sporadic but still there. Based on TS Eliot’s Old Possum’s Book of Practical Cats, it’s a major triumph for choreographer Deborah Kate Norris, who, along with her assistant Val Watkinson, has helped create a feast for the senses, served up by a vibrant and exciting, largely young company. When it comes to the dance routines, the cast are highly versatile, whether they’re performing slinky, sensual, at times balletic routines or mesmerising tap numbers in this celebration of all things feline. Judging by the standards achieved in this show, which has the consistently impressive Mark Goggins as its musical director, the future of amateur musical theatre in this area looks very bright indeed. Mark Goggins simply doesn’t have it in his DNA to preside over a bad show. The magical element of the evening is enhanced by a rooftop set designed by Stephen Bradshaw. It was also pleasing to see children in the audience - I can’t think of a better way to introduce them to an art form that has yet to lose its power over me, 30 years and several hundred reviews later. When word gets out as to just how breathtakingly brilliant this show is I expect tickets to be snapped up. So book now to avoid disappointment. Make sure you don’t miss this evening of unforgettable musical escapism. Star rating ★★★★★ Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

One Flew Over The Cuckoo's Nest By Dale Wasserman at the Altrincham Garrick Theatre. Garrick Production One Flew Over The Cuckoo's Nest By Dale Wasserman Ran Invalid Date - Oct 21, 2021 Age guidance Venue Running time Tickets Price Range Description Please Note - Reduced capacity and socially distanced seating for our Tuesday, Wednesday and Thursday evening performances of this production. Boisterous, ribald and ultimately shattering, One Flew Over the Cuckoo 's Nest is the unforgettable story of a mental hospital and its inhabitants. When a brash new inmate arrives, the rigid program of the ward, headed by the tyrannical Nurse Ratched, is thrown up for grabs. In a world where sanity means conformity and following the rules is the only way to survive, One Flew Over the Cuckoo 's Nest is a powerful exploration of both the beauty and the danger of being an original. Volatile and dark, humorous, thought-provoking and with strong language, this play (based on the classic 1962 novel by Ken Kesey and the 1972 film starring Jack Nicholson, which won five major Academy awards) is a true cult classic and will be an unforgettable evening at Altrincham Garrick Playhouse, performed by The Garrick Ensemble. WARNING - this production contains strong language and adult themes. The Garrick Ensemble is a company of 18 – 30 year old aspiring actors from Greater Manchester and Cheshire who perform one production each year as part of the Altrincham Garrick Playhouse Main House Season. The production will be directed by Artistic Director Joseph Meighan. The Garrick Ensemble aims to make theatre that is fresh, innovative and exciting. See the very best of local, up and coming talent before they move forward in the next stages of their careers in the Arts. 5 Star Review from Rick Bowen at Stagestruck WHEN the criminal Randle Patrick Mc Murphy is admitted to a cheerless psychiatric hospital, he doesn’t simply rock the boat. He capsizes it. This American classic, from the pen of Ken Kesey, has lost none of its power to shock, move or captivate in a stage adaptation that certainly succeeds in capturing the spirit of the original, rather wonderful novel. Mc Murphy, in a bid to avoid a jail sentence, pleads insanity and ends up in a grim institution presided over by one of contemporary literature’s most horrendous baddies, the notorious Nurse Ratched. She hides behind a veneer of care and compassion. In reality of course, she has no concept of either is particularly cruel to the stammering Billy, knowing exactly which buttons to press when it comes to making him feel guilty when this sad and sympathetic character has a glimpse of normality courtesy of the rebellious new arrival Mc Murphy. In him she finds a formidable adversary, as he reminds his fellow patients what it feels like to live again, organising a number of events that fly in the face of the hospital’s draconian rules. For those of you who are new to this tale I won’t be a party pooper. Let me just say Mc Murphy’s antics lead to a number of unforgettable scenes on the Garrick stage. Director Joe Meighan must have thought all his birthdays had come at once when Joseph Morgan auditioned for the role of Randle P Mc Murphy. Morgan brings a freshness and an individuality to the part immortalised on the big screen by the legendary Jack Nicholson. Matthew Spilsbury is simply outstanding as the towering Chief Bromden, offering us a heart breaking reminder of the appalling treatment meted out to the native Americans in ‘the land of the free.’ Returning to Ratched, I really admire Madeleine Healey for the way she resisted the temptation to take the pantomime villainess route when playing the role and I challenge anyone not to be moved by the scene with Billy - an excellent Charlie Gallagher - in which she crushes him by re-visiting the character’s innate sense of guilt. One Flew Over The Cuckoo’s Nest is yet another triumph for this theatre’s dynamic and exciting young actors group, the Garrick Ensemble. This a production not to be missed. Boy, how I wish I could write like Ken Kesey. Flawless - in every respect. Tickets are available from 0161 928 1677 or www.altrinchamgarrick.co.uk. Star rating - ***** Photo - Martin Ogden ------------------------------------------------------------------------------------------------------------------------------------ Free Car Parking. Cosy Bar. Great Prices. ------------------------------------------------------------------------------------------------------------------------------------ Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Cabaret at the Altrincham Garrick Theatre. Garrick Production Cabaret Ran Invalid Date - Dec 11, 2013 Age guidance Venue Running time Tickets Price Range Description Glimpse behind the scenes at the low-life and high-life in the notorious KIT KAT CLUB - at the ALL-GIRLS BAND (or are they?) - at the high-kicking "want a good time" dancers - the exciting, no-holds-barred Sally Bowles and savour the welcome given by the androgynous EmCee (Master of Ceremonies). Hone in on Sally's love life and the late flowering romance of her landlady, Fraulein Schneider, with Herr Shultz, all to the backdrop of 1930s Berlin and the inexorable rise of the Nazis. Hear again the hit songs "Tomorrow Belongs To Me", "Willkommen", "Two Ladies" and, of course, "Cabaret" itself. Don't miss our repeat of this ever-popular musical. CAST Emcee David Leathlean Clifford Bradshaw David Beddy Ernst Ludwig Alex Wilson Fraulein Schneider Patsy Roberts Fraulein Kost Anne Chandler Herr Schultz Terry Chandler Sally Bowles Dawn Flint Max Brian Stoner Kit Kat Girls Maria Marina Anderson Lulu Laura Chandler Frenchie Mandy Flude Rosie Vicky Turner Texas Carolyn Ritter Fritzie Stephanie Hawthorn Other Parts played by: Lisa Barker, Frank Boylan, Martin Creevey, Shirley Dowson, Ros Greenwood, Brian Howlett, John Newton, Peter Roberts, Mike Shaw, Paula Taylor, Howard Totty, Eric Vogel, David Walton Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

A Small Family Business at the Altrincham Garrick Theatre. Garrick Production A Small Family Business Ran Invalid Date - Dec 16, 2013 Age guidance Venue Running time Tickets Price Range Description The local furniture business of Ayres and Graces is a role model. Close-knit, trustworthy, quality-controlled - a true British success story in the world of fitted kitchens and vanity units. When founder Ken Ayres retires, honest son-in-law Jack is brought in as M.D. His managerial skills soon become put to unexpected uses when he realises that the "family" employees are less interested in profit margins than dodgy deals and nest-feathering. But that would mean that his own family was involved in fraud - and they would never do that... would they? This is one of Ayckbourn's masterpieces of uproarious theatre. CAST Dave Midgley as Jack McCracken Helen Cowan as Poppy Roger Metcalfe as Ken Ayres Ruth Metcalfe as Yvonne Doggett Juliette Wilson as Tina Ian Mairs as Roy Ruston Becky Wright as Samantha Mike Shaw as Cliff Ros Greenwood as Anita Mark Edgar as Desmond Mary Wright as Harriet Alex Wilson as Benedict Hough Hugh Everett as the Rivetti Brothers Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Things I Know to be True at the Altrincham Garrick Theatre. Garrick Production Things I Know to be True Ran Invalid Date - Jun 29, 2018 Age guidance Venue Running time Tickets Price Range Description A BEAUTIFULLY TOUCHING, FUNNY AND BOLD PLAY... NOT TO BE MISSED Andrew Bovell has written about how families can struggle to love and how also members of even the strongest of families can easily hurt those who are the closest to them. The play poses these questions - "What do generations owe to each other?" "Can the 'sacrifice now live later' ethos of our parents ever find a happy meeting point with the 'live now' approach of the millennials? Most of all this play looks at the tightness of ties that bind families and how we must face our parents? imperfections as a part of facing our own. The Garrick is delighted to be staging this beautiful play and bringing it alive for our audiences to absorb and enjoy. This Production is proudly sponsored by [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_9359.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_9568.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_9596.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_8609.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_8807.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_8934.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_9284.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_9291.jpg|"] Production Photographs by Vish Sharma CAST Bob - Charlie Tomlinson Fran - Brigid Hemingway Pip - Holly Boland Mark - Alexander Mike Thompson Ben - Anthony Morris Rosie - Megan Relph Rehearsal Photographs [gallery columns="6" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/IMG_2827-Medium-e1554794401718.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/IMG_2820-Medium.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/IMG_2857-Medium.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/IMG_2871-Medium.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/IMG_2851-Medium.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/IMG_2869-Medium-e1554794440943.jpg|"] Director's Note: Many congratulations to actor Anthony Morris who ran the Manchester Marathon in just over 4 hours then came on to rehearsals for Things I Know To Be True - only to be chased round and then thrown to the floor by his Father in the play Charlie Tomlinson. What a Star - Anthony we are all so proud of you! Review by Rick Bowen for Stagestruck THE words “family strife” take on a whole new meaning in this modern day classic, Altrincham Garrick’s production of the season. Andrew Bovell writes in a way that’s sure to affect those who see this piece very deply. Bovell’s writing is thoughtful, thought provoking, touching and warmly funny and the cast give performances of a professional standard, thanks to expert direction from Carole Carr. Poor Rosie (Megan Relph) returns home early from a backpacking trip to Europe after having her heart broken by a Spanish confidence trickster and who would blame here if she packed her bags and did a runner to escape the unfolding turmoil in her family home. It’s a home presided over by her doting but suffocating dad Bob, played by the always watchable Charlie Tomlinson and her mum Fran, one of the most fascinating female characters I’ve ever encountered in contemporary theatre, brilliantly portrayed here by Brigid Hemmingway. Bob is a dethroned patriarch and Fran is a woman who speaks her mind, but nothing can prepare them for the shocks that come courtesy of their other three grown up kids, Pip, Mark and Ben. This piece , while it shouldn’t be dismissed as an angst fest is hard on the emotions at times but it makes you feel like you’re actually living. Add a gorgeous set from Juliet Jones, some equally lovely and tender music and you have the complete theatre package. Hopefully the remaining seats will be snapped up because productions as good as this deserve packed houses. Go and send the box office phones into meltdown, for this is flawlessly brilliant. Star rating ★★★ ★★ Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster