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Return to Productions Archive Garrick Productions The Vicar of Dibley Dec 2013 Geraldine Granger is a non-traditional, chocolate loving, rock n' roll playing vicar, but that is not what gets the traditional and bizarre citizens of Dibley in an uproar. It's because she is a woman! Still, that doesn't stop Geraldine from proving her worthiness to the village in this hilarious adaptation of the popular TV comedy by the original author, Ian Gower. Ian says I very much hope that Garrick audiences enjoy the experience of seeing these wonderful characters come to life on stage, safe in the knowledge that all the royalties go straight to Comic Relief. Ran Dec 2, 2013 - Dec 7, 2013 Age guidance Venue Running time Tickets Price Range Description Geraldine Granger is a non-traditional, chocolate loving, rock n' roll playing vicar, but that is not what gets the traditional and bizarre citizens of Dibley in an uproar. It's because she is a woman! Still, that doesn't stop Geraldine from proving her worthiness to the village in this hilarious adaptation of the popular TV comedy by the original author, Ian Gower. Ian says "I very much hope that Garrick audiences enjoy the experience of seeing these wonderful characters come to life on stage, safe in the knowledge that all the royalties go straight to Comic Relief". CAST David Horton - David Reynolds Geraldine Granger - Victoria Johnson Hugo Horton - Hugh Everett Alice Tinker - Alison Davenport Letitia Cropley - Pat Williamson Jim Trott - Brian Tickle Frank Pickle - Bill Platt Owen Newitt - Andrew Higson Woman - Pat Head The Children - Zahra Ahmed, Amelia Beddy, Lucy Cotterell Jemma Gavin, Freya Gilbert, Nathan Ng Kitty Seth-Smith, Emily Stewart Prompt - Adele Taylor ASM - Pat Head Reviews From the Fiction Stroker in December 2013 https://thefictionstroker.wordpress.com/2013/12/03/the-vicar-of-dibley-live/ Taking a highly respected and successful TV sitcom and transporting it to the stage is not as straightforward as it might seem. Luckily, the Altrincham Garrick has the services of Ian Gower and Paul Carpenter. Gower has previous form having adapted and produced stage versions of other popular TV sitcoms like Dad’s Army and Porridge – and it shows in this affectionate and slick tribute to The Vicar of Dibley . For those not in the know, The Vicar of Dibley was a BBC sitcom that arose from from the Church of England allowing female vicars for the first time. Dawn French played Geraldine Grainger, a vicar assigned to the sleepy village of Dibley on and off from 1994-2007. Created and written by Richard Curtis (Four Weddings and a Funeral , Love Actually ) it was a significant hit with its blend of characters and gentle humour. Based on those scripts, Gower and Carpenter have taken many of the more memorable sections and distilled them into the Garrick’s adaptation. From the outrage of the Parish Council at the arrival of the new, female vicar through to Alice and Hugo’s unforgettable wedding, the Garrick’s production of Dibley is like a greatest hits package, and a rather splendid one at that. It is testament to the cross generation appeal of Dibley that people of all ages were filling up the Garrick’s seats. Dawn French’s depiction of Geraldine Grainger was perfection. French’s chocolate chomping, fun loving vicar was rightly a comedy highlight of the 1990s. Victoria Johnson has the difficult task of stepping into these shoes and pulls the role off with aplomb. An absolute triumph, she completely embodies the character and retains a slight French influence whilst still putting her own energetic and feisty mark on the character. It’s been commented that The Vicar of Dibley is something of an ensemble piece rather than being a vehicle for its main star. The same is true of the Garrick’s adaptation with a strong core cast of 8 sharing more or less equal stage time. It therefore becomes difficult to single out specific performances. Brian Pickle brings the idiosyncratic Jim Trott to life entertainingly with much of his performance prefaced with the character’s trademark ‘No, no, no, no..’ whilst Pat Williamson’s woeful cooking efforts as Letitia Cropley provide much amusement. David Reynolds’ ruthlessly officious David Horton is the perfect foil for Bill Platt’s mercilessly pedantic Frank Pickle. However, it is Andrew Higson’s note perfect Owen Newitt with his laconic delivery and risque comments that steals the show. Higson’s performance evokes disgust and sympathy from the audience in equal measure, with him proving to have impeccable comic timing. Hugh Everett’s physicality is put to good use as Hugo Horton’s awkwardness and shy nature manifest themselves whilst around Alison Davenport’s adorably dippy Alice Tinker. Everett and Davenport go under an endurance test of sorts during the performance, the exact circumstances of which I won’t mention here – but provided much hilarity for the audience! Celia Bonner’s direction completely gets the gentle nature of Dibley and makes for a formidable pairing when combined with Barry Fletcher’s excellent set design. It’s testament to the whole team that several times during the performance I caught myself believing I was watching the television version rather than a stage one. Close your eyes briefly, and you can believe you are listening to the original cast. By the time that David pleads with Geraldine to stay at the conclusion, you’re wishing you could see more of this excellent production – and with all royalties going to Comic Relief, you have no reason not to treat yourself this Christmas. The Fiction Stroker gives The Vicar of Dibley five strokes out of five. The Vicar of Dibley runs until Saturday 7 December at the Altrincham Garrick on Barrington Road, Altrincham. There is limited availability so book now! With thanks to the Altrincham Garrick. MESSENGER REVIEW By Julia Taylor Dippy vicar of Dibley wins hearts at Altrincham Garrick The warm-hearted, scatter-brained Vicar of Dibley has come to Altrincham Garrick. She isn't the Dawn French you saw between 1994 and 2007 but their very own Victoria Johnson. Victoria wins our hearts in this re-run of old episodes especially adapted for stage by Ian Gower and Paul Carpenter. She gets into scrapes, mostly of her own making, and tells the familiar, corny jokes. She comes across as a woman who loves life and is, consequently, loved back by the audience. Other familiar characters remind us of how funny this series was. We have inspired performances by Ali Davenport as the Rev's sidekick, the dopey verger, Alice, David Reynolds as the self-important David, Chairman of the Parish Council and Andrew Higson as farmer Owen who fancies the new incumbent. Another one with a glint in his eye is Hugh Everett as Hugo, David's not very bright son, who falls for Alice. I love the scene where, egged on by the vicar, they enjoy a marathon of a first kiss! Director, Celia Bonner, includes the programme's beautiful version of psalm 23. It brings back memories to the audience. After all, that is what they are here for. The highlight is the wedding of Alice and Hugo. What an amazing dress it is with love hearts all over it! The programme proudly includes a letter from Ian Gower mentioning that royalty monies will go to Comic Relief. We, too, enjoy comic relief. NODA REVIEW by Kevin Proctor So far this season, the Garrick box office have had exceptional responses to the selection of plays and musicals for this special season and judging from the turn out for The Vicar Of Dibley, this has clearly added to the list of success! Long may it continue! This warm and faithful stage adaptation of the popular BBC sitcom has jumped on the same trolley as Calendar Girls with an appealing charity attraction. The writers of the TV series have pieced together the shows most loved and memorable scenes to create a full length piece of theatre and are donating all of the royalty fees to Comic Relief. The script doesn't particularly translate very easily as the scenes are quite short and don't flow into one another particularly well, but - the success of this piece can only rely on how well the actors impersonate these recognisable characters and Director, Celia Bonner was certainly aware of that factor! Doing one thing we were always taught not to do; imitate the original! Being a huge fan of the TV programme it was evident how each player had studied the madcap bunch of characters; from the delivery and vocal infliction of the sentences to the length of the pauses, of course the blocking, each of the characters gestures and mannerisms had all been studied, every detail was exact to the show which added to the comedy. The story encapsulated the majority of the original show, from Geraldine's arrival in Dibley (Played by Victoria Johnson), her affection for chocolate, and the love affair between nice-but-dim couple Hugo and Alice. As with the TV show, all the fun was provided by the supporting cast. Stern councillor David Horton was played with plenty of stiff upper lip by David Reynolds, aghast that his son Hugo (Hugh Everett) was set to wed barmy Alice (Ali Davenport). All of the famous characters were very well executed but farmer Owen Newitt (played Andrew Higson) delivered my personal favourite and I'd say the most accurate interpretation of these characters to the stage, closely followed by Hugh's Hugo! Each of the many scenes provided a belly-laugh or two, all of which culminated in a wedding that had to be seen (again) to be believed. It was a riotous ending to an extremely enjoyable adaptation of a much-loved series. Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Private Release GAPA - Group 2 Date range Tickets £185 Age guidance Group 2: 9am - 11am (Ages 11 -14) Venue Rehearsal Room Trigger warning Find out more Book now Running time 2 hours Group bookings Find out more Accessibility Find out more The Garrick Academy of Performing Arts, affectionately known as GAPA currently runs seven Saturday drama groups: six on a Saturday morning for our 8 to 18 year olds, with our MINI GAPA class, for 5 to 8 year olds, on Saturday afternoons. Throughout the year, the groups work towards the goal of putting a production onto the main stage. Term 3 is all about stagecraft, skills and audition preparation, giving students the opportunity to enhance and develop their performance skills. Then in Term 1 in September, it’s audition time and, once the play is cast, the rehearsals start and all the elements of the show are put together, ready to showcase in Term 2. Working through this process, the students learn the valuable skills required of rehearsing and putting on a production, whilst being surrounded by fun and laughter. Term 3 25th April 26 to 11th July 26 (not including 23rd May and 30th May 2026). Please select the correct age group for your child: Group 1: 9am - 11am (Ages 8 -11) Group 2: 9am - 11am (Ages 11-14) Group 3: 9am - 11am (Ages 14-18) Group 4: 11.30am - 1.30pm (Ages 8 - 11) Group 5: 11.30am - 1.30pm (Ages 11 - 14) Group 6: 11.30am - 1.30pm (Ages 14 - 18) Group 7 (Mini GAPA): 2pm - 3.30pm (Ages 5 - 8) Private Release Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Return to Productions Archive Garrick Production George's Marvellous Medicine Phizz-whizzing Easter half term fun for all the Family! Ran Apr 7, 2022 - Apr 24, 2022 Age guidance 5+ Venue Running time Tickets Price Range Description By Roald Dahl Adapted by David Wood It’s the half term holiday and George Kranky is looking forward to a break from school when a letter from Grandma arrives announcing that she is coming to stay – that very day! Soon she is making George’s life miserable with spiteful comments and demands for doses of medicine! But one day, when his parents leave him alone with the grizzly old grunion, George takes his chance and sets about creating a brand new medicine to cure her of her cruelty. Little does he know that his perilous potion will be the start of a rather marvellous adventure… This will be Easter Half Term Mayhem at the Altrincham Garrick Playhouse! This imaginative and entertaining stage adaptation of Roald Dahl’s much loved children’s book is bursting with growing grannies, feathery farm animals and bags of frothbuggling family fun. Recommended 5+ Reviews FANTASTIC REVIEW - RICK BOWEN AT STAGESTRUCK WHILE I’m not one of those irritating people who witter on about ‘the good old days’, it was really refreshing to see children completely immersed in a form of entertainment that wasn’t screen based. And big kids like me enjoyed it, too. I been reviewing theatre for 30 years and this was the first time I’d ever seen - well, I’m not going to spoil the surprise for you. This production is also a triumph for the director/designer Sean Duvall for he has designed a set that smacks of fairytale charm and a talented team of puppeteers who successfully transport the audience to a world in which anything is possible. Poor George - played by an engaging Andy Withers - has his school holiday ruined when his grouchy old grandma comes to stay at his family’s farm. She really is a grump, snarling her orders at George and his oh so patient parents,played by Michael Gallagher and Christine Perry. Withers is an engaging and likeable George and instantly won over the youngsters in the audience as he hatches a plan to put the old battle axe well and truly in her place. The panto season may be eight months away but this show has that well known staple ingredient of the panto. Audience participation. But take comfort folks - the jokes are an awful lot better. Hannah Collman, far, far, far younger than the role she is playing, is really good value as Grandma, perfectly capturing her mannerisms and with a voice that could, quite easily, curdle milk. The world may be a bad place at the moment so what better than 90 minutes of good, clean fun to whisk us away from these unprecedented times? Until April 24. Tickets are available from 0161 928 1677 or www.altrinchamgarrick.co.uk . Star rating - 3.5 out of 5. Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production QUIZ Entertaining comedy drama based on Who Wants To Be A Millionaire performed by the Garrick Ensemble Ran Feb 2, 2026 - Feb 7, 2026 Age guidance 12+ Venue Main House Running time TBC Tickets Price Range £14 - £19 Description Every audience member will be given a voting device, putting you right at the heart of the story. You won’t just watch the drama unfold, you’ll help decide it. September 2001: the nation is gripped by a scandal that remains, to this day, a mystery. In an outrageously audacious heist, Charles Ingram, aka the Coughing Major, and his accomplices duped the world’s most popular TV quiz show, Who Wants to Be a Millionaire, out of £1,000,000. Or did they? And if they did cheat, how did they really do it? James Graham’s thrilling, entertaining and provocative comedy drama, asks you, the audience, to put fingers on keypads and answer the ultimate 50/50: guilty or not guilty? And, for your first question, is QUIZ … A) A play by acclaimed writer James Graham, performed by The Garrick Ensemble? B) A provocative re-examination of the conviction of Charles Ingram, 'the coughing Major', for cheating, following his appearance on Who Wants To Be A Millionaire? C) A hilarious celebration of the great tradition of the British quiz show? D) A razor-sharp analysis of the 21st century's dangerous new attitude to truth and lies? Answer: You decide. Nominated for two Olivier Awards including Best New Comedy, James Graham’s smash hit play, Quiz, transferred to London’s West End with sensational reviews in 2018, following a sold-out run at Chichester Festival Theatre. And in 2020, millions tuned in to see the three-part ITV adaptation starring Michael Sheen, Matthew Macfadyen and Sian Clifford. This production is performed by THE GARRICK ENSEMBLE. The Garrick Ensemble is a company of 18 – 30 year old aspiring actors from Greater Manchester and Cheshire who perform one production each year as part of the Altrincham Garrick Playhouse Main House Season. The Garrick Ensemble aims to make theatre that is fresh, innovative and exciting. See the very best of local, up and coming talent before they move forward in the next stages of their careers in the Arts. Written by James Graham Directed by Joseph Meighan (Artistic Director) Reviews 5 Stars from North West End U K “Entertaining, inventive and expertly staged, this production is a testament to the talent both on stage and behind the scenes at the Garrick. Verdict: A clever, interactive and utterly gripping night of theatre.” - Max Eden Read the full review HERE Stage Struck "Director Joe Meighan can add Quiz to a long list of theatrical triumphs at the Garrick." Read Rick Bowen's full review HERE Gallery Trailer Trigger Warning 12+ This production contains strong language and adult themes. Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production Oppenheimer Bio-drama about J. Robert Oppenheimer, the mastermind of the atomic bomb Ran Feb 24, 2025 - Mar 1, 2025 Age guidance Age: 14 + Venue Main House Running time TBC Tickets Price Range £10.50 - £16.50 Description By Tom Morton-Smith Directed by John Cunningham Associate Direction by Carole Carr 1939: fascism spreads across Europe, Franco marches on Barcelona and two German chemists discover the processes of atomic fission. In Berkeley, California, theoretical physicists recognise the horrendous potential of this new science: a weapon that draws its power from the very building blocks of the universe. Struggling to cast off his radical past and thrust into a position of power and authority, the charismatic J Robert Oppenheimer races to win the 'battle of the laboratories' and create a weapon so devastating that it would bring about an end not just to the Second World War but to all war. Originally written for the RSC in 2015, Tom Morton-Smith's play takes us into the heart of science, politics and humanity clashing in the propulsive story of the Manhattan Project and the development of the world’s first nuclear bombs. Reviews Gallery Trailer Trigger Warning This production contains strong language, sexual references and adult themes, including suicide, references to racism and other challenging themes. The production also contains graphic descriptions of the Hiroshima and Nagasaki nuclear attacks and aftermath, which may cause upset or distress. Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Productions Vivat! Vivat! Regina! (2002) The Garrick's contribution to the celebrations for the commemoration of the 50th anniversary of the accession to the throne of Queen Elizabeth II. Ran Feb 4, 2002 - Feb 9, 2002 Age guidance Venue Running time Tickets Price Range Description The Garrick's contribution to the celebrations for the commemoration of the 50th anniversary of the accession to the throne of Queen Elizabeth II. As our contribution we are very proud to be presenting this engrossing play by one of our premier writers. The play follows the relationship between Mary Queen of Scots and Elizabeth I from shortly before Mary's return to Scotland, through her marriage to Darnley, Rizzio's death, the scandal over Bothwell to Mary's imprisonment and subsequent execution, with the play closing as Spain prepares its Armada. With an all-star cast and the sumptuous costumes for which the Garrick is renowned this is a celebration not to be missed. CAST Mary, Queen of Scots: Stephanie Hawthorne Claud Nau: Ian Fensome William Cecil: Terry Chandler Elizabeth I of England: Pam Nolan Robert Dudley: Martin Creevy John Knox: Hugh Everett David Rizzio: Mark Jephcott Lord Morton: Richard Frost Lord Bothwell: Bryn Thomas Lord Bishop of Durham: Frank Boylan Sir Francis Walsingham: Roger Metcalfe De Quadra: David Midgeley Davison: Mike Shaw Henry Stuart, Lord Darnley: John Keen Ruthven: Brian Stoner Lindsey: Daniel Cloran Tala: Derrick Dykins Ormiston: Alex Wilson Douglas: David Walton Falconside: Peter Coatman Court Ladies: Paula Taylor Mandy Flude Caroline Hickey Juliet Wilson Directed by Sonia Dykstra Designer: Juliet Jones Costume Design & Creation: Mike Shaw Sound Design: Robin Watkinson Sound Operator: Steve Williamson Lighting Design & Operation: Mike North Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Productions The Hollow Ran Jan 20, 2003 - Jan 25, 2003 Age guidance Venue Running time Tickets Price Range Description Weekend at "The Hollow", country retreat of Sir Henry and Lucy Angkatell. Murder is on the menu and when the much sought after Cristow is found dead everyone has a motive and everyone has had the opportunity. Who actually committed the murder is discovered by Inspector Colquhoun and Sergeant Penny to everyone's surprise and satisfaction. CAST Sarat Broughton as Henrietta Angkatell Geoff Hinde as Sir Henry Angkatell KCB Jane Marsh as Lady Angkatell Juliette Wilson as Midge Harvey Brian Stoner as Gudgeon Richard Frost as Edward Angkatell Lisa Barker as Doris Caroline Hickey as Gerda Cristow John Keen as John Cristow MD FRCP Nina Williamson as Veronica Craye Hugh Everett as Inspector Colquhoun Martin Creevy as Detective Sergeant Penny Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

List of previous productions The Silver Box The first show that the Altrincham Garrick Society staged. Helvetica Light is an easy-to-read font, with tall and narrow letters, that works well on almost every site. 18 March 1914 Start date 21 March 1914 The Silver Box The first show that the Altrincham Garrick Society staged. Helvetica Light is an easy-to-read font, with tall and narrow letters, that works well on almost every site. 18 March 1914 Start date 21 March 1914 The Silver Box The first show that the Altrincham Garrick Society staged. Helvetica Light is an easy-to-read font, with tall and narrow letters, that works well on almost every site. 18 March 1914 Start date 21 March 1914 Read More

Return to Productions Archive Garrick Production Of Mice and Men A classic story of enduring friendship and hope, with themes of economic migration and racism Ran May 8, 2025 - May 18, 2025 Age guidance Recommended: 12+ Venue Main House Running time TBC Tickets Price Range £10.50 - £16.50 Description Written by John Steinbeck Directed by Joseph Meighan “Guys like us, that work on ranches, are the loneliest guys in the world. They got no family. They don't belong no place...with us it ain't like that. We got a future. We got somebody to talk to that gives a damn about us.” George and Lennie are migrants with a dream; a dream of a better life, a place where they can belong, where Lennie feels safe and George can be somebody. But this is the Great Depression, not many dreams come true in a time where a few have plenty but most have nothing. When the friends take a job on Curly’s farm, tragedy unfolds leading to a heart-breaking decision. John Steinbeck’s classic novel is more than 80 years old, but with themes of economic migration, racism, prejudice and exclusion it remains a parable for our times. A story of enduring friendship and hope. Reviews Gallery Trailer Trigger Warning This production stays true to the original novel, exposing the depths of the characters and inviting conversations around difficult topics set against the brutality of the time. It contains sensitive content including topics that cover racism, ableism, sexism, violence, assault, murder, death, plus some strong and offensive language. Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production A Chorus Line A musical masterpiece that revolutionised Broadway Ran Sep 8, 2025 - Sep 14, 2025 Age guidance 12 + Venue Main House Running time TBC Tickets Price Range £19 - £24 Description Seventeen Stories. Eight Chances. One Singular Sensation. New York City. 1975. On an empty Broadway stage, seventeen performers are put through their paces in the final, gruelling audition for a new Broadway musical. For everyone present, it’s the chance of a lifetime. It’s the one opportunity to do what they’ve always dreamed of – to have the chance to dance… but only eight will make the cut. Told through captivating song, riveting drama and stunning choreography, the auditionees describe the events that have shaped their lives and their decisions to become dancers. Based on real-life testimonies from late-night recording sessions with dancers, these are the lives of theatre’s unsung heroes, as they tell searing stories of ambition, shattered hopes, and what it really costs to follow your dreams. A Chorus Line is a musical masterpiece that revolutionised Broadway, winning nine Tony Awards, seven Drama Desk Awards, the New York Critics’ Circle Award and the Pulitzer Prize for Drama. Now celebrating 50 years since A CHORUS LINE first graced the Broadway stage, it is time experience a stunning new production full of heart, music and dance at Altrincham Garrick Playhouse. - Directed by Joseph Meighan - Musical Direction by Mark Goggins - Choreographed by Louise Pettitt Reviews Described as "polished, passionate, and unforgettable"; the opening production of our 2025/26 Season 'A Chorus Line' has been awarded 5 STARS from NORTH WEST END UK . "The creative team deserve immense credit. The lighting and sound were flawless, enhancing the minimalist staging with atmosphere and precision. Glittering costumes in the finale brought that Broadway dazzle, and the audience responded with thunderous applause and cheers. Louise Pettitt’s choreography deserves high praise. Every number was tight, synchronised, and visually stunning". "The musical backbone of the show came from Mark Goggins and his 14-piece live band, who played with energy, precision, and flair." "A thoroughly enjoyable evening, delivered by a sensational cast and creative team. Quite simply, this ‘A Chorus Line’ was theatre at its very best – uplifting, heartfelt, and unforgettable." Katie Leicester at NORTH WEST END UK - Read the full review HERE "IT’S hard to believe this show is 50 years old. Despite its age, its power to move, amuse, entertain and exhilarate remains as strong as ever thanks to a sumptuous score and a very stirring dance finale that raised the roof at the Garrick on opening night." "Unmissable, high quality entertainment." Rick Bowen at STAGESTRUCK - Read the full review HERE Gallery Trailer Trigger Warning Warning: This performance contains haze, loud music, discussion of bereavement, mention of physical violence and abuse, discussion of homophobia, discussion of discrimination, strong language, and discussion of sexual abuse. This production contains some references and language that may be unsuitable for younger children. Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production David Ballard Ran Jan 3, 1920 - Jan 3, 1920 Age guidance Venue Running time Tickets Price Range Description By Charles McEvoy CAST Bonson, John P Booth, G Frederick Gordon, Eleanor Higgs, Elsie Lowe, Lois M Nixon, Walter S Warburton, George A Warburton, Ida Wilson, Tom Wilkinson, John Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Productions Caught Napping Ran Jan 1, 1960 - Jan 1, 1960 Age guidance Venue Running time Tickets Price Range Description Davenport, Claire Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Garrick Production Robin Hood Pantomime Date range Tickets £17 - £22 Age guidance Recommended 3+ Venue Main House Trigger warning Find out more Book now Running time TBC Group bookings Find out more Accessibility Find out more Written by Tom Whalley Directed by Joseph Meighan The Merry Garrick Panto that really hits the bullseye! The fine folk of Sherwood Forest are terrorised by the mounting taxes imposed by the wicked Sheriff of Nottingham who’ll stop at nothing to seize the throne of England and claim the fair Maid Marian as his bride. Only the outlaw Robin Hood and his band of Merry Men can save the day. With the help of the hapless Silly Willy and his not so glamorous mother Nanny Fanny, can Sherwood be saved from the Sheriff’s clutches? Or will they be left all aquiver? Packed with laugh-out-loud comedy, audience interaction, toe-tapping tunes, dazzling dance numbers, and a fresh twist on a classic tale, ROBIN HOOD promises to be the perfect theatre outing for the entire family. Whether you're young or just young at heart, this is a magical festive treat you won’t want to miss. Grab your tickets, gather your gang, and join us for a Panto full of heart, heroism, and hilarity! Age Guidance: 3+ Content Warning: Panto is A LOT of fun, but sometimes it can be quite loud, and a little bit cheeky, with some jokes that only grown-ups will understand. We also use special effects that include loud bangs, flashing lights and pyrotechnics. We do also offer a Relaxed Performance where these effects are reduced to lessen sensory overwhelm, but keeping all the great fun for our audience! Garrick Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Return to Productions Archive Garrick Production If Four Walls Told Ran Jan 4, 1920 - Jan 4, 1920 Age guidance Venue Running time Tickets Price Range Description By Edward Percy CAST Blackburn, Lydia Brierley, Norman Green, Freda Loft, J H Harold Lowe, Lois M Matthews, Marion Thwaite Owen, Gwen Pownall, Clarence Winn, Rex Wilkinson, John Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Academy Disney's Beauty and the Beast JR. An enchanting musical performed by The Garrick Academy of Performing Art Students (GAPA) Ran Mar 18, 2026 - Mar 22, 2026 Age guidance Venue Main House Running time Tickets Price Range £9 - £11 Description ✨ “BE OUR GUEST!” AT BEAUTY AND THE BEAST JR. ✨ 🌹 Performed by our talented GAPA Youth Academy, with each performance showcasing a different age group of students. Step into the enchanted world of Disney’s Beauty and the Beast JR. , a heartwarming 60-minute musical based on the beloved 1991 animated classic and the Tony®-nominated Broadway production. Join Belle, a bright and courageous young woman, as she discovers an enchanted castle and its mysterious master - the Beast, a prince trapped under a powerful spell. To break the enchantment, the Beast must learn to love and be loved in return… before the final petal falls. Along the way, Belle befriends the castle’s delightful enchanted staff, including a warm-hearted teapot, a dazzling candelabra and a rather anxious mantel clock. With their help, Belle and the Beast uncover a friendship and a love neither expected. Featuring iconic songs such as “Be Our Guest,” “Belle,” and favourites from the Broadway musical, this magical tale is perfect for audiences of all ages. 🌹 A story of courage, kindness, and believing in the beauty within — brought to life by our brilliant young performers. Don’t miss this joyful, family-friendly musical adventure! Performance Schedule Wednesday 18th March at 7.30pm: Group 3 - Students aged 14 - 18 years Thursday 19th March at 7.30pm: Group 6 - Students aged 14 - 18 years Friday 20th March at 7.30pm: Group 2 - Students aged 11 - 14 years Saturday 21st March (Matinee) at 2.30pm: Group 1 - Students aged 8 - 11 years, supported by our GAPA Minis aged 5 - 8 years Saturday 21st March (Evening) at 7.30pm: Group 5 - Students aged 11 - 14 years Sunday 22nd March (Matinee) at 2.30pm: Group 4 - Students aged 8 - 11 years, supported by our GAPA Minis aged 5 - 8 years Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Productions And Then There Were None Ran Jan 13, 2014 - Jan 18, 2014 Age guidance Venue Running time Tickets Price Range Description Adapted from one of the bestselling books of all time, Agatha Christie's classic, spine-chilling thriller sees a disparate group of people invited to a house party on a remote and inaccessible island. As dinner is served, the guests begin to realise that their host, the mysterious Mr Owen, is absent. After dinner, the guests hear an eerie voice accusing each of them in turn of murder, and it soon becomes apparent that they've not been invited for the jolly sojourn they had thought. Before long, the bodies are stacking up. Banish the January doldrums with a night of thrilling suspense. CAST Rogers - Brian Howlett Mrs Rogers - Margaret Kenyon Fred Narracott/Narrator - David Richardson Vera Claythorne - Kate Millington Phillip Lombard - Jonathan Black Anthony Marston - Stuart Bilson William Blore - Mark Edgar General MacKenzie - John Westbrook Emily Brent - Sandra Thomas Dr Armstrong - David Ades Sir Lawrence Wargrave - David Reynolds Prompt - John Chidgey ASM - Anne O'Reilly Reviews NODA Review by Kevin Proctor While many playwrights bring out the best in their characters, Christie is unafraid to mine the worst in hers. The story involves eight guests who have never met each other lured by a cryptic invitation to a deserted island and marooned, along with two house servants. A nursery rhyme suggestively embossed above ten little statuettes tells them how each of them will die. After a mysterious voice accuses each of the Guests having gotten away with murder the group begins dwindling one-by-one, but who has it in for this odd collection of individuals invited to spend a weekend mini-break on an exclusive remote island. Direction by Ros Greenwood enhances the plot and the personality of the play as well as the energy and chemistry of the cast. Ros had approached the piece as a revival rather than a re-enactment presenting the piece for a modern audience which translated really nicely and without any impede to the style and intended delivery of the text. Ros also took charge of designing the set, rather than sticking to the traditional three wall parlour set as instructed in the script, she'd gone for a more contemporary feel as she'd included the outdoors with her staging which created something a little more interesting given the setting and script refer to the island and the surrounds of the house, it created some attractive visuals and added to the eerie ambiance. From the modern approach to the staging, the piece didn't feel as dated as I'd have expected it to; it seemed more of a morality play than a whodunit romp and an examination of the nature of justice. It's very difficult to mention the performances without giving too much of the plot away to anyone who may not have seen or read the piece before but the cast is uniformly excellent and boasting some well-known Garrick faces. In particular David Reynolds is tremendous, playing Lawrence Wargrave with just the right mixture of pillar-of-the-community uprightness and subtle sadism. Kate Millington gave a strong delivery as the secretary who adds a touch of glamour to the gathering and Jonathan Black gave strength as the morally ambiguous Phillip Lombard, but, in all, the entire ensemble cast worked incredibly well as a team and bar the odd exception, no one really out shone anyone else which is commendable. I appreciate that the eerie chills approach is more in keeping with Dame Agatha, and we certainly got them in bucket loads but for the deaths, I like to see some gore, it's a thriller, right? Perhaps being a little more gruesome (wherever possible) would have been fun, but I appreciate that may just be my morbid side creeping to the surface. David Richardson as the Narrator/Fred Narracott certainly was mysterious and brought the perfect tone and haunting stare to his performance which was perfectly understated as it needed to be but quite discomfiting, lovely! It is enormous fun witnessing the ten little sailor boys getting their comeuppance. Old-fashioned hokum you may say, but by the end, this makeover mystery with a moral twist leaves you feeling that the Queen of Crime has, in her own understated way, gunned down an entire class of decadent Brits. Congratulations AG! Messenger Review by Rick Bowen When you think about it, it's perfectly logical who the baddie is in And Then There Were None. The character, whose identity I won't reveal, is just too calm and collected as the assembled party guests start falling like nine pins. As the other characters try to make sense of the macabre events, this cool customers disects them with the calm rationale of a forensic scientist. But Agatha Christie being Agatha Christie, she does throw in a red herring and I'm sure some members of the Altrincham Garrick audience will be fooled by her trickery. The production has been directed by Ros Greenwood who has designed a set that makes us feel just as trapped and claustrophobic as the poor souls marooned on the island. It conjurs the atmosphere of a funeral which is rather apt when you consider the fate awaiting most of the unfortunates lured to the coastal retreat. The suspense is largely maintained throughout and I particularly liked David Reynolds as Sir Lawrence Wargrave and Sandra Thomas as the horrendous Emily Brent, a good Christian woman who seems to have forgotten the compassionate part of Christianity. David Richardson also has quite a presence as the Narrator, with a singing voice that is as pleasurable as it is chilling. I'm not an Agatha Christie fan but this is an enjoyable night out, with moments of genuine shock and surprise that just might make certain audience members jump. Star Rating ★★★ Review by Julia Taylor of remotegoat Classic Whodunnit keeps you guessing The Garrick, in their centenary year, shine their spotlight on a writer who has been going almost as long as they have. She is Agatha Christie and they have chosen And Then There were None, previously known as Ten Little Indians and, before that, Ten Little N..s, to represent her work. It is set in Soldier Island in 1938 where a group of well-heeled guests have answered the invitation of Mr and Mrs U N Owen. It transpires that the eight arrivals and their two servants are all responsible for the deaths of others as one by one, they are seen off. At the same time, ten ornamental little sailor boys are individually despatched. The first to pop his clogs is the car mad Anthony Marston. Stuart Billson comes up with a realistic choking fit and dies. The next death, to servant Mrs Rogers (Margaret Kenyon), is far less dramatic. She apparently dies in her sleep. More dramatically, John Westbrook's General Mackenzie, who threatens Kate Millington's Vera. is stabbed in the back. And so it continues. Their chief suspect, Rogers, the butler, (Brian Howlett) is ruled out when he is mown down by an axe. I am particularly impressed with Kate Millington's portrayal of the glamorous Vera Claythorne especially since she is on stage most of the time. I also like David Reynolds as Sir Lawrence Wargrave. You look every inch a judge in those robes, David. Sandra Thomas does well, too, as the humourless Miss Brent. I am disappointed with the colourless set designed by Ros Greenwood who also directed. It leaves the large cast with nowhere to sit and often standing in an uncomfortable line. For that reason I was on the verge of giving the play three stars. That was before the final scene where the dead return as ghosts and the living, before they expire, reveal who the culprit is. A tribute to Ros's directing skills, this excellent scene upped my review to four stars. It's more like doing a puzzle than watching a play but equally enjoyable. Star Rating ★★★★ Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Previous Next Maureen Halliday Maureen was a ray of sunshine and joy in the Garrick's Front of House team for many years, welcoming many people through our doors with her wonderful smile, sense of humour and warmth. A huge supporter of the Arts and Theatre, Maureen was also a long serving member of Urmston Musical Theatre. She always had time to stop and chat, she loved to have a laugh with people, and she took genuine care and consideration of all of those around her. She cared deeply about people and wanted everyone to be happy. She was one of a kind. Back to In Memoriam page

Garrick Production Punk Rock Date range Tickets £13 - £15 Age guidance 16+ Venue STUDIO Theatre Trigger warning Find out more Book now Running time TBC Group bookings Find out more Accessibility Find out more Written by Simon Stephens Directed by Meg Brassington “I hate normal people. Normal people should be eviscerated.” Tucked away in a library in a Stockport grammar school, half-a-dozen sixth formers, on the cusp of adulthood, are whiling away the hours… A clatter of teenage thoughts tumble out between the friends. Dreams of Oxbridge, contempt for the locals and of course: sex, sex, sex. But as exams approach and pressures rise, real brutality emerges from behind their playful barbs. And soon there is nothing left but violence. From Manchester power-house playwright, Simon Stephens, Punk Rock is a brutal and urgent examination of contemporary adolescence. Intelligent. Articulate. F***ed. Age Guidance: 16 + Warning: This production contains strong and offensive language, and discussions of self-harm, sexual abuse, racism, homophobia, ableism, body shaming, gun violence, murder, and mental health issues. Garrick Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Previous Next Marion Eaves Marion was a nurse by profession, so she brought a demeanour of calm and super efficiency to her Garrick volunteering role as a member of the Props team. She worked closely with John Newton, and some referred to them as 'The Dynamic Duo'. Marion worked for over 30 years from the early 1990's, on countless productions and was also occasionally an ASM. Her contribution to the success of productions on stage cannot be over emphasised. Though generally quiet and reserved, she took a full part in all the social activities at the theatre. Back to In Memoriam page

Garrick Cinema NATIONAL THEATRE LIVE: All My Sons Date range Tickets £18 - £21 Age guidance Venue Main House Trigger warning Find out more Book now Running time TBC Group bookings Find out more Accessibility Find out more All My Sons by Arthur Miller, directed by Ivo Van Hove and design by Jan Versweyveld. Bryan Cranston (Breaking Bad) and Marianne Jean-Baptiste (Hard Truths) feature in a five-star, triumphantly acclaimed new production of Arthur Miller’s classic play, from visionary director Ivo Van Hove (A View from the Bridge). One family, the heart of the American dream. When wartime delivers profits for Joe, it comes at a price when his partner is charged with criminal manufacturing deals, and his eldest son goes missing in action. Will peacetime bring peace of mind, or will he be confronted by the consequence of his actions? Filmed live from the West End, Paapa Essiedu (I May Destroy You), Tom Glynn-Carney (House of the Dragon), and Hayley Squires (I, Daniel Blake) also feature in this disturbingly prescient play. Garrick Cinema Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Previous Next Sybil Dodds Sybil was a tireless volunteer at the Garrick, working mostly in the kiosk and running the coffee bar from October 1959 until the late 1970s. In recognition of her long service, she was awarded Honorary Life Membership in 1977. A generous benefactor of the Garrick, she also took a full part in its social life. Back to In Memoriam page

Return to Productions Archive Garrick Productions The Shawshank Redemption Ran Sep 14, 2023 - Sep 23, 2023 Age guidance 14+ Venue Running time Tickets Price Range Description “Remember, hope is a good thing, maybe the best of things… and no good thing ever dies”. Based on the novella “Rita Hayworth and Shawshank Redemption” by Stephen King, The Shawshank Redemption examines desperation, injustice, friendship and hope behind the claustrophobic bars of a maximum-security facility. Despite protests of his innocence, Andy Dufresne is handed a double life sentence for the brutal murder of his wife and her lover. Incarcerated at the notorious Shawshank facility, he quickly learns that no one can survive alone. Andy strikes up an unlikely friendship with the prison fixer Red, and things take a slight turn for the better. However, when Warden Stammas decides to bully Andy into subservience and exploit his talents for accountancy, a desperate plan is quietly hatched… The Shawshank Redemption was adapted for the stage by Owen O’Neill and Dave Johns. The production first debuted in Dublin in 2009. Recommended: 14+ Based on the novella “Rita Hayworth and Shawshank Redemption” by Stephen King and sexual assault, suicide, violence, gambling and smoking. Reviews Upon entering the Altrincham Garrick , I was immediately drawn into the chilling confines of the Shawshank Prison. The stage, impressively transformed for an amateur theatre, mirrors the grim atmosphere of a bleak, metallic prison block, further intensified by dim lighting. This ambiance, paired with the methodical procession of prisoners, sets an undeniable authentic tone. I definitely wouldn’t want to be there, and Director; Joseph Meighan has done an excellent job is creating this dirty world, where new inmates dare not step a foot out of line for fear of receiving brutal consequences. This rendition of “The Shawshank Redemption” offers a fresh perspective on Stephen King’s iconic narrative, a tale that resonates with themes of resilience and hope in the face of adversity. A lengthy stay in prison would destroy most individuals, but somehow these guys manage to cling onto hope when it seems like it’s long gone. While I was familiar with the story, this adaptation managed to breathe new life into the tale, making it feel both nostalgic and novel. The arrival of Andy Dufresne (Tom Broughton) at the Shawshank sets the cats amongst the pigeons. He is an intelligent, well-spoken, quiet man which some inmates feel threatened by. Broughton delivers a performance marked by determination and unwavering hope. His portrayal is beautifully complemented by Lewis Sewell’s empathetic and authentic delivery of Ellis ‘Red’ Redding. Their palpable chemistry is a testament to their individual talents and the visionary direction of Meighan. They have pushed theatrical boundaries for Am dram without alienating traditional audiences. The depth and nuance given to each character in the ensemble are evidence of this. Some of the other members of the cast did seem a bit nervous – quite understandable given it was opening night. After a while, they relaxed into their roles. I will admit though I never once felt intimidated by any of the prison guards, I feel like they could have brought those authority figures to life a bit more. The play’s deliberate pacing, which often leans towards the slower side, doesn’t ever really overwhelm or excite. There are a few scenes where the pacing does lift, most notably when Brooksie (Bill Platt) attempts to set himself on fire. While this was an amateur production done to a very high standard, there were elements that I think could have been better. In particular, I think the costumes could have been better – some of them looked a bit too modern to be from the 1950s/1960s, and the prisoner numbers on the inmates’ shirts didn’t look authentic. Overall, a great production. Those expecting a classic retelling of the movie may be slightly disappointed. However, it’s hard not to salute the hard work that has gone into this show. Reviewer: Brian Madden Reviewed: 14th September 2023 North West End UK Rating: 4 Stars out of 5 It never ceases to amaze me, just how resilient the human spirit can be, especially in the face of overwhelming odds and trapped in a system that’s designed to crush you. Rehabilitation is definitely a dirty word at this grim, Shawshank jail, where inmates serve their time in filthy conditions, trying to avoid the attentions of the sodomites, perpetually stalking the prison’s dark corridors for their next victim. But things change with the arrival of a prisoner called Andy Dufresne, a refined, intelligent and articulate man, incarcerated for a double murder he claims he didn’t commit. I hope the subject matter doesn’t deter people from buying tickets for the Garrick’s new curtain raiser because Stephen King’s absorbing and at times deeply moving jail tale is life-affirming stuff. You’ll also miss some powerful performances from, in particular, Tom Broughton as Dufresne and Lewis Sewell as his best friend Red. There’s a natural and easy chemistry between these two, a tribute to their own talent and a man who has for me, re-defined what amateur theatre is and should be about, Joe Meighan. For Meighan, the Garrick’s artistic director, there’s no such thing as forbidden theatrical territory, daring to be different, while not alienating theatregoers with more mainstream tastes. Steven Finney is outstanding as the seemingly pious Warden Stammers and Pete Brassington’s performance as head thug Bogs Drummond is his best on the Garrick stage to date. How churlish it would be for me not to mention Bill Platt as the prison librarian Brooksie, a librarian for whom books are his reason for living. Utterly compelling, this prison masterpiece. Do not miss. Star rating - 4/5. Rick Bowen stagestruck.info Altrincham Garrick have transformed their stage rather convincingly, into a dank, dark, grey, bare and metallic prison block inside the Shawshank Penitentiary in Maine, USA. This foreboding and sparse set, together with low-key lighting, a little haze, and no auditorium music is what greets us as we take our seats this evening. The prison guard walks the prisoners in and they file into their cells one by one. It's sombre, it's ritualistic, and it is scarily real. This is 'The Shawshank Redemption', a stage adaptation of the classic Stephen King novel and award-winning film that followed. However this was my first visit to 'The Shank' .I have never read the novel, nor have I seen the film. I was therefore watching this story unfold for the first time, and was always trying to second-guess the narrative; sometimes with more success than others. Directed by The Garrick's Artistic Director, Joseph Meighan, the play had moments of genius juxtaposed with moments of tedium. I was watching a play which was at times hard-hitting and realistic with the actors performing naturalistically, whilst at times we transcended this and were transported into the realms of theatrical and presentational acting. Perhaps this was deliberate, but I am not convinced that it worked. Admittedly, this was opening night, and so the actors might well have been a little more tentative than once the play beds in, but still, there were many long gaps and "thought" pauses, especially between scenes as the cast were tasked with bringing set items in and out. The pace was set right from the start as slow, and sadly, it never truly moved out of this the whole evening. Moments of genius (and pure theatricality) did pop up occasionally, and Brooksie's attempted suicide was one such highlight. Although I found the play dynamically rather pedestrian, the characters were clearly defined, the ennui and quotidian routine of the prison well observed, and the storyline clear and nicely signposted. Taking the lead role of Andy Dufresne in this brave and bold production (which pulls absolutely no punches!) is the quietly confident and continually hopeful Tom Broughton, whilst the narration and equally important role of Ellis 'Red' Redding was played by a sympathetic and believable Lewis Sewell. It is a large, all male, ensemble cast, and everyone on stage knew their roles well and how they fit into the play. They all had backstories, and all were fully-rounded characters which is in itself, a very important aspect of this production, and credit here to Meighan for bringing this to bear. The action of the play takes place over a twenty year period, and the audience is asked to use their suspension of disbelief in this regard, however, none of the cast age either physically or visually, which, perhaps would have been the cherry on the icing if they had. With a couple more performances for this play to 'bed in' and the actors to pick up on their cues, lifting the pace a little where needed, this will be a very compelling, forthright, and uncompromising piece of theatre. Reviewer - Matthew Dougall September 15, 2023 number9reviews.blogspot.com Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

The Garrick Academy of Performing Arts runs classes for ages 5 to 18 and is the place to be if you love acting, singing or dancing. The Academy About GAPA & How to Join? Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. The Garrick Academy of Performing Arts, or GAPA as it is now affectionately known, continues to go from strength-to-strength. Formed in 2003 by Peter Birch and Dean Sumner, it has developed from 60 students to more than twice that number today. GAPA now has 3 teaching staff, 3 senior assistants – all of whom have been professionally trained in various disciplines within the performing arts. Additionally we have trainee junior assistants, who have been brought up through the GAPA ranks, all working with our students to develop their drama knowledge and gain experience. GAPA currently runs: SATURDAY CLASSES SCHOOL HOLIDAY COURSES SPEECH AND DRAMA Through all our courses and weekly classes we provide, train and develop the performance skills of our students and give them a theatre grounding; should they wish to just enjoy the fun of performing or should they eventually work professionally within the business. We focus on performance, inclusion and fun, and we ensure the students are constantly working towards the presentation of their work. Our annual productions see students preparing for a full-length show which, depending upon the production chosen, may be performed on the Garrick main stage or the more intimate Lauriston Studio, if the show or play is more suited. We look forward to seeing you at the next GAPA production, when you can watch our next generation of performing talent. Joining GAPA To join GAPA’s Saturday groups please contact our box office on 0161 928 1677 or email boxoffice@altrinchamgarrick.co.uk Join our mailing list Subscribe

Previous Next Ron Harvi Ron was Artistic Director at the Garrick from 1967-71, when he directed at least six shows each season as well as designing sets and working in the Sound box. He started his career at Manchester Polytechnic teaching speech and drama and, after his stint at the Garrick, he worked for Granada Television, appearing in shows and series such as Coronation Street (see photo). He also took part in several productions of Shakespeare plays for Birmingham Rep, and acted at the Manchester Library Theatre. Ron had a wonderful speaking voice and he was often heard on Book at Bedtime and Storytime on Radio 4. Back to In Memoriam page

Previous Next Ian Crownshaw Ian was Head of Lighting for several seasons in the 1980s and 90s. The first play he worked on was Joking Apart by Alan Ayckbourn, in 1981. Highly committed to the Garrick, he built up a departmental team, was keen on installing new tech into the theatre, designed some sets, and acted as an ASM occasionally. He was also heavily involved with Alistair Donkin's Gilbert and Sullivan Society, one of the annual visiting societies to the theatre. Back to In Memoriam page

We pay tribute and honour our friends at the theatre who are no longer with us. About Us Productions Archive Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. About the Theatre History of the Garrick In Memoriam: Past Members of the Garrick Productions Archive Productions Archive Note: this section is still being transferred from the old web-site and being re-vamped. This is unlikely to be completed before Easter 2025. This section provides an (incomplete) list of the Productions at the Garrick since the first one in 1914. Please contact webmaster@altrinchamgarrick.co.uk if you have any comments or additions. The Early Years : 1914 to the Second World War The Silver Box The first show that the Altrincham Garrick Society staged. Find Out More Start Date 18 March 1914 End Date 21 March 1914 The Tragedy of Nan Find Out More Start Date 1 January 1915 End Date 1 January 1915 The East Window Find Out More Start Date 2 January 1915 End Date 2 January 1915 The Magic Circle Find Out More Start Date 3 January 1915 End Date 3 January 1915 The Quest Find Out More Start Date 4 January 1915 End Date 4 January 1915 The Drone The last production before the theatre closed during World War I. Find Out More Start Date 1 January 1916 End Date 1 January 1916 Rutherford and Son The first production after the end of World War I Find Out More Start Date 1 January 1919 End Date 1 January 1919 The Will and The Way Find Out More Start Date 1 January 1920 End Date 1 January 1920 The Widowing of Mrs Holroyd Find Out More Start Date 2 January 1920 End Date 2 January 1920 David Ballard Find Out More Start Date 3 January 1920 End Date 3 January 1920 If Four Walls Told Find Out More Start Date 4 January 1920 End Date 4 January 1920 The White-Headed Boy Find Out More Start Date 1 January 1921 End Date 1 January 1921 She Stoops to Conquer Find Out More Start Date 2 January 1921 End Date 2 January 1921 The Tragedy of Nan (1921) Find Out More Start Date 3 January 1921 End Date 3 January 1921 The Silver Box (1921) Find Out More Start Date 4 January 1921 End Date 4 January 1921 The Devil's Disciple Find Out More Start Date 5 January 1921 End Date 5 January 1921 Recent Years: 2021-Present Join our mailing list Subscribe

We’d like to invite you to become a Friend of the Garrick, to join the Garrick Community and receive tickets at a discount. Please enrol online here, or speak to our box office staff, to become a member of our Friends of the Garrick audience loyalty scheme.

Previous Next Sheila Hine Sheila had a long and distinguished career in amateur dramatics, at both the Garrick and the Wilmslow Green Room. At the Garrick, she was a prolific and versatile actress, performing in numerous plays from the 1960s into the 2000s. Her first time on stage was in Goodnight Mr Puffin in 1965 and some of her other credits include The Killing of Sister George , Relatively Speaking , Vivat! Vivat! Regina (as Elizabeth I), Cause Celebre , and The Wizard of Oz (as Aunt Em). Her final performance was in Les Liaisons Dangereuse in 2005. She was also an occasional director, and worked backstage in make-up, as an ASM and as prompt. Sheila was equally busy at the Wilmslow Green Room during the same period. As an actress, her first role there was in Nude with Violin in 1966. She also directed productions, and was involved backstage in make-up, wardrobe and as a prompt. Sheila also took part in the Green Room's many productions at Gawsworth Hall, both as an actress and director. Back to In Memoriam page

Return to Productions Archive Garrick Productions Breath of Spring Ran Jan 1, 1960 - Jan 1, 1960 Age guidance Venue Running time Tickets Price Range Description Taylor, Pegeen Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Previous Next Jeanne Anderson Jeanne was a leading dramatic actress at the Garrick from the late 1960s through to her final play in 1985. Her first play at the Garrick was in Fools Paradise in October 1968 and she then took on numerous lead roles right up to her tragic, untimely death in 1985, after falling from a stepladder. Her credits included Under Milk Wood ; Vivat!Vivat! Regina (for which she received a Manchester Evening News Oscar as Best Actress playing Mary, Queen of Scots); Portia in Merchant of Venice ; Habeus Corpus ; A Woman of No Importance ; Cause Celebre ; The Dresser and The Prime of Miss Jean Brodie . The last time she appeared on the Garrick stage was as Ethel Thayer in On Golden Pond in 1985. Like most people on the acting list at that time, Jeanne played a full role backstage. She was ASM for numerous plays throughout the 1970s and 80s as well as occasionally directing a production. Back to In Memoriam page

Previous Next Derrick Kay Derrick joined the theatre in the 1960's. He acted in, and especially directed, many productions, and played an important role in the development of the theatre. He was best known as the Chairman of the Play Selection and Casting Committee for many years, setting a style that was very similar to that used later by Alan Sugar. Garrick auditions could be nerve-wracking experiences for anyone attempting to get onto the acting list, and Derrick retained the final say as to who would be accepted. He would write personal letters to each person who had auditioned, using either "congratulations" or "regrets". It was considered a great honour among the local amateur acting fraternity to receive one of his congratulatory letters. Derrick was determined to maintain the highest acting abilities at the Garrick, an ambition which, to his credit, he achieved. Back to In Memoriam page

Visiting Production Oh What A Night! Date range Tickets £27 Age guidance Venue Main House Trigger warning Find out more Book now Running time TBC Group bookings Find out more Accessibility Find out more OH WHAT A NIGHT! takes you back in time on a musical journey through the incredible career of Frankie Valli & The Four Seasons. Valli’s unmistakable voice dominated the airwaves for more than two decades with classics such as Sherry, Let’s Hang On, Big Girls Don’t Cry, Can’t Take My Eyes Off You, My Eyes Adored You, December 63 (Oh What A Night), Bye Bye Baby, Who Loves You and many, many more. Selling over 100 million records worldwide, Frankie Valli & The Four Seasons secured their place in the Rock & Roll Hall of Fame in 1990. OH WHAT A NIGHT! combines infectious personalities, amazing vocals, slick harmonies and even slicker dance moves to deliver a show full of energy and nostalgia which always leaves audiences wanting more. Don’t miss the ultimate celebration of one of the world’s greatest Rock & Roll bands! Visiting Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Previous Next Greta Donahue Greta was a true Garrick all-rounder, undertaking numerous roles from the 1960s onwards into the 90s. She first performed on the Garrick stage in The Marriage Go Round in 1967 and followed that, shortly afterwards in the same year, by directing When We Are Married . In the 1970s, she acted in Oliver , The Wizard of Oz , and as Maria Helliwell in When We Are Married , as well as many others. She continued directing plays, such as A Curious Savage , ...and a Little Love Besides , and A Woman of No Importance . She also worked in the Wardrobe, acted as an occasional ASM, and choreographed the STAGE 2 production of Godspell . However, Greta's best-known role was as the Director of the Drama School (the precursor to GAPA) throughout the 1980s into the 90s. She produced Senior Drama School shows such as Free as Air in 1989 and Our Day Out by Willy Russell in 1990. When she retired from the Drama School, she was made a worthy Honorary Life Member for all her many contributions to the life of the theatre. Back to In Memoriam page

Previous Next Ken Weston Ken Weston was a local councillor and then Mayor of Trafford - but the Garrick members will remember him best as a staunch and regular supporter. Ken appeared on television in Coronation Street , but only occasionally graced the Garrick stage. At the Garrick he was a wonderful addition to the Front of House department (sometimes working as the Front of House Manager) and was a good friend to many. See also this tribute to Ken from the Manchester Evening News of November 2013. Back to In Memoriam page

Visiting Production Manford's Comedy Club (24th April 2026) Date range Tickets £13.50 Age guidance Over 18's Venue Main House Trigger warning Find out more Book now Running time TBC Group bookings Find out more Accessibility Find out more It’s Friday Comedy night with another hilarious Manford’s Comedy Club show! Featuring some of the funniest, award-winning comedians on the UK comedy circuit. Every show has a different line-up of four top comedians, all personally chosen by Jason Manford! Line-up: To be announced. Doors open 7pm. Show starts 8pm. Visiting Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

We’d like to invite you to become a Friend of the Garrick, to join the Garrick Community and receive tickets at a discount. Please enrol online here, or speak to our box office staff, to become a member of our Friends of the Garrick audience loyalty scheme. Get Involved Garrick Friends Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. Become a Friend of the Garrick Our Theatre is a charity, and is managed by a handful of paid staff and many volunteers. We receive no funding from local authorities or Arts organisations. We are an important part of the local community, offering opportunities for learning in our Academy, making friendships in our Show Choir, and hosting local social groups. Our overriding aim is to bring alive your imagination, through our varied productions on our main stage and in our studio theatre. We’d like to invite you to become a Friend of the Garrick , to join the Garrick Community and receive tickets at a discount. Please enrol online here , or speak to our box office staff, to become a member of our Friends of the Garrick audience loyalty scheme. Gold Friends , for a £30 annual fee, can purchase unlimited discounted priced tickets*. Silver Friends , for a £20 annual fee, can purchase 2 discounted priced tickets per production*. 25U , free for 16 to 25 year olds, can purchase one discounted ticket (for every performance, of Garrick productions only). * Note: Gold and Silver discounts apply to all Garrick productions, in addition to some visiting productions. We really need your financial support, so please be a “Friend” to the Garrick. John Gibson, Membership Secretary Friend of the Garrick Loyalty Scheme What else can I do to play my part? If you have an interest in theatre, want to tread the boards or work front or back stage then become a Garrick Volunteer for free. We are always looking for new talent, any age, to volunteer in all areas of the theatre. Your help is invaluable to us and we promise you that the satisfaction of a job well done, will really surprise you, as well as the opportunity to make new friends and become part of the Garrick Team. If you are interested, please email: membership@altrinchamgarrick.co.uk with your full contact details and the area which you are interested getting involved in. Even if you are unable to spend the time helping the Garrick in a more active way, or maybe, work and other commitments mean time is at a premium, there other simple ways you can help your Garrick. When you come and see a show, try to pick up a leaflet or A4 poster from the the Box Office or in the Bar. You could display one in your local Library, office/place of work or even your local club or shop, (please make sure you have permissions to do so). If you have enjoyed a show, tell your friends/colleagues – please spread the word about your theatre! – this kind of help, however small can make a huge difference to the Garrick. Thank you. Join our mailing list Subscribe

Private Release GAPA - Group 5 Date range Tickets £185 Age guidance Group 5: 11.30am - 1.30pm (Ages 11 -14) Venue Rehearsal Room Trigger warning Find out more Book now Running time 2 hours Group bookings Find out more Accessibility Find out more The Garrick Academy of Performing Arts, affectionately known as GAPA currently runs seven Saturday drama groups: six on a Saturday morning for our 8 to 18 year olds, with our MINI GAPA class, for 5 to 8 year olds, on Saturday afternoons. Throughout the year, the groups work towards the goal of putting a production onto the main stage. Term 3 is all about stagecraft, skills and audition preparation, giving students the opportunity to enhance and develop their performance skills. Then in Term 1 in September, it’s audition time and, once the play is cast, the rehearsals start and all the elements of the show are put together, ready to showcase in Term 2. Working through this process, the students learn the valuable skills required of rehearsing and putting on a production, whilst being surrounded by fun and laughter. Term 3 25th April 26 to 11th July 26 (not including 23rd May and 30th May 2026). Please select the correct age group for your child: Group 1: 9am - 11am (Ages 8 -11) Group 2: 9am - 11am (Ages 11-14) Group 3: 9am - 11am (Ages 14-18) Group 4: 11.30am - 1.30pm (Ages 8 - 11) Group 5: 11.30am - 1.30pm (Ages 11 - 14) Group 6: 11.30am - 1.30pm (Ages 14 - 18) Group 7 (Mini GAPA): 2pm - 3.30pm (Ages 5 - 8) Private Release Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Previous Next Charles Foster Charles was an outstanding Garrick actor in the 1960s and early 70s, appearing in numerous productions including The Crucible , Much Ado About Nothing , Wait Until Dark , and Say Who You Are . From the 1970s into the 90s, with his unmistakable voice, he became one of the most recognisable faces on Granada Television as an on-screen continuity announcer. He also provided the voice over on shows such as Judge Rinder , Catchphrase and The Krypton Factor , and he had acting roles in Coronation Street , Emmerdale and Crown Court . In 2009, Charles was asked to play Sergeant Wilson in the Garrick's memorable production of Dad's Army alongside Allan Taylor's Captain Mainwaring - the last roles played by both these acting stalwarts on the Garrick stage. Charles is pictured as Sergeant Wilson from that production. Back to In Memoriam page

Previous Next Tony Mathews Tony was one of the leading actors and directors of his generation, having joined the Garrick in the early 1970's. He had a huge range of skills, never failed to deliver and was a commanding figure both on the Mainstage and in the Studio. He played major roles in dramatic plays such as Macbeth , A Man for All Seasons , and Royal Hunt of the Sun. Tony was equally proficient in comedies and high farce such as What the Butler Saw , How the Other Half Loves , and Habeus Corpus . Critics and audiences alike were aways highly impressed by his performances. Back to In Memoriam page

Visiting Production MANIA: The Abba Tribute Date range Tickets £27 Age guidance Venue Main House Trigger warning Find out more Book now Running time TBC Group bookings Find out more Accessibility Find out more Direct from London’s West End, MANIA is accepted as the world’s number one ABBA tribute show. A special concert which celebrates the music of ABBA in a respectful and enjoyable way, this production revives memories of when ABBA ruled the airwaves. It is more than 40 years since ABBA won the Eurovision Song Contest and they have filled our lives with music ever since. Now it’s your chance to thank them for the music! MANIA brings fans old and new, a memorable night not to be missed. If you’re looking for an excuse to party, reminisce or simply be entertained, then MANIA: the ABBA tribute is the show for you! Dig out those platforms, dust down those flares, and join in with such classics as ‘Mamma Mia’, ‘Voulez Vous’, ‘Dancing Queen’, ‘Winner Takes It All’, ‘Super Trouper’ and many, many more. Visiting Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Previous Next Chris Wetherill Chris was yet another Garrick stalwart who did an immense lot of work in many areas of the theatre. Acting on stage was not his main contribution, although his participation in the bloodthirsty mob during The Scarlet Pimpernel will never be forgotten by those who were there. Chris was Chair of the Board of Trustees and an invaluable Executive Committee member, and he also worked in Lighting, Sound and Set Construction. His professional background in civil engineering helped enormously when such work at the Garrick was needed, and he was vital to the refurbishment of 1999. Chris project-managed the 1999 refurbishment, dealing with architects and contractors, completing the entire job on budget and in time. A miracle worker! The opening show of the refurbished Garrick was Camelot , as a tribute to the company running the National Lottery at the time, because they provided a large portion of the funding. Chris was also an accomplished trumpeter, and he was still scuba-diving when he and his wife Angie moved to Cornwall in his 60s. He is sorely missed. Back to In Memoriam page

Visiting Production Stuart Michael - The Psychic Medium Date range Tickets £30 Age guidance Venue Main House Trigger warning Find out more Book now Running time Group bookings Find out more Accessibility Find out more Direct from London’s West End - a thrilling and intriguing night of psychic mediumship! Boasting an impressive, worldwide celebrity client list, Stuart brings his quick-witted humour, sensitivity, and compassion to the stage. Sharing his incredible gift that he’s had since childhood of being able to see with the mind’s eye – Stuart uses his extraordinary abilities to connect with the spirit world. Intuitively drawn to members of the audience, he brings forward direct messages from the other side. Don't worry about where you're sitting, Stuart will find you if he has a message for you! Spreading comfort and empathy to those who come to him, he specialises in bringing messages from loved ones who have passed on. And, recurring dreams are interpreted – no matter how silly, serious, or scary they may seem. His message to the audience is to be open-minded and respectful for the evening ahead, and not to be nervous, as this will be an uplifting experience. Don’t miss this unique and unforgettable evening. You have to see it to believe it. The production is investigational and for the purposes of entertainment “Cheeky, best friend charm that’s entertaining” Evening Telegraph ⭐️⭐️⭐️⭐️⭐️ “I found the show both comforting and amazing given the details that Stuart was able to provide” WhatsGoodToDo.com “A truly intriguing insight into the psychic world. . . a first-class class act” Theatre, Films & Art Reviews “An engaging evening’s entertainment. . . can be enjoyed by believers and sceptics alike” - The Reviews Hub “He left sceptics scratching their heads” Stamford Mercury Online Presence Facebook.com/StuartMichaelPsychic Instagram.com/StuartMichaelPsychic Tiktok.com/@StuartMichaelPsychic Website: www.stuartmichael.net Visiting Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Terms and Conditions for the Sale of Tickets at the Garrick Terms and Conditions T&C’s for Sale of Tickets GDPR Privacy Policy Health and Safety Policy Child Protection Policy Terms and Conditions for the Sale of Tickets The customer’s attention is particularly drawn to the provisions of Clause 2 (basis of contract). Table of Contents Interpretation Basis of contract Tickets & Entry Terms of Admittance Cancellation Delivery Consents and Prohibitions Liability Data Protection Third Parties Governing Law Jurisdiction 1 Interpretation 1.1 Definitions: “Conditions ” Means the conditions for the purchase of Tickets made between a Customer and The Theatre “Customer ” The person or firm who purchases a Ticket from The Theatre “Event ” Means any entertainment event or performance occurring at the Venue in respect of which Tickets are sold “The Theatre ” Altrincham Garrick Playhouse Limited,Barrington Road, Altrincham, Cheshire, WA15 1HZ “Promoter ” Means the entity which is staging/producing the Event. “Staff ” Employees and volunteers of The Theatre “Tickets ” Means any item which confirms the right to attend the Event “Venue ” Altrincham Garrick Playhouse Limited, Barrington Road, Altrincham, Cheshire, WA15 1HZ 1.2 Interpretation: 1.2.1 A reference to a statute or statutory provision is a reference to it as amended or re-enacted. A reference to a statute or statutory provision includes any subordinate legislation made under that statute or statutory provision, as amended or re-enacted. 1.2.2 Any phrase introduced by the terms including, include, in particular or any similar expression, shall be construed as illustrative and shall not limit the sense of the words preceding those terms. 1.2.3 A reference to writing or written includes email. 2 Basis of contract 2.1 All Tickets are sold subject to availability and these Conditions. 2.2 The order constitutes an offer by the Customer to purchase a Ticket in accordance with these Conditions. 2.3 The order shall be deemed as accepted upon purchase of a Ticket. As such the Customer should read these Conditions prior to purchase. 2.4 These Conditions apply to the contract to the exclusion of any other terms that the Customer seeks to impose or incorporate, or which are implied by trade, custom, practice or course of dealing. 2.5 Customers may purchase tickets online at https://www.altrinchamgarrick.co.uk . Completion of the booking process shall constitute an offer to purchase the Tickets subject to these Terms and Conditions. Acceptance of this offer will only take place once a Booking Confirmation has been sent to the registered email address, not when the credit/debit card is charged. 2.6 If a Customer makes a group booking they accept these Terms and Conditions on behalf of all members of the group and are responsible for any payment which may be due as a result of any member of the group’s actions. 3 Tickets & Entry 3.1 The price of Tickets is specified on The Theatre website at https://www.altrinchamgarrick.co.uk . 3.2.1 Tickets may be subject to change and the Venue reserves the right to change the price of Tickets and/or introduce discounts / special offers which cannot be retrospectively applied to Tickets already purchased. 3.2.2 All discounts/promotional offers are offered subject to availability and therefore Tickets may not be available at all advertised prices at all times. 3.2.3 Concession/discounted Ticket prices must be applied for at the time of purchase and cannot be applied to Tickets already purchased. Proof of entitlement to a concession/discount/promotional offer may be requested from the Customer at the time of booking and/or when they attend the Event. Failure to produce reasonable proof of entitlement to a concession/discount may invalidate the Ticket and result in refusal of admittance or ejection from the Venue. 3.3 All Customers must produce a valid Ticket for the event in order to gain entry to the Venue. All valid tickets must be retained by the Customer for the duration of the event and made available for inspection on request by a member of Staff. Inability to produce a valid ticket may lead to expulsion from the venue. 4 a. 3.4 It is the Customer’s responsibility to contact The Theatre if a Ticket is lost, damaged or destroyed. Duplicate Tickets may be issued at the discretion of The Theatre (on the evening of the performance only). In such instances photographic identification and proof of address may be requested. 3.5 The Customer is responsible for ensuring that the information on their Ticket is correct. Customers are encouraged to bring any error to the attention of The Theatre as soon as possible. 3.6 The Theatre will use reasonable endeavours to contact Customers if an Event is cancelled/postponed. It is the Customer’s responsibility to check for changes to the Event prior to attending. 3.7 All children regardless of age require a Ticket. 4 Terms of Admittance 4.1 The Theatre reserves the right to refuse admission to a Customer or to eject them from the Venue at any point during an event if in The Theatre’s reasonable opinion a Customer’s behaviour is not suitable for the Event. No Ticket refunds will be available is such instances. Such behaviour includes, but is not limited to, a Customer: 4.1.1 acting in an aggressive manner; 4.1.2 being abusive to, or compromising the safety of any member of Staff, Promoters’ representatives, performer or other Customer; 4.1.3 distracting other Customers from enjoying the Event. 4.1.4 being under the influence of alcohol or drugs; 4.1.5 any breach of these Conditions or statutory law. 4.2 Customers are not allowed to smoke or use e-cigarettes at the Venue. 4.3 Whist reasonable efforts shall be made by The Theatre to give warnings to Customers regarding special effects it is the responsibility of each individual to seek further information or medical advice. 4.4 Mobile phones and any other electronic equipment (e.g. cameras) must be switched off during the Event and no unauthorised recording equipment is allowed in the Venue. Any unauthorised recordings or photographs may be confiscated and destroyed. Neither The Theatre nor the Promoter will be responsible for any loss sustained. 5 Cancellation 5.1 No refunds are available unless the Event is cancelled, postponed or if the Event is materially changed. A material change in the context of these Conditions is a change which, in The Theatre’s reasonable opinion, makes the Event materially different from that booked by a Customer. A cast change, use of understudies and alteration of running time are not considered a material change. 5.2 Exchanges are only permitted at the discretion of the theatre manager and due to exceptional circumstances. If so agreed, the exchange must be for the same event and no later than 5 days before the performance takes place. Exchanges are subject to a £1.00 per ticket administration charge. 5.3 If an Event is cancelled Customers will be refunded the face value of the Ticket. The Theatre will endeavour to refund any monies by the same means as it was received. 5.4 If an Event is postponed or rescheduled the Customer will be offered alternative Tickets. If the alternative Ticket is cheaper the Customer shall be reimbursed the difference. Conversely, if the alternative Ticket is more expensive the Customer shall pay the difference. If the Customer does not wish to take up the offer of an alternative Ticket then they shall be refunded the face value of the Ticket for the cancelled Event. 6 Delivery 6.1 If a Customer chooses to receive their Ticket by post or via the print-at-home facility then it is their responsibility to contact The Theatre if no ticket is received within 7 days of booking. If The Theatre is not notified of the non-receipt of the Ticket then no refund, alternative Ticket or duplicate Ticket shall be offered. 6.2 Tickets shall be posted to the Customer by second class post within 48 hours of the booking being made. The Theatre will not accept any liability for any Tickets mislaid or lost by Royal Mail. 6.3 A delivery fee of £1 per transaction shall be applied in addition to the Ticket price in respect of all Tickets sent from the Box Office to a UK address. For deliveries outside of the UK, Customers are encouraged to contact the Box Office to make additional arrangements. 6.4 Any Tickets booked 7 days or less before the Event is scheduled to take place must collect their Tickets from The Theatre Box Office. 6.5 When collecting Tickets from The Theatre Box Office Customers may be required to provide photographic identification and proof of address. 7 Consents and Prohibitions 7.1 The resale of Tickets is prohibited. The Theatre takes no responsibility for the validity of Tickets purchased through unauthorised facilities. 7.2 By purchasing a Ticket, Customers are deemed to consent to being filmed or photographed where the event or performance is being filmed or photographs taken. 8 Liability 8.1 The Theatre shall not be responsible for any injury to the Customer or loss, theft or damage of Customer’s belongings, other than that caused as a direct result of negligence or other breach of statutory duty. 8.2 Subject to clause 8.1, The Theatre’s total liability to the Customer, whether in contract, tort (including negligence), breach of statutory duty, or otherwise, arising under or in connection with the Conditions shall be limited to the total amount paid for Tickets. 8.3 Nothing in clause 8 excludes or limits liability for death, personal injury or fraud. 8.4 Neither party shall be in breach of this Contract nor liable for delay in performing, or failure to perform, any of its obligations under this Contract if such delay or failure result from events, circumstances or causes beyond its reasonable control, such as power or equipment failure. 8.5 Arrangements, including but not limited to, travel and accommodation, are booked at the Customer’s risk and The Theatre shall not be liable for any additional costs associated with the cancellation of the Event. 9 Data Protection 9.1 The Theatre may use your personal information together with other information for providing services marketing administration and training. We may also keep your information for a reasonable period in order to contact you about our services. Although you may decide by giving us notice in writing at any time that you no longer wish to receive marketing materials. By accepting these terms you are giving your consent to these activities. 10 Third Parties 10.1 No one other than a party to the Conditions shall have any right to enforce any of its terms. 11 Governing Law 11.1 The Contract, and any dispute or claim (including non-contractual disputes or claims) arising out of or in connection with it or its subject matter or formation shall be governed by, and construed in accordance with the law of England and Wales. 12 Jurisdiction 12.1 Each party irrevocably agrees that the courts of England and Wales shall have exclusive jurisdiction to settle any dispute or claim (including non-contractual disputes or claims) arising out of or in connection with the Contract or its subject matter or formation. 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Previous Next Val Watkinson Val was a highly valued member of the Garrick, having joined in 1991. She was multi-talented and became involved in every branch of theatre production : actress, director, technical assistant (sound and lights), stage manager, deputy stage manager, ASM, prompt, and producer - as well as being one of the longest-serving members of the Play Selection and Casting Committee. Val was also well known as the Garrick trouble-shooter, solving issues as and when they arose. Most notably, she stepped in at the last moment to direct Aladdin, following the very sad, very sudden death of Terry Chandler in 2013. Val appeared in many plays at the Garrick, including The Pocket Dream , There Goes the Bride , one of the three witches in Macbeth , An Ideal Husband , Fur Coat and No Knickers , and Love on the Dole. Most memorably, she played Vera Duckworth and Ena Sharples in Corrie (her last performance on stage). Her credits as director and assistant director are impressive, and include Private Lives , Return to the Forbidden Planet (three times !), Amadeus , The Sunshine Boys , Hindle Wakes , Catherine Howard and Snow White . After 2012, she was either Assistant Director or Deputy Stage Manager for some of the biggest Garrick musicals and Pantomimes (first with Adam Whittle and then Joe Meighan) such as Acorn Antiques , Grease , Cats , Priscilla, Queen of the Desert , The Little Mermaid , Peter Pan , Chitty Chitty Bang Bang , Aladdin , Dick Whittington , and The Wizard of Oz . Val was also very well known in amateur dramatic circles and was associated with CHADS, Tyldesley Little Theatre, the Wilmslow Guild and especially the Wilmslow Green Room. Every summer between 1991 and 2007, she was involved in the Green Room's productions at Gawsworth Hall, as an actress and, most importantly, back stage working as stage manager or sound or lighting technician. Back to In Memoriam page

