Garrick Production The Paying Guest Ran Invalid Date - Jul 1, 2014 Age guidance Venue Running time Tickets Price Range Description CAST Briggs, Harry Gow, Ronald Higson, Nellie J Horley, Ethel Lowe, Lois M Nixon, Beryl Owen, Gwen Warburton, Ida Winn, Rex Gee, Mary H Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production As You Are Ran Invalid Date - Aug 12, 2019 Age guidance Venue Running time Tickets Price Range Description Billcliff, Arthur Bonsier, Frederick H Brierley, Norman Cavanagh, Cliff Creacall, Edward Hibbert, Sydney Hooper, Alfred Osborne, Edgar Pimlott, (Allman) Emmie Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Puss in Boots Ran Invalid Date - Jan 9, 2014 Age guidance Venue Running time Tickets Price Range Description We all remember the Three Musketeers, Athos, Porthos & Aramis (always reminds me of an aftershave that one) and of course everyone?s hero D?Artagnan; well here they are again in this fabulous pantomime. Full of sword fights, wonderful songs and gags this show just races on to its happy conclusion. The Musketeers get up to all sorts of tricks in their quest to see right triumph over wrong ably assisted by the amazing Puss in Boots. Expect wonderful costumes, great dance routines and of course loads of audience participation in this truly traditional pantomime. Every year our panto is a sell out so don?t wait to book your tickets and possibly miss out, book now as soon as the Box Office opens; you won?t be disappointed. ? Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production The Boy David Ran Invalid Date - Aug 12, 2019 Age guidance Venue Running time Tickets Price Range Description Billcliff, Arthur Brierley, Norman Burton R D Buxton, Eric W Chapman, Laurie Cullen, L S Davenport, Alfred Gaskill, Philip A Green, Joyce Harris, Frank Irving, Iris Kent, Norman Osborne, Edgar Rix, S M Roberts, Eunice Turner, Joan Wood Joseph Worthington, John H Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Saint Joan Ran Invalid Date - Aug 12, 2019 Age guidance Venue Running time Tickets Price Range Description Allen, R Barlow, Clive Blackhurst, Ernest Blain, Andrew Clark, Hetty Gregory, Kathleen Grimshaw, Harold Milligan, Tim I Poppleton, Howard Stansfield, John Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production The Children's Hour Ran Invalid Date - Jul 30, 2013 Age guidance Venue Running time Tickets Price Range Description Best friends Karen Wright and Martha Dobie are headmistresses at a successful private school for girls in New England. Mary Tilford, a spiteful, angry child, is caught in a lie and punished. In retaliation she tells her grandmother, a matriarch in the town, that Martha was "jealous" of Karen's relationship with Dr. Joe Cardin, and tells her that Martha's Aunt Lily thought those feelings were "unnatural". Grandma believes her and pulls Mary out of school. The word quickly spreads and within days Karen and Martha are faced with empty classrooms. Joe is fired from the hospital for siding with the teachers. Karen and Martha sue for slander in a case that makes national headlines with terrible ramifications and consequences. CAST Mrs. Lily Mortar Jacqueline Wheble Helen Burton Anna Gravett Evelyn Munn Bella Haynes Rosalie Wells Grace Garside Lois Fisher Orlagh Ementon-Shaw Catherine Emily Waldie Peggy Rogers Eleanor Bacon Mary Tilford Erica Pickard (AWARD) Mrs Amelia Tilford Sandra Thomas Karen Wright Lisa Wood Martha Dobie Ali Davenport Dr. Joseph Cardin Sean Duvall Agatha Margaret Le Review by Julia Taylor for remotegoat Vindictive Schoolgirl attacks teachers' reputation Since Lillian Hellman's play the Children's Hour first appeared on Broadway in 1934, we have become accustomed to its subject, Lesbianism. Yet the idea of a wicked 14-year-old girl spreading lies about her teachers still shocks. That girl is Mary a pupil at a New England boarding school for girls whose accusation of an unnatural relationship between the school's founders is backed by her grandmother (Sandra Thomas) turned out in some outstanding costumes. You feel sympathy with the teachers and tainted by Mary's cold-blooded cruelty just to avenge the punishment she is given for a minor offence. Aged only 16 and a member of the Garrick Academy of Performing Arts, Erika Pickard plays the role of Mary, the vindictive adolescent. This apparently sweet slip of a girl turns out to be a bullying, blackmailing, lying monster. Erika's performance marks her out for a bright future on the stage. Lisa Wood as Karen and Ali Davenport as Martha portray eloquently the teachers' lasting friendship through the thick and thin of losing both vocation and reputation but, towards the end, it dawns on us that one of them is, if only in her head, guilty of the love which, in those days, dare not speak its name. There are 13 actors in this moving play. All of them are good and speak with unswerving New England accents. The heartbreaking conclusion underlines the truth of Shakespeare's famous line "Oh what a tangled web we weave when first we practice to deceive." NODA Review by Kevin Proctor 'The Children's Hour', the first of Lillian Hellman's plays has sturdy dramatic strengths though is rarely produced today. I'd suspect that Arthur Miller must have learnt from this piece when writing The Crucible' as, like that play, it concerns frenzy amongst teenage girls with an unpleasant leader among them who brings catastrophe down on the heads of adults. But witchcraft isn't the charge brought against innocent characters here, but lesbianism, making the play exceptionally daring for the 1930's. Although 'The Children's Hour' enjoyed big success in New York, it was banned from the British stage until as late as 1960. When it premiered on Broadway in 1934, it shocked audiences with its bold and (of that time) shocking subject. It ran for nearly 700 performances and ultimately launched Lillian Hellman's career. Although the subject of this piece has far less impact for a modern theatre goer, given the right Cast and Director, 'The Children's Hour' can still move with its righteous outrage and its powerful accusation of irresponsible actions. As always at the Garrick, this production offered an impeccable set and a collection of costumes which would match those of any professional company. Leading the cast is Erika Pickard as the vile and scandalous schoolgirl, Mary. Erika's performance was immaculate, she gave chilling glares and delivered a very intelligent and worthy performance, should Erika desire a career in this craft, she?s certainly got the foundations firmly in place to become an outstanding actress! Making her debut with the Altrincham Garrick company is Lisa Wood as Karen who, in her first scene gave a slightly stringent performance but ultimately warmed up and, when most crucial, delivered some precious moments in the final scenes. Sean Duvall played the school Doctor and fiance of Karen with charm and capability though I feel that a character as invariable as this didn't particularly suit him. Sean was mistakenly making every effort to inject flair, significance and excitement into his character with big gestures and animated reactions when really, just playing him as the straight (pardon the pun), ordinary man that Dr Cardin is, would have given an accurate and intended result for this character. Strong support was given by Grace Garside as Rosalie, Sandra Thomas as Amelia and Jacqueline Wheble as Mrs. Mortar. The ensemble of school girls set the scene well, I was surprised we didn't see more of them due to the level of development in each of the girls characters for such a short time on stage which is highly notable. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Cinderella Ran Invalid Date - Dec 11, 2013 Age guidance Venue Running time Tickets Price Range Description No information for this show at this time Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Pride and Prejudice Ran Invalid Date - Jul 24, 2013 Age guidance Venue Running time Tickets Price Range Description The wildly romantic world of Regency England is brought to vivid life in this sparkling new stage adaptation of Jane Austen's classic tale of love, family, and the politics of marriage. When the independent minded Elizabeth Bennett meets the enigmatic Mr Darcy, her opinions on marriage are profoundly tested. Can he overcome his pride and she her prejudice to make an ideal match in a society where social standing outweighs personal feeling? Critics describe Janet Munsil's adaptation as 'Funny, fierce, romantic...undeniably engaging'. [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/Pride-and-Prejudice-5.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/Pride-and-Prejudice-4.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/Pride-and-Prejudice-8.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/Pride-and-Prejudice-1.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/Pride-and-Prejudice-3.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/Pride-and-Prejudice-2.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/Pride-and-Prejudice-6.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/Pride-and-Prejudice-7.jpg|"] CAST Jane Bennett - Susie Crystal Lizzie Bennett - Laura Whitehurst Mary Bennett/Georgiana Darcy - Annabel Butcher Kitty Bennett/Lady Anne De Bourgh - Emily Waldie Lydia Bennett - Rachel Mayon Mr Bennett - Martin Oldfield Mrs Bennett - Jacqui Wheble Mr Gardiner - John Westbrook Mrs Gardiner - Sarat Parker Broughton Charles Bingley - Stuart Billson Caroline Bingley - Rachel Isbister Charlotte Lucas - Jess Brooks Mr Darcy - Anthony Morris Mr Collins - Adam Gonet George Wickham - Daniel Ferguson Lady Catherine De Bourgh/Mrs Reynolds - Celia Bonner Dancers: Paul Wilson, Rose Wilson, Craig Barrett, Crystal Toth. Assistant to Director - James Mitchell Choreographer - Celia Bonner Prompt - Sandra Thomas ASM's - Adele Higson, Dave Midgley Messenger Review by Rick Bowen Classic love story at Altrincham Garrick Laura Whitehurst as Lizzie Bennet Fine dresses, fluttering fans and women who live to land a handsome, well-heeled husband. Welcome to the world of Jane Austen, recreated on the stage of Altrincham Garrick this week in Janet Munsil's perfectly paced adaptation of the classic novel. Personally, I've never been able to work out if Austen loved or simply tolerated a world that often seems shallow and superficial. It is remarkable though, how fresh the dialogue sounds, moments of wit punctuating the drab society small talk. Laura Whitehurst, pretty and elegant, is particularly impressive as Lizzie Bennet, the heroine of the piece and Laura particularly shines during the scenes in which she fends off the romantic attentions of the boring as hell clergyman Mr Collins. I've watched Adam Gonet grow as an actor and he plays this part really well. Collins may be incurably dull but Adam manages to make his character, who has a very unique dancing style, rather lovable. Colin Firth immortalised the Darcy role on the big screen and Anthony Morris cuts a dashing figure in the Garrick production, with Anthony bringing a quiet charisma to this most famous of roles. One of the best performances of the evening comes from Jacqueline Wheble as Mrs Bennet, forever flustered and trying so hard to make sure her flirty, gossip craving daughters stay on the straight and narrow. Add a lovely set and you have a highly watchable evening of escapism, with a few laughs along the way. Review of by Julia Taylor for remotegoat It's over 200 years since Jane Austen's Pride and Prejudice was written but the version presented at Altrincham Garrick Theatre is less than two years old. Janet Munsil's revival was commissioned by Theatre Calgary and the National Arts Centre, Ottawa in 2012. Whilst sticking to much of the original, Munsil makes the classic accessible to modern audiences. It's about the Bennets who in the age of elegance in Georgian England, believe it imperative that their five daughters are married off to wealthy suitors. Mr Bennett and his wife, played warm-heartedly and with great humour by Martin Oldfield and Jacqueline Wheble have pressing financial reasons to get their girls wed. Eldest daughter Jane (an amiable Susie Chrystal) soon becomes acquainted with the wealthy Mr Bingley (Stuart Billson) who moves in next door and they quickly tie the knot. But that is after the family are disgraced when another daughter, Lydia (Rachel Mayon), runs off to Brighton with the disreputable George Wickham (Daniel Ferguson). But Lizzie, the strong-minded, opinionated second daughter played by a feisty Laura Whitehurst, is not so easily trapped into matrimony. She is repulsed with Mr Collins, an uncouth clergyman, played charismatically by Adam Gonet who, in an amusing scene, attempts to woo her. We wonder, will she or will she not, succumb to another proposal by the charming Mr Darcy Anthony Morris portrays him as the strong, silent type who finally breaks through the barrier he creates. What I really like about this production is the way it captures the attitudes of a time when women had few rights and whose fortunes relied solely on their men folk. Yet often the women in question use feminine wiles to get their way. There are some lovely ball scenes which in themselves convey attraction between the sexes. The costume department deserve praise for the regency clothes of both sexes and the inconspicuous scene changes ensure smooth delivery. Star Rating ★★★★ NODA Review by Kevin Proctor As we're vastly approaching the 100th season finale, the Altrincham Garrick presents this classic Jane Austen drama. You can certainly see with this piece just how Jane Austen (the godmother of the rom com) has inspired so many writers, needless to say that these classics have helped shape so many flicks of today. This productions design was very picturesque; the collection of arches conveyed the grandeur the piece needs, I liked that the set was fairly minimal and static throughout which erased any unnecessary fuss which often accompany period pieces, the design cleverly helped to divide the space when it needed to and the lighting was finely coordinated to credit the stage design. I'm sure that (sat directly behind me) was the Austen-mania fan-club who seemed to get overly hyper with excitement whenever 'Darcy' made an entrance, one of the Gents in the party felt the need to inform us all that he'd spotted 'Darcy' with a; 'Ere 'e is!' each time he walked on - which I must admit did get a little tiresome mid-way through the second half. Laura Whitehurst as Lizzie is strikingly beautiful and can certainly portray excellence on stage though I felt this character's wit and mischief was missed. Actors are often taught to regularly watch themselves perform (in a mirror at rehearsals or on a recording) Laura is an intense performer and often has a very serious and taut expression which gives the impression she's not relaxed and for a role such as this, it made her performance and character quite a challenge for me to engage with. There were some lovely touches of direction with innovative and interesting staging choices which appropriately complimented this revival, I particularly appreciated moments which had been included to feature the casts obvious physicality - rather than ignore the vast height difference between Charlotte and Mr Collins it was cleverly highlighted which resulted in some welcome humour. For a period piece - and keeping in mind the usual standard and expertise in this companies costume department - I was expecting more of an impressing collection of costumes. The gentlemen donned dinner jackets in scenes that were set during the day and the vast majority of the cast (including main principals) had one outfit each for the shows entirety. I was stunned when Mr Darcy made his first appearance - which I cannot overlook - in a pair of terribly creased and crumpled trousers. This was either some unfortunate oversight or an act of carelessness but none the less, it's highly unforgivable and embarrassing for the aristocratic lead in a period piece (which just happens to be the most iconic and suave of Austen's characters) to enter dressed like a tramp.Rachel Isbister as Caroline Bingley had spark and charisma in her scenes, I?d go as far to say that her interpretation and delivery was the most interesting and engaging, however, her make-up (whether deliberate or not) stood apart from the rest and looked too modern. Jane Bennet, played by Susie Chrystal, and George Wickham, played by Daniel Ferguson were both particularly good, it was a shame both their roles were as short lived as they were. Anthony Morris took the role as the regency heartthrob Mr Darcy, a role which is somewhat difficult to pull off; to portray a balance of 'romance' and 'arrogance' without one overpowering the other is incredibly difficult to convey and Anthony certainly put in a worthy shot. I appreciate that being able to present this piece requires a strong forte amongst the companies younger membership, casting such plays cannot be easy though I couldn't help but feel that Stuart Billson (as Charles Bingley) and Adam Gonet (as Mr Collins) would have been more enhanced if they had been given the opposite roles; I couldn't take to Stuart in his part and didn't feel he particularly suited this type of character whereas Adam , who certainly did a creditable job, I feel it would have been far more realistic if they'd have been switched. This piece requires a large cast and, understandably, a few players doubled up on roles - a creditable mention must go to Annabel Butcher who most successfully transformed herself from Mary to Georgina, she was almost unrecognisable. Celia Bonner's sly control of Lady Catherine's temper in the later scene also scores points. Letter of thanks sent to the Garrick... Dear Altrincham Garrick Playhouse, I came to see Pride and Prejudice last night and felt that I must write as it is amongst the very finest productions I have seen in the countless years I have been attending the Garrick. Costume dramas are a genre in which I have found the Garrick are particularly adept at staging, however with this production things seem to have stepped up another gear entirely. It is wonderful to see such young talent on the Garrick stage in large numbers. Of course the familiar faces of Martin Oldfield, a superb Jacqui Wheble, John Westbrook, Sarat Parker Broughton and Celia Bonner - all of whom are quite excellent - are on hand to add further levels of experience, but it is many of the young actors who truly shine through. Of particular note, young Laura Whitehurst and Adam Gonet are both quite magnificent as Elizabeth and Mr. Collins (with the latter providing a true comic masterclass), and there are fine turns from (a radiant) Susie Chrystal, Stuart Bilson, Anthony Morris, Rachel Mayon, Jess Brooks, Emily Waldie, Rachel Isbister, Annabel Butcher and Daniel Ferguson (the latter three I am told all make their first appearance on the Garrick stage). Sonia Dykstra's direction is excellent, scene changes are executed with impressive skill and the choreography is delightful. Please congratulate all involved on a truly wonderful production E-mail Received to the theatre Dear Altrincham Garrick, Please pass on my congratulations to the cast on a superb production of Pride and Prejudice. The novel has for many years been a personal favourite of mine, having studied it closely since my school days, and I have to say that this production gets everything absolutely spot on. I have known Sonia for a few years now and she always gets the best out of any production. The costumes as expected from a Garrick Playhouse show are exquisite and the minimalist set ultimately works in favour of things, never threatening to detract from the action. The music is utilised particularly well and the dinner table sequence was for me a particular highlight of the evening. Again as expected the acting is of professional standard. The reviewer in the newspaper singled out a select few performers and in all honesty I cannot argue with their view. Mr and Mrs Bennett both standout, as do Jane and Mr Bingley, however it is?Mr Collins and Eliza who fully deserve the highest acclaim of the night. The two are indeed outstanding and their scenes together are a pure delight to watch. Mr Collins is incredibly accomplished in ability, stage craft and comic understanding for so young an actor and Elizabeth really?showcases?her high skill as a stage performer. There is a strong chemistry between these two young performers and I only hope to see them paired together on the Garrick stage again very soon. Please pass on this message to the team and I look forward to visiting again soon. Kind regards, Sarah [gallery ids="|"] [gallery columns="5" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/13314978195_720742174e_z.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/13314985565_696e864d78_z.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/13314998315_f8ab0c9e30_z.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/13315138203_1cf9e20206_z.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/13315150253_22e3808610_z.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/13315152373_a868895a9a_z.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/13315352014_8483d65193_z.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/13315357074_3426d6ce2b_z.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/13315363274_6406f751e3_z.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/13315366024_8914c9f51b_z.jpg|"] Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Hay Fever Ran Invalid Date - Aug 7, 2013 Age guidance Venue Running time Tickets Price Range Description To borrow Coward's own description of his life - this play is "fabulously enjoyable" and a glamorous and glittering comedy. No-one was more astonished than Noel Coward when Hay Fever "exuberantly tapped out on his typewriter in 1924". It endured to become so popular that it was presented by the National Theatre in 1964 with an illustrious cast featuring Edith Evans, Maggie Smith, Lynn Redgrave, Robert Stephens and more. The Garrick are looking forward to entrancing you yet again with its own illustrious cast, sumptuously set and gowned in this period revival. CAST Angela Wetherill as Judith Bliss David Reynolds as David Bliss Stephanie Hawthorn as Sorel Bliss Trevor Lee Brown as Simon Bliss Ros Greenwood as Myra Arundel Victor Hassan as Richard Greatham Dawn Flint as Jackie Coryton John Keen as Sandy Tyrell Stella Fogg as Clara Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Acorn Antiques the Musical Ran Invalid Date - Jul 29, 2013 Age guidance Venue Running time Tickets Price Range Description A musical version of the very successful TV series based in the busy antiques shop in Manchesterford. Wrinkly tights, coconut macaroons, eye shadow and Mrs Overall's home-made sherry are all (visibly) waiting in the wings !! CAST Mrs Overall Caroline Hickey Miss Babs Laura Chandler Mr Clifford David Jones Miss Berta Vicki Stott (AWARD) Tony Andrew Higson Bonnie Sarah Taylor Mimi Clare Muldoon Hugh Ryan Clarke Christine & Evelyn Steph Niland Mrs Willaighly April Millar Minchin's Dad David Leathlean Mr Finlay Gary Jones Mr Watkins Brian Howlett Derek Bill Platt Postman Andrew Higson Miss Cuff Anne Chandler Miss Wellbeloved Julie Broadbent Bev Adele Higson Mimi April Millar Debra Clare Muldoon As Himself John O'Brian Sale & Altrincham Messenger's Review by Rick Bowen Priceless - Acorn Antiques at Altrincham Garrick CAN anybody tell me just what actors have to do to get a standing ovation these days? If any production deserves one it's Acorn Antiques - The Musical, Altrincham Garrick's final show of the season. This is wall-to-wall perfection, from the expert comic timing and slick dance routines to the company's full blooded performance of Victoria Wood's crowd pleaser of a score, which has some occasionally naughty lyrics. Caroline Hickey is a scream as Mrs Overall, the doddery old tea lady who looks like she's about to spill her tea tray at any given second. Caroline is an exceptional character actress and Julie Walters herself, who immortalised this role, would have been proud of her achievement. Vicki Stott, who plays Miss Berta, has a singing voice to die for and there's a real chemistry between her and Laura Chandler, who plays her seemingly prim and proper business partner, Miss Babs. I say prim and proper but the mask slips very easily whenever an eligible bachelor enters their shop and Laura conveys both facets of this character quite superbly. There is a semi-serious theme running through the show with Wood lamenting the changing face of the high street, but if you go to see this show, set in an incurably old-fashioned antiques shop, you're sure to remember it for the genuinely laugh out loud funny jokes. This is a triumph for all concerned - make sure those box office phones are ringing off the wall. Star Rating ★★★★★ Messenger News By Rick Bowen ALTRINCHAM Garrick has received a special message of support for its next production - from a comedy icon. The theatre is staging Acorn Antiques - The Musical and its writer, Victoria Wood, has emailed the theatre and expressed her delight over the society's decision to stage the show. It's set in an antiques shop in the fictional English town of Manchesterford and started life as a TV programme sending up soap operas. The shop is run by Miss Berta and Miss Babs who are less than ably assisted by Mrs Overall, their elderly tea lady. In the email, the Bury-born star said: 'I'm so happy that Acorn Antiques the Musical! is getting another outing. I hope you all enjoy this simple tale of corporate greed, amnesia and macaroons. Although I never played my original part, Miss Berta, on stage, I did do two shows a week as Mrs Overall in the original West End production, when Julie Walters found herself having to go to Bingo. And it was very lovely to don the pinny and the marigolds, even for so brief a time. When I heard that Miss Babs and Miss Berta were coming back to tread the boards, I could do no more than echo Mrs Overall's famous remark 'Ooh I am pleased!.' 12:00pm Thursday 16th May 2013 in News By Rick Bowen NODA Review by Kevin Proctor The plot of Acorn Antiques (The Musical) is pure comic fantasy; set on a high street in Manchesterford where the shopkeepers, with hardly any rent to pay and no need to make a profit, can open their doors each day without a single worry of customers actually buying anything, one of these shops is of course 'Acorn Antiques' run by sisters Miss Babs (Laura Chandler), Miss Berta (Vicki Stott) and with the help of elderly tea lady Mrs O (Caroline Hickey). This production, like many of the more modern musicals, was high energy and ran at a quick pace though I felt the show would have benefited if the pace had been more relaxed. Many of Victoria Woods gags need to be 'milked' but with the speed of this show, there simply wasn't time to linger and relish in the moments which were gone and lost before we had chance to enjoy them. Unquestionably, the strength of this show lied with the three sisters; Bab's, Berta & Bonnie and of course the bonkers Mrs 'mummy' Overall! each of these leading ladies brought their own original qualities to the table. Vicki Stott effortlessly owned the stage and gave us a first-rate performance of the slightly dim but rosy Miss Berta with an outstanding delivery of 'Remind Him'. The role of Miss Babs was tackled head on by Laura Chandler who delivered star quality throughout, yes, ideally her role is more suited to an older actress though the angle which she'd cleverly approached Miss Babs' objectives were believably adapted to suit her age. The long lost Bonnie was powerfully portrayed by Sarah Taylor who freight trained her way through a remarkable performance, making a firm and inspiring impression in this production. And now - for the part which everyone came to see - Caroline Hickey had the strain of rendering one of Victoria Woods most recognisable characters; Mrs Overall. The success of this production relies heavily on the impersonation of this character and Caroline had her down to a tee! The voice, scrunched up face, the famous walk were all so accurate it added to the comedy. The only shame is the lack of scope to add to the part to make it your own as this can be nothing other than a direct imitation, never-the-less, Caroline expertly fitted the bill and certainly didn't fail to have tears of laughter running throughout the Garrick's auditorium. The band played in a room behind the stage and the sound was channelled through to the auditorium which unfortunately lost the sense of a live band, some of the players could not be heard as clear as others and the sound, in general, was too low. This seems to be a continuing problem which I find to be quite irritating as I (as I?m sure others do) want to enjoy the music. The biggest part of my frustration is knowing that the band was of a high quality and not being able to experience it to the full degree. The comedy sketches of which this musical is based translates very well onto the stage with the inclusion of some satire references to popular stage shows such as 'Les Mis', 'Hello Dolly!' and 'A Chorus Line' which were recognisable and well received. This show has a large cast and I can't deny that parts (particularly the full company numbers) seemed under rehearsed, some members of the ensemble didn't know the words to company numbers and the movement was not as crisp as I'd have liked, however, with the nature of this show and it's comedy style you could argue that this was intentional, if this is so; more needed to be made of it, but in all honesty I'm not sure it was. We got strong support who all added to the fun and giggles, particular stand outs were the two pitiful adolescents (Claire Muldoon & Ryan Clarke), neighbouring shop keepers (Stephanie Niland & David Leathlean) and not forgetting the gays (Bill Platt & Brian Howlett). The set looked good (maybe a little too good as I really wanted to see it wobble!) and I enjoyed some quirky effects in particular the video appearance of 'Dad' which had me chuckling! It was so nice to see a large turnout! Musicals are a definite guarantee to bringing in the crowds at the Garrick which is fortunate as we?re being treated to three of them next season! Can't wait. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production 39 Steps Ran Invalid Date - Aug 12, 2013 Age guidance Venue Running time Tickets Price Range Description The 39 Steps is a farce adapted from the 1915 novel by John Buchan and the 1935 film by Alfred Hitchcock. The play's concept calls for the entirety of the 1935 adventure film The 39 Steps to be performed nearly verbatim onstage, but with a cast of four. One actor plays the hero, Richard Hannay, an actress plays the three women with whom he has romantic entanglements, and two other actors play every other character in the show: heroes, villains, men, women, children and even the occasional inanimate object. This often requires lightning fast quick changes and occasionally for them to play multiple characters at once. Thus the film's serious spy story is played mainly for laughs, and the script is full of allusions to (and puns on the titles of) other Alfred Hitchcock films, including Rear Window, Psycho and North by Northwest. CAST Richard Hannay Sean Duvall Annabella Schmidt/Pamela/Margaret Stephanie Niland Clown Barry Spencer Clown Scott Ransome Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production West Side Story Ran Invalid Date - Jul 24, 2013 Age guidance Venue Running time Tickets Price Range Description Arguably the best musical ever written, this breath-taking show, which features music by Leonard Bernstein and lyrics by Stephen Sondheim, transports Shakespeare's Romeo and Juliet to the turbulent streets of the Upper West Side in 1950's New York as two star-crossed lovers, Tony and Maria, find themselves caught between the rival street gangs - the 'Jets' and the 'Sharks'. Saving the best until last we end the Garrick's historic 100th season in true style - West Side Story will be our biggest production ever with a huge orchestra, dynamic creative team and cast making it an unmissable event in the Garrick's history. We know demand will be huge so we've added a matinee performance. [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/West-Side-Story-5.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/West-Side-Story-2.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/West-Side-Story-1.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/West-Side-Story-8.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/West-Side-Story-6.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/West-Side-Story-3.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/West-Side-Story-4.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/West-Side-Story-7.jpg|"] CAST LIST Tony - James Duffy Riff - Josh Mosiuk Action - Rhys Nuttall Baby John - Karl Kramer Velma - Emily Barnett Graziella - Jasmine McGovern Anybody's - Rachel Mayon Bernardo - Danny Lawton Maria - Emily Carter Anita - Laura Chandler Consuela - Jennifer O'Neill Officer Krupke - Jon White Franchesca - Lucy Girdlestone Rosalia - Jessica Heaps Clarice - Georgina Brame Snow Boy - Matthew Roughley A-Rab - Michael Gardiner Doc - Paul Wilson Det. Shrank - Craig Richardson Diesel - Nick Parry Pepe - Jack McCann Chino - .Bradley Judge Ensemble - Bobbi Gordon Ensemble - Becci Cooper-Bagnall Musical Director - Mark Goggins Choreographer - Lorna Sales ASMs - Carol Gibson and Anne O'Reilly Review from The Messenger by Rick Bowen When James Duffy and Emily Carter sang in West Side Story the Altrincham Garrick auditorium was full of magic. I can't remember the last time I felt so excited by the performances of two leads and whoever decided to cast them as the young lovers Tony and Maria in West Side Story made a truly inspired choice. Emily in particular has a voice so pure listening to it will make you go weak at the knees and if these two don't make a career out of musical theatre it will be a cruel travesty. It may be the Garrick's centenary season but this is very much the company's present to us. West Side Story may seem like it has been around forever, but the production team and a cast dripping with talent and oozing energy will make audiences feel they're watching a world premiere. The sumptuous Bernstein/Sondheim score is as timeless as it is brilliant and it is impossible to name the best songs for the simple reason it is completely devoid of weak numbers. Inspired by Romeo and Juliet, the show sees Shakespeare's feuding families swapped for street gangs and Craig Richardson is particularly good as Det Shrank, the hard boiled cop trying to keep the peace. Add some exciting and stylish choreography and you have a production that you simply can't afford to miss. Go and pack the place - to the rafters. Stunning. Star Rating ★★★★★ Review from Remotegote by Julia Taylor The Garrick's centenary season comes to an end with one of the best productions of West Side Story I've seen. The energetic young cast convey a roller coaster of emotion. It's not just the leads, Tony, an all-American boy and Maria from Costa Rica who show feeling. The singers and dancers also give their all. We long for James Duffy?s Tony and Emily Carter?s Maria to be happy but, like Romeo and Juliet on whom the story is based, their romance reaches a tragic conclusion. I can't praise these two enough. Their duet One hand, One heart gives you goose pimples and tells you that, despite their differences, their feelings are sincere flashing like lightening between them. James's voice crackles with emotion as he sings Maria with such expression. The gang leaders, Bernardo of the Latino Sharks and Riff from the American Jets, put over with a combination of toughness and vulnerability by Danny Lawton and Josh Mosiuk face a heartbreaking fate. Yet this musical is not all doom and gloom. There are happy moments such as when Maria's friend, Anita (Laura Chandler) sings America accompanied by the girls in the chorus. I Feel Pretty, the light-hearted song led by Emily's Maria temporarily eases the tension and is lovely to listen to. The boys are especially good in the well-choreographed fight scenes and they, too, sing well. Although this show was premiered in 1957, gang and knife culture persists even today and racism still bubbles beneath the surface. It was good to see young people in the audience to whom I?m sure, the tragedy and the moral behind it, hit home. Star Rating ★★★★ NODA Review by Kevin Proctor The Altrincham Garrick not only wraps up their 2013/14 season, but closes their first century with one heck of a punch! West Side Story is often labelled by industry marvels themselves as the greatest musical of our time, so what other show would mark such an occasion for this group! Last year, I cannot have been the only one who questioned the sanity of the Garrick's trustees when this season was announced; they certainly know how to set a challenge - but more to the point, they know their team could deliver this wonderful curtain call to the first hundred years whilst also setting the bar for the next. This musical is just as iconic as it is demanding; much of the story unfolds through dance, beginning with the rival gangs' territory tussle during the Prologue. As one of the industries most celebrated score fills the playhouse, the soaring music is matched by gravity-defying feats of strength and agility. Adam Whittle had been given the honour to direct this milestone production, Adam relished the moody and intense moments beautifully and I wholeheartedly agree with the decisions he had made to convey this telling. The only moment which raised a baffling question to his choices was at the end of act one, the piece would have continued its strength if Riff and Bernardo had remained on stage as we progressed into the interval - staying their till the tabs came in, it may seem minor but witnessing them both get up after they had been killed broke the make believe which could so easily have been avoided. Mark Goggins and his orchestra exceeded all of my hopes and expectations, this genius score was delivered with triumph, the vocals of the soloists and ensemble cast were solid, delightful and exciting - particularly the 'America' harmonies and the 'Tonight' Quintet. A rousing score perfectly presented. I must congratulate the sound department, this is the first time the music has sounded and felt live with the players being channelled through from the studio, I appreciate that such a set-up is not as straight forward as it may seem, however, the sound was clear and I could certainly feel the excitement one should with live musicians (which I cannot deny, I was worried for). I was delighted that the reoccurring problem had been addressed and rectified for this production which certainly enhanced the experience. I did feel slight sympathy for the three Shark men during the quintet as their lack of numbers was massively exposed against the quantity of Jets - they didn't seem to stand much of a chance as they prepared themselves for the rumble, up until this point I hadn't noticed just how few of them there were as they'd been disguised very effectively until this point. You cannot attempt West Side Story without fierce choreography, Lorna Sales had worked the cast extremely well to execute the physicality associated with this show, not only is this production a challenge, it's made even more difficult when you have non dancers amongst the cast - Lorna?s clever creativity demonstrated skill in accommodating the mix of abilities without making it blatant, she concentrated on telling the story through movement without over indulging on over complicated choreography for the sake of showing off which didn't go unnoticed - a fantastic job - exact, visual, skillful and drilled. James Duffy shone as the conflicted Romeo of the show, Tony - capturing his sensitivity perfectly and hitting the top notes effortlessly in 'Something's Coming' and 'Maria', but harbouring enough blind passion and rage for the devastating conclusion of the first half. Emily Carter captured the heartbreak and longing of the show's plot in her portrayal as Maria - and I'll admit to chocking back a tear when she collapsed over Tony in the finale, overwhelmed by a grief that I knew was coming but still felt unprepared for. But that's not to say that this production doesn't have its lighter moments, too. One of my many highlights to this show was 'Gee Officer Krupkie' which was terrifically done and deserved the cheer and appreciation that it got. The male ensemble certainly injected the strength and power into this production, resulting in them owning the show. Josh Mosiuk as Riff was the stand out performance amongst the supporting ensemble who exposed his talents as a terrific all-rounder. It?s very enjoyable and rare to see such a strong group of young guys in this game. Laura Chandler was a wonderfully sassy and passionate Anita, the playful and celebratory 'America' contrasted with the ardent 'A Boy Like That', both were superb - a quality performance from Laura! Every aspect of this production was given extra attention throughout the departments which ultimately paid off to make this show one to remember and was undoubtedly the peak of the season! Many congratulations to all for an outstanding production. A message received at the Box Office for WEST SIDE STORY Along with the general comments of praise we often receive following a Garrick production, we took a telephone call from a lady wanting to book seats for West Side Story on the recommendation of a friend who had been to see it the previous evening. She told us that her friend had said they were no longer going to book city centre theatre tickets at the Palace Theatre, Opera House etc....as they didn't see any reason for travelling all the way into Manchester and paying inflated ticket prices to see shows when they could come to the Garrick, a local theatre, to view equally professionally productions. We think this is praise indeed for the Garrick and for all those involved with the production of West Side Story!! Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Funny Money Ran Invalid Date - Aug 7, 2013 Age guidance Venue Running time Tickets Price Range Description Jean is preparing a birthday dinner for her mild-mannered accountant husband Henry. Good friends Betty and Vic are expected any minute and Jean is frantic because Henry is late. When he eventually arrives Jean finds him not quite the man he used to be. He has inadvertently picked up the wrong briefcase on the Underground and the contents have the potential to change his life. Life is never simple, however, and the separate arrivals of two detectives pursuing separate lines of enquiry coupled with an irate cabby leads to a frantic game of cat and mouse full of hilarious innuendo and a bizarre succession of assumed identities. CAST Bill Platt as Henry Perkins Jane Marsh as Jean Perkins Dave Richardson as Davenport Brian Stoner as Slater Carole Carr as Betty Johnson Dick Sails as Vic Johnson Gary Collins as Bill Eric Vogel as the Passer-by Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Beyond Reasonable Doubt Ran Invalid Date - Aug 7, 2013 Age guidance Venue Running time Tickets Price Range Description his is a courtroom drama par excellence. Famous and compassionate QC Sir David Metcalfe is on trial for the alleged murder of his wife. Conducting his own defence and facing the redoubtable skill of the prosecuting counsel Anthony Blair Booth QC, Sir David also has to counter the damning evidence of his wife's housekeeper and deadly enemy. This gripping drama will intrigue to its unexpected end. CAST Court Usher Andrew Bebiki Clerk of the Court Sandy McGuire Mr Justice Tredwell Hugh Wolfson Anthony Blair-Booth Terry Chandler Det Chief Insp Travers Bryn Thomas Sir David Metcalfe Geoff Noar Prison Officer Ian Richardson Mrs Rogers Alison Davis Dr Weeden Richard Frost Lional Hamilton Derrick Linter Mr Cole Dave Midgley Robert Pierson Mark Edgar Stenographer Lisa Bowker Lady Metcalfe Angela Wetherill Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Neville's Island Ran Feb 21, 2000 - Feb 26, 2000 Age guidance Venue Running time Tickets Price Range Description By: Tim Firth Directed By: Dick Sails Designer: Stephen Bradshaw What a cock-up! Four out-of-condition businessmen get themselves marooned on an island on Derwentwater during a team-building exercise. Confident of rescue (at first), they prepare to dine on a shared sausage, but fog rolls in, they are menaced by wildlife and their SOS flares go unnoticed by November 5th revellers. The 'bonding' exercise turns into a carnival of recrimination with a surreal denouement. CAST Charlie Cook as Neville Barry Spencer as Gordon Hugh Everett as Angus Mark Edgar as Roy Reviews Sale & Altrincham Messenger's Review Team building is taken to extremes in 'Neville's Island', Tim Firth's testosterone driven comedy which is currently playing at Altrincham Garrick. A group of businessmen find themselves marooned on an island and try to come to terms with each other's irritating little foibles. It's a temperamental cauldron which takes seconds to boil over and when it does, it's impossible not to laugh. The brash Gordon gets the best lines, haranguing Neville for his inept leadership, Roy for his Christian beliefs and Angus for his uptight manner. But their experiences bring out the best in Neville and Angus, while smart alec Gordon is well and truly put in his place. All four characters will strike a chord with anyone who has worked in an office but they aren't stereotypes. The writer puts enough flesh on their bones to make us like and actually care about these guys. We all know someone like Gordon would be a nightmare to work with, but he's very funny, isn't he? The play does contain bad language but I felt it was in context. After all, when you're cold, wet and hungry minding your p's and q's won't be too high on your list of priorities. Barry Spencer seems to have cornered the market when it comes to playing rough types, and anyone who sees his Gordon will agree he does them superbly. Hugh Everett is a very believable Angus, the human equivalent of the cowardly lion and Mark Edgar grows on you as the screwed up Roy. But the real star of the show is the authentic island set created by Steve Bradshaw and his team. Take a bow guys, you deserve it. Rick Bowen Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production After the Dance Ran Invalid Date - Jul 30, 2013 Age guidance Venue Running time Tickets Price Range Description As the world races towards catastrophe, a crowd of Mayfair socialites parties its way to oblivion. At its centre is David, who idles away his sober moments researching a futile book until the beautiful Helen decides to save him, shattering his marriage and learning too late the depth of both David's indolence and his wife's undeclared love. But with finances about to crash and humanity on the brink of global conflict, the drink keeps flowing and the revellers dance on. Both an insightful, witty critique of a generation and a profound dissection of the depths of human emotion. CAST Joan Scott-Fowler Ros Greenwood Helen Banner Kate Millington David Scott-Fowler Peter Birch Julia Browne Laura Chandler Dr George Banner Ian Simmonds Miss Potter Julie Broadbent Peter Scott-Fowler Chris Mawson Moya Lexington Clare Muldoon Williams Jon White Cyril Carter Ryan Clerk John Reed Mike Shaw Lawrence Walters David Ades Arthur Power Paul Wilson Partygoers Sylvia Hay Elaine Saville Val Watkinson Jeannie Honeyman Anna Croughan David Walton Review by Julia Taylor for remotegoat Married love revealed too late Terence Rattigan's golden oldie After the Dance first performed in 1939 and not well-known, proves popular with the audience and I must congratulate the Garrick on presenting it. This play has the professional stamp of experienced director, John Chidgey who brings out the best in a 15 strong cast. As the Second World War approaches, David Scott-Fowler and his wife Joan, forget their troubles in a round of imbibing and partying in their luxury Mayfair apartment, beautifully illustrated by Sylvia Hay's set. Most of the drinking is done by David who blots out his hard work as a historical writer and the forthcoming war in a haze of the hard stuff which seriously affects his health. Then along comes his young cousin Peter with Helen, his 20-year-old fiancee. As soon as she meets David, Helen sets her cap at him, determined to stop him boozing and then marry him. Of course, he is already married but both he and Joan are too inhibited to reveal their mutual love. Yet talented actors, Peter Birch and Ros Greenwood, make the audience aware of their true feelings, whilst behaving in a shallow and flippant way towards each other. Ros gives an unforgettable performance in the play's most moving moment. It is when she realises her husband is swapping her for a younger model and temporarily discards her perpetual jauntiness to give a heart-warming display of grief. We have a sterling performance by Kate Millington as the over-zealous Helen nonchalantly setting out to break a marriage that has survived for 12 years. She tells Joan of her relationship with David without a flicker of conscience or care for her feelings and boasts about how well she has taken the news. Her soulful ex-partner, Peter (Chris Mawson) makes his views clear as much by facial expression as language. The play owes a lot to Mike Shaw who, not only plays John, David's well oiled but ultimately wise friend but also heads the Garrick's wardrobe team. He interprets the former with light-hearted humour and delivers amusing one-liners. In the latter capacity he comes up with beautiful costumes of the thirties. I especially like the long dress worn by Joan at her final party. Laura Chandler, also exquisitely turned out, adds colour as the party pooping Julia Browne. I'm glad the Garrick has revived this play. In the second half, a shocking event takes you aback but, unfashionable by today's standards, there is a comparatively if not happy then neat ending. NODA Review by Christine Hunter Hughes After the Dance is generally known as one of the 'lost' Rattigan plays - although it was televised in 1994 Rattigan himself did not include the play in his own collected works and the original West-End run closed after only 60 performances, due in no small part to the outbreak of war. It is set just before the outbreak of the Second World War as the 'bright young things' in London attempt to blot out the upcoming horrors with a hedonistic run into drinks, drugs and parties. However in this case the protagonists are no longer bright or young! It portrays beautifully the very British habit of repressing emotion, or indeed anything serious, as being 'just too boring'. The open set was a stunning portrayal of the opulent Mayfair flat of David and Joan Scott-Fowler. There was great attention to details in costumes and props (although I was not sure that the telephone was quite authentic) and they reflected the era beautifully. Lighting was good but I was disappointed with the sound from the 'piano'. It came from the wrong place and was not bright and crisp but muted and obviously recorded. There was without doubt some excellent acting and characterisations well maintained throughout the production with some lovely 'clipped' speech so typical of the period. Diction was superb from all the major principals and we clearly heard every word. The cast all looked extremely comfortable both with their characters and costumes and on the excellent set the fourth wall became just that we were looking into the flat - great acting and direction. Like all Rattigan plays it is fairly 'uncomfortable' and there was no applause by the fairly large audience at the end of scenes which I found almost more disturbing than the play - although the applause at the end was certainly most appreciative. Thank-you for a most interesting and entertaining evening and for the revival of this almost forgotten work. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Love on the Dole Ran Invalid Date - Jul 24, 2013 Age guidance Venue Running time Tickets Price Range Description Presented as a tribute to one of the Garrick founding members, Ronald Gow, whose adaptation of Walter Greenwood's classic won him many plaudits. Speaking as powerfully now as when it was first presented in 1931, Love on the Dole follows the struggles of Sally Hardcastle and her family during the great depression that grips the North. Struggling to make ends meet and with her family facing an uncertain future, she is faced with a decision that could ensure her family's survival, but at the inevitable price of her own happiness. Engaging, gripping and powerful. Northern drama at its very best. For those that would like to know more about Ronald Gow, please click here to view his Obituary from 1993. [gallery columns="5" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/01/Love-on-the-Dole-A.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/01/Love-on-the-Dole-D.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/01/Love-on-the-Dole-E.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/01/Love-on-the-Dole-B.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/01/Love-on-the-Dole-C.jpg|"] [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/01/Love-on-the-Dole-7.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/01/Love-on-the-Dole-1.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/01/Love-on-the-Dole-5.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/01/Love-on-the-Dole-3.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/07/Love-on-the-Dole-4.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/01/Love-on-the-Dole-2.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/01/Love-on-the-Dole-6.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/01/Love-on-the-Dole-8.jpg|"] CAST LIST Sally Hardcastle - Laura Chandler Henry Hardcastle - Graham Simmonds Sarah Hardcastle - Janet Slade Larry Meath - Rhys Nuttall Harry Hardcastle - Ashley Ball Helen Hawkins - Jessica Brooks Mrs. Jike - Val Watkinson Mrs. Dorbell - Pat Williamson Mrs. Bull - Mags Johnson Sam Grundy - Nick Sample Charlie Doyle - Bill Platt Mrs. Doyle - Sylvia Hay Agitator - Trevor McKie Policeman - Peter Loizou Rag 'n Bone Man - Gabriel Walker Other Parts Played By Margaret Kenyon, Irene North, Zara Ahmed, Hannah Jenkins, Emily Stewart, Sue Richardson, and Other Members of the Cast. Prompts - Stella Sails & Jane Lewis ASM - Margaret Kenyon Review by Rick Bowen Love On The Dole launches Garrick centenary season in style Impressive - Laura Chandler as Sally Hardcastle ALTRINCHAM Garrick launches its centenary celebrations in style, with a memorable production of the heart warming and at times heartbreaking northern classic, Love On The Dole. Based on Walter Greenwood's novel set during the Great Depression, it has been expertly adapted for the stage by one of this theatre's founder members, Ronald Gow. The script and some exceptional performances make you care deeply about the characters as they struggle to survive on a poverty ridden Salford estate. All of them are disarmingly decent and you?ll find yourselves crossing your fingers for a happy ending. The younger characters still have hope, while the older ones largely seek solace in booze and the supernatural. One minute you're laughing out loud, the next you're moved and frustrated by the plight of people who wonder where the next meal is coming from. The best performances? Well, to be perfectly honest there aren't any weak ones. But I particularly liked Laura Chandler as the heroine of the piece, Sally Hardcastle, a formidable Lancashire lass who dreams of marrying her Larry, a young radical played by Rhys Nutall Chandler and Meath have a strong chemistry and this is replicated by the other lovers in the piece, Harry Hardcastle and Helen Hawkins, played to perfection by Ashley Ball and Jessica Brooks. Unfortunately I don?t have the space to mention everybody, as this production represents a high water mark for this theatre. Go and make the run a sell-out - they certainly deserve it. Star Rating ★★★★ ★ Love on the Dole by Julia Taylor (for remotegoat ) Idealistic Play about a Workless Family I've a soft spot for Ronald Gow, the writer of Love on the Dole adapted from a book by Walter Greenwood. He taught my father at the Boys Grammar School then called Altrincham High School, and encouraged him to play Shakespeare in a play about the bard. Ronald Gow was a founder member so it is fitting that his greatest work should be shown in the Garrick's centenary season. The play is about the struggles to make ends meet of Salford mill worker, Sally Hardcastle and her family who fight for a better life against all the odds during the great depression of the thirties. Sally, played movingly by Laura Chandler, bonds with political activist, Larry Meath (Rhys Nuttall). Her brother, Harry, (Ashley Ball) has his own love, Helen Hawkins (Jessica Brooks). Theirs is, literally, love on the dole. Larry is passionately idealistic. He sees only black and white and this is put over well by Rhys Nutall. It is this attitude that ultimately leads to his downfall. The writer illustrates how poverty can affect relationships and director Maureen Casket, ensures the sentiments of the time are conveyed realistically. Laura Chandler brings out the character of the feisty Sally steering her through dreams of a better life, to heartbreak and anger. Ultimately she makes a decision which ensures her family?s survival at the price of her own happiness. I am surprised how funny this production is. I had expected it to be unremitting gloom. But it isn't. There are lots of laughs. Most of them come from three old women who sit around the Hardcastle's kitchen table drinking gin. They remind me of Ena, Minnie and Martha in the early days of Coronation Street. Mrs Jike, Mrs Dorbell and Mrs Bull played by Val Watkinson, Pat Williamson and Mags Johnson are a hoot. The senior Hardcastles, Henry and Sarah, played by Graham Simmonds and Janet Slade, struggle to cope with their wayward adult children. Yet it is they who ultimately prove that love conquers all. This is one of the finest productions so far this season. Star Rating ★★★★★ Review from The Fiction Stroker Regular readers of this blog may remember that the last time I encountered Walter Greenwood's Love on the Dole I was less than enamored with it. I found Greenwood;s tale of the poverty stricken Hanky Park slums near Salford to be a bit wearing and in some cases downright irritating. It's been a while since my original delve into Greenwood's world though possibly time enough for me to have mellowed? It is Love on the Dole' s resonant themes that have made the story something of a modern classic. reenwood's story was a response to the crippling unemployment affecting the area and follows the Hardcastle family as they are pulled apart - sound familiar at all? Swap out Hanky Park for elsewhere in Manchester and the industrial way of life for call centres and you're not a million miles away from where we stand today. This version by the Altrincham Garrick is rather special. Not only is it part of their Centenary season, but is written by Ronald Gow, a founder member of the Garrick. Gow's adaptation was also notably turned into a film with both screen and stage versions taking the country by storm. With relatively few 'classic' Northern plays to choose from, Love on the Dole' has endured and stands as a fitting tribute to Gow's impact on the theatre landscape. Despite Gow's adaptation being written in 1934, it's lost surprisingly little of its punch eighty years on. Of note are Laura Chandler's Sally and Ashley Ball's Harry. Young and tempestuous, their anger is barely contained at Hanky Park's continued poverty. Both long for material possessions to subvert their working class position, much to the ire of proud father Henry (Graham Simmonds) wounding his pride - already an outdated notion in 1934 and positively archaic now. Simmonds performance is masterful, with a deep-seated vein of shame at accepting help buried among his irascible anger. The company provide much of the community feel - much of them passing each other in the street on Margaret Norris's superbly designed stage is straight out of classic Coronation Street. Modern audiences may well assume that the unholy triad of Mrs. Jike, Dorbell and Bull (Val Watkinson, Pat Williamson and Mags Johnson) are based on Ena Sharples, Minnie Caldwell and Martha Longhurst with their gossiping and general hi-jinx. Older audiences however will no doubt nod with how utterly authentic the ladies performances are. It's a smaller scale type of poverty than in Greenwood's book. Only one character really comes out the other side as a winner, for the rest there is no winning in Hanky Park - just surviving. This stage version sanitises this a little bit with more slapstick humour breaking up the grim outlook. In part it works, but Love on the Dole has an important tale to tell, no matter how grim the consequences. Maureen Casket's direction is at it's best when aping kitchen sink drama -''confrontational' scenes towards the end of the second Act are pitched nicely with some sharp intakes of breath from the audience. Time will tell for Love on the Dole whether or not we look back at it as a charmingly quaint reminder of a bygone age. For now though, it acts as a timely and still relevant discourse of life on the bread line. Looking past my feelings towards Greenwood's story, you have a solid, rudely stylish and confident production awaiting you at the Altrincham Garrick this week - a production that ironically enough is perhaps the most relevant of their Centenary season. Star Rating ★★★★ NODA Review by Kevin Proctor Even though this adapted novel was voted one of the 100 Best Plays of the Twentieth Century, 'Love on the Dole' is one of those works that we might have heard of or known from the 1941 film starring Deborah Kerr but are unlikely to have actually seen. It presents a timely reminder that however bad the current recession might be, double dip or not, it is a cakewalk compared to the Depression of the early 1930's, where the dole could be withdrawn leaving families to enter the workhouse or starve. The majority of the play is set in the cramped living space of the Hardcastle family home, we gradually see their possessions disappear throughout the play as they're (suggestively) pawned for the little they're worth. The Hardcastle's are from Salford's dire "Anky Park", who are working class and proud of it. The central figure is the strapping Sally Hardcastle, well played by Laura Chandler - in a role I wouldn't normally expect to see her portray which is always refreshing. Sally becomes the bedrock on which the household rely, her soul kept together by love for Rhys Nuttall's political agitator Larry Meath. I did find their relationship slightly difficult to believe as their connection didn't have the spark needed to drive the play, the two often stood holding and swinging their hands as they spoke to one another which conveyed more of a childlike/twee relationship than adoring love, however, both performances as individuals had vitality! Mirroring their courtship is that between Sally's younger brother Harry and his girlfriend Helen (Ashley Ball and Jessica Brooks). I very much enjoyed Ashley's performance and am pleased to see another new face in a Garrick drama, a competent young actor who certainly holds his own. Through the play, there is much to try this family. Indeed, they sometimes appeared to be wending their way through an early pilot for Coronation Street, not helped by some melodramatic plotting. Direction by Maureen Casket was sometimes hard to pin point, I was unsure whether she?d instructed some of the players pacing and fidgeting hands as it often didn't marry with what was going on. Sarah (the Mother), played by Janet Slade, is burdened by a trio of self-proclaimed friends who do a good imitation of a cackling coven of witches. The others suffer unemployment, pregnancy, delayed marriages, hunger, death and in the final reckoning, a fate much worse even than that, at the hands of the local backstreet bookmaker, Nick Sample as Sam Grundy. The set was an impressive, traditional design - though I, personally, think a more contemporary and up to date model would have rocketed this piece out of the dated category making the production furnished for an audience of today. At its best, Love on the Dole is a heart-rending family story that reminds us how lucky we are to be living in our own time. This slightly over fussy revival might have ensured that the play's impact had all of the power that must have been present for those who saw it when life really was like this (and it wowed around a million people in the year or so after it was first performed). Even so, much of the sheer desperation of these blighted Northerners still shone through. The final and most poignant moment in the play as Sarah and Henry are left alone was my highlight, how they shared a moment of hope and painted a positive picture of their future! Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Black Comedy Ran Invalid Date - Jul 30, 2013 Age guidance Venue Running time Tickets Price Range Description A perfect example of 'What a tangled web we weave when first we practice to deceive'! Sculptor Brindsley Miller attempts to juggle his fianc?e, her father, two neighbours, his ex girl-friend (who turns up unexpectedly) and a millionaire collector who is (Brindsley hopes) going to buy some of his work. Oh! - and all this during a power cut which plunges his flat into darkness. Peter Shaffer makes brilliant use of this device to produce an evening of hilarity. CAST Brindsley Miller Trevor McKie Carol Melkett Laura Whitehurst Miss Furnival Janet Slade Harold Gorringe Brian Howlett Colonel Melkett John Westbrooke Clea Bev Stuart-Cole Schuppanzigh Ian Fensome George Bamberger Steve Williamson Review of Black Comedy by Julia Taylor for remotegoat A tangled web of mishaps A tangled web is woven in Peter Shaffer's Black Comedy written in the 1960's. Sculptor Brindsley Miller attempts to juggle his fiancee, her father, two neighbours, his ex-girlfriend (who turns up unexpectedly) and a millionaire collector who Brindley hopes will buy his work. All this happens during a power cut! The plot thickens when Brindsley, well put over by Trevor McKie, "borrows" antique furniture (for ease of lifting, just boxes) from his next door neighbour, Harold , a camp Brian Howlett, in order to impress Mr Bamberger, a rich German (Steve Williamson) who has agreed to view his art. Mayhem ensues when Harold returns unexpectedly. Instead of getting the lights fixed by an electrician who just happens to arrive and who they mistake for the art collector, Brindsley is anxious for them to remain unfixed so that he can attempt to smuggle back Harold's furniture. This play is different from others because when the mains fuse blows and the cast grapple in the dark, the audience can see them perfectly. Before that, when they are supposedly in the light, all is darkness. It is a credit to the cast that in bright light they can walk around hesitantly as though in darkness. This leads to interesting encounters due to mistaken identity. Just after the power cut, suppressed spinster neighbour, Miss Furnival arrives, devours a large gin and, although a non-drinker, thoroughly enjoys it. Janet Slade is delightful in the part as, inebriated, she lets it all out. Two other women also make us laugh. They are Laura Whitehurst as Brindsley's dumb fiancee, Carol and Bev Stuart-Cole as the ex-girlfriend who turns up unexpectedly adding to the dismay of the, by now, frenetically energetic Brindsley. I like the performance of John Westbrooke as the Colonel who spoils his daughter, Carol, a man who Brindsley is anxious to impress so he will agree to their marriage. This play is almost impossible to describe but I assure you you'll love every minute of Steve Williamson's production. It fits in so many angles with perfect comic timing in a short space of time ensuring you'll get excellent value for money in just two hours. And well done Mike North for the lighting. NODA Review by Kevin Proctor Black Comedy is from the pen of Peter Shaffer, who also wrote the acclaimed plays 'Equus' and 'Amadeus'. Black Comedy was first staged in the mid-sixties and the Garrick's production is set firmly in that era, made clear in every aspect and detail from hair styles to costumes and music to suit, but, making the boldest statement of the 60's style is the superb set (designed by Barry Purves) which captures the art d'cor of that period working perfectly, being set in the apartment of an artist. I particularly appreciated the symbolic use of telling the audience what doesn't 'belong' with the use of brightly coloured blocks and shapes, against a backdrop of black and white. The use of simple blocks instead of actual furniture and props was such a unique and original idea which gave an impressive result, putting a bold and inventive stamp of originality on the piece. It soon became clear to me that this entire play derived from one quirky idea; what's dark is light and what's light is dark. This visual opposite, which has been dragged out to the max, is pretty much all what it's about. It can't be an easy task for the players to stumble around the stage as if it's pitch dark and the cast achieve the illusion very well. This is a play where you can really go to town to create some visual, choreographic genius! The play offered numerous laughing points and worthy stunts, in particular, George Bamberger's fall/jump into the cellar! Laura Whitehurst and Trevor McKie as Brindsley and Carol were not particularly suited, the coupling was unbelievable as was their relationship. I appreciate the character of Carol is an annoying and irritating woman but, the danger here is that if the comedy that accompanies this dippy character is not exposed (which it wasn't), all you'll be left with is a character which is simply annoying and irritating. Stealing performances of the piece for me, were the two 'carry on' inspired supporting roles of Miss Furnival - played by the very capable Janet Slade whose final speech was the cherry on top, having us all in stitches of laughter. And Harold Gorringe - played by Brian (Charles Hawtrey) Howlett was superb as the fussy, camp neighbour. Bev Stuart-Cole gave a notable performance as Brindsley's ex flame who's still burning bright, Clea. This was an odd choice of production for the Garrick to present, being a one act piece. The director had included an interval (and chose the perfect spot to do so) but, the show came down before 9:30pm making it a rather short evening. Still, I like the mix of productions offered from the company. The Garrick committee are taking risks when choosing material to present which is an approach I will always encourage, to any group! Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Things We Do For Love Ran Invalid Date - Aug 14, 2013 Age guidance Venue Running time Tickets Price Range Description A wondrous mix of domestic and sexual comedy by the master playwright. This recipe of conflicting characters turns tears to laughter in a raw, painful uproarious evening's entertainment. This memorably bruising comedy is complete with a most ingenious set. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Glorious! Ran Invalid Date - Jul 30, 2013 Age guidance Venue Running time Tickets Price Range Description In any list of great eccentrics, the colourful socialite Florence Foster Jenkins must be near the top. Peter Quilter's affectionate and hysterical play with music follows the true story of the legendary Ms Jenkins as she barnstorms her erratic way, against the odds, to a remarkable sold out solo concert at The Carnegie Hall in 1944, with a programme that showcased her truly unique, oh so unique, vocal talents. Trailing in her flower strewn wake is an equally eccentric troupe of loyal friends, lovers, pianists, maids and critics; and let's not forget Ricky, the very odd dog. Come and relive that unforgettable night as Florence, bedecked in her extravagant finery, once again, attempts to silence her critics and raise the roof with a voice that she, for one, would call Glorious. CAST Florence Foster Jenkins Alison Davis Cosme McMoon David Jones St Claire David Reynolds Dorothy Celia Bonner Maria Victoria Johnson Mrs Verindah-Gedge Pat Williamson Review by Julia Taylor for remotegoat Caterwauling singer reaches Carnegie Hall What do you call a self-styled Diva without talent? An anti-Diva? Such a person really existed in the form of Florence Foster Jenkins who, in 1944, the last year of her extraordinary life, packed the Carnegie Hall with fans who relished her caterwauling. Peter Quilter's play, Glorious, defines her achievement and shows how a personality as large as hers can overcome any vocal impediment and lack of pitch or rhythm. She was rich and eccentric enough to defy criticism and used her money to buy performances in great places. It takes someone almost as extraordinary as Florence to fill the role. It has to be a lady with oodles of charisma who doesn't mind dressing eccentrically and who, like pianist Les Dawson, can perform completely out of tune. You have that person in the form of Alison Davis who, in a Hyacinth Bucket style performance, takes the Garrick by storm, her powerful presence overpowering everything else. Alison is the perfect choice for the part and I hand it to whoever selected her for their wisdom in doing so. The play begins with Florence interviewing her eventual accompanist, Cosme McMoon (David Jones), an accomplished pianist, who patiently adjusts his notes to suit hers and often saves the day as a result. It is he who describes the event at Carnegie Hall with such eloquence. David's performance, both as actor and pianist, is presented with a flair which makes it look easy. It patently isn't! There is a funny scene where he is stuck on the chaise longue between two larger than life ladies, one the diva herself, the other her best friend, Dorothy. Dotty would be a better name, for Dorothy is almost as mad as Florence as she trots around with her little dog (not real). Celia Bonner is truly versatile - for her last role was as Mrs Danvers in Rebecca! Another true friend is partner St. Clair. David Reynolds obviously relishes the role of the very English theatrical luvvy who believes in Florence almost as much as she does herself. Victoria Johnson gives the non-English speaking Mexican Maid Maria, bounce in another fun part. I like the way she flutters her eyes at St. Clair You don't feel guilty when you laugh at Florence's performances because you are laughing with her rather than at her. Musicians will enjoy the show as much as the less musically inclined. It's a fun evening. NODA Review by Kevin Proctor In 1940's New York, the performer who everyone wanted to see in concert was none other than Madame Florence Foster Jenkins, an enthusiastic soprano whose pitch was not only far from perfect, she had no rhythm and frankly, could not sing! Florence shrieked, squeaked and screeched her way through classic opera recitals, but what the hell, she loved it and more than 60 years on, so do we! Based upon a true story, the play spins from Florence's charity recitals and extravagant Gala's, through to her bizarre recording sessions and an ultimate triumph at Carnegie Hall in this hilarious and ultimately heart-warming comedy. Alison Davis played 'the first lady of the sliding scale' as she was known as she warbled to the audience who mostly fell about with laughter. This delusional and joyously happy character pays little attention to the critics, instead she's surrounded by a circle of devoted friends who are almost as eccentric as she is. From reading a little about Florence, Alison was everything you'd expect, an enormous character you can't help but adore, we were given a very inspiring performance of a woman who simply wants to do what she loves! The determination and passion was clear in her performance and the comic delivery hit all the right notes, even if the singing didn't! Alison was supported by a tremendous cast; David Jones as Cosme McMoon - Florence's new pianist whom she's rescued from playing background music at a noisy buffet was superb, over the course of the play David beautifully demonstrated how he grew to love Madame Jenkins's jolly spirit, her sweet nature and her apparent obliviousness about her singing, the public's reaction and his homosexuality. His narrative description of the Carnegie Hall triumph and Florence's death within five weeks of the concert was a touching finale. Celia Bonner was delightfully endearing as Florence's loyal, dizzy friend Dorothy, she was whacky and whimsical and equally as crackers as the star, a creditable - Emma Chambers esque - performance. Victoria Johnson was more than convincing as the irate Mexican maid, not an easy role to carry but was effortlessly portrayed and consistent. Pat Williamson?s performance as Mrs Verindah-Gedge cannot go unmentioned, this is a great cameo which was expertly played and evidently enjoyed by all. Finally, David (Niven) Reynolds gave an inspiring portrayal as Florence?s older lover St. Clare, for me, probably the most interesting character of the bunch who instantly had me questioning why he is with her, does he love her or is it the convenience of an easy life that's keeping him there. The role is clearly written as a womaniser but David's camp flourishes worked, particularly in his scenes with Cosme where the energy between the two literally bounced off them. Layers of interest were added to a character that could easily come across as bland, stereotypical and almost meaningless, David injected flair and intrigue into his performance, maximising every possible aspect of the character to which he made himself perfectly suited, a true testament of a brilliant actor. Direction by Barry Purves was crisp and precise, the delivery of the piece was well balanced and gave credit to this fabulous play, I particularly loved the plays final 'magic' moment as an original recording of Madame Jenkins plays which segued into a stunning (how she hears herself) recording, a charming moment. The entire evening was glamorously bonkers, you cannot help but adore this show! The story is heart-warming in how Florence's love of music and eccentric enthusiasm was so contagious that it made up for her complete lack of talent. A play and production that was nothing less than Glorious! 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Garrick Production Grease Ran Invalid Date - Jun 12, 2013 Age guidance Venue Running time Tickets Price Range Description Rydell High's spirited class of '59' gum-chewing, hub-cap-stealing, hot-rod loving boys with D.A.s and leather jackets and their wise-cracking girls in teased curls, bobby sox, and pedal pushers capture the look and sound of the 1950's in a rollicking musical that salutes the rock?n?roll era. While hip Danny and wholesome Sandy resolve the problems of their mutual attraction for each other, the gang sings and dances its way through such nostalgic scenes as the pyjama party, the prom, the burger palace, and the drive-in movie. Too many unforgettable songs to mention - Grease is STILL the word! [gallery columns="9" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/10950587396_908e27334d_z.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/10950811093_aa6149ec8d_z.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/10950856634_d25c704a5d_z.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/10950690905_b6ce2478b0_z.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/10950668135_777e187297_z.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/10950901653_7c1417b480_z.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/10950615526_06ccd61582_z.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/10950665516_b9595a934d_z.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/10950799144_01412dea26_z.jpg|"] CAST LIST Sandy - Rachel Mayon Danny - Gabriel Walker Kennickie - Ashley Ball Roger - Michael Gardiner Doody - Matthew Roughley Sonny - Tom Oliver Rizzo - Tori Green Marty - Vicki Harrison Frenchy - Katie Bond Jan - Hannah Williams Patty - Emily Barnett Vince Fontaine - Michael Muldoon Eugene - Josh Mosiuk Ms Lynch - Margaret Leslie Johnny Casino & Teen Angel - Matt Darsley Cha Cha - Jennifer O'Neill Cheerleader/Freshman - Laura Slater Cheerleader/Freshman - Shelley Frankland Cheerleader/Freshman - Rebecca Cooper-Bagnall Assistant to the Director Val Watkinson Musical Director Mark Goggins Choreographer Lorna Sales ASM Carol Gibson Messenger Review by Rick Bowen Grease is still the word at the Garrick - cast delivers a vibrant show VIBRANT, energetic and uplifting, Altrincham Garrick's production of Grease is the perfect antidote to these depressingly dark autumn. Particularly impressive is the dancing and I'm sure many members of the audience will be aching to join in as the cast really let their hair down. The lead roles of the strutting high school gang leader Danny Zuko and the squeaky clean Sandy Dubrowski are, of course, inextricably linked to John Travolta and Olivia Newton John who brought the characters so engagingly to life in the classic film version. But there's plenty to admire in Gabriel Walker and Rachel Elizabeth Mayon who play the parts in the Garrick's production. Gabriel is especially good at bringing out the comedy elements of the role - Zuko works desperately hard to maintain his super cool image - and Rachel has a singing voice with an astonishing range. Sandy's transformation from an up tight square to a leather clad seductress is very convincing thanks to Rachel's acting skills. Tori Green excels as Rizzo, the all knowing leader of the gloriously bitchy Pink Ladies and her rendition of There Are Worse Things I Could Do, for me one of the best songs in the entire, dream of a score, is worth the ticket money on its own. An evening of infectious 50's style music and irreverent teenage humour, this giant of a musical is still well worth a watch. Review of Grease by Julia Taylor for remotegoat 'Lights up like Greased Lightnin' The Garrick's production of Grease lightens up the auditorium making the usually restrained audience whoop, whistle and clap. It's about two kids who meet up in High School after spending a magical summer holidays together. Unfortunately, at school, things are not so magical. One of the high points of the show is when the boy gang T-Birds and the girlie group, The Pink Ladies, sing that throbbing hit Summer Nights. Another good one from the entire company is We Go Together at the end of both acts Tori Green, as Rizzo, firmly in charge of the Pink Ladies, sings There are Worse Things I Could do in an unforgettable way. She is the girlfriend of Kennickie, a prominent member of the T-Birds. Ashley Ball who plays him makes you wonder which he loves most, Rizzo or his new car. The imaginative folks backstage come up with a shiny red vehicle complete with working headlights which slides gracefully on to the stage. Director, Adam Whittle does well to use the services of Lorna Sales as choreographer. The result is some lively dancing especially in the scene where Danny and Cha-Cha (Jennifer O'Neill) win a hand jiving competition. It was also a good idea, to place the band, led by Mark Goggins, on stage. The leads, Gabriel Walker as bad boy Danny and Rachel Elizabeth Mayon as Sandy, do a great job. I love the way Gabriel conveys the feelings of a testosterone filled teenager just through looks and movements. We sure know when he thinks he's on a winner! Rachel is just right for Sandy. She sings Hopelessly Devoted with great feeling. Another good singer is Vicki Harrison's Marty. Smiling throughout, her Freddy My Love is great to listen to. The young cast are so good they could easily call themselves the Garrick Musical Theatre. NODA Review by Kevin Proctor It goes without saying that the musical 'Grease' by Jim Jacobs and Warren Casey is a very popular one, It's had many successful revivals on Broadway and in the West End as well as countless tours and it even won the title of 'the world's best musical' thanks to a public vote a few years ago! Can you believe!? Grease is, for me, an ultimate guilty pleasure show (and film) and was probably one of my most played CD's during my early teens (yup, it?s true!)? Set in the late 1950's - Grease follows the exploits of a graduating class who inhabit Rydel High. The show, in its original form, was not considered 'family entertainment' - it's plot was not as thin as it's become as it tackled issues about teenage drinking, smoking, under age pregnancy and also included a fair amount of physical violence, however, 42 years later with a smash film and countless stage revivals to its name, although still touching on the topics, what's left is a much more sanitised and 'family friendly' version of a once edgy musical offering. The one static set for this production was simple and worked well, I liked the 50's pop art design and the split levels helped to create some nice visual moments. The Garrick welcome first time choreographer Lorna Sales to the production team making this show her debut with AG. Lorna set some great routines which were very visual and striking at times. The dancing was tackled head on by her cast, though I think the strain of a short rehearsal period was exposed when it comes to the choreography delivery as quite a few movement hiccups were noticeable at several points. A main ingredient for this show is energy' you cannot have enough and this production served up plenty of it! It was evident that the entire cast were having a blast which was key to its success. Particular stand outs for me were Josh Mosiuk who gave a quirky Eugene- Josh was extremely engaging whenever on stage, as was Vicki Harrison as Marty who not only looked perfect for this role she gave a strong all round delivery. This show was indeed stolen by Tori Green as Rizzo, Tori was the one you heard people talking about as they left the theatre, vocally, 'Worst Things I Could Do' was flawless - fabulous! Sandy, played by Rachel Elizabeth Mayon was as sweet as she should be and sung a good rendition of 'Hopelessly Devoted'. I enjoyed Gabriel Walker's Danny, he had the characters clumsy and slightly gawky side to perfection which gained him some worthy laughs - very likeable! Mark Goggins band sounded fantastic! This just confirmed to me that, whenever possible, the musicians should either be on stage or in the pit ? the sound of the live musicians sounds so much more alive and exciting compared to when they're channelled through from the studio. Great job! Lighting wise, there were a number of black spots across the set and I felt that the design wasn't colourful or vibrant enough for this style of show. Sticking with technical, the sound levels had weak spots as we could hardly hear the boys during 'Summer Nights' and mic levels were erratic during company numbers. Director, Adam Whittle had created some lively and comical scenes and had, wisely, taken inspiration from the film while still able to include flashes of his own vision too, though some of the blocking decisions were questionable and at times didn't seem to have purpose but still, a laudable job with a strong result for this high energy and electrifyin' show! Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Lauriston Studio Betrayal Ran May 23, 2016 - May 28, 2016 Age guidance Venue Running time Tickets Price Range Description Perhaps the greatest and most moving of all Pinter's plays. It concerns the devious workings of the human heart, love, guilt and passion. It begins with the embers of an adulterous relationship and traces the train of events through the previous years - the betrayal between wife and husband, mistress and lover and even between the rival men. The sweaty panic of the adulterer mixes thrillingly with the barely contained emotional violence of the situation. The play was famously based on Pinter's own affair with Joan Bakewell and has been constantly revived since its first production in 1978. Cast Emma - Jacqui Wheble Jerry - Malcolm Cooper Robert - Paul Wilson Waiter - Leon McKenna Reviews **** Review by Rick Bowen - Stagestruck YOU never feel totally comfortable watching a Harold Pinter play. The characters teeter on the brink of unpredictability, formula driven the work of this bespectacled genius most definitely isn’t. Leave your comfort zone at the theatre door, please. Jerry and Emma meet for a catch up at a pub and it soon becomes apparent they have a past, even if they keep a tight rein on their emotions. It could be two former work colleagues having a catch up, but it isn’t. The play takes us back in time nine years and we see far more passion then, with Jerry behaving like an infatuated schoolboy towards Emma, worshipping her like a goddess. While the pace of Betrayal is positively forensic at times, it is an engrossing, intriguing and grown up piece of theatre featuring some fabulous, witty and insightful lines from a master playwright. I’ve always been attracted to the work of artists who refuse to bow to convention and it goes without saying Pinter was a true enigma. For me, this is Jacqueline Wheble’s best performance to date at the Garrick, breezing across the stage with supreme confidence as Emma. She and Malcolm Cooper, who plays Jerry are really good together and very, very believable. Paul Wilson, an actor I rate very highly, gives his reputation yet another major boost as Emma’s hubby, Robert. This is a major achievement for all concerned, including the production’s director, Richard Sails. * Until May 28. The box office is on 0161 928 1677. Star rating – **** *** Review by Julia Taylor THE Lauriston Studio at Altrincham Garrick present the Harold Pinter classic, Betrayal, for their last play of the season. It is aptly named for it illustrates three kinds of betrayal. That of husband and wife, lover and mistress and two best friends and there are interesting duologues between each of these pairs. Pinter craftily makes the action begin two years after the end of an affair and takes us gradually backwards to its titillating start seven years beforehand. A screen with dates establishes the chronological order. An excellent twosome scene takes place in 1973 when Jacqui Wheble's Emma confesses to her husband, Robert (Paul Wilson) that she has been having an affair with his best friend Jerry (Malcolm Cooper) since 1968. Jacqui and Paul are real life partners which might have helped this difficult scene to run smoothly. It is not until that point that Robert, an adulterer himself, has any idea that his wife spends passionate afternoons with Jerry, The men remain disturbingly close despite the affair. The cast interact well and show mastery of the Pinter pause but the pace is just a fraction slow. Jacqui's Emma masters the work/home balance, yet remains attractive to men. After Jerry falls for her you can feel their sexual chemistry and yet, at times they seem set in their ways. Malcolm Cooper's facial expressions are telling as he indicates Jerry's fear of being found out. Until Saturday, May 28 For tickets, telephone 0161 928 1677 or book online at altrinchamgarrick.co.uk. Star rating:? * * * Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production An Inspector Calls Ran Invalid Date - Jul 24, 2013 Age guidance Venue Running time Tickets Price Range Description This riveting, ever-popular examination of conscience and class has made regular appearances throughout our history and takes pride of place in this historic season. When Inspector Goole arrives unexpectedly at the prosperous Birling family home their peaceful dinner party is shattered by his investigations into the death of a young woman. His startling revelations shake the foundations of their lives and challenge them to examine their consciences. Gripping and thrilling, if you haven't seen this theatrical masterpiece before - you must! If you have - see it again. This play never disappoints. [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/11/An-Inspector-Calls-1-e1384181709369.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/11/An-Inspector-Calls-2-e1384181091258.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/11/An-Inspector-Calls-3-e1384181162818.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/11/An-Inspector-Calls-4-e1384181199169.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/11/An-Inspector-Calls-5-e1384181230593.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/11/An-Inspector-Calls-6-e1384181258442.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/11/An-Inspector-Calls-7-e1384181291421.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/11/An-Inspector-Calls-8-e1384181322714.jpg|"] Pix by Vish CAST LIST Arthur Birling - Richard Sails Sybil Birling - Bev Stuart-Cole Gerald Croft - Anthony Morris Sheila Birling - Laura Whitehurst Edna - Margaret Kenyon Eric Birling - Tom Sneyd Inspector Goole - Paul Wilson Prompt - Ros Greenwood ASM - Jackie Wheble ASM - Margaret Kenyon Messenger REVIEW by Rick Bowen A magnificent production of a Priestley classic DEEPLY thought provoking and tense, An Inspector Calls is a truly classic play. Altrincham Garrick's production of Priestley's masterpiece is so good my eyes were glued to the stage throughout, a tribute to director John Chidgey and a very fine cast. Paul Wilson has a powerful stage presence as Inspector Goole, the mysterious character who ruins the cosy family celebration of the Birlings, with some disturbing revelations regarding a 'young woman's harrowing death of a young woman denied help when she needed it most. I can't remember the last time a performance excited me so much and I hope this is the start of a long, long association with this 100 year old society. But Paul is in very good company, with Richard Sails excelling as self-made businessman Arthur Birling, a champion of the 'survival of the fittest' philosophy. Beverley Stuart-Cole is positively hateful as Arthur's horrible, hard faced wife Sybil and it's impossible not to warm to their daughter, Sheila, thanks to Laura Whitehurst. This character and her brother Eric offer some hope for the future, in a play that?s as much a plea for social compassion as it is a compelling drama. An Inspector Calls played to a packed house on Monday night. It'd be a crime if this isn't repeated throughout the run as this is for me, the Garrick's best production of 2013. Magnificent. Star Rating ★★★★★ Review by Julia Taylor for remotegoat 'Sinister Inspector disrupts wealthy family' All I can remember about the last time the Garrick presented this play two years ago, are the copious amounts of dry ice which were slightly overpowering, especially to those on the front row. The only (very minor) irritation this time is a chair which temporarily blocks the view of the beautiful Sheila Birling, whose engagement to Gerald Croft is celebrated in the opening scene. The atmosphere is relaxed as the Birling family drink port around the table, until the unexpected arrival of Inspector Goole (Paul Wilson). His revelations about the connection of family members to the death of a young, pregnant factory worker insidiously change things. Paul Wilson's is the key role and he conveys well the manipulative side of his character though he could have been slightly more sinister. Although the Garrick stage is wide the director, John Chidgey, manages to make it feel claustrophobic as one member of the family after the other, is targeted by the wily copper. First on his list is Arthur Birling whose pomposity is well illustrated by Richard Sails. It is intriguing to see his ego slowly deflate under intense questioning. One by one, Arthur's daughter, Sheila (Laura Whitehurst), her fiance, Gerald (Anthony Morris), his son, Eric (Tom Sneyd) and wife, Sybil (Bev Stuart-Cole) are implicated. I particularly enjoy seeing the reaction of high and mighty Sybil. Bev Stuart-Cole handles her downfall well as she faces the worst possible outcome - losing face. The Wardrobe department should be praised for their work, especially the gorgeous dresses worn by Sybil and Sheila Birling. This play is beautifully written by J. B. Priestley whose surprise ending gives food for thought. Star Rating ★★★★ NODA REVIEW by Kevin Proctor 'An Inspector Calls' - J.B Priestley's finest piece which focuses on the well-off Birling Family whose night of richness and 'celebration' is interrupted by the presence of an Inspector who begins throwing accusations, at all of them, in relation to the suicide of a young working-class girl. The layout of the stage and the quality of the set really gave credit to the piece and the costumes were a vision though the focus was undoubtedly on the quick-paced and hard-hitting acting. There wasn't a single section of this production that wasn't enjoyed or appreciated. The entire cast acted superbly, not a weak link among them. Richard Sails as the bluff and smug factory owner, Arthur Birling. Tom Sneyd, as his son Eric, doesn't over-do the limp dissoluteness. Paul Wilson as Inspector Goole (entered in the recognisable raincoat and trilby) is Scottish, which works well whether deliberate or just happens to be so! Bev Stuart-Cole was transformed into the hard faced Sybil exposing her versatility as a performer as was Anthony Morris, as Gerald, who excels when playing something he can really grasp and sink his teeth into a grand job! I adored Laura Whitehurst in the role of Sheila, she literally through everything into her performance which left her an emotional wreck - entirely believable. A great team was evident in this cast; they gelled, were well balanced and clearly loved every minute of it - magic! This piece is traditionally one act, though an interval had been included, for reasons I've guessed and completely understand, though the decision was made to start the second act repeating the last two minutes from where we broke, this is a nice idea though I was a little confused as to why the blocking had changed for the second time around, was this a simple oversight. Judging by the standard of the production I find something so blatant hard to believe so began questioning whether it was deliberate to suggest that - something isn't right? Whatever the reason or fault, the interval worked in this productions favour as it was the break which highlighted to me how much I'd been engrossed as I didn't want it to end and couldn't wait for the second half to kick off again. The message that we must never forget our social consciences and the way in which we treat those around us, especially those less fortunate? was conveyed at the right level. There really isn't much more to say other than this was a faultless and incredibly impressive production which has stayed prominent in my mind for several days after. Congratulations to Director, John Chidgey, the cast and committee for a triumphant production! Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Pack of Lies (2013) Ran Invalid Date - Jul 30, 2013 Age guidance Venue Running time Tickets Price Range Description PACK of LIES abundantly demonstrates HUGH WHITEMORE's ability to choose a real event in recent remembered history to weave his favourite themes of human follies and affections allied to inevitable betrayal by all the protagonists. This intriguing tale concerns true events of the early 1960s. Helen and Peter Kroger, living a seemingly quiet life in a London suburb, together with a certain Gordon Lonsdale, were convicted of spying for the Russians and sentenced to 20 years imprisonment, only to be exchanged 8 years later for a Britain imprisoned in Moscow. The fictional side of the story involves their "friends" and neighbours - an ordinary middleclass family. Barbara, Bob and Julie are catapulted into a sordid world of deception and treachery, with Barbara realising too late that the Krogers had betrayed her and that she, in turn, had betrayed the Krogers. ABSOLUTELY UNMISSABLE. CAST Bob Jackson Nick Sample Barbara Jackson Caroline Hickey Julie Jackson Erica Pickard Helen Kroger Ros Greenwood (AWARD) Peter Kroger Graham Simmonds Stewart Jonathan Black Thelma Di Boyer Sally Stephanie Peake Review of Pack Of Lies by Julia Taylor for remotegoat Devious spies hoodwink their neighbours The Jacksons, a homely couple who have lived in their street for 20 years, are taken aback when, in Hugh Whitemore's classic, Pack of Lies, MI5 call. To their disbelief, it soon becomes clear that the friendly Canadian neighbours, who often pop in for a cup of tea, have been telling a pack of lies. After people from the intelligence agency survey Helen and Peter Kroger from the Jackson's bedroom window, they are found to be Russian spies. It is all too much for wife, Barbara (Caroline Hickey) who takes out her feelings on her kindly husband Bob (Nick Sample). She even lashes out at schoolgirl daughter, Julie (Erica Pickard), who knows nothing of what is going on. When she does discover the truth, Erica's character erupts, melodramatically displaying her horror and disgust. MI5 insist that the Jacksons continue to act as normal with their treacherous neighbours. They don't find this easy but carry on with the Christmas get together they have already arranged. Ros Greenwood's Helen Kroger, who uses sociability and apparent scattiness to conceal a laser-sharp brain, quickly senses the tension at the event which she and her introvert, brain-washed, Communist husband, Peter (Graham Simmonds), attend. It's amazing the two families ever became friends in the first place. The Jackson's are dull and unadventurous whilst the Krogers - especially Helen in an excellent portrayal by Greenwood - are glamorous. Director, Alan Rothwell, ensures that their differences are emphasised in other ways, too. Barbara wears dowdy cardigans and Bob, run of the mill pullovers. On the other hand, Helen with her sophisticated hairstyle and fashionable 1960's slacks, oozes glamour which attracts daughter Julie like a bear to honey. Jonathan Black performs well as Stewart, the MI5 official, a formidable yet fatherly figure. Juliet Jones' set reproduces your typical 1960's semi with its black regulation telephone, etc. The most amazing thing about this play is that it is all true! NODA Review by Kevin Proctor How well do you know your neighbours? Hugh Whitemore's 'Pack of Lies' is adapted from a real-life spy case of the 1960's and set in a London suburb. Just suppose a very official looking man from the government knocked on your door and asked to place an 'observer' to spy on the neighbourhood for the good of the country. This is what happens to Bob and Barbara Jackson and their teenage daughter Julie. But what is supposed to only last a couple of days, turns into weeks and stretches the fabric of the family as they must 'hide' the presence of the guests. The Families best friends for near on five years, Canadians Helen and Peter, are suspected of aiding a KGB agent who has stolen NATO secrets. The production pays close attention to 1960's period details, both in the costumes and the set (complete with running water and functioning kettle - nice!). Barbara's lowly cardigans contrasted well with the 'slacks' worn by Helen, while the succession of pullovers sported by Nick Sample as Barbara's husband Bob was spot on. The play teases our interest and gives rise to speculation about where the story was going next, with mysterious phone calls from Julies friend and at one point, I even questioned whether Barbara had some part of the ploy as we see her start to buckle under the pressure. The blackouts were covered as well as they can be with appropriate unsettling music. The action, while often static, was kept exciting which I imagine to be one of the biggest challenges of this piece. This is the second 'Whitemore' play I've seen and both have had the knack to suck me deep in to the story and journey of the characters which, ultimately, gives me, or indeed anyone, a remarkable theatrical experience. Erica Pickard as the Jackson's teenage daughter, Julie, gave us a mature and more than able performance, she brought a good energy with her delivery, the developing relationship between Helen and Julie was sensitively played and Julie's outburst in the final scene, when she realised the truth about the Krogers' activities, was moving. A very intelligent and exciting performance from young Erica, she fitted right in and was equally as confidant and ever professional as the adult players. Stewart (Jonathan Black), the man in charge of the investigation had all the right qualities, mannerisms and intrigue to accompany his role, he does, however have the thankless task of remaining 'professional' and not allowing himself to make his performance more vibrant as the plot unfolds. A very neat performance, I empathise with people with these characters who must remain 'reactless'! Di Boyer and Stephanie Peake gave good support as Thelma and Sally, their conversations with Barbara demonstrated the latter's rising concern about the fact that while her friends were betraying their adopted country, she, in her turn, was betraying not only them but also her daughter. Sally, as short lived as her time on stage was, managed to gain the intended reactions and chuckles. Di Boyer was as sympathetic as her character would allow her to be, successfully holding back in displaying too much emotion or affection to Barbara while still managing to keep her character out of the 'bland' category - which is so often the case with characters such as these. Caroline Hickey is excellent as Barbara, all the lying has turned her into a nervous wreck which she executes superbly as she contemplates out loud 'What is the difference between one lie or another'? Her character feels the brunt of the story as her world and home is turned upside down. Nick Sample gave us a soft and loving man of the house as Bob. His closing narration 'turn' was incredibly touching. Nick is a very easy and natural performer, he translates emotions and delivers with such quality as does Ros Greenwood (as Helen). Ros, an asset to any production, gave us a larger than life character 'as Helen would be' but, and most complimentary of all, was delivered to the perfect level, this part could so easily cross the line and be delivered too melodramatic but Ros gave the perfect balance, an expert of her craft who delivered a very fulfilling performance! This interesting play certainly achieved its director's ambition to provide a few talking points for its audience as we left the theatre. Congratulations to Alan Rothwell and his cast, and to The Garrick for setting the bar for my first play of the year! Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production The Haunting Ran Invalid Date - Jul 30, 2013 Age guidance Venue Running time Tickets Price Range Description On a wild night a young book-dealer, David Filde, is at work in the dark library of an ancient, crumbling mansion, while outside the wind howls across the desolate moorland. But as he tries to catalogue the estate's collection of rare and antiquated books a series of strange, unexplained events and apparitions threatens to unnerve him. David's employer, the forbidding owner of the mansion, denies that anything is amiss. As he strives to convince Lord Gray that the mysterious phenomena and ghostly visitations are real David finds they must face together the source of the manifestations, the awful secrets that lie behind them and David's own link to the terrors that haunt the house. Adapted from Charles Dickens' gripping ghost stories, this spine-chilling new play will have you on the edge of your seat. Dare you watch it alone? [gallery ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/The-Haunting-1.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/The-Haunting-3.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/The-Haunting-2.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/The-Haunting-5.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/The-Haunting-4.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/The-Haunting-6.jpg|"] CAST David Filde Sean Gonet Lord Gray Mark Edgar Mary Grace Garside Review by Julia Taylor Ghoulish and Spooky at Hallowe'en It's ghoulish; it's spooky and it's Hallowe'en. If The Haunting, a mainly two hander by Hugh Janes based on Charles Dickens' ghost stories doesn't send chills down your spine, I'll be spooked. You feel trepidation just by seeing Stephen Bradshaw's darkened, cobwebbed set, never mind the unexplained screams and thunder created by Christine Mills and David Williams. Then there is the phenomena of books inexplicably flying off shelves, and doors apparently locking themselves not to mention Geoff Scullard's lighting effects put to good use as lightening or creating the atmosphere for the actual appearance of the ghost dressed in tattered bridal apparel (Grace Garside). The person who finds himself ensconced in the library of an English country house is young book dealer, David Filde (Sean Gonet) who innocently turns up to catalogue and value some antique books which once belonged to his uncle's colleague, the recently deceased Lord Gray. His co-actor, Mark Edgar, plays his successor, the new Lord Gray. He's a sceptic of all things spectral until David gradually convinces him of the macabre goings on in the house. The special effects are spectacular but the play would get nowhere without the interaction between David Filde and Lord Gray. Both actors speak with expression or simply use a well-timed pause to make you hold your breath. It turns out that the pair have more in common than at first thought and there is a thought-provoking twist in the tale. My reservation is that Janes' script is a little too wordy although both actors cope well. The backstage staff ensure that you'll journey to the edge of terror in this play so well directed by Celia Bonner. NODA Review by Kevin Proctor Adapted by Hugh Janes from various short stories and ideas from Charles Dickens novels, the tale of ghostly goings-on at a secluded manor house on the edge of a foggy moor has echoes of Susan Hills 'The Woman in Black' (21 years in the West End and counting) with its similar central character in David Filde - played by Sean Gonet - who arrives to sort out its owner's affairs, in this case a book collection belonging to Lord Gray - played by Mark Edgar. As the book dealer ' and we' soon discover, the house is haunted by the ghost of a young woman. This script is no walk in the park for the technical crew; Director Celia Bonner and her team deliver technical genius with military precision as we have shocks and sudden noises, swirling mists, sombre lighting effects, a spinning chair, doors opening and slamming shut by themselves, false walls, flying books, almost a constant wild track of howling and breezes, Music, 30 + sound effects and all that is just in the first 20 minutes! Celia and her dream team created an air of melancholy and one of the biggest statements of them all was the ingenious, creepy old library set. Both Mark & Sean - who were aptly cast gave strong performances indeed. The role of the refined and diffident aristocratic Lord Gray sits very convincingly on Marks shoulders, complete with some nice dry humour on occasion. Sean is very convincing as the enthusiastic bookworm and gave us a very mature and accomplished performance, a great duo who evidently work well together. There is an undertone throughout the play a ghostly hum, as of wind, which may be forgotten by the audience occasionally, but which gives even the moments of silence an eerie sense of supernatural. This is the second 3-hander this season presented by the Garrick which is refreshing and unusual but obviously works and manages to sell enough tickets. Bravo to the team at Altrincham Garrick who succeed to run such an inspirational company. Yet again, I say congratulations on another triumph! Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Are You Being Served? Ran Invalid Date - Dec 16, 2013 Age guidance Venue Running time Tickets Price Range Description The staff of Grace Brothers department store prepare for a sale of German merchandise before departing en masse for a staff holiday; their destination - a one star hotel on the Costa Plonka, Spain. Will the tropical heat, Spanish crumpet, giant woof'n'poofs and randy revolutionaries prove too much for our happy band? Not a bit of it. With the aid of a nun's habit, a bowler hat and Mrs Slocombe's Union Jack knickers they survive the holiday with everything intact - but their modesty. Adapted for the stage by its original creators - this show will delight fans everywhere. CAST Terry Chandler as Mr Grainger Geoff Noar as Mr Mash & Don Bernardo Brian Tickle as Mr Rumbold John Dickson as Mr Lucas Beverley Stuart-Cole as Miss Brahms Roger Metcalfe as Captain Peacock Patsy Rowlands as Mrs Slocombe Brian Howlett as Mr Humphries John Newton as Mr Grace Kathy Johnson as Lady Customer & Taeresa Eric Vogel as Male Customer & Cesar Adele Higson as Nurse & Conchita Reheasal Photos [gallery columns="5" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/servedb.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/servedc.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/servedd.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/servede.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/serveda.jpg|"] Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production The Full Monty Ran Invalid Date - Feb 7, 2014 Age guidance Venue Running time Tickets Price Range Description Seeing how much their wives enjoy watching male strippers during their 'Girls Night Out', unemployed steelworkers in Buffalo New York come up with a bold way to make some quick cash. In the process they find renewed self esteem, the importance of friendship and the ability to have fun. As the guys work through their fears they come to discover that not only are they stronger as a group, but that the strength they find in each other gives them the individual courage to face their demons and overcome them. WARNING: CONTAINS MALE NUDITY AND STRONG LANGUAGE [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/montya.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/montyn.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/montyj.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/montym.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/montyp.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/montys.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/montyt.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/montyu.jpg|"] [gallery columns="6" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/montyd.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/montyg.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/montyh.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/montyo.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/montyj.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/montyl.jpg|"] Sale & Altrincham Messenger's review by Rick Bowen The Bare Necessities When I first discovered the musical 'The Full Monty' transported the original story from Sheffield to the States my heart sank. I thought the Yanks would simply drain all the warmth and humanity out of this story of a group of unemployed steelworkers who turn to stripping to raise some cash. How wrong I was. This engaging story has travelled well across the pond and Altrincham Garrick's revival production is even better the second time around. The Full Monty is a fabulous feel good musical and this time the cast are much more self assured in their roles. They sound even better too, performing accomplished renditions of songs teeming with humour and heartache. In terms of the score, its strength, for me, lies in the lyrics rather than the music. The music is, by and large, forgettable, while some of the lyrics are inspired. Jerry Lukowski and Dave Bukatinsky are the show's pivotal and most interesting characters. Divorcee Jerry is on the verge of losing access to his son because he can't keep up the maintenance payments to his ex-wife and podgy Dave's self esteem has sunk to an all time low since losing his job. Performances from the entire cast are exceptional, but I was particularly impressed with John Wood and Simon Pickup as Jerry and Dave and Daniel Shaw as Jerry's son Nathan. David Leathlean is great value as the prim and proper Harold Nichols and Adam Whittle displays some deft visual comedy touches. The Full Monty isn't just about male strippers - it's about friendship, loyalty and the resilience of the human spirit. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Aladdin And His Wonderful Lamp Ran Invalid Date - Jul 24, 2013 Age guidance Venue Running time Tickets Price Range Description What would you do if you could wish for anything? The classic tale of Aladdin and His Wonderful Lamp is brought to life in this traditional panto rendition. Plucky young Aladdin has fallen for the beautiful Princess Balroubador, daughter of the financially embarrassed Emperor of China. However, wooing his love may not be easy, as the Emperor has his own ideas about the sort of man Balroubador should marry. On top of this, the evil Abanazer intends to use Aladdin to secure the Magic Lamp containing an all powerful Genie that will make him Master of the Universe. With help from his mother, Widow Twankey , and Brother Wishee Washee, will Aladdin get the girl and stop Abanazer fulfilling his evil desires? Of course he will. This is panto isn't it!! Widely recognised as the best value around, our traditional panto is an institution for the whole family. A complete sell-out, 8,000 people enjoyed last season's panto. Book early! [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/Aladdin-7.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/Aladdin-8.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/Aladdin-1.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/Aladdin-5.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/Aladdin-2.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/Aladdin-3.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/Aladdin-6.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/Aladdin-4.jpg|"] CAST LIST Abanazer - Mike Shaw The Slave of the Ring - Mandy White Widow Twankey - Dave Midgley Aladdin - Natalie Hinchliffe Wishee Washee - Tom Oliver The Emperor of China - David Leathlean Princess Balroubadour - Grace Stubbs Pc. Who - Craig Barrett PC. Wot - Gabriel Walker The Genie of the Lamp - Jon WhiteCitizens of Peking, Handmaidens, Guards, Jewels, Cave Bats & Penguins - Lara Cannon, India Connor-Blow, Ellie Forrest,?Erin Fox-Gaffney, Ruby Catherine Harney, Evie Headford, Lydia Horsefield, Emma Morris, Eleanor Morris, Mia Simpson, Sofia Simpson, Crystal Toth ASM - John Newton NODA Review by Kevin Proctor The classic and traditional panto, Aladdin; boy wants girl, boy can't have girl, boy rubs lamp, etc, etc. This telling is mixed up with a healthy crop of jokes, skits and visual comedy. I particularly enjoyed the 'Twelve Days of Christmas' sketch which I'm sure has developed into an even more chaotic routine as the run has progressed. The title role is becoming increasingly more popular to be played by a young male actor but, sticking to tradition, was tackled by Natalie Hinchcliffe. Natalie gave a righteous and warm interpretation and sung her songs with fine skill while Grace Stubbs gave us the beautiful Princess and had a voice to match, delightful! I remember when youth were a doddle to entertain, those days have clearly gone! When did kids become such a tough crowd! If they switch off from the action or don't like any part of the performance for whatever reason, they make sure you know about it! The script had been written in house for the Garrick by Alan Clements. I liked that this script gave more attention to gags and sketches than the actual telling of the tale. I often find that the writing of DIY pantos can get over indulgent and start to feel more like an attempt at a masterpiece, though one point to always remember is who your main core of audience is, particularly when selecting songs and music - some chart tunes and a healthier selection of more recognisable music would have been more appropriate for this crowd, particularly as 80% of the audience were youth I have no doubt it would have kept them more engrossed. Technically this show surpassed, I saw some new (moving) additions to the lighting plot I've not noticed before which were undoubtedly money well spent as good lighting is always a great contribution for any production to appear more professional, and the sound balancing was also well managed and delivered! Wishee Washee; the part that goes to the most comical actor Tom Oliver delivered a cute, likeable/boy next door interpretation which was a brave attempt but ultimately a decision which didn't quite pay off for me. Tom is very likeable on-stage and has potential to be a great addition to the Garrick casting list but I don't think this genre of performance is where his strengths are. The chorus/ensemble of youths lacked pizazz and energy, it was a shame they mimed along to pre-recorded vocals and the movement was a little tame and under rehearsed. The audience was evidently as confused as I was when the Slave of The Ring danced with the Bats, I didn't understand the purpose for this section, the music used for this was grating and the routine was too long and insignificant. The Emperor of China was wonderfully portrayed David Leathlean, one of those parts which can often be labelled as 'bland' was injected with mounds of energy and enjoyment! Panto's need more Dave's! Any panto audience want to see things go belly up whether it?s genuine or hammed, when David?s beard fell off his first instincts were to attempt to cover it up which did, ironically, add to the humour - keep it in and savour the moment! Equally as wonderful was Mike Shaw as Abanazer he played the menacing baddie with wonderful expressions, physicality and without over doing it, a very enjoyable performance, the audience loved him! Craig Barrett & Gabriel Walker gave good energy and folly as the clowning police men PC Who & PC Wot which, as I'm sure you can imagine, certainly added to the panto fun! What excelled throughout this entire production was Mike Shaw?s wonderful costume designs which never failed to impress! How to be a great Dame - by Garrick panto actor Dave By Rick Bowen Dave Midgley CHILDREN are more sophisticated these days? is a phrase frequently bandied about and yet pantos, which provide audiences with a hefty dose of good, old-fashioned fun are as popular as ever. Youngsters and their families turn up in their droves to cheer the heroes and heroines and boo and hiss the baddies. Dave Midgley is playing Widow Twankey in Altrincham Garrick's production of Aladdin and his Wonderful Lamp and he's said there's a golden rule when playing this popular character. Dave said: 'When I first worked for Alan Clements our director, who has been directing Panto most of his life, he gave me a very good piece of advice 'don't try and be female'. The Dame should not be a 'female impersonator' the walk and the voice should be those of a man. That way it is much funnier.' He added: 'Otherwise, just lots of energy, lots of happiness and make friends with the kids.' Dave said it helps to have a rapport with children if you want to be a great Dame. He said: 'I think it helps a lot. The kids have to like you so you should like them. I do like kids, and I?m not embarrassed to be childish' - on or off stage! - when I'm with them. It is also important not to talk down to them. You can be silly but not stupid. Kids.' [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/11999403333_8f81195af9_z.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/11999107075_346fbd71e3_z.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/11999401003_3505e8528a_z.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/11999105405_06a9136fbc_z.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/11999468464_8aa51e65a0_z.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/11999917096_c7ddf48d95_z.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/11999402973_c9d980e55f_z.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/11999402113_62c1094258_z.jpg|"] Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Jack & the Beanstalk Ran Invalid Date - Aug 7, 2013 Age guidance Venue Running time Tickets Price Range Description The Garrick's absolutely traditional pantomime has been given a rock'n'roll theme by Chris and features all panto's favourite characters - Jack (played, of course, by a woman), Mother Mack, the dame (played, of course, by a man), Simple Simon, the village idiot, the Sheriff (the arch villain) with his two sidekicks Georgy and Porgy, a fairy godmother, Little Bo-Peep, the Giant and his wife and not forgetting Buttercup, the cow. A real family treat. CAST Stephanie Hawthorn as Jack Derek Stuart-Cole as Mother Mac Katherine Whibley as Bo-Peep Brian Howlett as Simple Simon David Reynolds as the Sheriff Richard Frost as Georgie Frank Boylan as Porgie Brian Stoner as the Giant Jane Inglis as the Giant's Wife Marina Anderson as Miranda and the Firy Godmother John Newton & Darren Staunton as Buttercup Stephanie Hampson as Mini Mother Mac Laura Cress as Mini Simple Simon David Peckitt as Mini Sheriff Matthew Gibbon as Mini Georgie Natalie Carr as Mini Porgie Louisa Carr as the Magic Hen Other Villagers, Ghosts & Pixies played by Claudia Hamilton, Rachel Holmes, Louisa Tratalos Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Entertaining Angels Ran Invalid Date - Aug 12, 2013 Age guidance Venue Running time Tickets Price Range Description As a vicar's wife, Grace has spent a lifetime on her best behaviour. Now, after the death of her husband Bardolph, she can enjoy the new-found freedom of being able to do and say exactly what she wants. But the return of her eccentric missionary sister, Ruth, together with some disturbing revelations forces Grace to confront the truth of her marriage. Set in a lush vicarage garden complete with real grass, plants and a stream with running water, the play is filled with sharp-edged comedy and probing wit. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Silly Cow Ran Invalid Date - Dec 12, 2013 Age guidance Venue Running time Tickets Price Range Description Anyone familiar with Ben Elton's flair for dialogue will know that they are in for an 'Adult Treat'. Doris Wallace is a tough tabloid columnist with a devoted following. She appears to have everything she could want: Toy boy, with unlimited stuff from Columbia; an attentive P.A.; a tame accountant; a loyal friend who is organising for her to have her very own TV show. But Doris is riding for a fall from grace - with a vengeance. Her 'coterie' is not what it seems and Doris is in for a very, very humiliating experience. Revenge can be sweet. CAST Barry Spencer as Sidney Janet Slade as Doris Pam Nolan as Peggy Allan Taylor as Douglas Matt Lees as Eduardo Rehearsal Photos [gallery columns="5" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/sillycowa.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/sillycowb.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/sillycowc.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/sillycowd.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/sillycowf.jpg|"] Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Teechers Ran Invalid Date - Jul 29, 2013 Age guidance Venue Running time Tickets Price Range Description Fast-moving, inventive and highly entertaining, Teechers vigorously evokes life at a modern Comprehensive. Three fifth-formers, using the format of an end-of-term play, exuberantly sketch the new drama teacher's progress through two terms of recalcitrant classes, cynical colleagues and obstructive caretakers until he departs, disillusioned, for the safe waters of a private school. The play runs the whole gamut of emotions, climaxing with the last scene when the teenagers' despair emerges from beneath their youthful irreverence, giving a poignant edge to the comedy. Written for three actors to play some twenty characters. Teechers stretches the imagination of cast and audience alike. CAST Salty Barry Spencer Gail Laura Chandler (AWARD) Hobby Ros Greenwood Review from Sale & Altrincham Messanger by Rick Bowen Top marks for Teechers - Garrick's comedy of the year ALTRINCHAM Garrick's production of 'Teechers' is so good it wouldn't be out of place on a professional stage. What's more, it made me look again at a piece I'd previously dismissed as not being vintage John Godber, and I left the theatre in no doubt that this is an exceptional piece of work. Yes, there are plenty of laughs as unruly pupils torment their teachers and experience the growing pains most of us endured and can now laugh at. But the play has a lot to say about the failings of the education system - for the privileged kids it is a land of opportunity. For many, it's a holding centre for young people who have already been written off by a society who doesn't know what to do with them. Hence Salty's strangely moving speech near the end of the play. Worry not - despite this comedy's more serious strands running through the play you never, at any point, feel like you're being preached to. In terms of the direction, Stephanie Niland has got everything just right and she more than gets the best out of Barry Spencer, Ros Greenwood and Laura Chandler. As well as playing pupils Salty, Gail and Hobby, they play numerous other roles, displaying a versatility that can only be described as astounding. Star Rating ★★★★ Review of Teechers by Julia Taylor for remotegoat Versatile Cast play 30 parts Three talented thespians display versatility and humour in John Godber's play, Teechers, performing 30 parts between them. The main character is Mr Nixon, a stars in his eyes drama teacher who quickly becomes disillusioned with the large comprehensive school where he works and eventually leaves for pastures new. He has to confront problems not only with pupils such as Oggy, the bully, but also staff. There is a nasty deputy head, an overwhelming headmistress and a bad-tempered caretaker. The actors, Laura Chandler, Ros Greenwood and Barry Spencer also play school respectively, school leavers Hobby, Gail, and Salty. The three manage to give a hilarious version of Romeo and Juliet in about three minutes and the scene featuring the Christmas dance and Gail flirting in Mr Nixon's car also gets a lot of laughs. It's a miracle how by small changes of clothing the cast make each of their characters so easily identifiable and different. The feel of the 1980's is conveyed by pop music of the time and other give-aways such as smoking by teachers and pupils alike. I especially take to Laura's Mrs Parry, the eccentric head, Ros's Doug, the jobsworth Caretaker and Barry's Mr Nixon. NODA Review by Kevin Proctor Popular playwright and BAFTA winner John Godber uses a rundown comprehensive school as the setting for 'Teechers', similar to his earlier and more well-known play: 'Bouncers' this also relies on multiple characterisations from a small cast. It was clear that first time director Stephanie Niland had the vision of this play firmly in place and with the assistance of a dream cast was able to express her vision with stunning results. I imagine many directors would run a mile from this piece as this is a play which stands or falls on the amount of energy, passion and enthusiasm injected into it from its director. This was a drilled, inspiring and no less than a professional quality performance! First-class and diverse acting ability was on display, the standard within this production was overwhelming as we witnessed the highly energetic and talented cast of just three take on the immense twenty roles between them. The focus and capability of The 'Teecher' trio alone was astounding. Laura Chandler is fire on stage, she oozes charisma and delivered an exceptional performance with such direct energy, my favourites amongst many of her wonderful interpretations was as the cocky full-of-himself bully which contrasted - making the opposites of her characters even more hilarious with the head of drama/am dram enthusiast 'luvvy' putting on the Mikado. Ros Greenwood gave an incredibly expressive performance with facial expressions to rival Jim Carey, her portrayal as the caretaker was on the verge of genius - again - beautifully contrasting with the seductive gym coach. Finally, Barry Spencer gave both slapstick and warmth in his renditions, I've seen Barry in a few plays now and I'm in awe how he can translate exactly what he's thinking in an instant, a very likable character on stage. If anything was to let this production down slightly I would have to say that more attention could have been given to the technical side, the stage was not always lit to the best effect and sound cut offs were a tad harsh but this by no means put a damper on the production for me. Many congratulations on such an inspiring and exciting production! Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production The Dresser Ran Invalid Date - Aug 7, 2013 Age guidance Venue Running time Tickets Price Range Description Postponed from last season. This wonderfully affectionate and compassionate play about the theatre not only captures the ambiguous relationship between the star "Sir" and the dresser "Norman", it also shows the sentiment, bitchiness and comradeship of the backstage world of the touring theatre.Enduring tatty digs and nightmare train journeys required devotion and dedication. It is the character of the Dresser who epitomises these ideals and perpetuates the myth. Albert Finney and Tom Courtenay starred in the film CAST Terry Chandler as Sir Nick Johnson as Norman Mary Wright as Her Ladyship Pat Williamson as Madge Hugh Everett as Mr Oxenby Peter de la Wyche as Geoffrey Thornton Becky Wright as Irene Knights, Lords etc played by Frank Boylan, Ken Curragh, Brian Stoner Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Enlightenment Ran Invalid Date - Jul 29, 2013 Age guidance Venue Running time Tickets Price Range Description Lia's son Adam has disappeared whilst on a world trip. His whereabouts at the time of his disappearance are not known exactly, but he may have been in Djakarta when it was bombed. Lia is in a state of anguished limbo not knowing if Adam is dead or how he died or is possibly alive and suffering in the hands of kidnappers. Lia turns to the comforting words of a scatty spiritualist for solace. Lia's sceptical husband Nick is concerned for his wife's mental health. Suddenly they receive the news that their son has been found. They eagerly wait to greet their son, only to find that a young man, allegedly suffering from amnesia and scarred after an accident, comes into their lives in possession of Adam's passport and personal possessions. Lia invites him to stay, against Nick's wishes, hoping to learn more about Adam's whereabouts. The young man becomes increasingly psychotic and intrusive. His erratic behaviour becomes frighteningly sinister. This is a darkly disturbing piece. CAST Lia Bev Stuart-Cole (AWARD) Nick Scott Ransome Mrs Tindle Carole Carr Gordon Alan Rothwell Joanna Kate Millington Adam Anthony Morris (AWARD) Sale & Altrincham Messenger's Review By Rick Bowen Hauntingly compelling - Enlightenment at Altrincham Garrick While I wouldn't dream of decrying light entertainment, for me live theatre is at its best when it puts you in someone else's shoes. Even if "wearing" them can, at times, be a decidely uncomfortable experience. Imagine if you can, the pain of a parent whose child has gone missing for six long and tortuous months. Lia finds herself in that situation in Enlightenment, Altrincham Garrick's hauntingly compelling penultimate play of the season. She's clinging to her memories of her missing son, Adam, while on other occasions, grieving for somebody who could still be alive. For me, this is Beverley Stuart-Cole's best ever performance on the Garrick stage and, as the liberal Lia, she ensures there's no hiding place for the audience when it comes to Lia's anguish. Things get even more tense and complicated when Lia and her more measured husband Nick (Scott Ransome) take in the dangerously manipulative Adam. He bears a passing resemblance to their missing son, according to Lia, and comes armed with his personal effects. Anthony Morris is quite outstanding as the cruel and vulnerable Adam and we never know if he had any dealings with Lia and Nick's missing boy. Sheelagh Stevenson leaves it open ended in a play that will hold your attention in a vice-like grip from the start. Enlightenment is difficult viewing at times but it is a long time since a play has affected me quite so deeply, due in no small part to director John Cunningham and a very, very good cast. Do not miss. Star Rating ★★★★ ★ Review of Enlightenment by Julia Taylor for remotegoat Parents mourn son's unexplained disappearance The Garrick have courage in putting on Shelagh Stephenson's play, Enlightenment. Unfortunately, her convoluted style distracts from the main theme of the play - the distress of parents whose backpacking son has gone missing in the Far East. This is a compelling theme so why does the writer take us down the blind alley of chaos theory and other distracting diversions? These interventions are, for me, irritating. Surely, parents who fear their child has been killed in a terrorist incident far from home would be unable to think of anything else? My thoughts about the play's style of writing, do not detract from praise for the actors and for Barry Fletchers's minimal set with photographic backdrop showing the 2006 Jakarta bombings and other themes. The key roles of parents Lia and Nick are put across well by Beverley Stuart-Cole and Scott Ransome. They interact perfectly, sharing their grief but approaching it from different angles. Lia clings to the belief that her son, Adam, is alive whilst Nick, who is not Adam's real father, tries, unsuccessfully, to get on with life. The way Beverley captures the mother's anguish indicates one of the best performances by Stuart-Cole in her 26 years with the Garrick. Her character turns to a clairvoyant (Carole Carr) for help but her intervention is, to say the least, useless. Then a stereotypical TV reporter (Kate Millington) attempts to take advantage of the situation, again leading them up a blind alley. The only incident which provides the slightest thrill (this play is dubbed a "psychological thriller") is the unexpected appearance of a young man from Thailand who has lost his memory but who obviously knew Adam. Anthony Morris who plays him brings the play to life in the second half. I expect good plays to have a clear beginning, middle and end. In this one, the beginning has too slow a pace and the end leaves you in limbo. It is the middle that stands out when the couple are told their son is alive and arriving at the airport. Lia's expression of delight is unforgettable. In the final scene, the parents embrace. Is it because they are happy or because they are sharing their sadness? And then the telephone rings. Could it be Adam? NODA Review by Kevin Proctor ENLIGHTENMENT starts with an intriguing situation: Adam, a 20-year-old backpacker vanished six months ago during a round the world trip. We watch as his mother and stepfather agonise over the mystery of his disappearance. Could he have been killed in a bomb explosion in Jakarta where he was last heard from, or is there a chance he is still alive? Beverley Stuart-Cole delivers the strenuous grief stricken Mother, Lea, with intense believability, her performance is both compelling and heartfelt. Beverley excelled and treated us to a superior performance worthy of a professional stage. John Cunningham has stunningly directed this contemporary piece, the balance is accurate and the tone of the work was impeccably communicated via his dream cast. Alan Rothwell injects some light relief as Lea's forthright Father, he certainly has the knack of delivering those genius one liners which were savoured by all. (During the interval I heard several different takes of ?'who the f**k are you'?) I very much enjoyed Carole Carr's Mrs. Tindle, she, like Alan, added some welcome light relief and she delivered the part at an accurate level. I imagine this to be one of those roles which can often be pushed too far for the laughs, Carole and John had kept a check on this which, if pushed more towards the comedy, however tempting, would've thrown the entire play off course, kudos for this! After some time away at university, Anthony Morris makes a triumphant comeback to the Garrick with a knockout performance. He plays the troubled individual with such calibre and expertise. A very thought provoking enactment from this young man - who I hope is back to stay! Excellent support was on hand too from Scott Ransome as Nick who's highlight was undoubtedly the scene with his 'Lovely, Lovely' outburst at Mrs. Tindle. Kate Millington had all the right qualities as Joanne and gave a worthy interpretation of this nuisance (who turns out to be quite lovely). There's a twisted emotional knot in the very guts of this intensely likeable and relentless drama, another exciting and audacious choice from the play selection committee! What an impressive final play of your first century Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production The 39 Steps Ran Invalid Date - Jul 24, 2013 Age guidance Venue Running time Tickets Price Range Description The 39 Steps as you've never seen it before in this brilliant, Olivier Award Winning, comic adaptation. This blissfully funny show follows the incredible adventures of our handsome hero, Richard Hanney, complete with stiff-upper lip, British gung-ho and pencil moustache as he encounters dastardly murders, double-crossing agents, and, of course, devastatingly beautiful women. This wonderfully inventive comedy thriller features four fearless actors, playing 139 roles in 100 breath-taking minutes of fun and thrilling action. Seen at the Garrick two seasons ago this popular production demanded a place in the 100th season! If you missed it first time you won't want to miss out again. 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It was my first visit to the Garrick Playhouse & I was hugely impressed by the venue, organisation, play, and especially to the 4 actors involved. Great entertainment, visuals, energy levels, use of humour & involvement with the audience, all those involved should be immensely proud. ?Thanks for a great night. 'Saw it last night - absolutely the funniest play I've ever seen - well done to all the actors and backstage staff!!' 'Just saw The 39 Steps at @AltrinchamG . My cheeks ache from laughing so hard! It's brilliant!!' "Such a fantastic evening tonight, this to me... Along with Fur Coat And No Knickers was the funniest show I've ever seen, all four actors were amazing and so talented, what a performance! Once again brilliant night, cannot wait for the next show" 'Tears rolling down my face at @AltrinchamG Go and see " The 39 Steps" - a brilliantly comic take on a Hollywood thriller. Pure quality!' and actually sent to us DURING the interval!... @AltrinchamG It is hilarious! Well done to all involved. Really enjoying it ;-) Finally from one of the members of the cast... "And so it ends. Sadly our short rerun of The 39 Steps has ended. If you missed it then I suspect that all the team will happily repeat it again soon. Thanks to an amazing crew, director and cast." Messenger Review By Julia Taylor The 39 Steps - the Best Production in Years It's only two years since the Garrick presented The 39 Steps. By popular demand, and with the original cast, they're repeating it in their centenary season. John Buchan's novel about dastardly murders, double-crossing agents and beautiful women, seen in an Alfred Hitchcock film, is adapted for stage by Patrick Barlow. The play is, again, directed by Andrew Close, who makes this the best Garrick production for years. This time, the script even includes the names of all 53 Hitchcock films! Our hero, Sean Duvall, is a moustached and Brylcreemed Richard Hannay, who heads for the Highlands to avoid arrest. His funniest scene is when, in handcuffs. he makes a satirical political speech. With unstoppable energy and a stiff upper lip, he runs around at a furious pace. Barry Spencer and Scott Ransome move even faster. Between them they play 153 characters, quickly changing both outfits and facial expressions, becoming both sexes, goodies and baddies, speaking with Scottish accents, and using exaggerated body language and mime. You feel exhausted just watching their breathtaking skill especially when they play four characters at once! Stephanie Niland is the femme fatale who draws Hannay into her web. She also plays two other women and obviously enjoys roles more suited to a James Bond film. She?s a talented actress who understands the play's comic cut nature. If you saw it before, come again. You won't regret it. Star Rating ★★★★★ Remotegoat Review of The 39 Steps by Julia Taylor Frenetic Comedy never loses it's Allure It's only two years since the Garrick presented The 39 Steps. By popular demand, and with the original cast, they are repeating it in their centenary season. John Buchan's novel about dastardly murders, double-crossing agents and beautiful women, used in a film version by Alfred Hitchcock, is adapted for stage by Patrick Barlow. The play is again directed by Andrew Close who, last time, stepped in at short notice. He ensures the correct frenetic pace in one of the best productions I've seen in a long time. Our hero is Sean Duvall, a moustached and Brylcreemed Richard Hannay who flees London for the Highlands to escape arrest. I love his energy and the lip which remains stiff as he races from place to place at a furious pace. The timing is even faster for Barry Spencer and Scott Ransome. Between them they play 153 parts, popping up all over the place wearing different outfits and wigs, speaking with pronounced Scottish accents, and using exaggerated body language. You feel exhausted just watching them especially when they play four characters at once! The play illustrates three modes of transport in an innovative way. The first is a model plane on a fishing rod which emulates the real thing. It crashes and is replaced by two miniature parachutes. Then comes the steam train, largely shown by mime, and, finally, a car consisting of four chairs and a lectern. All good fun. Stephanie Niland is the femme fatale who draws Hannay into her web. She also effectively plays two other women and obviously enjoys roles more suited to a James Bond film. The small cast give their all but, on this occasion, I should mention John Newton in charge of props. Without his expertise in providing guns and other vital equipment at breakneck speed, the expertise of the cast would be wasted. If you saw it before, come again. It?s even better this time. Star Rating ★★★★★ NODA Review by Kevin Proctor This is a frivolously hilarious and terribly British upper class farce with an intelligent wit encountering murder, secret agents and pretty ladies set to a backdrop of the 1930's. Based on John Buchan's novel and the highly regarded Hitchcock film version, 'The 39 Steps' is adapted by Patrick Barlow and performed by a stellar cast of just four. My favourite aspect of this production is how it's hinted as though the actors play actors who're in a slightly feeble production of 'The 39 Steps' - The apologetic asides to the audience which say 'Yep, can you believe we've 'really' been told to do' this !'? and the embarrassment on the players faces when an actor is perhaps overdosing on 'ham' were all touches of genius! Director, Andrew Close, has worked wonders on this production. I very much appreciated his own inclusions put into the piece, particularly how he'd (just for fun) introduced as many Hitchcock titles into the text which added even more chuckles, some of which were quite ingenious, my personal favourite being 'Mr & Mrs Waltzes from Vienna! particularly after wondering How will they manage to sneak that one in!? This production is silly in the very best sense of the word causing many involuntary chuckles, snorts and giggles - but for some reason this play really does work as a terrific piece of theatre with its stiff-upper-lip manner, the not so staggering special effects which are greatly shameless yet creative, not forgetting the false over acting and prop / set chaos all adding to the endless fun and havoc! The duo of 'clowns' provide masses of characterisations aptly presented by Scott Ransome and Barry Spencer who both appeared to be in their element with this production, they instantly set the tone and kept the show moving installing its pace with their quick-fire changes and tight verbal tennis skills making this pair a very impressive turn. Stephanie Niland smoulders as the femme fatale in each scene, excellently providing a cascade of short lived characters after her impromptu early death she brought glamour and romance to the show with bursts of film noir and Hollywood 1930's lushness. Sean Duvall suitably portrays the man on the run; Richard Hannay, the only constant in the ever changing world of variables. His charm and charisma holds the audience?s attention throughout while he juggles the tone of the play perfectly, wonderfully done! The visuals are central to the hilarity. Every set change, effected by the cast (regardless of how unwilling they may be), is turned into an event, from a hilarious sequence with a movable lamppost to endless window and door manoeuvres all engages the audience deeper into the whirlwind and magic! Although this production does have countless strong advances in its favour I do feel I need to mention the show ran quite long (coming down at 10:30pm) and technically, on occasion, players were performing out of light but - no qualms about it, this spoofy spy thriller made a jolly good evening of theatrical tomfoolery entertainment! Congratulations Altrincham Garrick! 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Garrick Production Anne of a Thousand Days Ran Invalid Date - Jul 29, 2013 Age guidance Venue Running time Tickets Price Range Description Anne of the Thousand Days covers three of the most turbulent years in our country's history. Henry VIII, desperate for a son to secure the succession, starts to court Anne Boleyn while he is still married to Catherine of Aragon - and while he is having an affair with Anne's sister! The play explores the relationships of the central characters as the crisis develops: the shattering outcome is the creation of a new Church of England, the looting of Catholic monasteries and abbeys and a seismic change in England's relationships with Rome and other major European powers. And a show-trial ... CAST Anne Boleyn Ali Davenport Henry the Eighth Scott Ransome Cardinal Wolsey Nick Sample Thomas Boleyn Geoff Noar Henry Norris Jon White Mark Smeaton Joe Meighan Duke of Norfolk Bill Platt Lord Percy, Duke of Northumberland Andrew Higson Elizabeth Boleyn Sandy McGuire Mary Boleyn Di Boyer Jane Seymour Paula Keen Thomas Cromwell Trevor McKie Ensemble Cast: Kathryn Worthington, David Ades Jonathan Black, Paul Wilson Review from Sale & Altrincham Messenger by Rick Bowen Fit for a King - Anne at Altrincham Garrick If you're expecting a dry and dull history lesson when you go to see 'Anne of the Thousand Days' you'll be very pleasantly surprised. There's plenty of humour in Maxwell Anderson's expertly constructed play, Altrincham Garrick's latest production, and Anderson also humanises King Henry VIII and Anne Boleyn. So much so you do feel for her when the court conspires against her and she ultimately ends up with her head on the chopping block. It's worth paying the ticket money just to see Scott Ransome play Henry - what a stage presence this man has and there's an emotional intensity between him and Ali Davenport who plays Anne. So much so they seem, to all intents and purposes, like a real couple. The production's success is also down to director Geoff Holman who is highly adept when it comes to getting the best out of a cast. Anne of the Thousand Days' grips, moves and amuses in equal measure and not a word of the rich, intelligent and accessible dialogue is wasted. It would be impossible to review this without mentioning the lavish costumes designed by Mike Shaw and his team. Eye poppingly lavish, these costumes certainly wouldn't look out of place on the Manchester professional stage. Anne of the Thousand Days 'might not instantly appeal to some, but if you stay at home you'll be missing out on a truly memorable theatrical experience. A play fit for a king. Star Rating ★★★★ Review of Anne Of The Thousand Days by Julia Taylor for remotegoat Anne Boleyn, Queen and victim I wonder if Elizabeth 1st ever forgave her father for engineering the execution of her mother, Anne Boleyn? We don't find the answer in Maxwell Anderson's Anne of the Thousand Days because we don't actually see her, just her cradle. But no-one would blame her if she held that resentment for life. Henry VIII's scheming, lusting and attitude to religion are presented graphically in this production centred on the coupling of the King with Anne even though he has already seduced her sister and she is only 18 and engaged to someone else. This play depends, not only on superb acting provided by a cast which exceed even the Garrick's high standard of performance, but also on the accuracy and intricacy of the costumes Mike Shaw and his wardrobe department are to be congratulated. Ali Davenport, who is on stage most of the time in the role of Anne, captures well the emotion of a girl who at first resents Henry's approaches but then falls if not for him, for his power. In the thousand days after her coronation as queen , there is only one day when they come together equally in love. For the rest she is a feisty tease until Henry bores of her. Yet, even when he visits her in the Tower of London, you can still detect the sexual chemistry between them. Anne revels in wealth and position only to be dragged down into fear and outrage at the way she is treated when, after giving birth to a daughter and a stillborn son, Henry's lusting eyes turn elsewhere. Betrayed by her uncle, the Duke of Norfolk (Bill Platt) she faces execution bravely. Henry is played by Scott Ransome. He illustrates the selfishness of a man who murders Roman Catholic clergy and burns down monasteries just to have Anne whom he later casts aside like a toy thrown out of the bath. Petulant, bitter and aging, he is surrounded by sycophants, yet all he craves is love and a son. He says so in a wonderful speech which receives audience applause. In his maltreatment of Anne, he is assisted by, not only the scheming Duke of Norfolk, but also the snake-like Thomas Cromwell (Trevor McKie) who tortures several men whom he accuses of committing adultery with the Queen. This play is worth seeing just to be reminded of the cataclysmic time when our relationship with Rome was broken and the Church of England created. The relationship between Henry VIII and Anne Boleyn is one which changed the course of history and, in this production, directed by Geoff Holman, the Garrick have changed the course of their own history. NODA Review by Kevin Proctor The Altrincham Garrick presents this production of Maxwell Anderson's 1948 historical drama which details the relationship, eventual marriage and tragic climax between Henry VIII and Anne Boleyn. The story of how Henry, eager to end his marriage to Catherine of Aragon so he may legitimately marry Anne Boleyn, comes into conflict with the Pope and eventually breaks with the Catholic Church, is indeed powerful material and delivered with excellence by yet another of the Garrick's thriving casts. The entire performance was full of grand pageantry, the set was a collection of simple columns and arches with drapes while the back wall of the stage was used to project colour and images to enhance the mood of each particular scene, as well as keep us in line with dates to follow the story, all working to full effect. Making one of the grandest statements, yet again were Mike Shaw?s collection of magnificent costumes. Ali Davenport - never failing to impress - portrayed Anne Boleyn with vigour as did Scott Ransome as King Henry VIII. Scott's emphasis on the character was pushed to all the right levels, he was powerful, charismatic and arrogant equally exposing the Kings softer, more loving side to outstanding results. Henry can easily become the Lead in this play but both the Director Geoff Holman and Scott as Henry understood that this is ultimately Anne?s story and held back Henry's character which could easily overtake and become the front runner, kudos for this! The text is no walk in the park, keeping the audience engaged was an immense effort from both the players and the director, to which they succeeded. Personally I would've liked Anne?s death to have been a little more creative and gruesome instead of symbolic, but that?s me, any excuse for a bit of gore and slaughter, well, it is Tudor after all! The cast of 14 supporting roles each delivered competent performances of high calibre, particularly Nick Sample as Cardinal Wolsey who performed with ease and demonstrated a formidable interpretation. Another thoroughly enjoyable evening at the Garrick, Thank you and Congratulations! Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Return To The Forbidden Planet Ran Invalid Date - Feb 8, 2014 Age guidance Venue Running time Tickets Price Range Description Back by popular demand, this rock and roll musical has it all; Shakespeare, space travel and lots of your favourite songs from the sixties. Captain Tempest and his crew welcome you to join them on another voyage to go where no man has gone before. So book now and look forward to a night of adventure, laughter and dancing in the aisles. [gallery ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/planeti.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/planetg.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/planetj.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/planetc.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/planetb.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/planete.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/planeta.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/planetf.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/planeth.jpg|"] CAST Captain Adam Whittle Bosun Andrew Higson Science Officer Vicky Stott Cookie Barry Spencer Navigation Officer Laura Chandler Miranda Steph Niland Dr Prospero Richard Sails Ariel Adam Gonet "A Team" Craig Barrett, Ros Greenwood, Dave Jones, Ruth Metcalfe, April Millar, Megan Royal, Beverley Stuart-Cole Review by Sale & Altrincham Messenger by Rick Bowen Blast off - Return to the Forbidden Planet at Altrincham Garrick FORTUNATELY I'm not too old to remember the euphoria I used to feel on the last day of a school term. Return To The Forbidden Planet, Altrincham Garrick's end of season musical, helped me re-capture that feeling. You'll tap your feet, you'll hum along and you'll certainly warm to the show's tongue-in-cheek charm. If you're planning to introduce older children to the theatre, 'Return To The Forbidden Planet' would be an ideal choice. There's nothing to offend here and the music appeals to all ages. Rather than an original score, creator Rob Carlton has plumped for an array of timeless pop classics like It's a Man's Man's Man's World, Great Balls of Fire and Only The Lonely. For theatregoers of a certain vintage, they'll think they've died and gone to musical heaven. The cast are on a mission to enjoy themselves and to make sure you go home on cloud nine. They accomplish their mission with something to spare with the pick of the performances coming from Adam Whittle as the spaceship Captain, Steph Niland as Miranda and Barry Spencer as the lovesick Cookie. The part could have been written for him. Enjoy the party. Star Rating ★★★★ Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Run for Your Wife Ran Invalid Date - Jul 24, 2013 Age guidance Venue Running time Tickets Price Range Description Run for your Wife is described by the critics as 'British comedy at its best'. Ever popular, Ray Cooney's award-winning play tells the hilarious tale of John Smith, a London cab driver, who literally has two lives, complete with two different wives! Somehow, he manages to juggle them both without arousing suspicion until he gets caught up in a mugging, and he wakes up in a hospital which is where his unscrupulous world starts to unravel and hilarity ensues ! One of the most successful farces in the Garrick's back-catalogue made this play a must for the 100th season. Seen again, or for the first time it's bound to be a hilarious night out. [gallery ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/Riun-For-You-Wife-1.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/Riun-For-You-Wife-9.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/Riun-For-You-Wife-2.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/Riun-For-You-Wife-3.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/Riun-For-You-Wife-5.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/Riun-For-You-Wife-6.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/Riun-For-You-Wife-7.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/Riun-For-You-Wife-4.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/Riun-For-You-Wife-8.jpg|"] CAST Mary Smith - Beverley Stuart-Cole Barbara Smith - Ros Greenwood John Smith - Jonathan Black Detective Sergeant Troughton - Andrew Higson Stanley Gardner - Mike Shaw Newspaper Reporter - Alan Rothwell Detective Sergeant Porterhouse - Brian Tickle Bobby Franklin - Brian Howlett Prompt - Helen Cowan ASM - Pat Head Messenger Review By Julia Taylor Alttrincham Garrick's Run for Your Wife is one of their best Run for Your Wife, the Ray Cooney farce, is one of the best productions I've seen at the Garrick this centenary season. It's about a bigamist attempting to keep his two spouses apart. The miscreant, John Smith, a taxi driver, uses his shifts to alternate time with Mary in Wimbledon and Barbara in Streatham. What a mess Jonathan Black's character gets into as, at an increasingly fast pace, he invents far-fetched lies to keep his secret. He's a lucky fellow to have two such adoring wives. Beverley Stuart-Cole's Mary and Ros Greenwood's Barbara both enjoy some hanky panky. They react like lightening to unexplained happenings. Two other blokes add to the mayhem. One is Stanley, Mary's unemployed neighbour. played with amusing bewilderment by Mike Shaw as he, too, gets caught up in the deception. The other is Barbara's neighbour, the effeminate, Bobby, a camp Brian Howlett Brian delicately flicks his hair with his hand just like Mr Humphries in Are You Being Served! Two Detective Sergeants played by Andrew Higson and Brian Tickle also get entangled in the web. Without physically splitting the homes, Set Designer Stephen Bradshaw clarifies who lives where. The ending is happy though unexpected.This masterpiece, directed by professional actor Alan Rothwell, who also has a small part, follows the rules of farce to a tee. The teamwork is exceptional, the timing immaculate and, of course, it's all played straight. Highly recommended! Star Rating ★★★★★ NODA Review by Kevin Proctor I was surprised to learn that this farce is relatively modern in comparison to others, the piece was written at such a turning point in society in terms of opinions which has resulted in this piece not ageing well which is a tremendous shame as (despite its un-PC views) it's actually quite a good one! Director, Alan Rothwell quite rightly mentions in his directors note that a lot of actors look down on farces as being down-market, but 'Run for your Wife' is certainly a hidden gem, though I can see why it doesn't often get an airing with its dated camp humour and offensive views on same sex relations and transvestites etc. The times when people used a limp wrist and popped knee to symbolise someone is 'that way!' quite cringe worthy for a modern theatre goer. It's also not so easy to update the play with mobile phone technology making it easy to communicate with people out and about, the play (unless completely re-worked) wouldn't believably translate to modern times. Ray Cooney (writer) has indeed updated this play as a screenplay (under the same title) which starred Danny Dyer and Denise Van Outen in 2013, this was an attempt to rework it and place it in modern times though, unfortunately, critics still slammed it as being 30 years out of date. The opening 'mime' with the two wife's (Beverley Stuart-Cole & Ros Greenwood) anxiously waiting for their husband (Jonathan Black), who is late home, set the scene beautifully - this, followed by the first two pages of dialogue between the two wife's was comic farce writing at its best - magic! The casting was 'obvious' and I felt it was a little on the safe side, however - no question about it - we had a fine selection of skill on display with a cast more than capable, each of them delivered their parts as they should be and as required. The the real comic turn of the piece for me is Mike Shaw as Stanley, the well-meaning attempts to help only lead to even more misunderstandings which resulted with the biggest laughs, my personal favourite being when the detective asks; 'Do you know what an accessory is'? to which he replies 'Handbag!'?'Run For Your Wife' may be a dated play but the mix-up comedy format works very well today in the hands of this talented cast and crew. 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Garrick Production Robert's Wife Ran Invalid Date - Aug 12, 2019 Age guidance Venue Running time Tickets Price Range Description Atkin, Eric Carter, Harold Coombs, J Creacall, Edward Green, Joyce Harris, Frank Lightowler, Madge Pearce, Tom Sykes, Constance D Wallace, Jean Wheelwright, Stewart Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Life With Father Ran Invalid Date - Aug 12, 2019 Age guidance Venue Running time Tickets Price Range Description Burgess, May Caldwell, Pamela Clegg, Alma Dunton, Mona Gee, Ian Gee, Peter Harris, Frank Jenkinson, Philip Kennedy, Brenda Lee, Kay Roberts, A E Tudor Talbot, Ernest K Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production The Annual Jumble Sale Ran Invalid Date - Aug 12, 2019 Age guidance Venue Running time Tickets Price Range Description Bramwell, Madge Francis, W M Martin, Rita Willis, Joan Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Candida Ran Oct 6, 1921 - Oct 12, 1921 Age guidance Venue Running time Tickets Price Range Description The Altrincham Garrick Repertory Company Candida at the Unitarian Schools, Dunham Road, Altrincham A Mystery in Three Acts by Bernard Shaw CAST Proserpine Garnett - Gwen Owen The Rev. James Mavor Morrell - Norman Brierley The Rev. Alexander Mill - Edgar M. Lowe Candida - George A. Warburton Eugene Marchbanks - Tom Wilson Scene: A room in St. Dominic's Parsonage, London The Collection: A Silver Collection will be taken at the end of the second Act. It is estimated that the expenses of the production amount to a little over one shilling per head of the audience All Ladies are requested to remove their hats Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Katherine Howard Ran Invalid Date - Feb 4, 2014 Age guidance Venue Running time Tickets Price Range Description William Nicholson?s play takes a slice of Tudor history and turns it into pure theatrical magic. A touching May ? September romance; political intrigue, plots and betrayals; a pointed and sometimes comic portrayal of women?s lives in Tudor times: all these and more, are elements of this entertaining, thoughtful and intelligent play from the author of?Shadowlands. CAST Henry VIII Allan Taylor Katherine Howard Jenny Wilson Thomas Culpepper Richard Haynes Anne of Cleves Victoria Johnson Thomas Cranmer Graham Simmonds Duke of Norfolk Mike Shaw Lady Jane Rochford Sarat Broughton Sir Thomas Wriothesley/William Ian Fensome Mrs Mary Hall Melissa Cupid Brown Captain of the Guard Jon White Ladies in Waiting Courtiers/Guards Maureen Devlin Brian Howlett Donna Gadsby Westlake David Leathlean Ali Piper Alex Wilson Amy Clemo Anthony James Morris Lottie Tyler Stuart Bilson Mandy White Linda Panton [gallery columns="5" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/katherinel.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/katherinee.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/katherinef.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/katherinek.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/katherined.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/katherineo.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/katherinen.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/katherinec.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/katherineb.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/katherinea.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/katherinewarda1.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/katherinewarde1.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/katherinewardf1.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/katherinewardg1.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/katherinewardh1.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/katherinewardi.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/katherinewardn.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/katherinewardo.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/katherinewardd1.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/katherinewardp.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/katherinewardb1.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/katherinewardc1.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/katherinewardl.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/katherinewardk.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/katherinewardj.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/katherinewardm.jpg|"] Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Our Town Ran Invalid Date - Aug 12, 2019 Age guidance Venue Running time Tickets Price Range Description Angell, Jocelyn Billcliff, Arthur Bramwell, Madge Brewer, Brian B Creacall, Edward Dunn, Frederick Fiddes, Kathleen Green, Joyce Heap, Marjorie Hobbs, Olive Nellie Howat, Robert (Bob) A Innes, Margery Jones, Brian Laytham, John Lee, Edna Gordon Lightowler, Madge Osborne, Edgar Roberts, A E Tudor Shields, Roland Simpson, Betty Snape, Joyce Snow, Marjorie Sykes, Kathleen Taylor, Jean Marion Warhurst, W Kenneth Wiltshire, H John Wood, Barrie Wood, Michael Whyatt, Egerton G Wight, Morna Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production The Man in Grey Ran Invalid Date - Aug 12, 2019 Age guidance Venue Running time Tickets Price Range Description Clark, Hetty Hunter, Mollie John, Laurie Pratt, Graham Ellis Warrington, Betty Wheelwright, Stewart Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production The Last Five Years (Musical) Ran Invalid Date - Mar 31, 2021 Age guidance Venue Running time Tickets Price Range Description THIS IS A SOCIALLY DISTANCED SHOW. PLEASE ADHERE TO THE GOVERNMENT GUIDELINES WITH REGARDS TO THE WEARING OF MASKS AND GROUP BOOKINGS, IN PLACE AT THE DATE OF THE PRODUCTION. Jason Robert Brown’s Drama Desk Award winning musical, The Last Five Years , is an intensely personal look at the relationship between two New Yorkers; a writer and an actress, who fall in and out of love over the course of five years. This modern, One Act musical masterpiece is emotionally powerful and intimate with one of the brightest, freshest scores of the new century. The musical’s unconventional structure unfolds as Cathy tells her story in reverse, from the end of their turbulent relationship, whilst Jamie tells his story chronologically from the spark of their initial meeting. Stop Press - 8th June Read the comprehensive and warm review from North West End ... "overall, a brilliant musical" Read the enthusiastic review from Rick Bowen's Stagestruck ... "if ever a show deserves a packed house, it’s this one" A film adaptation was released in 2014 starring Anna Kendrick and Jeremy Jordan. Originally Produced for the New York stage by Arielle Tepper and Marty Bell. Originally Produced by Northlight Theatre, Chicago, IL. This amateur production is presented by arrangement with Music Theatre International (Europe) All authorised performance materials are also supplied by MTI Europe. www.mtishows.co.uk *Please note that there is some adult language in this production* Download the programme for the week's performance. Rehearsal Photographs taken by Ryan Hall [gallery size="medium" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2021/03/L5Y4.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2021/03/L5Y3.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2021/03/L5Y2.jpg|"] Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Escapade Ran Apr 25, 1955 - May 2, 1955 Age guidance Venue Running time Tickets Price Range Description Arnoll, Sidonie Greir, Alma Howat, Robert (Bob) A Hughes, Edward D Pearson, Jean Roberts, A E Tudor Whiteside, Edith Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production As Long and They're Happy Ran Invalid Date - Aug 12, 2019 Age guidance Venue Running time Tickets Price Range Description Caldwell, Pamela Corness, Ian Harris, Frank Hopkinson, Isobel Maybury, Donald Sykes, Constance D Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Seagulls over Sorento Ran Invalid Date - Aug 12, 2019 Age guidance Venue Running time Tickets Price Range Description Harris, Frank Jones, Gordon Lightowler, Ronnie R Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Relative Values Ran Invalid Date - Aug 12, 2019 Age guidance Venue Running time Tickets Price Range Description Clark, Hetty Frost, Kenneth Glazebrook, K Harry Maybury, Donald Pratt, Graham Ellis Speakman, Diane Sykes, Constance D Terras, Kenneth Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster