Search Results

Return to Productions Archive Garrick Productions The Merry Christmas Show Ran Dec 11, 1999 Age guidance Venue Running time Tickets Price Range Description We have no other information about this event beyond it being a one-night event on the 11th of December 1999. If you can provide any more information, please contact us. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production Of Mice and Men A classic story of enduring friendship and hope, with themes of economic migration and racism Ran May 8, 2025 - May 18, 2025 Age guidance Recommended: 12+ Venue Main House Running time TBC Tickets Price Range £10.50 - £16.50 Description Written by John Steinbeck Directed by Joseph Meighan “Guys like us, that work on ranches, are the loneliest guys in the world. They got no family. They don't belong no place...with us it ain't like that. We got a future. We got somebody to talk to that gives a damn about us.” George and Lennie are migrants with a dream; a dream of a better life, a place where they can belong, where Lennie feels safe and George can be somebody. But this is the Great Depression, not many dreams come true in a time where a few have plenty but most have nothing. When the friends take a job on Curly’s farm, tragedy unfolds leading to a heart-breaking decision. John Steinbeck’s classic novel is more than 80 years old, but with themes of economic migration, racism, prejudice and exclusion it remains a parable for our times. A story of enduring friendship and hope. Reviews Gallery Trailer Trigger Warning This production stays true to the original novel, exposing the depths of the characters and inviting conversations around difficult topics set against the brutality of the time. It contains sensitive content including topics that cover racism, ableism, sexism, violence, assault, murder, death, plus some strong and offensive language. Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production The Magic Circle Ran Jan 3, 1915 - Jan 3, 1915 Age guidance Venue Running time Tickets Price Range Description By Walter R Matthews CAST Blackburn, Lydia Broadsmith, Miss E Hutchinson, T D B Noble, Jack Noble, Miss May Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production Vardy v Rooney: The Wagatha Christie Trial Footballers’ wives drama which will keep you on the edge of your seat Ran Jun 2, 2025 - Jun 7, 2025 Age guidance 12+ Venue Main House Running time TBC Tickets Price Range £10.50 - £16.50 Description Adapted by Liz Hennessey Directed by Dan Ellis A story stranger than fiction that blurs the boundaries of tabloid scoop, court case and soap opera, The Wagatha Christie Trial explores privacy and celebrity in modern Britain. On 9 October 2019, Coleen Rooney publicly accused Rebekah Vardy of selling stories about her to The Sun. The four words "It's.......... Rebekah Vardy's account" sent shockwaves across British and global press. Nobody could have expected the social media scandal to grow so large. On 10 May 2022, the "Wagatha Christie" trial commenced. Over seven days, the libel court case saw Vardy and Rooney remark on each other's lives, with much of it documented heavily in the press. Only a handful of people witnessed what happened behind the closed doors of this footballers’ wives drama and now you can too in this hilarious (and slightly tacky) court room comedy! You'll be on the edge of your seat as you relive the high-profile case, filled with drama, intrigue, and scandal. Vardy V Rooney: The Wagatha Christie Trial was first performed at the Wyndham’s Theatre in the West End in 2022 before a UK and Ireland tour. Recommended: 12+ Warning: This production contains some strong language and adult themes. Reviews Gallery Trailer Trigger Warning This production contains some strong language and adult themes. Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Productions Bonaventure Ran Jan 1, 1951 - Jan 1, 1951 Age guidance Venue Running time Tickets Price Range Description Bramwell, Madge Caldwell, Pamela Clephan, Gay Ely, Michael D Grimshaw, Harold Hobbs, Olive Nellie Morrison, Elspeth Richardson, George Walker, Kathleen Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

A copy of our Health and Safety Policy for Altrincham Garrick Playhouse Terms and Conditions T&C’s for Sale of Tickets GDPR Privacy Policy Health and Safety Policy Child Protection Policy For a copy of our Health and Safety Policy please click HERE Join our mailing list Subscribe

Previous Next Jim Luckett Jim was a member of the Garrick for over 35 years, starting in the 1950s. He was an Honorary Life Member and a very hard-working volunteer, having served on most committees both Front of House and Backstage, as well as appearing in many plays. He won a Manchester Evening News Oscar in 1960 for his performance in Hot Summer Night and also appeared in The Rainmaker, which was the first Garrick play to win MEN's "Best Play" Oscar in 1958. This was a time when the MEN took a keen interest in amateur theatre ... sadly no longer the case. Back to In Memoriam page

Previous Next Ken Curragh Ken was a long standing member of the Garrick as an actor, and was at one time Workshop Manager. He also acted for a number of other societies in the area and was a very enthusiastic supporter of amateur theatre. Back to In Memoriam page

Previous Next Val Bacon Val Bacon was a regular performer with a number of local dramatic societies, including Urmston Musical Theatre, Sale Nomads, Edge Fold Players, All Saints and Salford Operatic. In her later years she concentrated all her attention to the Garrick, and was an acting member for over a decade from the late 1990s. Val also worked as an ASM, and helped out Front of House. Val's TV credits include Coronation Street , Emmerdale and Linda Green (with Lisa Tarbuck). She also appeared in television advertisements (for example Hotter Shoes and Sheerings Holidays. Back to In Memoriam page

Previous Next David Gonet David was part of a highly-talented acting family (including Stella Gonet) and his sons Sean and Adam. He was a versatile actor who performed many times at the Garrick in the mid 2000's - he was equally comfortable with comedy, farce, musicals and serious plays. His credits on the mainstage included One Flew Over the Cuckoo's Nest , When We Are Married , La Cage Aux Folles , Little Shop of Horrors and Dick Barton, Special Agent . He also appeared in the panto Sleeping Beauty , as well as in the Studio theatre, and his relaxed, naturalistic style made him a pleasure to watch. Back to In Memoriam page

Previous Next David Mardon David's parents were heavily involved with the Garrick, so it was no surprise that he joined in as well. He was a long-standing member of the Front of House team and was FoH Manager in the 1980s. He also handled the Performing Rights Licenses for all music played in productions at the theatre. Outside the Garrick, David was a well-known church organist. Back to In Memoriam page

Return to Productions Archive Garrick Productions Cranford Ran Jan 1, 1960 - Jan 1, 1960 Age guidance Venue Running time Tickets Price Range Description Pearse, Bette Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Previous Next Harry Williams Harry was a very valued acting member for many years, and appeared in many plays, including the Tin Man in our first production of The Wizard of Oz , and Tony in The Boyfriend . He had a wide scope, appearing in many other productions from Shakespeare to Music Hall. Back to In Memoriam page

Return to Productions Archive Garrick Production Jane Eyre - By Charlotte Bronte A bold and theatrically inventive adaptation of the literary classic. Ran Oct 7, 2024 - Oct 12, 2024 Age guidance 11+ Venue Main House Running time TBC Tickets Price Range £10.50 - £16.50 Description Jane Eyre Written by Charlotte Bronte Adapted by Polly Teale and Directed by Carole Carr. As a child, the orphaned Jane Eyre is taught by a succession of severe guardians to stifle her natural exuberance. A part of herself is locked away, out of view of polite society... until she arrives at Rochester's house as a governess to his young child. Soon Rochester's passionate nature reawakens Jane's hidden self, but darker secrets are stirring in the attic... A bold and theatrically inventive adaptation of the literary classic that puts the interior life of the novel on stage. Charlotte Brontë’s story of the trailblazing Jane Eyre is as inspiring as ever. Reviews 5 Stars from Rick Bowen at Stagestruck "Altrincham Garrick is theatrically the place to be at the moment. Fabulous and unmissable." To read the full review from STAGESTRUCK click below: https://www.stagestruck.info/blog/2024/10/8/jane-eyre-altrincham-garrick-1 Lou Steggals from North West End UK “a visually captivating experience that will linger with audiences long after the curtain call" To read the full review from NORTH WEST END click the link below: https://northwestend.com/jane-eyre-altrincham-garrick-playhouse/ Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Previous Next Gordon Prentice Gordon was a wonderful comedy performer who excelled in the Old Time Music Halls that, for 15 years, were an institution at the Garrick. He took part in almost all of them annually from the early 1970s, until the last one in 1990, and is pictured here as a Pearly King in 1978. He also appeared in several pantomimes such as Dick Whittington, Aladdin , and as an Ugly Sister in Cinderella . His first performances on the Garrick stage were in serious dramas such as Luther in 1972 and Macbeth in 1973, but it wasn't long before he was cast in comedy roles such as the Scarecrow in The Wizard of Oz , There Goes the Bride ', and See How They Run. Gordon also took part in most social events and cabarets in the bar, and worked in the Front of House team. Back to In Memoriam page

Return to Productions Archive Garrick Productions Haywire Ran Mar 13, 2000 - Mar 18, 2000 Age guidance Venue Running time Tickets Price Range Description By: Eric Chappell Directed By: Alan Rothwel Bookseller Alec Firth is having an affair with assistant Liz and has craftily organised things so he can go to Spain with her without arousing the suspicions of his wife. What could go wrong? Plenty!! Arriving on his doorstep, in quick succession, are his Grandma Giles of a mother (come to stay for the duration), his son with a broken ankle, a pregnant daughter and an oversized puppy. Alec's attempts to escape with Liz are charted to hilarious effect and with wit and ingenuity. What more can you expect from a man who created and wrote RISING DAMP and gave us the marvellous Rigsby and Miss Jones? CAST Mike Shaw as Alec Helen Busby as Liz Carole Carr as Alec's wife Stella Fogg as 'The Mother!' Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production A Chorus Line A musical masterpiece that revolutionised Broadway Ran Sep 8, 2025 - Sep 14, 2025 Age guidance 12 + Venue Main House Running time TBC Tickets Price Range £19 - £24 Description Seventeen Stories. Eight Chances. One Singular Sensation. New York City. 1975. On an empty Broadway stage, seventeen performers are put through their paces in the final, gruelling audition for a new Broadway musical. For everyone present, it’s the chance of a lifetime. It’s the one opportunity to do what they’ve always dreamed of – to have the chance to dance… but only eight will make the cut. Told through captivating song, riveting drama and stunning choreography, the auditionees describe the events that have shaped their lives and their decisions to become dancers. Based on real-life testimonies from late-night recording sessions with dancers, these are the lives of theatre’s unsung heroes, as they tell searing stories of ambition, shattered hopes, and what it really costs to follow your dreams. A Chorus Line is a musical masterpiece that revolutionised Broadway, winning nine Tony Awards, seven Drama Desk Awards, the New York Critics’ Circle Award and the Pulitzer Prize for Drama. Now celebrating 50 years since A CHORUS LINE first graced the Broadway stage, it is time experience a stunning new production full of heart, music and dance at Altrincham Garrick Playhouse. - Directed by Joseph Meighan - Musical Direction by Mark Goggins - Choreographed by Louise Pettitt Reviews Described as "polished, passionate, and unforgettable"; the opening production of our 2025/26 Season 'A Chorus Line' has been awarded 5 STARS from NORTH WEST END UK . "The creative team deserve immense credit. The lighting and sound were flawless, enhancing the minimalist staging with atmosphere and precision. Glittering costumes in the finale brought that Broadway dazzle, and the audience responded with thunderous applause and cheers. Louise Pettitt’s choreography deserves high praise. Every number was tight, synchronised, and visually stunning". "The musical backbone of the show came from Mark Goggins and his 14-piece live band, who played with energy, precision, and flair." "A thoroughly enjoyable evening, delivered by a sensational cast and creative team. Quite simply, this ‘A Chorus Line’ was theatre at its very best – uplifting, heartfelt, and unforgettable." Katie Leicester at NORTH WEST END UK - Read the full review HERE "IT’S hard to believe this show is 50 years old. Despite its age, its power to move, amuse, entertain and exhilarate remains as strong as ever thanks to a sumptuous score and a very stirring dance finale that raised the roof at the Garrick on opening night." "Unmissable, high quality entertainment." Rick Bowen at STAGESTRUCK - Read the full review HERE Gallery Trailer Trigger Warning Warning: This performance contains haze, loud music, discussion of bereavement, mention of physical violence and abuse, discussion of homophobia, discussion of discrimination, strong language, and discussion of sexual abuse. This production contains some references and language that may be unsuitable for younger children. Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production Ross and Rachel Home Streaming via YouTube Ran May 17, 2022 - May 22, 2022 Age guidance Suitability: 14+ Venue Running time Tickets Price Range Description By James Fritz Directed by Carole Carr Performed by Fiona Primrose No one told them life was gonna be this way… Ross & Rachel . You know the ones. Will they? Won’t they? On. Off. On again. Off again. On a break. Vegas. Emma. “I got off the plane”… Ross & Rachel tells the mind-bending, heart-breaking story of what happens when a couple that was always meant to be together, gets together. And stays together. James Fritz’s play isn’t about Ross Geller and Rachel Green, the ultimate Friends-turned-lovers. But it’s not – not about them. A dark and uncompromising play that explores romance, expectation and mortality, and the idea of ‘happy-ever-after’ – sold to us by rom-coms and sitcoms, whether it’s Ross and Rachel or Romeo and Juliet – and how this affects our real-life relationships. Suitability: 14+ Contains strong language and adult themes which some viewers may find disturbing. Reviews Gallery Trailer Trigger Warning Contains strong language and adult themes which some viewers may find disturbing. Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Productions 'Allo 'Allo Ran Nov 30, 2009 - Dec 5, 2009 Age guidance Venue Running time Tickets Price Range Description Rene Artois wants peace and quiet to run his cafe and 'ave is way' with waitresses Yvette and Mimi without wife Edith catching him out. Unfortunately there is a war on. The Resistance needs his help and Rene wants to avoid being shot by the Germans. You know the rest, totally hilarious. Cast Graham Simmonds as Rene Artois Angela Wetherill as Edith Artois Laura Chandler as Yvette Carte-Blanche Paula Keen as Mimi La Bonq Jacqueline Wheble as Michelle Dubois Brian Tickle as Colonel Kurt Von Strohm Mandy White as Private Helga Geerhart Mike Shaw as Herr Otto Flick Barry Spencer as Captain Alberto Bertorelli David Leathlean as Officer Crabtree Brian Hewlett as Monsieur Le Clerc Richard Layfield as Lieutenant Hubert Gruber Frank Boylan as General Ludwig Von Schmelling Stuart Bilson as 1st Airman Pete Blain as 2nd Airman Reviews Sale & Altrincham Messenger's Review by Rick Bowen While Altrincham Garrick's production of Dads' Army really gave you a flavour of the original, 'Allo 'Allo ' merely tickles the taste buds. There are some magical comedy moments to enjoy but for me, there's a lack of pace in places. In saying that though, there's every reason to assume the tempo will increase as the run progresses. Now I know Rene the randy cafe owner is the main character, but the performance of the evening comes from Barry Spencer as the incurably vain Captain Alberto Bertorelli. His impersonation of a ranting and rabid Adolf Hitler is worth the ticket money on its own. Graham Simmonds as Rene demonstrates his gift for both verbal and visual comedy, ably assisted on one occasion by an inflatable Adolf. That scene is so funny you could easily crack a rib or two and there's an enjoyable chemistry between Graham and Angela Wetherill who plays his long suffering wIfe Edith, a woman who is desperate for the spark to return to her passion free marriage. Steve Bradshaw has designed an attractive set that serves as everything from a cafe interior to Rene and Edith's bedroom. It allows the production to flit from scene to scene with admirable smoothness. If you're a fan of the original TV series or a lover of old school comedy garnished with a little sauce, you'll love this. Star Rating ★★★ Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production The Silver Box The first show that the Altrincham Garrick Society staged. Ran Mar 18, 1914 - Mar 21, 1914 Age guidance Venue Public Hall, Altrincham Running time Tickets Price Range Description CAST Bonson, John P Byrom, J W Jr Clough, Gilbert S Driver, J N Hamilton, J T Higgs, Elsie Higson, Nellie J Hill, Arthur P Kenyon, Frank Manley, Miss E Middleton, P Nixon, Walter S Noble, Miss May Noble, Jack Roberts, I Slinn, Ella Taylor, Fred Trevor, E Wilkinson, John Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive The Business of Murder Ran Feb 10, 1997 - Feb 15, 1997 Age guidance Venue Running time Tickets Price Range Description Description to follow Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Previous Next Stevie Salem (née Holt) Stevie was a firm Garrick audience favourite for over 20 years, appearing in over thirty shows in a leading role. Her first play at the theatre was in Birds on a Wing , in 1972. Her other main credits include Crown Matrimonial , Private Lives , Play it Again Sam , After the Ball , Blithe Spirit (when she played Elvira), California Suite , Having a Ball , A Taste of Honey , See How They Run (in which she played Penelope Toop), and Steel Magnolias . Her final performance on the Garrick stage was in Last Tango in Whitby in 1993. Stevie also appeared in musicals such as Marie and Annie , as well as several Old Time Music Halls. Backstage, she regularly worked as an ASM. Back to In Memoriam page

Return to Productions Archive Garrick Productions Your World and Mine Ran Apr 13, 1953 - Apr 21, 1953 Age guidance Venue Running time Tickets Price Range Description Allen, Doreen Caldwell, Pamela Miller, Tony Stockton, Reg Sykes, Constance D Winning, Joyce Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

This page is used to allow you to select your seats for this event at the Altrincham Garrick Playhouse Your Selection Your selection Basket Checkout Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Previous Next Phil Gleave Phil's working background didn't really indicate an interest in theatre, with his jobs including miner, fireman, coach driver and bus inspector. However, he first came to the Garrick in the late 1980s, to build sets as a member of the stage crew, and stayed to become a highly valued and legendary Stage Manager actively involved in hundreds of productions. Greatly respected by his peers, he was a straight-talking and very competent person, essential qualities in ensuring productions of the highest standard. Phil had only one obvious weakness : Jelly Babies (see picture) ... especially at Panto time. Outside the Garrick, he had a passion for diesel railway engines and worked as a volunteer at East Lancashire Railways as Responsible Officer, in charge of the running of the engines when the public was in attendance. Back to In Memoriam page

Return to Productions Archive Garrick Production QUIZ Entertaining comedy drama based on Who Wants To Be A Millionaire performed by the Garrick Ensemble Ran Feb 2, 2026 - Feb 7, 2026 Age guidance 12+ Venue Main House Running time TBC Tickets Price Range £14 - £19 Description Every audience member will be given a voting device, putting you right at the heart of the story. You won’t just watch the drama unfold, you’ll help decide it. September 2001: the nation is gripped by a scandal that remains, to this day, a mystery. In an outrageously audacious heist, Charles Ingram, aka the Coughing Major, and his accomplices duped the world’s most popular TV quiz show, Who Wants to Be a Millionaire, out of £1,000,000. Or did they? And if they did cheat, how did they really do it? James Graham’s thrilling, entertaining and provocative comedy drama, asks you, the audience, to put fingers on keypads and answer the ultimate 50/50: guilty or not guilty? And, for your first question, is QUIZ … A) A play by acclaimed writer James Graham, performed by The Garrick Ensemble? B) A provocative re-examination of the conviction of Charles Ingram, 'the coughing Major', for cheating, following his appearance on Who Wants To Be A Millionaire? C) A hilarious celebration of the great tradition of the British quiz show? D) A razor-sharp analysis of the 21st century's dangerous new attitude to truth and lies? Answer: You decide. Nominated for two Olivier Awards including Best New Comedy, James Graham’s smash hit play, Quiz, transferred to London’s West End with sensational reviews in 2018, following a sold-out run at Chichester Festival Theatre. And in 2020, millions tuned in to see the three-part ITV adaptation starring Michael Sheen, Matthew Macfadyen and Sian Clifford. This production is performed by THE GARRICK ENSEMBLE. The Garrick Ensemble is a company of 18 – 30 year old aspiring actors from Greater Manchester and Cheshire who perform one production each year as part of the Altrincham Garrick Playhouse Main House Season. The Garrick Ensemble aims to make theatre that is fresh, innovative and exciting. See the very best of local, up and coming talent before they move forward in the next stages of their careers in the Arts. Written by James Graham Directed by Joseph Meighan (Artistic Director) Reviews 5 Stars from North West End U K “Entertaining, inventive and expertly staged, this production is a testament to the talent both on stage and behind the scenes at the Garrick. Verdict: A clever, interactive and utterly gripping night of theatre.” - Max Eden Read the full review HERE Stage Struck "Director Joe Meighan can add Quiz to a long list of theatrical triumphs at the Garrick." Read Rick Bowen's full review HERE Gallery Trailer Trigger Warning 12+ This production contains strong language and adult themes. Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Previous Next Diana Provan (née Harker) Diana and her husband Joe joined the theatre in the early 1960s, and she soon proved her worth as a very talented actress. She presented many outstanding performances at the Garrick before moving on to professional theatre. She then returned to the Garrick some few years later to direct many of our plays, and once again her exceptional talent shone through with some wonderful productions. Wonderfully imaginative, artistic, dedicated and with a refusal to accept nothing but the best, she became a much loved character at the Garrick. Many actors considered Diana as the best person they ever acted with or performed for. Diana and Joe moved to their beloved Italy in the early 2000s when Joe retired, and lived there very happily, visited regularly by their children Jeremy, Julia and Nicholas and their respective families. Rick Bowen wrote this Tribute to Diana in the Sale and Altrincham Messenger in March 2013. Back to In Memoriam page

Garrick Academy GAPA Summer School 2026 - Week 1 Date range Tickets £185 per week Age guidance 6-18 years Venue Rehearsal Room Trigger warning Find out more Book now Running time 10am until 4pm (6 hours per day for the full 5 days) Group bookings Find out more Accessibility Find out more Our exciting Theatrical Summer School for young people aged 6–18 is the perfect opportunity to build confidence, develop performance skills, and unleash creativity through drama, games, improvisation, storytelling, and performance. Choose to attend Week 1 , Week 2 , or both weeks – each week will feature different activities and projects , so there will be plenty of new experiences for those joining us for the full two weeks! During the week, students will be working towards a showcase performance on the Friday afternoon of each week, giving everyone the chance to share everything they have created and learned with family and friends and celebrate their hard work and achievements. Summer School Dates Week 1 (Full 5 Days): 27th July – 31st July 2026 (book below) Week 2 (Full 5 Days): 3rd – 7th August 2026 (click here to book) Time: 10:00am – 4:00pm daily Cost: £185 per week Please note that the children would need to bring along with them: A packed lunch and snacks to last the day (6 hours) A notepad A pencil case Comfortable clothing suitable for movement and activity Spaces are limited, so book early to secure your child's place for an unforgettable summer of creativity, laughter, and performance! Garrick Academy Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

The Altrincham Garrick is a registered charity and your kind donations will support future developments. Support the Altrincham Garrick Playhouse. Donating towards our CHILI Fund I would like to donate £75 or more (Includes an optional Commemorative Plaque) If less than £75, please enter the amount below and select Add To Basket . Setting up a Regular Donation The Altrincham Garrick is a registered charity, and we receive no public funding from any other organisation, or from our regional or local council. Our income comes mainly from the tickets that our audience buys, with smaller contributions from elsewhere in the Garrick (for example: from our GAPA education programme, and from daytime rental of the Car Park). The building dates from 1933, with ever-increasing operational and production costs. Our energy bills are high (productions use a lot of electricity; our bills are sometimes over £3,000 per month) and we have a small number of dedicated staff whom we pay. Our programme of building improvements is currently aimed at reducing winter heating bills. However, maintenance and urgent repairs take precedence, and this can often cost 10s of thousands of pounds per year. On top of all this, we have to continue investing in the equipment that a theatre needs, to keep on presenting productions of the high quality that our audiences deserve. Two major infrastructure projects are currently urgently required.Our roof is in very poor condition and needs a major overhaul. We also need to find money to install air-conditioning in the main auditorium. The Garrick aims to do all the above while still maintaining our low ticket prices. Occasional increases are unavoidable, but our goal is to make sure that theatre is available to all in the community, at a price that they can afford. We exist today due to the generosity and support of local people and businesses. We are very grateful to those who not only pay to see a show, but who also buy a drink in the bar, buy a programme, and indulge in sweets or an ice-cream from our kiosk. We need you and the local community to support us, so we can continue doing what we do so well. Business sponsorships are also very welcome, click here for more . Please donate now what you can, and please also add a donation to your ticket purchases. If you would like to set up a regular donation then ask at our Box Office or fill in the form below. Name* Email address Phone How would you like to set up a regular donation ? Submit

Return to Productions Archive Visiting Production Trafford Singing Festivals A wonderful day filled with music, singing and celebration Ran Jul 9, 2026 Age guidance N/A Venue Main House Running time TBC Tickets Price Range £6.50 - £8.50 Description The Trafford Singing Festivals are back at the Garrick! 🎶 We are delighted to once again welcome schools from across Trafford for another wonderful day filled with music, singing and celebration. Throughout the day, children from schools across the borough will take part in three special singing festivals, showcasing their talent, enthusiasm and love of music. Please make sure you book for the correct performance time for your child’s school, as detailed below. Presented by Trafford Music Service Enriching lives, inspiring a love of music for all. Singing Festival 1 - 9th July at 10:30am Partington Central Academy 3LP Partington Central Academy 3JM Altrincham C.E. Primary Swallows Year 3 Altrincham C.E. Primary Finches Year 4 Navigation Primary 5PM Navigation Primary 5IF Singing Festival 2 - 9th July ay 1.45pm Davyhulme Primary 3A Davyhulme Primary 3B Broadheath Primary 4M Broadheath Primary 4B Broadheath Primary 4W Altrincham C.E. Primary Nightingales Year 5 Singing Festival 3 - 9th July at 6:30pm Well Green Primary Year 4 Bowdon Church School 5Ha Bowdon Church School 5He Bowdon Church School 5BP Bollin Primary 5CT Bollin Primary 5M Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production A Man of No Importance The Irish Studio Season: A Musical Comedy about an amdram group facing opposition from the Church Ran Mar 25, 2025 - Mar 30, 2025 Age guidance 12+ Venue Altrincham Garrick Studio Running time TBC Tickets Price Range £14.50 - £16.50 (Studio Musical) Description Book by Terrance McNally Music by Stephen Flaherty Lyrics by Lynn Ahrens Directed by Barry Purves In Dublin in 1964, bus conductor and Oscar Wilde fan Alfie has ambitions to stage Salome , despite the objections of the church hierarchy at St Imelda's, where his amateur theatre group is based. When a newcomer to town, Adele, joins his passengers, he realises he has found the right person for the title role and starts to assemble his cast. Meanwhile Alfie's sister Lily mistakes her brother's interest in Adele as romantic - she longs to have him off her hands so she can be free to marry. Little does Lily realise that Alfie's love "dare not speak its name" and the object of his affections is in fact bus driver Robbie. As opening night draws near, secrets come spilling out which threaten to shake this little community to its core. But camaraderie and the redeeming power of theatre offer a thread of hope in this story of friendship, forbidden love and finding our place in the world. Winner of the 2003 Outer Critics Circle Award for Best Musical, A Man Of No Importance is the second successful collaboration by the team of Terrence McNally, Lynn Ahrens and Stephen Flaherty, all of whom won Tony Awards for Ragtime . Reviews Rick Bowen - Stagestruck - 5 Stars Please visit: https://www.stagestruck.info/blog/2025/3/26/a-man-of-no-importance-lauriston-studio Gallery Trailer Trigger Warning This production contains depictions and themes of violence and homophobia and includes and mild language. Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Lauriston Studio Betrayal Ran May 23, 2016 - May 28, 2016 Age guidance Venue Running time Tickets Price Range Description Perhaps the greatest and most moving of all Pinter's plays. It concerns the devious workings of the human heart, love, guilt and passion. It begins with the embers of an adulterous relationship and traces the train of events through the previous years - the betrayal between wife and husband, mistress and lover and even between the rival men. The sweaty panic of the adulterer mixes thrillingly with the barely contained emotional violence of the situation. The play was famously based on Pinter's own affair with Joan Bakewell and has been constantly revived since its first production in 1978. Cast Emma - Jacqui Wheble Jerry - Malcolm Cooper Robert - Paul Wilson Waiter - Leon McKenna Reviews **** Review by Rick Bowen - Stagestruck YOU never feel totally comfortable watching a Harold Pinter play. The characters teeter on the brink of unpredictability, formula driven the work of this bespectacled genius most definitely isn’t. Leave your comfort zone at the theatre door, please. Jerry and Emma meet for a catch up at a pub and it soon becomes apparent they have a past, even if they keep a tight rein on their emotions. It could be two former work colleagues having a catch up, but it isn’t. The play takes us back in time nine years and we see far more passion then, with Jerry behaving like an infatuated schoolboy towards Emma, worshipping her like a goddess. While the pace of Betrayal is positively forensic at times, it is an engrossing, intriguing and grown up piece of theatre featuring some fabulous, witty and insightful lines from a master playwright. I’ve always been attracted to the work of artists who refuse to bow to convention and it goes without saying Pinter was a true enigma. For me, this is Jacqueline Wheble’s best performance to date at the Garrick, breezing across the stage with supreme confidence as Emma. She and Malcolm Cooper, who plays Jerry are really good together and very, very believable. Paul Wilson, an actor I rate very highly, gives his reputation yet another major boost as Emma’s hubby, Robert. This is a major achievement for all concerned, including the production’s director, Richard Sails. * Until May 28. The box office is on 0161 928 1677. Star rating – **** *** Review by Julia Taylor THE Lauriston Studio at Altrincham Garrick present the Harold Pinter classic, Betrayal, for their last play of the season. It is aptly named for it illustrates three kinds of betrayal. That of husband and wife, lover and mistress and two best friends and there are interesting duologues between each of these pairs. Pinter craftily makes the action begin two years after the end of an affair and takes us gradually backwards to its titillating start seven years beforehand. A screen with dates establishes the chronological order. An excellent twosome scene takes place in 1973 when Jacqui Wheble's Emma confesses to her husband, Robert (Paul Wilson) that she has been having an affair with his best friend Jerry (Malcolm Cooper) since 1968. Jacqui and Paul are real life partners which might have helped this difficult scene to run smoothly. It is not until that point that Robert, an adulterer himself, has any idea that his wife spends passionate afternoons with Jerry, The men remain disturbingly close despite the affair. The cast interact well and show mastery of the Pinter pause but the pace is just a fraction slow. Jacqui's Emma masters the work/home balance, yet remains attractive to men. After Jerry falls for her you can feel their sexual chemistry and yet, at times they seem set in their ways. Malcolm Cooper's facial expressions are telling as he indicates Jerry's fear of being found out. Until Saturday, May 28 For tickets, telephone 0161 928 1677 or book online at altrinchamgarrick.co.uk. Star rating:? * * * Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

GAPA currently runs seven Saturday groups. Six on a Saturday morning for our 8 to 18 year olds, plus our MINI GAPA (5 to 8 year old) class on Saturday afternoons. The Academy Groups and Classes Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. GAPA Saturday Group School Holiday Courses Speech & Drama/ LAMDA Classes GAPA Saturday Groups GAPA currently runs seven Saturday groups: six on a Saturday morning for our 8 to 18 year olds, with our MINI GAPA class, for 5 to 8 year olds, on Saturday afternoons. Throughout the year, the groups work towards the goal of putting a production onto the main stage. The year starts with stagecraft, skills and audition preparation, giving students the opportunity to enhance and develop their performance skills. Then it’s audition time and, once the play is cast, the rehearsals start and all the elements of the show are put together. Working through this process, the students learn the valuable skills required of rehearsing and putting on a production, whilst being surrounded by fun and laughter. The Saturday group times are as follows: Session 1: 9:00-11:00 (Classes 1-3) Session 2: 11:30-13:30 (Classes 4-6) Session 3: 14:00 – 15:30 (Class 7 MINI GAPA) Term Dates The teaching year is broken into three terms. GAPA Term Dates 2025-26 Term 1 06/09/2025 - 06/12/2025 - not including 25/10/25 & 01/11/25 Term 2 10/01/2026 - 14/03/2026 - not including 14/02/26 & 21/02/26 Term 3 25/04/2026 - 11/07/2026 - not including 23/05/26 & 30/05/26 Student Area Join our mailing list Subscribe

Previous Next Brian Moore Brian was introduced to the Garrick in 1965 by his then girlfriend, soon to be wife, Ann, who was auditioning for the pantomime The Wizard of Oz . By the time they left that evening, Brian had been cast as The Scarecrow and had become a fully paid-up member of the theatre. Brian went on to act in or be involved with dozens of plays and musicals over the next 50+ years. After his final show, when he was in his late 70s, he turned his hand to assisting many other areas of the theatre, including the bar and, with the help of others, running the Sunday Jazz lunches. Finally, after the refurbishment of the theatre, Brian took over the running of the confectionery kiosk. He introduced the selling of ice creams within the auditorium during the interval, making in his time many thousands of pounds for the Garrick. When not at the theatre, Brian could be found at the golf course enjoying the outdoor life. Brian was delighted to have been made an honorary Life Member of the Garrick theatre. Back to In Memoriam page

The Altrincham Garrick Playhouse recognizes its duty of care under the Children and Young Persons Act 1963, the Child (Performances) Regulations 1968, the Protection of Children Act 1999 and the Criminal Justice and Court Services Act 2000. Child Protection Policy T&C’s for Sale of Tickets GDPR Privacy Policy Health and Safety Policy Child Protection Policy The Altrincham Garrick Playhouse recognizes its duty of care under the Children and Young Persons Act 1963, the Child (Performances) Regulations 1968, the Protection of Children Act 1999 and the Criminal Justice and Court Services Act 2000.The society recognizes that abuse can take many forms, whether it be physical abuse, emotional abuse, sexual abuse or neglect. The society is committed to practice which protects children from harm. All members of the society accept and recognize their responsibilities to develop awareness of the issues which cause children harm. The society believes that: The welfare of the child is paramount; All children, whatever their age, culture, disability, gender, language, racial origin, religious beliefs and/or sexual identity have the right to protection from abuse; All suspicions and allegations of abuse should be taken seriously and responded to swiftly and appropriately; All members and employees of the society should be clear on how to respond appropriately. The society will ensure that: All children will be treated equally and with respect and dignity; The welfare of each child will always be put first; A balanced relationship based on mutual trust will be built which empowers the children to share in the decision making process; Enthusiastic and constructive feedback will be given rather than negative criticism Bullying will not be accepted or condoned; All adult members of the society provide a positive role model for dealing with other people; Action will be taken to stop any inappropriate verbal or physical behaviour; It will keep up-to-date with health & safety legislation; It will keep informed of changes in legislation and policies for the protection of children; It will undertake relevant development and training; It will hold a register of every child involved with the society and will retain a contact name and number close at hand in case of emergencies. The society has child protection procedures which accompany this policy. This policy should also be read in conjunction with the society’s Theatre Handbook and Health & Safety Policy. The society has a dedicated Child Protection Officer, who is in charge of ensuring that the Child Protection policy and procedures are adhered to. This policy will be regularly monitored by the Executive Committee of the society and will be subject to annual review. Child Protection Procedures Responsibilities of the Society At the outset of any production involving children the society will: Undertake a risk assessment and monitor risk throughout the production process; Identify at the outset the person with designated responsibility for child protection; Engage in effective recruitment of chaperones and other individuals with responsibility for children, including appropriate vetting (if necessary in consultation with the local education authority); Ensure that children are supervised at all times; Know how to get in touch with the local authority social services, in case it needs to report a concern. Parents The society believes it to be important that there is a partnership between parents and the society. Parents/guardians are encouraged to be involved in the activities of the society and to share responsibility for the care of children. All parents will be given a copy the society's Child Protection Policy and procedures .All parents/guardians have the responsibility to collect (or arrange collection of) their children after rehearsals or performances. It is NOT the responsibility of the society to take children home. Unsupervised Contact The society will attempt to ensure that no adult has unsupervised contact with children. If possible there will always be two adults in the room when working with children. If unsupervised contact is unavoidable, steps will be taken to minimize risk. For example, work will be carried out in a public area or in a designated room with a door open. If it is predicted that an individual is likely to require unsupervised contact with children, he or she may be required to obtain a criminal record disclosure. Physical Contact All adults will maintain a safe and appropriate distance from children. Adults will only touch children when it is absolutely necessary in relation to the particular activity. Adults will seek the consent of the child prior to any physical contact and the purpose of the contact shall be made clear. Managing sensitive information The society has a policy and procedures for the taking, using and storage of photographs or images of children. Permission will be sought from the parents/guardians for use of photographic material featuring children for promotional or other purposes. The society’s web-based materials and activities will be carefully monitored for inappropriate use. The society will ensure confidentiality in order to protect the rights of its members, including the safe handling, storage and disposal of any sensitive information such as criminal record disclosures. Suspicion of abuse If you see or suspect abuse of a child while in the care of the society, please make this known to the person with responsibility for child protection. If you suspect that the person with responsibility for child protection is the source of the problem, you should make your concerns known to the Chairman. Please make a note for your own records of what you witnessed as well as your response, in case there is follow-up in which you are involved. If a serious allegation is made against any member of the society, chaperone, venue staff etc., that individual will be suspended immediately until the investigation is concluded. The individual will be excluded from the theatre; rehearsal rooms etc. and will not have any unsupervised contact with any other children in the production. Disclosure of abuse If a child confides in you that abuse has taken place: Remain calm and in control but do not delay taking action. Listen carefully to what has been said. Allow the child to tell you at their own pace and ask questions only for clarification. Don’t ask questions that suggest a particular answer. Don’t promise to keep it a secret. Use the first opportunity you have to share the information with the person with responsibility for child protection. Make it clear to the child that you will need to share this information with others. Make it clear that you will only tell the people who need to know and who should be able to help. Reassure the child that they did the right thing in telling someone. Tell the child what you are going to do next. Speak immediately to the person with responsibility for child protection. It is that person’s responsibility to liaise with the relevant authorities, usually social services or the police. As soon as possible after the disclosing conversation, make a note of what was said, using the child’s own words. Note the date, time, any names that were involved or mentioned, and who you gave the information to. Make sure you sign and date your record. Recording In all situations, including those in which the cause of concern arises from a disclosure made in confidence, the details of an allegation or reported incident will be recorded, regardless of whether or not the concerns have been shared with a statutory child protection agency. An accurate note shall be made of the date and time of the incident or disclosure, the parties involved, what was said or done and by whom, any action taken to investigate the matter, any further action taken e.g. suspension of an individual, where relevant the reasons why the matter was not referred to a statutory agency, and the name of the persons reporting and to whom it was reported. The record will be stored securely and shared only with those who need to know about the incident or allegation. Rights & Confidentiality If a complaint is made against a member of the society he or she will be made aware of their rights under the society's disciplinary procedures. No matter how you may feel about the accusation, both the alleged abuser and the child who is thought to have been abused have the right to confidentiality under the Data Protection Act 1998. Remember also that any possible criminal investigation could be compromised through inappropriate information being released. In criminal law the Crown or other prosecuting authority has to prove guilt and the defendant is presumed innocent until proven guilty. Accidents To avoid accidents, chaperones and children will be advised of ‘house rules’ regarding health and safety and will be notified of areas that are out of bounds. Children will be advised of the clothing and footwear appropriate to the work that will be undertaken. If a child is injured while in the care of the society, a designated first-aider should administer first aid and the injury will be recorded in the society’s accident book. This record will be counter-signed by the person with responsibility for child protection. If a child joins the production with an obvious physical injury a record of this will be made in the accident book. This record will be counter-signed by the person with responsibility for child protection. Criminal Record Disclosures If the society believes it in is in its best interests to obtain criminal record disclosures for chaperones or other personnel it will inform the individual of the necessary procedures and the level of disclosure required. An Enhanced disclosure will be required. The society will have a written code of practice for the handling of disclosure information and aim to prevent misuse. Chaperones Chaperones will be appointed by the society/appointed persons for the care of children during the production process. By law the chaperone is acting in loco parentis and should exercise the care which a good parent/guardian might be reasonably expected to give to a child. The maximum number of children in the chaperone’s care shall not exceed 12. Potential chaperones may be required to supply photographic proof of identity and two references from individuals with knowledge of their previous work with children, unless already well known to the society. They may also be asked to sign a declaration stating that there is no reason why they would be considered unsuitable to work with children. Chaperones will be made aware of the society’s Child Protection Policy and Procedures. Where chaperones are not satisfied with the conditions for the children, they should bring this to the attention of the director/stage manager. If changes cannot be made satisfactorily the chaperone should consider not allowing the child to continue. If a chaperone considers that a child is unwell or too tired to continue, the chaperone must inform the director/stage manager and not allow the child to continue. No child of compulsory school age is permitted to do anything which may endanger life or limb. This could include working on wires or heavy lifting. Chaperones should tell the director/stage manager to cease using children in this way, and should contact the local authority. During performances, chaperones will be responsible for meeting children at the stage door and signing them into the building. Children will be kept together at all times except when using separate dressing rooms. Chaperones will be aware of where the children are at all times. Children are not to leave the theatre unsupervised by chaperones unless in the company of their parents/guardians. Children will be adequately supervised while going to and from the toilets. Children will not be allowed to enter the adult dressing rooms. Chaperones should be aware of the safety arrangements and first aid procedures in the venue, and will ensure that children in their care do not place themselves and others in danger. Chaperones should ensure that any accidents are reported to and recorded by the society. Chaperones should examine accident books each day. If an accident has occurred, the producer is not allowed to use that child until a medically qualified opinion has been obtained (not just the word of the parent or child). Chaperones should have written arrangements for children after performances. If someone different is to collect the child, a telephone call should be made to the parent/guardian to confirm the arrangements. Children should be signed out when leaving and a record made of the person collecting. If a parent has not collected the child, it is the duty of the chaperone to stay with that child or make arrangements to take them home. This policy is applicable to and focuses on, children of compulsory school age and below. A child is required to attend school unless they are over the age of 16 on 31st of August, or until the last Friday in June after their 16th birthday. Join our mailing list Subscribe

Return to Productions Archive Garrick Productions Calendar Girls Ran Sep 3, 2012 - Sep 8, 2012 Age guidance Venue Running time Tickets Price Range Description When Annie’s husband John dies of leukaemia, she and best friend Chris resolve to raise money for a new settee in the local hospital waiting room. They manage to persuade four fellow Women’s Institute members, Cora, Celia, Ruth and Jessie, to pose nude with them for an “alternative” calendar, with a little help from hospital porter and amateur photographer Lawrence. The news of the women’s charitable venture spreads like wildfire, and hordes of press soon descend on the small village of Knapeley in the Yorkshire Dales. The calendar is a success, but Chris and Annie’s friendship is put to the test under the strain of their new-found fame. CAST Cora - Carole Carr Chris - Beverley Stuart-Cole Annie - Janet Slade Jessie - Ruth Metcalfe Celia - Mandy White Ruth - Victoria Johnson Marie - Julie Cunningham Brenda Hulse - Helen Cowan John - Stephen Moss Rod - John Westbrook Lady Cravenshire - Maureen Casket Lawrence - Greg Holt Elaine - Francesca Rabar Liam - Stephen Moss by Tim Frith directed by Alan Rothwell Reviews NODA Review Author: Kevin Proctor The Calendar Girls by Tim Firth: A compelling story of hope, determination, friendship ….and considerably bigger buns! A true story based on a group of WI members in Yorkshire who were the originators of the nude charity calendar idea in the mid 1990’s, this daring idea has been copied many times since, but some would say never bettered. The Calendar Girls film grossed more than £60m at the box office worldwide, while the play – which Firth adapted from his film script – has taken more than £21m in ticket sales alone. Certainly, as far as the Altrincham Garrick’s presentation of this play is concerned, it’s a careful mixture of nimble acting skills and canny casting in this story which, while it deals with the dreaded big “C”, is humorous and ultimately uplifting. At the centre of the strong ensemble cast is Beverley Stuart-Cole, who relishes her role as Chris and drives the calendar project with head girl levels of determination. Beverley exceled in her WI conference speech at the beginning of Act 2, which received a heart-warming and well deserved applause from the audience. The cast of game actresses worked well as a unit and generated a natural rapport with delightful performances all round radiating a sense of warmth. Annie - the recent widow played by Janet Slade - encourages the ladies to think outside their frocks! Her subtle struggle to remain upbeat through her grief was beautifully portrayed which I imagine could easily be lost amongst Firth's loftier characters and comic one liners, but Janet kept us all in line reminding us where the heart of this play truly lies. The photography shoot / nude scene was handled with comic bravado, portrayed not too dissimilar to a silent comedy routine, milking any discomfort the audience (or even the cast) may have about such unseemly revelations! This, and rightly so, was the play's highlight, the enactment was fulfilling and delivered a mix of emotions from fear to accomplishment, laughter to surprise, undoubtedly the peak to the play as I’m sure was intended during its original creation. Congratulations to all on a profound kick off to your 2012/13 season! Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Productions Blackadder Goes Forth Ran Nov 5, 2018 - Nov 10, 2018 Age guidance Venue Running time Tickets Price Range Description MARKING THE CENTENARY OF THE END OF WORLD WAR ONE (ALSO SUPPORTING COMIC RELIEF) Based on the well loved television series, we are taken back to the First World War, with all the usual characters are involved in many anarchic situations. Blackadder and Baldrick are just two of the many characters who are caught up trying trying to escape the war. Laugh out loud comedy throughout but with an unforgettable ending. We are also delighted to be featuring, in our programme and an exhibition in our Foyer, the cartoons of Noel Whittles MC, a soldier from Altrincham, who served in the First World War. These cartoons, mostly never seen before have been kindly lent to us by his family. CAST Captain Edmund Blackadder - Steven Finney Private S. Baldrick - Michael Gallagher General Sir Anthony Cecil Hogmanay Melchett - David Beddy Lieutenant The Honourable George Colthurst St Barleigh - Hugh Everett Captain Kevin Darling - Steve Searcy Corporal Perkins - Charlie Gallagher Field Marshal Haig - Charlie Tomlinson Sergeant Jones - Richard Finney Private Robinson - Sam Evans Driver Parkhurst & Nurse Mary - Emma Turner Brigadier Smith - Roberto Lavorini Private Tipplewick - Ollie Tomlinson The Production is proudly sponsored by UNKNOWN On the Sunday after the last night of Blackadder we have A Special Commemorative Celebration marking the end of World War One, 100 years ago, on the 11th November 1918 Proceeds going to The British Legion Poppy Appeal The concert will feature at least 20 well know Garrick performers in memory of 'The Fallen' - especially the 29 who gave their lives from the 'bravest little street in England' - Chapel Street - Altrincham, appropriately set on the set of 'Blackadder' Production Photographs by Vish Sharma Reviews Review by Rick Bowen for Stagestruck WHAT makes a good sitcom? For me, one of the most important things is for the TV viewers to take the characters to the hearts and warm to them. Here we have an embarrassment of riches, from the bumbling Private Baldrick to the crown prince of the put down, Captain Edmund Blackadder, brought so engagingly to life on the small screen by Tony Robinson and Rowan Atkinson. I never thought I’d feel the same deep seated warmth for these characters again. But in Charlie Tomlinson’s flawless and fabulous stage production I felt it - in spades. As Blackadder, Steven Finney treats us a one man comedy masterclass and displays a sense of timing that is simply sublime. He can also make you laugh when he doesn’t actually say anything and while there are echoes of Atkinson, he’s more than succeeded in putting his individual stamp on this classic part. Michael Gallagher is equally memorable as his sidekick and the butt of his jokes, Baldrick. There’s a natural rapport between the two of them. Rehearsals must have been a hoot. In this particular outing, Blackadder and Baldrick are fighting for King and country in the First World War. They’re trying to keep their spirits up as they’re waiting for the next offensive, “the big push,” to begin. While Blackadder is unashamedly cynical about the War and what he sees as a senseless loss of life, the scriptwriters, Richard Curtis, Ben Elton, John Lloyd and Rowan Atkinson, never cross into irreverence and maintain the respectful tone needed when tackling a subject as difficult as this one. If their script was a drink it would definitely be vintage champagne and not a word is wasted by a cast that includes a superb Hugh Everett performance as the unbelievably dense Lieutenant The Honourable George Colthurst St Barleigh. This production made me laugh until my sides ached but when the ending came the tears were in my eyes. And I, as a lifelong fan of this TV classic, knew what was coming. Star Rating ★★★★★ Review by Max Eden for North West End If there has ever been a time to revisit the Classic BBC television series; Blackadder, it would be this week - with this Sunday marking the centenary of the end of the First World War and the First World War being very much in the forefront of people’s minds. So, when I had the opportunity to see the theatre production of Blackadder Goes Forth at the Altrincham Garrick Playhouse this week, I jumped at the chance. First things first, this production is anything but amateur, it’s slick, funny and professional throughout. The script written by Richard Curtis, Rowan Atkinson, Ben Elton and John Lloyd’s is as razor sharp as it was when it first aired with hilarious set ups and gags throughout and has been cleverly adapted for the stage. As with most productions; the cast can make or break a show like this and in this case; it’s the cast who makes this show as powerful as it is. The lead; Captain Blackadder is played by Steve Finney who has embraced the mannerisms and style of Rowan Atkinson down to the very last detail, it’s no surprise when you realise he’s played Blackadder before in 2015 because he’s just too good not too. Finney is joined by a stellar cast including the hilarious Michael Gallagher who plays Baldrick and David Beddy who plays General Sir Anthony; both of which are wickedly funny with impeccable timing and delivery throughout. The entire cast deserve high praise for this production and I couldn’t fault any of them for what was a magnificent performance. Directed by Charlie Tomlinson who also plays Field Marshal Haig; you are immediately transported back to the trenches of WW1 and thanks to an impressive set design which features full sized trenches and dorms which are West End quality sets. This show is wickedly funny throughout until the end, but nothing can prepare you for that final scene which so cleverly puts the men who fought the war right in the forefront of your mind; the choices they had to make and the sacrifice they did in order for us to live today. I don’t think there was a dry eye in the room tonight as poppies fell from above once the cast had gone ‘over the top’. A wonderful production with a stellar cast and witty script which poignantly remembered the fallen just when we weren’t expecting it. Verdict: Anything but Amateur, this is magnificent! Star Rating ★★★★★ Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Wheelchair spaces are available in the Auditorium and there is a toilet and a lift for disabled patrons. We do require advanced booking for Wheelchair spaces and please tell our Box Office if you have any special requirements when booking. There is also a loop system for patrons. About Us Booking and Access Information Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. Booking Fees There is £2.50 transaction fee for each individual payment made by telephone or online. Refunds or Exchanges The Box Office will try to re-sell unused tickets subject to a £1 per ticket exchange fee, on the understanding that the sale of the Garrick’s own available seats takes priority. Concessions This includes where applicable for some events where specified, Adults 60+, Students (Student Card required), Unemployed, NHS and Fire Service (last three – ON PRESENTATION OF RELEVANT PROOF) Disabled Facilities There are 2 disabled parking spaces to the left of the Playhouse entrance, 1 to the right and 2 directly in front of the Foyer, plus additional spaces outside our Studio Theatre. Please display permits at all times and only use these spaces if you have a current permit. Wheelchair spaces are available in the Auditorium and there is a toilet and a lift for disabled patrons. The main auditorium can accommodate 4 wheelchairs and the Studio 1 wheelchair. We do require advanced booking for Wheelchair spaces and please tell our Box Office if you have any special requirements when booking. There is also a loop system for patrons. Join our mailing list Subscribe

Visiting Production A NIGHT TO REMEMBER - MOTOWN SHOW Date range Tickets £31 Age guidance n/a Venue Main House Trigger warning Find out more Book now Running time tbc Group bookings Find out more Accessibility Find out more BACK AT THE GARRICK FOR 2 NIGHTS BY POPULAR DEMAND! A Night To Remember: Motown Show takes you back in time to 1960’s Detroit. Be prepared for a high energy show, packed with the greatest Motown hits of all time. Starring The Voice UK finalist, Bizzi Dixon, and backed by the soulful vocal dynamics of The Motown Divas, this musical celebration is sure to have you singing along and dancing in the aisles and the streets. Don’t look any further! Reach out and grab your ticket to find out just how sweet it is to party all night long. This live show is guaranteed to be a night to remember! Visiting Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Return to Productions Archive Garrick Production Voices of Manchester Altrincham Garrick STUDIO 2025/26 Season - A Series of Manc Plays Ran Nov 11, 2025 - Nov 16, 2025 Age guidance Venue STUDIO Theatre Running time TBC Tickets Price Range £13 - £15 Description Six Tales from our City A New Play by local playwright Duncan Battman Commissioned by Joseph Meighan Directed by Duncan Battman Six Monologues. Six Mancs. A Tram. A Pub. The beating heart of the greatest City. Mad Fer It. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production The Crucible A gripping drama by Arthur Miller about hysteria, fear and the Salem witch trials Ran May 11, 2026 - May 17, 2026 Age guidance 12 + Venue Main House Running time 3 hours (including interval) Tickets Price Range £13 - £18 Description THE CRUCIBLE By Arthur Miller Directed by Joseph Meighan “We are what we always were…” Betty Parris lies in a trance after a childish game spins out of control, and accusations of witchcraft are quickly manipulated by those with something to gain. However, when false allegations reach fever pitch, the devout community of Salem, Massachusetts descends into a cauldron of hysteria, manipulation and paranoia it can never return from… What lies are the townspeople prepared to tell themselves in order to survive? Speak of the devil and he appears. Nobody is safe. Written in the 1950s when the insidious fear of communism gripped America, “The Crucible ” is a devastating portrayal of the human cost of tyranny and vengeance, and a timeless warning to us all. An intense and revolutionary piece by Arthur Miller (Death of A Salesman, A View From The Bridge, All My Sons) - inspired by the 1692 Witch Trials in Salem. This play appears on the recommended Secondary School Reading List. Post Q&A's are available for Schools. Please contact our box office for more information. Reviews 5 STARS - Rick Bowen “This is Altrincham Garrick’s production of the season for me. Three compelling hours in the presence of a cast dripping with talent. Totally unmissable.” Read the full review by StageStruck CLICK HERE The Crucible at Altrincham Garrick Playhouse "shifts attention away from political allegory and towards the intimate failures that allow hysteria to flourish" Read the full review from Paul Wilcox at North West End UK CLICK HERE WATCH OUR TRAIlER - HERE Gallery Trailer Trigger Warning This production contains depictions of physical violence, very loud noises, themes of racism, and references to sex, violence, emotional abuse, torture, hanging and child loss. Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Productions Neville's Island Ran Feb 21, 2000 - Feb 26, 2000 Age guidance Venue Running time Tickets Price Range Description By: Tim Firth Directed By: Dick Sails Designer: Stephen Bradshaw What a cock-up! Four out-of-condition businessmen get themselves marooned on an island on Derwentwater during a team-building exercise. Confident of rescue (at first), they prepare to dine on a shared sausage, but fog rolls in, they are menaced by wildlife and their SOS flares go unnoticed by November 5th revellers. The 'bonding' exercise turns into a carnival of recrimination with a surreal denouement. CAST Charlie Cook as Neville Barry Spencer as Gordon Hugh Everett as Angus Mark Edgar as Roy Reviews Sale & Altrincham Messenger's Review Team building is taken to extremes in 'Neville's Island', Tim Firth's testosterone driven comedy which is currently playing at Altrincham Garrick. A group of businessmen find themselves marooned on an island and try to come to terms with each other's irritating little foibles. It's a temperamental cauldron which takes seconds to boil over and when it does, it's impossible not to laugh. The brash Gordon gets the best lines, haranguing Neville for his inept leadership, Roy for his Christian beliefs and Angus for his uptight manner. But their experiences bring out the best in Neville and Angus, while smart alec Gordon is well and truly put in his place. All four characters will strike a chord with anyone who has worked in an office but they aren't stereotypes. The writer puts enough flesh on their bones to make us like and actually care about these guys. We all know someone like Gordon would be a nightmare to work with, but he's very funny, isn't he? The play does contain bad language but I felt it was in context. After all, when you're cold, wet and hungry minding your p's and q's won't be too high on your list of priorities. Barry Spencer seems to have cornered the market when it comes to playing rough types, and anyone who sees his Gordon will agree he does them superbly. Hugh Everett is a very believable Angus, the human equivalent of the cowardly lion and Mark Edgar grows on you as the screwed up Roy. But the real star of the show is the authentic island set created by Steve Bradshaw and his team. Take a bow guys, you deserve it. Rick Bowen Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production Sleeping Beauty - The Garrick Pantomime The Dreamiest Garrick Panto of them all! Ran Dec 8, 2023 - Jan 2, 2024 Age guidance 3+ Venue Main House Running time 2.5 hours (inc. 20 mins interval) Tickets Price Range £13 - £18 Description Our Festive show for 2023/24 is our Pantomime version of 'Sleeping Beauty ' Step into a fairy-tale world of magical castles, bewitched spinning wheels and an enchanted sleep that only true love’s kiss can break… Once upon a time in a land far away, a beautiful Princess is given a twenty-first birthday present by her evil aunt; the wicked Enchantress - Carabosse! By pricking her finger on an enchanted spinning wheel, she is placed under a cruel curse and forced to sleep for 100 years. Can a handsome Prince break the spell? Who will outwit the evil Enchantress and foil her wicked plans? Well... there's only one way to find out! Join us at Altrincham Garrick Playhouse for another Pantomime adventure! Packed with magic, songs, comedy, dance, special effects and more… This is the dreamiest Garrick Panto of them all! Don’t get caught snoozing, book your tickets now for THE PANTOMIME OF YOUR DREAMS!! Reviews Gallery Trailer Trigger Warning Flashing lights and special effects, loud noises and pyrotechnics Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Visiting Production JUDGE JACKIE: Disorder in the Court Musical Courtroom Comedy - Justice is about to be served Ran Jul 7, 2026 - Jul 10, 2026 Age guidance 14+ Mild Adult Themes Venue Studio Running time TBC Tickets Price Range £14 - £16 Description Book & Lyrics by Christopher Dimond Music by Michael Kooman Directed by Greg Skipworth Musical comedy justice is about to be served! Judge Jackie rules her courtroom with an iron fist, presiding over a series of chaotic (and downright bizarre) cases on American TV. She’s queen of the screen until her stardom’s threatened by a brash studio executive, who plans to boost her ratings by adding some L-O-V-E to the court. Whilst her loyal and doting bailiff tries to keep their reality show on the road, the fierce judge must learn to juggle the ludicrous laws of love, whilst dealing with hapless members of the public. This outrageous courtroom comedy is crammed with catchy tunes, clever lyrics and a host of larger-than-life characters. The defence rests, it’s a musical must-see! Produced by Side by Side Productions, who return to the Altrincham Garrick following their sell-out run of the high-flying British musical comedy, JET SET GO! in 2025. Reviews Gallery Trailer Trigger Warning 14+ Mild Adult Themes Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Previous Next Greta Donahue Greta was a true Garrick all-rounder, undertaking numerous roles from the 1960s onwards into the 90s. She first performed on the Garrick stage in The Marriage Go Round in 1967 and followed that, shortly afterwards in the same year, by directing When We Are Married . In the 1970s, she acted in Oliver , The Wizard of Oz , and as Maria Helliwell in When We Are Married , as well as many others. She continued directing plays, such as A Curious Savage , ...and a Little Love Besides , and A Woman of No Importance . She also worked in the Wardrobe, acted as an occasional ASM, and choreographed the STAGE 2 production of Godspell . However, Greta's best-known role was as the Director of the Drama School (the precursor to GAPA) throughout the 1980s into the 90s. She produced Senior Drama School shows such as Free as Air in 1989 and Our Day Out by Willy Russell in 1990. When she retired from the Drama School, she was made a worthy Honorary Life Member for all her many contributions to the life of the theatre. Back to In Memoriam page

Return to Productions Archive Garrick Production Beautiful: The Carole King Musical A Musical telling the inspiring true story of King’s remarkable rise to stardom. Ran Jun 23, 2025 - Jun 29, 2025 Age guidance 12+ Venue Main House Running time TBC Tickets Price Range £17 - 20 Description Directed by Joseph Meighan Musical Direction by Mark Goggins Book by Douglas McGrath Words and Music by Gerry Goffin & Carole King and Barry Mann & Cynthia Weil Before she was hit-maker Carole King — she was Carole Klein, a spunky, young songwriter from Brooklyn with a unique voice. Telling the inspiring true story of King’s remarkable rise to stardom, the chart-topping hits she wrote for the biggest acts in music with her husband Gerry Goffin, to her relationship with fellow writers and best friends Cynthia Weil and Barry Mann, to her own life-changing, trailblazing success with Tapestry, Beautiful: The Carole King Musical takes you back to where it all began — and takes you on the ride of a lifetime! Along the way, she wrote the soundtrack to a generation, with countless classics such as "You've Got a Friend", "One Fine Day", "So Far Away", "Take Good Care of My Baby", "Up on the Roof", "You've Lost That Lovin' Feeling", “The Loco-Motion”, “It’s Too Late”, “Will You Love Me Tomorrow", and “(You Make Me Feel like a) Natural Woman", this Tony® and Grammy® Award-winning musical phenomenon is filled with the songs you remember and a story you'll never forget. Reviews Rick Bowen at Stage Struck - 5 Stars “This season has, for me, been the company’s best to date and I plead with you not to miss this high class evening of musical theatre.” Read the full review at StageStruck: CLICK HERE Harry Alty at North West End UK - 5 Stars “This production of Beautiful: The Carole King Musical is a masterclass in the power of local theatre, taking the audience from this theatre in Altrincham to the heights of Carnegie Hall.” Read the full (glowing!) review by North West End: CLICK HERE Gallery Trailer Trigger Warning This production contains flashing lights and smoke effects. Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Productions The Shawshank Redemption Ran Sep 14, 2023 - Sep 23, 2023 Age guidance 14+ Venue Running time Tickets Price Range Description “Remember, hope is a good thing, maybe the best of things… and no good thing ever dies”. Based on the novella “Rita Hayworth and Shawshank Redemption” by Stephen King, The Shawshank Redemption examines desperation, injustice, friendship and hope behind the claustrophobic bars of a maximum-security facility. Despite protests of his innocence, Andy Dufresne is handed a double life sentence for the brutal murder of his wife and her lover. Incarcerated at the notorious Shawshank facility, he quickly learns that no one can survive alone. Andy strikes up an unlikely friendship with the prison fixer Red, and things take a slight turn for the better. However, when Warden Stammas decides to bully Andy into subservience and exploit his talents for accountancy, a desperate plan is quietly hatched… The Shawshank Redemption was adapted for the stage by Owen O’Neill and Dave Johns. The production first debuted in Dublin in 2009. Recommended: 14+ Based on the novella “Rita Hayworth and Shawshank Redemption” by Stephen King and sexual assault, suicide, violence, gambling and smoking. Reviews Upon entering the Altrincham Garrick , I was immediately drawn into the chilling confines of the Shawshank Prison. The stage, impressively transformed for an amateur theatre, mirrors the grim atmosphere of a bleak, metallic prison block, further intensified by dim lighting. This ambiance, paired with the methodical procession of prisoners, sets an undeniable authentic tone. I definitely wouldn’t want to be there, and Director; Joseph Meighan has done an excellent job is creating this dirty world, where new inmates dare not step a foot out of line for fear of receiving brutal consequences. This rendition of “The Shawshank Redemption” offers a fresh perspective on Stephen King’s iconic narrative, a tale that resonates with themes of resilience and hope in the face of adversity. A lengthy stay in prison would destroy most individuals, but somehow these guys manage to cling onto hope when it seems like it’s long gone. While I was familiar with the story, this adaptation managed to breathe new life into the tale, making it feel both nostalgic and novel. The arrival of Andy Dufresne (Tom Broughton) at the Shawshank sets the cats amongst the pigeons. He is an intelligent, well-spoken, quiet man which some inmates feel threatened by. Broughton delivers a performance marked by determination and unwavering hope. His portrayal is beautifully complemented by Lewis Sewell’s empathetic and authentic delivery of Ellis ‘Red’ Redding. Their palpable chemistry is a testament to their individual talents and the visionary direction of Meighan. They have pushed theatrical boundaries for Am dram without alienating traditional audiences. The depth and nuance given to each character in the ensemble are evidence of this. Some of the other members of the cast did seem a bit nervous – quite understandable given it was opening night. After a while, they relaxed into their roles. I will admit though I never once felt intimidated by any of the prison guards, I feel like they could have brought those authority figures to life a bit more. The play’s deliberate pacing, which often leans towards the slower side, doesn’t ever really overwhelm or excite. There are a few scenes where the pacing does lift, most notably when Brooksie (Bill Platt) attempts to set himself on fire. While this was an amateur production done to a very high standard, there were elements that I think could have been better. In particular, I think the costumes could have been better – some of them looked a bit too modern to be from the 1950s/1960s, and the prisoner numbers on the inmates’ shirts didn’t look authentic. Overall, a great production. Those expecting a classic retelling of the movie may be slightly disappointed. However, it’s hard not to salute the hard work that has gone into this show. Reviewer: Brian Madden Reviewed: 14th September 2023 North West End UK Rating: 4 Stars out of 5 It never ceases to amaze me, just how resilient the human spirit can be, especially in the face of overwhelming odds and trapped in a system that’s designed to crush you. Rehabilitation is definitely a dirty word at this grim, Shawshank jail, where inmates serve their time in filthy conditions, trying to avoid the attentions of the sodomites, perpetually stalking the prison’s dark corridors for their next victim. But things change with the arrival of a prisoner called Andy Dufresne, a refined, intelligent and articulate man, incarcerated for a double murder he claims he didn’t commit. I hope the subject matter doesn’t deter people from buying tickets for the Garrick’s new curtain raiser because Stephen King’s absorbing and at times deeply moving jail tale is life-affirming stuff. You’ll also miss some powerful performances from, in particular, Tom Broughton as Dufresne and Lewis Sewell as his best friend Red. There’s a natural and easy chemistry between these two, a tribute to their own talent and a man who has for me, re-defined what amateur theatre is and should be about, Joe Meighan. For Meighan, the Garrick’s artistic director, there’s no such thing as forbidden theatrical territory, daring to be different, while not alienating theatregoers with more mainstream tastes. Steven Finney is outstanding as the seemingly pious Warden Stammers and Pete Brassington’s performance as head thug Bogs Drummond is his best on the Garrick stage to date. How churlish it would be for me not to mention Bill Platt as the prison librarian Brooksie, a librarian for whom books are his reason for living. Utterly compelling, this prison masterpiece. Do not miss. Star rating - 4/5. Rick Bowen stagestruck.info Altrincham Garrick have transformed their stage rather convincingly, into a dank, dark, grey, bare and metallic prison block inside the Shawshank Penitentiary in Maine, USA. This foreboding and sparse set, together with low-key lighting, a little haze, and no auditorium music is what greets us as we take our seats this evening. The prison guard walks the prisoners in and they file into their cells one by one. It's sombre, it's ritualistic, and it is scarily real. This is 'The Shawshank Redemption', a stage adaptation of the classic Stephen King novel and award-winning film that followed. However this was my first visit to 'The Shank' .I have never read the novel, nor have I seen the film. I was therefore watching this story unfold for the first time, and was always trying to second-guess the narrative; sometimes with more success than others. Directed by The Garrick's Artistic Director, Joseph Meighan, the play had moments of genius juxtaposed with moments of tedium. I was watching a play which was at times hard-hitting and realistic with the actors performing naturalistically, whilst at times we transcended this and were transported into the realms of theatrical and presentational acting. Perhaps this was deliberate, but I am not convinced that it worked. Admittedly, this was opening night, and so the actors might well have been a little more tentative than once the play beds in, but still, there were many long gaps and "thought" pauses, especially between scenes as the cast were tasked with bringing set items in and out. The pace was set right from the start as slow, and sadly, it never truly moved out of this the whole evening. Moments of genius (and pure theatricality) did pop up occasionally, and Brooksie's attempted suicide was one such highlight. Although I found the play dynamically rather pedestrian, the characters were clearly defined, the ennui and quotidian routine of the prison well observed, and the storyline clear and nicely signposted. Taking the lead role of Andy Dufresne in this brave and bold production (which pulls absolutely no punches!) is the quietly confident and continually hopeful Tom Broughton, whilst the narration and equally important role of Ellis 'Red' Redding was played by a sympathetic and believable Lewis Sewell. It is a large, all male, ensemble cast, and everyone on stage knew their roles well and how they fit into the play. They all had backstories, and all were fully-rounded characters which is in itself, a very important aspect of this production, and credit here to Meighan for bringing this to bear. The action of the play takes place over a twenty year period, and the audience is asked to use their suspension of disbelief in this regard, however, none of the cast age either physically or visually, which, perhaps would have been the cherry on the icing if they had. With a couple more performances for this play to 'bed in' and the actors to pick up on their cues, lifting the pace a little where needed, this will be a very compelling, forthright, and uncompromising piece of theatre. Reviewer - Matthew Dougall September 15, 2023 number9reviews.blogspot.com Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production Disney's The Little Mermaid The perfect musical treat for October half term Ran Oct 25, 2021 - Oct 31, 2021 Age guidance Venue Running time Tickets Price Range Description Directed by Joseph Meighan Musical Direction by Mark Goggins Choreography by Koda Holland-Smith The perfect Musical treat for October Half Term! In a magical kingdom beneath the sea, the beautiful young mermaid Ariel longs to leave her ocean home to live in the world above. Ariel is fascinated with life on land. On one of her visits to the surface, which are forbidden by her controlling father, King Triton, she falls for a human Prince. Determined to be with her new love, Ariel makes a dangerous deal with the sea witch Ursula to become human for three days. But when plans go awry for the star-crossed lovers, a showdown begins between good and evil that only love can remedy. Based on one of Hans Christian Andersen’s most beloved stories and the classic animated 1989 film, Disney’s The Little Mermaid is a hauntingly beautiful love story for the ages. With music by eight-time Academy Award winner Alan Menken, lyrics by Howard Ashman and Glenn Slater, and a compelling book by Doug Wright, this fishy fable will capture your heart with its irresistible songs including “Under the Sea,” “Kiss the Girl,” and “Part of Your World.” Altrincham Garrick Playhouse are proud to be producing the Northern Premiere of this Disney classic! Music by ALAN MENKEN Lyrics by HOWARD ASHMAN & GLENN SLATER Book by DOUG WRIGHT Based on the Hans Christian Andersen story and the Disney film produced by Howard Ashman & John Musker and written & directed by John Musker and Ron Clements Originally Produced by Disney Theatrical Productions Reviews Rick Bowen – Stagestruck.info If ever we needed a dose of Disney magic, it must surely be now, as we continue to live in unprecedented times. One little girl, sitting close to the stage, was so captivated by Emily Leeland’s Ariel it prompted her to say with childlike spontaneity, “Hi Ariel” during one of the scenes in this colourful, upbeat, feel-good family show. But rest assured, she was not the only one to be captivated for, as the lovesick mermaid pining for her Prince, Leeland plays the part brilliantly and has a voice that wouldn’t sound out of place on a professional stage. We really root for her as she desperately seeks to find her Prince Eric, played by Shane Gibb who furthers his reputation as one of the most exciting talents around. If Ariel is the heroine of the piece, inspired by the classic fairy tale, Dawn Flint is absolutely perfect as its villainess, the scheming and wicked Ursula. Flint’s sense of timing is as flawless as her singing voice ensuring that her character’s comic barbs hit their target with pinpoint accuracy. What impressed me about this musical – which I was seeing for the first time – was how the songs were far more sophisticated than shows of a similar kind. I’m referring to musicals like Joseph and his Amazing Technicolour Dreamcoat which families tend to flock to see because of the hum along appeal of its score. While the numbers are one step up from Joseph, they remain very accessible. There are echoes of pantomime in The Little Mermaid, minus the cringeworthy jokes that make the “gags” we find in Christmas crackers every year sound side splitting. Then there’s musical director Mark Goggins whose involvement with any production guarantees it will always be well worth watching. Together with Joe Meighan, the production’s director, serve up a show that will leave audiences floating on air as they leave the theatre. Star rating ***** Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

We are always looking for actors of all agesto appear in our productions. No previous experience is necessary, simply sign up here to be auditioned. Get Involved Auditions Come and act in one of the 18 productions that the Altrincham Garrick Society produces each season ! Please refer to the Garrick Actor’s Guide for all information about auditioning for acting roles in our 2025/2026 Season at Altrincham Garrick Playhouse. Download the Actor's Guide for the 2026-2027 Season In addition, each production has a dedicated audition pack, which will be uploaded to our website about 4 weeks before the auditions, and which will include information about what to prepare, character descriptions and more. Note that the Altrincham Garrick is a non-professional organisation, meaning that actors are not paid. If you have any questions about the casting process, please email casting@altrinchamgarrick.co.uk Auditions for Upcoming Productions Auditions for ROBIN HOOD - THE GARRICK PANTO - Altrincham Garrick Playhouse AUDITIONS FOR "ROBIN HOOD - THE GARRICK PANTO" - Altrincham Garrick Playhouse The Audition Date for this production is Sunday 12th July The Rehearsal Start Date for this production is Sunday 25th October The Production Dates for this production are 4th December 2026 - 3rd January 2027 (32 Performances) Written by Tom Whalley Directed by Joseph Meighan Assistant Direction by Helen Horridge Musical Direction by Peter England Choreography by Lauren Brown The Merry Garrick Panto that really hits the bullseye! The fine folk of Sherwood Forest are terrorised by the mounting taxes imposed by the wicked Sheriff of Nottingham who’ll stop at nothing to seize the throne of England and claim the fair Maid Marian as his bride. Only the outlaw Robin Hood and his band of Merry Men can save the day. With the help of the hapless Silly Willy and his not so glamorous mother Nanny Fanny, can Sherwood be saved from the Sheriff’s clutches? Or will they be left all aquiver? Packed with laugh-out-loud comedy, audience interaction, toe-tapping tunes, dazzling dance numbers, and a fresh twist on a classic tale, ROBIN HOOD promises to be the perfect theatre outing for the entire family. Whether you're young or just young at heart, this is a magical festive treat you won’t want to miss. AUDITIONS FOR ENSEMBLE, CHILDREN'S ENSEMBLE and PRINCIPAL ROLES! (Some Principals Roles have already been cast) We are a diverse theatre and we welcome auditionees of all ages (above the age of 18) and all genders, ethnicities, sexualities, disabilities and races, to enrich the work of the production. For more information, please check out our Audition Pack below! Rehearsals : Every Monday, Wednesday and Friday 7.30pm – 10pm, and every Sunday 2pm – 5.30pm Click on our AUDITION PACK below for more information! Download the "ROBIN HOOD" Audition Pack Auditions for Upcoming Productions Auditions for BLACKADDER GOES FORTH - Altrincham Garrick Playhouse AUDITIONS FOR "BLACKADDER GOES FORTH " - Altrincham Garrick Studio The Audition Date for this production is Tuesday 14th July The Rehearsal Start Date for this production is Sunday 11th October The Production Dates for this production are 16th - 22nd November 2026 A stage adaptation based on the original BBC Television Series Created by Richard Curtis, Rowan Atkinson, Ben Elton and John Lloyd Directed by Charlie Tomlinson One of TV’s most enduringly popular comedies returns to the Garrick stage, after our memorable production in 2018. Here, in all of their BAFTA-winning hilarity, are the adventures of the cynical Captain Edmund Blackadder, in his forlorn quest to survive the madness and buffoonery of all who surround him. The play weaves together moments of uproarious comedy and poignant reflection, exploring the absurdity of war and the indomitable human spirit that persists even in the face of adversity. With impeccable timing and a stellar cast, “Blackadder Goes Forth ” promises an unforgettable evening of laughter, nostalgia, and a fresh perspective on the timeless humour of this beloved classic. Content Warning: This production contains the use of theatrical haze and smoke, loud explosions and live gunfire. Presented by permission of United Agents Limited, with all royalty payments going to Comic Relief. We are a diverse theatre and we welcome auditionees of all ages (over the age of 18) and all genders, ethnicities, sexualities, disabilities and races, to enrich the work of the production. Rehearsals : Every Monday, Wednesday and Friday 7.30pm – 10pm, and every Sunday 2pm – 5.30pm Click on our AUDITION PACK below for more information! Download the "BLACKADDER GOES FORTH" Audition Pack All in-house Garrick productions are cast by auditions. Once you’ve read all the information in the relevant audition pack, and if you wish to audition, then please email casting@altrinchamgarrick.co.uk with the name of the production in the Subject field, and include your name and contact number. By emailing, you will have registered for an audition. To sign up to our Actor’s Mailing List (to receive regular updates about upcoming auditions) please email casting@altrinchamgarrick.co.uk . Auditions are confirmed and announced here on this page. Auditions are also announced on our own Facebook page and Twitter Feed: https://www.facebook.com/AltrinchamGarrick/ https://twitter.com/AltrinchamG Join our mailing list Subscribe

Previous Next Ian Crownshaw Ian was Head of Lighting for several seasons in the 1980s and 90s. The first play he worked on was Joking Apart by Alan Ayckbourn, in 1981. Highly committed to the Garrick, he built up a departmental team, was keen on installing new tech into the theatre, designed some sets, and acted as an ASM occasionally. He was also heavily involved with Alistair Donkin's Gilbert and Sullivan Society, one of the annual visiting societies to the theatre. Back to In Memoriam page