Previous Next Janet Slade Janet joined the Garrick in 1986. She appeared in over 70 plays on the Mainstage, in the Studio and at the Edinburgh Fringe. She was a primary school teacher who, for 14 very successful years, became heavily involved in gymnastics, primarily as a choreographer to international level. Her first protégé, Kathy Williams MBE, competed at the Los Angeles Olympics in 1984. After she retired from the sport, and because she had studied Drama and Dance at Didsbury College, it was natural that she should try her hand at acting. Following a successful Garrick audition, she very quickly showed her versatility by being cast in 4 productions in her first season including as 15-year-old Ruby in 'When we are Married' and as 60-year-old Aunt Edie in 'Sailor Beware'. Known as a director's dream, with immaculate comic timing, she was cast in many comedies and farces, and she used to say that one of her greatest thrills on stage was delivering a laugh line and then waiting a split second to hear the audience explode with laughter. A GMDF and NODA award winning actress, she was also heavily involved off-stage, prompting many productions, serving pints behind the bar, choreographing several musicals, and serving on the Play Selection and Casting Committee. One theatre critic wrote 'Janet Slade might be small in stature but she absolutely fills the stage'. Audiences agreed. Back to In Memoriam page

Return to Productions Archive Activities & Events Level 2: Beginner / Improver - Musical Theatre Adult Dance Class (weekly) Designed for dancers with basic knowledge wishing to improve confidence and refine performance style Ran Mar 31, 2026 Age guidance 18+ Venue Annexe Running time 1 hour Tickets Price Range £12 per class Description Level 2: Beginner / Improver Time: 6.30pm - 7.30pm Focus: Foundational technique and choreography. Designed for those with basic dance knowledge or returning to the studio after a break. This class moves at a moderate tempo, introducing more specific musical theatre vocabulary and multi-step combinations. It is ideal for dancers looking to build confidence, improve their muscle memory, and refine their performance style. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production Altrincham Garrick Show Choir presents - Choral Cinema: Music from the Movies Join us for an uplifting evening filled with iconic songs featured in films we know and love Ran Jan 14, 2026 Age guidance Venue Main House Running time Tickets Price Range £12 Description 🎬 Altrincham Garrick Show Choir presents: Choral Cinema – Music from the Movies with special guests Northenden Choir Get ready for a feel-good night at the Garrick as our fabulous Show Choir brings the magic of the movies to life! Also featuring the wonderful Northenden Choir. Join us for an uplifting evening filled with iconic songs from beloved films, powerful choral harmonies and unforgettable melodies, performed live on stage. An evening of iconic songs featured in films we know and love. This is the perfect night out for film lovers, music fans, and anyone who enjoys a great night at the theatre. 🎟️ Book now and let the music move you! Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Previous Next Harry Williams Harry was a very valued acting member for many years, and appeared in many plays, including the Tin Man in our first production of The Wizard of Oz , and Tony in The Boyfriend . He had a wide scope, appearing in many other productions from Shakespeare to Music Hall. Back to In Memoriam page

Previous Next Sid Horton Sid was a long-standing member of the Garrick who performed multiple volunteer roles. He first took part on stage in 1972, in the pantomime Red Riding Hood . His credits throughout the 1970s and 80s included All My Sons ; Love on the Dole ; The Ghost Train ; Cause Celebre ; Julius Caesar ; Romeo and Juliet ; Philadelphia Here I Come and Enter a Free Man . Backstage, he worked as stage crew and in the workshop, and he became known as 'the voice of the Garrick', making numerous public announcements. He also produced a newsletter for many years in the 1980s and was famed for his wicked and wacky sense of humour. Back to In Memoriam page

Return to Productions Archive Garrick Production The Mirror Crack'd Thrilling story of revenge and dark secrets based on Agatha Christie's 1962 novel Ran Feb 23, 2026 - Mar 1, 2026 Age guidance 12+ Venue Main House Running time TBC Tickets Price Range £13 - £18 Description THE MIRROR CRACK’D Written by Agatha Christie Adapted by Rachel Wagstaff Directed by Mike Shaw 1960s England, and a wind of change is blowing through the land. It has even reached the sleepy village of St. Mary Mead. There’s a new housing estate to make the villagers curious and fearful. And even stranger, a rich American film star has bought the Manor House. Jane Marple, confined to a chair after an accident, is wondering if life has passed her by. Then there is a vicious murder, and Miss Marple must unravel a web of lies, tragedy and danger. This adaptation of Agatha Christie’s 1962 novel, The Mirror Crack’d , brings real emotional depth and psychological insight to a thrilling story of revenge and the dark secrets that we all hide. But can anything be hidden from Miss Marple, the sweet old lady with mind like a steel trap? Reviews S tagestruck - Rick Bowen “… the Garrick has a sure fire hit on its hands.” - Rick Bowen Read the 4.5 star review HERE Gallery Trailer Trigger Warning This production references to murder, criminal activity, mental illness, grief, infertility, and self-harm. Age Guidance: 12 + Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive