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Return to Productions Archive Garrick Productions Then There Were None Ran Jan 19, 2004 - Jan 24, 2004 Age guidance Venue Running time Tickets Price Range Description Take ten characters - all with carefully hidden guilty secrets - put them on a remote island from where escape is impossible and let the murders begin. Where is the host, and presumably the killer, hiding himself? Or is the murderer one of the guests? Who will be the next victim? To find out, make a date to see this thrilling production. CAST Hugh Everett as Captain Lombard Ros Greenwood as Vera Claythorne Trevor McKie as Anthony Marston Mike Shaw as William Blore Frank Boylan as General Mackenzie Pat Williamson as Emily Brent Roger Metcalfe as Sir Lawrence Wargrave Richard Frost as Dr. Armstrong David Leathlean as Rogers Mollie Woodbine as Mrs Rogers Brian Moore as Narracott Directed by Paul Jaynes Designer: Juliet Jones Sound: Colin Woods Lighting: Fred Isaac-Dixon Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Productions The Hollow Ran Jan 20, 2003 - Jan 25, 2003 Age guidance Venue Running time Tickets Price Range Description Weekend at "The Hollow", country retreat of Sir Henry and Lucy Angkatell. Murder is on the menu and when the much sought after Cristow is found dead everyone has a motive and everyone has had the opportunity. Who actually committed the murder is discovered by Inspector Colquhoun and Sergeant Penny to everyone's surprise and satisfaction. CAST Sarat Broughton as Henrietta Angkatell Geoff Hinde as Sir Henry Angkatell KCB Jane Marsh as Lady Angkatell Juliette Wilson as Midge Harvey Brian Stoner as Gudgeon Richard Frost as Edward Angkatell Lisa Barker as Doris Caroline Hickey as Gerda Cristow John Keen as John Cristow MD FRCP Nina Williamson as Veronica Craye Hugh Everett as Inspector Colquhoun Martin Creevy as Detective Sergeant Penny Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production The Beauty Queen of Leenane The Irish Studio Season: A dark, comedic, thriller Ran Oct 1, 2024 - Oct 6, 2024 Age guidance 16+ Venue Altrincham Garrick Studio Running time TBC Tickets Price Range £12.50 - £14.50 Description Written by Martin McDonagh Directed by Mark Goggins “Sometimes I dream… of anything! Of anything. Other than this.” In the mountains of Connemara, County Galway, Maureen Folan – a plain, lonely woman, tied to her manipulative and ageing mother, Mag – comes alive at her first and possibly last prospect of a new life. But Mag has other ideas; and her interference sets in motion a train of events that leads inexorably towards the play’s breathtaking conclusion. The Beauty Queen of Leenane is one of playwright Martin McDonagh’s (Three Billboards Outside Ebbing, Missouri, The Lieutenant of Inishmore) finest achievements. Winner of four Tony Awards on Broadway and nominated for an Olivier Award, the play conjures up the unbearable tension and loneliness of an isolated existence. A dark, comedic, thriller. Reviews Gallery Trailer Trigger Warning This production includes scenes of violence, cruelty and strong language. The production also contains sexual references and themes of loneliness, abuse and mental health. Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production The Silver Box (1921) Ran Jan 4, 1921 - Jan 4, 1921 Age guidance Venue Running time Tickets Price Range Description By John Galsworthy CAST Bonson, John P Brierley, Norman Calderbank, Arthur Crabb, W Dykes, Tom Gow, Ronald Higson, Nellie J Hill, Arthur P Jones, Eric Jones, Trissie Mason, Edward Matthews, Marion Thwaite Nixon, Walter S Owen, Tom Pye, George H Slinn, Ella Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production Charlie and the Chocolate Factory Escape to a world of pure imagination with our October Musical Ran Oct 23, 2025 - Nov 2, 2025 Age guidance 6+ Venue Main House Running time TBC Tickets Price Range £19 - £25 Description Escape to a world of pure imagination with ROALD DAHL’S Charlie and The Chocolate Factory – The Musical . The world-famous Willy Wonka is opening the gates to his mysterious factory… but only to a lucky few. Charlie Bucket, an imaginative boy with a knack for making something out of nothing, dreams of acquiring a golden ticket to tour Willy Wonka’s magical chocolate factory and can’t believe his luck when it actually happens! Fellow contest winners: Veruca Salt, Violet Beauregarde, Mike Teavee, and Augustus Gloop, have no idea what they're getting themselves into, as they each learn valuable lessons from Mr. Wonka. Nobody leaves the same way that they arrived… Discover a magical world full of amazement, innovation, sugary treats, and, of course, Oompa-Loompas! Based on the famous novel by Roald Dahl, Charlie and the Chocolate Factory features an original score from the multi awarding-winning songwriters of Hairspray (Music by Marc Shaiman with Lyrics by Shaiman and Scott Wittman and a Book by David Greig), blended with songs from the 1971 motion picture including "Candy Man," "I've Got a Golden Ticket," “The Oompa Loompa Song," and "Pure Imagination” (Leslie Bricusse and Anthony Newley). Every ticket is GOLDEN, so book yours today! Reviews North West End UK - 5 Stars! “The Garrick’s Charlie and the Chocolate Factory is quite simply, pure escapism and is a must for all ages… With a well-deserved standing ovation, this show is a must for any musical theatre lover.” - Angela Kelly Read the full review by NORTH WEST END CLICK HERE NUMBER 9. "...the Garrick's production is just flawless and superb. ...utterly brilliant from start to finish." - Alastair Zyggu Read the full review by NUMBER9 CLICK HERE Stage Struck "...eye popping, spellbinding and uplifting production of Roald Dahl’s timeless classic." "If you add a score that’s as delicious as one of Wonka’s chocolate bars its fair to say the Garrick has a huge musical hit on its hands." - Rick Bowen Read the full review by STAGE STRUCK CLICK HERE Gallery Trailer Trigger Warning This production contains flashing lights and smoke effects. Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production The East Window Ran Jan 2, 1915 - Jan 2, 1915 Age guidance Venue Running time Tickets Price Range Description By Walter R Matthews CAST Bonson, John P Hough, B G Megson, Miss Margaret Slinn, Ella Warburton, George A Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production The Addams Family: Young@Part - A GAPA Academy Performance This production is being performed by GAPA our Youth Academy of children Ran Mar 17, 2025 - Mar 23, 2025 Age guidance Family Production Venue Main House Running time TBC Tickets Price Range £7 - £9 Description The Garrick Academy of Performing Arts presents The Addams Family - Young@Part This GAPA production is being performed by our Youth Academy of children aged between 5 - 18 years. Celebrate the wackiness in every family with this epic, hilarious Broadway musical! Wednesday Addams, the ultimate princess of darkness, has grown up and fallen in love with a sweet, smart young man from a respectable family whom her parents have never met. She confides in her father and begs him not to tell her mother. Now, Gomez Addams must do something he’s never done before– keep a secret from his beloved wife, Morticia. Everything will change for the whole family on the fateful night they host a dinner for Wednesday’s “normal” boyfriend and his parents. Monday 17th March 2025 at 7.30pm - GROUP 3 & 6 (Performers aged 14 - 18 years) Tuesday 18th March 2025 at 7.30pm- GROUP 2 & 5 (Performers aged 11 - 14) Wednesday 19th March 2025 at 7.30pm- GROUP 3 & 6 (Performers aged 14 - 18 years) Thursday 20th March 2025 at 7.30pm - GROUP 2 & 5 (Performers aged 11 - 14) Friday 21st March 2025 at 7.30pm - GROUP 3 & 6 (Performers aged 14 - 18 years) Saturday 22nd March 2025 at 2.30pm - GROUP 1, 4, 7 (Performers aged 5 - 11 years) Saturday 22nd March 2025 at 7.30pm - GROUP 2 & 5 (Performers aged 11 - 14 years) Sunday 23rd March 2025 at 2.30pm - GROUP 1, 4, 7 (Performers aged 5 - 11 years) Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production The Silver Box The first show that the Altrincham Garrick Society staged. Ran Mar 18, 1914 - Mar 21, 1914 Age guidance Venue Public Hall, Altrincham Running time Tickets Price Range Description CAST Bonson, John P Byrom, J W Jr Clough, Gilbert S Driver, J N Hamilton, J T Higgs, Elsie Higson, Nellie J Hill, Arthur P Kenyon, Frank Manley, Miss E Middleton, P Nixon, Walter S Noble, Miss May Noble, Jack Roberts, I Slinn, Ella Taylor, Fred Trevor, E Wilkinson, John Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production Frankenstein by Nick Dear Thrilling, gory and deeply disturbing - Please Note: Reduced seating capacity on Tuesday, Wednesday and Thursday evenings. Ran Jan 17, 2022 - Jan 22, 2022 Age guidance Venue Running time Tickets Price Range Description Directed by Barry Purves Original music score by Nicholas Peters Please Note – Reduced capacity and socially distanced seating for our Tuesday, Wednesday and Thursday evening performances of this production. Childlike in his innocence but grotesque in form, Frankenstein’s bewildered creature is cast out into a hostile universe by his horror-struck maker. Meeting with cruelty wherever he goes, the increasingly desperate and vengeful Creature is determined to track down his creator and strike a terrifying deal… Scientific responsibility, parental neglect, cognitive development and the nature of good and evil, are embedded within this thrilling, gory, deeply disturbing classic tale. Nick Dear’s adaptation of Frankenstein , based on the novel by Mary Shelley, premiered at the National Theatre, London, in February 2011 starring Benedict Cumberbatch. Warning – this play contains scenes of a graphic sexual and violent nature. Not for the faint hearted. Adapted by Nick Dear Based on the Novel by Mary Shelley Reviews Rick Bowen – Stagestruck It's the ultimate irony – only a blind man sees The Creature as a human being in Frankenstein. The rest of the world in which he strives to survive sees him as a freak, incapable of thought or feeling and the children he comes into contact with pelt him with stones. Sadly, we still live in a society obsessed with appearances which gives Mary Shelley’s classic chiller a resonance that still rings true today. This timeless tale also offers a salutary reminder, if it was needed, of scientists trying to ‘play God.’ In 30 years of reviewing amateur theatre I can’t remember a performance as deeply affecting as that of Rhys Nuttall who plays The Creature. Now I challenge anyone in the audience not to be moved by Nuttall, as he totters to his feet in the opening scene and begins a life of unmitigated torment and rejection. It may only be January but I can say this performance will not be bettered on the amateur stage for many years to come, for both its searing intensity and unbridled physicality. The scenes in which The Creature learns to speak and read and appreciate the great works of literature thanks to the patient and kindly De Lacey, his only friend in the world are beautifully played by Nuttall and Hugh Everett are perfectly played. This exceptional and deeply disturbing production by Barry Purves transports us to a world that whips away our collective comfort blanket, a world where the sun never seems to shine. Bad productions just aren’t in this man’s DNA, are they? Nick Dear’s adaptation refreshes Shelley’s wonderful novel and while it gives the original a contemporary feel it also remains faithful to it. The production contains a very disturbing scene of sexual violence. You simply must not miss this production which will move you and scare you. But the scariest thing for me was how people reacted to The Creature, for me that was the truly monstrous thing. Once again the Garrick delivers – and then some. Quite brilliant. Star rating – ***** Paul Wilcox – North West End Uk These are interesting times at the Garrick Playhouse in the leafy south Manchester suburb of Altrincham. Under the aegis of Artistic Director Joseph Meighan, their programming is broadening its appeal beyond the traditional light comedy and murder mystery, into edgier and darker territory. So, we find 2022 kicking off with an absolutely cracking adaptation of the Mary Shelley gothic masterpiece, both chilling and thought provoking and with a simply stunning central performance. Those patrons expecting a hoary old ‘Boris Karloff with a bolt through the neck’ rendition, would have been disappointed. With Direction and Set Design in the capable hands of Barry J C Purves, this was always going to be a more delicate study on the nature of humanity. By using Nick Dear’s 2011 National Theatre adaptation of the Shelley novel, placing The Creature (Rhys Nuttall) at the centre of the story gave both pace and arc to the two-hour production, dispensing with the unnecessary backstory of the creator. We begin at the moment of creation with the obsessive and compulsive Victor Frankenstein (Tom Cunningham) bringing life to the inanimate creature. The two-level set with a simple curtain is wholly black, lit with white spotlights casting long shadows onto the walls of the theatre, both effective and appropriate as it emerges from a metallic tub. From this point on Rhys Nuttall’s creature simply dominates, his performance is stunningly crafted as The Creature, with each step in his development into sentience carefully choreographed and incorporated. The movement of Nuttall around the stage in these scenes is masterful, balletic grace combined with a strength that was hypnotic to observe, as each new sensation was encountered it produced both comedy and pathos without any dialogue being required. By turns, apelike and clumsy he instils meaning into each gesture, holding the audience in rapt attention every time he is on stage. As the story progresses, we observe the best and worst of mankind. The Creature encounters both hostility and kindness wandering through the world, searching first for the answer to the question ‘Who am I?’, morphing into his quest to find his creator and create a companion in his loneliness. The scenes with De Lacey (Hugh Everett), a blind peasant who teaches The Creature to read and showing him the only warmth he encounters, are delicate and tender and his development towards humanity serves to make later scenes involving both murder and rape all the more compelling. An issue with such a strong central performance was that the parallel story of Victor Frankenstein was somewhat overshadowed in the narrative, with Cunningham needing more obsessional madness in his performance to match the physicality and dominance of Nuttall. In the same way Cumberbatch/Miller found in the original NT production, doing this allows the relationship with his fiancé Elizabeth (Amy Lou Harris) to take a more prominent part in the latter story and provide some balance. Victor Frankenstein’s story is a sorry tale of how single-minded passion can fatally cloud judgment and the play asks us whether a person is innately good or evil, or is it society which dictates our character and actions. Overall, an ambitious and successful realisation of an excellent adaptation, lifted to another level by a superb performance from Nuttall as The Creature. Amateur theatre of the very highest quality North West End UK Rating: ★★★★ Brian Madden – Number9 Mary Shelley was just 18 years old when she wrote what is now considered a classic novel; Frankenstein. 206 years since she first began writing the novel, it is still being performed in theatres around the world. Nowadays it is more associated with Hallowe’en than a cold night in January. However, I certainly was given a night to remember and think this will be a production spoken about for months to come. People often make the mistake that Frankenstein is the name of the monster, however, it is the name of the scientist who creates it. In this production the ‘monster’ is known as The Creature – a lonely figure who just wants to be loved. I’ve seen a few productions at the Altrincham Garrick over the years, and some have been beter than others, but I can hands-down say that their 2022 production of Frankenstein is the best thing I’ve ever seen on stage at the Garrick. I’d go as far as saying a professional theatre such as The Royal Exchange would have been honoured to have a production of this quality on its stage. Some people have many preconceived ideas about amateur dramatics, or as I prefer to call it ‘non-professional theatre’. However, I would ask any of those to watch the Garrick’s production of Frankenstein to challenge their views. Rhys Nuttall was absolutely sublime as ‘The Creature’. Everything about his portrayal of The Creature was just on point – his movements, posture, the way he brought the character to life. Some actors at the best of times struggle to lift the script off the page, Nuttall did it without even needing words. It came as no surprise to me that he was also the Movement Director for the production – you could tell each step he took was carefully executed. His presence was one to behold in a way it almost made the rest of the cast irrelevant. In the beginning, anyone would be scared of The Creature – a semi-naked man who can barely move or speak. However, as the story unfolds we witness him learning how to live. He meets a blind peasant played by Hugh Everett and spends a whole year in his company. It’s here where he learns to speak and almost experiences what it is like to be human. He also not only learns to read but to appreciate literature. Until then everyone just sees him as a freak, incapable of love. It’s rather ironic that it takes a blind to see this. These scenes were a pleasure to watch and just so beautiful to see two people learn so much from each other. The entire production takes the audience on a journey through the seasons. This was fantastically captured by the director; Barry J.C. Purves. I especially loved the scenes which included the elements of leaves and snow. From the word go the audience is transported to another world, which is all you can ask of any director. When you look beneath the surface Frankenstein is actually quite a sad story. The themes of loneliness and rejection are key to the production. This was my first time seeing Frankenstein performed and will most certainly be watching it again. It really got me thinking, how much have we really moved on as a society – if we see something unusual, do we try to offer to help, or do we walk away? Frankenstein does raise a lot of questions – what is it that defines good and evil? Is someone born evil, or is it something that society makes them? And ultimately what are the consequences of our actions? The production serves as a reminder that we shouldn’t tamper with things and let them be. Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production She Stoops to Conquer Ran Jan 2, 1921 - Jan 2, 1921 Age guidance Venue Running time Tickets Price Range Description By Oliver Goldsmith CAST Bonson, John P Bullivant, Erick Calderbank, Arthur Churm, V Ida Dykes, Tom Kerridge, Stanley Matthews, Walter R Owen, Tom Pye, George H Slinn, Ella Walsh, Katie Warburton, George A Wilson, Tom Wood, Doris Woodhead, Fred Wilkinson, John Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production A Chorus Line A musical masterpiece that revolutionised Broadway Ran Sep 8, 2025 - Sep 14, 2025 Age guidance 12 + Venue Main House Running time TBC Tickets Price Range £19 - £24 Description Seventeen Stories. Eight Chances. One Singular Sensation. New York City. 1975. On an empty Broadway stage, seventeen performers are put through their paces in the final, gruelling audition for a new Broadway musical. For everyone present, it’s the chance of a lifetime. It’s the one opportunity to do what they’ve always dreamed of – to have the chance to dance… but only eight will make the cut. Told through captivating song, riveting drama and stunning choreography, the auditionees describe the events that have shaped their lives and their decisions to become dancers. Based on real-life testimonies from late-night recording sessions with dancers, these are the lives of theatre’s unsung heroes, as they tell searing stories of ambition, shattered hopes, and what it really costs to follow your dreams. A Chorus Line is a musical masterpiece that revolutionised Broadway, winning nine Tony Awards, seven Drama Desk Awards, the New York Critics’ Circle Award and the Pulitzer Prize for Drama. Now celebrating 50 years since A CHORUS LINE first graced the Broadway stage, it is time experience a stunning new production full of heart, music and dance at Altrincham Garrick Playhouse. - Directed by Joseph Meighan - Musical Direction by Mark Goggins - Choreographed by Louise Pettitt Reviews Described as "polished, passionate, and unforgettable"; the opening production of our 2025/26 Season 'A Chorus Line' has been awarded 5 STARS from NORTH WEST END UK . "The creative team deserve immense credit. The lighting and sound were flawless, enhancing the minimalist staging with atmosphere and precision. Glittering costumes in the finale brought that Broadway dazzle, and the audience responded with thunderous applause and cheers. Louise Pettitt’s choreography deserves high praise. Every number was tight, synchronised, and visually stunning". "The musical backbone of the show came from Mark Goggins and his 14-piece live band, who played with energy, precision, and flair." "A thoroughly enjoyable evening, delivered by a sensational cast and creative team. Quite simply, this ‘A Chorus Line’ was theatre at its very best – uplifting, heartfelt, and unforgettable." Katie Leicester at NORTH WEST END UK - Read the full review HERE "IT’S hard to believe this show is 50 years old. Despite its age, its power to move, amuse, entertain and exhilarate remains as strong as ever thanks to a sumptuous score and a very stirring dance finale that raised the roof at the Garrick on opening night." "Unmissable, high quality entertainment." Rick Bowen at STAGESTRUCK - Read the full review HERE Gallery Trailer Trigger Warning Warning: This performance contains haze, loud music, discussion of bereavement, mention of physical violence and abuse, discussion of homophobia, discussion of discrimination, strong language, and discussion of sexual abuse. This production contains some references and language that may be unsuitable for younger children. Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production Pomona Altrincham Garrick STUDIO 2025/26 Season - A Series of Manc Plays Ran Mar 24, 2026 - Mar 29, 2026 Age guidance 16+ Venue STUDIO Theatre Running time TBC Tickets Price Range £13 - £15 Description Written by Alastair McDowall Directed by Mark Goggins Step into the haunting depths of Manchester’s underbelly, where evil lurks and danger is around every corner. Welcome to Pomona —a place where dreams are overshadowed by darkness. Join Ollie on her desperate quest to find her sister, who has mysteriously vanished. As she navigates this treacherous world, she encounters a cast of unforgettable characters, each hiding secrets that twist reality in unexpected ways. In Pomona , nothing is as it seems. Here at the centre of everything, journeys end and nightmares are born. Age Guidance: 16+ Warning: this production strong and offensive language, and contains scenes that some audience members may find disturbing including violence, blood, kidnapping, death, forced pregnancy, human trafficking, and references to pornographic content, sexism, sexual assault, suicide, and abuse. Reviews Paul Wilcox - North West End UK “An unsettling, intellectually rich and unexpectedly beautiful production — and one that lingers long after the final moment.” “That Altrincham Garrick has chosen to stage such a challenging and unconventional work is notable in itself. That it does so with such clarity, confidence and imaginative flair is genuinely impressive.” Read the full review HERE Rick Bowen - Stagestruck "I’ve seen numerous musicals directed by Mark Goggins and productions of this quality remind me of just how multi-talented he is." Read the full review HERE Gallery Trailer Trigger Warning Warning: this production strong and offensive language, and contains scenes that some audience members may find disturbing including violence, blood, kidnapping, death, forced pregnancy, human trafficking, and references to pornographic content, sexism, sexual assault, suicide, and abus Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Visiting Production An Evening of Burlesque Cabaret Date range Tickets £32 Age guidance 18+ Venue Main House Trigger warning Find out more Book now Running time TBC Group bookings Find out more Accessibility Find out more An Evening of Burlesque Cabaret - A glorious Night of Glamour, Laughter and Feel-Good Fun. Roll up, roll up... the Uk’s longest-running burlesque show is back touring the nation with a thrilling new twist for 2026! Presenting An Evening of Burlesque Cabaret – a dazzling celebration of cabaret, burlesque, and world-class entertainment. The ultimate variety show blends stylish cabaret, comedy, music, and burlesque into a spectacular extravaganza of glitz and glamour. Featuring dazzling showgirls, specialty cabaret artists, and stars of the stage and screen, this is a night of sophistication and stunning performances. Expect fun, feathers, and fabulous costumes as we showcase the finest selection of specially artistes, comedians, and champagne showgirls. With its blend of cabaret charm and burlesque allure, this sensational show promises a uniquely seductive experience that redefines variety for the 21st Century. Burlesque has enraptured audiences for centuries, and An Evening of Burlesque Cabaret delivers the very best in contemporary burlesque and cabaret artistry. Expect the unexpected with plenty of glitter, glamour, and unforgettable moments. It’s cocktails and cabaret o’clock – a night to remember awaits! Tickets are on sale now. Don’t miss the magic! Age restriction: 18+ Visiting Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Return to Productions Archive Garrick Productions Alice Thomas and Jane Ran Jan 1, 1936 - Jan 1, 1936 Age guidance Venue Running time Tickets Price Range Description Agar, Marie Alexander, Tom Billcliff, Lillian Brierley, Norman Brown, Sydney A Davenport, Alfred Fletcher, Joan Godby, Jack Gooby, Roy Hall, Irene Hall, Margaret Hughes, Geoffrey Justice, Margery King, Diana M King, John G King, M Inez Landon, Graham Litherland, Cyril L Matthews, Walter R Osborne, Edgar Pennington, Muriel Pennington, Wyn Ross, Jean Rourke, Norah J Wilson, Kathleen Willan, John P Willan, Robert M Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Productions Blithe Spirit Ran Nov 8, 1999 - Nov 13, 1999 Age guidance Venue Running time Tickets Price Range Description By: Noel Coward Directed By: Maureen Casket In celebration of the centenary of the birth of "The Master" we proudly present one of his most famous plays. Charles Condomine, whose first wife Elvira has been dead for seven years, has been happy with his second wife, Ruth. After he invites the legendary Madame Arcati, a local medium, to conduct a seance at his home, Elvira returns from the dead. Determined to get Charles to herself forever, she arrranges an accident in which Ruth joins Elvira. Now plagued by the two spirits, Charles attempts to rid himself of them. Full of brilliant dialogue and hilarious situations, this is one not to be missed. CAST ... includes John Keen as Charles Ros Greenwood as Ruth Angela Wetherill as Madame Arcati Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

The Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. About Us Find Us and Get In Touch Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. Find Us Altrincham Garrick Playhouse Barrington Road Altrincham WA14 1HZ By Public Transport The Garrick is about 800m (a 10-minute stroll) from each of the following stations, served by both Northern trains and Manchester Metrolink trams: Altrincham Interchange Navigation Road Barrington Road is a major bus route, and there are bus stops on both sides of the road very close to the theatre. Parking at the Garrick We have a reasonably-sized car park, which offers free parking including spaces reserved for disabled parking. You are advised that this can quickly become full for the most popular performances – filling up sometimes half an hour before a show begins. Alternatively, there are numerous opportunities for parking on residential side streets within a couple of minutes’ walking distance. Parking there can also sometimes be limited and again you are advised to come as early as possible if you want to park particularly close to the theatre. Please park considerately, avoiding blocking any access for our local residents – thank you. Don’t forget: our bar is normally open at least 45 minutes before each performance, so our advice is: arrive early, park early, and relax in our cosy bar before the show ! Contact Us Call: 0161 928 1677 Mon – Fri 11am – 4pm & 6pm – 8.30pm Sat 9am – 12pm Email: boxoffice@altrinchamgarrick.co.uk Join our mailing list Subscribe

Return to Productions Archive Garrick Production The Magic Circle Ran Jan 3, 1915 - Jan 3, 1915 Age guidance Venue Running time Tickets Price Range Description By Walter R Matthews CAST Blackburn, Lydia Broadsmith, Miss E Hutchinson, T D B Noble, Jack Noble, Miss May Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Previous Next Jan Maddox Jan had been associated with the Garrick all her life, mainly supporting events on the social side of things at the theatre. She was often seen selling Christmas Draw tickets or serving up hot food at the many after-show parties over the years. Jan's maiden name was Byrom - she was part of the family that played such an important part in the formation of the Society and (in time) the theatre itself. All the meetings and rehearsals in the early days took place in her Great Grandfather's premises, known as Byrom's Buildings on Kingsway in Altrincham. Jan's Grandfather was a founder member and remained involved throughout his life and, naturally, introduced her to the theatre. Jan is sadly missed by all her many friends and family, and particularly so by all of at the Garrick. Back to In Memoriam page

A copy of our Health and Safety Policy for Altrincham Garrick Playhouse Terms and Conditions T&C’s for Sale of Tickets GDPR Privacy Policy Health and Safety Policy Child Protection Policy For a copy of our Health and Safety Policy please click HERE Join our mailing list Subscribe

Return to Productions Archive Garrick Production RELAXED PERFORMANCE of The Worst Witch RELAXED PERFORMANCE of this family fun, stage adaptation of Jill Murphy's classic story Ran Apr 13, 2025 Age guidance Recommended 7+ Venue Main House Running time TBC Tickets Price Range £13 - £18 Description WHAT IS A RELAXED PERFORMANCE? If you are a parent, guardian, or work with people with learning or sensory disabilities – such as those on the autism spectrum – you’ll know how difficult it can sometimes be for them to attend regular theatre performances; loud noises, lighting effects and large crowds can make stage shows overwhelming. At Altrincham Garrick Playhouse, we believe that everyone should be able to experience the magic and wonder of live theatre, and our Relaxed Performance will provide the same magical show but with an atmosphere and attitude in the auditorium that makes everyone feel comfortable and safe. WHAT TO EXPECT FROM OUR RELAXED PERFORMANCE: At a Relaxed Performed, you are free to: - Come and go from the auditorium as you wish, even during the show - Express yourself as loudly as you like, or with physical movement, without judgement - Access the Theatre and auditorium early. You’ll also notice that we will reduce the sound and lighting to lessen sensory overload, and no pyrotechnics or loud bangs will appear in the performance. Adapted from Jill Murphy’s original books by Emma Reeves. With Music by Luke Potter. Directed by Kay Valentine Before Harry Potter exploded onto the scene there was another seemingly ordinary child, Mildred Hubble, who wound up in the most extraordinary of places… A school for witches! Now its time for you to join the world of magic and mayhem at Altrincham Garrick Playhouse this Easter Holiday! Currently in her final year at Miss Cackle’s Academy, accident prone Mildred and her fellow pupils are about to embark on their biggest adventure yet… When Mildred and her friends decide to put on a play about their experiences as witches in training, mayhem inevitably ensues. Jealous Ethel Hallow is always out to spoil Mildred’s fun. Stern Miss Hardbroom is opposed to all fun in general. Worst of all, an old enemy returns with a plan for revenge that could threaten not just the Academy, but the whole world. Featuring all of Jill Murphy’s beloved characters, this action-packed new stage adaptation by Emma Reeves includes original music, magic and the beloved Mildred. The Worst Witch premiered at Royal & Derngate, Northampton in 2019 and toured the UK before transferring to London’s West End later that year. The production then went on to win the Olivier Award for Best Family Show in 2020! Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Lauriston Studio Constellations Ran Feb 1, 2022 - Feb 6, 2022 Age guidance Venue Running time Tickets Price Range Description "One drink. And if you never want to see me again you never have to see me again." A quantum physicist and a beekeeper meet at a barbeque. They hit it off, or perhaps they don’t. They go home together, or maybe they go their separate ways. In the multiverse, with every possible future ahead of them, a love of honey could make all the difference... Nick Payne ‘s beautiful and heartbreaking romance Constellations is a must see. Currently celebrating a new successful Revival at the Donmar Warehouse in London's West End, it originally opened at the Royal Court in 2012 before opening on Broadway in 2015. It is a play about about free will and friendship; it's about quantum multiverse theory, love and honey. This play is directed by Pete Brassington, and is played by two casts of two actors, who will be covering three nights each. Cast A will be performing Tuesday, Thursday and Saturday. Cast B will be performing Wednesday, Friday and Sunday nights. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Altrincham Garrick Playhouse is committed to protecting personal information. This Privacy Policy relates to our use of any personal information we collect. Terms and Conditions T&C’s for Sale of Tickets GDPR Privacy Policy Health and Safety Policy Child Protection Policy The Altrincham Garrick Playhouse Privacy Policy Altrincham Garrick Playhouse is committed to protecting personal information. This Privacy Policy relates to our use of any personal information we collect. Our Privacy Policy relates broadly to these groups of people: Audience : the people who attend our shows, visiting shows and events and/or have requested information about the theatre Friends : people who pay a subscription to the Altrincham Garrick Society Supporters : people who are support the activities of the Society in a particular way. This involvement may include, but is not limited to: scenery construction; costumes; properties; make-up and hair; publicity; front of house; backstage; administration; website; design; technical; directing; sponsorship; donations; consultants; those giving specialist advice to the Altrincham Garrick. Staff : those employed by Altrincham Garrick Suppliers : organisations and businesses that provide goods or services to the theatre Committees : Board of Trustees, Volunteers’ Committees, Play Selection and Casting Committee GAPA Members : members of Garrick Academy of Performing Arts and their parents/guardians/carers The personal information we collect from you Audience : Our email database contains your name and email address. Our box office contains your name, address, email address and telephone numbers so we can contact you with information relating to Altrincham Garrick only. We may hold details on previous bookings, group bookings and any preferences you may share with us. 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GAPA Members : We hold basic information such as name, address, telephone number, email address. How we use information and data Audience : We will send you regular bulletins via email with news about the theatre and our shows and other shows and events that appear at the theatre. There is an ‘unsubscribe’ option on every email. We will perform some basic interrogation of our email statistics, such as open-rates and click-through rates via various software. Friends, group bookers and ticket holders may receive limited further information by post and email from time to time. We may contact you by telephone if there is problem with tickets or changes to a performance you are booked to attend. We will not share your information with any third parties without your consent. 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We will not share your information with other third parties without your consent. Staff : We will use your information as and when required to contact you for Garrick matters related to your involvement with the Garrick and as your employer. We will not share your information with other third parties without your consent. Any personal data relating to your employment will be protected and limited to those involved to line management, Board of Trustees and for payroll purposes. Suppliers : We will use your information as and when required to contact you for Garrick matters related to your involvement with the Garrick. We will not share your information with other third parties without your consent. Committees : We will use your information as and when required to contact you for Garrick matters related to your involvement with the Garrick. We will not share your information with other third parties without your consent. GAPA Members : We will use your information as and when required to contact you for Garrick Academy of Performing Arts such as subscriptions, rehearsals, summer school, productions, ticket offers, newsletters, auditions, changes of dates, nominations. Under 18s will be contacted via their parents. We will not share your information with other third parties without your consent. Your name, and possibly photograph and biography may appear in newsletters or show programmes, website or other publicity relating to a production you are involved in. Your information may be shared with committee members, staff and heads of departments for use in ?legitimate interest? and in line with GDPR regulations. Please be aware that our show programmes, website and publicity are public documents and that our newsletters are shared with supporters of the theatre. We will not share your information with other third parties without your consent. How we use information held by our Box Office Systems The Box office at Altrincham Garrick process tickets and sales by telephone, by email, by post and in person. Processing tickets may display your name, address, email address and telephone number. For reporting purposes, we may interrogate data held in the box office to inform our business planning but personal data will not be shared with any third parties. We may hold your personal details in our records in case we need to contact you with further information if there is a change to performance details, for example. Tickets booked via the website are linked to Tickets.com. You can find details of their Privacy Policy here . Security We put in place reasonable security measures to protect against any unauthorised access or damage to, or disclosure or loss of, your information Your Rights Audience, Friends, Supporters, Staff, Committees and GAPA Please let us know if your information changes as it is important that the information we hold about you is accurate and up to date. You have the right to request a copy of all the information we hold about you in a Subject Access Request. To do this, simply write to us at the address below. We will take all reasonable steps to confirm your identity before providing you with details of any information we may hold about you. You can ask us to remove your information from our records at any time and cease any further communication. You can do this by writing to the address below. Friends, Supporters, Committees and GAPA We will keep your information indefinitely after you remain an active Friend, Supporter, sit on a Committee or are a member of GAPA. We keep your information because you may resume your connection with and take part again in our activities. However, you can ask us to remove your information from our records at any time and we will do so and stop sending you any further communications. You can do this by writing to the address below. Changes to our Privacy Policy We may amend this Privacy Policy from time to time; for example, to keep it up to date or to comply with legal requirements. If there will be any significant changes made to the use of your information in a manner different from that stated, we will seek your permission first. How to Contact Us For any questions or concerns relating to this Privacy Policy or our data protection practices, or to make a Subject Access Request, please contact us in one of these ways: By email admin@altrinchamgarrick.co.uk By post Operations Director Altrincham Garrick Theatre Barrington Road Altrincham WA14 1HZ This page was updated on 8 September 2022 by HFE. 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Visiting Production Oh What A Night! Date range Tickets £27 Age guidance Venue Main House Trigger warning Find out more Book now Running time TBC Group bookings Find out more Accessibility Find out more OH WHAT A NIGHT! takes you back in time on a musical journey through the incredible career of Frankie Valli & The Four Seasons. Valli’s unmistakable voice dominated the airwaves for more than two decades with classics such as Sherry, Let’s Hang On, Big Girls Don’t Cry, Can’t Take My Eyes Off You, My Eyes Adored You, December 63 (Oh What A Night), Bye Bye Baby, Who Loves You and many, many more. Selling over 100 million records worldwide, Frankie Valli & The Four Seasons secured their place in the Rock & Roll Hall of Fame in 1990. OH WHAT A NIGHT! combines infectious personalities, amazing vocals, slick harmonies and even slicker dance moves to deliver a show full of energy and nostalgia which always leaves audiences wanting more. Don’t miss the ultimate celebration of one of the world’s greatest Rock & Roll bands! Visiting Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Garrick Production JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT Date range Tickets £19 - £24 Age guidance Recommended 6+ Strictly No Under 4's Venue Main House Trigger warning Find out more Book now Running time TBC Group bookings Find out more Accessibility Find out more Step into a world of vibrant colour, unforgettable music, and thrilling storytelling with Joseph and the Amazing Technicolor Dreamcoat ! This beloved musical by Andrew Lloyd Webber and Tim Rice is a dazzling all-singing and all-dancing journey of dreams, resilience, and joy! Joseph and the Amazing Technicolor Dreamcoa t is the enduring reimagining of the Bible story about Joseph, his family and the famous “coat of many colours”. Filled with catchy songs in a plenitude of styles, including the well-known hits “Any Dream Will Do ” and “Close Every Doo r”, and perfect for all ages, this family-friendly production combines humour, heart, and show-stopping songs in a way that’s truly timeless. Whether you’re a lifelong fan or discovering it for the first time, Joseph is a theatrical treat not to be missed. Directed by Joseph Meighan Garrick Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Previous Next Val Lynch Trained at RADA, Val was a leading director at the Garrick, and she also performed on stage in the 1980s and 90s. Her acting debut was in Neil Simon's Last of the Red Hot Lovers ' in 1981 (with leading actor, Tony Mathews ). Other acting credits included Under Milk Wood , The Musical Comedy Murders of 1941 , and Alan Bennett's Simple Spies where she played HM The Queen brilliantly. Val also appeared in two Coarse Acting Plays, which were performed in the bar and studio to raise funds for the STAGE Appeal. Her straight face under all circumstances was hilarious, and apparently she never corpsed once. Her directing credits are impressive and long. Some highlights include Say Who You Are ( her directorial debut in 1983), Outside Edge , Bedroom Farce , Daisy Pulls it Off , The Heiress (for which she won GMDF Best Director in 1993), An Ideal Husband , The Winslow Boy , and Macbeth . Val played a full part in the social life of the Garrick, as well as being a member of both the PSCC and the Executive Committee and regularly helping out backstage. Back to In Memoriam page

Return to Productions Archive Garrick Production Jumpers for Goalposts A hilarious and heart-warming comedy Ran May 9, 2022 - May 14, 2022 Age guidance Venue Running time Tickets Price Range Description A hilarious and heart-warming comedy about football, friendship and finding your way. “Barely Athletic” are part of a four-team five-a-side LGBTQ+ football league which Viv, their bullish head coach, is desperate to win. Or if they can’t win, at least they should try not to lose. Chucked out of the “Lesbian Rovers” for being too bossy, she desperately tries to instil some competitive spirit into the boys. Problem is, Beardy Geoff is copping off with the opposition, Danny is nursing a painful secret, Luke only joined because he fancies Danny, and Viv’s brother-in-law Joe is trying to cope with his grief after losing his wife. Together, they might just be able to claw back up from the bottom of the league… Tom Wells’ drama bears the hallmarks of his warm comedic style, which were displayed in his previous hit play “The Kitchen Sink”, and is a paean to the virtues of friendship and love. Jumpers for Goalposts premiered at Watford Palace Theatre in 2013, before touring the UK, including a run at the Bush Theatre, London. Warning: Strong language Altrincham Garrick Playhouse is proud to support the George House Trust. Since 1985, George House Trust has been inspiring people living with HIV to live healthy, confident lives by providing HIV support, advice and advocacy services. For more information email: talk@ght.org.uk Reviews Review by Rick Bowen at Stagestruck Jumpers For Goalposts will, on the evidence of Monday night’s performance, attract a different, younger audience. For far too many years Altrincham Garrick has been seen as a safe night out for older people and the appointment of artistic director Joseph Meighan, a dynamic and adventurous twenty something, is about to change that misguided perception. A quiet revolution is taking place on Barrington Road and it feels so exciting and exhilarating to be part of it. But this theatre is working hard to get the message across that the Garrick is a theatre for everybody. All power to their elbow, say I. Jumpers for Goalposts follow the misfortunes of Barely Athletic, a five-a-side team largely made up of gay men who struggle with the basics of the beautiful game. This doesn’t stop Viv, their straight talking coach with a very short fuse, encouraging her clueless charges to try to win the league in which they play. It’s certainly a league with a difference – one team plays in drag! The play takes place in the club’s dressing room, an ideal backdrop for writer Tom Wells to delve into the private lives of the players, including a burgeoning relationship between Danny and Luke. Danny carries a secret that he feels unable to share with the childlike Luke, a lovable geek and a study in social awkwardness. Joe Meighan, who directs this engaging, absorbing and heart-warming comedy must have thought all his birthdays had come at once when Dan Ellis and Mason Lockwood turned up to audition for these roles. If anyone was ever born to play these parts it’s these two actors and Lockwood, who gets the funniest lines as Luke, displays a sense of comic timing that is simply second to none. Beverley Stuart-Cole is highly believable as Viv, Sebastian Farrell is also enjoyable as the team’s token straight man Joe, aka the keeper who couldn’t catch a cold and Lewis Sewell is perfect as the crackpot Beardy Geoff. Throughout the production the cast convinces the audience they’re watching a real football team, complete with the personality clashes you find in all organisations, sporting or otherwise. They say football is a game of two halves and that old adage can certainly be applied to Jumpers for Goalposts , with the best one liners saved for the second half. While this play contains some strong language it’s in context and gives the play a realistic feel. It’s sure to strike a chord with anyone whose set foot inside a sports club’s dressing room while not alienating those who haven’t. Great fun, with a dash of poignancy thrown in. Until May 14. Tickets are available from 0161 928 1677. Star rating **** In aid of The George House Trust. Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production Translations The Irish Studio Season: A Drama about community, culture and language Ran Jun 10, 2025 - Jun 15, 2025 Age guidance 12+ Venue Altrincham Garrick Studio Running time TBC Tickets Price Range £12.50 - £14.50 Description Written by Brian Friel Directed by Charlie Tomlinson It’s August 1833. The pupils have gathered in a hedge-school in the townland of Baile Beag/Ballybeg; an Irish-speaking community in County Donegal which has become the unlikely focal point for a changing world. Progress is coming. Tensions are growing. There are plans for a new English-speaking national school and a recently arrived detachment of the Royal Engineers are making the first Ordnance Survey. For the purposes of cartography, the local Gaelic place names are to be recorded and rendered into English… Brian Friel’s modern masterpiece Translations examines the fractious relationship between people and nations through the lens of language and (mis)communication. Please contact our Box Office on 0161 928 1677 or email boxoffice@altrinchamgarrick.co.uk to book in your school or group (10 tickets or more). Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Previous Next Charles Foster Charles was an outstanding Garrick actor in the 1960s and early 70s, appearing in numerous productions including The Crucible , Much Ado About Nothing , Wait Until Dark , and Say Who You Are . From the 1970s into the 90s, with his unmistakable voice, he became one of the most recognisable faces on Granada Television as an on-screen continuity announcer. He also provided the voice over on shows such as Judge Rinder , Catchphrase and The Krypton Factor , and he had acting roles in Coronation Street , Emmerdale and Crown Court . In 2009, Charles was asked to play Sergeant Wilson in the Garrick's memorable production of Dad's Army alongside Allan Taylor's Captain Mainwaring - the last roles played by both these acting stalwarts on the Garrick stage. Charles is pictured as Sergeant Wilson from that production. Back to In Memoriam page

Return to Productions Archive Garrick Production The Vicar of Dibley The deliciously funny TV series live on stage! Ran Feb 26, 2024 - Mar 2, 2024 Age guidance 10+ Venue Main House Running time 2.5 hours (inc. 20 mins interval) Tickets Price Range £10 - £16 Description Based on the much-loved BBC sitcom, this stage adaptation brings a selection of the best episodes of this multi-award-winning show to the Altrincham Garrick Playhouse. When the new vicar arrives at the sleepy English village of Dibley, the last thing the locals are expecting is a woman. But the irrepressibly cheerful Reverend Geraldine Granger soon wins over the hearts and minds of her flock. Featuring everyone's favourite eccentric cast of characters including star-crossed lovers Alice and Hugo, colonically-challenged farmer Owen, pompous chairman David Horton, and will Jim Trott be there? ...no, no, no, no, no...YES!! The Vicar of Dibley is a is heart-warming comedy and full of larger-than-life characters that audiences will immediately love. With kind permission of Tiger Aspect Productions. In Support of Comic Relief. Reviews “I feel I’ve just watched the best comedy to grace the Garrick stage for the past five years. Flawless and outstanding - in every respect.” - Rick Bowen Read the Full Review from StageStruck CLICK HERE "Altrincham Garrick Playhouse’s production of The Vicar of Dibley was a resounding success, thanks to its talented cast, slick values, and uproarious script. With its blend of humour and heart, it captured the essence of the beloved TV series while also standing as a delightful theatrical experience in its own right." - Max Eden Read the Full Review from North West End UK CLICK HERE Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production Merrily We Roll Along This Olivier Award Winning Musical is a powerful, moving and compelling fable. Ran Jun 17, 2024 - Jun 22, 2024 Age guidance 12+ Venue Main House Running time 2.5 hours (inc. 20 mins interval) Tickets Price Range £16 - £18.50 Description “It's our time, breathe it in... Worlds to change and worlds to win” Spanning three decades in the entertainment business and told in reverse order, Merrily We Roll Along charts the turbulent relationship between composer Franklin Shepard and his two lifelong friends — writer Mary and lyricist & playwright Charley. A powerful, moving, thrilling and compelling fable about friendship, compromise and the high price of success. An inventive, cult-classic ahead of its time, Merrily We Roll Along features some of Stephen Sondheim’s most celebrated, personal and beautiful songs including “Good Thing Going”, “Not A Day Goes By” and “Our Time”. This unmissable Musical Comedy is a spirited and cautionary tale for anyone who has ever pursued a dream. Originally opening on Broadway in 1981, and having countless revivals and and revisions along the way, Merrily We Roll Along found great success in 2013 when London’s Menier Chocolate Factory produced the production, which subsequently transferred to the Harold Pinter Theatre to critical acclaim - the most five-star reviews in West End history - and winning the Olivier Award for Best Musical. It has most recently returned to Broadway, starring Daniel Radcliffe. Reviews "A funny, clever and warm adaptation of an underperformed classic... To quote a song from the show ‘It’s a Hit’!!" Helen Harrison - North West End UK Read the full review HERE 5 STARS from Rick Bowen - Stagestruck "Fabulous, flawless and a must see." Read the full review HERE Gallery Trailer Trigger Warning This production contains some mild language and adult themes. Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Productions Jeffrey Bernard is Unwell Ran Nov 6, 2000 - Nov 11, 2000 Age guidance Venue Running time Tickets Price Range Description Gambler, journalist, fervent alcoholic and four-times married Jeffrey Bernard wrote the "Low Life" column for the Spectator magazine chronicling Soho life as well as offering a very personal philosophy on vodka, women and race-courses. From this, Keith Waterhouse has brilliantly constructed a play (the title being the euphemism used by the Spectator when Bernard was incapable of writing his column) which is set in the saloon bar of Bernard's favourite Soho pub, the Coach and Horses . Having passed out in the lavatory, Bernard awakes in the early hours of the morning to find himself alone and in the dark. Unable to contact the landlord he is resigned to spending the rest of the night with a bottle of vodka and an endless chain of cigarettes narrating a story of hilarious anecdotes and witty reminiscences which are enacted by two actors and two actresses who bring to life the various characters who populate Jeff's world. The play enjoyed a hugely successful run at the Apollo Theatre, London and had a similarly successful revival with the original Jeffrey, Peter O'Toole, at the Old Vic for a strictly limited run in 1999 Winner of the 1990 Evening Standard Theatre Award for 'Best Comedy'. CAST Jeffrey Bernard played by Dick Sails Poets, Hacks, Wives, Girlfriends, Thespians, Publicans, Sinners, Policemen, Waiters, Friends, Neighbours, Jockeys, Trainers, Bores, Artists, Doctors, Nurses, Customs & Excise Officials, Magistrate, Drunks, Tarts played by Hugh Everett, Lesley Hornsby, Mike Shaw and Val Watkinson Directed by Andrew Close Designer: Victoria Jolley Sound Design: Dave Healey Sound Operation:Juliette Wilson Lighting Design: Robin Watkinson Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production The Father Psychological Drama by Florian Zeller and translated by Christopher Hampton Ran May 6, 2024 - May 11, 2024 Age guidance 14+ Venue Main House Running time 2.5 hours (inc. 20 mins interval) Tickets Price Range £10 - £16 Description The Father (Le Père) is a play about a man called Andre. Now 80 years old, Andre was once a tap dancer. He lives with his daughter Anne and her husband Antoine. Or was he an engineer whose daughter Anne lives in London with her new lover, Pierre? The thing is, he is still wearing his pyjamas, and he can’t find his watch. He is starting to wonder if he’s losing control… A sobering and realistic family story, and an unsentimental, emotionally intense look at the world through the eyes of a man experiencing dementia. The Father , in this English translation by Christopher Hampton, was commissioned by the Ustinov Studio, Theatre Royal, Bath and premiered in October 2014. The production transferred to the Tricycle Theatre, London, in May 2015, and subsequently to Wyndham's Theatre in the West End. The Father was awarded the Moliere Award for Best Play and the Olivier and Tony Awards for Best Actor. In 2020 a film version called The Father was released starring Anthony Hopkins and Olivia Colman, which won the Academy Award for Best Adapted Screenplay, while Hopkins won the Academy Award for Best Actor. Altrincham Garrick Playhouse are proud to be supporting Together Dementia Support with this production of THE FATHER . Together Dementia Support are here to help people to live positively with Dementia in Manchester and Trafford. "Since being established in 2014, TDS has supported over 1,000 people living with Dementia and their loved ones. We currently have over 280 members and 300 carers who we support week in, week out, 52 weeks a year. For people living with Dementia, we offer a range of activities such as social groups, walking groups, arts & crafts, music and games groups, as well as one-to-one at home social activity support. For carers, we provide online and in person group support, one-to-one advice and guidance, training opportunities and a friendly ear to listen." To learn more about us and the support services we offer, visit www.TogetherDementiaSupport.org Reviews 5 Stars from Rick Bowen at Stage Struck “…richly deserved standing ovation.” Read the full review: HERE Gallery Trailer Trigger Warning Contains scenes that some may find upsetting. Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Productions Immortal Garden Ran Jan 1, 1950 - Jan 1, 1950 Age guidance Venue Running time Tickets Price Range Description Downes, Elsie Farebrother, Arthur F Healey, Tom Lightowler, Ronnie R Osborne, Edgar Royle, Dudley Smart, Brian Snape, Joyce White, Trissie Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Productions Alice In Wonderland Jr. - A Garrick Academy Production Ran Mar 23, 2022 - Mar 27, 2022 Age guidance Venue Running time Tickets Price Range Description The Garrick Academy's (GAPA) production of 'Alice In Wonderland Jr' A complicated set of performances: Wednesday 23rd March 2022 7.30pm - Class 2 (ages 11-13 years) Thursday 24th March 2022 7.30pm - Class 5 (ages 11-13 years) Friday 25th March 2022 7.30pm - Class 2 ( ages 11-13 years) Saturday 26th March 2022 2.00pm - Classes 1, 4 & 7 (ages 5-10 years) Saturday 26th March 2022 7.30pm - Class 5 (ages 11-13 years) Sunday 27th March 2022 2.00pm Classes 1, 4 & 7 (ages 5-10 years) DISCOVER THE ENCHANTING WORLD OF ALICE IN WONDERLAND JR. Travel down the rabbit-hole and join Alice, one of literature’s most beloved heroines, in her madcap adventures. Featuring updated songs from Disney’s thrilling animated motion picture, Disney’s Alice in Wonderland JR is a fast-paced take on the classic tale. The ever-curious Alice’s journey begins innocently enough as she chases the White Rabbit, after which her adventures become increasingly more strange as she races the Dodo Bird, gets tied up with Tweedle Dee and Tweedle Dum, raps with a bubble-blowing Caterpillar and beats the Queen of Hearts at her own game! A fun-filled show night is guaranteed with the Garrick Academy's musical youth presenting all of the usual Alice characters, including three Cheshire Cats and dozens of other wonderfully wacky individuals! Adapted especially for young performers, this musical includes favorites from the Disney cannon such as “I'm Late,” “The Unbirthday Song,” and “Zip-A-Dee-Doo-Dah” in a charming updated retelling of the Lewis Carroll classic. Whether this is your first experience with Alice or your hundredth, you'll lose your head (and your heart) for Alice in Wonderland JR.! Music and Lyrics by Sammy Fain & Bob Hilliard, Oliver Wallace & Cy Coban, Allie Wrubel & Ray Gilbert, Mack David, Al Hoffman & Jerry Livingston Music Adapted and Arranged and Additional Music and Lyrics by Bryan Louiselle Book and Additional Lyrics by David Simpatico Based on the 1951 Disney film Alice in Wonderland and the novels The Adventures of Alice in Wonderland and Through the Looking-Glass by Lewis Carroll Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Productions Bonaventure Ran Jan 1, 1951 - Jan 1, 1951 Age guidance Venue Running time Tickets Price Range Description Bramwell, Madge Caldwell, Pamela Clephan, Gay Ely, Michael D Grimshaw, Harold Hobbs, Olive Nellie Morrison, Elspeth Richardson, George Walker, Kathleen Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Previous Next Greta Donahue Greta was a true Garrick all-rounder, undertaking numerous roles from the 1960s onwards into the 90s. She first performed on the Garrick stage in The Marriage Go Round in 1967 and followed that, shortly afterwards in the same year, by directing When We Are Married . In the 1970s, she acted in Oliver , The Wizard of Oz , and as Maria Helliwell in When We Are Married , as well as many others. She continued directing plays, such as A Curious Savage , ...and a Little Love Besides , and A Woman of No Importance . She also worked in the Wardrobe, acted as an occasional ASM, and choreographed the STAGE 2 production of Godspell . However, Greta's best-known role was as the Director of the Drama School (the precursor to GAPA) throughout the 1980s into the 90s. She produced Senior Drama School shows such as Free as Air in 1989 and Our Day Out by Willy Russell in 1990. When she retired from the Drama School, she was made a worthy Honorary Life Member for all her many contributions to the life of the theatre. Back to In Memoriam page

Previous Next Gerry Turnock Bar Manager from the late 1980s to the 2010s, Gerry's humour was outwardly very dry and wry. Underneath was a genuine warmth and real supportiveness ... especially when City were playing well or he'd been successful on the golf course. Back to In Memoriam page

Return to Productions Archive Garrick Production The White-Headed Boy Ran Jan 1, 1921 - Jan 1, 1921 Age guidance Venue Running time Tickets Price Range Description By Lennox Robinson CAST Gorman, Nell Hellin, Doris Hill, Arthur P Mason, Edward Matthews, Marion Thwaite Owen, Gwen Owen, Tom Pownall, Clarence Warburton, Ida Winn, Rex Wilkinson, John Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Productions Blackadder the Third Ran Nov 23, 2015 - Nov 28, 2015 Age guidance Venue Running time Tickets Price Range Description The hugely successful television comedy created by Richard Curtis and Ben Elton now comes to the stage in this award winning procession of well loved characters including Edmund Blackadder, Baldrick and the Prince Regent, Prince of Wales. Where once they had been lords and dukes we now find the latest of the dastardly dynasty of the Blackadders scraping a living as a butler to the stupidest man in England - the Prince Regent! Outrageous situations and exploits of the mean spirited Blackadder and his seemingly dim witted side kick, Baldrick also involve Dr Samuel Johnson, William Pitt the younger and various larger than life characters from the French Revolution. Don't miss this unique opportunity to recapture the wit, fun and completely over the top acting of one Britain's best loved comedies. CAST Edmund Blackadder, butler to the Prince, Mr Steven Finney Baldrick, a dogsbody, Mr Michael Gallagher Prince George, the Prince Regent, their master, Mr Hugh Everett Mrs Miggins, a coffee shoppe keeper, Miss Beverley Stuart-Cole Dr Samuel Johnson, noted for his big dictionary, Mr David Beddy Byron, a romantic junkie poet, Mr Steven Williamson Shelley, a romantic junkie poet, Mr Bob Miller Coleridge, a romantic junkie poet, Mr Leon McKenna Lord Topper, a fop, Mr Leon McKenna Lord Smedley, a fop, Mr Bob Miller Ambassador, a fearsome revolutionary, Mr Steven Williamson Miss Amy Hardwood, a mysterious northern beauty, Miss Beverley Stuart-Cole Mr Hardwood, her father, Mr Steven Williamson Sally Cheapside, a young lady of doubtful virtue, Miss Beverley Stuart -Cole The Duke of Cheapside, her father, Mr Leon McKenna The Duke of Wellington, a famous soldier, Mr David Beddy Cousin MacAdder, a homicidal maniac in a kilt, Mr Richard Finney King George III, a mad monarch, Mr Steven Williamson Director - Charlie Tomlinson Assistant Director - Val Watkinson Designer - Trevor McKie Stage Manager - Trevor McKie Assistant Stage Manager - Vishnu Maharaj Lighting & Sound - Mike North Reviews Messenger Review by RICK BOWEN Had he been there, I think Rowan Atkinson himself would have clapped and cheered Steven Finney to the rafters after his performance as Blackadder. For this is comedy acting at its finest, with Steven displaying flawless comedy timing that could easily be found on a professional stage. The cues, the tormented facial expressions, this performance, perfectly pitched, had echoes of Atkinson when he played the role on TV. We meet Blackadder in Georgian England and our hero is working as butler to Prince George, a man so dim you'd be forgiven for thinking he was the by product of two cousins getting married. There are some memorable scenes between Blackadder and this royal twit, expertly played by Hugh Everett in what is, for me, his best ever performance on the Altrincham Garrick stage. All the characters from the TV series are here and while it helps if you are a fan of the original, this production, bursting with laugh out loud funny moments, is sure to convert you. It always helps when you have Richard Curtis and Ben Elton writing the script – the lines are a gift for Finney and company. Charlie Tomlinson has always impressed me as an actor and he's equally good on the other side of the boards. Beverley Stuart Cole is great fun as pie shop owner Mrs Miggins and Blackadder just wouldn't be Blackadder without his sidekick Baldrick (Michael Gallagher), a simple soul in oh so many ways. For me, this is one of the best comedies the Garrick has ever done, a wall to wall triumph. Star Rating ★★★★★ Remotegoat Review · ‘Garrick has Cunning plan!’ JULIA TAYLOR The Garrick has never shirked from presenting stage versions of well-known TV series and, this time, they have come up with a cunning plan. It is their version of Blackadder the Third scripted by Richard Curtis and Ben Elton, which they perform fearlessly without copying the original characters too precisely but with input of their own which adds richness. They capture four episodes, all set in the Regency period. Our hero is employed as head butler to the idiotic Prince Regent so Baldrick is downgraded to become Black Adder's dogsbody. Steven Finney plays Blackadder with panache. With much wit and elastic facial expression, he manipulates his side kick Baldrick into carrying out his plans. Finney’s acting is so precise, you can almost read his thoughts as he attempts to solve one difficulty after another. These difficulties include Baldrick's burning of Dr Samuel Johnson's dictionary, Blackadder masquerading as the Scarlet Pimpernel, our hero's attempt to get the Prince Regent wed for money and the Duke of Wellington (David Beddy) challenging the Prince to a duel and ending up unknowingly fighting Black Adder. Michael Gallagher is a hoot as Baldrick who is as clumsy and thick as ever. Yet even he cannot compete in the gormless stakes against the foppish Prince Regent, played with appropriately restrained humour by Hugh Everett. Beverley Stuart-Cole romps merrily through the role of coffee shop keeper Mrs Miggins and other equally amusing female parts. It’s good to see Steven Williamson back on the main stage in four roles. His depiction of Amy Hardwood's working class dad is especially good. In this production, well directed by Charlie Tomlinson, the Garrick actors priceless humour, means the audience leave laughing and chatting happily about what they have seen. Star Rating ★★★★★ Review by Paul Downham for North West End For a number of years I have driven past the Altrincham Garrick Playhouse and said to myself time and time again I must pay a visit. I have heard nothing but superb reports about the productions staged here and tonight I finally got the chance to tick this one particular item off my theatrical bucket list. The theatre is as impressive as it is stunning with some of the friendliest front of house staff I have encountered in a long time. So my entertainment for the evening was Blackadder the Third, and it more than lived up to my expectations and more. Set on a simple stage (Trevor McKie) split between the Royal apartment and the servants’ quarters below, the show recreates 4 out of the 6 episodes from the third instalment of the Blackadder series. The first act saw ‘Ink and Incapability’ in which to increase his intellectual standing, the prince decides to become patron of Dr. Johnson's new dictionary, much to Blackadder’s disgust. However, Johnson is also planning to publish a novel written by Blackadder under a pseudonym, thus making him a millionaire. Matters are complicated, however, when Baldrick destroys the manuscript of the dictionary by burning it. Blackadder must devise a scheme to ensure that Johnson’s dictionary, and thus his novel, are published. This was followed by ‘Nob and Nobility’ where the Scarlet Pimpernel is the hero of the age. Blackadder, irritated by the new obsession with all things French, decides to cash in on the craze. Attempting to emulate the elusive Pimpernel, Blackadder accepts a bet to rescue a French nobleman and collect a handsome reward. His plans go awry, however, when he and Baldrick are captured and have to escape from the clutches of the French revolutionaries. The second half consisted of ‘Amy and Amiability’ where upon discovering that the prince has lost his money gambling, his faithful butler Blackadder attempts to marry Amy Hardwood, the daughter of a rich industrialist. Also starring her mum in the courtship, Blackadder eventually discovers that Amy’s father is also broke. We soon also discover that Amy is in fact The Shadow, a notorious highwayman. Finally ‘Duel and Duality’ this time the Prince runs into more trouble when he offends the Duke of Wellington with his nose, with only one way to save himself. Blackadder formulates a cunning plan to substitute his own Scottish cousin, MacAdder, to fight the Prince in the duel. When this plan falls through, however, Blackadder must swap places with the Prince and fight the duel himself. All four episodes were put together with a team of very talented performers and a production team with a degree of professionalism I have rarely seen on an amateur stage. Steven Finney playing Edmund Blackadder takes on a role that previously I couldn't have imagined anyone but Rowan Atkinson playing. His mannerisms were so well played out and costume convincing it was sometimes difficult to tell the two apart. Michael Gallagher as Baldrick brought many laughs with a cunning blend of slapstick comedy mixed with the disgusting habits viewers of the BBC TV series grew to love. His one point accurate comic timing and interaction with Finney was a joy to watch. The Prince played by Hugh Everett also put in a good turn as the royal fop. Complete with white make up and an equally white wig he portrayed the innocence of the character with skill and dexterity. The remaining cast members Steven Williamson, Beverly Stuart Cole, Richard Finney, David Beddy, Bob Miller and Leon McKenna all take on supporting roles changing from episode to episode with Cole hitting the spot with a number of stellar performances. Directed by Charlie Tomlinson, Blackadder is a triumph in every sense of the word. With the addition of accurate period costumes from the wardrobe team under the leadership of Mike Shaw you really feel that you have been transported to the Regency period. Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Previous Next Maureen Halliday Maureen was a ray of sunshine and joy in the Garrick's Front of House team for many years, welcoming many people through our doors with her wonderful smile, sense of humour and warmth. A huge supporter of the Arts and Theatre, Maureen was also a long serving member of Urmston Musical Theatre. She always had time to stop and chat, she loved to have a laugh with people, and she took genuine care and consideration of all of those around her. She cared deeply about people and wanted everyone to be happy. She was one of a kind. Back to In Memoriam page

Return to Productions Archive Garrick Production The Girl on the Train A Suspense Thriller, based on the bestselling novel by Paula Hawkins. Ran Jan 15, 2024 - Jan 20, 2024 Age guidance 14+ Venue Main House Running time 2.5 hours (inc. 20 mins interval) Tickets Price Range £10 - £16 Description Based on the bestselling novel by Paula Hawkins and DreamWorks film. Rachel Watson longs for a different life. Her only escape is the perfect couple she watches through the train window every day, happy and in love. Or so it appears. When Rachel learns that the woman she’s been secretly watching has suddenly disappeared, she finds herself as a witness and even a suspect in a thrilling mystery in which she will face bigger revelations than she could ever have anticipated. Adapted from Paula Hawkins’ novel – an international phenomenon selling over twenty million copies worldwide, this gripping new play will keep you guessing until the final moment. Reviews https://number9reviews.blogspot.com/2024/01/amateur-theatre-review-girl-on-train.html https://northwestend.com/the-girl-on-the-train-altrincham-garrick-playhouse/ Gallery Trailer Trigger Warning This production contains some strong language and adult themes including domestic violence and alcohol abuse. Flashing and loud noises. Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Productions Scrooge (The Musical) Ran Dec 18, 1999 - Jan 3, 2000 Age guidance Venue Running time Tickets Price Range Description Charles Dickens' A CHRISTMAS CAROL encompasses the spirit of Christmas and here, a familiar story is faithfully retold and embellished with glorious songs and spectacle. Follow the adventures of Scrooge, Bob Cratchit, Tiny Tim and the Christmas Spirits, in this wonderful celebration of Christmas. A spectacular for all the family. Featuring Geoff Noar as Scrooge himself with a cast of Thousands! By: Leslie Bricusse Directed By: Chris Corcoran Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Productions A Murder is Announced Ran Feb 5, 2001 - Feb 10, 2001 Age guidance Venue Running time Tickets Price Range Description An intriguing whodunnit from the masterly pen of perhaps the world's best-known crime writer, the "Duchess of Death" as she has been called. Generous and caring Letitia Blacklock provides shelter for an assorted cast of misfits and life is proceeding uneventfully until the announcement in the local rag that a murder will tame place, in their very home, that evening at six-thirty pm. Who is the victim and who the perpetrator of this dastardly crime? All will be revealed at the end of the play. CAST Sarat Broughton as Julia Simmons Jane Marsh as Letitia Blacklock Mollie Woodbine as Dora Brunner Hugh Everett as Patrick Simmons Juliette Wilson as Mitzi Ann McKenna as Miss Marple Lisa Barker as Phillipa Haymes Margaret Booth as Mrs Swettenham Matthew Foster as Edmund Swettenham Dave Midgley as Rudi Scherz Mike Shaw as Inspector Crtaddock Colin Bowles as Sergeant Mellors Directed by Helen Parry Designer: Mike Stocks Sound Design: Dave Healey Sound Operation: Chris Wetherill Lighting Design: Mike North Lighting Operation: Charlotte Scullard Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Previous Next Derek Cleal Derek is pictured in character in A Month of Sundays by Bob Larbey (writer of the TV comedy The Good Life ). He was a versatile actor who appeared in many plays in the 1990's. Derek especially enjoyed playing comedy roles, which he excelled at, such as Colonel Von Strohm in 'Allo 'Allo . Back to In Memoriam page

Return to Productions Archive Garrick Productions The Vicar of Dibley Dec 2013 Geraldine Granger is a non-traditional, chocolate loving, rock n' roll playing vicar, but that is not what gets the traditional and bizarre citizens of Dibley in an uproar. It's because she is a woman! Still, that doesn't stop Geraldine from proving her worthiness to the village in this hilarious adaptation of the popular TV comedy by the original author, Ian Gower. Ian says I very much hope that Garrick audiences enjoy the experience of seeing these wonderful characters come to life on stage, safe in the knowledge that all the royalties go straight to Comic Relief. Ran Dec 2, 2013 - Dec 7, 2013 Age guidance Venue Running time Tickets Price Range Description Geraldine Granger is a non-traditional, chocolate loving, rock n' roll playing vicar, but that is not what gets the traditional and bizarre citizens of Dibley in an uproar. It's because she is a woman! Still, that doesn't stop Geraldine from proving her worthiness to the village in this hilarious adaptation of the popular TV comedy by the original author, Ian Gower. Ian says "I very much hope that Garrick audiences enjoy the experience of seeing these wonderful characters come to life on stage, safe in the knowledge that all the royalties go straight to Comic Relief". CAST David Horton - David Reynolds Geraldine Granger - Victoria Johnson Hugo Horton - Hugh Everett Alice Tinker - Alison Davenport Letitia Cropley - Pat Williamson Jim Trott - Brian Tickle Frank Pickle - Bill Platt Owen Newitt - Andrew Higson Woman - Pat Head The Children - Zahra Ahmed, Amelia Beddy, Lucy Cotterell Jemma Gavin, Freya Gilbert, Nathan Ng Kitty Seth-Smith, Emily Stewart Prompt - Adele Taylor ASM - Pat Head Reviews From the Fiction Stroker in December 2013 https://thefictionstroker.wordpress.com/2013/12/03/the-vicar-of-dibley-live/ Taking a highly respected and successful TV sitcom and transporting it to the stage is not as straightforward as it might seem. Luckily, the Altrincham Garrick has the services of Ian Gower and Paul Carpenter. Gower has previous form having adapted and produced stage versions of other popular TV sitcoms like Dad’s Army and Porridge – and it shows in this affectionate and slick tribute to The Vicar of Dibley . For those not in the know, The Vicar of Dibley was a BBC sitcom that arose from from the Church of England allowing female vicars for the first time. Dawn French played Geraldine Grainger, a vicar assigned to the sleepy village of Dibley on and off from 1994-2007. Created and written by Richard Curtis (Four Weddings and a Funeral , Love Actually ) it was a significant hit with its blend of characters and gentle humour. Based on those scripts, Gower and Carpenter have taken many of the more memorable sections and distilled them into the Garrick’s adaptation. From the outrage of the Parish Council at the arrival of the new, female vicar through to Alice and Hugo’s unforgettable wedding, the Garrick’s production of Dibley is like a greatest hits package, and a rather splendid one at that. It is testament to the cross generation appeal of Dibley that people of all ages were filling up the Garrick’s seats. Dawn French’s depiction of Geraldine Grainger was perfection. French’s chocolate chomping, fun loving vicar was rightly a comedy highlight of the 1990s. Victoria Johnson has the difficult task of stepping into these shoes and pulls the role off with aplomb. An absolute triumph, she completely embodies the character and retains a slight French influence whilst still putting her own energetic and feisty mark on the character. It’s been commented that The Vicar of Dibley is something of an ensemble piece rather than being a vehicle for its main star. The same is true of the Garrick’s adaptation with a strong core cast of 8 sharing more or less equal stage time. It therefore becomes difficult to single out specific performances. Brian Pickle brings the idiosyncratic Jim Trott to life entertainingly with much of his performance prefaced with the character’s trademark ‘No, no, no, no..’ whilst Pat Williamson’s woeful cooking efforts as Letitia Cropley provide much amusement. David Reynolds’ ruthlessly officious David Horton is the perfect foil for Bill Platt’s mercilessly pedantic Frank Pickle. However, it is Andrew Higson’s note perfect Owen Newitt with his laconic delivery and risque comments that steals the show. Higson’s performance evokes disgust and sympathy from the audience in equal measure, with him proving to have impeccable comic timing. Hugh Everett’s physicality is put to good use as Hugo Horton’s awkwardness and shy nature manifest themselves whilst around Alison Davenport’s adorably dippy Alice Tinker. Everett and Davenport go under an endurance test of sorts during the performance, the exact circumstances of which I won’t mention here – but provided much hilarity for the audience! Celia Bonner’s direction completely gets the gentle nature of Dibley and makes for a formidable pairing when combined with Barry Fletcher’s excellent set design. It’s testament to the whole team that several times during the performance I caught myself believing I was watching the television version rather than a stage one. Close your eyes briefly, and you can believe you are listening to the original cast. By the time that David pleads with Geraldine to stay at the conclusion, you’re wishing you could see more of this excellent production – and with all royalties going to Comic Relief, you have no reason not to treat yourself this Christmas. The Fiction Stroker gives The Vicar of Dibley five strokes out of five. The Vicar of Dibley runs until Saturday 7 December at the Altrincham Garrick on Barrington Road, Altrincham. There is limited availability so book now! With thanks to the Altrincham Garrick. MESSENGER REVIEW By Julia Taylor Dippy vicar of Dibley wins hearts at Altrincham Garrick The warm-hearted, scatter-brained Vicar of Dibley has come to Altrincham Garrick. She isn't the Dawn French you saw between 1994 and 2007 but their very own Victoria Johnson. Victoria wins our hearts in this re-run of old episodes especially adapted for stage by Ian Gower and Paul Carpenter. She gets into scrapes, mostly of her own making, and tells the familiar, corny jokes. She comes across as a woman who loves life and is, consequently, loved back by the audience. Other familiar characters remind us of how funny this series was. We have inspired performances by Ali Davenport as the Rev's sidekick, the dopey verger, Alice, David Reynolds as the self-important David, Chairman of the Parish Council and Andrew Higson as farmer Owen who fancies the new incumbent. Another one with a glint in his eye is Hugh Everett as Hugo, David's not very bright son, who falls for Alice. I love the scene where, egged on by the vicar, they enjoy a marathon of a first kiss! Director, Celia Bonner, includes the programme's beautiful version of psalm 23. It brings back memories to the audience. After all, that is what they are here for. The highlight is the wedding of Alice and Hugo. What an amazing dress it is with love hearts all over it! The programme proudly includes a letter from Ian Gower mentioning that royalty monies will go to Comic Relief. We, too, enjoy comic relief. NODA REVIEW by Kevin Proctor So far this season, the Garrick box office have had exceptional responses to the selection of plays and musicals for this special season and judging from the turn out for The Vicar Of Dibley, this has clearly added to the list of success! Long may it continue! This warm and faithful stage adaptation of the popular BBC sitcom has jumped on the same trolley as Calendar Girls with an appealing charity attraction. The writers of the TV series have pieced together the shows most loved and memorable scenes to create a full length piece of theatre and are donating all of the royalty fees to Comic Relief. The script doesn't particularly translate very easily as the scenes are quite short and don't flow into one another particularly well, but - the success of this piece can only rely on how well the actors impersonate these recognisable characters and Director, Celia Bonner was certainly aware of that factor! Doing one thing we were always taught not to do; imitate the original! Being a huge fan of the TV programme it was evident how each player had studied the madcap bunch of characters; from the delivery and vocal infliction of the sentences to the length of the pauses, of course the blocking, each of the characters gestures and mannerisms had all been studied, every detail was exact to the show which added to the comedy. The story encapsulated the majority of the original show, from Geraldine's arrival in Dibley (Played by Victoria Johnson), her affection for chocolate, and the love affair between nice-but-dim couple Hugo and Alice. As with the TV show, all the fun was provided by the supporting cast. Stern councillor David Horton was played with plenty of stiff upper lip by David Reynolds, aghast that his son Hugo (Hugh Everett) was set to wed barmy Alice (Ali Davenport). All of the famous characters were very well executed but farmer Owen Newitt (played Andrew Higson) delivered my personal favourite and I'd say the most accurate interpretation of these characters to the stage, closely followed by Hugh's Hugo! Each of the many scenes provided a belly-laugh or two, all of which culminated in a wedding that had to be seen (again) to be believed. It was a riotous ending to an extremely enjoyable adaptation of a much-loved series. Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Previous Next Ian Appleyard Ian had been a member for over 50 years and spent some of his retirement as a volunteer member of the Front of House Staff. He also took on minor roles on stage in pantomimes and plays in the 1970s. Back to In Memoriam page

Garrick Cinema NATIONAL THEATRE LIVE: Les Liaisons Dangereuses Date range Tickets £18 - £21 Age guidance Venue Main House Trigger warning Find out more Book now Running time TBC Group bookings Find out more Accessibility Find out more Les Liaisons Dangereuses by Christopher Hampton, based on the novel by Pierre Choderlos de Laclos and directed by Marianne Elliott. BAFTA Award-winner Lesley Manville (Phantom Thread) joins Aidan Turner (Rivals) in a striking new staging of Christopher Hampton’s celebrated adaptation of the classic novel, where among the glittering salons of the super-rich, one misstep can mean ruin. Marquise de Merteuil is a master in the art of survival. Alongside the magnetic Vicomte de Valmont, they turn seduction into strategy and weaponise desire. But when their alliance collapses into rivalry, the battle between them threatens to destroy everyone in their path. Filmed live on stage at the National Theatre and shown on the Big Screen at the Garrick, Marianne Elliott (Angels in America) directs this thrilling game of love, lies, and social warfare. Garrick Cinema Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Return to Productions Archive The Business of Murder Ran Feb 10, 1997 - Feb 15, 1997 Age guidance Venue Running time Tickets Price Range Description Description to follow Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Visiting Production Pinked Floyd Date range Tickets £25 Age guidance Venue Main House Trigger warning Find out more Book now Running time TBC Group bookings Find out more Accessibility Find out more This eight-piece tribute band is delighted to return to the Garrick with an engaging and energetic performance celebrating the magical music of Pink Floyd. A stunning light and video show compliment their exciting and amazingly accurate performance of music spanning the entire output of the Floyd, with a selection of tracks from the timeless albums Dark Side of the Moon, The Wall, The Division Bell, Wish You Were Here, Animals, A Momentary Lapse of Reason as well as delving deeper into the Floyd back catalogue. Visiting Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews "Blown away by this band. Professional and talented on the next level!! I've sound engineered touring bands for many years and not many bands grab my attention the way these guys did.” (James). “I’m a lifelong Floyd fan and this was one of the best tribute band performances I’ve ever seen (and I’ve seen plenty)” (Mike Halls). “I've seen a number of Pink Floyd tribute bands over the years and I can honestly say that Pinked Floyd are by far the best. Never have I seen a group full of SUCH incredibly talented musicians, a lead guitarist that's so good you can't take your eyes off him and a singer so unbelievably good you can't breathe .... Pinked Floyd you nailed it!” (Joe Max). “My heroes will never be forgotten as long as you are on the stage and that’s from a 68-year-old roadie of the original PF! You are another brick in the wall!" (David Larkin, former PF roadie) Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Return to Productions Archive Garrick Production All the little Lights The Studio 2023/2024 Season - A Series of All Female Plays. Ran Apr 23, 2024 - Apr 28, 2024 Age guidance 14+ Venue Studio Running time TBC Tickets Price Range £12 - £14 Description “I know you want what everyone else wants. A family. A home. But you’ll never have it. Cos of what’s inside you.” In a world where nobody wants you, what would you do to survive? Joanne and Lisa were like sisters. Then Lisa left. Now they're back together for one last birthday party by the railway tracks. But can they salvage their friendship, or will ghosts from the past haunt them forever? Poignant, moving and darkly funny, All the Little Lights is the searing story of young girls slipping through the cracks in society, desperately searching for friendship, family and themselves. Reviews Rick Bowen from StageStruck - 4 Stars THE first thing I have to say about this play, the emotional equivalent of being hit by a train, is don’t be fooled by its cosy sounding title, with images of suburban cosiness. It couldn’t be further from the truth in Jane Upton’s remarkable piece of writing that’s both funny and painfully evocative. Joanne and Lisa, who had an almost sisterly bond until they separated, ache for a better life even though the spectre of sexual exxploitation lurks in the background and threatens to crush their dreams. Amy, described as being like a baby by the formidable and feisty Joanne is simply looking for somewhere to belong.. As the three girls there’s an unsettling authenticity to their performances with Georgina Brame, Natalia Leaper and Isabel Stuart-Cole deserving a far bigger audience than the one that trickled into the Lauriston on opening night. While Upton’s play is a very difficult watch in places, theatre is at its best when it gives a voice to the voiceless and humanises issues like child abuse. Director Meg Brassington, so, so funny in the lead role in the Garrick’s production of the Vicar of Dibley, proves she’s equally at home with the serious stuff and I also liked her very convincing litter strewn set which formed the girls’ hillside sanctuary. It was a brave decision for the Garrick to stage such a challenging play which deserves to do very brisk business at its box office. Star rating **** Gallery Trailer Trigger Warning This production contains extremely strong adult language and talks about sexual exploitation and the abuse of minors. Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive