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Return to Productions Archive Garrick Productions Matingold (1949) Ran Apr 30, 1949 - May 7, 1949 Age guidance Venue Running time Tickets Price Range Description A Play in Three Acts by C. E. B. Rickards Cast Anna - Eunice Greenhalgh Gabriel - Arthur Billcliff Berenice - Madge Bramwell Mark - Harold Carter Clare - Takhoui Kamberian The play produced by Edward Horton Scene: The action of the play take place in the living room of "Matingold", a house near the Franco-Italian frontier, and the home of the Sabring family Act I - Early Morning Act II - Late Afternoon Act III - Later in the same Evening Time - Late Summer Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production Unravelling the Ribbon The Studio 2023/2024 Season - A Series of All Female Plays. Ran Mar 19, 2024 - Mar 24, 2024 Age guidance 14+ Venue Studio Running time TBC Tickets Price Range £12 - £14 Description The touching - and frequently hilarious - story of three women whose lives are touched by breast cancer. Rose is thirty-four and lives on a farm with her husband and two children. She worries she may have married too young. Lola is fifty and wants to sell her home. Nobody ever calls and she has stopped opening her post. Lyndsey is eleven and her best friend has stopped sitting beside her in art class. When breast cancer touches their lives, everything starts to unravel - Rose's marriage falls apart, Lola gets arrested and Lyndsey hides a cooked ham in a thorn bush... A moving and powerful tale of friendship and survival. Reviews Gallery Trailer Trigger Warning This production contains some upsetting scenes Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production RELAXED PERFORMANCE of Goldilocks & The Three Bears A rip-ROARing Panto FUR all the Family! Ran Dec 13, 2025 Age guidance 3+ Venue Main House Running time Tickets Price Range £15 - £19 Description WHAT IS A RELAXED PERFORMANCE? If you are a parent, guardian, or work with people with learning or sensory disabilities – such as those on the autism spectrum – you’ll know how difficult it can sometimes be for them to attend regular theatre performances; loud noises, lighting effects and large crowds can make stage shows overwhelming. At Altrincham Garrick Playhouse, we believe that everyone should be able to experience the magic and wonder of live theatre, and our Relaxed Performance of Goldilocks and the Three Bears will provide the same fantastical Pantomime but with an atmosphere and attitude in the auditorium that makes everyone feel comfortable and safe. WHAT TO EXPECT FROM OUR RELAXED PERFORMANCE: At a Relaxed Performed, you are free to: - Come and go from the auditorium as you wish, even during the show - Express yourself as loudly as you like, or with physical movement, without judgement - Access the Theatre and auditorium early. You’ll also notice that we will reduce the sound and lighting to lessen sensory overload, and no pyrotechnics or loud bangs will appear in the performance. Reviews Stage Struck - Rick Bowen "...a cast who made it their mission to ensure the kids, even the big ones, left the theatre with a smile on their faces." Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

The Altrincham Garrick is a registered charity and your kind donations will support future developments. Support the Altrincham Garrick Playhouse. To donate generally towards the Garrick, please enter your donation amount below and select Add To Basket . If you'd like to donate explicitly towards our CHILI campaign for Heating, Ventilation and Air-Conditioning at the Garrick, select this link instead . Setting up a Regular Donation The Altrincham Garrick is a registered charity, and we receive no public funding from any other organisation, or from our regional or local council. Our income comes mainly from the tickets that our audience buys, with smaller contributions from elsewhere in the Garrick (for example: from our GAPA education programme, and from daytime rental of the Car Park). The building dates from 1933, with ever-increasing operational and production costs. Our energy bills are high (productions use a lot of electricity; our bills are sometimes over £3,000 per month) and we have a small number of dedicated staff whom we pay. Our programme of building improvements is currently aimed at reducing winter heating bills. However, maintenance and urgent repairs take precedence, and this can often cost 10s of thousands of pounds per year. On top of all this, we have to continue investing in the equipment that a theatre needs, to keep on presenting productions of the high quality that our audiences deserve. Two major infrastructure projects are currently urgently required.Our roof is in very poor condition and needs a major overhaul. We also need to find money to install air-conditioning in the main auditorium. The Garrick aims to do all the above while still maintaining our low ticket prices. Occasional increases are unavoidable, but our goal is to make sure that theatre is available to all in the community, at a price that they can afford. We exist today due to the generosity and support of local people and businesses. We are very grateful to those who not only pay to see a show, but who also buy a drink in the bar, buy a programme, and indulge in sweets or an ice-cream from our kiosk. We need you and the local community to support us, so we can continue doing what we do so well. Business sponsorships are also very welcome, click here for more . Please donate now what you can, and please also add a donation to your ticket purchases. If you would like to set up a regular donation then ask at our Box Office or fill in the form below. Name* Email address Phone How would you like to set up a regular donation ? Submit

Return to Productions Archive Garrick Productions One Flew Over the Cuckoo's Nest Ran May 7, 2007 - May 12, 2007 Age guidance Venue Running time Tickets Price Range Description The novel is a modern American classic. What happens when an irresistible force meets an immoveable object in the persons of R. P. McMurphy, a boisterous petty criminal, and Nurse Ratched, who conceals her natural attractiveness under an icy-cold veneer? To avoid a prison sentence, McMurphy has elected to appear crazy and believes he can 'buck the system'. He becomes irretrievably involved with the many and varied fellow inmates as he fights to free them from the tyranny of 'Big Nurse'. In turns shocking, moving and funny, this play tells a wonderful story and will hold your attention throughout. An absolute MUST for all lovers of good drama. CAST Jon White as Chief Bromden Hugh Everett as Dale Harding Mark Butt as Billy Bibbit Alex Wilson as Scanlon David Gonet as Cheswick Graham Simmonds as Martini Barry Purves as Ruckley Tony Turner as R P McMurphy Tracy Burns as Nurse Ratched Paula Keen as Nurse Flynn Victor Hassan as Dr Spivey Bryn Thomas as Aide Warren Martin Creevey as Aide Williams Frank Boylan as Aide Turkel Natalie Horne as Candy Melissa Cupid Brown as Sandra Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Productions The Sun and I (1952) Ran May 5, 1952 - May 13, 1952 Age guidance Venue Running time Tickets Price Range Description Cast Emmie Cartwright - Amy Abbott Charles Cartwright - Reg Stockton 'Dad' - Ronald Allen His Mate - Ronnie Caress Alice - Margaret Holden Little Dunne - Sydney A. Brown Weaver - Eric Ellis Rosa Cleaver - Doreen Mullen Jennie Perks - Emmie Pimlott Ernie Brittle - John Wiltshire Joe - Edward Fielding Harry Widdowson - Wiliam Allman The Vicar - Alan Ferguson Grace Abbott - Brenda Kennedy Maud Aucott - Joyce Winning Elsie Beardmore - Judith Kinsey Vera Middleton - Doreen Wyton David Cartwright (as a boy) - Tony Bayliss David Cartwright (as a man) - Harold Carter Dora Cartwright - Ann Waterhouse Arthur Cartwright - Clifford Openshaw Will Squire - Dudley Royle Miss Hollyoak - Margaret Knowles Miss Pickering - Kathleen Colenutt Jessie Tubb - Mary Hamblin Bonsir - Peter Edwards Colonel Atkins - Arthur Lines Old Man - Ronnie Caress Pierre - Ray Deegan Schoolgirls: Jane Allen, Pamela Meadowcroft, Brenda Sewell, Daphne Schofield Footballers / Cricketers / Special Constables: Stanley Ablewhite, Ronnie Caress, Peter Edwards, Edward Fielding, Clifford Openshaw, Ernest Talbot The play produced by Edward Horton Scenes: Act I - The sitting room in the School House, Marcle, Herefordshire Scene 1 - September 1889 Scene 2 - June 1892 Act II - A schoolroom, Hinckley, Leicestershire Scene 1 - April 1905 Scene 2 - May 1905 Scene 3 - September 1907 Act III - A schoolroom, Hinckley, Leicestershire Scene 1 - September 1914 Scene 2 - July 1916 Scene 3 - Christmas Eve 1918 Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Previous Next Brian Moore Brian was introduced to the Garrick in 1965 by his then girlfriend, soon to be wife, Ann, who was auditioning for the pantomime The Wizard of Oz . By the time they left that evening, Brian had been cast as The Scarecrow and had become a fully paid-up member of the theatre. Brian went on to act in or be involved with dozens of plays and musicals over the next 50+ years. After his final show, when he was in his late 70s, he turned his hand to assisting many other areas of the theatre, including the bar and, with the help of others, running the Sunday Jazz lunches. Finally, after the refurbishment of the theatre, Brian took over the running of the confectionery kiosk. He introduced the selling of ice creams within the auditorium during the interval, making in his time many thousands of pounds for the Garrick. When not at the theatre, Brian could be found at the golf course enjoying the outdoor life. Brian was delighted to have been made an honorary Life Member of the Garrick theatre. Back to In Memoriam page

Visiting Production Stuart Michael - The Psychic Medium Date range Tickets £30 Age guidance Venue Main House Trigger warning Find out more Book now Running time Group bookings Find out more Accessibility Find out more Direct from London’s West End - a thrilling and intriguing night of psychic mediumship! Boasting an impressive, worldwide celebrity client list, Stuart brings his quick-witted humour, sensitivity, and compassion to the stage. Sharing his incredible gift that he’s had since childhood of being able to see with the mind’s eye – Stuart uses his extraordinary abilities to connect with the spirit world. Intuitively drawn to members of the audience, he brings forward direct messages from the other side. Don't worry about where you're sitting, Stuart will find you if he has a message for you! Spreading comfort and empathy to those who come to him, he specialises in bringing messages from loved ones who have passed on. And, recurring dreams are interpreted – no matter how silly, serious, or scary they may seem. His message to the audience is to be open-minded and respectful for the evening ahead, and not to be nervous, as this will be an uplifting experience. Don’t miss this unique and unforgettable evening. You have to see it to believe it. The production is investigational and for the purposes of entertainment “Cheeky, best friend charm that’s entertaining” Evening Telegraph ⭐️⭐️⭐️⭐️⭐️ “I found the show both comforting and amazing given the details that Stuart was able to provide” WhatsGoodToDo.com “A truly intriguing insight into the psychic world. . . a first-class class act” Theatre, Films & Art Reviews “An engaging evening’s entertainment. . . can be enjoyed by believers and sceptics alike” - The Reviews Hub “He left sceptics scratching their heads” Stamford Mercury Online Presence Facebook.com/StuartMichaelPsychic Instagram.com/StuartMichaelPsychic Tiktok.com/@StuartMichaelPsychic Website: www.stuartmichael.net Visiting Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Return to Productions Archive Garrick Production The Railway Children Much loved classic story of family, adventure and trains Ran Apr 8, 2026 - Apr 18, 2026 Age guidance 7+ Venue Main House Running time TBC Tickets Price Range £14 - £19 Description Written by E. Nesbit Adapted for the Stage by Mike Kenny Directed by Jonathan Barker "Try to imagine it as an adventure, all sorts of things might happen." A beloved children’s classic pulls in to the Altrincham Garrick Playhouse for the Easter holidays! When their father leaves suddenly under mysterious circumstances, Bobbie, Peter, Phyllis and their mother must move to a small cottage in rural Yorkshire where life is very different. The children meet new friends, save the day and divert disasters, and along the way discover a world full of imagination, love and resilience. All aboard for Mike Kenny’s delightful adaptation of E. Nesbit's much-loved story of family, adventure and trains. Capturing all of the angsts and exhilarations of childhood, it promises to be a heart-warming treat for all ages! Mike Kenny's version of The Railway Children was first staged at the National Railway Museum in York in 2008, before receiving a major production at Waterloo Station in London in 2010. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

The Altrincham Garrick is a registered charity and your kind donations will support future developments. Support the Altrincham Garrick Playhouse. Donating towards our CHILI Fund I would like to donate £75 or more (Includes an optional Commemorative Plaque) If less than £75, please enter the amount below and select Add To Basket . Setting up a Regular Donation The Altrincham Garrick is a registered charity, and we receive no public funding from any other organisation, or from our regional or local council. Our income comes mainly from the tickets that our audience buys, with smaller contributions from elsewhere in the Garrick (for example: from our GAPA education programme, and from daytime rental of the Car Park). The building dates from 1933, with ever-increasing operational and production costs. Our energy bills are high (productions use a lot of electricity; our bills are sometimes over £3,000 per month) and we have a small number of dedicated staff whom we pay. Our programme of building improvements is currently aimed at reducing winter heating bills. However, maintenance and urgent repairs take precedence, and this can often cost 10s of thousands of pounds per year. On top of all this, we have to continue investing in the equipment that a theatre needs, to keep on presenting productions of the high quality that our audiences deserve. Two major infrastructure projects are currently urgently required.Our roof is in very poor condition and needs a major overhaul. We also need to find money to install air-conditioning in the main auditorium. The Garrick aims to do all the above while still maintaining our low ticket prices. Occasional increases are unavoidable, but our goal is to make sure that theatre is available to all in the community, at a price that they can afford. We exist today due to the generosity and support of local people and businesses. We are very grateful to those who not only pay to see a show, but who also buy a drink in the bar, buy a programme, and indulge in sweets or an ice-cream from our kiosk. We need you and the local community to support us, so we can continue doing what we do so well. Business sponsorships are also very welcome, click here for more . Please donate now what you can, and please also add a donation to your ticket purchases. If you would like to set up a regular donation then ask at our Box Office or fill in the form below. Name* Email address Phone How would you like to set up a regular donation ? Submit

Previous Next Sheila Hine Sheila had a long and distinguished career in amateur dramatics, at both the Garrick and the Wilmslow Green Room. At the Garrick, she was a prolific and versatile actress, performing in numerous plays from the 1960s into the 2000s. Her first time on stage was in Goodnight Mr Puffin in 1965 and some of her other credits include The Killing of Sister George , Relatively Speaking , Vivat! Vivat! Regina (as Elizabeth I), Cause Celebre , and The Wizard of Oz (as Aunt Em). Her final performance was in Les Liaisons Dangereuse in 2005. She was also an occasional director, and worked backstage in make-up, as an ASM and as prompt. Sheila was equally busy at the Wilmslow Green Room during the same period. As an actress, her first role there was in Nude with Violin in 1966. She also directed productions, and was involved backstage in make-up, wardrobe and as a prompt. Sheila also took part in the Green Room's many productions at Gawsworth Hall, both as an actress and director. Back to In Memoriam page

Complete this form for hiring stage weaponry (guns, swords and more), costumes and props. You can also hire our auditoria and meeting rooms - or even the whole Playhouse itself. Garrick Hire Altrincham Garrick Hire Form Complete this form to start an enquiry about hiring from the Garrick To initiate a new hire request of the Altrincham Garrick, please complete the following form. Don’t forget the Submit button at the end! We will reply to you as soon as possible, which should be within one working day. (Note: we aren’t likely to process requests over a weekend.) Hire Form Organisation Contact Name Telephone Email How did you hear about us? Production Title Hire Dates Enquiry Submit Thank you for asking about hiring from the Altrincham Garrick. We aim to get back to you very soon. Join our mailing list Subscribe

In addition to our Saturday drama classes, the Garrick Academy is pleased to offer LAMDA Acting classes for young people aged 11-16. The Academy Groups and Classes Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. GAPA Saturday Group School Holiday Courses Speech & Drama/ LAMDA Classes Speech and Drama/ LAMDA Classes In addition to our Saturday drama classes, the Garrick Academy is pleased to offer LAMDA Acting classes for young people aged 8-18 years. Our group classes are designed for both beginners and those already familiar with performance exams. LAMDA’s graded Acting exams provide a great opportunity to develop performance skills and challenge students with progression through three levels. LAMDA exams are regulated by Ofqual, for more information please see, https://www.lamda.ac.uk/lamda-exams/our-exams Our weekly 60 minute classes run on evenings during term time, and work towards public LAMDA exams in the summer. The cost per lesson is £10, with fees payable in termly instalments. Exam fees are in addition to class prices and payable directly to LAMDA. For more information regarding our LAMDA class or to enrol, please contact lamda@altrinchamgarrick.co.uk Join our mailing list Subscribe

Return to Productions Archive Garrick Productions Camelot The first production on stage after the major Auditorium and Foyer refurbishment of 1999 Ran Oct 18, 1999 - Oct 23, 1999 Age guidance Venue Running time Tickets Price Range Description Directed By: Terry Chandler Music by Frederick Loewe Book & Lyrics by Alan Jay Lerner The Court of Camelot receives Guinevere as King Arthur's Queen. The fame of Arthur's Round Table brings the cream of Knighthood to Camelot and none is more renowned than Lancelot du Lac. Guinevere is attracted to Lancelot and is torn between her love for Arthur and her fascination for Lancelot. When their illicit love is revealed by Mordred they are sentenced to burn, but escape to France where Arthur finally forgives them. This breathtakingly glamorous musical will have costumes designed and made by our Wardrobe Master, Mike Shaw, will be under the direction of Terry Chandler and Mark Goggins will be our musical director. One not to be missed! Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Visiting Production Manford's Comedy Club (6th November 2026) Date range Tickets £13.50 Age guidance Adult Only Venue Main House Trigger warning Find out more Book now Running time Group bookings Find out more Accessibility Find out more It’s Friday Comedy night with another hilarious Manford’s Comedy Club show! Featuring some of the funniest, award-winning comedians on the UK comedy circuit. Every show has a different line-up of four top comedians, all personally chosen by Jason Manford! Our MC will be Daisy Earl, with three brilliantly funny comedians, Eddy Brimson, Louis Etienne and Sol Bernstein, to guarantee a great evening of comedy. Doors open 7pm. Show starts 8pm Visiting Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Previous Next Terry Chandler Terry Chandler was a very well-known figure throughout Manchester dramatics, and the theatre is very proud that he called the Garrick "home". He performed on the Garrick stage many times, and will always be remembered for the role of Albin in La Cage Aux Folles , which became his from the first moment he pulled on his frock. La Cage Aux Folles was such a success that it was performed for a total of 8 times, due to unprecedented public demand. A Garrick record. Many in the audience came to multiple performances, often in fancy dress. The show created an electric atmosphere and the finale was always greeted by a standing ovation. Terry also performed his Albin at Oldham Coliseum. . Terry also served on the Executive Committee, and directed many plays and musicals at the Garrick and elsewhere. He won awards from NODA and GMDF both for acting and directing, and NODA established "The Terry Chandler Award for Best All Round Performer" in his memory. Terry died tragically too early, of a heart attack in 2008, leaving his wife Anne and daughter Laura to carry on his support for the Garrick. See also this tribute from the Manchester Evening News. Back to In Memoriam page

Return to Productions Archive Garrick Production Oppenheimer Bio-drama about J. Robert Oppenheimer, the mastermind of the atomic bomb Ran Feb 24, 2025 - Mar 1, 2025 Age guidance Age: 14 + Venue Main House Running time TBC Tickets Price Range £10.50 - £16.50 Description By Tom Morton-Smith Directed by John Cunningham Associate Direction by Carole Carr 1939: fascism spreads across Europe, Franco marches on Barcelona and two German chemists discover the processes of atomic fission. In Berkeley, California, theoretical physicists recognise the horrendous potential of this new science: a weapon that draws its power from the very building blocks of the universe. Struggling to cast off his radical past and thrust into a position of power and authority, the charismatic J Robert Oppenheimer races to win the 'battle of the laboratories' and create a weapon so devastating that it would bring about an end not just to the Second World War but to all war. Originally written for the RSC in 2015, Tom Morton-Smith's play takes us into the heart of science, politics and humanity clashing in the propulsive story of the Manhattan Project and the development of the world’s first nuclear bombs. Reviews Gallery Trailer Trigger Warning This production contains strong language, sexual references and adult themes, including suicide, references to racism and other challenging themes. The production also contains graphic descriptions of the Hiroshima and Nagasaki nuclear attacks and aftermath, which may cause upset or distress. Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

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Return to Productions Archive Garrick Production One Flew Over The Cuckoo's Nest Performed by The Garrick Ensemble / PLEASE NOTE: 50% reduced capacity and socially distanced seating on Tuesday, Wednesday and Thursday evenings Ran Feb 7, 2022 - Feb 12, 2022 Age guidance Venue Running time Tickets Price Range Description By Dale Wasserman From the Novel by Ken Kesey Directed by Joseph Meighan Please Note – Reduced capacity and socially distanced seating for our Tuesday, Wednesday and Thursday evening performances of this production. Boisterous, ribald and ultimately shattering, One Flew Over the Cuckoo‘s Nest is the unforgettable story of a mental hospital and its inhabitants. When a brash new inmate arrives, the rigid program of the ward, headed by the tyrannical Nurse Ratched, is thrown up for grabs. In a world where sanity means conformity and following the rules is the only way to survive, One Flew Over the Cuckoo‘s Nest is a powerful exploration of both the beauty and the danger of being an original. Volatile and dark, humorous, thought-provoking and with strong language, this play (based on the classic 1962 novel by Ken Kesey and the 1972 film starring Jack Nicholson, which won five major Academy awards) is a true cult classic and will be an unforgettable evening at Altrincham Garrick Playhouse, performed by The Garrick Ensemble. WARNING – this production contains strong language and adult themes. The Garrick Ensemble is a company of 18 – 30 year old aspiring actors from Greater Manchester and Cheshire who perform one production each year as part of the Altrincham Garrick Playhouse Main House Season. The production will be directed by Artistic Director Joseph Meighan. The Garrick Ensemble aims to make theatre that is fresh, innovative and exciting. See the very best of local, up and coming talent before they move forward in the next stages of their careers in the Arts. Reviews Rick Bowen - Stagestruck WHEN the criminal Randle Patrick McMurphy is admitted to a cheerless psychiatric hospital, he doesn’t simply rock the boat. He capsizes it. This American classic, from the pen of Ken Kesey, has lost none of its power to shock, move or captivate in a stage adaptation that certainly succeeds in capturing the spirit of the original, rather wonderful novel. McMurphy, in a bid to avoid a jail sentence, pleads insanity and ends up in a grim institution presided over by one of contemporary literature’s most horrendous baddies, the notorious Nurse Ratched. She hides behind a veneer of care and compassion. In reality of course, she has no concept of either is particularly cruel to the stammering Billy, knowing exactly which buttons to press when it comes to making him feel guilty when this sad and sympathetic character has a glimpse of normality courtesy of the rebellious new arrival McMurphy. In him she finds a formidable adversary, as he reminds his fellow patients what it feels like to live again, organising a number of events that fly in the face of the hospital’s draconian rules. For those of you who are new to this tale I won’t be a party pooper. Let me just say McMurphy’s antics lead to a number of unforgettable scenes on the Garrick stage. Director Joe Meighan must have thought all his birthdays had come at once when Joseph Morgan auditioned for the role of Randle P McMurphy. Morgan brings a freshness and an individuality to the part immortalised on the big screen by the legendary Jack Nicholson. Matthew Spilsbury is simply outstanding as the towering Chief Bromden, offering us a heart breaking reminder of the appalling treatment meted out to the native Americans in ‘the land of the free.’ Returning to Ratched, I really admire Madeleine Healey for the way she resisted the temptation to take the pantomime villainess route when playing the role and I challenge anyone not to be moved by the scene with Billy – an excellent Charlie Gallagher – in which she crushes him by re-visiting the character’s innate sense of guilt. One Flew Over The Cuckoo’s Nest is yet another triumph for this theatre’s dynamic and exciting young actors group, the Garrick Ensemble. This a production not to be missed. Boy, how I wish I could write like Ken Kesey. Flawless – in every respect. Star rating ***** Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Visiting Production Jet Set Go! A high-flying British Musical Comedy Ran Jul 15, 2025 - Jul 19, 2025 Age guidance Venue Studio Running time TBC Tickets Price Range £14 - £16 Description Book and Lyrics by Jake Brunger Music and Lyrics by Pippa Cleary Directed by Richard Ross JET SET GO! Is a high-flying British musical comedy from the writers of ‘The Great British Bake Off Musical’ and ‘The Secret Diary of Adrian Mole Aged 13¾ The Musical’. Join Nicola and her fun-loving transatlantic cabin crew, as they sing up the aisles on a flight to New York you’ll never forget! Ready for take-off is new girl Melanie, who has trouble finding her feet in the air but catches the attention of lovable First Officer Paul. Fiery Puerto-Rican stewardess Julia continues her spicy love affair with arrogant pilot Jim, meanwhile Welsh Valley girl, Hayley is desperate not to be left on the shelf. Also onboard is outrageously camp Ryan who has the hots for fellow flight attendant, Richard. Unfortunately, he is more interested in the Italian sitting in 26C. Head flight attendant, Nicola is tasked to keep control of this larger than life crew – but is she getting too old for the drama? JET SET GO! is witty, tongue-in-cheek and full of catchy tunes. It ran at Edinburgh Fringe before transferring for two sell-out seasons in London. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Productions The Manchester Man Ran Oct 9, 2000 - Oct 14, 2000 Age guidance Venue Running time Tickets Price Range Description Based on an original novel by Mrs G. Linnaeus-Banks, the narrative features well-known characters and events in Manchester's history. Encompassing events leading up to the Peterloo Massacre this is an ensemble piece with lovely tuneful music and lots of drama. The story begins in 1799 when the infant Jabez is found, Moses-like, on the banks of the Irwell and is adopted by Bess. With Joshua Brookes the local parson looking out for him, Jabez begins to make his way in the world. An unmissable event. CAST Jabez Clegg: Tom Pinnock/Wayne Holt Bessie Clegg: Nina Williamson Thomas Hulme: Dez Renshaw Matthew Cooper: Richard Frost Parson Joshua Brookes: Dean Sumner Augusta Ashton: Dawn Flint Mr Ashton: Hugh Wolfson Mrs Ashton: Sandie McGuire Ellen Chadwick: Sarah Goodier/Victoria Bennett/Cyanne Holt Mr Chadwick: Frank Boylan Mrs Chadwick: Helen Ellis Laurence Aspinall: Andrew Higson Mrs Aspinall: Marina Anderson Kit Townley: Joe Douglas Ben Travis: Hugh Everett Additional Characters played by: Victoria Bennett Hannah Bowley Julie Broadbent Jill Chamberlain Laura Corcoran Lorraine Dallas Alison Eastham Nick Eastham Kathryn Goggins Natalie Goodier Rebecca Haden Vicki Jones Simon Kennedy Jane Lewis Dave McGuire Mike Nicholson Sid Robbins Peter Roberts Bernie Taylor Amy Warhurst Lisa Woodhead Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

We are always looking for new talent (of any age) to work in all areas of the theatre – no experience is necessary as you will be given full training by our qualified staff. Support the Garrick Financially Donate once, or set up a monthly donation The Altrincham Garrick is a registered charity, and we receive no public funding from any other organisation, or from our regional or local council. We value any and all support you can provide. Far too verbose, and I would like to put in a pie chart showing where our income comes from, and another one showing what we spend it on. At the Altrincham Garrick, we pride ourselves on offering unforgettable performances in a space where everyone feels comfortable and cared for. We do this as a registered charity, and we receive no public funding from any other organisation, or from our regional or local council. Our income comes mainly from the tickets that our audience buys, with smaller contributions from elsewhere in the Garrick (for example: from our GAPA education programme, and from daytime rental of the Car Park). The building dates from 1933, with ever-increasing operational and production costs. Our energy bills are high (productions use a lot of electricity; our bills are sometimes over £3,000 per month) and we have a small number of dedicated staff whom we pay. Our programme of building improvements is currently aimed at reducing winter heating bills. However, maintenance and urgent repairs take precedence, and this can often cost 10s of thousands of pounds per year. On top of all this, we have to continue investing in the equipment that a theatre needs, to keep on presenting productions of the high quality that our audiences deserve. Two major infrastructure projects are currently urgently required.Our roof is in very poor condition and needs a major overhaul. We also need to find money to install air-conditioning in the main auditorium. The Garrick aims to do all the above while still maintaining our low ticket prices. Occasional increases are unavoidable, but our goal is to make sure that theatre is available to all in the community, at a price that they can afford. We exist today due to the generosity and support of local people and businesses. We are very grateful to those who not only pay to see a show, but who also buy a drink in the bar, buy a programme, and indulge in sweets or an ice-cream from our kiosk. We need you and the local community to support us, so we can continue doing what we do so well. Business sponsorships are also very welcome, click here for more. Please donate now what you can, and please also add a donation to your ticket purchases. One Time Donation Custom Donation Amount Select a Preset Amount £100 £250 £1,000 £100 is small but generous, because ... every little counts it will pay for one day's use of new system once it's in place £250 is even more generous, because ... it pays for the lights on one of our panto performances £1000 is absolutely tip-top, because ... it gets us one twentieth towards our Phase 1 target Recognition Name I would like this donation to be anonymous I would like to dedicate this donation to someone Add to Basket Monthly Donations Select a Monthly Donation Amount £10 £25 £50 £100 £200 £1,000 Add to Basket Want to speak with someone before making your gift? Our team would love to hear from you. We’re happy to answer any questions and help you explore the giving option that’s right for you. admin@altrinchamgarrick.co.uk 0161-928-1677 For businesses: Sponsorship Opportunities Join our mailing list Subscribe

Return to Productions Archive Garrick Productions Neville's Island Ran Feb 21, 2000 - Feb 26, 2000 Age guidance Venue Running time Tickets Price Range Description By: Tim Firth Directed By: Dick Sails Designer: Stephen Bradshaw What a cock-up! Four out-of-condition businessmen get themselves marooned on an island on Derwentwater during a team-building exercise. Confident of rescue (at first), they prepare to dine on a shared sausage, but fog rolls in, they are menaced by wildlife and their SOS flares go unnoticed by November 5th revellers. The 'bonding' exercise turns into a carnival of recrimination with a surreal denouement. CAST Charlie Cook as Neville Barry Spencer as Gordon Hugh Everett as Angus Mark Edgar as Roy Reviews Sale & Altrincham Messenger's Review Team building is taken to extremes in 'Neville's Island', Tim Firth's testosterone driven comedy which is currently playing at Altrincham Garrick. A group of businessmen find themselves marooned on an island and try to come to terms with each other's irritating little foibles. It's a temperamental cauldron which takes seconds to boil over and when it does, it's impossible not to laugh. The brash Gordon gets the best lines, haranguing Neville for his inept leadership, Roy for his Christian beliefs and Angus for his uptight manner. But their experiences bring out the best in Neville and Angus, while smart alec Gordon is well and truly put in his place. All four characters will strike a chord with anyone who has worked in an office but they aren't stereotypes. The writer puts enough flesh on their bones to make us like and actually care about these guys. We all know someone like Gordon would be a nightmare to work with, but he's very funny, isn't he? The play does contain bad language but I felt it was in context. After all, when you're cold, wet and hungry minding your p's and q's won't be too high on your list of priorities. Barry Spencer seems to have cornered the market when it comes to playing rough types, and anyone who sees his Gordon will agree he does them superbly. Hugh Everett is a very believable Angus, the human equivalent of the cowardly lion and Mark Edgar grows on you as the screwed up Roy. But the real star of the show is the authentic island set created by Steve Bradshaw and his team. Take a bow guys, you deserve it. Rick Bowen Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Half Term Holiday Clubs|Lauriston Studio The History Girl Ran Apr 1, 2022 - Apr 2, 2022 Age guidance Venue Running time Tickets Price Range Description The History Girl University is an opportunity for students to explore the subjects they love and to develop their skills. For Becky, it's also a time for indecision. Having second thoughts brings its own challenges. Becky's Lecturer, Laura, sees the makings of an outstanding student in Becky. It's just case of finding the character from history that's going to turn her on to the subject. Becky also finds herself falling for her course leader, Connor. As we share Becky's journey through history , we encounter the struggle for women's emancipation and the place of women in this world...and someone else. Someone who believes in her cause. Someone in who's cause Becky can believe. Will Becky find Kitty before she quits the course? This is the story about being able to learn from history ...if we can't learn from history , then we're doomed to repeat it..." The History Girl by Elaine McCann and Dean Sumner, with additional material by Miranda Watkin. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Rent our theatre prop Swords and Daggers - a large variety Available. Garrick Hire Prop Swords, Knives and Miscellaneous The Garrick offers a range of bladed weapons and related miscellaneous items for hire About the Armoury Prop Gun & Rifle Hire Prop Swords, Knives & Miscellaneous Hire prop swords, fake knifes and daggers directly from us, here at The Garrick in Altrincham. We have a large collection suitable for film/movies, TV and all kinds of theatrical performances, from pantomimes to whodunnits and dramas. All of our stage swords and other pointed weapons are stored at a secure location in Altrincham. Note that these are not for fancy dress parties, stag dos or other party events – we do not have a licence to rent out to the general public. There are strict rules and regulation surrounding the hire and carrying of these items. We also have a number of interesting related items for hire that you may require to sit alongside the prop swords and prop guns hire. These items don’t fit neatly into the other sections, so we have separated them out below. Please take a look at the photos below, then contact us and give us an idea of the type of production you are engaged with. We will be happy to advise on which type of weapon(s) you need, and can then give you a quotation and timescale for rental. Alternatively, if you know exactly what you require then please include the reference numbers from the photo. Please fill in our online form , ring us on 0161 928 1677 or send us an e-mail, to hire@altrinchamgarrick.co.uk . Hire Form Prop Swords From prop pirate cutlasses suitable for pantomimes, such as those seen in Peter Pan above, to classic replica gladiator, claymore, classic long swords, epees and Samurai swords (as seen in movies such as like Kill Bill), we have a large collection for hire. Prop Knives & Daggers We have a large collection of prop knifes, stilettoes and daggers including retractable knife props (with retractable blades), suitable for stage, screen and television. There are knives from almost every era, including prop machetes, flick knifes and kirpans. Miscellaneous Items to Hire Other weapons include prop duelling pistols, fake Uzi , prop hand grenades & mortar bomb, Note that items 1& 2 are no longer available. Accessories include prop truncheons, western gun holsters, prop handcuffs, cowboy belts and shoulder holsters. Hire Form Join our mailing list Subscribe

We are always looking for actors of all agesto appear in our productions. No previous experience is necessary, simply sign up here to be auditioned. Get Involved Auditions Come and act in one of the 18 productions that the Altrincham Garrick Society produces each season ! Please refer to the Garrick Actor’s Guide for all information about auditioning for acting roles in our 2025/2026 Season at Altrincham Garrick Playhouse. Download the Actor's Guide for the 2026-2027 Season In addition, each production has a dedicated audition pack, which will be uploaded to our website about 4 weeks before the auditions, and which will include information about what to prepare, character descriptions and more. Note that the Altrincham Garrick is a non-professional organisation, meaning that actors are not paid. If you have any questions about the casting process, please email casting@altrinchamgarrick.co.uk Auditions for Upcoming Productions Auditions for JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT - Altrincham Garrick Playhouse AUDITIONS FOR "JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT " - Altrincham Garrick Playhouse The Audition Date for this production is Sunday 31st May The Rehearsal Start Date for this production is Sunday 6th September The Production Dates for this production are 22nd October - 1st November 2026 Director: Joseph Meighan Musical Director: Andrew Saunders Music Supervisor: Simon Mercer- Murray Choreographer: Louise Pettitt Step into a world of vibrant colour, unforgettable music, and thrilling storytelling with Joseph and the Amazing Technicolor Dreamcoat! This beloved musical by Andrew Lloyd Webber and Tim Rice is a dazzling all-singing and all-dancing journey of dreams, resilience, and joy! Joseph and the Amazing Technicolor Dreamcoat is the enduring reimagining of the Bible story about Joseph, his family and the famous “coat of many colours”. Filled with catchy songs in a plentitude of styles, including the well-known hits “Any Dream Will Do” and “Close Every Door”, and perfect for all ages, this family-friendly production combines humour, heart, and show-stopping songs in a way that’s truly timeless. The Version of JOSEPH that we are producing includes all the extended dance breaks, full vocal parts, and the MEGAMIX. It is the professional UK tour edition. We are a diverse theatre and we welcome auditionees of all ages (above the age of 18) and all genders, ethnicities, sexualities, disabilities and races, to enrich the work of the production. For more information, please check out our Audition Pack below! Rehearsals : Every Monday, Wednesday and Friday 7.30pm – 10pm, and every Sunday 2pm – 5.30pm Click on our AUDITION PACK below for more information! Download the "JOSEPH" Audition Pack Auditions for Upcoming Productions Auditions for THE SON- Altrincham Garrick Studio AUDITIONS FOR "THE SON " - Altrincham Garrick Studio The Audition Date for this production is Tuesday 2nd June The Rehearsal Start Date for this production is Sunday 16th August The Production Dates for this production are 22nd - 27th September 2026 Written by Florian Zeller Translated by Christopher Hampton Directed by Jonathan Barker “I don’t know what’s happened... But something has. He’s changed.” 17-year-old Nicolas is going through a difficult phase since his parents’ divorce. He’s started lying and become listless, skipping school and locking himself away. Feeling unable to live with his mother anymore, he moves in with his father and his new family. Maybe that will help? A new school, a fresh start. But what if it doesn’t? What then? This play unflinchingly explores how those suffering often struggle to understand their own inner demons. A powerful examination of adolescence and the disruptive dynamics of family life. Florian Zeller’s The Son completes a trilogy with The Mother and The Father (produced at Altrincham Garrick Playhouse in 2024), all of which are translated by Christopher Hampton. The Son premiered at the Kiln Theatre, London, in February 2019, and transferred to the Duke of York’s Theatre in August. A film version, directed by Zeller himself, and starring Hugh Jackman, Vanessa Kirkby and Anthony Hopkins, was produced in 2022. Content Warning: This play depicts adolescent mental health issues and discussions of self-harm. The production contains scenes some audience members may find distressing. We are a diverse theatre and we welcome auditionees of all ages (over the age of 18) and all genders, ethnicities, sexualities, disabilities and races, to enrich the work of the production. Rehearsals: Every Monday, Wednesday and Friday 7.30pm – 10pm, and every Sunday 2pm – 5.30pm Click on our AUDITION PACK below for more information! Download the "THE SON" Audition Pack Auditions for Upcoming Productions Auditions for PRIDE AND PREJUDICE - Altrincham Garrick Playhouse AUDITIONS FOR "PRIDE AND PREJUDICE " - Altrincham Garrick Playhouse The Audition Date for this production is Tuesday 26th May The Rehearsal Start Date for this production is Sunday 23rd August The Production Dates for this production are 28th September - 4th October 2026 Adapted for the Stage by Andrew Davies Based on the Novel by Jane Austen Directed by Carole Carr "It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife." Experience Jane Austen's classic tale of hate to love, revitalised in this production full of laughter, colour, and life. When it comes to the subject of marriage, headstrong Elizabeth Bennet is determined to resist the mounting pressures and expectations from society. Amidst the glittering swirl of balls, gossip and the hypocrisy of Regency England, Elizabeth encounters the arrogant, aloof, but infuriatingly eligible Mr Darcy. The two are more alike than they care to admit and their tempestuous journey from “tolerable” to love triumphant is one of literature’s most iconic romances. Austen’s most iconic love story is brought dazzlingly to life in this delightful stage adaptation by Andrew Davies, author of the iconic 1995 BBC TV adaptation. If you love your Bridgeton , you simply cannot miss this! We are a diverse theatre and we welcome auditionees of all ages (over the age of 18) and all genders, ethnicities, sexualities, disabilities and races, to enrich the work of the production. Rehearsals : Every Monday, Wednesday and Friday 7.30pm – 10pm, and every Sunday 2pm – 5.30pm Click on our AUDITION PACK below for more information! Download the "PRIDE AND PREJUDICE" Audition Pack All in-house Garrick productions are cast by auditions. Once you’ve read all the information in the relevant audition pack, and if you wish to audition, then please email casting@altrinchamgarrick.co.uk with the name of the production in the Subject field, and include your name and contact number. By emailing, you will have registered for an audition. To sign up to our Actor’s Mailing List (to receive regular updates about upcoming auditions) please email casting@altrinchamgarrick.co.uk . Auditions are confirmed and announced here on this page. Auditions are also announced on our own Facebook page and Twitter Feed: https://www.facebook.com/AltrinchamGarrick/ https://twitter.com/AltrinchamG Join our mailing list Subscribe

The Garrick Academy of Performing Arts runs classes for ages 5 to 18 and is the place to be if you love acting, singing or dancing. The Academy About GAPA & How to Join? Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. The Garrick Academy of Performing Arts, or GAPA as it is now affectionately known, continues to go from strength-to-strength. Formed in 2003 by Peter Birch and Dean Sumner, it has developed from 60 students to more than twice that number today. GAPA now has 3 teaching staff, 3 senior assistants – all of whom have been professionally trained in various disciplines within the performing arts. Additionally we have trainee junior assistants, who have been brought up through the GAPA ranks, all working with our students to develop their drama knowledge and gain experience. GAPA currently runs: SATURDAY CLASSES SCHOOL HOLIDAY COURSES SPEECH AND DRAMA Through all our courses and weekly classes we provide, train and develop the performance skills of our students and give them a theatre grounding; should they wish to just enjoy the fun of performing or should they eventually work professionally within the business. We focus on performance, inclusion and fun, and we ensure the students are constantly working towards the presentation of their work. Our annual productions see students preparing for a full-length show which, depending upon the production chosen, may be performed on the Garrick main stage or the more intimate Lauriston Studio, if the show or play is more suited. We look forward to seeing you at the next GAPA production, when you can watch our next generation of performing talent. Joining GAPA To join GAPA’s Saturday groups please contact our box office on 0161 928 1677 or email boxoffice@altrinchamgarrick.co.uk Join our mailing list Subscribe

We’d like to invite you to become a Friend of the Garrick, to join the Garrick Community and receive tickets at a discount. Please enrol online here, or speak to our box office staff, to become a member of our Friends of the Garrick audience loyalty scheme. Get Involved Garrick Friends Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. Become a Friend of the Garrick Our Theatre is a charity, and is managed by a handful of paid staff and many volunteers. We receive no funding from local authorities or Arts organisations. We are an important part of the local community, offering opportunities for learning in our Academy, making friendships in our Show Choir, and hosting local social groups. Our overriding aim is to bring alive your imagination, through our varied productions on our main stage and in our studio theatre. We’d like to invite you to become a Friend of the Garrick , to join the Garrick Community and receive tickets at a discount. Please enrol online here , or speak to our box office staff, to become a member of our Friends of the Garrick audience loyalty scheme. Gold Friends , for a £30 annual fee, can purchase unlimited discounted priced tickets*. Silver Friends , for a £20 annual fee, can purchase 2 discounted priced tickets per production*. 25U , free for 16 to 25 year olds, can purchase one discounted ticket (for every performance, of Garrick productions only). * Note: Gold and Silver discounts apply to all Garrick productions, in addition to some visiting productions. We really need your financial support, so please be a “Friend” to the Garrick. John Gibson, Membership Secretary Friend of the Garrick Loyalty Scheme What else can I do to play my part? If you have an interest in theatre, want to tread the boards or work front or back stage then become a Garrick Volunteer for free. We are always looking for new talent, any age, to volunteer in all areas of the theatre. Your help is invaluable to us and we promise you that the satisfaction of a job well done, will really surprise you, as well as the opportunity to make new friends and become part of the Garrick Team. If you are interested, please email: membership@altrinchamgarrick.co.uk with your full contact details and the area which you are interested getting involved in. Even if you are unable to spend the time helping the Garrick in a more active way, or maybe, work and other commitments mean time is at a premium, there other simple ways you can help your Garrick. When you come and see a show, try to pick up a leaflet or A4 poster from the the Box Office or in the Bar. You could display one in your local Library, office/place of work or even your local club or shop, (please make sure you have permissions to do so). If you have enjoyed a show, tell your friends/colleagues – please spread the word about your theatre! – this kind of help, however small can make a huge difference to the Garrick. Thank you. Join our mailing list Subscribe

Previous Next David Mardon David's parents were heavily involved with the Garrick, so it was no surprise that he joined in as well. He was a long-standing member of the Front of House team and was FoH Manager in the 1980s. He also handled the Performing Rights Licenses for all music played in productions at the theatre. Outside the Garrick, David was a well-known church organist. Back to In Memoriam page

Return to Productions Archive Garrick Productions The Merry Christmas Show Ran Dec 11, 1999 Age guidance Venue Running time Tickets Price Range Description We have no other information about this event beyond it being a one-night event on the 11th of December 1999. If you can provide any more information, please contact us. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Previous Next Tony Mathews Tony was one of the leading actors and directors of his generation, having joined the Garrick in the early 1970's. He had a huge range of skills, never failed to deliver and was a commanding figure both on the Mainstage and in the Studio. He played major roles in dramatic plays such as Macbeth , A Man for All Seasons , and Royal Hunt of the Sun. Tony was equally proficient in comedies and high farce such as What the Butler Saw , How the Other Half Loves , and Habeus Corpus . Critics and audiences alike were aways highly impressed by his performances. Back to In Memoriam page

Previous Next Jeanne Anderson Jeanne was a leading dramatic actress at the Garrick from the late 1960s through to her final play in 1985. Her first play at the Garrick was in Fools Paradise in October 1968 and she then took on numerous lead roles right up to her tragic, untimely death in 1985, after falling from a stepladder. Her credits included Under Milk Wood ; Vivat!Vivat! Regina (for which she received a Manchester Evening News Oscar as Best Actress playing Mary, Queen of Scots); Portia in Merchant of Venice ; Habeus Corpus ; A Woman of No Importance ; Cause Celebre ; The Dresser and The Prime of Miss Jean Brodie . The last time she appeared on the Garrick stage was as Ethel Thayer in On Golden Pond in 1985. Like most people on the acting list at that time, Jeanne played a full role backstage. She was ASM for numerous plays throughout the 1970s and 80s as well as occasionally directing a production. Back to In Memoriam page

We’d like to invite you to become a Friend of the Garrick, to join the Garrick Community and receive tickets at a discount. Please enrol online here, or speak to our box office staff, to become a member of our Friends of the Garrick audience loyalty scheme.

Our regular newsletters contain details of forthcoming shows, news about the theatre and updates on our various groups and activities. It's absolutely FREE. Mailing List Enter your email address and we'll keep you updated with what's going on at the Altrincham Garrick Playhouse. This will sign you up to receive communications from the Garrick including: emails about future events and offers, postal mailings about future events and offers, opportunities to support the Garrick, and Creative Engagement information opportunities and news. You'll receive one or two emails per week. To choose which communications you’d like to receive, log in to your account to update your contact preferences, after you’ve signed up. Sign up for our mailing list First Name Last Name Email Address Please confirm that you have read our privacy policy? * I have read and accepted the privacy policy Submit Thanks for submitting!

Return to Productions Archive Garrick Production Vardy v Rooney: The Wagatha Christie Trial Footballers’ wives drama which will keep you on the edge of your seat Ran Jun 2, 2025 - Jun 7, 2025 Age guidance 12+ Venue Main House Running time TBC Tickets Price Range £10.50 - £16.50 Description Adapted by Liz Hennessey Directed by Dan Ellis A story stranger than fiction that blurs the boundaries of tabloid scoop, court case and soap opera, The Wagatha Christie Trial explores privacy and celebrity in modern Britain. On 9 October 2019, Coleen Rooney publicly accused Rebekah Vardy of selling stories about her to The Sun. The four words "It's.......... Rebekah Vardy's account" sent shockwaves across British and global press. Nobody could have expected the social media scandal to grow so large. On 10 May 2022, the "Wagatha Christie" trial commenced. Over seven days, the libel court case saw Vardy and Rooney remark on each other's lives, with much of it documented heavily in the press. Only a handful of people witnessed what happened behind the closed doors of this footballers’ wives drama and now you can too in this hilarious (and slightly tacky) court room comedy! You'll be on the edge of your seat as you relive the high-profile case, filled with drama, intrigue, and scandal. Vardy V Rooney: The Wagatha Christie Trial was first performed at the Wyndham’s Theatre in the West End in 2022 before a UK and Ireland tour. Recommended: 12+ Warning: This production contains some strong language and adult themes. Reviews Gallery Trailer Trigger Warning This production contains some strong language and adult themes. Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production Disney's The Little Mermaid The perfect musical treat for October half term Ran Oct 25, 2021 - Oct 31, 2021 Age guidance Venue Running time Tickets Price Range Description Directed by Joseph Meighan Musical Direction by Mark Goggins Choreography by Koda Holland-Smith The perfect Musical treat for October Half Term! In a magical kingdom beneath the sea, the beautiful young mermaid Ariel longs to leave her ocean home to live in the world above. Ariel is fascinated with life on land. On one of her visits to the surface, which are forbidden by her controlling father, King Triton, she falls for a human Prince. Determined to be with her new love, Ariel makes a dangerous deal with the sea witch Ursula to become human for three days. But when plans go awry for the star-crossed lovers, a showdown begins between good and evil that only love can remedy. Based on one of Hans Christian Andersen’s most beloved stories and the classic animated 1989 film, Disney’s The Little Mermaid is a hauntingly beautiful love story for the ages. With music by eight-time Academy Award winner Alan Menken, lyrics by Howard Ashman and Glenn Slater, and a compelling book by Doug Wright, this fishy fable will capture your heart with its irresistible songs including “Under the Sea,” “Kiss the Girl,” and “Part of Your World.” Altrincham Garrick Playhouse are proud to be producing the Northern Premiere of this Disney classic! Music by ALAN MENKEN Lyrics by HOWARD ASHMAN & GLENN SLATER Book by DOUG WRIGHT Based on the Hans Christian Andersen story and the Disney film produced by Howard Ashman & John Musker and written & directed by John Musker and Ron Clements Originally Produced by Disney Theatrical Productions Reviews Rick Bowen – Stagestruck.info If ever we needed a dose of Disney magic, it must surely be now, as we continue to live in unprecedented times. One little girl, sitting close to the stage, was so captivated by Emily Leeland’s Ariel it prompted her to say with childlike spontaneity, “Hi Ariel” during one of the scenes in this colourful, upbeat, feel-good family show. But rest assured, she was not the only one to be captivated for, as the lovesick mermaid pining for her Prince, Leeland plays the part brilliantly and has a voice that wouldn’t sound out of place on a professional stage. We really root for her as she desperately seeks to find her Prince Eric, played by Shane Gibb who furthers his reputation as one of the most exciting talents around. If Ariel is the heroine of the piece, inspired by the classic fairy tale, Dawn Flint is absolutely perfect as its villainess, the scheming and wicked Ursula. Flint’s sense of timing is as flawless as her singing voice ensuring that her character’s comic barbs hit their target with pinpoint accuracy. What impressed me about this musical – which I was seeing for the first time – was how the songs were far more sophisticated than shows of a similar kind. I’m referring to musicals like Joseph and his Amazing Technicolour Dreamcoat which families tend to flock to see because of the hum along appeal of its score. While the numbers are one step up from Joseph, they remain very accessible. There are echoes of pantomime in The Little Mermaid, minus the cringeworthy jokes that make the “gags” we find in Christmas crackers every year sound side splitting. Then there’s musical director Mark Goggins whose involvement with any production guarantees it will always be well worth watching. Together with Joe Meighan, the production’s director, serve up a show that will leave audiences floating on air as they leave the theatre. Star rating ***** Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

This page is part of the Booking Journey, for booking events at the Altrincham Garrick Playhouse. Checkout Your selection Basket Checkout Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Previous Next Jennie Holman Jennie, along with husband Geoff, was a great supporter of the Garrick for over 50 years. She joined the theatre in 1966 and became a long serving ASM, being involved in more than fifty productions, the first being An Ideal Husband in her first season. She was always keen on 'getting things right', a quality much appreciated by both actors and directors. Her life outside the Garrick was as a work counsellor. She helped groups of people - for example enabling 52 workers made redundant from Pilkington’s Glass to find new jobs - and individuals - for example assisting a redundant Veterinary Surgeon find a new job at Chester Zoo. Jennie was always smiling with a positive outlook and was a pleasure to work with. Back to In Memoriam page

The Altrincham Garrick is delighted to make our mainstage auditorium, our studio theatre and other rooms available for hire. Garrick Hire Venue Hire The Garrick has many spaces available for hire The Main Theatre Auditorium, the Studio Theatre, the Rehearsal Rooms and Bar are available for hire, for a wide range of uses. For details of how we can support you with your Conference, Exhibition, Meeting, Presentation or Lecture – all with full catering facilities – please fill in our online form , ring us on 0161 928 1677 or send us an e-mail, to hire@altrinchamgarrick.co.uk . Hire Form Join our mailing list Subscribe

The Altrincham Garrick Playhouse recognizes its duty of care under the Children and Young Persons Act 1963, the Child (Performances) Regulations 1968, the Protection of Children Act 1999 and the Criminal Justice and Court Services Act 2000. Child Protection Policy T&C’s for Sale of Tickets GDPR Privacy Policy Health and Safety Policy Child Protection Policy The Altrincham Garrick Playhouse recognizes its duty of care under the Children and Young Persons Act 1963, the Child (Performances) Regulations 1968, the Protection of Children Act 1999 and the Criminal Justice and Court Services Act 2000.The society recognizes that abuse can take many forms, whether it be physical abuse, emotional abuse, sexual abuse or neglect. The society is committed to practice which protects children from harm. All members of the society accept and recognize their responsibilities to develop awareness of the issues which cause children harm. The society believes that: The welfare of the child is paramount; All children, whatever their age, culture, disability, gender, language, racial origin, religious beliefs and/or sexual identity have the right to protection from abuse; All suspicions and allegations of abuse should be taken seriously and responded to swiftly and appropriately; All members and employees of the society should be clear on how to respond appropriately. The society will ensure that: All children will be treated equally and with respect and dignity; The welfare of each child will always be put first; A balanced relationship based on mutual trust will be built which empowers the children to share in the decision making process; Enthusiastic and constructive feedback will be given rather than negative criticism Bullying will not be accepted or condoned; All adult members of the society provide a positive role model for dealing with other people; Action will be taken to stop any inappropriate verbal or physical behaviour; It will keep up-to-date with health & safety legislation; It will keep informed of changes in legislation and policies for the protection of children; It will undertake relevant development and training; It will hold a register of every child involved with the society and will retain a contact name and number close at hand in case of emergencies. The society has child protection procedures which accompany this policy. This policy should also be read in conjunction with the society’s Theatre Handbook and Health & Safety Policy. The society has a dedicated Child Protection Officer, who is in charge of ensuring that the Child Protection policy and procedures are adhered to. This policy will be regularly monitored by the Executive Committee of the society and will be subject to annual review. Child Protection Procedures Responsibilities of the Society At the outset of any production involving children the society will: Undertake a risk assessment and monitor risk throughout the production process; Identify at the outset the person with designated responsibility for child protection; Engage in effective recruitment of chaperones and other individuals with responsibility for children, including appropriate vetting (if necessary in consultation with the local education authority); Ensure that children are supervised at all times; Know how to get in touch with the local authority social services, in case it needs to report a concern. Parents The society believes it to be important that there is a partnership between parents and the society. Parents/guardians are encouraged to be involved in the activities of the society and to share responsibility for the care of children. All parents will be given a copy the society's Child Protection Policy and procedures .All parents/guardians have the responsibility to collect (or arrange collection of) their children after rehearsals or performances. It is NOT the responsibility of the society to take children home. Unsupervised Contact The society will attempt to ensure that no adult has unsupervised contact with children. If possible there will always be two adults in the room when working with children. If unsupervised contact is unavoidable, steps will be taken to minimize risk. For example, work will be carried out in a public area or in a designated room with a door open. If it is predicted that an individual is likely to require unsupervised contact with children, he or she may be required to obtain a criminal record disclosure. Physical Contact All adults will maintain a safe and appropriate distance from children. Adults will only touch children when it is absolutely necessary in relation to the particular activity. Adults will seek the consent of the child prior to any physical contact and the purpose of the contact shall be made clear. Managing sensitive information The society has a policy and procedures for the taking, using and storage of photographs or images of children. Permission will be sought from the parents/guardians for use of photographic material featuring children for promotional or other purposes. The society’s web-based materials and activities will be carefully monitored for inappropriate use. The society will ensure confidentiality in order to protect the rights of its members, including the safe handling, storage and disposal of any sensitive information such as criminal record disclosures. Suspicion of abuse If you see or suspect abuse of a child while in the care of the society, please make this known to the person with responsibility for child protection. If you suspect that the person with responsibility for child protection is the source of the problem, you should make your concerns known to the Chairman. Please make a note for your own records of what you witnessed as well as your response, in case there is follow-up in which you are involved. If a serious allegation is made against any member of the society, chaperone, venue staff etc., that individual will be suspended immediately until the investigation is concluded. The individual will be excluded from the theatre; rehearsal rooms etc. and will not have any unsupervised contact with any other children in the production. Disclosure of abuse If a child confides in you that abuse has taken place: Remain calm and in control but do not delay taking action. Listen carefully to what has been said. Allow the child to tell you at their own pace and ask questions only for clarification. Don’t ask questions that suggest a particular answer. Don’t promise to keep it a secret. Use the first opportunity you have to share the information with the person with responsibility for child protection. Make it clear to the child that you will need to share this information with others. Make it clear that you will only tell the people who need to know and who should be able to help. Reassure the child that they did the right thing in telling someone. Tell the child what you are going to do next. Speak immediately to the person with responsibility for child protection. It is that person’s responsibility to liaise with the relevant authorities, usually social services or the police. As soon as possible after the disclosing conversation, make a note of what was said, using the child’s own words. Note the date, time, any names that were involved or mentioned, and who you gave the information to. Make sure you sign and date your record. Recording In all situations, including those in which the cause of concern arises from a disclosure made in confidence, the details of an allegation or reported incident will be recorded, regardless of whether or not the concerns have been shared with a statutory child protection agency. An accurate note shall be made of the date and time of the incident or disclosure, the parties involved, what was said or done and by whom, any action taken to investigate the matter, any further action taken e.g. suspension of an individual, where relevant the reasons why the matter was not referred to a statutory agency, and the name of the persons reporting and to whom it was reported. The record will be stored securely and shared only with those who need to know about the incident or allegation. Rights & Confidentiality If a complaint is made against a member of the society he or she will be made aware of their rights under the society's disciplinary procedures. No matter how you may feel about the accusation, both the alleged abuser and the child who is thought to have been abused have the right to confidentiality under the Data Protection Act 1998. Remember also that any possible criminal investigation could be compromised through inappropriate information being released. In criminal law the Crown or other prosecuting authority has to prove guilt and the defendant is presumed innocent until proven guilty. Accidents To avoid accidents, chaperones and children will be advised of ‘house rules’ regarding health and safety and will be notified of areas that are out of bounds. Children will be advised of the clothing and footwear appropriate to the work that will be undertaken. If a child is injured while in the care of the society, a designated first-aider should administer first aid and the injury will be recorded in the society’s accident book. This record will be counter-signed by the person with responsibility for child protection. If a child joins the production with an obvious physical injury a record of this will be made in the accident book. This record will be counter-signed by the person with responsibility for child protection. Criminal Record Disclosures If the society believes it in is in its best interests to obtain criminal record disclosures for chaperones or other personnel it will inform the individual of the necessary procedures and the level of disclosure required. An Enhanced disclosure will be required. The society will have a written code of practice for the handling of disclosure information and aim to prevent misuse. Chaperones Chaperones will be appointed by the society/appointed persons for the care of children during the production process. By law the chaperone is acting in loco parentis and should exercise the care which a good parent/guardian might be reasonably expected to give to a child. The maximum number of children in the chaperone’s care shall not exceed 12. Potential chaperones may be required to supply photographic proof of identity and two references from individuals with knowledge of their previous work with children, unless already well known to the society. They may also be asked to sign a declaration stating that there is no reason why they would be considered unsuitable to work with children. Chaperones will be made aware of the society’s Child Protection Policy and Procedures. Where chaperones are not satisfied with the conditions for the children, they should bring this to the attention of the director/stage manager. If changes cannot be made satisfactorily the chaperone should consider not allowing the child to continue. If a chaperone considers that a child is unwell or too tired to continue, the chaperone must inform the director/stage manager and not allow the child to continue. No child of compulsory school age is permitted to do anything which may endanger life or limb. This could include working on wires or heavy lifting. Chaperones should tell the director/stage manager to cease using children in this way, and should contact the local authority. During performances, chaperones will be responsible for meeting children at the stage door and signing them into the building. Children will be kept together at all times except when using separate dressing rooms. Chaperones will be aware of where the children are at all times. Children are not to leave the theatre unsupervised by chaperones unless in the company of their parents/guardians. Children will be adequately supervised while going to and from the toilets. Children will not be allowed to enter the adult dressing rooms. Chaperones should be aware of the safety arrangements and first aid procedures in the venue, and will ensure that children in their care do not place themselves and others in danger. Chaperones should ensure that any accidents are reported to and recorded by the society. Chaperones should examine accident books each day. If an accident has occurred, the producer is not allowed to use that child until a medically qualified opinion has been obtained (not just the word of the parent or child). Chaperones should have written arrangements for children after performances. If someone different is to collect the child, a telephone call should be made to the parent/guardian to confirm the arrangements. Children should be signed out when leaving and a record made of the person collecting. If a parent has not collected the child, it is the duty of the chaperone to stay with that child or make arrangements to take them home. This policy is applicable to and focuses on, children of compulsory school age and below. A child is required to attend school unless they are over the age of 16 on 31st of August, or until the last Friday in June after their 16th birthday. Join our mailing list Subscribe

Return to Productions Archive Garrick Production Hobson's Choice Altrincham Garrick STUDIO 2025/26 Season - A Series of Manc Plays Ran Apr 28, 2026 - May 3, 2026 Age guidance Venue STUDIO Theatre Running time TBC Tickets Price Range £13 - £15 Description Written by Harold Brighouse Directed by Ros Greenwood Salford. 1880. A father and daughter go head to head in this classic comedy. Widower Henry Hobson is struggling to handle his three grown-up daughters, each seeking a husband and an escape from the family boot-makers’ shop. But with the domineering Hobson spending more time boozing in the Moonraker’s Arms than on the business, the future of the firm and the family is in the hands of eldest daughter, the no-nonsense Maggie. When she sets her sights on the talented boot-maker Willie Mossop, it’s the start of an unlikely partnership that threatens to ruin Hobson’s trade. Reluctantly, he’s forced to make a choice… Reviews Stage Struck - Rick Bowen "The Garrick’s intimate studio theatre turns out to be the perfect setting for a play that still sounds remarkably fresh when you consider it was first performed more than 100 years ago...", "Not a word of the dialogue is lost and all the cast deserve plaudits for the way they bring their respective roles to life..." "A much needed, feel good antidote to these very serious times. Have a right good laugh and enjoy." READ THE FULL REVIEW HERE: https://www.stagestruck.info/blog/2026/4/29/hobsons-choice-altrincham-garrick Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production The Lady In The Van Funny, touching and unexpectedly spectacular play Ran Oct 4, 2021 - Oct 9, 2021 Age guidance Venue Running time Tickets Price Range Description Directed by Carole Carr It is said that charity begins at home. For Alan Bennett, it began at the bottom of his drive with a yellow custard van inhabited by an irascible eccentric who refused to budge. The Lady in the Van is the true story of Miss Shepherd, an offbeat woman of uncertain origins, who “temporarily” parked her broken-down van in writer Alan Bennett’s London driveway, and proceeded to live there for the next 15 years. Miss Shepherd’s stay may have been a blight on Bennett’s front garden, but it eventually allowed him to unravel the fascinating story of her life – for which we are all eternally indebted. Reviews Rick Bowen – Stage Struck As I left the Garrick on Monday night one question was running through my mind – why doesn’t Celia Bonner do more acting? She gives a captivating performance as Miss Shepherd, the enigmatic down-and-out taken in by Alan Bennett and who lived on his driveway for what was supposed to be a temporary basis. But “temporary” turned into 15 years and an unlikely friendship grew between the genius playwright and an old woman whose outlook on life was, to put it mildly, unique. It soon emerges that Miss Shepherd has a past, psychologically she’s damaged goods and her unapologetic attitude to personal cleanliness had the audience wincing with disgust when I saw this on opening night. Celia’s sense of timing is flawless and, under the astute direction of Carole Carr, she’s ably supported by Mike Shaw and Jonathan Black, who share the role of Bennett himself. Nobody tells a story quite like this national treasure and his turn of phrase is quite brilliant. But you have to be prepared to listen. It’s a case of blink and you’ll miss his priceless witticisms. Barry Purves’ and Amanda Cooke’s spartan set captures perfectly the suburban London in which this remarkable story unfolds, a tale which can be summed up in the phrase “you couldn’t make this up.” While Miss Shepherd’s lack of personal hygiene repulsed me at times, I found myself drawn to someone who refused to live by society’s rules. Alan Bennett was similarly drawn and he got a play out of it. Star rating – 3.5 out of 5 Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Productions The Immortal Lady Ran Jan 1, 1932 - Jan 1, 1932 Age guidance Venue Running time Tickets Price Range Description Bonson, John P Bramwell, Madge Brierley, Norman Briggs, Harry Bullivant, Erick Gow, Ronald Hankins, J Jones, Arthur C Kewell, H Lawley, Mollie Matthews, Marion Thwaite Monkhouse, Mary H Osborne, Edgar Palmer, Jack A Pennington, Muriel Rose, Gertrude Ross, Donald A Shaw, A Keble Smith, J B Stevens, Kate Warburton, Kathleen Wilson, Kathleen Wilkinson, John Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Productions Waters of the Moon Ran Jan 1, 1955 - Jan 1, 1955 Age guidance Venue Running time Tickets Price Range Description Allen, Doreen Bourne, Dorothy Gorna, Christina Oddey, John Pearce, Rosemary Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Productions The Cemetary Club (sic) Ran Jan 31, 2000 - Feb 5, 2000 Age guidance Venue Running time Tickets Price Range Description By: Ivan Menchal Directed By: Bill Clancy THE GOLDEN GIRLS - Ida, Lucille and Doris are - The Cemetary Club (sic). Every month they meet at Ida's to go and visit their respective husbands, graves. They gossip, bitch a little and prepare to become joint bridesmaids at a friend's umpteenth wedding and ... prepare for the future. A delightful comedy of romance. CAST Maureen Casket Leila Glancy Adele Singer Roger Metcalfe Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production Di and Viv and Rose The Studio 2023/2024 Season - A Series of All Female Plays. Ran Jun 4, 2024 - Jun 9, 2024 Age guidance 14+ Venue Studio Running time TBC Tickets Price Range £12 - £14 Description “How do you want to live here? I mean we could come and go and lead separate lives. Or we could really live together. What do you think?” Three women are thrown together in their late teens. They are very different people but it isn’t long before they are living in each other’s pockets. Life is a blast and together they can do anything. But life also has unexpected plans for them... A funny, moving and surprising story of friendship’s impact on life, and life’s impact on friendship. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Return to Productions Archive Garrick Production If Four Walls Told Ran Jan 4, 1920 - Jan 4, 1920 Age guidance Venue Running time Tickets Price Range Description By Edward Percy CAST Blackburn, Lydia Brierley, Norman Green, Freda Loft, J H Harold Lowe, Lois M Matthews, Marion Thwaite Owen, Gwen Pownall, Clarence Winn, Rex Wilkinson, John Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Visiting Production MANIA: The Abba Tribute Date range Tickets £27 Age guidance Venue Main House Trigger warning Find out more Book now Running time TBC Group bookings Find out more Accessibility Find out more Direct from London’s West End, MANIA is accepted as the world’s number one ABBA tribute show. A special concert which celebrates the music of ABBA in a respectful and enjoyable way, this production revives memories of when ABBA ruled the airwaves. It is more than 40 years since ABBA won the Eurovision Song Contest and they have filled our lives with music ever since. Now it’s your chance to thank them for the music! MANIA brings fans old and new, a memorable night not to be missed. If you’re looking for an excuse to party, reminisce or simply be entertained, then MANIA: the ABBA tribute is the show for you! Dig out those platforms, dust down those flares, and join in with such classics as ‘Mamma Mia’, ‘Voulez Vous’, ‘Dancing Queen’, ‘Winner Takes It All’, ‘Super Trouper’ and many, many more. Visiting Production Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

Return to Productions Archive Garrick Productions Tom Jones (1999) Ran Jun 9, 1999 - Jun 19, 1999 Age guidance Venue Running time Tickets Price Range Description Dunham Massey Hall - June 9 -19th 1999 A huge cast gave eight performances of Joan Macalpine's adaptation of Henry Fielding's bawdy romp of a novel, "Tom Jones" Although the evening may have seemed a little long (maybe the seating was not quite as comfortable as it might have been!), the original novel runs to over 800 pages in a modern printed edition, so a finish time of 10.15 pm was quite an achievement! Reviews SAM's view on "Tom Jones" Alas smitten Jones - Womaniser Tom keeps crowd warm It may have been a slightly chilly evening in the stands in the courtyard of Dunham Massey Hall, but the goings on in Tom Jones, performed by the Altrincham Garrick, were, to say the least, hot. Tom is a philandering womaniser of the first order but he has a directness and a candour which endear him to the audience and, ultimately, to his true love, Sophia Western. Charlie Tomlinson throws himself into the part of Fielding's hero with an abandonment only equalled by that of his lovers. He frolics tirelessly with his dalliances, has dust ups with the men and performs acrobatic impossibilities when he dives under a neatly constructed bed and hangs from a drainpipe - a performance which will be recalled and savoured! Sophia, played by Juliet Glaves, is a decorous, becoming and well bred young lady who becomes excessively tearful when her father foists the wrong man on her. Tom's first fling is with Pam Nolan's voluptuous Molly, who has a sexy Somerset drawl. "I never done that before," she sighs innocently while wantonly seducing him and indulging in rough and tumble behind the strategically placed hay cart. His last encounter gives Helen Busby a chance to shine. She positively sparkles as the scheming Mrs Fitzpatrick who guilefully illustrates that hell hath no fury like a woman scorned. In between comes Angela Wetherill who, as Mrs Waters, is a mistress of farce. Hers is the funniest scene. It's not unlike a silent movie. Special attention has been given to the costumes, from the Royal Exchange, high powered lighting and first rate sound. Julia Taylor Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster Return to Productions Archive

Private Release Altrincham Garrick Summer Ball 2026 Date range Tickets £65 (Early Bird Offer) - £75 Age guidance 18+ Venue Double Tree by Hilton, Manchester Airport Trigger warning Find out more Book now Running time 5.5 hours Group bookings Find out more Accessibility Find out more Altrincham Garrick Summer Ball 2026 Come and Join Us for the Social Event of the Summer! Early Bird Rate: £65 per ticket Includes: Glass of fizz upon arrival 3-course meal Live magician Casino table Dancing into the night Location: Double Tree by Hilton, Manchester Airport Dress: Black Tie Early bird tickets: Available until Friday 1st May! After this, prices rise to £75 . Limited spaces, so book early to secure your discounted ticket. Private Release Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe