A short obituary of Anne Chandler, from the Altrincham Garrick Society. Previous Next Anne Chandler Anne was part of a hugely talented family who contributed much to the Garrick, including husband, Terry, and daughter, Laura. She had a wonderful singing voice and, apart from appearing regularly in Garrick musicals, she was also a member of several local choirs and musical societies. Her credits included appearing in Mame , Cabaret , A Little Night Music , La Cage Aux Folles , and Acorn Antiques, the Musical . She also took a full part in the social life of the Garrick, performing in several fund-raising cabarets - and she became a regular behind the bar pulling pints along with Janet Slade and Elaine Saville - a formidable, yet fun, trio. Back to In Memoriam page

A short obituary of Peter Jackson, from the Altrincham Garrick Society. Previous Next Peter Jackson Peter was Head of Workshop throughout the 1990s and 2000s. Apprenticed for 7 years from the age of 14, he became a Master Joiner working in the domestic and commercial fields. After joining the Garrick, he worked on over 400 mainstage and studio shows building and helping to design sets and making props plus working, and collaborating, with stage crew, designers and directors. He was much appreciated by all of them for his expert knowledge. He also was involved with helping to put on the one-night shows performed by visiting professional acts. Outside the Garrick, he took a keen interest in country sports and activities. Back to In Memoriam page

A short obituary of Eric Bradshaw, from the Altrincham Garrick Society. Previous Next Eric Bradshaw Eric had an association with the Garrick for over 60 years. He, his wife Dallas and their son Stephen contributed huge amounts of time and effort to the success of the theatre. Eric's chief role was working on hundreds of productions as a member of the Front of House team ... we have no evidence that he ever appeared on stage. Back to In Memoriam page

A short obituary of Greta Donahue, from the Altrincham Garrick Society. Previous Next Greta Donahue Greta was a true Garrick all-rounder, undertaking numerous roles from the 1960s onwards into the 90s. She first performed on the Garrick stage in The Marriage Go Round in 1967 and followed that, shortly afterwards in the same year, by directing When We Are Married . In the 1970s, she acted in Oliver , The Wizard of Oz , and as Maria Helliwell in When We Are Married , as well as many others. She continued directing plays, such as A Curious Savage , ...and a Little Love Besides , and A Woman of No Importance . She also worked in the Wardrobe, acted as an occasional ASM, and choreographed the STAGE 2 production of Godspell . However, Greta's best-known role was as the Director of the Drama School (the precursor to GAPA) throughout the 1980s into the 90s. She produced Senior Drama School shows such as Free as Air in 1989 and Our Day Out by Willy Russell in 1990. When she retired from the Drama School, she was made a worthy Honorary Life Member for all her many contributions to the life of the theatre. Back to In Memoriam page

A short obituary of Jim O'Gara, from the Altrincham Garrick Society. Previous Next Jim O'Gara Jim was a delightful and highly skilled actor who played many leading roles in the 1980s and 90s, especially in Alan Aykbourn plays such as Bedroom Farce and Season's Greetings . These were often directed by Alan Rothwell, a professional director who himself was well known for playing David Barlow in the early years of Coronation Street . Jim's natural and easy style of acting was highly appreciated by audiences, and his comic timing and hilarious facial expressions were priceless. Back to In Memoriam page

A short obituary of Rita Howard, from the Altrincham Garrick Society. Previous Next Rita Howard Rita was a fine dramatic actress who joined the Garrick in the 1960's, but she also occasionally played comedy roles such as Madame Arcati in Blithe Spirit . With her strong and powerful personality, she later became actively involved in the day-to-day running of the theatre, serving on the Executive Committee for many years. She was also a leading member of the Play Selection and Casting Committee. Rita's overall contribution to the continued success of the Garrick cannot be underestimated. Back to In Memoriam page

A short obituary of Geoff Hinde, from the Altrincham Garrick Society. Previous Next Geoff Hinde Geoff was a very versatile actor with a wonderful sense of humour, who acted in dozens of plays at the Garrick. A youth actor, his first senior mainstage show was in A Midsummer Night's Dream in 1982. In Chicago , in 1987, he was memorably cast in the babies' chorus dressed in bonnet and nappy, a real challenge for him being a non-dancer. 1988 was a busy year for Geoff, with him first taking part in Pack of Lies , then appearing in a Garrick production at the Edinburgh Fringe and finally appearing in Night and Day , being described by critic Rick Bowen as "the slimy, sycophantic Wagner, played perfectly by Geoff Hinde". In 1990, he played the Stage Manager in the Garrick’s Northern Amateur Premiere production of La Cage Aux Folles and, in 1999, he was to be found running around Dunham Massey stable courtyard in a nightshirt as Mr Thwackum in Tom Jones . His final performance for the Garrick was in 2003 in The Hollow, playing the bluff country squire in full tweeds. Geoff was also associated with other local amateur societies such as The Club Theatre (now The Altrincham Little Theatre) where he was actor, stage manager and lighting technician; Cheadle Players; and Wilmslow Green Room taking part in productions at Gawsworth Hall. In addition to his massive involvement with theatre, and outside his job as computer software training manager, he was a talented musician and a member of Timperley Hockey Club for over 40 years both as a player, where his nickname was appropriately The Red Shadow with his theatrical background, and then later as Vice- President. Geoff also enthusiastically took part in all the social and fund-raising efforts at the Garrick, and he was wonderful company in the bar with his great sense of humour and ready smile. He always had a twinkle in his eye. Back to In Memoriam page

A short obituary of Charles Foster, from the Altrincham Garrick Society. Previous Next Charles Foster Charles was an outstanding Garrick actor in the 1960s and early 70s, appearing in numerous productions including The Crucible , Much Ado About Nothing , Wait Until Dark , and Say Who You Are . From the 1970s into the 90s, with his unmistakable voice, he became one of the most recognisable faces on Granada Television as an on-screen continuity announcer. He also provided the voice over on shows such as Judge Rinder , Catchphrase and The Krypton Factor , and he had acting roles in Coronation Street , Emmerdale and Crown Court . In 2009, Charles was asked to play Sergeant Wilson in the Garrick's memorable production of Dad's Army alongside Allan Taylor's Captain Mainwaring - the last roles played by both these acting stalwarts on the Garrick stage. Charles is pictured as Sergeant Wilson from that production. Back to In Memoriam page

A short obituary of Jan Maddox, from the Altrincham Garrick Society. Previous Next Jan Maddox Jan had been associated with the Garrick all her life, mainly supporting events on the social side of things at the theatre. She was often seen selling Christmas Draw tickets or serving up hot food at the many after-show parties over the years. Jan's maiden name was Byrom - she was part of the family that played such an important part in the formation of the Society and (in time) the theatre itself. All the meetings and rehearsals in the early days took place in her Great Grandfather's premises, known as Byrom's Buildings on Kingsway in Altrincham. Jan's Grandfather was a founder member and remained involved throughout his life and, naturally, introduced her to the theatre. Jan is sadly missed by all her many friends and family, and particularly so by all of at the Garrick. Back to In Memoriam page

A Murder is Announced at the Altrincham Garrick Theatre. Garrick Production A Murder is Announced Ran Feb 5, 2001 - Feb 10, 2001 Age guidance Venue Running time Tickets Price Range Description An intriguing whodunnit from the masterly pen of perhaps the world's best-known crime writer, the "Duchess of Death" as she has been called. Generous and caring Letitia Blacklock provides shelter for an assorted cast of misfits and life is proceeding uneventfully until the announcement in the local rag that a murder will tame place, in their very home, that evening at six-thirty pm. Who is the victim and who the perpetrator of this dastardly crime? All will be revealed at the end of the play. CAST Sarat Broughton as Julia Simmons Jane Marsh as Letitia Blacklock Mollie Woodbine as Dora Brunner Hugh Everett as Patrick Simmons Juliette Wilson as Mitzi Ann McKenna as Miss Marple Lisa Barker as Phillipa Haymes Margaret Booth as Mrs Swettenham Matthew Foster as Edmund Swettenham Dave Midgley as Rudi Scherz Mike Shaw as Inspector Crtaddock Colin Bowles as Sergeant Mellors Directed by Helen Parry Designer: Mike Stocks Sound Design: Dave Healey Sound Operation: Chris Wetherill Lighting Design: Mike North Lighting Operation: Charlotte Scullard Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

It Runs in the Family at the Altrincham Garrick Theatre. Garrick Production It Runs in the Family Ran Invalid Date - Apr 11, 2017 Age guidance Venue Running time Tickets Price Range Description Hilarious comedy from the Master of Farce If you are a leading surgeon in London's most prestigious hospital and you are delivering the 'Lecture of the Year' to a hundred of the world's leading physicians, the last thing you want is a distraught mistress from 20 years ago turning up. Well Dr. Mortimer can cope with that, but when the erstwhile mistress says that the result of their past union was a baby boy, he is more than gobsmacked. And when the ex-mistress then tells him that the baby boy, now a strapping sixteen-year old, is waiting outside to be introduced, there is only one course of action... send for faithful friend, Dr. Bonney. Typical Cooney complications ensue involving a police sergeant, Dr. Mortimer's wife, a severe hospital matron and Dr. Bonney's mother, although why Dr. Bonney has to impersonate both matron and Al Jolson is too complicated to explain here. This production is proudly sponsored by [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_2629.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_2648.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_2654.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_2682.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_2713.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_2719.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_2775.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_2819.jpg|"] Photographs by Vish Sharma CAST Dr. David Mortimore - Jonathan Black Rosemary Mortimore - Claire Mather Dr. Mike Connolly - Andrew Higson Dr. Hubert Bonney - Mike Shaw Sister - Adele Higson Matron - Jill Ratcliffe Jane Tate - Lise Banks Leslie - Oliver Knowles Sir Willoughby Drake - David Reynolds Police Sergeant - Paul Wilson Bill - Graham Simmonds Mother - Janet Slade Review by Rick Bowen for Stagestruck They say laughter is the best medicine and I received an unexpected dose while watching this hospital based farce from the undisputed king of the genre, Ray Cooney. I say unexpected because farces usually leave me cold and while some of the jokes are dead on delivery this is a fun, frantic and perfectly paced evening's theatre. Dr David Mortimore's past catches up with him when an old flame turns up at his hospital with the sort of Christmas present he wasn't expecting in the shape of the son he's never met. Leslie is the archetypal angry young man, desperate to find his real dad. Mortimore, on the other hand, is desperate to keep his true identity a secret and his hapless colleague Dr Robert Bonney ends up covering for him. Throw a batty old boy into the comedy mix in the shape of Bill (Graham Simmonds) and you have the recipe for laughs. Bill has keen eye for the ladies and a raging libido to boot and Simmonds relishes and shines in the same way Jonathan Black enjoys the incurable schemer Dr David Mortimore. Mike Shaw rises to the many challenges playing Bonney throw up. This is a real test of his verbal and visual comic skills. Nobody looses their trousers in this play, just their dignity. All in fun of course and you're sure to enjoy the later scenes involving a decidedly "under the weather" Matron, played by an excellent Jill Ratcliffe. Director Alan Clements certainly gets the best out of cast who give the distinct impression they would happily stay on stage all night. While I wouldn't go as far as to call myself a convert, this entertaining production has made me look at farces in a whole new light. Great escapism - go and wallow in the silliness. Star rating ★★★ Review by Julia Taylor for Sale and Altrincham Messenger WHAT better setting could you have for a farce than a hospital? Ray Cooney's It Runs in the Family at Altrincham Garrick Playhouse with its twists and turns and exaggerated characters is set in such a place. The leading physician, Dr David Mortimer, is regarded as a pillar of society. But is he? Suffice it to say he is one of the leading fib tellers, Jonathan Black captures his situation well and is especially amusing when he prepares for an important lecture. His sidekick is Dr Hubert Bonney, played with appropriate eccentricity by Mike Shaw. He comes to the rescue when Dr Mortimer?s former mistress, Jane Tate (Lise Banks) turns up to tell that someone from his past is waiting to see him. To add to the deception, Dr Mortimer's wife, Rosemary, a forthright Claire Mather, is there and has to be kept in ignorance of the truth. Graham Simmonds does well as Bill, a patient who gets caught up in the tangled web of deceit. The youngest cast member, Oliver Knowles, plays the son perpetually searching for someone. I am impressed with the fast pace maintained throughout, a credit to director Alan Clements. As the action gets faster and faster and more complicated you realise the hours of practice that have gone into making it such a success. Mix in some cross dressing and you have the perfect recipe. Star rating ★★★ ★ Review from NORTH WEST END Written by "farceur par excellence", Ray Cooney, 'It Runs In The Family' is a superb British farce, full of miscommunication, misunderstandings and mishaps. I'm not usually a fan of farce as I generally find it very frustrating but tonight's performance at The Altrincham Garrick had me chuckling and laughing out loud virtually all evening. A perfect antidote to a grey Monday! The plot is intricate but actually not too difficult to follow although it is obviously quite ludicrous which is what makes it so funny. Without revealing any spoilers, the basic premise is that Dr David Mortimore is preparing to give a very important lecture which could possibly put him in line for a knighthood. Along comes a past lover from nineteen years ago plus her eighteen year old son... Throw in a vicar with piles and gout, a confused Policeman and a non-existent dog called Les and you have all the makings of a perfect evening! The stars of tonight's show for me were Dr David Mortimore (Jonathan Black) and Dr Hubert Bonney (Mike Shaw). Their performance is the bedrock for this production.?? They have perfect comic timing, great expression and they both look great in blonde wigs. Dr Bonney is the perfect stooge to Dr Mortimore's 'straight man' and the two of them together are comedy gold. Hold on to your sides when Dr Bonney has a case of mistaken identity with Matron and look out for his coy yet seductive rendition of 'Falling In Love Again'. This was one of the high points of the evening and showcased Mike Shaw's versatility. He is clearly very at ease in a comedy role and he carries it off perfectly. The comedy is well paced with excellent timing. Jonathan Black plays his role as slightly caddish Dr Mortimore with suave ease, whilst Mike Shaw's fraught and frantic Dr Bonney is hilarious and totally entertaining. Much of the farce emanates from Dr Mortimore who is concocting one (ridiculous) lie after another and everything spirals into a chaotic yet superbly entertaining and well drawn together comedy. There is a comedy gem in nearly every line and just when you think things can't get any more ridiculous... As with most farces, there is an element of physical comedy which is well directed and acted without being too over the top the window scene had the audience almost crying with laughter and it was extremely well executed by everyone and with excellent attention to detail. Director, Alan Clements, has done a wonderful job, it would be easy for some of the scenes to descend into overacted chaos but they don't and it was clear to see that much work has gone into ensuring that this show retains all of its excellent humour without becoming too slapstick. The set is excellent, you are in no doubt straight away that the play is set in a hospital and there was good use of the stage and the various doors and windows. Credit to Juliet Jones, the set designer, as this is one of the more robust and well constructed sets that I've seen. There were a few fluffs and just one or two moments when I wasn't sure whether a couple of lines had been forgotten, I am sure this was nothing more than first night nerves and it didn't detract from the enjoyment at all. The proof of the success of this production was demonstrated by the audience reaction tonight, there was barely a moment when people weren't laughing. Congratulations to all involved, it was a thoroughly entertaining and hilarious evening. Reviewer: Nicky Lambert. Star rating ★★★ ★ Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

The Secret Garden at the Altrincham Garrick Theatre. Garrick Production The Secret Garden Ran Invalid Date - Jun 21, 2016 Age guidance Venue Running time Tickets Price Range Description The magical musical based on the classic children's book Frances Hodgson Burnett's beloved victorian classic, The Secret Garden, blossoms anew in this enchanting musical by Pulitzer Prize-winner Marsha Norman and Lucy Simon. When young Mary Lennox loses her parents to a cholera outbreak in India, she is sent to live with her uncle, hermit Archibald Craven, who lives in an imposing, secluded manor on the British heath. Inside the haunting house upon the hill, Mary finds a reclusive, long-suffering collection of souls. Since her aunt Lily's death, Mary's uncle has pushed away his surviving loved ones, leaving his bedridden son, Colin, alone. Sickly Colin, hidden away in the depths of the manner, bears the guilt of his mother's death on his crippled shoulders. When Mary discovers her Aunt Lily's hidden garden, locked shut and overgrown with vines, stubborn Mary is determined to revive the beauty that once was. Surrounded by spirits from the past, who both warn and welcome her, determined Mary begins to peel away the layers of sadness that cover the house and the garden, showing us the power that one small girl can have when she wants things to grow.? The production is proudly sponsored by Allen Mills Howard & Company [gallery ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_2635.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_2772.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_2804.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_2813.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_2431.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/06/DSC_2578.jpg|"] PHOTOGRAPHS by Vishal Sharma CAST Lily (Dreamer) - Sasha Carrillo de Albornoz Mary Lennox - Alice Cross Mrs Medlock - Ros Greenwood Dr Neville Craven - Chris Wagstaff Martha - Lara Hancox Archibald Craven - Joshua Lloyd Ben Weatherstaff - Dave Richardson Dickon - David Beeby Colin Craven - Theo Hill Mrs Winthrop - Christine Perry Rose Lennox (Dreamer) - Pippa Greenhalgh Captain Albert Lennox (Dreamer) - Sam Berrie Alice (Dreamer) - Lauren Whiteley Lieutenant Wright (Dreamer) - Tim Hotham Lieutenant Shaw (Dreamer) - Jackson Hayes Major Holmes (Dreamer) - Josh Crook Claire Holmes (Dreamer) - Ella Kirk Ensemble of Dreamers - Liam Dodd, Rose Wilson, Aidan Burgess, Tabitha Hughes, Matthew Spilsbury, Brendan Cunningham, Danny McCarrick Review by R ick Bowen for Stagestruck The Secret Garden is a vocal and visual treat, a production that doesn't tear at the heart strings. It plucks them out completely. Prepare to be moved, deeply moved. It also reminds us that this theatre is more than capable of matching the artistic output of Manchester's professional venues. You wouldn't expect anything less really, when you look at the creative team behind it. Director Joe Meighan, designer Barry Purves and musical director Mark Goggins. All three are incapable of putting a theatrical foot wrong. And what about little Alice Cross, a bright, engaging bundle of energy as the orphaned Mary Lennox, sent to live in her uncle's rambling old house after the untimely death of her parents. The house is a monument to decay and her uncle Archie, consumed by grief, has stopped living. He simply exists, and Joshua Lloyd is outstanding in the role. He has a terrific stage presence, a quality shared by Alice who has a professional career ahead of her should she wish to follow that particular path. While roaming the corridors of her bleak new home Alice meets and strikes up an unlikely friendship with Colin (Theo Hill), seemingly a sickly child too weak to go out and play. There are some memorable verbal spats between the two. For me the best songs are in act one, some of the numbers so emotionally intense I felt both emotionally drained and yet strangely uplifted by the time the interval came. Brace yourselves for a memorable ending, full of colour and spectacle. Do not miss this. Star rating ★★★★★ Review by Julia Taylor for Sale and Altrincham Messenger Altrincham Garrick's The Secret Garden can melt the hardest of hearts The Secret Garden, at the Garrick Playhouse, can reduce the hardest of hearts to jelly because it's all about the best side of human nature. With book and lyrics by Marsha Norman and based on Frances Hodgson Burnett's 1911 tale, it tells of Mary Lennox, orphaned in India and sent to live with her reclusive uncle, widower Archibald Craven (Joshua Lloyd). There, she not only discovers Colin, a lonely child invalid, but a secret garden once cultivated by her late aunt She brings it to life which helps to heal inner wounds both she and Colin share. The music is by composer, Lucy Simon and performed by an orchestra directed by Mark Goggins. Without exception, every singer has great musicality but it is Joshua Lloyd who stands out. His voice is positively operatic. The remarkable thing is that this production is led by children. In particular, eight-year-old Alice Cross who plays young Mary. She sings and interacts with a poise beyond her years. On stage most of the time, you can hear her every word. Eleven-year-old Theo Hill plays Colin, who believes he will die before he grows up. Rugged country boy Dickon is 21-year-old David Beeby. I also single out Sasha Carrillo de Albornoz as Colin's spirit-like mother, Lily, and Pippa Greenhalgh who appears as Mary's late mother, Rose. This show owes much to the imaginative direction of Joe Meighan. Star rating ★★★★★ Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

A short obituary of Sir Fergus Montgomery, from the Altrincham Garrick Society. Previous Next Sir Fergus Montgomery Sir Fergus Montgomery, our President for over 30 years, was held in great esteem and affection by all of us. He worked tirelessly to ensure that our efforts to fund the refurbishment of the Garrick (in 1999) were successful. We owe him a huge debt of gratitude, as without him the Garrick would not be the jewel it is today. His love of the theatre was immense and his encouragement was an inspiration. Back to In Memoriam page

We are always looking for new talent (of any age) to work in all areas of the theatre – no experience is necessary as you will be given full training by our qualified staff. Get Involved Garrick Merchandise Show your love for theatre and support the Garrick by marketing it wherever you go. Garrick-branded T-shirt Garrick-branded Polo shirt Garrick-branded sweatshirt Garrick-branded hooded fleece Order directly from the supplier Delivered straight to your door No mark-up – all merch helps spread the word about our theatre! Visit the Merchandise Shop Don’t forget : Garrick Mugs, Water Bottles, and Tote Bags, as well as music sheets for the Choir and scripts of past productions, are also available to purchase directly at the Box Office. Grab your merch, wear it proud, and help market YOUR theatre! Join our mailing list Subscribe

A short obituary of Gordon Prentice, from the Altrincham Garrick Society. Previous Next Gordon Prentice Gordon was a wonderful comedy performer who excelled in the Old Time Music Halls that, for 15 years, were an institution at the Garrick. He took part in almost all of them annually from the early 1970s, until the last one in 1990, and is pictured here as a Pearly King in 1978. He also appeared in several pantomimes such as Dick Whittington, Aladdin , and as an Ugly Sister in Cinderella . His first performances on the Garrick stage were in serious dramas such as Luther in 1972 and Macbeth in 1973, but it wasn't long before he was cast in comedy roles such as the Scarecrow in The Wizard of Oz , There Goes the Bride ', and See How They Run. Gordon also took part in most social events and cabarets in the bar, and worked in the Front of House team. Back to In Memoriam page

A short obituary of Richard Honeyman, from the Altrincham Garrick Society. Previous Next Richard Honeyman Richard acted in plays and also directed several, between the 1970s and his death in the 1990s. Back to In Memoriam page

Jumpers for Goalposts at the Altrincham Garrick Theatre. A hilarious and heart-warming comedy Garrick Production Jumpers for Goalposts A hilarious and heart-warming comedy Ran May 9, 2022 - May 14, 2022 Age guidance Venue Running time Tickets Price Range Description A hilarious and heart-warming comedy about football, friendship and finding your way. “Barely Athletic” are part of a four-team five-a-side LGBTQ+ football league which Viv, their bullish head coach, is desperate to win. Or if they can’t win, at least they should try not to lose. Chucked out of the “Lesbian Rovers” for being too bossy, she desperately tries to instil some competitive spirit into the boys. Problem is, Beardy Geoff is copping off with the opposition, Danny is nursing a painful secret, Luke only joined because he fancies Danny, and Viv’s brother-in-law Joe is trying to cope with his grief after losing his wife. Together, they might just be able to claw back up from the bottom of the league… Tom Wells’ drama bears the hallmarks of his warm comedic style, which were displayed in his previous hit play “The Kitchen Sink”, and is a paean to the virtues of friendship and love. Jumpers for Goalposts premiered at Watford Palace Theatre in 2013, before touring the UK, including a run at the Bush Theatre, London. Warning: Strong language Altrincham Garrick Playhouse is proud to support the George House Trust. Since 1985, George House Trust has been inspiring people living with HIV to live healthy, confident lives by providing HIV support, advice and advocacy services. For more information email: talk@ght.org.uk Reviews Review by Rick Bowen at Stagestruck Jumpers For Goalposts will, on the evidence of Monday night’s performance, attract a different, younger audience. For far too many years Altrincham Garrick has been seen as a safe night out for older people and the appointment of artistic director Joseph Meighan, a dynamic and adventurous twenty something, is about to change that misguided perception. A quiet revolution is taking place on Barrington Road and it feels so exciting and exhilarating to be part of it. But this theatre is working hard to get the message across that the Garrick is a theatre for everybody. All power to their elbow, say I. Jumpers for Goalposts follow the misfortunes of Barely Athletic, a five-a-side team largely made up of gay men who struggle with the basics of the beautiful game. This doesn’t stop Viv, their straight talking coach with a very short fuse, encouraging her clueless charges to try to win the league in which they play. It’s certainly a league with a difference – one team plays in drag! The play takes place in the club’s dressing room, an ideal backdrop for writer Tom Wells to delve into the private lives of the players, including a burgeoning relationship between Danny and Luke. Danny carries a secret that he feels unable to share with the childlike Luke, a lovable geek and a study in social awkwardness. Joe Meighan, who directs this engaging, absorbing and heart-warming comedy must have thought all his birthdays had come at once when Dan Ellis and Mason Lockwood turned up to audition for these roles. If anyone was ever born to play these parts it’s these two actors and Lockwood, who gets the funniest lines as Luke, displays a sense of comic timing that is simply second to none. Beverley Stuart-Cole is highly believable as Viv, Sebastian Farrell is also enjoyable as the team’s token straight man Joe, aka the keeper who couldn’t catch a cold and Lewis Sewell is perfect as the crackpot Beardy Geoff. Throughout the production the cast convinces the audience they’re watching a real football team, complete with the personality clashes you find in all organisations, sporting or otherwise. They say football is a game of two halves and that old adage can certainly be applied to Jumpers for Goalposts , with the best one liners saved for the second half. While this play contains some strong language it’s in context and gives the play a realistic feel. It’s sure to strike a chord with anyone whose set foot inside a sports club’s dressing room while not alienating those who haven’t. Great fun, with a dash of poignancy thrown in. Until May 14. Tickets are available from 0161 928 1677. Star rating **** In aid of The George House Trust. Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

A short obituary of Brian Moore, from the Altrincham Garrick Society. Previous Next Brian Moore Brian was introduced to the Garrick in 1965 by his then girlfriend, soon to be wife, Ann, who was auditioning for the pantomime The Wizard of Oz . By the time they left that evening, Brian had been cast as The Scarecrow and had become a fully paid-up member of the theatre. Brian went on to act in or be involved with dozens of plays and musicals over the next 50+ years. After his final show, when he was in his late 70s, he turned his hand to assisting many other areas of the theatre, including the bar and, with the help of others, running the Sunday Jazz lunches. Finally, after the refurbishment of the theatre, Brian took over the running of the confectionery kiosk. He introduced the selling of ice creams within the auditorium during the interval, making in his time many thousands of pounds for the Garrick. When not at the theatre, Brian could be found at the golf course enjoying the outdoor life. Brian was delighted to have been made an honorary Life Member of the Garrick theatre. Back to In Memoriam page

A short obituary of Norma Noar, from the Altrincham Garrick Society. Previous Next Norma Noar Norma served the Garrick in many ways over many years, as a member of the Social Committee, working as an ASM or Prompt, and for a very long time as a highly-valued member of the Play Selection and Casting Committee. In the latter role she was also a tireless administrator - organising all the performance licenses for Garrick productions and ordering the many scripts. Back to In Memoriam page

A short obituary of Buff Monck, from the Altrincham Garrick Society. Previous Next Buff Monck Buff is pictured, in character, in the play 'Norman' in 1972. He was an Honorary Life Member, having been a volunteer at the Garrick for almost 40 years. He was Stage Manager of numerous plays from the late 1950s until 1980, but he also appeared on stage in various productions, including pantomime and large cast plays such as Midsummer Night's Dream , mostly in smaller roles. He was also involved with the stage crew and set construction, and he played an active role in the social life of the Garrick. Right up to his death in 1993, he was still attending every show and enjoying a pint in the bar. Back to In Memoriam page

A short obituary of Alan Rothwell, from the Altrincham Garrick Society. Previous Next Alan Rothwell Alan had a long and distinguished association with the Garrick for over 20 years as a professional director, starting in 1991 with A Small Family Business by Alan Ayckbourn. He often directed comedies such as Dad's Army , 'Allo 'Allo , Yes Prime Minister , Noises Off and Calendar Girls. He was often associated with Ayckbourn plays such as Bedroom Farce and Seasons Greetings, and he also directed more serious plays such as Atonement and Once a Catholic . Born in 1937 in Chadderton, Oldham, Alan started his acting career at age 10 in BBC Radio's Children Hour before going on to study at RADA. Professional acting credits include The Archers , Coronation Street (in the very first episode as David Barlow in 1960), Brookside , Top Secret , Heartbeat and Doctors . He was also the host of BBC Children's education series Picture Box . Alan was highly regarded at the Garrick, and he is remembered as a very approachable and likeable person who always brought the best out of his casts. Back to In Memoriam page

A short obituary of Izzy (Valerie Isabel) Dempsey, from the Altrincham Garrick Society. Previous Next Izzy (Valerie Isabel) Dempsey Izzy was an invaluable volunteer member of the Front of House team, which she joined in 2011. She quickly learnt the ropes of the role : usher, ticket collector and programme seller. In 2014, despite poor health, she started running the kiosk in conjunction with Eileen Smith, following the retirement of Brian Moore . This is a vital role, especially in Panto season when the sales of ice cream absolutely rocket. Later, she and Eileen even redecorated the kiosk. With her excellent organisational skills, in 2018/19 Izzy began managing the merchandise stand during the Pantomime (see picture) and, in 2023 (following the Covid lockdowns), set up the very successful and revamped coffee bar. Never complaining, and always positive, Izzy was fun loving and compassionate with a wonderful sense of humour - absolutely nothing was too much trouble. Back to In Memoriam page

Pride and Prejudice at the Altrincham Garrick Theatre. Garrick Production Pride and Prejudice Ran Invalid Date - Jul 24, 2013 Age guidance Venue Running time Tickets Price Range Description The wildly romantic world of Regency England is brought to vivid life in this sparkling new stage adaptation of Jane Austen's classic tale of love, family, and the politics of marriage. When the independent minded Elizabeth Bennett meets the enigmatic Mr Darcy, her opinions on marriage are profoundly tested. Can he overcome his pride and she her prejudice to make an ideal match in a society where social standing outweighs personal feeling? Critics describe Janet Munsil's adaptation as 'Funny, fierce, romantic...undeniably engaging'. [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/Pride-and-Prejudice-5.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/Pride-and-Prejudice-4.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/Pride-and-Prejudice-8.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/Pride-and-Prejudice-1.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/Pride-and-Prejudice-3.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/Pride-and-Prejudice-2.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/Pride-and-Prejudice-6.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/Pride-and-Prejudice-7.jpg|"] CAST Jane Bennett - Susie Crystal Lizzie Bennett - Laura Whitehurst Mary Bennett/Georgiana Darcy - Annabel Butcher Kitty Bennett/Lady Anne De Bourgh - Emily Waldie Lydia Bennett - Rachel Mayon Mr Bennett - Martin Oldfield Mrs Bennett - Jacqui Wheble Mr Gardiner - John Westbrook Mrs Gardiner - Sarat Parker Broughton Charles Bingley - Stuart Billson Caroline Bingley - Rachel Isbister Charlotte Lucas - Jess Brooks Mr Darcy - Anthony Morris Mr Collins - Adam Gonet George Wickham - Daniel Ferguson Lady Catherine De Bourgh/Mrs Reynolds - Celia Bonner Dancers: Paul Wilson, Rose Wilson, Craig Barrett, Crystal Toth. Assistant to Director - James Mitchell Choreographer - Celia Bonner Prompt - Sandra Thomas ASM's - Adele Higson, Dave Midgley Messenger Review by Rick Bowen Classic love story at Altrincham Garrick Laura Whitehurst as Lizzie Bennet Fine dresses, fluttering fans and women who live to land a handsome, well-heeled husband. Welcome to the world of Jane Austen, recreated on the stage of Altrincham Garrick this week in Janet Munsil's perfectly paced adaptation of the classic novel. Personally, I've never been able to work out if Austen loved or simply tolerated a world that often seems shallow and superficial. It is remarkable though, how fresh the dialogue sounds, moments of wit punctuating the drab society small talk. Laura Whitehurst, pretty and elegant, is particularly impressive as Lizzie Bennet, the heroine of the piece and Laura particularly shines during the scenes in which she fends off the romantic attentions of the boring as hell clergyman Mr Collins. I've watched Adam Gonet grow as an actor and he plays this part really well. Collins may be incurably dull but Adam manages to make his character, who has a very unique dancing style, rather lovable. Colin Firth immortalised the Darcy role on the big screen and Anthony Morris cuts a dashing figure in the Garrick production, with Anthony bringing a quiet charisma to this most famous of roles. One of the best performances of the evening comes from Jacqueline Wheble as Mrs Bennet, forever flustered and trying so hard to make sure her flirty, gossip craving daughters stay on the straight and narrow. Add a lovely set and you have a highly watchable evening of escapism, with a few laughs along the way. Review of by Julia Taylor for remotegoat It's over 200 years since Jane Austen's Pride and Prejudice was written but the version presented at Altrincham Garrick Theatre is less than two years old. Janet Munsil's revival was commissioned by Theatre Calgary and the National Arts Centre, Ottawa in 2012. Whilst sticking to much of the original, Munsil makes the classic accessible to modern audiences. It's about the Bennets who in the age of elegance in Georgian England, believe it imperative that their five daughters are married off to wealthy suitors. Mr Bennett and his wife, played warm-heartedly and with great humour by Martin Oldfield and Jacqueline Wheble have pressing financial reasons to get their girls wed. Eldest daughter Jane (an amiable Susie Chrystal) soon becomes acquainted with the wealthy Mr Bingley (Stuart Billson) who moves in next door and they quickly tie the knot. But that is after the family are disgraced when another daughter, Lydia (Rachel Mayon), runs off to Brighton with the disreputable George Wickham (Daniel Ferguson). But Lizzie, the strong-minded, opinionated second daughter played by a feisty Laura Whitehurst, is not so easily trapped into matrimony. She is repulsed with Mr Collins, an uncouth clergyman, played charismatically by Adam Gonet who, in an amusing scene, attempts to woo her. We wonder, will she or will she not, succumb to another proposal by the charming Mr Darcy Anthony Morris portrays him as the strong, silent type who finally breaks through the barrier he creates. What I really like about this production is the way it captures the attitudes of a time when women had few rights and whose fortunes relied solely on their men folk. Yet often the women in question use feminine wiles to get their way. There are some lovely ball scenes which in themselves convey attraction between the sexes. The costume department deserve praise for the regency clothes of both sexes and the inconspicuous scene changes ensure smooth delivery. Star Rating ★★★★ NODA Review by Kevin Proctor As we're vastly approaching the 100th season finale, the Altrincham Garrick presents this classic Jane Austen drama. You can certainly see with this piece just how Jane Austen (the godmother of the rom com) has inspired so many writers, needless to say that these classics have helped shape so many flicks of today. This productions design was very picturesque; the collection of arches conveyed the grandeur the piece needs, I liked that the set was fairly minimal and static throughout which erased any unnecessary fuss which often accompany period pieces, the design cleverly helped to divide the space when it needed to and the lighting was finely coordinated to credit the stage design. I'm sure that (sat directly behind me) was the Austen-mania fan-club who seemed to get overly hyper with excitement whenever 'Darcy' made an entrance, one of the Gents in the party felt the need to inform us all that he'd spotted 'Darcy' with a; 'Ere 'e is!' each time he walked on - which I must admit did get a little tiresome mid-way through the second half. Laura Whitehurst as Lizzie is strikingly beautiful and can certainly portray excellence on stage though I felt this character's wit and mischief was missed. Actors are often taught to regularly watch themselves perform (in a mirror at rehearsals or on a recording) Laura is an intense performer and often has a very serious and taut expression which gives the impression she's not relaxed and for a role such as this, it made her performance and character quite a challenge for me to engage with. There were some lovely touches of direction with innovative and interesting staging choices which appropriately complimented this revival, I particularly appreciated moments which had been included to feature the casts obvious physicality - rather than ignore the vast height difference between Charlotte and Mr Collins it was cleverly highlighted which resulted in some welcome humour. For a period piece - and keeping in mind the usual standard and expertise in this companies costume department - I was expecting more of an impressing collection of costumes. The gentlemen donned dinner jackets in scenes that were set during the day and the vast majority of the cast (including main principals) had one outfit each for the shows entirety. I was stunned when Mr Darcy made his first appearance - which I cannot overlook - in a pair of terribly creased and crumpled trousers. This was either some unfortunate oversight or an act of carelessness but none the less, it's highly unforgivable and embarrassing for the aristocratic lead in a period piece (which just happens to be the most iconic and suave of Austen's characters) to enter dressed like a tramp.Rachel Isbister as Caroline Bingley had spark and charisma in her scenes, I?d go as far to say that her interpretation and delivery was the most interesting and engaging, however, her make-up (whether deliberate or not) stood apart from the rest and looked too modern. Jane Bennet, played by Susie Chrystal, and George Wickham, played by Daniel Ferguson were both particularly good, it was a shame both their roles were as short lived as they were. Anthony Morris took the role as the regency heartthrob Mr Darcy, a role which is somewhat difficult to pull off; to portray a balance of 'romance' and 'arrogance' without one overpowering the other is incredibly difficult to convey and Anthony certainly put in a worthy shot. I appreciate that being able to present this piece requires a strong forte amongst the companies younger membership, casting such plays cannot be easy though I couldn't help but feel that Stuart Billson (as Charles Bingley) and Adam Gonet (as Mr Collins) would have been more enhanced if they had been given the opposite roles; I couldn't take to Stuart in his part and didn't feel he particularly suited this type of character whereas Adam , who certainly did a creditable job, I feel it would have been far more realistic if they'd have been switched. This piece requires a large cast and, understandably, a few players doubled up on roles - a creditable mention must go to Annabel Butcher who most successfully transformed herself from Mary to Georgina, she was almost unrecognisable. Celia Bonner's sly control of Lady Catherine's temper in the later scene also scores points. Letter of thanks sent to the Garrick... Dear Altrincham Garrick Playhouse, I came to see Pride and Prejudice last night and felt that I must write as it is amongst the very finest productions I have seen in the countless years I have been attending the Garrick. Costume dramas are a genre in which I have found the Garrick are particularly adept at staging, however with this production things seem to have stepped up another gear entirely. It is wonderful to see such young talent on the Garrick stage in large numbers. Of course the familiar faces of Martin Oldfield, a superb Jacqui Wheble, John Westbrook, Sarat Parker Broughton and Celia Bonner - all of whom are quite excellent - are on hand to add further levels of experience, but it is many of the young actors who truly shine through. Of particular note, young Laura Whitehurst and Adam Gonet are both quite magnificent as Elizabeth and Mr. Collins (with the latter providing a true comic masterclass), and there are fine turns from (a radiant) Susie Chrystal, Stuart Bilson, Anthony Morris, Rachel Mayon, Jess Brooks, Emily Waldie, Rachel Isbister, Annabel Butcher and Daniel Ferguson (the latter three I am told all make their first appearance on the Garrick stage). Sonia Dykstra's direction is excellent, scene changes are executed with impressive skill and the choreography is delightful. Please congratulate all involved on a truly wonderful production E-mail Received to the theatre Dear Altrincham Garrick, Please pass on my congratulations to the cast on a superb production of Pride and Prejudice. The novel has for many years been a personal favourite of mine, having studied it closely since my school days, and I have to say that this production gets everything absolutely spot on. I have known Sonia for a few years now and she always gets the best out of any production. The costumes as expected from a Garrick Playhouse show are exquisite and the minimalist set ultimately works in favour of things, never threatening to detract from the action. The music is utilised particularly well and the dinner table sequence was for me a particular highlight of the evening. Again as expected the acting is of professional standard. The reviewer in the newspaper singled out a select few performers and in all honesty I cannot argue with their view. Mr and Mrs Bennett both standout, as do Jane and Mr Bingley, however it is?Mr Collins and Eliza who fully deserve the highest acclaim of the night. The two are indeed outstanding and their scenes together are a pure delight to watch. Mr Collins is incredibly accomplished in ability, stage craft and comic understanding for so young an actor and Elizabeth really?showcases?her high skill as a stage performer. There is a strong chemistry between these two young performers and I only hope to see them paired together on the Garrick stage again very soon. Please pass on this message to the team and I look forward to visiting again soon. Kind regards, Sarah [gallery ids="|"] [gallery columns="5" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/13314978195_720742174e_z.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/13314985565_696e864d78_z.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/13314998315_f8ab0c9e30_z.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/13315138203_1cf9e20206_z.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/13315150253_22e3808610_z.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/13315152373_a868895a9a_z.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/13315352014_8483d65193_z.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/13315357074_3426d6ce2b_z.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/13315363274_6406f751e3_z.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/13315366024_8914c9f51b_z.jpg|"] Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Cinderella - A GAPA Spring Pantomime at the Altrincham Garrick Theatre. A classic Fairytale Panto style, performed by our Youth Academy Garrick Production Cinderella - A GAPA Spring Pantomime A classic Fairytale Panto style, performed by our Youth Academy Ran Mar 11, 2024 - Mar 17, 2024 Age guidance 3+ Venue Main House Running time TBC Tickets Price Range £2 - £8 Description Performed by the Garrick Academy of Performing Arts (GAPA) Join all your favourite Pantomime characters and be amazed as our fantastic GAPA students bring the magic of Panto to Altrincham ! Filled with songs, comedy, dance and much more, this will be a hugely entertaining production of the classic fairytale! Monday 11th March 2024 - 7:30pm - Groups 3 & 6 (ages 14-18 years) Tuesday 12th March 2024 - 7:30pm - Groups 2 & 5 (ages 11-14 years) Wednesday 13th March 2024 - 7:30pm - Groups 3 & 6 ( ages 14-18 years) Thursday 14th March 2024 - 7:30pm - Groups 2 & 5 (ages 11-14 years) Friday 15th March 2024 - 7.30pm - Groups 3 & 6 (ages 14-18 years) Saturday 16th March 2024 - 2.30pm (Matinee) - Groups 1, 4 & 7 (ages 5-11 years) Saturday 16th March 2024 - 7:30pm - Groups 2 & 5 (ages 11-14 years) Sunday 17th March 2024 - 2:30pm (Matinee) - Groups 1, 4 & 7 (ages 5-11 years) Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Altrincham Garrick Show Choir In Concert at the Altrincham Garrick Theatre. Garrick Production Altrincham Garrick Show Choir In Concert Ran Invalid Date - Jun 13, 2023 Age guidance Venue Running time Tickets Price Range Description After the huge success of Altrincham Garrick Show Choir's first Main Stage Concert last year, they are returning to the stage bigger and better to bring you a choral journey through musical favourites from Film and Stage. This Concert is packed with show stopping songs from some of the very best smash hit musicals; from Chess, & Juliet, Waitress, Come From Away, Chitty Chitty Bang Bang, Fiddler on the Roof and many, many more! The evening will also be host to a professional guest soloist and a live band. Come and enjoy and celebrate all things musical! Guaranteed to have you leaving the Theatre on a musical high. Our reasonably priced bar will be open before, during the interval and after the show. Free car park for customers and in easy walking distance of Altrincham and local tram and train stations. So what are you waiting for? BUY YOUR TICKETS NOW! Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

West Side Story at the Altrincham Garrick Theatre. Garrick Production West Side Story Ran Invalid Date - Jul 24, 2013 Age guidance Venue Running time Tickets Price Range Description Arguably the best musical ever written, this breath-taking show, which features music by Leonard Bernstein and lyrics by Stephen Sondheim, transports Shakespeare's Romeo and Juliet to the turbulent streets of the Upper West Side in 1950's New York as two star-crossed lovers, Tony and Maria, find themselves caught between the rival street gangs - the 'Jets' and the 'Sharks'. Saving the best until last we end the Garrick's historic 100th season in true style - West Side Story will be our biggest production ever with a huge orchestra, dynamic creative team and cast making it an unmissable event in the Garrick's history. We know demand will be huge so we've added a matinee performance. [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/West-Side-Story-5.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/West-Side-Story-2.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/West-Side-Story-1.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/West-Side-Story-8.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/West-Side-Story-6.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/West-Side-Story-3.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/West-Side-Story-4.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/West-Side-Story-7.jpg|"] CAST LIST Tony - James Duffy Riff - Josh Mosiuk Action - Rhys Nuttall Baby John - Karl Kramer Velma - Emily Barnett Graziella - Jasmine McGovern Anybody's - Rachel Mayon Bernardo - Danny Lawton Maria - Emily Carter Anita - Laura Chandler Consuela - Jennifer O'Neill Officer Krupke - Jon White Franchesca - Lucy Girdlestone Rosalia - Jessica Heaps Clarice - Georgina Brame Snow Boy - Matthew Roughley A-Rab - Michael Gardiner Doc - Paul Wilson Det. Shrank - Craig Richardson Diesel - Nick Parry Pepe - Jack McCann Chino - .Bradley Judge Ensemble - Bobbi Gordon Ensemble - Becci Cooper-Bagnall Musical Director - Mark Goggins Choreographer - Lorna Sales ASMs - Carol Gibson and Anne O'Reilly Review from The Messenger by Rick Bowen When James Duffy and Emily Carter sang in West Side Story the Altrincham Garrick auditorium was full of magic. I can't remember the last time I felt so excited by the performances of two leads and whoever decided to cast them as the young lovers Tony and Maria in West Side Story made a truly inspired choice. Emily in particular has a voice so pure listening to it will make you go weak at the knees and if these two don't make a career out of musical theatre it will be a cruel travesty. It may be the Garrick's centenary season but this is very much the company's present to us. West Side Story may seem like it has been around forever, but the production team and a cast dripping with talent and oozing energy will make audiences feel they're watching a world premiere. The sumptuous Bernstein/Sondheim score is as timeless as it is brilliant and it is impossible to name the best songs for the simple reason it is completely devoid of weak numbers. Inspired by Romeo and Juliet, the show sees Shakespeare's feuding families swapped for street gangs and Craig Richardson is particularly good as Det Shrank, the hard boiled cop trying to keep the peace. Add some exciting and stylish choreography and you have a production that you simply can't afford to miss. Go and pack the place - to the rafters. Stunning. Star Rating ★★★★★ Review from Remotegote by Julia Taylor The Garrick's centenary season comes to an end with one of the best productions of West Side Story I've seen. The energetic young cast convey a roller coaster of emotion. It's not just the leads, Tony, an all-American boy and Maria from Costa Rica who show feeling. The singers and dancers also give their all. We long for James Duffy?s Tony and Emily Carter?s Maria to be happy but, like Romeo and Juliet on whom the story is based, their romance reaches a tragic conclusion. I can't praise these two enough. Their duet One hand, One heart gives you goose pimples and tells you that, despite their differences, their feelings are sincere flashing like lightening between them. James's voice crackles with emotion as he sings Maria with such expression. The gang leaders, Bernardo of the Latino Sharks and Riff from the American Jets, put over with a combination of toughness and vulnerability by Danny Lawton and Josh Mosiuk face a heartbreaking fate. Yet this musical is not all doom and gloom. There are happy moments such as when Maria's friend, Anita (Laura Chandler) sings America accompanied by the girls in the chorus. I Feel Pretty, the light-hearted song led by Emily's Maria temporarily eases the tension and is lovely to listen to. The boys are especially good in the well-choreographed fight scenes and they, too, sing well. Although this show was premiered in 1957, gang and knife culture persists even today and racism still bubbles beneath the surface. It was good to see young people in the audience to whom I?m sure, the tragedy and the moral behind it, hit home. Star Rating ★★★★ NODA Review by Kevin Proctor The Altrincham Garrick not only wraps up their 2013/14 season, but closes their first century with one heck of a punch! West Side Story is often labelled by industry marvels themselves as the greatest musical of our time, so what other show would mark such an occasion for this group! Last year, I cannot have been the only one who questioned the sanity of the Garrick's trustees when this season was announced; they certainly know how to set a challenge - but more to the point, they know their team could deliver this wonderful curtain call to the first hundred years whilst also setting the bar for the next. This musical is just as iconic as it is demanding; much of the story unfolds through dance, beginning with the rival gangs' territory tussle during the Prologue. As one of the industries most celebrated score fills the playhouse, the soaring music is matched by gravity-defying feats of strength and agility. Adam Whittle had been given the honour to direct this milestone production, Adam relished the moody and intense moments beautifully and I wholeheartedly agree with the decisions he had made to convey this telling. The only moment which raised a baffling question to his choices was at the end of act one, the piece would have continued its strength if Riff and Bernardo had remained on stage as we progressed into the interval - staying their till the tabs came in, it may seem minor but witnessing them both get up after they had been killed broke the make believe which could so easily have been avoided. Mark Goggins and his orchestra exceeded all of my hopes and expectations, this genius score was delivered with triumph, the vocals of the soloists and ensemble cast were solid, delightful and exciting - particularly the 'America' harmonies and the 'Tonight' Quintet. A rousing score perfectly presented. I must congratulate the sound department, this is the first time the music has sounded and felt live with the players being channelled through from the studio, I appreciate that such a set-up is not as straight forward as it may seem, however, the sound was clear and I could certainly feel the excitement one should with live musicians (which I cannot deny, I was worried for). I was delighted that the reoccurring problem had been addressed and rectified for this production which certainly enhanced the experience. I did feel slight sympathy for the three Shark men during the quintet as their lack of numbers was massively exposed against the quantity of Jets - they didn't seem to stand much of a chance as they prepared themselves for the rumble, up until this point I hadn't noticed just how few of them there were as they'd been disguised very effectively until this point. You cannot attempt West Side Story without fierce choreography, Lorna Sales had worked the cast extremely well to execute the physicality associated with this show, not only is this production a challenge, it's made even more difficult when you have non dancers amongst the cast - Lorna?s clever creativity demonstrated skill in accommodating the mix of abilities without making it blatant, she concentrated on telling the story through movement without over indulging on over complicated choreography for the sake of showing off which didn't go unnoticed - a fantastic job - exact, visual, skillful and drilled. James Duffy shone as the conflicted Romeo of the show, Tony - capturing his sensitivity perfectly and hitting the top notes effortlessly in 'Something's Coming' and 'Maria', but harbouring enough blind passion and rage for the devastating conclusion of the first half. Emily Carter captured the heartbreak and longing of the show's plot in her portrayal as Maria - and I'll admit to chocking back a tear when she collapsed over Tony in the finale, overwhelmed by a grief that I knew was coming but still felt unprepared for. But that's not to say that this production doesn't have its lighter moments, too. One of my many highlights to this show was 'Gee Officer Krupkie' which was terrifically done and deserved the cheer and appreciation that it got. The male ensemble certainly injected the strength and power into this production, resulting in them owning the show. Josh Mosiuk as Riff was the stand out performance amongst the supporting ensemble who exposed his talents as a terrific all-rounder. It?s very enjoyable and rare to see such a strong group of young guys in this game. Laura Chandler was a wonderfully sassy and passionate Anita, the playful and celebratory 'America' contrasted with the ardent 'A Boy Like That', both were superb - a quality performance from Laura! Every aspect of this production was given extra attention throughout the departments which ultimately paid off to make this show one to remember and was undoubtedly the peak of the season! Many congratulations to all for an outstanding production. A message received at the Box Office for WEST SIDE STORY Along with the general comments of praise we often receive following a Garrick production, we took a telephone call from a lady wanting to book seats for West Side Story on the recommendation of a friend who had been to see it the previous evening. She told us that her friend had said they were no longer going to book city centre theatre tickets at the Palace Theatre, Opera House etc....as they didn't see any reason for travelling all the way into Manchester and paying inflated ticket prices to see shows when they could come to the Garrick, a local theatre, to view equally professionally productions. We think this is praise indeed for the Garrick and for all those involved with the production of West Side Story!! Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Amadeus at the Altrincham Garrick Theatre. Garrick Production Amadeus Ran Invalid Date - Dec 11, 2013 Age guidance Venue Running time Tickets Price Range Description This is a wonderful drama stuffed with exquisite visual images and soaring snatches of Mozart's music which combine to make a great theatrical occasion. In his old age court composer Salieri is recalling his apparently successful career, but unfortunately he is all too aware of his hollow achievements. His knowledge of fellow composer Mozart's musical genius and his impoverished death make a bitter antidote to his public glory. The play is set in Vienna in November 1823 and, in recall, the decade 1781 - 1791. CAST David Reynolds as Salieri Audrey Hughes as Madame Salieri Daniel Lewis as Mozart Emily Grossman as Constanza Sarah Taylor as Caterina Ros Greenwood as Ventocelli 1 Juliet Wilson as Ventocelli 2 Geoff Hinde as Emperor Joseph Brian Stoner as Count Orsini Frank Boylan as Kappelmeister/Cook Richard Frost as Baron von Sweeten Francis Lee as Johann Kilian von Strack John Newton as Majordomo David Watson as Servant/Valet Servants/Citizens played by Nick Barnard Simon O'Donovan Stephanie Hawthorn Alex Wilson ? Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

The Price at the Altrincham Garrick Theatre. Garrick Production The Price Ran Invalid Date - Dec 16, 2013 Age guidance Venue Running time Tickets Price Range Description One of Arthur Miller's best plays. In a soon-to-be-demolished family house in New York two brothers meet again after many years to dispose of their dead parents' property. Solomon, a phenomenon, a man nearly ninety but with an air of authority and straight-backed still, finds himself in the middle of an uneasy reunion. The two brothers are estranged and haunted by the memory of the American Depression. The brothers' confrontation leads them to examine the events and qualities of their very different lives, and the price that each of them has had to pay. An intelligent play by the greatest living dramatist in the English language. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Our Town By Thornton Wilder  at the Altrincham Garrick Theatre. Garrick Production Our Town By Thornton Wilder Ran Invalid Date - Nov 1, 2022 Age guidance Venue Running time Tickets Price Range Description Love and marriage, birth and death. Seen from a distance they’re just the rhythm of everyday life: but when you’re caught up in the middle and they are happening to you, they are the whole world. As the sun rises on another ordinary day, the townsfolk of Grover's Corners go about their business: newspapers are delivered; people go to work; gardens are tended to. And a boy and girl fall in love. But as life's events unfold and a community comes together, one question remains: "do any human beings ever realise life as they live it? Every, every minute?". Thornton Wilder’s Pulitzer Prize-winning small- town epic of human existence remains as theatrically fresh and as topical as ever; it explores what it means to live and the bonds that unite us all. Age Guidance: 12+ Warning: This production contains references to suicide, childbirth, depression, death and alcoholism. Please note that this is a 3 act play with two 15 minute intervals (approximately 2hours 40 mins included intervals). ------------------------------------------------------------------------------------------------------------------------------------ Free Car Parking. Cosy Bar. Great Prices. ------------------------------------------------------------------------------------------------------------------------------------ Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

A short obituary of Diana Provan (née Harker), from the Altrincham Garrick Society. Previous Next Diana Provan (née Harker) Diana and her husband Joe joined the theatre in the early 1960s, and she soon proved her worth as a very talented actress. She presented many outstanding performances at the Garrick before moving on to professional theatre. She then returned to the Garrick some few years later to direct many of our plays, and once again her exceptional talent shone through with some wonderful productions. Wonderfully imaginative, artistic, dedicated and with a refusal to accept nothing but the best, she became a much loved character at the Garrick. Many actors considered Diana as the best person they ever acted with or performed for. Diana and Joe moved to their beloved Italy in the early 2000s when Joe retired, and lived there very happily, visited regularly by their children Jeremy, Julia and Nicholas and their respective families. Rick Bowen wrote this Tribute to Diana in the Sale and Altrincham Messenger in March 2013. Back to In Memoriam page

Dad's Army at the Altrincham Garrick Theatre. Garrick Production Dad's Army Ran Invalid Date - Dec 16, 2013 Age guidance Venue Running time Tickets Price Range Description Following the enormous success of the long-running series the authors were commissioned to write a stage show based on the most popular episodes: the capture of the German Captain and sailors and the Lady Godiva affair. Featuring Captain Mainwaring, Jones, Wilson, Fraser, Godfrey, Pike and Walker plus Hodges, the verger and the vicar and not forgetting the ladies, Mrs Pike and Mrs Fox and the assorted local bathing beauties. After a sell out at the Shaftesbury Theatre, London, the Garrick is delighted to be able to present this hilarious show. CAST Allan Taylor as Captain Mainwaring Geoff Noar as Jones Charles Foster as Wilson Terry Chandler as Fraser Brian Tickle as Godfrey Andrew Higson as Pike Trevor McKie as Walker Brian Stoner as Hodges Frank Boylan as Verger Jon White as Sponge John Dixon as Hancock Bryn Thomas as German Captain Carole Carr as Fiona Grey Brian Moore as Colonel Graham Symonds as Vicar Val Bacon as Mrs Pike Alison Davis as Mrs Fox Other parts played by Philippa Cameron Linda Crawford Rachel Cahill David Leathlean Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

The Lion in Winter at the Altrincham Garrick Theatre. Garrick Production The Lion in Winter Ran Invalid Date - Dec 16, 2013 Age guidance Venue Running time Tickets Price Range Description No information available at this time Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

A short obituary of Christine Sammon (née Adams) , from the Altrincham Garrick Society. Previous Next Christine Sammon (née Adams) Christine was a wonderful singer and talented actress. When she joined the Garrick in the early 1990s, she was already well known on the local amateur operatic circuit. Throughout the nineties she took a leading part in many Garrick musicals, before her sad and untimely passing. She was also involved in two highly successful and enjoyable Playathons - The Boyfriend and Irene . These were plays put on with only 48 hours notice, to raise funds for the STAGE Appeal. The secret play was announced at 7.30pm on a Friday night and the entire Garrick family was involved in presenting the full-length production at 7.30pm on the Sunday night with full staging, sound and lighting, costume, musical arrangements and choreography with all books down. The greasy spoon in the bar was kept open throughout the entire weekend. A Playathon was a testing - yet ultimately rewarding - challenge, and Christine was an enthusiastic participant. Back to In Memoriam page

A Man for All Seasons at the Altrincham Garrick Theatre. Garrick Production A Man for All Seasons Ran Invalid Date - Feb 7, 2014 Age guidance Venue Running time Tickets Price Range Description Robert Bolt's well known story of Sir Thomas More, one time friend and councillor of Henry VIII, and his clash with the king over his divorce from Katherine of Aragon, leading to More's downfall and execution. [gallery columns="5" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/mana.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/manb.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/manc.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/mand.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/mane.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/manf.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/mang.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/manh.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/mani.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/manj.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/mank.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/manl.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/manm.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/mann.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/mano.jpg|"] CAST The Common Man Bill Platt Sir Thomas More David Reynolds Master Richard Rich Nick Curror The Duke of Norfolk Victor Hassan Lady Alice More Sandra Thomas Lady Margaret More Jacqueline Wheble Cardinal Wolsey Tony Broughton Thomas Cromwell John Keen Signor Chapuys Stephen Moss Chapuys's Attendant Oliver Marsh William Roper Neeraj Pathak King Henry VIII Jon White A Woman Linda Panton Thomas Cranmer John Westbrook Sale & Altrincham Messenger's Review by Rick Bowen Garrick does Bolt classic proud ALTRINCHAM Garrick's latest production should have 'made in Trafford' stamped all over it. Written by Sale born Robert Bolt, 'A Man For All Seasons' is an intriguing and inspiring piece about a man who lived and ultimately died for his principles. The man in question was one Thomas More, a disarmingly decent person who had the courage to oppose King Henry VIII's plans to divorce in his quest for a son and heir. While this seminal play doesn't fall into the light entertainment category - you must be prepared to listen hard - it isn't a dry history lesson either. Bolt succeeds in portraying the characters in a way that engages the audience and the scene in which More meets his family in his prison cell brings a lump to the throat. David Reynolds is terrific as More and gives a truly mesmerising performance that makes you hang on his every word. On the other side of the coin we have Bill Platt who brings us some much needed light relief as The Common Man, a cynical and humorous commentator on the events that unfold around him. Director Celia Bonner has made sure an ambitious play is accessible and enjoyable and Barry Purves's set, with its chequered floor, put me in mind of a giant board game. But for those involved in the 'game' the consequences are ultimately deadly. Robert Bolt left us in 1995 but I think he would have been well pleased with the Garrick's staging of one of his most famous plays. Who knows, maybe he was watching. Nice thought, isn't it? Star Rating ★★★★ Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Kafka's Dick at the Altrincham Garrick Theatre. Garrick Production Kafka's Dick Ran Invalid Date - Dec 16, 2013 Age guidance Venue Running time Tickets Price Range Description It is 1919 and the tubercular Kafka insists that best friend Max burn all his writings after his death. Max, of course, goes on to publish Kafka's work and also writes Kafka's biography - thereby setting the ball rolling on the subsequent Kafka hysteria. We are transported to present day and the sitting room of Sydney, a Kafka-besotted insurance agent who is working on his "definitive" article on Kafka for the Journal of Insurance Studies, while his sexually frustrated wife, Linda, stares morosely out of the window and his elderly father is reading up on current affairs in his effort to convince social workers and family that he isn't gaga. If you have enjoyed Bennett on the small (or large) screen, this will give you greater insight into one of our finest contemporary (and Northern) writers. It is well worth the while and yes, the title means what you think. Poor Kafka, overendowed with paranoia, underendowed with ... CAST Mark Butt as Kafka Trevor McKie as Brod Caroline Hickey as Linda Allan Taylor as Father David Beddy as Sydney Martin Oldfield as Hermann K Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

A short obituary of Verity Fairclough, from the Altrincham Garrick Society. Previous Next Verity Fairclough The list of what Verity did for the Garrick is longer than what she didn't do. She was a worker backstage, an ASM, a member of the Front of House team, Chairman of the Executive Committee, a member of the Board of Trustees ... and she even appeared on stage (sometimes seen, sometimes not). Verity was the model society member and, with more like her, who knows what could be achieved ... and all quietly and without fuss. If you cut her in half she would, like Blackpool rock, have Altrincham Garrick written all the way through her. Back to In Memoriam page

Pack of Lies (2013) at the Altrincham Garrick Theatre. Garrick Production Pack of Lies (2013) Ran Invalid Date - Jul 30, 2013 Age guidance Venue Running time Tickets Price Range Description PACK of LIES abundantly demonstrates HUGH WHITEMORE's ability to choose a real event in recent remembered history to weave his favourite themes of human follies and affections allied to inevitable betrayal by all the protagonists. This intriguing tale concerns true events of the early 1960s. Helen and Peter Kroger, living a seemingly quiet life in a London suburb, together with a certain Gordon Lonsdale, were convicted of spying for the Russians and sentenced to 20 years imprisonment, only to be exchanged 8 years later for a Britain imprisoned in Moscow. The fictional side of the story involves their "friends" and neighbours - an ordinary middleclass family. Barbara, Bob and Julie are catapulted into a sordid world of deception and treachery, with Barbara realising too late that the Krogers had betrayed her and that she, in turn, had betrayed the Krogers. ABSOLUTELY UNMISSABLE. CAST Bob Jackson Nick Sample Barbara Jackson Caroline Hickey Julie Jackson Erica Pickard Helen Kroger Ros Greenwood (AWARD) Peter Kroger Graham Simmonds Stewart Jonathan Black Thelma Di Boyer Sally Stephanie Peake Review of Pack Of Lies by Julia Taylor for remotegoat Devious spies hoodwink their neighbours The Jacksons, a homely couple who have lived in their street for 20 years, are taken aback when, in Hugh Whitemore's classic, Pack of Lies, MI5 call. To their disbelief, it soon becomes clear that the friendly Canadian neighbours, who often pop in for a cup of tea, have been telling a pack of lies. After people from the intelligence agency survey Helen and Peter Kroger from the Jackson's bedroom window, they are found to be Russian spies. It is all too much for wife, Barbara (Caroline Hickey) who takes out her feelings on her kindly husband Bob (Nick Sample). She even lashes out at schoolgirl daughter, Julie (Erica Pickard), who knows nothing of what is going on. When she does discover the truth, Erica's character erupts, melodramatically displaying her horror and disgust. MI5 insist that the Jacksons continue to act as normal with their treacherous neighbours. They don't find this easy but carry on with the Christmas get together they have already arranged. Ros Greenwood's Helen Kroger, who uses sociability and apparent scattiness to conceal a laser-sharp brain, quickly senses the tension at the event which she and her introvert, brain-washed, Communist husband, Peter (Graham Simmonds), attend. It's amazing the two families ever became friends in the first place. The Jackson's are dull and unadventurous whilst the Krogers - especially Helen in an excellent portrayal by Greenwood - are glamorous. Director, Alan Rothwell, ensures that their differences are emphasised in other ways, too. Barbara wears dowdy cardigans and Bob, run of the mill pullovers. On the other hand, Helen with her sophisticated hairstyle and fashionable 1960's slacks, oozes glamour which attracts daughter Julie like a bear to honey. Jonathan Black performs well as Stewart, the MI5 official, a formidable yet fatherly figure. Juliet Jones' set reproduces your typical 1960's semi with its black regulation telephone, etc. The most amazing thing about this play is that it is all true! NODA Review by Kevin Proctor How well do you know your neighbours? Hugh Whitemore's 'Pack of Lies' is adapted from a real-life spy case of the 1960's and set in a London suburb. Just suppose a very official looking man from the government knocked on your door and asked to place an 'observer' to spy on the neighbourhood for the good of the country. This is what happens to Bob and Barbara Jackson and their teenage daughter Julie. But what is supposed to only last a couple of days, turns into weeks and stretches the fabric of the family as they must 'hide' the presence of the guests. The Families best friends for near on five years, Canadians Helen and Peter, are suspected of aiding a KGB agent who has stolen NATO secrets. The production pays close attention to 1960's period details, both in the costumes and the set (complete with running water and functioning kettle - nice!). Barbara's lowly cardigans contrasted well with the 'slacks' worn by Helen, while the succession of pullovers sported by Nick Sample as Barbara's husband Bob was spot on. The play teases our interest and gives rise to speculation about where the story was going next, with mysterious phone calls from Julies friend and at one point, I even questioned whether Barbara had some part of the ploy as we see her start to buckle under the pressure. The blackouts were covered as well as they can be with appropriate unsettling music. The action, while often static, was kept exciting which I imagine to be one of the biggest challenges of this piece. This is the second 'Whitemore' play I've seen and both have had the knack to suck me deep in to the story and journey of the characters which, ultimately, gives me, or indeed anyone, a remarkable theatrical experience. Erica Pickard as the Jackson's teenage daughter, Julie, gave us a mature and more than able performance, she brought a good energy with her delivery, the developing relationship between Helen and Julie was sensitively played and Julie's outburst in the final scene, when she realised the truth about the Krogers' activities, was moving. A very intelligent and exciting performance from young Erica, she fitted right in and was equally as confidant and ever professional as the adult players. Stewart (Jonathan Black), the man in charge of the investigation had all the right qualities, mannerisms and intrigue to accompany his role, he does, however have the thankless task of remaining 'professional' and not allowing himself to make his performance more vibrant as the plot unfolds. A very neat performance, I empathise with people with these characters who must remain 'reactless'! Di Boyer and Stephanie Peake gave good support as Thelma and Sally, their conversations with Barbara demonstrated the latter's rising concern about the fact that while her friends were betraying their adopted country, she, in her turn, was betraying not only them but also her daughter. Sally, as short lived as her time on stage was, managed to gain the intended reactions and chuckles. Di Boyer was as sympathetic as her character would allow her to be, successfully holding back in displaying too much emotion or affection to Barbara while still managing to keep her character out of the 'bland' category - which is so often the case with characters such as these. Caroline Hickey is excellent as Barbara, all the lying has turned her into a nervous wreck which she executes superbly as she contemplates out loud 'What is the difference between one lie or another'? Her character feels the brunt of the story as her world and home is turned upside down. Nick Sample gave us a soft and loving man of the house as Bob. His closing narration 'turn' was incredibly touching. Nick is a very easy and natural performer, he translates emotions and delivers with such quality as does Ros Greenwood (as Helen). Ros, an asset to any production, gave us a larger than life character 'as Helen would be' but, and most complimentary of all, was delivered to the perfect level, this part could so easily cross the line and be delivered too melodramatic but Ros gave the perfect balance, an expert of her craft who delivered a very fulfilling performance! This interesting play certainly achieved its director's ambition to provide a few talking points for its audience as we left the theatre. Congratulations to Alan Rothwell and his cast, and to The Garrick for setting the bar for my first play of the year! Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Disney's The Little Mermaid at the Altrincham Garrick Theatre. Garrick Production Disney's The Little Mermaid Ran Invalid Date - May 31, 2021 Age guidance Venue Running time Tickets Price Range Description The perfect Musical treat for October Half Term! In a magical kingdom beneath the sea, the beautiful young mermaid Ariel longs to leave her ocean home to live in the world above. Ariel is fascinated with life on land. On one of her visits to the surface, which are forbidden by her controlling father, King Triton, she falls for a human Prince. Determined to be with her new love, Ariel makes a dangerous deal with the sea witch Ursula to become human for three days. But when plans go awry for the star-crossed lovers, a showdown begins between good and evil that only love can remedy. Based on one of Hans Christian Andersen's most beloved stories and the classic animated 1989 film, Disney's The Little Mermaid is a hauntingly beautiful love story for the ages. With music by eight-time Academy Award winner Alan Menken, lyrics by Howard Ashman and Glenn Slater, and a compelling book by Doug Wright, this fishy fable will capture your heart with its irresistible songs including "Under the Sea," "Kiss the Girl," and "Part of Your World." Altrincham Garrick Playhouse are proud to be producing the Northern Premiere of this Disney classic! - Music by ALAN MENKEN Lyrics by HOWARD ASHMAN & GLENN SLATER Book by DOUG WRIGHT Based on the Hans Christian Andersen story and the Disney film produced by Howard Ashman & John Musker and written & directed by John Musker and Ron Clements Originally Produced by Disney Theatrical Productions Production Photographs taken by Martin Ogden Rick Bowen's Theatre Review - Stagestruck.info 5 STAR REVIEW IF ever we needed a dose of Disney magic, it must surely be now, as we continue to live in unprecedented times. One little girl, sitting close to the stage, was so captivated by Emily Leeland’s Ariel it prompted her to say with childlike spontaneity, “Hi Ariel” during one of the scenes in this colourful, upbeat, feel good family show. But rest assured, she was not the only one to be captivated for, as the lovesick mermaid pining for her Prince, Leeland plays the part brilliantly and has a voice that wouldn’t sound out of place on a professional stage. We really root for her as she desperately seeks to find her Prince Eric, played by Shane Gibb who furthers his reputation as one of the most exciting talents around. If Ariel is the heroine of the piece, inspired by the classic fairy tale, Dawn Flint is absolutely perfect as its villainess, the scheming and wicked Ursula. Flint’s sense of timing is as flawless as her singing voice ensuring that her character’s comic barbs hit their target with pinpoint accuracy. What impressed me about this musical - which I was seeing for the first time - was how the songs were far more sophisticated than shows of a similar kind. I’m referring to musicals like Joseph and his Amazing Technicolour Dreamcoat which families tend to flock to see because of the hum along appeal of its score. While the numbers are one step up from Joseph, they remain very accessible. There are echoes of pantomime in The Little Mermaid, minus the cringeworthy jokes that make the “gags” we find in Christmas crackers every year sound side splitting. Then there’s musical director Mark Goggins whose involvement with any production guarantees it will always be well worth watching. Together with Joe Meighan, the production’s director, serve up a show that will leave audiences floating on air as they leave the theatre. Until October 31. The box office is on 0161 928 1677. Star rating - ***** ------------------------------------------------------------------------------------------------------------------------------------ Free Car Parking. Cosy Bar. Great Prices. ------------------------------------------------------------------------------------------------------------------------------------ Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

A short obituary of Pat Williamson, from the Altrincham Garrick Society. Previous Next Pat Williamson Pat was a Headmistress at a large infant school in Manchester who joined the Garrick in 1983. Remembered for her warm and friendly personality, she was a hugely talented actress playing a wide variety of roles on the Garrick stage, starting with Miriam in Outside Edge and finishing with Lady Tressilian in Towards Zero in 2019. In comedic roles, which she excelled at, she was often cast as "a batty old lady" (her words) such as Miss Skillen in See How They Run , Miss Whitchurch in The Happiest Days of Your Life , the inebriated Mrs McGee in Corpse , Mrs Verrinder-Gedge in Glorious and, of course, Letticia Cropley in The Vicar of Dibley . She also took on many serious roles, such as Mrs Birling in An Inspector Calls , George in The Killing of Sister George , Hesther Salomon in Equus , Madge in The Dresser , and Marion Bishop in Nightmare (for which she won a NODA Best Actress award). In pantomime, she played the Wicked Witch in Mother Goose and an air-guitar playing Fairy Godmother in Cinderella . Off stage, she freely gave her time volunteering as a Front of House usher and sewing on sequins in wardrobe, and she never missed a social event. She was also involved with Cheadle Players, and the Altrincham Little Theatre for whom she won the GMDF Best Actress award playing in Stevie and she took part in a radio play on Radio Manchester. In short: Pat was a memorable actress on stage and played an integral part in the success of the Garrick for over 40 years. Back to In Memoriam page

If Four Walls Told at the Altrincham Garrick Theatre. Garrick Production If Four Walls Told Ran Jan 4, 1920 - Jan 4, 1920 Age guidance Venue Running time Tickets Price Range Description By Edward Percy CAST Blackburn, Lydia Brierley, Norman Green, Freda Loft, J H Harold Lowe, Lois M Matthews, Marion Thwaite Owen, Gwen Pownall, Clarence Winn, Rex Wilkinson, John Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Entertaining Angels at the Altrincham Garrick Theatre. Garrick Production Entertaining Angels Ran Invalid Date - Aug 12, 2013 Age guidance Venue Running time Tickets Price Range Description As a vicar's wife, Grace has spent a lifetime on her best behaviour. Now, after the death of her husband Bardolph, she can enjoy the new-found freedom of being able to do and say exactly what she wants. But the return of her eccentric missionary sister, Ruth, together with some disturbing revelations forces Grace to confront the truth of her marriage. Set in a lush vicarage garden complete with real grass, plants and a stream with running water, the play is filled with sharp-edged comedy and probing wit. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

It's A Wonderful Life at the Altrincham Garrick Theatre. A joyful story of love, hope and community based on the critically acclaimed Christmas film Garrick Production It's A Wonderful Life A joyful story of love, hope and community based on the critically acclaimed Christmas film Ran Nov 17, 2025 - Nov 23, 2025 Age guidance Venue Main House Running time TBC Tickets Price Range £14 - £19 Description “You want the moon? Just say the word, and I'll throw a lasso around it and pull it down” Christmas Eve, 1946, Bedford Falls. Down-on-his-luck banker George Bailey feels life has passed him by, and he's at the end of his rope… But when George's guardian angel pays him a visit, he's amazed to discover what life in his beloved town would be like without him. Maybe it's a wonderful life, after all? Based on the critically acclaimed Frank Capra movie, which is arguably the most popular Christmas film of all time, Mary Elliott Nelson's reimagining is a joyful story of love, hope and community. A perfect way to begin the Festive period! Adapted for the Stage by: Mary Ellott Nelson Director: Barry Purves Reviews Rick Bowen - Stage Struck "While I knew exactly what was coming in act two... I felt as moved as always. This is a tribute in no small part to director Barry Purves and Jonathan Higgs who shines as George, a character who is just as angelic as the wonderfully named Clarissa Oddbody..." "Pete Grimshaw’s atmospheric music for a production that will move all who see it..." "Not to be missed" Star rating – 4.5 out of 5 Read the full review HERE Gallery Trailer Trigger Warning This production contains themes of intense financial crisis and suicide, as well as discussions of hopelessness and feeling lost, suggestions of violence, alcohol abuse and distressing arguments. Ultimately, the production is a positive and uplifting navigation through a difficult time in the main characters life journey. Age Guidance: 10+ Documents related to this Production View the Programme View the Advertising Poster

CHATROOM - A One Act Play at the Altrincham Garrick Theatre. Garrick Production CHATROOM - A One Act Play Ran Invalid Date - Mar 31, 2021 Age guidance Venue Running time Tickets Price Range Description ------------------------------------------------------------------------------------------------------------------------------------ Altrincham Garrick Playhouse are proud supporters of PAPYRUS with our production of Chatroom ------------------------------------------------------------------------------------------------------------------------------------ A chilling, blackly comic tale of manipulation, cyberbullying and adolescent insecurity. In a quiet corner of the internet, a group of bored, restless teenagers spend their time deconstructing children's literature and the messages in modern pop music. But when a new member joins to share his depression and thoughts of suicide, the conversation takes a darker turn. A powerful depiction of modern-day isolation and the dangerous power of technology, Enda Walsh's play Chatroom formed part of the National Theatre's 2005 Connections season, an annual festival of new plays for youth theatres and schools. It received its first professional production in the Cottesloe auditorium of the National Theatre, London, in March 2006. Performed by The Garrick Ensemble; a company of 18 - 30 year old aspiring actors from Greater Manchester and Cheshire who perform one production each year as part of the Altrincham Garrick Playhouse Main House Season. The Garrick Ensemble aims to make theatre that is fresh, innovative and exciting. See the very best of local, up and coming talent before they move forward in the next stages of their careers in the Arts. **This play contains strong language and deals with topics including depression and suicide.** Running Time: Approx. 75 Minutes (No Interval) This amateur production of “Chatroom” is presented by arrangement with Concord Theatricals Ltd. on behalf of Samuel French Ltd. www.concordtheatricals.co.uk Download the programme for the week's performance. Suicide is the biggest killer of young people in the UK. The national charity PAPYRUS Prevention of Young Suicide aims to reduce the number of young people who take their own lives by breaking down the stigma around suicide and equipping people with the skills to recognise and respond to suicidal behaviour. HOPELINEUK is the charity’s confidential helpline service providing practical advice and support to young people with thoughts of suicide and anyone who is concerned about a young person who may be struggling with life. HOPELINEUK is staffed by trained professionals, offering a telephone, text and email service. For practical, confidential suicide prevention help and advice please contact PAPYRUS HOPELINEUK on 0800 068 4141, text 07860 039967 or email pat@papyrus-uk.org StageStruck - Rick Bowen I STILL haven’t worked it out. Whenever I go to review a production of a play or a show with a small audience it invariably falls into the outstanding category. Chatroom is no exception. For me, live theatre and TV drama is always at its best when shining a light on difficult issues and dragging the audience or the viewer into a darker world, a world you’re relieved to escape when you leave the theatre or turn off the TV. However shocked you feel it can also be an enlightening experience as this evening in the company of the Internet generation is. It’s oh so tempting to envy teenagers as they’re largely free of responsibilities and live to just enjoy themselves. That’s a myth of course. Just ask Jim, the central character in Enda Walsh’s deeply unsettling but ultimately hopeful play. Pining for a dad who suddenly and mysteriously went AWOL and nursing the psychological and physical scars of a difficult home life, this troubled teen is contemplating suicide. Walsh’s brilliant script doesn’t dilute the difficult nature of this difficult topic while at the same time refusing to sensationalise it. Rather he tells this absorbing tale with quiet compassion and you find yourself caring deeply about Jim, forever the outcast.. A young and dynamic cast more than do justice to this exceptional piece of work, expertly brought to the stage by Joe Meighan, the Garrick’s young and dynamic artistic director. Highly recommended. Star rating -**** North West End - Lou Steggals What would you imagine to be on the agenda for teenagers chatting online? Rating current romantic crushes? How mean mum and dad are for not letting them out past 10? Whether the fat German kid would be more likely to win Willy Wonka’s chocolate factory over Charlie Bucket might not feature on your list, but it is the first vignette of conversation we’re presented with as we join our six teen stars of Enda Walsh’s one-act play Chatroom. Described as a chilling, blackly comic tale, Chatroom looks at themes of online manipulation, cyberbullying and teenage depression, as relatively innocent conversations dissecting children’s literature and pop music are punctured by the arrival of Jim, a young man struggling with suicidal thoughts. This show marks the first production by the Garrick’s newly-formed, in-house ensemble which aims to give aspiring 18 – 30 year old actors from Greater Manchester the opportunity to deliver one show a year as part of the Garrick’s wider season. The cast consisted of Elyas Meekcoms (Jim), Olivia Brindley (Laura), Luke Robinson (William), Lizzie Lomas (Eva), Luke Bicknell (Jack) and Holly Gibson (Emily). Given the sensitive subject matter of the play, director Joseph Meighan has been blessed with a very strong and talented cast, with the young actors showing a maturity and artistic skill beyond their years. Aided by a smart set, and lighting design from James Merrington that highlights the sense of isolation, and clever touches with props (one teen swigs Red Bull, another, Capri Sun), each performer creates a distinctive character and there isn’t a weak link among them as they either seek to either goad or support Jim through his depression. It is exceptionally done and, in an age where youth mental health has been badly impacted by the pandemic, is a timely reflection of the dangers of isolation and peer influence, both good and bad. If anything lets this show down just a bit, it’s the musical interludes where, instead of snippets of music, we have entire pop songs that start to drag and risk killing the pace of the piece, especially as the accompanying movement is very repetitive. Also, despite some of the cultural references being updated, this does feel like a play of when it was written (early 2000s). Chatrooms have given way to social media and the absence of this from the script lessens the sense of timelessness. If Walsh were to revisit his script for the post-coronavirus age it could give the show a whole new potency. Nevertheless, the strength of performances still allows us to follow along a sadly familiar path where angst and insecurity can lead to cruelty, despite cries of ‘Be Kind’ from the well meaning, building to a palpably tense ‘will he, wont he’ finale. The cast and crew are to be commended for delivering a powerful reminder of how easy it can be to fall prey to faceless internet trolls, whilst providing a thread of hope that there are also those willing to listen when we are at our most vulnerable. If you or someone you know is struggling with any of the issues raised in this play please visit papyrus-uk.org for further advice and support. North West End UK Rating: ★★★★ Photographs: Martin Ogden Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

A short obituary of Peter Coatman, from the Altrincham Garrick Society. Previous Next Peter Coatman Peter was an outstanding character actor, who joined the theatre in the 1960's. In his later years his style of acting led to him playing many vicars, doctors and lawyers, but in fact he had a far wider repertoire. He was also an excellent set designer. A true gentleman, Peter was a long-time servant of the Garrick on the Executive Committee during the 1980s and 90's, and was heavily involved in the discussions and decisions regarding the refurbishment of the theatre that took place in 1999. Back to In Memoriam page

Into the Woods at the Altrincham Garrick Theatre. Garrick Production Into the Woods Ran Invalid Date - May 18, 2022 Age guidance Venue Running time Tickets Price Range Description In a modern world, a fairytale adventure is never far away… be careful what you wish for. A baker and his wife desperately yearn to have a child, but have been cursed by the Witch who lives next door, thanks to the actions of the baker’s father. The only way to lift the curse is to find four obscure yet strangely familiar items – a cow as white as milk, a slipper as pure as gold, a cape as red as blood and hair as yellow as corn. With only three nights to find them before the curse becomes irreversible, the couple head deep into the mysterious nearby woods , only to discover more about themselves than they might ever have expected... and that actions have consequences, and sacrifices must be paid. One of Stephen Sondheim’s most acclaimed works, this Tony and Olivier Award-winning musical interweaves Little Red Riding Hood, the Wolf, Cinderella, Rapunzel, two Princes (and two step-sisters), Jack, and - of course - a Witch into a timeless, yet relevant, piece... and a rare modern classic! Artistic Director Joseph Meighan brings a contemporary vision of Sondheim's enchanting and touching masterpiece. Age Guidance: 12+ Warning: This production contains scenes and depictions of murder, blood, loss, depression, infidelity and death. It is worth noting that the characters and stories that are familiar to most audiences through the Disney films (including their own adaptation of "Into The Woods"), Pantomime, or various other fables will not be represented in the same way in this version. The musical focuses on the original Brothers Grimm versions of the stories which tend to be darker and less “happy ending” focused. Mainly for the sake of preserving the innocence of these beloved stories as younger people may know them we recommend that this production is for 12+. "Into the Woods" is a beautiful, clever, profound, frequently funny, sometimes somber, and ultimately uplifting take on the classic Brothers Grimm fables, but it is not aimed at a Family audience. Reviews - 5 Stars “Absolutely outstanding - a major musical triumph for all concerned.” - Rick Bowen Read the full review from Rick Bowen at StageStruck HERE - 4 Stars “A satisfyingly strong interpretation of a Sondheim classic, which beautifully portrays both the humour and musicality but emphasises the darkness at the heart of this fairy tale.” Read the Full Review by Paul Wilcox at North West End HERE "...this was a consummate and professionally produced musical, whose production values were exceedingly high." Matthew Dougall at Number9 Production Shots taken by Martin Ogden ------------------------------------------------------------------------------------------------------------------------------------ Free Car Parking. Cosy Bar. Great Prices. ------------------------------------------------------------------------------------------------------------------------------------ Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

People at the Altrincham Garrick Theatre. Garrick Production People Ran Invalid Date - Jun 29, 2018 Age guidance Venue Running time Tickets Price Range Description BENNETT AT HIS BEST, PROVOCATIVE AND ENTERTAINING A stately mansion that is wanted for purchase by the National Trust, a couple of eccentric inhabitants who would like to move the whole building to another county. A scheming sister who is in talks with the National Trust is close to a deal when a film company happens along wanting to use the site for a porn movie! Typical Alan Bennett characterisations make this an evening of pure joy as the complications of the plot are revealed. This Production is proudly sponsored by [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_6286.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/People_130.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_6308.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_6259.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_6224.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_6139.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_0787.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_0434.jpg|"] Production Photographs by Vish Sharma CAST Dorothy Stacpoole - Celia Bonner June Stacpoole - Melanie Davy Iris - Janet Slade Bevan - Adam Green Ralph Lumsden - Rob Clyne The Bishop - Geoff Holman Mr Theodore - Richard Sails Bruce - Nick Lowe Louise - Lindsey Barker Nigel - Sam Evans Les - Edward Beesley Colin - Ben Hanley Brit - Lara Hancox Review by Rick Bowen for Stagestruck Alan Bennett make us question the way we as a country handle our heritage in this sparkling, thought provoking and very classy comedy. Dorothy and June Stacpoole live in a decaying stately home in south Yorkshire and the place has become nothing more than a financial millstone around their necks. The siblings are very different. Dorothy, a former model, pines for her former life of glamour and good times. June, on the other hand, is every inch the quintessential English clergywoman, with the stereotype even extending to her sensible skirt. June wants to sell the house to the National Trust, much to the disgust of Dorothy, who is outraged at the prospect of them and their home being turned into objects of curiosity, the type of curiosity usually reserved for museum pieces. As Dorothy and June, Celia Bonner and Melanie Davy are an unadulterated delight and there’s nothing to choose between them and real life sisters. Janet Slade may be a petite lady but when it comes to comedy roles she’s a huge talent and displays her considerable talents yet again as Dorothy’s “companion” Iris. In this role she’s an absolute hoot. When Dorothy meets an old flame they hatch a cunning plan to provide what she believes will save her and her sister having to sell their country pile. Now I won’t spoil things for anyone who hasn’t seen this play. But rest assured, this production is a high water mark for the Garrick and the dynamic young director Joseph Meighan. Once again, he and the Garrick have struck gold. Fabulously funny. Star rating ★★★ ★★ Review by Johanna Hassouna-Smith for Number 9 The Garrick’s season of plays seem to go from strength to strength with each of my visits and offers their audiences a wide variety of entertainment from musicals and pantomime, to Agatha Christie and classic plays. The audience is largely comprised of an aging population from the surrounding south Manchester suburbs to those who travel in from the Cheshire set and the selection of productions on offer are usually chosen to suit this demographic. This was the opening night of the show and it was a huge sell-out. Now I wouldn’t call myself a Bennett connoisseur, but I know he’s a classic British playwright and that his success is down to his imaginative creation of characters which epitomise the British; whether that be the class system, our values or just our downright old-fashioned obstinance as a nation. So, was the success of this production’s ticket sales down to Bennett’s reputation or was it the company’s prowess? I’d like to think it was both. However, it would be remiss of me not mention that this production carries a ‘not suitable for children’ warning before you enter the auditorium. Having ignored this notice as I wandered past it unwittingly, it came as quite a shock when, in the first 5 minutes, we were faced with a man wearing nothing but a cowboy hat. Needless to say that after this moment I was on board and so were the other cackling audience members, who had clearly done their homework before watching this hilarious series of events unfold! The play pokes fun at the Thatcherite English tradition of privatising the country’s assets, whether that be to the highest bidders, or under the ‘protection’ of the cultural backbone of Britain: the Church of England and the National Trust. The argument is embodied in the opinions of two sisters who own the stately home: Dorothy and June Stacpoole. Our eccentric heroine Dorothy, played by the incredibly talented Celia Bonner, wants to do anything to keep people out of the beautiful house and to just live in it with her equally eccentric ‘companion’, Iris (played by Janet Slade). Her sister June is climbing the ranks of the Church of England hierarchy and despite being the ‘Godly’ sister, epitomises all the money grabbing aspects of the church. With a hugely entertaining characterisation and brilliantly witty script, Celia Bonner makes everything around her shine with a flamboyant creation of Dorothy which is filled with naughty sassiness, yet a sense of pathos which really tugs on the heartstrings. The story is so cleverly written that Dorothy’s decision to hire out the house to a pornographic movie production rather than sell out completely to the National Trust, seems like a more morally justifiable solution to their financial issues. One of the things I love about the Garrick is that I often find myself pondering the question ‘Is this a professional or amateur production?’ What a great question to be asking when you know the answer is amateur! Their ability to recreate this level of professionalism must be commended on so many levels as there is a real team effort in every production and this one, directed by the talented Joseph Meighan was no exception. It is clear to see in the quality of the work that the director has not only had drama training but is incredibly creative as he doesn’t miss a beat with this high energy production of Bennett’s work. The entire cast deliver two hours of brilliance which doesn’t falter in entertainment with each and every one of them is deserving of a mention. The design of the production led by Lesley McKie is also a truly professional quality with a huge backdrop of a stately home complete with rotating changeovers. They really do reproduce quality which professionals would be proud of. Without wanting to give too much away, my favourite scene in the entire show was down to the lighting design, which evoked the contrasting environments of an English stately home with a film production, gleefully juxtaposed on stage at the same time. It was so clever and had the audience wincing in their seats as we watched a pornographic scene being filmed! Without a doubt, one of the most memorable moments of theatrical genius that I won’t forget for a long time and, judging from the howling audience, they won’t either! Bennett’s ‘People’ delivers on every level: it is sharp, witty and poignant all in one go. I had such a great evening of entertainment and laughed until I almost cried. If you can grab yourself a ticket, you really ought to. Star rating ★★★ ★★ Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Jane Eyre - By Charlotte Bronte at the Altrincham Garrick Theatre. A bold and theatrically inventive adaptation of the literary classic. Garrick Production Jane Eyre - By Charlotte Bronte A bold and theatrically inventive adaptation of the literary classic. Ran Oct 7, 2024 - Oct 12, 2024 Age guidance 11+ Venue Main House Running time TBC Tickets Price Range £10.50 - £16.50 Description Jane Eyre Written by Charlotte Bronte Adapted by Polly Teale and Directed by Carole Carr. As a child, the orphaned Jane Eyre is taught by a succession of severe guardians to stifle her natural exuberance. A part of herself is locked away, out of view of polite society... until she arrives at Rochester's house as a governess to his young child. Soon Rochester's passionate nature reawakens Jane's hidden self, but darker secrets are stirring in the attic... A bold and theatrically inventive adaptation of the literary classic that puts the interior life of the novel on stage. Charlotte Brontë’s story of the trailblazing Jane Eyre is as inspiring as ever. Reviews 5 Stars from Rick Bowen at Stagestruck "Altrincham Garrick is theatrically the place to be at the moment. Fabulous and unmissable." To read the full review from STAGESTRUCK click below: https://www.stagestruck.info/blog/2024/10/8/jane-eyre-altrincham-garrick-1 Lou Steggals from North West End UK “a visually captivating experience that will linger with audiences long after the curtain call" To read the full review from NORTH WEST END click the link below: https://northwestend.com/jane-eyre-altrincham-garrick-playhouse/ Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

When The Rain Stops Falling at the Altrincham Garrick Theatre. Garrick Production When The Rain Stops Falling Ran Mar 2, 2020 - Mar 7, 2020 Age guidance Venue Main House Running time Tickets Price Range Description Alice Springs in the year 2039. A fish falls from the sky and lands at the feet of Gabriel York. It still smells of the sea... That is how this compelling family saga begins. A play that transports us back and forth in time from one generation to another, from 1959 to 2039, from London to Australia. A series of interconnected stories woven together as four generations of fathers and sons, their mothers, lovers and wives confront their mysteries of the past in order to understand their future; revealing how patterns of betrayal, love and abandonment are passed on, until finally, well into the future, as the desert is inundated with rain, one young man finds the courage to defy the legacy. From the same pen as last season's beautifully poignant and critically acclaimed 'Things I Know To Be True', Andrew Bovell's play is epic in its scope yet at the same time extraordinarily intimate. CAST Gabriel York - Mark Butt Elizabeth Law - Ros Greenwood Gabrielle York (Younger) - Alex Edge Joe Ryan - Richard Sails Gabrielle York (Older) - Beverley Stuart-Cole Elizabeth Law (Younger) - Parissa Zamanpour. Gabriel Law - Joseph Meighan Henry Law - John Joyce-O’Keeffe Andrew Price - James London Reviews Review by Paul Wilcox for North West End “They fuck you up, your mum and dad. They may not mean to, but they do. They fill you with the faults they had. And add some extra, just for you.” The lines of Philip Larkin’s immortal ‘This be the Verse’ were running on a loop in my head as I left Altrincham Garrick, following the opening night of ‘When the Rain Stops Falling’ by Australian dramatist Andrew Bovell. I knew nothing of the play, and I had only taken on the review at the last minute, convinced to attend by the opportunity to see local Director Joseph Meighan in a rare acting role. Two hours later, I’d seen my best production so far of 2020 and the theatre had once again astounded me with its ability to surprise and provoke. Set over an eighty year time span between 1959 to 2039, Bovell has chronicled the lives of four generations of one family from London to Australia, as they struggle to cope with the mistakes they make as people and parents and come to terms with their past and its effect on their life choices. He chooses Alice Springs in 2039 as his jumping off point, Gabriel York (Mark Butt, who also directs) waits for a visit from his estranged son Andrew (James London) and with his blistering opening monologue sets the tone and language for what is to follow. A circular, non-linear narrative is employed to explore the relationships between his grand parents Henry Law (John Joyce-O’Keefe) and Elizabeth (Parissa Zamanpour & Ros Greenwood); their son Gabriel Law (Joseph Meighan) and his blossoming romance with Gabrielle York ( Alex Edge & Beverley Stuart-Cole) and her subsequent meeting and life with Joe Ryan (Richard Sails). If this sounds confusing, it is purposefully so, with three variations of the same name (Gabriel) employed for separate characters and a continuously shifting time line, this is play that rewards total concentration. As we bounce between Eighties London and modern Australia, past secrets about the characters slowly begin to emerge and it is only at the very end that the completed narrative is brought to a darkly satisfying conclusion and full understanding is reached by the audience. The theme of repetition of past mistakes is starkly underlined in the language used by Bovell in the play. Scenarios and dialogue are constantly repeated down the years to emphasise the inherited similarities through the family, creating a claustrophobic atmosphere that suited the secretive family dynamic. Fathers do not fare well here, always leaving by accident or design, with only stepfather Ryan coming out with any credit for his paternal instincts. This is a great play for actors with nearly every role having strong monologues and emotional depth to mine. The company did not let down the material, with uniformly excellent performances from a very experienced cast. Meighan and Edge developed the love story with beautiful sincerity, made more poignant by already knowing the fate of Gabriel; Stuart-Cole portrayed Alzheimer’s with convincing confusion and rage and Joyce-O’Keefe gave pathos and depth to a character who ostensibly lacked sympathy. As Director, Mark Butt chose to place an interval in the middle of the two hour run, where non existed in the original staging. Judging by audience reaction, this was a smart move as everyone around me expounded their own interpretations and explanations of the convoluted plot over a swift G&T. In a similar vein, the family tree projected onto the back cloth aided understanding of the relationships between the characters greatly.Certain elements of the piece felt overwritten, most notably the referencing of 18th century philosophy and a concentration on past cataclysmic weather events which were part of a wider motif around climate change. Whilst there was a tenuous link between this theme and the central plot, in this production it felt superfluous to the family drama which was what excited and intrigued. Overall, a complex emotional and nuanced piece of writing by Bovell, beautifully executed by an experienced cast. Get to the Garrick before Saturday, this is one of the highlights of an excellent season and deserves to be seen. Star Rating: ★★★★ Director Mark Butt has nailed this production. Everything from his stark stage design, to the contemporary soundtrack and the brilliant direction of his cast was just wonderful and transported you to a professional theatre with the Garrick’s ‘high-end amateur’ quality. If I had to pick fault, it may be that the first half is slightly too long, but that’s in the writing not the direction. With a projected backdrop of a family tree (with lots of Gabrielle and Gabriel) before the play began and during the interval, the audience automatically attempted unpicking the who’s who of this story and it became harder the more they jumped back and forward in time but by the second half, the lightbulb moment finally happened and it was fascinating to watch unfold. The cast of eight had a hefty script to negotiate, which was full of monologues and duologues but never ceased to captivate the audience. From Gabriel York’s opening monologue (Mark Butt) with the dramatic rain falling in the backdrop to the letters of Henry Law (John Joyce-O’Keefe), atop Uluru (Ayer’s Rock), this was just a beautiful insight into the characters’ psyche. The female protagonists who played mirrored roles of older/younger versions of the characters were also beautifully portrayed with pathos. The innocence of young Gabrielle York (Alex Edge), juxtaposed with her older self (Beverly Stuart-Cole) was tragically brilliant and the contrast in the two Elizabeth Law roles was stunningly perceptive and authentic in her discovery of the truth. But it was in the relationship between Gabrielle York (Edge) and Gabriel Law (Joseph Meighan), where I felt the story really gripped me and brought everything together. These two performers had a wonderful rapport with one another and even tackled Australian and British accents with ease and believability, something which can become jarring in an amateur production but felt so natural and real in this case. The cast of this production didn’t put a foot wrong, which is not only testament to their director but the repertoire of experience the performers brought to this Garrick production. These are mostly trained actors from drama schools from Mountview to the Arden Centre, as well as other cast members with many years of experience performing at the Garrick Theatre and across the country and you feel this quality when you watch this production as you sense a stage presence from all cast members which only normally exists in professional productions. It’s hard to choose a favourite character or performance but a particular standout moment for me was in the choreography of the opening scenes. Choreography by Clara Darcy, gave this production a slick and contemporary feel and the simple stage movement produced an authenticity reminiscent of modern Dance-Theatre, without any of the pretension. In particular, the eating of the fish soup in unison and the stage exits, created a uniformity that reminded me of companies such as DV8 and Frantic Assembly. This was one of the strongest productions I have seen in a while at the Garrick: brilliant casting of a wonderful script with superb production quality. It had me gripped from start to finish. This is one not to be missed Utterly Compelling Drama Review by Johanna Hassouna-Smith for Number9reviews ‘The theatre is the only place where the past, the present and the future can be revealed at the same moment’ (Mark Butt, Director of When The Rain Stops Falling.) This couldn’t be truer of a production, than this. Spanning four generations from London 1959 to Australia 2039, this story interweaves a series of episodes and vignettes of families, whose connection is revealed through a gripping, enigmatic story line in which harrowing family secrets emerge from the past. From the same pen as last season’s ‘Things I Know To Be True’, this poignant production brings you into a world where hidden truths break apart relationships. Review by Rick Bowen for Stagestruck The phrase “family strife” takes on a whole new meaning while watching Andrew Bovell’s intense and absorbing play and it’s title couldn’t be more apt, with a large swathe of our country still under water thanks to man made climate change. Bovell paints a futuristic vision of Australia 2039, which is when and where the play begins, and it’s a vision straight out of our worst nightmares. It’s a future in which fish - yes, fish - are on the verge of going the way of the dinosaur. Gabriel York - played by Mark Butt - is about to have lunch with his estranged son. Down on his luck, Gabriel doesn’t know what to give him until an event takes place that has all the hallmarks of divine intervention. Mark, who directs this ambitious and largely laughter free piece, plays the part with just the right amount of authenticity and directs it with a boldness and a confidence that can only be admired. This is pretty meaty stuff and the action takes us on a touching and sometimes tearful time travelling journey. While some of the script is so brilliant it’s sure to make budding writers turn green with envy, there are occasions when Bovell tries a little too hard to be deep and profound. When The Rain Stops Falling is also drama for grown ups, with the story tackling the difficult subject of child abuse briefly but vividly and without a hint of sensationalism. The music provides a haunting and atmospheric backdrop to what unfolds on stage. I am not singling out other performances as this production is a major triumph for the Garrick’s gifted ensemble even if I left the theatre feeling like I’d been hit by a 10 ton truck. Star rating - 3.5 out of 5 Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

A short obituary of Derrick Kay, from the Altrincham Garrick Society. Previous Next Derrick Kay Derrick joined the theatre in the 1960's. He acted in, and especially directed, many productions, and played an important role in the development of the theatre. He was best known as the Chairman of the Play Selection and Casting Committee for many years, setting a style that was very similar to that used later by Alan Sugar. Garrick auditions could be nerve-wracking experiences for anyone attempting to get onto the acting list, and Derrick retained the final say as to who would be accepted. He would write personal letters to each person who had auditioned, using either "congratulations" or "regrets". It was considered a great honour among the local amateur acting fraternity to receive one of his congratulatory letters. Derrick was determined to maintain the highest acting abilities at the Garrick, an ambition which, to his credit, he achieved. Back to In Memoriam page

Sinbad the Sailor at the Altrincham Garrick Theatre. Garrick Production Sinbad the Sailor Ran Invalid Date - Aug 12, 2013 Age guidance Venue Running time Tickets Price Range Description The story is (very loosely!) based on the Arabian Nights stories, and The Seven Voyages of Sinbad. Sinbad sets off on a hazardous journey to the mysterious island of Colossus. His quest is to break the spell cast over his beloved princess by an evil sinister magician. But before he can save her, Sinbad must encounter an array of mythical obstacles and creatures that stand in his way. A band of cut throat pirates, a shipwreck, sabre-wielding skeletons, a fire breathing dragon, the Giant Roc bird and much more. But with the help of his loyal crew, his well meaning brother, and his doting mother, he will make his fortune, save the Princess, be given half The Caliphs kingdom, and live happily ever after. He's always there in the nick of time - Of course he is, it's Panto Time! Review from Sale & Altrincham Messenger by Rick Bowen Garrick panto will delight all ages PANTOMIME isn't my favourite form of theatre but I have to give credit where credit's due and Altrincham Garrick's seasonal offering,Sinbad The Sailor, is funny, perfectly paced and just the right length to prevent an outbreak of fidgeting among the little ones. It's a difficult task to single out individual performances as there aren't any bad ones and this production is the perfect advertisement for the Garrick's youth theatre. The youngest members of the cast looked impressively self-assured, without that air of precociousness that gets up my nose. Whenever I hear 'Peter England' is involved in a show I always sit up and take notice as he has this gift of getting the best out of a cast vocally and this production is no exception. Thanks to his skills as musical director, the company sounds magnificent, delivering every song with enthusiasm and panache. If I have a criticism it's that some of the jokes are milked far too much, but everything else is flawless. Mike Shaw (The Great Mysterioso) really reminded me of the villainous Professor Snape from the Harry Potter movies, Grace Garside is a likeable Princess Sharizar and Adam Gonet, born to be in panto, had the children in the audience hanging on his every word as the lovable Ali Bonkers. Natalie Hinchcliffe is a charismatic Sinbad and Sean Gonet and Dave Jones are perfect as the daft as a brush duo, Hubble and Bubble. Star Rating ★★★★ Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster