Garrick Production Natural Causes Ran Invalid Date - Dec 11, 2013 Age guidance Venue Running time Tickets Price Range Description No information available at this time Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Previous Next Stella Fogg Everyone loved Stella. An accomplished actress, she became known in her latter years for continuous support as an ASM and prompt. Her sense of humour and delight in the ridiculous are remembered by many. Back to In Memoriam page

Garrick Production Brief Encounter Ran Invalid Date - Aug 18, 2015 Age guidance Venue Running time Tickets Price Range Description "I want to remember every minute. Always. Always to the end of my days." Noel Coward's famous film (1945) is remembered as one of the most haunting and moving love stories ever. Now thrillingly adapted for the stage by Emma Rice, this award winning version has been lovingly received on both sides of the Atlantic. When Laura accidentally meets a doctor, Alec, at a train station, the initial reaction is just that, but then after a few more meetings, the two fall madly in love. But Laura is married with young children and desperate feelings of loyalty, passion and yearning almost tear her apart. Coward delicately points up the trials and tribulations that marriage can bring, and like the ocean hitting the rocks, Laura and Alec are swept away into something uncontrollable. In this brilliant version, the plot is brought to life by a wonderful visual theatricality - a truly memorable and unpredictable stage experience. [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/08/DSC_4272.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/08/DSC_5318.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/08/DSC_5266.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/08/DSC_5089.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/08/DSC_5378-2.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/08/DSC_5388.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/08/DSC_5336-2.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/08/DSC_5272-2.jpg|"] Rick Bowen Review Whenever Barry Purves directs a production, I always enter Altrincham Garrick with all the eagerness of a child bounding down the stairs on Christmas morning. You never know quite what to expect with BP, other than the unexpected, of course. So it is with Brief Encounter, which he's also designed, and the end result is an evening that is both all seducing as it is deeply moving. It feels like a play, a musical and one of those old-fashioned films they used to put on, usually on wet Saturday afternoons when I was a child. My only criticism is the music detracted from the dramatic impact of the boat rowing scene involving the nice doctor Alec (Paul Wilson) and Laura (Sarah Roberts), a woman unfulfilled by her domestic purgatory. Paul is suitably gallant as Alec and there's an endearing chemistry between him and Sarah. You are certain to find yourselves aching for 'a happy' ending. There are other fine performances to enjoy from the consistently impressive Alison Davis as Myrtle, who runs the station cafe which doubles as a hot bed of romance. As Beryl, Myrtle's gossip devouring waitress, Fiona Primrose is quite exceptional. This is comedy acting of the highest order. Brief Encounter transports us back to more innocent times, when a station master was still a figure of authority. While Alec is every inch the gentleman, the quintessential English gentleman, he certainly isn't slow at coming forward when it comes to the ladies. A must see, for romantics and cynics alike, Star Rating ★★★★ Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Dick Whittington Ran Invalid Date - Dec 16, 2013 Age guidance Venue Running time Tickets Price Range Description Without doubt our pantomimes prove to be more and more popular every year - and this one will be no different. Dick Whittington is one of the most popular of the pantomimes with some of our favourite characters - Dick and his cat, the Demon King Rat, Idle Jack and Jill and of course the Dame. The whole family is in for a traditional Christmas treat. Please book early to avoid disappointment. [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/dickwhita.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/dickwhitb.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/dickwhitc.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/dickwhitd.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/dickwhite.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/dickwhitj.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/dickwhitg.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/dickwhitf.jpg|"] Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Things I Know to be True Ran Invalid Date - Jun 29, 2018 Age guidance Venue Running time Tickets Price Range Description A BEAUTIFULLY TOUCHING, FUNNY AND BOLD PLAY... NOT TO BE MISSED Andrew Bovell has written about how families can struggle to love and how also members of even the strongest of families can easily hurt those who are the closest to them. The play poses these questions - "What do generations owe to each other?" "Can the 'sacrifice now live later' ethos of our parents ever find a happy meeting point with the 'live now' approach of the millennials? Most of all this play looks at the tightness of ties that bind families and how we must face our parents? imperfections as a part of facing our own. The Garrick is delighted to be staging this beautiful play and bringing it alive for our audiences to absorb and enjoy. This Production is proudly sponsored by [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_9359.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_9568.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_9596.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_8609.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_8807.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_8934.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_9284.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/DSC_9291.jpg|"] Production Photographs by Vish Sharma CAST Bob - Charlie Tomlinson Fran - Brigid Hemingway Pip - Holly Boland Mark - Alexander Mike Thompson Ben - Anthony Morris Rosie - Megan Relph Rehearsal Photographs [gallery columns="6" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/IMG_2827-Medium-e1554794401718.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/IMG_2820-Medium.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/IMG_2857-Medium.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/IMG_2871-Medium.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/IMG_2851-Medium.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2018/06/IMG_2869-Medium-e1554794440943.jpg|"] Director's Note: Many congratulations to actor Anthony Morris who ran the Manchester Marathon in just over 4 hours then came on to rehearsals for Things I Know To Be True - only to be chased round and then thrown to the floor by his Father in the play Charlie Tomlinson. What a Star - Anthony we are all so proud of you! Review by Rick Bowen for Stagestruck THE words “family strife” take on a whole new meaning in this modern day classic, Altrincham Garrick’s production of the season. Andrew Bovell writes in a way that’s sure to affect those who see this piece very deply. Bovell’s writing is thoughtful, thought provoking, touching and warmly funny and the cast give performances of a professional standard, thanks to expert direction from Carole Carr. Poor Rosie (Megan Relph) returns home early from a backpacking trip to Europe after having her heart broken by a Spanish confidence trickster and who would blame here if she packed her bags and did a runner to escape the unfolding turmoil in her family home. It’s a home presided over by her doting but suffocating dad Bob, played by the always watchable Charlie Tomlinson and her mum Fran, one of the most fascinating female characters I’ve ever encountered in contemporary theatre, brilliantly portrayed here by Brigid Hemmingway. Bob is a dethroned patriarch and Fran is a woman who speaks her mind, but nothing can prepare them for the shocks that come courtesy of their other three grown up kids, Pip, Mark and Ben. This piece , while it shouldn’t be dismissed as an angst fest is hard on the emotions at times but it makes you feel like you’re actually living. Add a gorgeous set from Juliet Jones, some equally lovely and tender music and you have the complete theatre package. Hopefully the remaining seats will be snapped up because productions as good as this deserve packed houses. Go and send the box office phones into meltdown, for this is flawlessly brilliant. Star rating ★★★ ★★ Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production The Madness of George III Ran Invalid Date - Jun 9, 2015 Age guidance Venue Running time Tickets Price Range Description Alan Bennett's award winning play is a terrific mix of terror, comedy and tragedy. This is the true story of a king's perceived eccentric behaviour and declining mental state and equally declining relationship with his son and heir which threatens the institution of the monarchy itself. Political intrigues and attempts to reverse the state of the king's insanity desperately try to fend off the Princes's attempts to seize the throne. The insatiable fascination with the royal family and their domestic problems continues to the present day. The original National Theatre production was so successful both in London and New York, that it was also made into an enduringly popular film. Alan Bennett is one of the worlds best loved playwrights whose many credits include The History Boys, The Lady in the Van ?and Talking Heads. [gallery ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/04/DSC_5776.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/04/DSC_5650.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/04/DSC_5577.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/04/DSC_5544.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/04/DSC_5424.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/04/DSC_5867.jpg|" orderby="rand"] CAST Nick Sample - King George Sarat Broughton - Queen Charlotte Peter Brassington - George, Prince of Wales Tom Oliver - Frederick, Duke of York Megan Royle - Lady Pembroke/Margaret Nicholson Steven Finney - William Pitt Steve Williamson - Lord Thurlow, the Lord Chancellor Ewan Henderson - Dundas Dan Lockett - Charles Fox Simon Liversidge - Richard Brinsley Sheridan Martin Oldfield - Dr Willis Dave Midgley - Sir George Baker Dave Richardson - Dr Richard Warren Bryan Higgins - Sir Lucas Pepys/Sir Boothby Skrymshir Anthony Morris - Fitzroy Lewis Kirk - Greville Leon McKenna - Papandiek Alex Hewitt - Fortnum/Ramsden Chris Simmons - Braun RICK BOWEN'S Review NickSample's performance in The Madness of George III represents a high water mark for both Altrincham Garrick but for amateur theatre in general. We share ever second of the monarch's mental and physical torment as he embarks on a heart breaking battle against an illness that mystifies both the medics, his family and his courtiers. But he's also a master of the put down and Sample is equally accomplished when it comes to putting across the lighter elements of Alan Bennett's sublime script. I also like the way this superb play humanises the royals an there are some touching, tender scenes to enjoy between King George and Queen Charlotte, so well played by Sarat Broughton. They come across as, shock horror, real people, warts and all. Don't be fooled into thinking this is a dry and highbrow piece of theatre. There are plenty of laughs to be had at the expense of the establishment and the king's outbursts of irreverence. The most difficult scenes involve a medical treatment that verges on sadism, scenes that, even after watching the film version starring the mighty Nigel Hawthorne, make my stomach turn over. Director Celia Bonner has a major triumph on here hands here. Steven Finney impresses yet again and I really liked Peter Brassington as the scheming stuffed shirt, George, Prince of Wales. The ever watchable Martin Oldfield is perfect in the role of Dr Francis Willis. It would be a travesty if The Madness of George III doesn't play to packed houses and anyone who refuses to go should be sent to the Tower. Star Rating ★★★★★ MESSENGER REVIEW - by Julia Taylor The Madness of George III is too good to be missed. Like old King Coal, George III is a merry old soul affectionately calling his wife, delightfully played by Sarat Broughton, Mrs King. That is until he contracts Porphyria which slowly drives him mad. It all happens at Altrincham Garrick Playhouse in Celia Bonner's unforgettable production of Alan Bennett's play - one of their best. In their eighteenth century ignorance, doctors inflict ineffective and tortuous remedies upon the poor King. Yet he is sane when he loses the American colonies , an event which concerns him so much he won?t talk about it. There is a scheming opposition party plot to make vain George, the eldest of many children, Prince Regent. Nick Sample's performance is one that will go down in the Garrick's history as special. Indeed, he shows true genius. He makes the monarch his own, illustrating the King's pleasant side as well as reacting with heart rending shrieks to the terror and pain inflicted on him after slowly going mad. It means being burnt, purged and laced in a straight jacket by his tormenting doctors. In outstanding dramatic moments, he stutters, mutters obscenities, swears, talks incessantly, and falls to the ground, groaning. The only doctor with common sense is Dr Francis Willis, played in another exceptional performance, by Garrick veteran, Martin Oldfield. Others worthy of mention are Peter Brassington as son, George, Steven Finney as William Pitt, and Meg Royle as Lady Pembroke who gently rebuffs the King's lustful advances. The elaborate eighteenth century costumes, themed in black and white, are a credit to Mike Shaw and his team. Star Rating ★★★★★ Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

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Use this page to search the archive of past productions at the Altrincham Garrick. About Us Productions Archive Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. About the Theatre History of the Garrick In Memoriam: Past Members of the Garrick Productions Archive This part of the website provides a list of the Productions at the Garrick since the first one in 1914. Note: this section is still being transferred from the old web-site and being re-vamped. We hope that this will be completed before the end of 2026. If you have any photographs, programmes, or other details you’d like to offer to us, or any comments, please contact webmaster@altrinchamgarrick.co.uk . Text to search for Start date (optional) End date (optional) Search Here are the results of your search for between overridden in code overridden in code Nothing found when we searched for overridden in code between overridden in code over-ridden by title Date(s) overridden by from & to dates Join our mailing list Subscribe

Garrick Production Two into One Ran Invalid Date - Aug 18, 2015 Age guidance Venue Running time Tickets Price Range Description "There's far too much sex in this hotel and I'm not having any of it!" Following the Garrick's hugely successful Run For Your Wife by Ray Cooney, we now bring Cooney's vintage farce Two Into One to the stage. If you enjoy your farce, you will have a ball at this delicious web of intrigue and joyous sexual mayhem. Considered by some to be his most successful comedy ever, this deliriously manic farce has been described as " a hilarious orgy of door slamming". With ingredients like a Tory junior minister, extra marital nookie, suspicious hotel managers and a corridor prowling lady Labour MP you have a recipe for panic, preposterous disguises and side splitting mistaken identity. If you enjoy crazy mad cap comedy this is definitely a popular hit not to be missed! [gallery ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/05/DSC_6504.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/05/DSC_6267.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/05/DSC_6417.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/05/DSC_6430.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/05/DSC_6165.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2016/05/DSC_6005.jpg|"] CAST The Rt. Hon. Richard Willey MP - Jonathan Black Pamela Willey - Mandy White Receptionist - Carol Gibson Manager - Phil Edwards Waiter - Dan Ellis Lily Chatterton MP - Christine Perry George Pigden - Mike Shaw Maria, the Chambermaid - Anna Haddad Jennifer Bristow - Sarah Roberts Edward - Tom Oliver Review by Julia Taylor - Altrincham Messenger RAY Cooney's farce, Two into One, at the Garrick Playhouse, is a credit to director, Alan Clements.It's about Richard Willey, a junior minister in Margaret Thatcher's government, who plans an assignation with a secretary in a hotel, complete with revolving stage and realistic lift, expertly designed by Trevor McKie. Unknown to Willey, his wife, Pamela, is smitten by his parliamentary private secretary, George Pigdon. The straight-laced hotel manager, played amusingly by Phil Edwards, frowns on the goings on, declaring with innocent aplomb: ?There's far too much sex in this hotel and I;m not having any of it. Double entendres like this abound. Doors open and close as embarrassed miscreants hastily try to cover their tracks, Farce may appear easy but it requires much skill. Utterly at home with the genre is Jonathan Black as Willey. His suave, snake in the grass manner is perfect as he tries to wriggle his way out of preposterous situations. The long suffering George is illustrated well by Mike Shaw who can also dance. Often near-naked, you can practically hear his blood pressure rise as he attempts to lie himself out of tricky moments. Mandy White is delightful as the frustrated wife, and Sarah Roberts is a sultry temptress of a secretary. I like the unexpected appearances of Dan Ellis, as the Chinese waiter. Star Rating ★★★★★ Review by North West End by Mark Dee There can be few things more iconic in the recent history of British theatre than The Whitehall Farce, and those expert exponents of this genre, with Ray Cooney being right at the top of the pile. Fallen somewhat out of favour at the moment, this style of farce - trousers down and more tea vicar - has probably had its day. It's appeal is only to reminisce times gone by when actors like Sir Brian Rix would grace the stage and you would see more people in lingerie on hotel corridors than you would in a brothel. Comedy has moved on. Younger people - in fact more than likely anyone under forty - will never have heard of Cooney, Rix or The Whitehall Farce, and if last night's audience is anything to judge by, then once the current pensioners stop going to the theatre, they will die a natural death. I am not saying that I don't like them or that they shouldn't be performed, no. I am simply saying that they will become products of their time and museum curios to be replaced by current farces and absurdist comedy. This style of farce requires both actor and audience to accept that grown men can hide behind a newspaper or wear a pair of sunglasses and not be recognised, their behaviour can be completely OTT and inappropriate and it not appear in the slightest odd, and conversations cannot be overheard even if standing next to them. These 'conventions' are the backbone of this particular style of farce - and Cooney was the master. Two Into One tells the story of a politician and his wife staying the night at a hotel in their constituency. The husband has arranged to have a romantic dalliance with a married secretary from another department, and asks his PPS to arrange it for him. Of course thing go from bad to worse and then to complete anarchy as every time someone tries to right a wrong they only compound the issue in true farce style. The time is 1984, and Thatcher is on her 'throne', and there is a big pornography bill going to be debated in the House. The set design for this production was a good idea. I liked the idea. Sadly it really didn't work too well in practice. The first thing to note was that despite my attending on the second night of the run, flats were visible in the wings: actors could be seen waiting for their entrance behind black curtains and through the door behind the set on the revolve; the exits from the hotel reception stage left were left uncovered and so we could see them step off the set and onto the stage floor and disappear and meet in the black curtain and beyond; a door that should have been able to be locked clearly wasn't or couldn't; and it was possible to see actors in one bathroom from the other bathroom. Using the theatre's revolve the adjoining bedrooms did work quite well, and using stage hands in brown smocks to move the set and sweep the stage also worked well. Sadly though, it was just a little too insubstantial and the exits weren't covered. The acting in general was of the high standard that one has come to expect from The Garrick. Jonathan Black was the MP who was ready to risk everything for a couple of hours of lust with a younger and sexier model than his wife, and played that extremely tricky balance of keeping it real and hamming it up really rather well. I liked his body language and his mannerisms, and he carried, even when all the odds and fates were most definitely against him, an air of optimism to the end. His wife, Mandy White, again playing that tricky balance between realism and surrealism with seeming ease, and certainly not afraid to throw caution to the wind. The star of this particular production though was without doubt Mike Shaw's delightful interpretation of George Pigdon. His physicality and comic timing were just a joy. Obviously a seasoned actor who understands this genre, he was able to squeeze every last morsel of nuance from his lines and his character but still managing to remain real and believable. If we are not able to empathise with Pigdon, then the play doesn't work. We were with him all the way. Superb. These three protagonists were supported by several others who came in and out in true farce style - just appearing without warning and developing the plot. Of these, Christine Perry, playing Lily Chatterton, was my favourite. Her Yorkshire accent was lovely, and her bustling with indignation and mock prudery just right. The one thing that really irritated me though was sadly the part of the waiter, played here by Dan Ellis. To be fair, it wasn't really his fault. However, the script kept referring to him as Chinese and much of the humour of him being Chinese would have worked and would have been funny if he had indeed have been Chinese. However, Ellis was clearly NOT Chinese, nor did he act Chinese, despite speaking in a broken pigeon English. This is 1984 remember and taking the Mickey out of silly accents and national stereotypes was allowed. No-one had invented the word 'racist' yet. The directing, (Alan Clements), surprisingly was a little sluggish. It took a while to warm up, and Clements found little humour and pace in the exposition, only really getting into third gear once the cast went to the bedrooms. I felt the pace could have been lifted throughout generally; there were really quite a few too-long pauses without action or indeed waiting for the action. The worst example of this was the 'slippy floor' scene where the waiter is left standing on one side of the stage holding Edward Bristow's walking stick. We all know that something is going to happen because it is so obviously a set up, but it all takes far too long to affect and for so little a pay-off. His work on character, characterisation and their development was very good, but the pace just simply wasn't frenetic enough.Saying that though, this is still a very good and enjoyable play, conventionally and traditionally presented, and the themes of this play - politics and sex scandals - are just as relevant today as ever. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production The Lieutenant of Inishmore Ran Invalid Date - Jun 2, 2014 Age guidance Venue Running time Tickets Price Range Description Father Ted meets Reservoir Dogs - winner of the best comedy Olivier award This great play by Martin McDonagh won the Laurence Olivier award for Best Comedy in 2003 and was nominated for a Tony award in America. Wee Thomas was a friendly cat. Who knocked him over on a lonely road on the island of Inishmore, and was it an accident? His owner, handsome and dangerous Padriac, will want to know when he returns from across the border- he loves his cat more than life itself! Combining razor sharp, outrageously funny dialogue with a fast moving plot with twists and turns, this is a wild night at the theatre not to be missed. Martin McDonagh?s other award winning plays include The Pillowman, The Beauty Queen of Leenane and The Cripple of Inishmaan recently seen in London starring Daniel Ratcliffe. His films include In Bruges and Seven Psychopaths. [gallery columns="4" type="rectangular" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/03/DSC_0975.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/03/DSC_1197.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/03/DSC_5513.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/03/DSC_0825.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/03/DSC_0809.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/03/DSC_0912.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/03/DSC_0860.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/03/DSC_0903.jpg|"] CAST DONNY - Michael Gallagher DAVEY - Charlie Gallagher PADRAIC - Adam Gonet [3, 5 & 7th March] & Anthony Morris [2, 4 & 6th March] MAIREAD - Megan Johnstone JAMES - Adam Gonet [2, 4 & 6th] & Anthony Morris [3, 5 & 7th] CHRISTY - Charlie Tomlinson BRENDAN - Adam Gonet [2, 4 & 6th] & Anthony Morris [3, 5 & 7th] JOEY - Leif Black LIGHTING & SOUND - Mike North, Pete Jones, Natasha Klein,?Christine Mills COSTUME DESIGN - Garrick Wardrobe PROPERTIES / FURNITURE - John Newton and Jo Myers COMPANY STAGE MANAGER - Dan Ferguson ASSISSTANT STAGE - Anne O'Reilly, Jo Myers [gallery columns="5" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/02/Inishmore.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/02/Inishmore-06.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/02/Inishmore-05.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/02/Inishmore-04.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2015/02/Inishmore-03.jpg|"] PLEASE NOTE: This production contains frequent strong language, adult humour and does include the use of very loud and sudden noises, including gunshots Review by Remotegoat by Julia Taylor Horror and Humour combine well The Lieutenant of Inishmore is gut wrenching in two senses of the word. Set amid the troubles in Northern Ireland, it features blood and gore yet is also gut wrenchingly funny, it's a strange combination but if you can stomach torture and bloodied dead bodies, not to mention one being chopped up, the humour takes you by surprise and makes a nice contrast. The writer, Martin McDonagh, is a skilled playwright who has won many awards. He hasn't introduced violence for violence's sake but is quietly outlining a moral. It is that whatever section of the community violence comes from, it is never going to win any battles for the perpetrators. In this black comedy, the main perpetrator is INLA member Padraic who breaks off from torturing a Belfast drug pusher and rushes home to comfort his sick cat. This an indication of the humour to come although the violence erupts again when he discovers his 'wee Thomas' has died a sadistic death. The cat reveals a soft centre in this gangster. Alternating on different nights with Adam Gonet, I see Anthony Morris play the psychopathic Padraic in a way that makes you wonder what makes him tick. He is aided and abetted by his mol, the tough yet vulnerable Mairead played by Megan Johnstone. Still only 16 and handy with a gun, she longs to form her own terrorist splinter group. They have in common a morbid love of both violence and cats! The funniest characters are Padraic's father, Donny (Michael Gallagher) and Charlie Gallagher's Davey, Mairead's brother. They feel responsible for the death of wee Thomas which embroils them in some terrifying tangles. I especially love Charlie's Davey. He never fails to come up with an innocently amusing remark even when shaking with terror. In a fine piece of acting, his every mood is reflected in his face as well as his voice. The accents seem OK to me although the Irish friend who accompanies me is less convinced. Nevertheless, a great deal of skill goes into what appears simple particularly in the deadly scenes after the interval performed with perfect timing. You'll be surprised and perhaps a little guilty to discover you enjoy this play but enjoy it you will not least because it is directed by the Garrick's Executive Producer, Paul Kerryson. Star Rating ★★★★ ★ Review by The Messenger by Rick Bowen Classy black comedy at the Garrick Adam Gonet (Padraic) and Megan Johnstone (Mairead). Photo by Vishal Sharma Just when I thought risk taking was a thing of the past in commercially driven live theatre, Altrincham Garrick takes the brave decision to stage The Lieutenant of Inishmore. From a cat loving terrorist to a trigger happy teenage girl, all of human life is here in Martin McDonagh's classy black comedy. Adam Gonet expertly plays Padraic, a role he's sharing with Anthony Morris. He may be ruthless when it comes to dealing with his enemies but he's a big softie when it comes to his beloved pet cat. Adam is highly convincing when it comes to conveying both sides of this crazy character and for me, this is his best Garrick performance to date. Imagine his anger when Padraic discovers his moggy has come to harm and poor Davey (Charlie Gallagher) who looks like he's just stepped out of an Irish version of Wayne's World, ends up taking the blame. While the script contains strong language it is also extremely clever and laugh out loud funny in places and McDonagh frequently demonstrates a wonderful turn of phrase, even if the second act is far better than the first. Megan Johnstone is also very good value as the gun toting Miread, inextricably drawn to small town bad boy Padraic. She also has a lovely singing voice. Director Paul Kerryson obviously has a deep seated affection for this play and it shows in this highly watchable production. The Lieutenant of Inishmore might not be everyone's pint of Guinness, but this Irish masterpiece certainly makes for a very different night of theatre, rounded off with a brilliant twist that you definitely won't see coming. Enjoy. Star Rating ★★★★ NODA Review by Kevin Procter Should you have stopped by The Altrincham Garrick for this production, you may have appreciated a warning that a stronger stomach than usual may be required; The Lieutenant of Inishmore is Martin McDonagh's black (and blood-spattered) comedy directed by the recently appointed Chief Exec of the AG, Paul Kerryson. Paul certainly makes a stamp and shakes up the usual drama followers of the Garrick with his 'official' debut as director with the theatre, this show will have most definitely left an impression like a dollop of marmite; you'll either love this raw and gory contemporary drama/comedy or you may be one who's hoping for the return of the traditional slapstick, sexist farce. This title is not one which is particularly popular for am dram societies than it is with universities and fringe theatre groups (which I think is what makes it all the more appealing for the AG) - it's a modern creation which challenges and pushes boundaries, such a decision to venture into new ground is surely going to displease some folk but my view is it's never a bad thing to experiment and wake things up a bit, and ultimately, to ensure you present as wider variety of styles and genres as possible. As with the previous AG production (Oliver!), the casting committee have obviously struggled to come to a decision with who to choose for a role (though obviously not as extreme as previously) as the part of Padraic is shared by two actors and the one who is not 'on' as Padraic will take smaller roles in that particular performance, such a ruling seems slightly ludicrous for a production running for just one week and can only, surely, present more of a nuisance to the process than contributing something which works as an advantage to the production, but perhaps I'm missing something! On the performance I attended, Anthony Morris took the role of Padraic who delivered a tame psycho, I felt there was room to explore the maniac qualities of this individual to present the intimidating terrorist he is. The abattoir inspired set was an original approach to the shows design, steering away from the obvious description of the location given by the cast. Some of the Irish accents dropped somewhat which made the quick paced dialogue hard to catch but this is an incredibly tricky accent to replicate, an accent which is in fact renowned for being one of the most difficult to master which I do appreciate. Most impressive was Charlie Gallagher as Davey; the younger, dim brother who creates the chaos! A truly hilarious and alluring performance delivering the most natural and riveting of the bunch, a new face to the Garrick who is undoubtedly one to watch! Come the interval, I wasn't sure if this play was for me (on a personal level) but it wasn't until act two when the piece really shows its true colours, yes, it gets more gruesome but equally more comical. The balance of the script veers from violence to the ridiculous in an instant which, arguably, softens its vicious premise, however, we howl with laughter as members of the cast are brutally tortured then murdered and kittys are shot and slaughtered before our very eyes. One trait which is sure to make any creative team nervous is when a play requires a living cat to appear on stage, I could not help but find this rather impressive but also, given what we'd already witnessed, felt anxious for the cat's fate! High drama and explorations of the human condition are not to be found here, credit to the AG team for being bold and bringing a play as dark and guiltily entertaining as this to the local stage, showing they're not afraid of putting on something to cater for every taste. Sardines Review by Michael Cove Set in 1993, against a backdrop of the Irish troubles, Martin McDonagh's masterful Olivier Award winning black comedy is brought boldly to life in the Altrincham Garrick Playhouse's impressive new staging. Helmed by former Leicester Curve Artistic Director Paul Kerryson, the direction may on the odd occasion lack a necessary spark of imagination, with Barry Fletcher's set design feeling a little too clinical to effectively represent the warm rural cottage in which the majority of the action takes place, however it is the performances from the 7-strong non-Irish cast which really elevate this production. I have been reviewing both professional and amateur theatre for over 35 years now, and not often do you see a performance as complete and dynamic in such a young actor as Adam Gonet's Padraic. His performance as the eponymous madman is nothing short of outstanding. His journey through the various character traits from amiable to explosive - is conveyed with expert skill, charisma and intelligence rarely seen these days. I cannot imagine he will be hanging around too long on the amateur stage. As the air-rifle toting tomboy, Mairead (the lading lady, if you can call Mairead that!), Megan Johnstone is equally as impressive, again demonstrating a commanding presence, expert characterisation and a sparkling, passionate chemistry with Gonet's Padraic. As the audience surrogate's Davey and Donny, the real-life father and son pairing of Charlie and Michael Gallagher are perfectly suited to their respective roles, two relatable everyman characters caught up in the most surreal and nightmarish of situations. Charlie Tomlinson's one-eyed Christy cuts an unnerving presence as the head of IRA splinter group the INLA with fine support from Anthony Morris sarcastic Brendan and Leif Black's naive Joey. Tomlinson really comes in to his own during the big scene 8 set piece and the hilarious country lane sequence. The latter seeing the three INLA boys discussing a whole host of surreal subjects and literary quotes over a couple of tin of Heinz beans.Mike North's pulsing sound design and atmospheric lighting perfectly enhance the various undertones of the piece. The auditorium at last night?s (Tuesday night) performance was just over half full, which is criminal in a production as accomplished as this proves. I urge anyone with an interest in theatre to book tickets immediately PRESS RELEASE Martin McDonagh's hilarious, brutal and deadly multi-award winning black comedy opens at the Altrincham Garrick playhouse on Monday 2nd March, running until Saturday 7th March. It is directed by award winning director Paul Kerryson. Paul Kerryson says: "During my recent time at Curve theatre in Leicester, a highlight was directing local talent in exciting plays and musicals, so I am especially thrilled to be working with such a young, talented cast in this community production of one of my favourite plays. Wee Thomas was a friendly cat. Who knocked him over on a lonely road on the island of Inishmore, and was it an accident? His owner, the handsome and very mad Padraig, will want to know when he gets back from a stint of torture and mayhem in the North. Padraig loved Wee Thomas more than life itself! Combining razor sharp, outrageously funny dialogue with a dash of violence, this is a wild night at the theatre not to be missed! The Lieutenant of Inishmore was first performed by the Royal Shakespeare Company in 2001 where it won the Olivier Award for Best New Comedy. The sell out Broadway run also received five Tony Award nominations, including Best Play. The Lieutenant of Inishmore workshops and pre and post show discussions with the director and the cast are available on request. Please Note: The production contains violence, adult humour and frequent strong language. 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List of previous productions The Silver Box The first show that the Altrincham Garrick Society staged. Helvetica Light is an easy-to-read font, with tall and narrow letters, that works well on almost every site. 18 March 1914 Start date 21 March 1914 The Silver Box The first show that the Altrincham Garrick Society staged. Helvetica Light is an easy-to-read font, with tall and narrow letters, that works well on almost every site. 18 March 1914 Start date 21 March 1914 The Silver Box The first show that the Altrincham Garrick Society staged. Helvetica Light is an easy-to-read font, with tall and narrow letters, that works well on almost every site. 18 March 1914 Start date 21 March 1914 Read More

Garrick Production Mother Goose Ran Invalid Date - Jan 1, 1970 Age guidance Venue Running time Tickets Price Range Description The Altrincham Garrick team is very proud to offer to you our Festive Show for 2020/21 a pocket-sized pantomime for all the family: MOTHER GOOSE Booking Now! The Garrick is very well-known for its marvellous pantomimes. Due to COVID-19, we could not stage Peter Pan this season, as we had planned. So, instead, we are delighted to be able to bring this One-Act Pantomime to the stage. It's "COVID-19 safe" and features socially-distanced seating - but it still provides all the usual Garrick Panto fun! Full details of the Garrick's COVID-19 safety features are here. Note that there is limited seating, so ensure you book your tickets soon. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Cinderella Ran Invalid Date - Dec 11, 2013 Age guidance Venue Running time Tickets Price Range Description No information for this show at this time Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Black Comedy Ran Invalid Date - Jul 30, 2013 Age guidance Venue Running time Tickets Price Range Description A perfect example of 'What a tangled web we weave when first we practice to deceive'! Sculptor Brindsley Miller attempts to juggle his fianc?e, her father, two neighbours, his ex girl-friend (who turns up unexpectedly) and a millionaire collector who is (Brindsley hopes) going to buy some of his work. Oh! - and all this during a power cut which plunges his flat into darkness. Peter Shaffer makes brilliant use of this device to produce an evening of hilarity. CAST Brindsley Miller Trevor McKie Carol Melkett Laura Whitehurst Miss Furnival Janet Slade Harold Gorringe Brian Howlett Colonel Melkett John Westbrooke Clea Bev Stuart-Cole Schuppanzigh Ian Fensome George Bamberger Steve Williamson Review of Black Comedy by Julia Taylor for remotegoat A tangled web of mishaps A tangled web is woven in Peter Shaffer's Black Comedy written in the 1960's. Sculptor Brindsley Miller attempts to juggle his fiancee, her father, two neighbours, his ex-girlfriend (who turns up unexpectedly) and a millionaire collector who Brindley hopes will buy his work. All this happens during a power cut! The plot thickens when Brindsley, well put over by Trevor McKie, "borrows" antique furniture (for ease of lifting, just boxes) from his next door neighbour, Harold , a camp Brian Howlett, in order to impress Mr Bamberger, a rich German (Steve Williamson) who has agreed to view his art. Mayhem ensues when Harold returns unexpectedly. Instead of getting the lights fixed by an electrician who just happens to arrive and who they mistake for the art collector, Brindsley is anxious for them to remain unfixed so that he can attempt to smuggle back Harold's furniture. This play is different from others because when the mains fuse blows and the cast grapple in the dark, the audience can see them perfectly. Before that, when they are supposedly in the light, all is darkness. It is a credit to the cast that in bright light they can walk around hesitantly as though in darkness. This leads to interesting encounters due to mistaken identity. Just after the power cut, suppressed spinster neighbour, Miss Furnival arrives, devours a large gin and, although a non-drinker, thoroughly enjoys it. Janet Slade is delightful in the part as, inebriated, she lets it all out. Two other women also make us laugh. They are Laura Whitehurst as Brindsley's dumb fiancee, Carol and Bev Stuart-Cole as the ex-girlfriend who turns up unexpectedly adding to the dismay of the, by now, frenetically energetic Brindsley. I like the performance of John Westbrooke as the Colonel who spoils his daughter, Carol, a man who Brindsley is anxious to impress so he will agree to their marriage. This play is almost impossible to describe but I assure you you'll love every minute of Steve Williamson's production. It fits in so many angles with perfect comic timing in a short space of time ensuring you'll get excellent value for money in just two hours. And well done Mike North for the lighting. NODA Review by Kevin Proctor Black Comedy is from the pen of Peter Shaffer, who also wrote the acclaimed plays 'Equus' and 'Amadeus'. Black Comedy was first staged in the mid-sixties and the Garrick's production is set firmly in that era, made clear in every aspect and detail from hair styles to costumes and music to suit, but, making the boldest statement of the 60's style is the superb set (designed by Barry Purves) which captures the art d'cor of that period working perfectly, being set in the apartment of an artist. I particularly appreciated the symbolic use of telling the audience what doesn't 'belong' with the use of brightly coloured blocks and shapes, against a backdrop of black and white. The use of simple blocks instead of actual furniture and props was such a unique and original idea which gave an impressive result, putting a bold and inventive stamp of originality on the piece. It soon became clear to me that this entire play derived from one quirky idea; what's dark is light and what's light is dark. This visual opposite, which has been dragged out to the max, is pretty much all what it's about. It can't be an easy task for the players to stumble around the stage as if it's pitch dark and the cast achieve the illusion very well. This is a play where you can really go to town to create some visual, choreographic genius! The play offered numerous laughing points and worthy stunts, in particular, George Bamberger's fall/jump into the cellar! Laura Whitehurst and Trevor McKie as Brindsley and Carol were not particularly suited, the coupling was unbelievable as was their relationship. I appreciate the character of Carol is an annoying and irritating woman but, the danger here is that if the comedy that accompanies this dippy character is not exposed (which it wasn't), all you'll be left with is a character which is simply annoying and irritating. Stealing performances of the piece for me, were the two 'carry on' inspired supporting roles of Miss Furnival - played by the very capable Janet Slade whose final speech was the cherry on top, having us all in stitches of laughter. And Harold Gorringe - played by Brian (Charles Hawtrey) Howlett was superb as the fussy, camp neighbour. Bev Stuart-Cole gave a notable performance as Brindsley's ex flame who's still burning bright, Clea. This was an odd choice of production for the Garrick to present, being a one act piece. The director had included an interval (and chose the perfect spot to do so) but, the show came down before 9:30pm making it a rather short evening. Still, I like the mix of productions offered from the company. The Garrick committee are taking risks when choosing material to present which is an approach I will always encourage, to any group! Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Activities & Events Octopia - Half Term Drama Workshop (MONDAY) Date range Tickets £35 per day or £30 per day if book all 5 days in same transaction Age guidance 6 - 18 years Venue Rehearsal Room Trigger warning Find out more Book now Running time 6 hours per day - 10am to 4pm Group bookings Find out more Accessibility Find out more Octopia - October Half-Term: 26th - 30th October 2026 Looking for something to keep your kids entertained this October half term? Then sign them up to join us for Octopia Drama Club this Half Term – Fun, Creativity & Confidence! Each day is packed with theatrical adventures - music, movement, monologues, and more! Our GAPA Holiday Workshops inspire participants to explore their creative side while promoting teamwork in a safe and friendly environment . Students will learn drama skills, gain confidence, and most importantly, have fun! Workshop Details: 🎭 Open to students aged 6 – 18 🕙 Daily sessions: 10.00am – 4.00pm 💷 £35 per day OR book all five days and save £25! (You can sign up to half-term holidays for a day or for the full week) 📅 Dates: Monday 26th – Friday 30th October Activities & Events Book Tickets Wed 15 Oct Last few left 00:00 Show more times Trailer Reviews Gallery Friends of the Garrick Become a Friend of the Garrick! You can buy discounted tickets and support your local theatre. Become a Friend Now Join our mailing list Subscribe

The Garrick offers several sponsorship packages, suitable for small businesses, for large businesses and for individuals. Get Involved Advertising and Sponsorships Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. Sponsorship Packages The Garrick offers several sponsorship packages, suitable for small businesses, for large businesses and for individuals. These include: Full Theatre Sponsorship (All Main Stage Garrick Productions) Individual Production Sponsorship (Garrick Main Stage) Studio Production Sponsorship (Our Season of Lauriston Studio Productions) Be involved in supporting the very best in local community theatre, and boost your own community profile. To find out what we can do for you, please contact: Operations Director on 0161-928-1677 or email admin@altrinchamgarrick.co.uk (Please include your name, phone number and any other contact details, and a brief idea of your requirements.) Join our mailing list Subscribe

Previous Next Pamela Knox Pam was a true Garrick stalwart, being a tireless supporter of the theatre, working primarily in the Props Department and also looking after the archives for many, many years. Her lasting legacy for the theatre was writing and producing in 1993 the published history of the theatre The Flame Still Burns, the story of Altrincham Garrick . Back to In Memoriam page

Garrick Production Jeeves and Wooster in Perfect Nonsense Ran Invalid Date - Aug 19, 2019 Age guidance Venue Running time Tickets Price Range Description An Award Winning Comedy This winner of the Olivier Award for New Comedy in 2014 sees Bertie Wooster struggling with how to explain a particularly frightful weekend at Totleigh Towers, involving an eighteenth century cow creamer, saucy romantic shenanigans, and much heroic derring do! A play is the answer and soon the stage is peopled with a dozen gloriously eccentric characters such as Gussie Fink Nottle, the fierce Aunt Dahlia, Stiffy Bing, and the beautiful Madeline Bassett, all gallantly played by just Wooster, Aunt Dahlia's butler Seppings and Jeeves himself, who against all odds, endeavours to bring order to the escalating chaos. Expect an outrageously inventive evening of fast paced comedy, dramatic car chases, heinous heists, swooning lovelies, and the odd, very odd, newt impersonation. *** Review by Rick Bowen for Stagestruck *** HAND on heart I have to say these chalk and cheese comedy creations passed me by when Fry and Laurie played them on TV. I got the joke of course. Jeeves, the buttoned up, deadpan butler forever cleaning up his master’s mess, a social superior with very little between his ears. Barry Purves’ energetic production barely draws breath and is beautifully and brilliantly played against the backdrop of one of his trademark, ingenious sets. Jamie Sloan delivers a performance of real star quality as the deliciously dim toff Bertie Wooster, ably supported by Andrew Higson and Graham Simmonds. Higson is perfect as Jeeves, the sensible and dependable butler but, along with comedy natural Simmonds, plays a plethora of other roles of both sexes and without a single costume change. But it was Sloan’s comic timing that really caught my eye in a frantic, madcap piece that places huge demands on a very hard working, three strong cast. Verbally and visually, Sloan was simply born to be funny. Why have I not mentioned the plot? Simply because it’s largely irrelevant. Although there is a frequent mention of something called a cow creamer. Answers on a postcard, please. An onstage band provides the ideal musical backing for an evening of theatre that does exactly what it says on the tin. This really is perfect nonsense. But a much needed antidote to a world that’s far too serious at times. Spiffing good fun. Star rating - 3/5 Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production The Jungle Book Ran Invalid Date - May 18, 2022 Age guidance Venue Running time Tickets Price Range Description The Jungle Book An Easter half term Jungle Adventure for all the Family awaits at Altrincham Garrick Playhouse! Saved from the jaws of Shere Khan the tiger, Mowgli must learn the Laws of the Jungle from Baloo the bear and Bagheera the panther to survive. A brave little man cub grows into a confident and care-free young boy, but danger is never far away and Shere Khan is hungry for revenge. As Mowgli faces each peril and pitfall, he must decide whether he belongs in the world of men or with the animal kingdom. Stuart Paterson reimagines Kipling's much-loved stories for a new generation in a vibrant, colourful family adventure that's full of surprises. This adaptation was first staged by Birmingham Stage Company in 2004. Age Guidance: 5+ REVIEW - Rick Bowen at Stagestruck ROS Greenwood, take a bow. Not only has she directed what is sure to be an Easter hit for all the family at the Garrick, she’s designed an appealing set, complete with overhanging flora and fauna, that provides the perfect backdrop for Kipling’s timeless and heart warming children’s classic. I needed little persuading to swap soggy south Trafford for a jungle setting, warm enough for Mowgli the man cub to scamper around the stage minus his top as I sat in the auditorium, next to my overcoat. Myles Ryan is an instantly likeable, wholesome and heroic Mowgli and the actor makes us care that he doesn’t end up being gobbled up by Shere Khan, the tyrant tiger, played by Peter Birch. All your favourite characters are here in a two hour fun filled show that is a great way to introduce kids to the wonders of the theatre and reminds both them and their parents that entertainment doesn’t have to be screen shaped. Mathew Spilsbury is very watchable as Baloo the bear and I laughed when he scooped up Mowgli in one of his huge bear hugs. Ellidh Pollard fascinated the little ones in the audience as Kaa the snake and there were many volunteers when Kaa threatened to have them for dinner. “Eat me, eat me,” shouted one girl near the front of the stage. While there’s a smattering of audience participation in this Garrick show it is kept to a minimum and unlike in panto there aren’t the jokes that make you cringe. Or maybe, that’s just me. ------------------------------------------------------------------------------------------------------------------------------------ Free Car Parking. Cosy Bar. Great Prices. ------------------------------------------------------------------------------------------------------------------------------------ Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Previous Next Ken Weston Ken Weston was a local councillor and then Mayor of Trafford - but the Garrick members will remember him best as a staunch and regular supporter. Ken appeared on television in Coronation Street , but only occasionally graced the Garrick stage. At the Garrick he was a wonderful addition to the Front of House department (sometimes working as the Front of House Manager) and was a good friend to many. See also this tribute to Ken from the Manchester Evening News of November 2013. Back to In Memoriam page

Online Streaming Ross & Rachel - By James Fritz Ran May 10, 2021 - May 15, 2021 Age guidance Venue Running time Tickets Price Range Description Filmed on stage at the Altrincham Garrick Playhouse. Streamed into your homes. Please note that a unique YouTube Link will be sent to you one hour before the start of the performance. Ross & Rachel . You know the ones. Will they? Won’t they? On. Off. On again. Off again. On a break. Vegas. Emma. “I got off the plane”... Ross & Rachel tells the mind-bending, heart-breaking story of what happens when a couple that was always meant to be together, gets together. And stays together. James Fritz’s play isn’t about Ross Geller and Rachel Green, the ultimate Friends-turned-lovers. But it’s not - not about them. A dark and uncompromising play that explores romance, expectation and mortality, and the idea of ‘happy-ever-after’ – sold to us by rom-coms and sitcoms, whether it’s Ross and Rachel or Romeo and Juliet – and how this affects our real-life relationships. Suitability: 14+ Contains strong language and adult themes which some viewers may find disturbing. ---------- No one told them life was gonna be this way... Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Previous Next Peter Jackson Peter was Head of Workshop throughout the 1990s and 2000s. Apprenticed for 7 years from the age of 14, he became a Master Joiner working in the domestic and commercial fields. After joining the Garrick, he worked on over 400 mainstage and studio shows building and helping to design sets and making props plus working, and collaborating, with stage crew, designers and directors. He was much appreciated by all of them for his expert knowledge. He also was involved with helping to put on the one-night shows performed by visiting professional acts. Outside the Garrick, he took a keen interest in country sports and activities. Back to In Memoriam page

Garrick Production Nightmare Ran Invalid Date - Apr 11, 2017 Age guidance Venue Running time Tickets Price Range Description A classic whodunit, 'Midsomer Murders' style Marion Bishop, an elderly writer of romantic novels, is dying. Katherine Willis, kind soul from the nearby village, looks after Marion in a most caring way while coping with her disabled brother of twenty. When Katherine takes leave to attend her cousin's wedding in Scotland. Laura, an experienced nurse from London comes to take care of the failing writer, on the recommendation of the local doctor. A series of mysterious phone calls and the appearance of Raymond, Marion's rapacious nephew, set off a nightmare situation which becomes increasingly complicated when Katherine's brother is found murdered in a ditch. Deceit, suspicion, blackmail and incrimination are subtly woven into a web of crime which is completed by a dramatic confrontation scene just before an ingenious twist brings a surprising close [gallery ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_3777.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_3745.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_3968.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_3901.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_3842.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_3803.jpg|"] CAST MARION BISHOP - PAT WILLIAMSON RAYMOND BISHOP - PETER BRASSINGTON KATHERINE WILLIS - MEG ROYLE MICHAEL WILLIS - LIAM DODD DR ANDREW THORNE - HUGH EVERETT LAURA VINNECOMBE - BEVERLEY STUART-COLE DORIS MEACHAM - PAULA KEEN Rehearsal Photos [gallery columns="5" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/Nightmare-7.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/Nightmare-2-e1507061994980.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/Nightmare-10-e1507062034842.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/Nightmare-9-e1507062055379.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/Nightmare-5-e1507062140532.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/Nightmare-3.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/Nightmare-6-e1507062110754.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/Nightmare-8-e1507062074744.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/Nightmare-4-e1507062014152.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/Nightmare-1.jpg|"] Review by Julia Taylor for Sale and Altrincham Messenger ALTRINCHAM Garrick Playhouse's production of Nightmare, a suspense thriller by Norman Robbins, was full of red herrings and with an unexpected ending. It features Marion Bishop, an elderly writer. Played by Pat Williamson, cancer has robbed Marion of her health so, despite being well off, she needs carers. Pat encourages us to like her character despite an apparent grumpiness. Our affection is possibly misplaced? Her main carer is Katherine Willis (played warm heartedly by Meg Royle) who has a brother, Michael, with learning difficulties. Liam Dodd who has the difficult task of playing him, rises to the challenge and, although his character cannot speak, conveys his feelings with body language. Well done Liam. When Katherine goes on holiday, her place is taken by nurse Laura (Beverley Stuart-Cole) on the say so of the local doctor (Hugh Everett) a beneficiary of Marion's will. There is more to these two than meets the eye. One of the red herrings could be Marion's nephew played by a sinister Peter Brassington who is thuggishly different from the other gentile characters. It's a fascinating play rendered even more fascinating at the end. Star rating ★★★ ★ Review by Rick Bowen for Stagestruck MARION Bishop is a wealthy romantic novelist and a string of schemers descend upon her house, desperate to get their hands on her money. By far the most interesting is her quietly intimidating and grudge fuelled nephew Raymond - perfectly played by Peter Brassington. Raymond is completely obnoxious and Brassington, one of the Garrick's most consistently impressive actors, ensures we hate him every second he's on stage. It sounds like the recipe for an evening of heart thumping tense theatre but there were only two occasions when I felt genuinely spooked by what was unfolding on stage. The play lacks pace and some of the dialogue is downright clumpy. A real shame, as Pat Williamson delivers a fine performance as Marion, a knowing, wise old bird who has no intention of lying down and playing the victim. I also liked Liam Dodd as Michael, very convincing as a young man with special needs. Although Raymond refers to him in far more disparaging terms. Nightmare certainly isn't the worst production you'll ever see in the hands of the more than able director Carole Carr. I just feel a cast as good as this, which also includes Hugh Everett as Dr Andrew Thorne, deserves much better material than this eminently forgettable Norman Robbins script. Star rating ★★★ Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Previous Next Richard Honeyman Richard acted in plays and also directed several, between the 1970s and his death in the 1990s. Back to In Memoriam page

Garrick Production West Side Story Ran Invalid Date - Jul 24, 2013 Age guidance Venue Running time Tickets Price Range Description Arguably the best musical ever written, this breath-taking show, which features music by Leonard Bernstein and lyrics by Stephen Sondheim, transports Shakespeare's Romeo and Juliet to the turbulent streets of the Upper West Side in 1950's New York as two star-crossed lovers, Tony and Maria, find themselves caught between the rival street gangs - the 'Jets' and the 'Sharks'. Saving the best until last we end the Garrick's historic 100th season in true style - West Side Story will be our biggest production ever with a huge orchestra, dynamic creative team and cast making it an unmissable event in the Garrick's history. We know demand will be huge so we've added a matinee performance. [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/West-Side-Story-5.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/West-Side-Story-2.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/West-Side-Story-1.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/West-Side-Story-8.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/West-Side-Story-6.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/West-Side-Story-3.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/West-Side-Story-4.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/West-Side-Story-7.jpg|"] CAST LIST Tony - James Duffy Riff - Josh Mosiuk Action - Rhys Nuttall Baby John - Karl Kramer Velma - Emily Barnett Graziella - Jasmine McGovern Anybody's - Rachel Mayon Bernardo - Danny Lawton Maria - Emily Carter Anita - Laura Chandler Consuela - Jennifer O'Neill Officer Krupke - Jon White Franchesca - Lucy Girdlestone Rosalia - Jessica Heaps Clarice - Georgina Brame Snow Boy - Matthew Roughley A-Rab - Michael Gardiner Doc - Paul Wilson Det. Shrank - Craig Richardson Diesel - Nick Parry Pepe - Jack McCann Chino - .Bradley Judge Ensemble - Bobbi Gordon Ensemble - Becci Cooper-Bagnall Musical Director - Mark Goggins Choreographer - Lorna Sales ASMs - Carol Gibson and Anne O'Reilly Review from The Messenger by Rick Bowen When James Duffy and Emily Carter sang in West Side Story the Altrincham Garrick auditorium was full of magic. I can't remember the last time I felt so excited by the performances of two leads and whoever decided to cast them as the young lovers Tony and Maria in West Side Story made a truly inspired choice. Emily in particular has a voice so pure listening to it will make you go weak at the knees and if these two don't make a career out of musical theatre it will be a cruel travesty. It may be the Garrick's centenary season but this is very much the company's present to us. West Side Story may seem like it has been around forever, but the production team and a cast dripping with talent and oozing energy will make audiences feel they're watching a world premiere. The sumptuous Bernstein/Sondheim score is as timeless as it is brilliant and it is impossible to name the best songs for the simple reason it is completely devoid of weak numbers. Inspired by Romeo and Juliet, the show sees Shakespeare's feuding families swapped for street gangs and Craig Richardson is particularly good as Det Shrank, the hard boiled cop trying to keep the peace. Add some exciting and stylish choreography and you have a production that you simply can't afford to miss. Go and pack the place - to the rafters. Stunning. Star Rating ★★★★★ Review from Remotegote by Julia Taylor The Garrick's centenary season comes to an end with one of the best productions of West Side Story I've seen. The energetic young cast convey a roller coaster of emotion. It's not just the leads, Tony, an all-American boy and Maria from Costa Rica who show feeling. The singers and dancers also give their all. We long for James Duffy?s Tony and Emily Carter?s Maria to be happy but, like Romeo and Juliet on whom the story is based, their romance reaches a tragic conclusion. I can't praise these two enough. Their duet One hand, One heart gives you goose pimples and tells you that, despite their differences, their feelings are sincere flashing like lightening between them. James's voice crackles with emotion as he sings Maria with such expression. The gang leaders, Bernardo of the Latino Sharks and Riff from the American Jets, put over with a combination of toughness and vulnerability by Danny Lawton and Josh Mosiuk face a heartbreaking fate. Yet this musical is not all doom and gloom. There are happy moments such as when Maria's friend, Anita (Laura Chandler) sings America accompanied by the girls in the chorus. I Feel Pretty, the light-hearted song led by Emily's Maria temporarily eases the tension and is lovely to listen to. The boys are especially good in the well-choreographed fight scenes and they, too, sing well. Although this show was premiered in 1957, gang and knife culture persists even today and racism still bubbles beneath the surface. It was good to see young people in the audience to whom I?m sure, the tragedy and the moral behind it, hit home. Star Rating ★★★★ NODA Review by Kevin Proctor The Altrincham Garrick not only wraps up their 2013/14 season, but closes their first century with one heck of a punch! West Side Story is often labelled by industry marvels themselves as the greatest musical of our time, so what other show would mark such an occasion for this group! Last year, I cannot have been the only one who questioned the sanity of the Garrick's trustees when this season was announced; they certainly know how to set a challenge - but more to the point, they know their team could deliver this wonderful curtain call to the first hundred years whilst also setting the bar for the next. This musical is just as iconic as it is demanding; much of the story unfolds through dance, beginning with the rival gangs' territory tussle during the Prologue. As one of the industries most celebrated score fills the playhouse, the soaring music is matched by gravity-defying feats of strength and agility. Adam Whittle had been given the honour to direct this milestone production, Adam relished the moody and intense moments beautifully and I wholeheartedly agree with the decisions he had made to convey this telling. The only moment which raised a baffling question to his choices was at the end of act one, the piece would have continued its strength if Riff and Bernardo had remained on stage as we progressed into the interval - staying their till the tabs came in, it may seem minor but witnessing them both get up after they had been killed broke the make believe which could so easily have been avoided. Mark Goggins and his orchestra exceeded all of my hopes and expectations, this genius score was delivered with triumph, the vocals of the soloists and ensemble cast were solid, delightful and exciting - particularly the 'America' harmonies and the 'Tonight' Quintet. A rousing score perfectly presented. I must congratulate the sound department, this is the first time the music has sounded and felt live with the players being channelled through from the studio, I appreciate that such a set-up is not as straight forward as it may seem, however, the sound was clear and I could certainly feel the excitement one should with live musicians (which I cannot deny, I was worried for). I was delighted that the reoccurring problem had been addressed and rectified for this production which certainly enhanced the experience. I did feel slight sympathy for the three Shark men during the quintet as their lack of numbers was massively exposed against the quantity of Jets - they didn't seem to stand much of a chance as they prepared themselves for the rumble, up until this point I hadn't noticed just how few of them there were as they'd been disguised very effectively until this point. You cannot attempt West Side Story without fierce choreography, Lorna Sales had worked the cast extremely well to execute the physicality associated with this show, not only is this production a challenge, it's made even more difficult when you have non dancers amongst the cast - Lorna?s clever creativity demonstrated skill in accommodating the mix of abilities without making it blatant, she concentrated on telling the story through movement without over indulging on over complicated choreography for the sake of showing off which didn't go unnoticed - a fantastic job - exact, visual, skillful and drilled. James Duffy shone as the conflicted Romeo of the show, Tony - capturing his sensitivity perfectly and hitting the top notes effortlessly in 'Something's Coming' and 'Maria', but harbouring enough blind passion and rage for the devastating conclusion of the first half. Emily Carter captured the heartbreak and longing of the show's plot in her portrayal as Maria - and I'll admit to chocking back a tear when she collapsed over Tony in the finale, overwhelmed by a grief that I knew was coming but still felt unprepared for. But that's not to say that this production doesn't have its lighter moments, too. One of my many highlights to this show was 'Gee Officer Krupkie' which was terrifically done and deserved the cheer and appreciation that it got. The male ensemble certainly injected the strength and power into this production, resulting in them owning the show. Josh Mosiuk as Riff was the stand out performance amongst the supporting ensemble who exposed his talents as a terrific all-rounder. It?s very enjoyable and rare to see such a strong group of young guys in this game. Laura Chandler was a wonderfully sassy and passionate Anita, the playful and celebratory 'America' contrasted with the ardent 'A Boy Like That', both were superb - a quality performance from Laura! Every aspect of this production was given extra attention throughout the departments which ultimately paid off to make this show one to remember and was undoubtedly the peak of the season! Many congratulations to all for an outstanding production. A message received at the Box Office for WEST SIDE STORY Along with the general comments of praise we often receive following a Garrick production, we took a telephone call from a lady wanting to book seats for West Side Story on the recommendation of a friend who had been to see it the previous evening. She told us that her friend had said they were no longer going to book city centre theatre tickets at the Palace Theatre, Opera House etc....as they didn't see any reason for travelling all the way into Manchester and paying inflated ticket prices to see shows when they could come to the Garrick, a local theatre, to view equally professionally productions. We think this is praise indeed for the Garrick and for all those involved with the production of West Side Story!! Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Previous Next Ron Harvi Ron was Artistic Director at the Garrick from 1967-71, when he directed at least six shows each season as well as designing sets and working in the Sound box. He started his career at Manchester Polytechnic teaching speech and drama and, after his stint at the Garrick, he worked for Granada Television, appearing in shows and series such as Coronation Street (see photo). He also took part in several productions of Shakespeare plays for Birmingham Rep, and acted at the Manchester Library Theatre. Ron had a wonderful speaking voice and he was often heard on Book at Bedtime and Storytime on Radio 4. Back to In Memoriam page

Garrick Production The Full Monty Ran Invalid Date - Feb 7, 2014 Age guidance Venue Running time Tickets Price Range Description Seeing how much their wives enjoy watching male strippers during their 'Girls Night Out', unemployed steelworkers in Buffalo New York come up with a bold way to make some quick cash. In the process they find renewed self esteem, the importance of friendship and the ability to have fun. As the guys work through their fears they come to discover that not only are they stronger as a group, but that the strength they find in each other gives them the individual courage to face their demons and overcome them. WARNING: CONTAINS MALE NUDITY AND STRONG LANGUAGE [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/montya.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/montyn.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/montyj.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/montym.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/montyp.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/montys.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/montyt.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/montyu.jpg|"] [gallery columns="6" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/montyd.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/montyg.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/montyh.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/montyo.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/montyj.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/montyl.jpg|"] Sale & Altrincham Messenger's review by Rick Bowen The Bare Necessities When I first discovered the musical 'The Full Monty' transported the original story from Sheffield to the States my heart sank. I thought the Yanks would simply drain all the warmth and humanity out of this story of a group of unemployed steelworkers who turn to stripping to raise some cash. How wrong I was. This engaging story has travelled well across the pond and Altrincham Garrick's revival production is even better the second time around. The Full Monty is a fabulous feel good musical and this time the cast are much more self assured in their roles. They sound even better too, performing accomplished renditions of songs teeming with humour and heartache. In terms of the score, its strength, for me, lies in the lyrics rather than the music. The music is, by and large, forgettable, while some of the lyrics are inspired. Jerry Lukowski and Dave Bukatinsky are the show's pivotal and most interesting characters. Divorcee Jerry is on the verge of losing access to his son because he can't keep up the maintenance payments to his ex-wife and podgy Dave's self esteem has sunk to an all time low since losing his job. Performances from the entire cast are exceptional, but I was particularly impressed with John Wood and Simon Pickup as Jerry and Dave and Daniel Shaw as Jerry's son Nathan. David Leathlean is great value as the prim and proper Harold Nichols and Adam Whittle displays some deft visual comedy touches. The Full Monty isn't just about male strippers - it's about friendship, loyalty and the resilience of the human spirit. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Previous Next Maggie Foy Throughout the 1970s and 80s, Maggie worked as Stage Director and Stage Manager on numerous productions, She was highly respected by everyone, both on- and off- stage, for her calm nature and efficiency. It was not a surprise, therefore, when she became Joint General Secretary on the Executive in 1982. Maggie was also fully involved in the social life and activities of the theatre. Back to In Memoriam page

Garrick Production Vardy v Rooney: The Wagatha Christie Trial Footballers’ wives drama which will keep you on the edge of your seat Ran Jun 2, 2025 - Jun 7, 2025 Age guidance 12+ Venue Main House Running time TBC Tickets Price Range £10.50 - £16.50 Description Adapted by Liz Hennessey Directed by Dan Ellis A story stranger than fiction that blurs the boundaries of tabloid scoop, court case and soap opera, The Wagatha Christie Trial explores privacy and celebrity in modern Britain. On 9 October 2019, Coleen Rooney publicly accused Rebekah Vardy of selling stories about her to The Sun. The four words "It's.......... Rebekah Vardy's account" sent shockwaves across British and global press. Nobody could have expected the social media scandal to grow so large. On 10 May 2022, the "Wagatha Christie" trial commenced. Over seven days, the libel court case saw Vardy and Rooney remark on each other's lives, with much of it documented heavily in the press. Only a handful of people witnessed what happened behind the closed doors of this footballers’ wives drama and now you can too in this hilarious (and slightly tacky) court room comedy! You'll be on the edge of your seat as you relive the high-profile case, filled with drama, intrigue, and scandal. Vardy V Rooney: The Wagatha Christie Trial was first performed at the Wyndham’s Theatre in the West End in 2022 before a UK and Ireland tour. Recommended: 12+ Warning: This production contains some strong language and adult themes. Reviews Gallery Trailer Trigger Warning This production contains some strong language and adult themes. Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Snake in the Grass Ran Invalid Date - Dec 16, 2013 Age guidance Venue Running time Tickets Price Range Description he ever-popular Alan Ayckbourn has this time produced a spine-chilling thriller. Set in the mysterious garden of a decaying country house complete with an eerie summerhouse and off-stage tennis court, this scary play features two contrasting sisters and the nurse of their late father. Full of suspense, murder, blackmail and mayhem this is a tremendous treat not to be missed. CAST Jeryl Whitelock as Annabel Sarat Broughton as Miriam Beverley Stuart-Cole as Alice [gallery ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/snakehtn.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/snakeftn.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/snakeetn.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/snakegtn.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/snakektn.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/snakeltn.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/snakebtn.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/snakectn.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/snakedtn.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/snakejtn.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/snakeitn.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/snakeatn.jpg|"] Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Season's Greetings Ran Invalid Date - Apr 11, 2017 Age guidance Venue Running time Tickets Price Range Description A Superb Ayckbourn comedy - one of his best! A riotous Christmas farce from Alan Ayckbourn. When family and friends get together at Neville and Belinda's house to celebrate Christmas what could go wrong? Plenty as we find out when Bernard produces his excruciatingly bad puppet show and has a row with Harvey. A young stranger, Clive, suddenly becomes romantically involved with Belinda even though it is Belinda's sister, Rachel, who has brought him to the party. There is a shooting the next day, a case of mistaken identity, before normality is resumed at the house. This production is proudly sponsored by [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_6774-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_6599-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_6529-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_6481-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_6416-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_6401-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_6382-Small.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_6248-Small.jpg|"] Production Photographs by Vish Sharma CAST BERNARD - BILL PLATT BELINDA - VICTORIA EVANS NEVILLE - BARRY SPENCER HARVEY - GARY COLLINS RACHEL - VICTORIA JOHNSON CLIVE - PETER RUDDICK EDDIE - DAN FERGUSON PATTY - APRIL WALKER PHYLLIS - TRACY BURNS [gallery columns="5" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/JS1_13181.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/JS1_13021.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/js1_1220-copy1.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/JS1_10971.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/JS1_13751.jpg|"] Rehearsal Photographs by Jacob Samuel Review by Rick Bowen for Stagestruck Everyone knows there are two images of Christmas. There's the fluffy one the advertisers try to sell us, all chunky jumpers and beaming smiles. Then there's that notorious party pooper called reality. For many, it's the season to be sniping at each other. But I doubt anyone's Yuletide is as colourful or as memorable as this one, vividly and at times hilariously captured by the prolific playwright Alan Ayckbourn and a cast expertly led by director John Chidgey, who manages to make everyone feel invited to the at times chaotic seasonal celebrations. Let's just say a typical family gathering, a gathering that will be repeated thousands of times up and down the land in a month's time, turns out to be far from typical. Ayckbourn writes about a world I don't live in. But thanks to Chidgey and his charges I felt totally immersed in it. This is a major comedy triumph for this theatre, with each performance characterised by impeccable comic timing. I particularly enjoyed Bill Platt as the hopeless puppeteer and equally clueless medic Bernard, Victoria Evans as the flirty Belinda and Peter Ruddick as the only eligible guest, Clive. Gary Collins ensures you wouldn't want to meet the barking Harvey on a dark night. That said, I don't like singling out individual performances because there aren't any weak ones, with the company gelling quite brilliantly. Make sure you don't miss this early Christmas present from the Garrick - with plenty of ho, ho, ho. Star rating ★★★★★ Review by Julia Taylor for Sale and Altrincham Messenger CHRISTMAS should be a time of peace and good will. In Alan Ayckbourn's play, Season?s Greetings, written in 1980, well directed by John Chidgey and performed at Altrincham Garrick Playhouse, this is not the case. The family and friends of Neville and Belinda Bunker have gathered for three days of Yuletide celebration. Sadly, familiarity breeds contempt. Neville's inebriated sister, Phyllis (Tracy Burns) and her puppet-obsessed husband, Bernard (Bill Platt) are there as he prepares for his annual show. In one of the funniest scenes, it turns out to be a disaster yet indicates Bill Platt's versatility. Among the guests is Clive (Peter Ruddick) whom Belinda finds irresistibly attractive because he writes. Neville's uncle, Harvey, is a security guard who takes his job so seriously that he carries a knife strapped to his calf. Played outstandingly by Gary Collins, he works his evil wherever he can. On one amusing occasion, a couple embracing under the Christmas tree are halted by the sound of a mechanical toy. The protagonists, Neville and Belinda, are portrayed well by Barry Spencer and Victoria Evans. Belinda obviously has no time for her husband. At the end, they are the last on stage. This play is not easy since it involves many different moves and complicated relationships. Well done Dan Ferguson who stepped in at short notice to play Eddie. Star rating ★★★ ★ Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

GAPA currently runs seven Saturday groups. Six on a Saturday morning for our 8 to 18 year olds, plus our MINI GAPA (5 to 8 year old) class on Saturday afternoons. The Academy Groups and Classes Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. GAPA Saturday Group School Holiday Courses Speech & Drama/ LAMDA Classes GAPA Saturday Groups GAPA currently runs seven Saturday groups: six on a Saturday morning for our 8 to 18 year olds, with our MINI GAPA class, for 5 to 8 year olds, on Saturday afternoons. Throughout the year, the groups work towards the goal of putting a production onto the main stage. The year starts with stagecraft, skills and audition preparation, giving students the opportunity to enhance and develop their performance skills. Then it’s audition time and, once the play is cast, the rehearsals start and all the elements of the show are put together. Working through this process, the students learn the valuable skills required of rehearsing and putting on a production, whilst being surrounded by fun and laughter. The Saturday group times are as follows: Session 1: 9:00-11:00 (Classes 1-3) Session 2: 11:30-13:30 (Classes 4-6) Session 3: 14:00 – 15:30 (Class 7 MINI GAPA) Term Dates The teaching year is broken into three terms. GAPA Term Dates 2026-27 Term 1 5th September 2026 - 5th December 2026 Not including - 24th October 26 and 31st October 2026 Term 2 9th January 2027 20th March 2027 Not including - 20th February 2027 Term 3 17th April 27 - 17th July 2027 Not including - 29th May 2027 and 5th June 2027 Student Area Join our mailing list Subscribe

Garrick Production Rising Damp Ran Invalid Date - Feb 7, 2014 Age guidance Venue Running time Tickets Price Range Description Rupert Rigsby is the moth-eaten landlord of a seedy lodging house in a nameless northern town. Among his tenants are Alan, Philip and Ruth. Alan and Philip provide the focus for Rigsby's many prejudices, while Ruth is his main object of desire. [gallery ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/Rising-Damp-1.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/Rising-Damp-2.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/Rising-Damp-3.jpg|"] [gallery columns="5" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/risinga.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/risingb.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/risingc.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/risingd.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/risingf.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/risingg.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/risingh.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/risingj.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/risingk.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/risingl.jpg|"] CAST Rigsby Tony Turner Alan Andrew Higson Philip Jason Cole Ruth Julie Cunningham Sale & Altrincham Messenger's Review by Rick Bowen Rising to the challenge I have had a rubbish week, the commute from hell followed by the indignity of slipping on ice outside my son's school. Luckily he didn't see me end up on my backside, so I'm still, in his eyes, a cool dad. So, I went to the theatre on Tuesday night searching for a pick me up - no pun intended - and found it in Altrincham Garrick's production of Eric Chappell's sublime comedy, Rising Damp. A script containing some drop dead brilliant one liners is complemented by some fine acting from the strongest ensemble to grace the Barrington Road playhouse this season. The four strong cast have a look of their TV alter egos but what is really important, what is really impressive is the comic timing displayed by Tony Turner (Rigsby), Andrew Higson (Alan), Jason Cole (Philip) and Julie Cunningham who plays the breathy flirt, Miss Jones. The scene in which Rigsby tries to seduce the sultry spinster is comedy gold and even a bloke sat near me who had spent most of the evening with a face like a busted shoe, started laughing. The whole production is a testament to the considerable skills of director Bill Platt who obviously has a natural gift for comedy. Rising Damp was, for me, just what the doctor ordered as Trafford shivers its way into December. You simply must not miss this laugh out loud production. This is the best play of the season so far and the late, great Leonard Rossiter, who immortalised the miserly Rigsby on the small screen, would have been proud of all concerned. Star Rating ★★★★ ★ Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

The Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. About Us Find Us and Get In Touch Altrincham Garrick Playhouse is the beating heart of the community. A theatre, cinema, youth academy and community creative social place for all to enjoy. Find Us Altrincham Garrick Playhouse Barrington Road Altrincham WA14 1HZ By Public Transport The Garrick is about 800m (a 10-minute stroll) from each of the following stations, served by both Northern trains and Manchester Metrolink trams: Altrincham Interchange Navigation Road Barrington Road is a major bus route, and there are bus stops on both sides of the road very close to the theatre. Parking at the Garrick We have an 80-space car park, offering free parking including spaces reserved for disabled parking. This can quickly become full for the most popular performances – filling up sometimes more than half an hour before a show begins. There are numerous opportunities for parking on residential side streets within a few minutes’ walking distance. This is free of charge after 5pm 6 days a week, and free all day on Sunday. Parking there can also sometimes be limited; you are advised to come as early as possible if you want to park particularly close to the theatre. Please park considerately, avoiding blocking any access for our local residents – thank you. Our bar is normally open an hour before each performance, so our advice is: arrive early, park early, and relax in our cosy bar before the show ! Contact Us Call: 0161 928 1677 Mon – Fri 11am – 4pm & 6pm – 8.30pm Sat 9am – 12pm Email: boxoffice@altrinchamgarrick.co.uk Join our mailing list Subscribe

Garrick Production Pride and Prejudice Ran Invalid Date - Jul 24, 2013 Age guidance Venue Running time Tickets Price Range Description The wildly romantic world of Regency England is brought to vivid life in this sparkling new stage adaptation of Jane Austen's classic tale of love, family, and the politics of marriage. When the independent minded Elizabeth Bennett meets the enigmatic Mr Darcy, her opinions on marriage are profoundly tested. Can he overcome his pride and she her prejudice to make an ideal match in a society where social standing outweighs personal feeling? Critics describe Janet Munsil's adaptation as 'Funny, fierce, romantic...undeniably engaging'. [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/Pride-and-Prejudice-5.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/Pride-and-Prejudice-4.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/Pride-and-Prejudice-8.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/Pride-and-Prejudice-1.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/Pride-and-Prejudice-3.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/Pride-and-Prejudice-2.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/Pride-and-Prejudice-6.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/Pride-and-Prejudice-7.jpg|"] CAST Jane Bennett - Susie Crystal Lizzie Bennett - Laura Whitehurst Mary Bennett/Georgiana Darcy - Annabel Butcher Kitty Bennett/Lady Anne De Bourgh - Emily Waldie Lydia Bennett - Rachel Mayon Mr Bennett - Martin Oldfield Mrs Bennett - Jacqui Wheble Mr Gardiner - John Westbrook Mrs Gardiner - Sarat Parker Broughton Charles Bingley - Stuart Billson Caroline Bingley - Rachel Isbister Charlotte Lucas - Jess Brooks Mr Darcy - Anthony Morris Mr Collins - Adam Gonet George Wickham - Daniel Ferguson Lady Catherine De Bourgh/Mrs Reynolds - Celia Bonner Dancers: Paul Wilson, Rose Wilson, Craig Barrett, Crystal Toth. Assistant to Director - James Mitchell Choreographer - Celia Bonner Prompt - Sandra Thomas ASM's - Adele Higson, Dave Midgley Messenger Review by Rick Bowen Classic love story at Altrincham Garrick Laura Whitehurst as Lizzie Bennet Fine dresses, fluttering fans and women who live to land a handsome, well-heeled husband. Welcome to the world of Jane Austen, recreated on the stage of Altrincham Garrick this week in Janet Munsil's perfectly paced adaptation of the classic novel. Personally, I've never been able to work out if Austen loved or simply tolerated a world that often seems shallow and superficial. It is remarkable though, how fresh the dialogue sounds, moments of wit punctuating the drab society small talk. Laura Whitehurst, pretty and elegant, is particularly impressive as Lizzie Bennet, the heroine of the piece and Laura particularly shines during the scenes in which she fends off the romantic attentions of the boring as hell clergyman Mr Collins. I've watched Adam Gonet grow as an actor and he plays this part really well. Collins may be incurably dull but Adam manages to make his character, who has a very unique dancing style, rather lovable. Colin Firth immortalised the Darcy role on the big screen and Anthony Morris cuts a dashing figure in the Garrick production, with Anthony bringing a quiet charisma to this most famous of roles. One of the best performances of the evening comes from Jacqueline Wheble as Mrs Bennet, forever flustered and trying so hard to make sure her flirty, gossip craving daughters stay on the straight and narrow. Add a lovely set and you have a highly watchable evening of escapism, with a few laughs along the way. Review of by Julia Taylor for remotegoat It's over 200 years since Jane Austen's Pride and Prejudice was written but the version presented at Altrincham Garrick Theatre is less than two years old. Janet Munsil's revival was commissioned by Theatre Calgary and the National Arts Centre, Ottawa in 2012. Whilst sticking to much of the original, Munsil makes the classic accessible to modern audiences. It's about the Bennets who in the age of elegance in Georgian England, believe it imperative that their five daughters are married off to wealthy suitors. Mr Bennett and his wife, played warm-heartedly and with great humour by Martin Oldfield and Jacqueline Wheble have pressing financial reasons to get their girls wed. Eldest daughter Jane (an amiable Susie Chrystal) soon becomes acquainted with the wealthy Mr Bingley (Stuart Billson) who moves in next door and they quickly tie the knot. But that is after the family are disgraced when another daughter, Lydia (Rachel Mayon), runs off to Brighton with the disreputable George Wickham (Daniel Ferguson). But Lizzie, the strong-minded, opinionated second daughter played by a feisty Laura Whitehurst, is not so easily trapped into matrimony. She is repulsed with Mr Collins, an uncouth clergyman, played charismatically by Adam Gonet who, in an amusing scene, attempts to woo her. We wonder, will she or will she not, succumb to another proposal by the charming Mr Darcy Anthony Morris portrays him as the strong, silent type who finally breaks through the barrier he creates. What I really like about this production is the way it captures the attitudes of a time when women had few rights and whose fortunes relied solely on their men folk. Yet often the women in question use feminine wiles to get their way. There are some lovely ball scenes which in themselves convey attraction between the sexes. The costume department deserve praise for the regency clothes of both sexes and the inconspicuous scene changes ensure smooth delivery. Star Rating ★★★★ NODA Review by Kevin Proctor As we're vastly approaching the 100th season finale, the Altrincham Garrick presents this classic Jane Austen drama. You can certainly see with this piece just how Jane Austen (the godmother of the rom com) has inspired so many writers, needless to say that these classics have helped shape so many flicks of today. This productions design was very picturesque; the collection of arches conveyed the grandeur the piece needs, I liked that the set was fairly minimal and static throughout which erased any unnecessary fuss which often accompany period pieces, the design cleverly helped to divide the space when it needed to and the lighting was finely coordinated to credit the stage design. I'm sure that (sat directly behind me) was the Austen-mania fan-club who seemed to get overly hyper with excitement whenever 'Darcy' made an entrance, one of the Gents in the party felt the need to inform us all that he'd spotted 'Darcy' with a; 'Ere 'e is!' each time he walked on - which I must admit did get a little tiresome mid-way through the second half. Laura Whitehurst as Lizzie is strikingly beautiful and can certainly portray excellence on stage though I felt this character's wit and mischief was missed. Actors are often taught to regularly watch themselves perform (in a mirror at rehearsals or on a recording) Laura is an intense performer and often has a very serious and taut expression which gives the impression she's not relaxed and for a role such as this, it made her performance and character quite a challenge for me to engage with. There were some lovely touches of direction with innovative and interesting staging choices which appropriately complimented this revival, I particularly appreciated moments which had been included to feature the casts obvious physicality - rather than ignore the vast height difference between Charlotte and Mr Collins it was cleverly highlighted which resulted in some welcome humour. For a period piece - and keeping in mind the usual standard and expertise in this companies costume department - I was expecting more of an impressing collection of costumes. The gentlemen donned dinner jackets in scenes that were set during the day and the vast majority of the cast (including main principals) had one outfit each for the shows entirety. I was stunned when Mr Darcy made his first appearance - which I cannot overlook - in a pair of terribly creased and crumpled trousers. This was either some unfortunate oversight or an act of carelessness but none the less, it's highly unforgivable and embarrassing for the aristocratic lead in a period piece (which just happens to be the most iconic and suave of Austen's characters) to enter dressed like a tramp.Rachel Isbister as Caroline Bingley had spark and charisma in her scenes, I?d go as far to say that her interpretation and delivery was the most interesting and engaging, however, her make-up (whether deliberate or not) stood apart from the rest and looked too modern. Jane Bennet, played by Susie Chrystal, and George Wickham, played by Daniel Ferguson were both particularly good, it was a shame both their roles were as short lived as they were. Anthony Morris took the role as the regency heartthrob Mr Darcy, a role which is somewhat difficult to pull off; to portray a balance of 'romance' and 'arrogance' without one overpowering the other is incredibly difficult to convey and Anthony certainly put in a worthy shot. I appreciate that being able to present this piece requires a strong forte amongst the companies younger membership, casting such plays cannot be easy though I couldn't help but feel that Stuart Billson (as Charles Bingley) and Adam Gonet (as Mr Collins) would have been more enhanced if they had been given the opposite roles; I couldn't take to Stuart in his part and didn't feel he particularly suited this type of character whereas Adam , who certainly did a creditable job, I feel it would have been far more realistic if they'd have been switched. This piece requires a large cast and, understandably, a few players doubled up on roles - a creditable mention must go to Annabel Butcher who most successfully transformed herself from Mary to Georgina, she was almost unrecognisable. Celia Bonner's sly control of Lady Catherine's temper in the later scene also scores points. Letter of thanks sent to the Garrick... Dear Altrincham Garrick Playhouse, I came to see Pride and Prejudice last night and felt that I must write as it is amongst the very finest productions I have seen in the countless years I have been attending the Garrick. Costume dramas are a genre in which I have found the Garrick are particularly adept at staging, however with this production things seem to have stepped up another gear entirely. It is wonderful to see such young talent on the Garrick stage in large numbers. Of course the familiar faces of Martin Oldfield, a superb Jacqui Wheble, John Westbrook, Sarat Parker Broughton and Celia Bonner - all of whom are quite excellent - are on hand to add further levels of experience, but it is many of the young actors who truly shine through. Of particular note, young Laura Whitehurst and Adam Gonet are both quite magnificent as Elizabeth and Mr. Collins (with the latter providing a true comic masterclass), and there are fine turns from (a radiant) Susie Chrystal, Stuart Bilson, Anthony Morris, Rachel Mayon, Jess Brooks, Emily Waldie, Rachel Isbister, Annabel Butcher and Daniel Ferguson (the latter three I am told all make their first appearance on the Garrick stage). Sonia Dykstra's direction is excellent, scene changes are executed with impressive skill and the choreography is delightful. Please congratulate all involved on a truly wonderful production E-mail Received to the theatre Dear Altrincham Garrick, Please pass on my congratulations to the cast on a superb production of Pride and Prejudice. The novel has for many years been a personal favourite of mine, having studied it closely since my school days, and I have to say that this production gets everything absolutely spot on. I have known Sonia for a few years now and she always gets the best out of any production. The costumes as expected from a Garrick Playhouse show are exquisite and the minimalist set ultimately works in favour of things, never threatening to detract from the action. The music is utilised particularly well and the dinner table sequence was for me a particular highlight of the evening. Again as expected the acting is of professional standard. The reviewer in the newspaper singled out a select few performers and in all honesty I cannot argue with their view. Mr and Mrs Bennett both standout, as do Jane and Mr Bingley, however it is?Mr Collins and Eliza who fully deserve the highest acclaim of the night. The two are indeed outstanding and their scenes together are a pure delight to watch. Mr Collins is incredibly accomplished in ability, stage craft and comic understanding for so young an actor and Elizabeth really?showcases?her high skill as a stage performer. There is a strong chemistry between these two young performers and I only hope to see them paired together on the Garrick stage again very soon. Please pass on this message to the team and I look forward to visiting again soon. Kind regards, Sarah [gallery ids="|"] [gallery columns="5" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/13314978195_720742174e_z.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/13314985565_696e864d78_z.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/13314998315_f8ab0c9e30_z.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/13315138203_1cf9e20206_z.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/13315150253_22e3808610_z.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/13315152373_a868895a9a_z.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/13315352014_8483d65193_z.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/13315357074_3426d6ce2b_z.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/13315363274_6406f751e3_z.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/13315366024_8914c9f51b_z.jpg|"] Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Previous Next David Gonet David was part of a highly-talented acting family (including Stella Gonet) and his sons Sean and Adam. He was a versatile actor who performed many times at the Garrick in the mid 2000's - he was equally comfortable with comedy, farce, musicals and serious plays. His credits on the mainstage included One Flew Over the Cuckoo's Nest , When We Are Married , La Cage Aux Folles , Little Shop of Horrors and Dick Barton, Special Agent . He also appeared in the panto Sleeping Beauty , as well as in the Studio theatre, and his relaxed, naturalistic style made him a pleasure to watch. Back to In Memoriam page

Garrick Production The Manchester Man Ran Oct 9, 2000 - Oct 14, 2000 Age guidance Venue Running time Tickets Price Range Description Based on an original novel by Mrs G. Linnaeus-Banks, the narrative features well-known characters and events in Manchester's history. Encompassing events leading up to the Peterloo Massacre this is an ensemble piece with lovely tuneful music and lots of drama. The story begins in 1799 when the infant Jabez is found, Moses-like, on the banks of the Irwell and is adopted by Bess. With Joshua Brookes the local parson looking out for him, Jabez begins to make his way in the world. An unmissable event. CAST Jabez Clegg: Tom Pinnock/Wayne Holt Bessie Clegg: Nina Williamson Thomas Hulme: Dez Renshaw Matthew Cooper: Richard Frost Parson Joshua Brookes: Dean Sumner Augusta Ashton: Dawn Flint Mr Ashton: Hugh Wolfson Mrs Ashton: Sandie McGuire Ellen Chadwick: Sarah Goodier/Victoria Bennett/Cyanne Holt Mr Chadwick: Frank Boylan Mrs Chadwick: Helen Ellis Laurence Aspinall: Andrew Higson Mrs Aspinall: Marina Anderson Kit Townley: Joe Douglas Ben Travis: Hugh Everett Additional Characters played by: Victoria Bennett Hannah Bowley Julie Broadbent Jill Chamberlain Laura Corcoran Lorraine Dallas Alison Eastham Nick Eastham Kathryn Goggins Natalie Goodier Rebecca Haden Vicki Jones Simon Kennedy Jane Lewis Dave McGuire Mike Nicholson Sid Robbins Peter Roberts Bernie Taylor Amy Warhurst Lisa Woodhead Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Witness for the Prosecution Ran Invalid Date - Feb 4, 2014 Age guidance Venue Running time Tickets Price Range Description A gripping courtroom drama with all the suspense and twists that we have come to expect from the pen of Agatha Christie, this is one of the best thrillers of her later years. Eminent barrister, Sir Wilfred Robarts defends the young Leonard Vole on a charge of murder, convinced of his innocence. But who did kill the old lady Vole had befriended? Was Vole the last person to see her alive? Who is the mysterious young woman who visits Robarts with new evidence? And how much does Vole?s wife, Romaine, really know about what happened? Wouldn?t you like to know? CAST Sir Wilfred Robarts QC Allan Taylor Greta Natalie Horne Carter David Gonet Mr Mayhew Hugh Wolfson Leonard Vole Peter Roberts Inspector Hearne Jon White Mr Myers Steve Williamson Romaine Ros Greenwood Clerk of the Court Matt Goddard Dr Wyatt Brian Tickle Janet Mackenzie Pat Williamson Clegg Sandy McGuire The Other Woman Melissa Cupid Brown [gallery ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/witnessatn.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/witnessbtn.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/witnessf.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/witnesse.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/witnessn.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/witnessa.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/witnesso.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/witnessd.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/witnessp.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/witnessl.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/witnessk.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/witnessm.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/witnessg.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/witnessj.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/witnessc.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/witnessi.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/witnessr.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2014/02/witnessh.jpg|"] Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Previous Next Stephen Wardale Stephen was the Garrick's longest-serving supporter, having been a member for over 75 years at the time of his death. He was a great patron and benefactor. His aunt and uncle were founding members, and it was they who took him to see his first play : George Bernard Shaw's The Devil's Disciple . That was performed in 1922 at the Dunham Road Unitarian Chapel, the Garrick's former home. Stephen remembered the current theatre being built in 1932, and in the late 1960s he became a long-serving Front of House manager. He was aware of the refurbishment plans put forward in 1998 and knew that Lottery Funding had been obtained, but unfortunately didn't live long enough to see the theatre as it is today. There is no doubt that he would have been thrilled at the outcome. Stephen is pictured after receiving his Open University degree when he was in his 70's. Back to In Memoriam page

Garrick Production Cleo, Camping, Emmanuelle and Dick Ran Invalid Date - May 30, 2019 Age guidance Venue Running time Tickets Price Range Description [gallery ids="|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/11/DSCF4001.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/11/DSC_9189.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/11/DSCF4217.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/11/DSCF4159.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2019/11/DSCF4276.jpg|"] In 1964 a fifty-one year old man meets a twenty-seven year old woman at work. She's young, buxom, blonde, pretty. And about to get married... Over the years, as they work together, the two grow closer; become friends. She promises him one night of lust in Brighton. Just a night. Just to get it out of his system. He takes her up on her offer and then begins one of the most well-known secret affairs of the twentieth century. He was Sid James. She was Barbara Windsor. Terry Johnson's sharp, biographical play follows the affair to its conclusion. Focusing on the events during the making of four Carry On films, it’s funny, touching and ultimately tragically sad as the lives of these icons of British comedy are put under the theatrical microscope. CAST Sid - Mark Butt Kenneth - Steven Finney Barbara - Dawn Flint Sally - Lottie Warburton Imogen - Arianna Glenton Eddie - Ivor Farley Rick Bowen - Stagestruck - 5 STAR Review It takes a great deal of courage for any actor, amateur or professional, to play three much loved icons of British comedy. They also need the talent and believe me, Mark Butt, Steven Finney and Dawn Flint certainly have it. In spades. Finney is as scream as Kenneth Williams, the master of the double entendre in Terry Johnson’s heartfelt and heart warming love letter to that most British of institutions, the Carry On films. This, for me, is the complete comic package, from the demeanour to that unmistakable nasal twang. Steven gets it just right. Dawn Flint also delivers a fine performance as Barbara Windsor, complete with her cheeky, cockney giggle. Then there’s Mark Butt as Sid James, who really comes into his own when he’s highlighting the star’s loneliness and deep seated love for Babs. The humour of the Carry On generation may be dated and unashamedly not PC but the stars of these sometimes saucy flicks had a mystique about them shared by very few of today’s so-called celebrities. It’s brilliantly directed by Charlie Tomlinson, one of the Garrick’s leading talents both on and off the stage and designed with his trademark creativity by Barry Purves, whose clever set is dominated by Sid James’ caravan/passion wagon. So, what’’s not to like? If the early Christmas shopping and the impending election are starting to get you down, I have the perfect cure. Highly recommended - a must see. Rating: ★★★★★ Cleo, Camping, Emmanuelle and Dick - Altrincham Garrick Reviewer: Angela Kelly - North West End UK Directed by Charlie Tomlinson, ‘Cleo, Camping, Emmanuelle and Dick’ is a biographical play that was written by Terry Johnson and highlights the era that covered the span of the creation of four ‘Carry on’ Films. Having premiered in 1998 at The National Theatre and having won an Oliver award, it would be interesting to see how this was interpreted on stage at The Garrick. The story is set in 1964 and is about a middle aged man who becomes close to a woman half his age whom he meets at work. They become good friends and, as they grow closer, she promises him a night of lust in Brighton. As the story continues, they both then begin to have a very secret love affair. Knowing that the characters in the play are about the infamous ‘Carry on’ duo Sid James and Barbara Windsor, there is immediately a very clear visual image in our heads and so the cast were presented with a tall order on stage to deliver these characters to the audience as soon as we set eyes on them. ‘Sid’, performed by Mark Butt portrayed Sid very accurately indeed. Whilst I would have loved more of the Sid James gravel sounding chuckle, Butt portrayed the sex obsessed Sid James very well. In many ways Sid came across as a troubled soul, not wanting to face his own reality with respect to the fact he was married and his life on stage was clearly the life he preferred. Butt portrayed Sid’s difficulty in accepting his own mortality and that any longevity with Barbara was merely a dream. Dawn Flint’s role as ‘Barbara’ was captivating. If you closed your eyes ‘Babs’ was on stage. Flint had the walk, the smutty conversation and even demonstrated her direct approach to tackling Sid’s advances. She even walked as Babs would walk sticking her chest out at all times. The yellow ‘pinging bikini top’ scene was hilarious to watch. However, the stand out performance of the night was undoubtedly Steven Finney’s portrayal of Kenneth Williams. His stage presence was magnificent and Finney carried off all of ‘Kennys’ mannerisms to perfection. Nasal, dulcet tones, nose in the air (mainly at the utter disapproval of Sid’s antics), he had all the mannerisms of the complicated character that defined who Kenneth Williams was. He was unhappy with the low budget aspect to the parts he was to play in the Carry On films and always threatened to leave. His one liners and put downs, plus his obsession with his haemorrhoids were hilarious. A particularly endearing aspect to the play was the relationship between Barbara and Kenneth or ‘Kenny’ as she fondly called him. With shared humour and giggles unique to each of them this was perhaps the most meaningful and sincere relationship on stage. The Set construction team must be applauded for a wonderful stage set. The caravan was outstanding right down to having a toilet, bathroom and bedroom. It was a wonderful focal point to the entire play. In many ways the play, representing three infamous individuals of the comedy world, echoes the tragedy of many of today’s stars whose private lives are examined and publicised for all to pull apart, discuss and dissect. This incredible play written by Terry Johnson was as amusing as it was tragic and provides the audience with a valuable ‘behind the scenes’ view of the real personalities of the characters in these films. If you are a fan of Carry on and more so a fan of the characters that defined this wonderful genre of comedy, than ‘Cleo, Camping, Emmanuelle and Dick’ is for you. Rating: ★★★★ Number 9 Review - Reviewer - Johanna Hassouna-Smith I have to confess that I had no idea what I was going to watch with this production. I remember my mum was a huge ‘Carry On’ film fan but I already felt they were dated in the mid-1980s! So how does a company reproduce a ‘Carry On’ as a play, which is relevant to an audience in 2019?... Thankfully, they did not attempt to. This original script, written by Terry Johnson in 1998 was a huge hit at the National Theatre and spans 14 years of the love affairs, successes and tragedies in the lives of some of our best known ‘Carry On’ film actors: Sid James, Kenneth Williams and Barbara Windsor. The play is a comedy and is set against the back drop (quite literally) of filming locations used during the ‘Carry On’ films. The locations are less than glamourous, in muddy fields and pub car parks and most interior scenes are set inside Sid’s leaking caravan, which serves as his green room. Once again, the design concept of this play gave the whole production a slick and professional feel. From the brilliantly shabby-chic leaking caravan to the simple moving flats, the set was sophisticated yet uncomplicated. The costume design helped to give a sense of the ‘Carry On’ era from the ridiculous Roman soldier costumes to the spangled bras, displaying just enough cleavage to remind us of the frivolously raunchy ‘Carry On’ genre. The reality of this was that the saucy nature of the performers on screen, was mirrored in the actors’ lives off screen and certainly between filming takes with many love affairs and fumbling moments between the sheets of Sid’s leaking caravan. . .if the script is true to reality!? But sadly, this is where I felt the production really faltered. In a post-Weinstein, post-Operation Yewtree society, there were moments where I felt extremely uncomfortable with the lecherous ways of Sid James and the young girls in his backstage caravan. I’m not suggesting they be edited out, I’m just not sure how ‘entertaining’ these moments were and might even call this entire play premature to be produced in 2019. . .remember, when it was written, there was no Yewtree or Weinstein in the media! But credit, where credit is due, the three main actors in the cast were wonderful to say the least. Portraying such well known and loved real life actors was always going to be a tough task, but each of the performers were brilliant at portraying every well-known nuance and tick of these lively performers. Sid James, played by Mark Butt, was energetic and passionate yet full of the pathos for the unrequited love he felt for Barbara. Steven Finney’s portrayal of Kenneth Williams was absolutely spot-on in his characterisation: from the naughty cackle to the brilliantly comedic, wide-eyed facial expressions, I just loved this performance. Finally, Barbara Windsor, played by Dawn Flint was warm yet entertaining and full of the naughty charm she is known for in reality . . . just perfect casting. The main performers were supported by a sterling cast and one of which stood out for me was a beautiful portrayal of Sally, the costume girl by, Lottie Warburton. Well done all! At four acts long, the performance did seem lengthy and I wondered if whether the farcical pace might have been lifted at points to up the energy in the first half, to make way for the slower pace in the tragic second half. One punter was overheard leaving the theatre at the end saying, “Well, it was a bit morbid!” This ‘Carry On’ didn’t try to emulate the on screen farce (although there were moments of that), but merely told the story of the actors and the lives they led and relationships they forged, whilst filming, thus creating a very touching piece of theatre which educates us that not all is what it seems. Once again the Garrick have staged a semi-professional production of the highest standard for a fraction of the cost and in a local theatre with great facilities. The productions are always brilliantly supported by local sponsorship and perform to sell-out audiences and it’s clear to see from this one, why! Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Curtain Call Ran May 6, 2002 - May 11, 2002 Age guidance Venue Running time Tickets Price Range Description Thurlow Playhouse is in the running for an Arts Council Grant, and do they need it! The Chairman of the Board of Trustees - one Clarence Mason - perpetually squanders the Theatre Trust's money by hosting lavish parties, insisting on real horses for his wife's amateur productions, sacking the entire backstage staff on a whim and generally bullying everyone who attempts to oppose him - his wife in particular. Unfortunately he goes too far when he tries his domineering antics on Ms Murdstone - the Arts Council representative. However, fortified by the demon drink, his wife Doretta comes out with a few home truths, assisted by the chief usherette, Rita, and order is restored and everything ends happily. A day in the life of a regional theatre may not be strictly accurate, but it is enormous farcical fun. CAST Sarat Broughton as Val Marshall Mark Edgar as Alec Partridge Ros Greenwood as Lulu Lynchpin Lynda Newton as Doreta Mason Hugh Everett as Murphy Beverley Stuart-Cole as Rita Val Watkinson as Ms Murdstone Steve Williamson as Clarence Mason Directed by Bill Platt Designer: Peter Coatman Sound: Robin Watkinson Lighting: Geoff Scullard Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production One Flew Over The Cuckoo's Nest By Dale Wasserman Ran Invalid Date - Oct 21, 2021 Age guidance Venue Running time Tickets Price Range Description Please Note - Reduced capacity and socially distanced seating for our Tuesday, Wednesday and Thursday evening performances of this production. Boisterous, ribald and ultimately shattering, One Flew Over the Cuckoo 's Nest is the unforgettable story of a mental hospital and its inhabitants. When a brash new inmate arrives, the rigid program of the ward, headed by the tyrannical Nurse Ratched, is thrown up for grabs. In a world where sanity means conformity and following the rules is the only way to survive, One Flew Over the Cuckoo 's Nest is a powerful exploration of both the beauty and the danger of being an original. Volatile and dark, humorous, thought-provoking and with strong language, this play (based on the classic 1962 novel by Ken Kesey and the 1972 film starring Jack Nicholson, which won five major Academy awards) is a true cult classic and will be an unforgettable evening at Altrincham Garrick Playhouse, performed by The Garrick Ensemble. WARNING - this production contains strong language and adult themes. The Garrick Ensemble is a company of 18 – 30 year old aspiring actors from Greater Manchester and Cheshire who perform one production each year as part of the Altrincham Garrick Playhouse Main House Season. The production will be directed by Artistic Director Joseph Meighan. The Garrick Ensemble aims to make theatre that is fresh, innovative and exciting. See the very best of local, up and coming talent before they move forward in the next stages of their careers in the Arts. 5 Star Review from Rick Bowen at Stagestruck WHEN the criminal Randle Patrick Mc Murphy is admitted to a cheerless psychiatric hospital, he doesn’t simply rock the boat. He capsizes it. This American classic, from the pen of Ken Kesey, has lost none of its power to shock, move or captivate in a stage adaptation that certainly succeeds in capturing the spirit of the original, rather wonderful novel. Mc Murphy, in a bid to avoid a jail sentence, pleads insanity and ends up in a grim institution presided over by one of contemporary literature’s most horrendous baddies, the notorious Nurse Ratched. She hides behind a veneer of care and compassion. In reality of course, she has no concept of either is particularly cruel to the stammering Billy, knowing exactly which buttons to press when it comes to making him feel guilty when this sad and sympathetic character has a glimpse of normality courtesy of the rebellious new arrival Mc Murphy. In him she finds a formidable adversary, as he reminds his fellow patients what it feels like to live again, organising a number of events that fly in the face of the hospital’s draconian rules. For those of you who are new to this tale I won’t be a party pooper. Let me just say Mc Murphy’s antics lead to a number of unforgettable scenes on the Garrick stage. Director Joe Meighan must have thought all his birthdays had come at once when Joseph Morgan auditioned for the role of Randle P Mc Murphy. Morgan brings a freshness and an individuality to the part immortalised on the big screen by the legendary Jack Nicholson. Matthew Spilsbury is simply outstanding as the towering Chief Bromden, offering us a heart breaking reminder of the appalling treatment meted out to the native Americans in ‘the land of the free.’ Returning to Ratched, I really admire Madeleine Healey for the way she resisted the temptation to take the pantomime villainess route when playing the role and I challenge anyone not to be moved by the scene with Billy - an excellent Charlie Gallagher - in which she crushes him by re-visiting the character’s innate sense of guilt. One Flew Over The Cuckoo’s Nest is yet another triumph for this theatre’s dynamic and exciting young actors group, the Garrick Ensemble. This a production not to be missed. Boy, how I wish I could write like Ken Kesey. Flawless - in every respect. Tickets are available from 0161 928 1677 or www.altrinchamgarrick.co.uk. Star rating - ***** Photo - Martin Ogden ------------------------------------------------------------------------------------------------------------------------------------ Free Car Parking. Cosy Bar. Great Prices. ------------------------------------------------------------------------------------------------------------------------------------ Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production The Lady In The Van - By Alan Bennett Ran Invalid Date - May 30, 2021 Age guidance Venue Running time Tickets Price Range Description It is said that charity begins at home. For Alan Bennett, it began at the bottom of his drive with a yellow custard van inhabited by an irascible eccentric who refused to budge. The Lady in the Van is the true story of Miss Shepherd, an offbeat woman of uncertain origins, who “temporarily” parked her broken-down van in writer Alan Bennett's London driveway, and proceeded to live there for the next 15 years. Miss Shepherd’s stay may have been a blight on Bennett’s front garden, but it eventually allowed him to unravel the fascinating story of her life - for which we are all eternally indebted. Rick Bowen - Stage Struck https://www.stagestruck.info AS I left the Garrick on Monday night one question was running through my mind - why doesn’t Celia Bonner do more acting? She gives a captivating performance as Miss Shepherd, the enigmatic down and out taken in by Alan Bennett and who lived on his driveway for what was supposed to be a temporary basis. But “temporary” turned into 15 years and an unlikely friendship grew between the genius playwright and an old woman whose outlook on life was, to put it mildly, unique. It soon emerges that Miss Shepherd has a past, psychologically she’s damaged goods and her unapologetic attitude to personal cleanliness had the audience wincing with disgust when I saw this on opening night. Celia’s sense of timing is flawless and, under the astute direction of Carole Carr, she’s ably supported by Mike Shaw and Jonathan Black, who share the role of Bennett himself. Nobody tells a story quite like this national treasure and has turn of phrase is quite brilliant. But you have to be prepared to listen. It’s a case of blink and you’ll miss his priceless witticisms. Barry Purves’ and Amanda Cooke’s spartan set captures perfectly the suburban London in which this remarkable story unfolds, a tale which can be summed up in the phrase “you couldn’t make this up.” While Miss Shepherd’s lack of personal hygiene repulsed me at times, I found myself drawn to someone who refused to live by society’s rules. Alan Bennett was similarly drawn and he got a play out of it. Star rating - 3.5 out of 5. Photos by Martin Ogden ------------------------------------------------------------------------------------------------------------------------------------ Free Car Parking. Cosy Bar. Great Prices. ------------------------------------------------------------------------------------------------------------------------------------ Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production The Steamie Ran Invalid Date - Dec 16, 2013 Age guidance Venue Running time Tickets Price Range Description First presented in Glasgow, subsequently at the greenwich Theatre, London and then adapted for TV this comedy became a deserved classic. The Garrick are offering you the chance to spend Hogmanay (sometime in the 1950s) with Doreen, Magrit, Dolly and the wonderful Mrs Culfeathers, to say nothing of the easily manipulated Andy the odd-job man. Set in an old Glasgow steamie we listen in on the women's chatter and the gossip. We share their hopes and fears; their dreams, laughter and tears complete with wonderful songs and above all - the enigma that is Galloway's mince. CAST Matthew Goddard as Andy Steph Hawthorn as Doreen Janet Slade as Magrit Val Bacon as Mrs Culfeathers Jeryl Whitelock as Dolly Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Goodnight Mr Tom Ran Invalid Date - Apr 11, 2017 Age guidance Venue Running time Tickets Price Range Description Famous, heart-warming, drama at its best One of the most uplifting stories ever written, Michelle Magorian's stunning Goodnight Mister Tom is brought gloriously to life in this stage adaptation by David Wood . Set during the dark and dangerous build-up to the Second World War, Goodnight Mister Tom follows sad young William Beech, who is evacuated to the idyllic English countryside and builds a remarkable and moving friendship with the elderly recluse Tom Oakley. All seems perfect until William is devastatingly summoned by his mother back to London. Goodnight Mister Tom is a tale of two broken souls at very different ends of the age scale that celebrates the value of love and proves that friendship knows no barriers. This production is proudly sponsored by [gallery columns="4" ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_3120.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_3012.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_2965.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_3514.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_3348.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_3308.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_3257.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2017/04/DSC_3185.jpg|"] Production Photographs by Vish Sharma CAST Zach- Henry Thorman William Beech - Benoit Normand Ginnie- Kitty McGoff Carrie - Olivia Streeter Sammy/Puppeteer - Frances Hartill Mrs Beech - Caroline Knight George Fletcher - Paddy McGoff Tom Oakley - Bryan Higgins Mrs Fletcher/Nursing Sister - Rose Higgins Billeting Officer/Miss Thorne/Glad - Ruth Metcalfe Annie Hartridge - Mollie Rowley Nurses/Ensemble - Hannah Weiner Miss Miller/Nurses/Ensemble - Holly Gibson Charlie Ruddles/David Hartridge/Mr Stelton/ Vicar/London Ticket Colletor/Policeman - Gino Scrigna Dr Little/Mr Miller/ARP Warden London - David Baxendale Evacuee/ensemble - Paddy McGoff Review by Julia Taylor for The Messenger Love Story really pulls at the heart strings FEW plays pull at the heart strings as much as the Garrick's latest production, Good Night, Mister Tom. It is a demonstration of love between two people of different generations and very moving. This play is set at the start of the Second World War and features an evacuee from the London docks who is billeted with a grumpy old man in a rural village. It illustrates the power of love. In the case of Tom Oakley gone for forty years since his wife died and never awakened for William Beech, the deprived young evacuee. Although all the cast are good, including five other children, the production's success rests predominantly on the shoulders of two people Bryan Higgins as Mr Tom and 12-year-old Benoit Normand, who attends St Bede's school, as William. Bryan brings out the qualities of an old man who has kept his heart of gold hidden for too long. Benoit portrays well, a battered and bruised boy who has had religion pushed down his throat under threat of beating. His unhinged mother even packs a Bible and a belt to take away. Benoit makes his character slowly open up as he responds to the kindness and care he is offered. Bryan's Mr Tom begins to take on parental responsibilities even kidnapping him when his mother takes him back. I like Caroline Knight as the gone to the winds mother, Henry Thorman as Zach, William?s theatrical type best friend and young Frances Hartill. who manipulates Sammy, the puppet sheepdog throughout. This show, ideal for older children, is as thought-provoking as it is charming. The atmosphere is enhanced by appropriate background music, lighting and sound reproduction. Star rating ★★★ ★ Review for North West End by Tony Bellamy-Hibbert Altrincham Garrick Playhouse transformed to become the Devon village of Little Weirwold the home of Tom Oakley back in September 1939. This play has been adapted by David Wood from Michelle Magorian?s wonderful novel. This amateur production is wonderfully directed by Andrew Close and designed by Margaret Norris. Lighting is in the hands of Stuart Kilburn with sound provided by James Merrington. The first character we meet is the Billeting Officer played by Ruth Metcalfe who has been acting at the Garrick for many years. As she marches the evacuees around the village and to the home of Tom Oakley. Tom Oakley is superbly played by the NODA nominated Bryan Higgins, and he is left with little William Beech. Benoit Normand (12 years old who attends St Bede?s College) portrays William brilliantly and with great emotion when required. Tom has a collie dog called Sammy who was made by freelance puppeteer Jamie Marks (for further information about Jamie visit http://jamaniace.wixsite.com/jm-puppets ) and is skilfully brought to life by 11 year old Frances Hartill. Charlie Ruddles the local air raid warden is played by Gino Scrigna, with Rose Higgins playing the bubbly Mrs Fletcher. William is teased by village children Carrie (11-year-old Olivia Streeter from Sale), Ginnie (11 year old Kitty McGoff from Altrincham) and George Fletcher (10-year-old George McGoff) all three are stars in the making, handling appearing on stage with aplomb. The other evacuee that we meet is Zach (brilliantly played by Henry Thorman who is in his first year at St Bede?s College) who is a very confident lad who makes the audience chuckle along. Doctor Little is played by David Baxendale who is in his third production at the Garrick David also takes the role of Mr Miller, who runs the post office along with his daughter Miss Miller (Holly Gibson who has been involved in local drama groups from the age of 4). School teacher Mrs Annie Hartridge is wonderfully played by Mollie Rowley (a junior doctor away from acting, this is her first production at the Garrick). The other characters we meet in the 2nd half are William?s mother the terrible Mrs Beech played beautifully by Caroline Knight and the Social Worker played by Hannah Weiner. The play is well put together and condenses the film down without losing the essence of the story. The set changes are relatively smooth with a little bit of visible movement of the scenery, but this is to be expected from an amateur production who don?t have the vast budgets to build robust back drops. The acting especially from the young characters is very good and the emotion comes out between Mister Tom and William. Tonight, saw a packed audience and I am sure there were a few tears shed or if not a few quivering lips with the emotion shown. I would recommend this emotionally charged play to all age groups from 8+ especially if you like the book or movie. The costumes and scenery take you back in time adding to the experience. I have no hesitation in awarding 4 stars based on my experience this evening. North West End Star rating ★★★ ★ Review by Rick Bowen for Stagestruck ONLY the heartless would fail to be touched by this one, a heart-warming tale faithfully adapted for the stage by David Wood. An elderly widower re-discovers his appetite for life after a young and vulnerable evacuee is sent to live with him in his idyllic Devon village. William, the little lad in question, is nursing the physical and psychological scars of abuse at the hands of a mentally ill mother fixated on religion. Gradually, an unlikely bond builds between William and Tom Oakley, his new carer who actually cares for him, and this is expertly played out by Bryan Higgins (Tom) and Benoit Normand (William). Higgins has a deep seated affection for this delight of a role and it's plain for all to see. I also challenge anyone not to warm to Henry Thorman's Zach, a character as loud as the jumper he wears. At the other end of the spectrum we have Caroline Knight, positively hateful as William's crackpot of a parent, a woman who'd make most puritans seem like party animals. This is the ideal opportunity for parents to introduce older children to the theatre. While Goodnight Mister Tom doesn't gloss over the human tragedy of war, we are reminded that even in this chocolate box Devon village the residents aren't immune from it, this play touches on the subject in such a way that won't give the kids nightmares. So, I heartily recommend parents buy tickets for this as an Easter holiday treat for their youngsters. Director Andrew Close serves up a production that tugs the heart strings without seeming to try. Star rating ★★★ Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Previous Next Phil Lynch Phil Lynch was a past Chairman of the Society. He and his wife Val joined the Garrick in the early 1980s and Phil took part in a number of plays, as well as helping to run the theatre, until they left to move back to the South of England. Back to In Memoriam page

Garrick Production Dick Whittington & his Wonderful Cat Ran Invalid Date - Aug 14, 2013 Age guidance Venue Running time Tickets Price Range Description A traditional family pantomime brought to you by the same team as the successful 'Snow White' last year......This panto offers you immense pleasure as you watch your children/grandchildren laugh, shout and really get involved in the story of Dick Whittington and his wonderful cat. They will meet marvellous characters such as Spirit of the Bells, Captain Cockles and Mussells, his mate. They will boo and hiss King Rat: Marvel at the antics of Tommy the cat and be entranced by the magical set and special effects. CAST Spirit of the Bells Maureen Casket King Rat Mike Shaw Captain Cockles Dave Jones Mr. Mussels Sean Gonet Alderman Fitzwarren Fred Yeomans Alice Fitzwarren Francesca Rabar Sarah the Cook Mark Edgar Idle Jack Adam Gonet Dick Whittington Jackie Wheble Tommy the Cat Grace Garside The Sultan of Morrocco Craig Barratt Chorus Craig Barratt Sian Smith Tom Green-Fuller Hannah Williams Chris Mawson Eleanor Bacon Tom Roche Alice Preece Alex Day Cloe Smith Jacob Holder Erika Pickard Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

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Garrick Production Hindle Wakes Ran Invalid Date - Dec 16, 2013 Age guidance Venue Running time Tickets Price Range Description A revival of the acclaimed play from "The Manchester School". Fanny Hawthorn has been spending Wakes Week in Blackpool with her friend Mary. Or so her parents think. Strong-minded modern-thinking Fanny has other ideas about what constitutes a good time. Returning home she has to face the wrath of her working class family and the moral views of the wealthy mill-owning Jeffcote family. This is a play full of unexpected twists and turns and has a surprising outcome. CAST Pat Williamson as Mrs Hawthorn Steve Williamson as Christopher Hawthorn Summer Darcy as Fanny Hawthorn Carole Carr as Mrs Jeffcote Bill Platt as Nathaniel Jeffcote Mark Butt as Alan Jeffcote Hugh Wolfson as Sir Timothy Farrar Stephanie Hawthorn as Beatrice Farrar Julie Broadbent as Ada [gallery ids="https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/hindlewakesd1.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/hindlewakesg1.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/hindlewakesh1.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/hindlewakesj1.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/hindlewakesk1.jpg|,https://www.altrinchamgarrick.co.uk/wp-content/uploads/2013/12/hindlewakesn1.jpg|"] Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Previous Next Norma Noar Norma served the Garrick in many ways over many years, as a member of the Social Committee, working as an ASM or Prompt, and for a very long time as a highly-valued member of the Play Selection and Casting Committee. In the latter role she was also a tireless administrator - organising all the performance licenses for Garrick productions and ordering the many scripts. Back to In Memoriam page