Garrick Production One Flew Over The Cuckoo's Nest Performed by The Garrick Ensemble / PLEASE NOTE: 50% reduced capacity and socially distanced seating on Tuesday, Wednesday and Thursday evenings Ran Feb 7, 2022 - Feb 12, 2022 Age guidance Venue Running time Tickets Price Range Description By Dale Wasserman From the Novel by Ken Kesey Directed by Joseph Meighan Please Note – Reduced capacity and socially distanced seating for our Tuesday, Wednesday and Thursday evening performances of this production. Boisterous, ribald and ultimately shattering, One Flew Over the Cuckoo‘s Nest is the unforgettable story of a mental hospital and its inhabitants. When a brash new inmate arrives, the rigid program of the ward, headed by the tyrannical Nurse Ratched, is thrown up for grabs. In a world where sanity means conformity and following the rules is the only way to survive, One Flew Over the Cuckoo‘s Nest is a powerful exploration of both the beauty and the danger of being an original. Volatile and dark, humorous, thought-provoking and with strong language, this play (based on the classic 1962 novel by Ken Kesey and the 1972 film starring Jack Nicholson, which won five major Academy awards) is a true cult classic and will be an unforgettable evening at Altrincham Garrick Playhouse, performed by The Garrick Ensemble. WARNING – this production contains strong language and adult themes. The Garrick Ensemble is a company of 18 – 30 year old aspiring actors from Greater Manchester and Cheshire who perform one production each year as part of the Altrincham Garrick Playhouse Main House Season. The production will be directed by Artistic Director Joseph Meighan. The Garrick Ensemble aims to make theatre that is fresh, innovative and exciting. See the very best of local, up and coming talent before they move forward in the next stages of their careers in the Arts. Reviews Rick Bowen - Stagestruck WHEN the criminal Randle Patrick McMurphy is admitted to a cheerless psychiatric hospital, he doesn’t simply rock the boat. He capsizes it. This American classic, from the pen of Ken Kesey, has lost none of its power to shock, move or captivate in a stage adaptation that certainly succeeds in capturing the spirit of the original, rather wonderful novel. McMurphy, in a bid to avoid a jail sentence, pleads insanity and ends up in a grim institution presided over by one of contemporary literature’s most horrendous baddies, the notorious Nurse Ratched. She hides behind a veneer of care and compassion. In reality of course, she has no concept of either is particularly cruel to the stammering Billy, knowing exactly which buttons to press when it comes to making him feel guilty when this sad and sympathetic character has a glimpse of normality courtesy of the rebellious new arrival McMurphy. In him she finds a formidable adversary, as he reminds his fellow patients what it feels like to live again, organising a number of events that fly in the face of the hospital’s draconian rules. For those of you who are new to this tale I won’t be a party pooper. Let me just say McMurphy’s antics lead to a number of unforgettable scenes on the Garrick stage. Director Joe Meighan must have thought all his birthdays had come at once when Joseph Morgan auditioned for the role of Randle P McMurphy. Morgan brings a freshness and an individuality to the part immortalised on the big screen by the legendary Jack Nicholson. Matthew Spilsbury is simply outstanding as the towering Chief Bromden, offering us a heart breaking reminder of the appalling treatment meted out to the native Americans in ‘the land of the free.’ Returning to Ratched, I really admire Madeleine Healey for the way she resisted the temptation to take the pantomime villainess route when playing the role and I challenge anyone not to be moved by the scene with Billy – an excellent Charlie Gallagher – in which she crushes him by re-visiting the character’s innate sense of guilt. One Flew Over The Cuckoo’s Nest is yet another triumph for this theatre’s dynamic and exciting young actors group, the Garrick Ensemble. This a production not to be missed. Boy, how I wish I could write like Ken Kesey. Flawless – in every respect. Star rating ***** Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Half Term Holiday Clubs|Lauriston Studio The History Girl Ran Apr 1, 2022 - Apr 2, 2022 Age guidance Venue Running time Tickets Price Range Description The History Girl University is an opportunity for students to explore the subjects they love and to develop their skills. For Becky, it's also a time for indecision. Having second thoughts brings its own challenges. Becky's Lecturer, Laura, sees the makings of an outstanding student in Becky. It's just case of finding the character from history that's going to turn her on to the subject. Becky also finds herself falling for her course leader, Connor. As we share Becky's journey through history , we encounter the struggle for women's emancipation and the place of women in this world...and someone else. Someone who believes in her cause. Someone in who's cause Becky can believe. Will Becky find Kitty before she quits the course? This is the story about being able to learn from history ...if we can't learn from history , then we're doomed to repeat it..." The History Girl by Elaine McCann and Dean Sumner, with additional material by Miranda Watkin. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production My Fair Lady What a smashing, positively dashing Musical, filled with comedy, romance, and dazzling songs Ran Jun 22, 2026 - Jun 28, 2026 Age guidance Venue Main House Running time TBC Tickets Price Range £19 - £24 Description What a smashing, positively dashing finale to the 2025/2026 Altrincham Garrick Season - Lerner and Loewe ’s classic rags to riches tale, MY FAIR LADY . MY FAIR LADY follows Eliza Doolittle, a cockney flower seller in Covent Garden, who by chance meets phonetics professor, Henry Higgins. As part of a wager with a fellow phonetician, Higgins sets out to teach Eliza how to speak like a lady of high society – but learns a few lessons of his own along the way. Filled with comedy, romance, and dazzling songs such as The Rain in Spain , Wouldn’t It Be Loverly and I Could Have Danced All Night , this will be an unmissable production. A beautiful musical adaptation of George Bernard Shaw’s 1913 play PYGMALION, MY FAIR LADY was first performed on Broadway in 1956 starring Julie Andrews and adapted into a 1964 Oscar-winning film starring Audrey Hepburn. It’s going to be bloomin’ loverly! Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Relaxed Performance of Jack & The Beanstalk RELAXED PERFORMANCE includes reduced on stage sound & lighting, no loud bangs, auditorium lights on. Ran Dec 14, 2024 Age guidance 3+ Venue Main House Running time TBC Tickets Price Range £14 - £18 Description Jack & The Beanstalk Pantomime WHAT IS A RELAXED PERFORMANCE? If you are a parent, guardian, or work with people with learning or sensory disabilities – such as those on the autism spectrum – you’ll know how difficult it can sometimes be for them to attend regular theatre performances; loud noises, lighting effects and large crowds can make stage shows overwhelming. At Altrincham Garrick Playhouse, we believe that everyone should be able to experience the magic and wonder of live theatre, and our Relaxed Performance of Jack and the Beanstalk will provide the same fantastical Pantomime but with an atmosphere and attitude in the auditorium that makes everyone feel comfortable and safe. WHAT TO EXPECT FROM OUR RELAXED PERFORMANCE: At a Relaxed Performed, you are free to: - Come and go from the auditorium as you wish, even during the show - Express yourself as loudly as you like, or with physical movement, without judgement - Access the Theatre and auditorium early. You’ll also notice that we will reduce the sound and lighting to lessen sensory overload, and no pyrotechnics or loud bangs will appear in the performance. Reviews Peter Ruddick - North West End UK "Professional, gorgeous and delightful" Read the full review HERE Rick Bowen - StageStruck Read the full review HERE Gallery Trailer Trigger Warning RELAXED PERFORMANCE Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Punk Rock Altrincham Garrick STUDIO 2025/26 Season - A Series of Manc Plays Ran Jun 9, 2026 - Jun 14, 2026 Age guidance 16+ Venue STUDIO Theatre Running time TBC Tickets Price Range £13 - £15 Description Written by Simon Stephens Directed by Meg Brassington “I hate normal people. Normal people should be eviscerated.” Tucked away in a library in a Stockport grammar school, half-a-dozen sixth formers, on the cusp of adulthood, are whiling away the hours… A clatter of teenage thoughts tumble out between the friends. Dreams of Oxbridge, contempt for the locals and of course: sex, sex, sex. But as exams approach and pressures rise, real brutality emerges from behind their playful barbs. And soon there is nothing left but violence. From Manchester power-house playwright, Simon Stephens, Punk Rock is a brutal and urgent examination of contemporary adolescence. Intelligent. Articulate. F***ed. Age Guidance: 16 + Warning: This production contains strong and offensive language, and discussions of self-harm, sexual abuse, racism, homophobia, ableism, body shaming, gun violence, murder, and mental health issues. Reviews ⭐️⭐️⭐️⭐️⭐️ 5 STARS! "It provides a fittingly powerful conclusion to an outstanding Studio season and confirms once again that the Garrick's investment in young talent continues to pay remarkable dividends." – Paul Wilcox, North West End UK Click HERE to read the full review Gallery Trailer Trigger Warning Warning: This production contains strong and offensive language, scenes of extreme violence, and discussions of self-harm, sexual abuse, racism, homophobia, ableism, body shaming, murder, and mental health issues. Documents related to this Production View the Programme View the Advertising Poster

Garrick Production The Shawshank Redemption Ran Sep 14, 2023 - Sep 23, 2023 Age guidance 14+ Venue Running time Tickets Price Range Description “Remember, hope is a good thing, maybe the best of things… and no good thing ever dies”. Based on the novella “Rita Hayworth and Shawshank Redemption” by Stephen King, The Shawshank Redemption examines desperation, injustice, friendship and hope behind the claustrophobic bars of a maximum-security facility. Despite protests of his innocence, Andy Dufresne is handed a double life sentence for the brutal murder of his wife and her lover. Incarcerated at the notorious Shawshank facility, he quickly learns that no one can survive alone. Andy strikes up an unlikely friendship with the prison fixer Red, and things take a slight turn for the better. However, when Warden Stammas decides to bully Andy into subservience and exploit his talents for accountancy, a desperate plan is quietly hatched… The Shawshank Redemption was adapted for the stage by Owen O’Neill and Dave Johns. The production first debuted in Dublin in 2009. Recommended: 14+ Based on the novella “Rita Hayworth and Shawshank Redemption” by Stephen King and sexual assault, suicide, violence, gambling and smoking. Reviews Upon entering the Altrincham Garrick , I was immediately drawn into the chilling confines of the Shawshank Prison. The stage, impressively transformed for an amateur theatre, mirrors the grim atmosphere of a bleak, metallic prison block, further intensified by dim lighting. This ambiance, paired with the methodical procession of prisoners, sets an undeniable authentic tone. I definitely wouldn’t want to be there, and Director; Joseph Meighan has done an excellent job is creating this dirty world, where new inmates dare not step a foot out of line for fear of receiving brutal consequences. This rendition of “The Shawshank Redemption” offers a fresh perspective on Stephen King’s iconic narrative, a tale that resonates with themes of resilience and hope in the face of adversity. A lengthy stay in prison would destroy most individuals, but somehow these guys manage to cling onto hope when it seems like it’s long gone. While I was familiar with the story, this adaptation managed to breathe new life into the tale, making it feel both nostalgic and novel. The arrival of Andy Dufresne (Tom Broughton) at the Shawshank sets the cats amongst the pigeons. He is an intelligent, well-spoken, quiet man which some inmates feel threatened by. Broughton delivers a performance marked by determination and unwavering hope. His portrayal is beautifully complemented by Lewis Sewell’s empathetic and authentic delivery of Ellis ‘Red’ Redding. Their palpable chemistry is a testament to their individual talents and the visionary direction of Meighan. They have pushed theatrical boundaries for Am dram without alienating traditional audiences. The depth and nuance given to each character in the ensemble are evidence of this. Some of the other members of the cast did seem a bit nervous – quite understandable given it was opening night. After a while, they relaxed into their roles. I will admit though I never once felt intimidated by any of the prison guards, I feel like they could have brought those authority figures to life a bit more. The play’s deliberate pacing, which often leans towards the slower side, doesn’t ever really overwhelm or excite. There are a few scenes where the pacing does lift, most notably when Brooksie (Bill Platt) attempts to set himself on fire. While this was an amateur production done to a very high standard, there were elements that I think could have been better. In particular, I think the costumes could have been better – some of them looked a bit too modern to be from the 1950s/1960s, and the prisoner numbers on the inmates’ shirts didn’t look authentic. Overall, a great production. Those expecting a classic retelling of the movie may be slightly disappointed. However, it’s hard not to salute the hard work that has gone into this show. Reviewer: Brian Madden Reviewed: 14th September 2023 North West End UK Rating: 4 Stars out of 5 It never ceases to amaze me, just how resilient the human spirit can be, especially in the face of overwhelming odds and trapped in a system that’s designed to crush you. Rehabilitation is definitely a dirty word at this grim, Shawshank jail, where inmates serve their time in filthy conditions, trying to avoid the attentions of the sodomites, perpetually stalking the prison’s dark corridors for their next victim. But things change with the arrival of a prisoner called Andy Dufresne, a refined, intelligent and articulate man, incarcerated for a double murder he claims he didn’t commit. I hope the subject matter doesn’t deter people from buying tickets for the Garrick’s new curtain raiser because Stephen King’s absorbing and at times deeply moving jail tale is life-affirming stuff. You’ll also miss some powerful performances from, in particular, Tom Broughton as Dufresne and Lewis Sewell as his best friend Red. There’s a natural and easy chemistry between these two, a tribute to their own talent and a man who has for me, re-defined what amateur theatre is and should be about, Joe Meighan. For Meighan, the Garrick’s artistic director, there’s no such thing as forbidden theatrical territory, daring to be different, while not alienating theatregoers with more mainstream tastes. Steven Finney is outstanding as the seemingly pious Warden Stammers and Pete Brassington’s performance as head thug Bogs Drummond is his best on the Garrick stage to date. How churlish it would be for me not to mention Bill Platt as the prison librarian Brooksie, a librarian for whom books are his reason for living. Utterly compelling, this prison masterpiece. Do not miss. Star rating - 4/5. Rick Bowen stagestruck.info Altrincham Garrick have transformed their stage rather convincingly, into a dank, dark, grey, bare and metallic prison block inside the Shawshank Penitentiary in Maine, USA. This foreboding and sparse set, together with low-key lighting, a little haze, and no auditorium music is what greets us as we take our seats this evening. The prison guard walks the prisoners in and they file into their cells one by one. It's sombre, it's ritualistic, and it is scarily real. This is 'The Shawshank Redemption', a stage adaptation of the classic Stephen King novel and award-winning film that followed. However this was my first visit to 'The Shank' .I have never read the novel, nor have I seen the film. I was therefore watching this story unfold for the first time, and was always trying to second-guess the narrative; sometimes with more success than others. Directed by The Garrick's Artistic Director, Joseph Meighan, the play had moments of genius juxtaposed with moments of tedium. I was watching a play which was at times hard-hitting and realistic with the actors performing naturalistically, whilst at times we transcended this and were transported into the realms of theatrical and presentational acting. Perhaps this was deliberate, but I am not convinced that it worked. Admittedly, this was opening night, and so the actors might well have been a little more tentative than once the play beds in, but still, there were many long gaps and "thought" pauses, especially between scenes as the cast were tasked with bringing set items in and out. The pace was set right from the start as slow, and sadly, it never truly moved out of this the whole evening. Moments of genius (and pure theatricality) did pop up occasionally, and Brooksie's attempted suicide was one such highlight. Although I found the play dynamically rather pedestrian, the characters were clearly defined, the ennui and quotidian routine of the prison well observed, and the storyline clear and nicely signposted. Taking the lead role of Andy Dufresne in this brave and bold production (which pulls absolutely no punches!) is the quietly confident and continually hopeful Tom Broughton, whilst the narration and equally important role of Ellis 'Red' Redding was played by a sympathetic and believable Lewis Sewell. It is a large, all male, ensemble cast, and everyone on stage knew their roles well and how they fit into the play. They all had backstories, and all were fully-rounded characters which is in itself, a very important aspect of this production, and credit here to Meighan for bringing this to bear. The action of the play takes place over a twenty year period, and the audience is asked to use their suspension of disbelief in this regard, however, none of the cast age either physically or visually, which, perhaps would have been the cherry on the icing if they had. With a couple more performances for this play to 'bed in' and the actors to pick up on their cues, lifting the pace a little where needed, this will be a very compelling, forthright, and uncompromising piece of theatre. Reviewer - Matthew Dougall September 15, 2023 number9reviews.blogspot.com Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production A Christmas Carol - A Ghost Story Ran Nov 20, 2023 - Nov 25, 2023 Age guidance Venue Running time Tickets Price Range Description A winter ghost story? Bah humbug! It's Christmas Eve. As the cold, bleak night draws in, the penny-pinching Ebenezer Scrooge is confronted by the spirit of his former business partner, Jacob Marley. Bound in chains as punishment for a lifetime of greed, the unearthly figure explains it isn't too late for Scrooge to change his miserly ways in order to escape the same fate. But first he'll have to face three more eerie encounters... Mark Gatiss' spine-tingling adaptation is faithful to the heart and spirit of Charles Dickens' much-loved festive ghost story – with an emphasis on the ghostly. Recommended: 10+ Production Shots - Taken by Martin Ogden Reviews Number 9 - John Waterhouse The story of the miser Scrooge’s redemption has become as much a part of Christmas as Santa Claus, festive decorations and mince pies. The amount of adaptations and versions almost rival any Shakespeare play with the Muppets, Blackadder and East Enders each having famously presented their take on the story alongside countless film and TV versions with the lead role going to actors as varied as Michael Caine, Patrick Stewart, George C. Scott and Albert Finney. There have been musical adaptations, animations, comedy versions and modern re-settings (notably Scrooged in 1980’s New York with Bill Murray). Against all this, Altrincham Garrick presented a new adaptation that aimed to be as true as possible to the original 1847 story. The look of this production was very ‘gothic’ with a grey set (resembling cold stone), black costumes and a sombre appearance of bookcases covered in drapes and papers littering the stage floor. This was in keeping with Dickens’s own views of the harshness of life in Victorian times and there was no attempt to find humour in any of the characters or their surroundings. A key aspect of this production was the presentation of Scrooge; not an amusingly grumpy miser but an aggressive tyrant who was not above hitting people with his stick and striking fear into those who encountered him. Jonathan Black’s interpretation of Scrooge ensured that he could not attract any kind of tragic sympathy; this was a genuine villain in a world of cruelty and injustice. No attempt was made however to change the traditional countenance of the ghosts who respectively for Christmas’s past, present and future were a whimsical fairy, a jovial character modelled on Father Christmas and the Spirit of Death. A perhaps unusual aspect of this rendition of A Christmas Carol was the transformation, once Scrooge has seen the error of his way. His glee at finding himself still alive and not too late for Christmas was in greater contrast than usual to his former self, with the character suddenly transforming from a figure of hate to one of sympathy (certainly in sharp contrast to many other adaptations!). This change was carried through into the overall show with all the characters suddenly appearing in vibrant reds, blues and greens rather than uniform sombre black. This effect was further enhanced by the sudden appearance of a choir and hand-bell ringers; everything really had gone from black & white to colour and a feeling dull morbidity transformed into celebration and good cheer. To fully tell the story, a certain amount of stylisation was needed for the stage and Gatiss used a cast of ten who variously played all the characters (apart from Scrooge) in addition to providing a narrator and collectively becoming an ensemble for street crowds, party goers, funeral mourners, and all the other presentations of life in Dickensian times. This was handled well; sometimes it being hard to tell which ensemble members had played which characters through a combination of excellent costumes and strong acting. A back curtain with slits allowed for the rapid entry and exit of the ensemble and this was overall a very slick production. Credit must also be given to some very effective sound effects that certainly enhanced the ghostly feel of the performance. This was an interesting return to the authentic concept of what A Christmas Carol was meant to be; a genuinely disturbing tale of social injustice set against the backdrop of a ghost story, tempered by some scenes of good-natured humanity and festive merriment. An enthusiastic cast and some skilful direction did full just to the adaptation providing a perfect entre for the start of the festive season. StageStruck - Rick Bowen This is a story I know backwards and yet the redemption of one of one of our most famous skinflints still captures my imagination. Jonathan Black gives the performance of his amateur acting career to date as Scrooge, a man obsessed with making money and oblivious to the plight of the poor around him. Black is ultimately convincing as a man whose money making ways are most memorably challenged by three festive spirits. Barry Purves’ production also captivated a large group of young people in the Garrick audience on opening night and will hopefully convince them to look beyond a screen for their entertainment. Scrooge’s encounters with the supernatural are also genuinely scary. I also really liked the way in which the production uses music to heighten the tension and provide a stirring seasonal climax to a hugely enjoyable evening out. Even the real life Scrooges watching this are sure to be won over and turned into fans of the impending seasonal to be cheerful thanks to the consistently creative Purves and his backstage team. But this production of A Christmas Carol isn’t just the Jonathan Black/Barry Purves show. There’s so much more to enjoy, like the performance of the supporting cast. Now here’s the bad news - the production is a complete sell out. If you hear of any returns snap them up. You certainly won’t be disappointed. This is the best Christmas present Altrincham Garrick could possibly give us theatregoers. North West End UK - Hannah Wilde The Christmas season is well and truly on now, with Altrincham Garrick’s performance of A Christmas Carol kicking off the festive roster. This production had flashes of theatrical excellence, but sadly there were a number of areas that just didn’t capture the audience in the way director Barry J C Purves would perhaps have wanted. The lead antagonist, Jonathan Black as Ebenezer Scrooge, gave a fantastically nuanced and well-delivered performance – the audience really bought into him in the first act as the well-known miser who struck fear into the heart of the people of Victorian London, yet in the second act you could really believe his redemption after seeing the spirits of Christmas Past, Present and Future. Given the supernatural nature of the story, it was a difficult narrative to portray onstage – however, director Purves and his team did put on a good show. The iconic scene where the knocker transforms into Jacob Marley’s face left a lot to be desired, but other areas (like the costume developed for the Ghost of Christmas Present, as well as the ghostly lighting and sound effects used to portray the paranormal) did give the performance more credence. That said, from a technical standpoint I do think the lead characters (Scrooge, Cratchit, Jacob Marley and Tom) would have benefitted immensely from the use of onstage microphones to keep the narrative on track. There were some areas of the show that can’t be overlooked – the stylised sequence at the Cratchit dinner table which involved some form of interpretive movement with napkins was disturbingly jarring and didn’t fit in with the overall tone and style of the piece, while the creative decision to cut to the interval just after the arrival of the Ghost of Christmas Present was equally jarring, leaving the audience (and myself) confused and a little disorientated. However, many of the elements of the show were very good – the period costumes were a great addition to set the scene, the staging was simple yet hauntingly effective, and every cast member delivered their parts with gusto and panache. Of note was the show’s finale, which saw the unexpected arrival of the full Altrincham Garrick Show Choir (led by Choir Master Dan McDwyer) to finish out the show with Victorian classic carol O Come All Ye Faithful – a fitting end to its namesake show, A Christmas Carol. All in all, although this particular Christmas Carol failed to hit all the notes, it was a very nice harmonious piece that left the audience feeling festive and fulfilled. A Christmas Carol is playing at The Altrincham Garrick Playhouse from Monday 20th to Saturday 25th November 2023 and is sold out, check daily for returns. Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production The White-Headed Boy Ran Jan 1, 1921 - Jan 1, 1921 Age guidance Venue Running time Tickets Price Range Description By Lennox Robinson CAST Gorman, Nell Hellin, Doris Hill, Arthur P Mason, Edward Matthews, Marion Thwaite Owen, Gwen Owen, Tom Pownall, Clarence Warburton, Ida Winn, Rex Wilkinson, John Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production A Taste of Honey Altrincham Garrick STUDIO 2025/26 Season - A Series of Manc Plays Ran Sep 23, 2025 - Sep 28, 2025 Age guidance 12+ Venue STUDIO Theatre Running time TBC Tickets Price Range £13 - £15 Description Written by Shelagh Delaney Directed by Carole Carr Living in a filthy tenement bedsitter, 17-year-old Jo is deserted by her nagging peroxided mother, Helen, who is unaware that her daughter is pregnant by a black sailor. To soothe, clean and cook for Jo is Geoff, an effeminate art student, with whom she makes a temporary home. Bruised by insensitivity and rejection, the boy and girl find a very real comfort in each other. A stunning portrayal of the complex bond between a mother and daughter, who – despite their sharp bickering – are both holding on for that taste of honey. This iconic play is a sharply observed portrait of working-class life in Salford in the late 1950s. Age Guidance: 12 + Warning: this production contains themes of alcohol abuse, racism, domestic violence, sexual themes, teenage pregnancy, homophobia, sexism, and ableism. Reviews "...a flowing and real depiction of an iconic and important piece of theatre" Lou Kershaw - North West End UK Click HERE to read the full review Gallery Trailer Trigger Warning Warning: 12+ This production contains themes of alcohol abuse, racism, domestic violence, sexual themes, teenage pregnancy, homophobia, sexism, and ableism. Documents related to this Production View the Programme View the Advertising Poster

Lauriston Studio The Shape of Things Ran Nov 9, 2021 - Nov 14, 2021 Age guidance Venue Running time Tickets Price Range Description Funny, intriguing, unsettling and, at times, creepy. It centres on the relationships of four young people and how these change, taking a sardonic look at our preoccupation with surface appearances. What is the relationship between morality and art – what is it acceptable to do in the name of art? When does provocation in art become attention seeking – or worse? Contains very adult language and explicit sexual references. Reviews FIVE STAR REVIEW - Rick Bowen at StageStruck NOVEMBER 10, 2021 IF there was such a thing as a degree in emotional cruelty and how to be a control freak, the cold and scheming arts student Evelyn is sure to walk away with first class honours. And the way in which she turns her doting lapdog boyfriend Adam from bumbling dweeb to fashion conscious cool dude is deeply, deeply disturbing when her real motivation for doing so emerges near the end of Neil La Bute’s exceptional and thought provoking play. Like probably the majority of the audience, I was repulsed and yet fascinated by and drawn to Evelyn, mainly in the hope she would pay for her actions. Altrincham Garrick’s intimate Lauriston Studio is the perfect setting for this wonderful piece which is a feast for the intellect while at the same time, not being smugly intellectual. The play covers everything from society’s obsession with physical perfection to love and relationships, minus the slushy stuff. Love hurts, the old saying goes. But after sitting through this I’m certain it should I’m sure you agree, come with a Government health warning. I had a chance meeting with director Geoff Holman at the theatre’s box office recently and he waxed lyrical about his very gifted young cast. Sam Evans as Adam, Annie Rogers as Evelyn, Sophie Cain as Jenny and Daniel Molnar as Philip give performances of a professional standard, thanks to both their considerable talent and that of Holman, whom I’ve always rated as a very capable occupant of the director’s chair. All four actors are engaging and believable and I hope for very selfish reasons they don’t plump for a career on the professional stage. Make sure you don’t miss this, the Garrick’s best production of the season so far. Photos by Martin Ogden. Star rating - ***** Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production A Chorus Line A musical masterpiece that revolutionised Broadway Ran Sep 8, 2025 - Sep 14, 2025 Age guidance 12 + Venue Main House Running time TBC Tickets Price Range £19 - £24 Description Seventeen Stories. Eight Chances. One Singular Sensation. New York City. 1975. On an empty Broadway stage, seventeen performers are put through their paces in the final, gruelling audition for a new Broadway musical. For everyone present, it’s the chance of a lifetime. It’s the one opportunity to do what they’ve always dreamed of – to have the chance to dance… but only eight will make the cut. Told through captivating song, riveting drama and stunning choreography, the auditionees describe the events that have shaped their lives and their decisions to become dancers. Based on real-life testimonies from late-night recording sessions with dancers, these are the lives of theatre’s unsung heroes, as they tell searing stories of ambition, shattered hopes, and what it really costs to follow your dreams. A Chorus Line is a musical masterpiece that revolutionised Broadway, winning nine Tony Awards, seven Drama Desk Awards, the New York Critics’ Circle Award and the Pulitzer Prize for Drama. Now celebrating 50 years since A CHORUS LINE first graced the Broadway stage, it is time experience a stunning new production full of heart, music and dance at Altrincham Garrick Playhouse. - Directed by Joseph Meighan - Musical Direction by Mark Goggins - Choreographed by Louise Pettitt Reviews Described as "polished, passionate, and unforgettable"; the opening production of our 2025/26 Season 'A Chorus Line' has been awarded 5 STARS from NORTH WEST END UK . "The creative team deserve immense credit. The lighting and sound were flawless, enhancing the minimalist staging with atmosphere and precision. Glittering costumes in the finale brought that Broadway dazzle, and the audience responded with thunderous applause and cheers. Louise Pettitt’s choreography deserves high praise. Every number was tight, synchronised, and visually stunning". "The musical backbone of the show came from Mark Goggins and his 14-piece live band, who played with energy, precision, and flair." "A thoroughly enjoyable evening, delivered by a sensational cast and creative team. Quite simply, this ‘A Chorus Line’ was theatre at its very best – uplifting, heartfelt, and unforgettable." Katie Leicester at NORTH WEST END UK - Read the full review HERE "IT’S hard to believe this show is 50 years old. Despite its age, its power to move, amuse, entertain and exhilarate remains as strong as ever thanks to a sumptuous score and a very stirring dance finale that raised the roof at the Garrick on opening night." "Unmissable, high quality entertainment." Rick Bowen at STAGESTRUCK - Read the full review HERE Gallery Trailer Trigger Warning Warning: This performance contains haze, loud music, discussion of bereavement, mention of physical violence and abuse, discussion of homophobia, discussion of discrimination, strong language, and discussion of sexual abuse. This production contains some references and language that may be unsuitable for younger children. Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Goldilocks & The Three Bears A rip-ROARing Panto FUR all the Family! Ran Dec 5, 2025 - Jan 4, 2026 Age guidance 3+ Venue Main House Running time Tickets Price Range £15 - £19 Description Roll up! Roll up! The Circus is in town! Dame Gertie Dollop runs a Circus show with her son - Silly Billy, but they have fallen on hard times particularly with the dastardly Ringmaster Heinkel, owner of the rival 'Circus of Horrors' up to his devious old tricks. Goldilocks dreams of running away with the circus but her father the debt-collecting Baron Wasteland won't allow it and demands the overdue pitch fees from Gertie and Billy. They need a miracle however after their honeypot full of money is taken in the middle of the night by three porridge hungry, talking bears. Could the bears be the new star attraction Dame Gertie has been searching for? And can Mystic Sharon with her crystal ball see a future for the Circus and save the day? Well, there’s only one way to find out! Head down to the Altrincham Garrick Playhouse for the big top pantomime that's just right! Reviews Stage Struck - Rick Bowen "...a cast who made it their mission to ensure the kids, even the big ones, left the theatre with a smile on their faces." Gallery Trailer Trigger Warning Contains loud noises, flashing lights, pyros and special effects. Documents related to this Production View the Programme View the Advertising Poster

Garrick Production RELAXED PERFORMANCE of The Worst Witch RELAXED PERFORMANCE of this family fun, stage adaptation of Jill Murphy's classic story Ran Apr 13, 2025 Age guidance Recommended 7+ Venue Main House Running time TBC Tickets Price Range £13 - £18 Description WHAT IS A RELAXED PERFORMANCE? If you are a parent, guardian, or work with people with learning or sensory disabilities – such as those on the autism spectrum – you’ll know how difficult it can sometimes be for them to attend regular theatre performances; loud noises, lighting effects and large crowds can make stage shows overwhelming. At Altrincham Garrick Playhouse, we believe that everyone should be able to experience the magic and wonder of live theatre, and our Relaxed Performance will provide the same magical show but with an atmosphere and attitude in the auditorium that makes everyone feel comfortable and safe. WHAT TO EXPECT FROM OUR RELAXED PERFORMANCE: At a Relaxed Performed, you are free to: - Come and go from the auditorium as you wish, even during the show - Express yourself as loudly as you like, or with physical movement, without judgement - Access the Theatre and auditorium early. You’ll also notice that we will reduce the sound and lighting to lessen sensory overload, and no pyrotechnics or loud bangs will appear in the performance. Adapted from Jill Murphy’s original books by Emma Reeves. With Music by Luke Potter. Directed by Kay Valentine Before Harry Potter exploded onto the scene there was another seemingly ordinary child, Mildred Hubble, who wound up in the most extraordinary of places… A school for witches! Now its time for you to join the world of magic and mayhem at Altrincham Garrick Playhouse this Easter Holiday! Currently in her final year at Miss Cackle’s Academy, accident prone Mildred and her fellow pupils are about to embark on their biggest adventure yet… When Mildred and her friends decide to put on a play about their experiences as witches in training, mayhem inevitably ensues. Jealous Ethel Hallow is always out to spoil Mildred’s fun. Stern Miss Hardbroom is opposed to all fun in general. Worst of all, an old enemy returns with a plan for revenge that could threaten not just the Academy, but the whole world. Featuring all of Jill Murphy’s beloved characters, this action-packed new stage adaptation by Emma Reeves includes original music, magic and the beloved Mildred. The Worst Witch premiered at Royal & Derngate, Northampton in 2019 and toured the UK before transferring to London’s West End later that year. The production then went on to win the Olivier Award for Best Family Show in 2020! Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Cinderella - A GAPA Spring Pantomime A classic Fairytale Panto style, performed by our Youth Academy Ran Mar 11, 2024 - Mar 17, 2024 Age guidance 3+ Venue Main House Running time TBC Tickets Price Range £2 - £8 Description Performed by the Garrick Academy of Performing Arts (GAPA) Join all your favourite Pantomime characters and be amazed as our fantastic GAPA students bring the magic of Panto to Altrincham ! Filled with songs, comedy, dance and much more, this will be a hugely entertaining production of the classic fairytale! Monday 11th March 2024 - 7:30pm - Groups 3 & 6 (ages 14-18 years) Tuesday 12th March 2024 - 7:30pm - Groups 2 & 5 (ages 11-14 years) Wednesday 13th March 2024 - 7:30pm - Groups 3 & 6 ( ages 14-18 years) Thursday 14th March 2024 - 7:30pm - Groups 2 & 5 (ages 11-14 years) Friday 15th March 2024 - 7.30pm - Groups 3 & 6 (ages 14-18 years) Saturday 16th March 2024 - 2.30pm (Matinee) - Groups 1, 4 & 7 (ages 5-11 years) Saturday 16th March 2024 - 7:30pm - Groups 2 & 5 (ages 11-14 years) Sunday 17th March 2024 - 2:30pm (Matinee) - Groups 1, 4 & 7 (ages 5-11 years) Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Visiting Production Altrincham Garrick Show Choir Presents 100 Years of Broadway A Choir concert guaranteed to leave you smiling long after the final curtain falls! Ran Jul 16, 2026 Age guidance All ages welcome Venue Main House Running time TBC Tickets Price Range £16 Description Join us as Altrincham Garrick Show Choir takes a journey through 100 Years of Broadway! Our choir is back for its most ambitious concert to date with tunes from Oklahoma, The Sound of Music, Cats, Sweeney Todd, Grease, Mamma Mia, Wicked and many more. The choir will be accompanied by the amazing Untold Orchestra - one of Manchester’s most dynamic orchestras - and led by musical director Dan McDwyer. So get your tickets as we start from the very beginning - it is, after all, a very good place to start. “Altrincham Garrick Show Choir received a well-deserved standing ovation… everyone left feeling uplifted and rejuvenated” - Number 9 Reviews. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Jumpers for Goalposts A hilarious and heart-warming comedy Ran May 9, 2022 - May 14, 2022 Age guidance Venue Running time Tickets Price Range Description A hilarious and heart-warming comedy about football, friendship and finding your way. “Barely Athletic” are part of a four-team five-a-side LGBTQ+ football league which Viv, their bullish head coach, is desperate to win. Or if they can’t win, at least they should try not to lose. Chucked out of the “Lesbian Rovers” for being too bossy, she desperately tries to instil some competitive spirit into the boys. Problem is, Beardy Geoff is copping off with the opposition, Danny is nursing a painful secret, Luke only joined because he fancies Danny, and Viv’s brother-in-law Joe is trying to cope with his grief after losing his wife. Together, they might just be able to claw back up from the bottom of the league… Tom Wells’ drama bears the hallmarks of his warm comedic style, which were displayed in his previous hit play “The Kitchen Sink”, and is a paean to the virtues of friendship and love. Jumpers for Goalposts premiered at Watford Palace Theatre in 2013, before touring the UK, including a run at the Bush Theatre, London. Warning: Strong language Altrincham Garrick Playhouse is proud to support the George House Trust. Since 1985, George House Trust has been inspiring people living with HIV to live healthy, confident lives by providing HIV support, advice and advocacy services. For more information email: talk@ght.org.uk Reviews Review by Rick Bowen at Stagestruck Jumpers For Goalposts will, on the evidence of Monday night’s performance, attract a different, younger audience. For far too many years Altrincham Garrick has been seen as a safe night out for older people and the appointment of artistic director Joseph Meighan, a dynamic and adventurous twenty something, is about to change that misguided perception. A quiet revolution is taking place on Barrington Road and it feels so exciting and exhilarating to be part of it. But this theatre is working hard to get the message across that the Garrick is a theatre for everybody. All power to their elbow, say I. Jumpers for Goalposts follow the misfortunes of Barely Athletic, a five-a-side team largely made up of gay men who struggle with the basics of the beautiful game. This doesn’t stop Viv, their straight talking coach with a very short fuse, encouraging her clueless charges to try to win the league in which they play. It’s certainly a league with a difference – one team plays in drag! The play takes place in the club’s dressing room, an ideal backdrop for writer Tom Wells to delve into the private lives of the players, including a burgeoning relationship between Danny and Luke. Danny carries a secret that he feels unable to share with the childlike Luke, a lovable geek and a study in social awkwardness. Joe Meighan, who directs this engaging, absorbing and heart-warming comedy must have thought all his birthdays had come at once when Dan Ellis and Mason Lockwood turned up to audition for these roles. If anyone was ever born to play these parts it’s these two actors and Lockwood, who gets the funniest lines as Luke, displays a sense of comic timing that is simply second to none. Beverley Stuart-Cole is highly believable as Viv, Sebastian Farrell is also enjoyable as the team’s token straight man Joe, aka the keeper who couldn’t catch a cold and Lewis Sewell is perfect as the crackpot Beardy Geoff. Throughout the production the cast convinces the audience they’re watching a real football team, complete with the personality clashes you find in all organisations, sporting or otherwise. They say football is a game of two halves and that old adage can certainly be applied to Jumpers for Goalposts , with the best one liners saved for the second half. While this play contains some strong language it’s in context and gives the play a realistic feel. It’s sure to strike a chord with anyone whose set foot inside a sports club’s dressing room while not alienating those who haven’t. Great fun, with a dash of poignancy thrown in. Until May 14. Tickets are available from 0161 928 1677. Star rating **** In aid of The George House Trust. Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Oppenheimer Bio-drama about J. Robert Oppenheimer, the mastermind of the atomic bomb Ran Feb 24, 2025 - Mar 1, 2025 Age guidance Age: 14 + Venue Main House Running time TBC Tickets Price Range £10.50 - £16.50 Description By Tom Morton-Smith Directed by John Cunningham Associate Direction by Carole Carr 1939: fascism spreads across Europe, Franco marches on Barcelona and two German chemists discover the processes of atomic fission. In Berkeley, California, theoretical physicists recognise the horrendous potential of this new science: a weapon that draws its power from the very building blocks of the universe. Struggling to cast off his radical past and thrust into a position of power and authority, the charismatic J Robert Oppenheimer races to win the 'battle of the laboratories' and create a weapon so devastating that it would bring about an end not just to the Second World War but to all war. Originally written for the RSC in 2015, Tom Morton-Smith's play takes us into the heart of science, politics and humanity clashing in the propulsive story of the Manhattan Project and the development of the world’s first nuclear bombs. Reviews Gallery Trailer Trigger Warning This production contains strong language, sexual references and adult themes, including suicide, references to racism and other challenging themes. The production also contains graphic descriptions of the Hiroshima and Nagasaki nuclear attacks and aftermath, which may cause upset or distress. Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Frankenstein by Nick Dear Thrilling, gory and deeply disturbing - Please Note: Reduced seating capacity on Tuesday, Wednesday and Thursday evenings. Ran Jan 17, 2022 - Jan 22, 2022 Age guidance Venue Running time Tickets Price Range Description Directed by Barry Purves Original music score by Nicholas Peters Please Note – Reduced capacity and socially distanced seating for our Tuesday, Wednesday and Thursday evening performances of this production. Childlike in his innocence but grotesque in form, Frankenstein’s bewildered creature is cast out into a hostile universe by his horror-struck maker. Meeting with cruelty wherever he goes, the increasingly desperate and vengeful Creature is determined to track down his creator and strike a terrifying deal… Scientific responsibility, parental neglect, cognitive development and the nature of good and evil, are embedded within this thrilling, gory, deeply disturbing classic tale. Nick Dear’s adaptation of Frankenstein , based on the novel by Mary Shelley, premiered at the National Theatre, London, in February 2011 starring Benedict Cumberbatch. Warning – this play contains scenes of a graphic sexual and violent nature. Not for the faint hearted. Adapted by Nick Dear Based on the Novel by Mary Shelley CAST The Creature ... Rhys Nuttall Victor Frankenstein ... Tom Cunningham Agatha/Bride of Creature/Clarice/Ensemble ... Chloe Arrowsmith Whore’s Client/Felix/William/Ensemble ... Sam Evans Klaus/Rab/Ensemble ... Richard Ross Gustava/Oona/Argentinian vision/Ensemble ... Laura Patterson Monsieur Frankenstein/Ensemble ... Andrew Higson De Lacey/Ensemble ... Hugh Everett Mary Shelley/Gretl/Elizabeth ... Amy Lou Harris All other parts played by members of the Company Reviews Rick Bowen – Stagestruck It's the ultimate irony – only a blind man sees The Creature as a human being in Frankenstein. The rest of the world in which he strives to survive sees him as a freak, incapable of thought or feeling and the children he comes into contact with pelt him with stones. Sadly, we still live in a society obsessed with appearances which gives Mary Shelley’s classic chiller a resonance that still rings true today. This timeless tale also offers a salutary reminder, if it was needed, of scientists trying to ‘play God.’ In 30 years of reviewing amateur theatre I can’t remember a performance as deeply affecting as that of Rhys Nuttall who plays The Creature. Now I challenge anyone in the audience not to be moved by Nuttall, as he totters to his feet in the opening scene and begins a life of unmitigated torment and rejection. It may only be January but I can say this performance will not be bettered on the amateur stage for many years to come, for both its searing intensity and unbridled physicality. The scenes in which The Creature learns to speak and read and appreciate the great works of literature thanks to the patient and kindly De Lacey, his only friend in the world are beautifully played by Nuttall and Hugh Everett are perfectly played. This exceptional and deeply disturbing production by Barry Purves transports us to a world that whips away our collective comfort blanket, a world where the sun never seems to shine. Bad productions just aren’t in this man’s DNA, are they? Nick Dear’s adaptation refreshes Shelley’s wonderful novel and while it gives the original a contemporary feel it also remains faithful to it. The production contains a very disturbing scene of sexual violence. You simply must not miss this production which will move you and scare you. But the scariest thing for me was how people reacted to The Creature, for me that was the truly monstrous thing. Once again the Garrick delivers – and then some. Quite brilliant. Star rating – ***** Paul Wilcox – North West End Uk These are interesting times at the Garrick Playhouse in the leafy south Manchester suburb of Altrincham. Under the aegis of Artistic Director Joseph Meighan, their programming is broadening its appeal beyond the traditional light comedy and murder mystery, into edgier and darker territory. So, we find 2022 kicking off with an absolutely cracking adaptation of the Mary Shelley gothic masterpiece, both chilling and thought provoking and with a simply stunning central performance. Those patrons expecting a hoary old ‘Boris Karloff with a bolt through the neck’ rendition, would have been disappointed. With Direction and Set Design in the capable hands of Barry J C Purves, this was always going to be a more delicate study on the nature of humanity. By using Nick Dear’s 2011 National Theatre adaptation of the Shelley novel, placing The Creature (Rhys Nuttall) at the centre of the story gave both pace and arc to the two-hour production, dispensing with the unnecessary backstory of the creator. We begin at the moment of creation with the obsessive and compulsive Victor Frankenstein (Tom Cunningham) bringing life to the inanimate creature. The two-level set with a simple curtain is wholly black, lit with white spotlights casting long shadows onto the walls of the theatre, both effective and appropriate as it emerges from a metallic tub. From this point on Rhys Nuttall’s creature simply dominates, his performance is stunningly crafted as The Creature, with each step in his development into sentience carefully choreographed and incorporated. The movement of Nuttall around the stage in these scenes is masterful, balletic grace combined with a strength that was hypnotic to observe, as each new sensation was encountered it produced both comedy and pathos without any dialogue being required. By turns, apelike and clumsy he instils meaning into each gesture, holding the audience in rapt attention every time he is on stage. As the story progresses, we observe the best and worst of mankind. The Creature encounters both hostility and kindness wandering through the world, searching first for the answer to the question ‘Who am I?’, morphing into his quest to find his creator and create a companion in his loneliness. The scenes with De Lacey (Hugh Everett), a blind peasant who teaches The Creature to read and showing him the only warmth he encounters, are delicate and tender and his development towards humanity serves to make later scenes involving both murder and rape all the more compelling. An issue with such a strong central performance was that the parallel story of Victor Frankenstein was somewhat overshadowed in the narrative, with Cunningham needing more obsessional madness in his performance to match the physicality and dominance of Nuttall. In the same way Cumberbatch/Miller found in the original NT production, doing this allows the relationship with his fiancé Elizabeth (Amy Lou Harris) to take a more prominent part in the latter story and provide some balance. Victor Frankenstein’s story is a sorry tale of how single-minded passion can fatally cloud judgment and the play asks us whether a person is innately good or evil, or is it society which dictates our character and actions. Overall, an ambitious and successful realisation of an excellent adaptation, lifted to another level by a superb performance from Nuttall as The Creature. Amateur theatre of the very highest quality North West End UK Rating: ★★★★ Brian Madden – Number9 Mary Shelley was just 18 years old when she wrote what is now considered a classic novel; Frankenstein. 206 years since she first began writing the novel, it is still being performed in theatres around the world. Nowadays it is more associated with Hallowe’en than a cold night in January. However, I certainly was given a night to remember and think this will be a production spoken about for months to come. People often make the mistake that Frankenstein is the name of the monster, however, it is the name of the scientist who creates it. In this production the ‘monster’ is known as The Creature – a lonely figure who just wants to be loved. I’ve seen a few productions at the Altrincham Garrick over the years, and some have been beter than others, but I can hands-down say that their 2022 production of Frankenstein is the best thing I’ve ever seen on stage at the Garrick. I’d go as far as saying a professional theatre such as The Royal Exchange would have been honoured to have a production of this quality on its stage. Some people have many preconceived ideas about amateur dramatics, or as I prefer to call it ‘non-professional theatre’. However, I would ask any of those to watch the Garrick’s production of Frankenstein to challenge their views. Rhys Nuttall was absolutely sublime as ‘The Creature’. Everything about his portrayal of The Creature was just on point – his movements, posture, the way he brought the character to life. Some actors at the best of times struggle to lift the script off the page, Nuttall did it without even needing words. It came as no surprise to me that he was also the Movement Director for the production – you could tell each step he took was carefully executed. His presence was one to behold in a way it almost made the rest of the cast irrelevant. In the beginning, anyone would be scared of The Creature – a semi-naked man who can barely move or speak. However, as the story unfolds we witness him learning how to live. He meets a blind peasant played by Hugh Everett and spends a whole year in his company. It’s here where he learns to speak and almost experiences what it is like to be human. He also not only learns to read but to appreciate literature. Until then everyone just sees him as a freak, incapable of love. It’s rather ironic that it takes a blind to see this. These scenes were a pleasure to watch and just so beautiful to see two people learn so much from each other. The entire production takes the audience on a journey through the seasons. This was fantastically captured by the director; Barry J.C. Purves. I especially loved the scenes which included the elements of leaves and snow. From the word go the audience is transported to another world, which is all you can ask of any director. When you look beneath the surface Frankenstein is actually quite a sad story. The themes of loneliness and rejection are key to the production. This was my first time seeing Frankenstein performed and will most certainly be watching it again. It really got me thinking, how much have we really moved on as a society – if we see something unusual, do we try to offer to help, or do we walk away? Frankenstein does raise a lot of questions – what is it that defines good and evil? Is someone born evil, or is it something that society makes them? And ultimately what are the consequences of our actions? The production serves as a reminder that we shouldn’t tamper with things and let them be. Gallery Out of gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Jane Eyre - By Charlotte Bronte A bold and theatrically inventive adaptation of the literary classic. Ran Oct 7, 2024 - Oct 12, 2024 Age guidance 11+ Venue Main House Running time TBC Tickets Price Range £10.50 - £16.50 Description Jane Eyre Written by Charlotte Bronte Adapted by Polly Teale and Directed by Carole Carr. As a child, the orphaned Jane Eyre is taught by a succession of severe guardians to stifle her natural exuberance. A part of herself is locked away, out of view of polite society... until she arrives at Rochester's house as a governess to his young child. Soon Rochester's passionate nature reawakens Jane's hidden self, but darker secrets are stirring in the attic... A bold and theatrically inventive adaptation of the literary classic that puts the interior life of the novel on stage. Charlotte Brontë’s story of the trailblazing Jane Eyre is as inspiring as ever. Reviews 5 Stars from Rick Bowen at Stagestruck "Altrincham Garrick is theatrically the place to be at the moment. Fabulous and unmissable." To read the full review from STAGESTRUCK click below: https://www.stagestruck.info/blog/2024/10/8/jane-eyre-altrincham-garrick-1 Lou Steggals from North West End UK “a visually captivating experience that will linger with audiences long after the curtain call" To read the full review from NORTH WEST END click the link below: https://northwestend.com/jane-eyre-altrincham-garrick-playhouse/ Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production The Wizard of Oz Journey over the rainbow this October Half Term for an unforgettable family musical. Ran Oct 28, 2024 - Nov 3, 2024 Age guidance 6+ Venue Main House Running time 2.5 hours (inc. 20 mins interval) Tickets Price Range £15 - £20 Description Journey over the rainbow this October Half Term for an unforgettable family musical at the Altrincham Garrick Playhouse! Little Dorothy Gale from Kansas, like so many girls her age, dreams of what lies over the rainbow. After a freak tornado hits her quiet farmhouse home, she is whisked away to the magical land of Oz! Now young Dorothy must follow the yellow brick road to meet the mighty Wizard of Oz, who holds the power to take her home. On the way she teams up with a Scarecrow, a Tin Woodsman and a Cowardly Lion, and they all must avoid the clutches of the Wicked Witch of the West, who is trying to steal the mysterious magic slippers that once belonged to her evil sister but are now on Dorothy's feet. Based on the 1939 MGM film, this stage classic features the well-loved songs Merry Old Land of Oz , We’re Off to See the Wizard , Ding! Dong! The Witch is Dead and of course Somewhere Over The Rainbow . Travel down the yellow brick road and get your tickets now! THE WIZARD OF OZ By L. Frank Baum With Music and Lyrics by Harold Arlen and E. Y. Harburg Background Music by Herbert Stothart Dance and Vocal Arrangements by Peter Howard Orchestration by Larry Wilcox Adapted by John Kane for the Royal Shakespeare Company Based upon the Classic Motion Picture owned by Turner Entertainment Co. and distributed in all media by Warner Bros. This amateur production of THE WIZARD OF OZ is presented by arrangement with Concord Theatricals Ltd. on behalf of Tams-Witmark https://.www.concordtheatricals.co.uk Reviews Max Eden at North West End UK - 5 Star Review Click HERE Rick Bowen at StageStruck - 5 Star Review HERE Gallery Trailer Trigger Warning Contains loud noises, flashing lights and special effects. Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Home, I'm Darling Ran Oct 2, 2023 - Oct 7, 2023 Age guidance Recommended: 12+ Venue Running time Tickets Price Range Description Every marriage needs a little fantasy to keep it sparkling. But behind the gingham curtains, being a domestic goddess isn't as easy as it looks ... When Judy sets out to become the perfect 1950s housewife, the Martins are living the dream. Johnny has a beautiful wife, a beautiful home, and a promotion on the horizon. Judy is revelling in the joys of domesticity; making cakes, cocktails, and homemade marmalade. But cracks are starting to appear in this beautiful façade which threatens their domestic bliss. Home, I’m Darling was first staged at The National Theatre in 2018, winning the Olivier Award for Best New Comedy and was nominated for the UK Theatre’s Best New Play. Laura Wade’s clever play doesn’t so much sing the praises of the good old days as show us that “nostalgia ain’t what it used to be” . Reviews "With well-planned choreography, excellent attention to detail and great chemistry between the cast, this classy, thought-provoking production proved to be wonderful entertainment.” - Emma Wild Read the FULL review from North West End "Director Su Mowat has done a fabulous job on delivering this witty and entertaining Laura Wade’s play..." "Huge credit to the creative team for producing such an authentic setting of a 1950s style home, every item on the set was true to the era and intriguing to see." "Fabulous chemistry from both couplings, all working well together to produce an entertaining evening at the theatre." "Well done to all involved as it is clear that a lot of hard work and energy has gone into the production." - Katie Leicester Read the FULL review from Number 9 "Director Su Mowat must have thought all her birthdays had come at once when she attended the first day of rehearsals and she ably makes use of the talent at her disposal." "Funny, thought provoking and quietly poignant. A play not to be missed." - Rick Bowen Read the FULL review from Stage Struck Gallery Trailer Trigger Warning Warning: This production contains some strong language and adult themes. Documents related to this Production View the Programme View the Advertising Poster

Garrick Production A Vicar of Dibley Christmas: The Second Coming Following our recent smash hit production, the nations favourite chocolate loving Vicar is back! Ran Nov 18, 2024 - Nov 23, 2024 Age guidance 10+ Venue Main House Running time TBC Tickets Price Range £10.50 - £16.50 Description A Stage Play by Ian Gower and Paul Carpenter adapted from the original TV series by Richard Curtis and Paul Mayhew-Archer. Directed by Pete Brassington No, no, no, no, Yes! That’s right… Following on from our recent smash hit production of “The Vicar of Dibley” in February 2023, the nation’s favourite chocolate loving Vicar and her beloved sidekicks are back! When Hugo and Alice return from their honeymoon, Alice finds that she is putting on a little more than just holiday weight and she turns to the Vicar for advice! Geraldine is still desperately trying to bring the Dibley Parish Council to some order. After the carnage of the Village Quiz and organising a week of 'Radio Dibley', the Vicar feels she may be living on a different planet. Then just when things couldn’t get any more bizarre in Dibley, Geraldine is flabbergasted when little verger Alice actually has a good idea! Why not put on a Nativity? Why not indeed! What could possibly go wrong? A Fantastically festive and belly-laughing production awaits at Altrincham Garrick Playhouse with A Vicar of Dibley Christmas: The Second Coming! Reviews STAGESTRUCK - Review by Rick Bowen "Director Pete Brassington’s production is sure to get audiences in a festive mood. Even Victor Meldrew would raise a smile or two watching this." Click HERE to read the full review North West End UK - Review by Brian Madden “With its faithful nod to the original series and strong ensemble performances, this production of A Vicar of Dibley Christmas – The Second Coming delivers a thoroughly entertaining night of festive cheer.” Click HERE to read the full review Gallery Trailer Trigger Warning This production contains some strong language. Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Curtain Up (Musical) Celebration of all things Musical Theatre Ran Sep 20, 2021 - Sep 25, 2021 Age guidance Venue Running time Tickets Price Range Description Directed by Joseph Meighan Musical Direction By: Neil G. Bennett Curtain Up! Light The Lights! You’re invited to join a celebration of all things Musical Theatre as we kick start our Autumn/ Winter Season with a collection of your favourite songs from your favourite shows! A stylish and elegant evening of music featuring songs from “Les Misérables”, “The Phantom of the Opera”, “Wicked”, “Dear Evan Hansen”, “A Chorus Line”, “Mary Poppins”, “RENT” and more! Curtain Up will be an epic reminder that the show always goes on… Note: this was the first "proper" live show on the Garrick mainstage after the Covid-19 lockdowns of Spring 2020 and Winter 2020-2021. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Altrincham Garrick Show Choir presents - Choral Cinema: Music from the Movies Join us for an uplifting evening filled with iconic songs featured in films we know and love Ran Jan 14, 2026 Age guidance Venue Main House Running time Tickets Price Range £12 Description 🎬 Altrincham Garrick Show Choir presents: Choral Cinema – Music from the Movies with special guests Northenden Choir Get ready for a feel-good night at the Garrick as our fabulous Show Choir brings the magic of the movies to life! Also featuring the wonderful Northenden Choir. Join us for an uplifting evening filled with iconic songs from beloved films, powerful choral harmonies and unforgettable melodies, performed live on stage. An evening of iconic songs featured in films we know and love. This is the perfect night out for film lovers, music fans, and anyone who enjoys a great night at the theatre. 🎟️ Book now and let the music move you! Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Pennyroyal The Studio 2023/2024 Season - A Series of All Female Plays. Ran Jan 23, 2024 - Jan 28, 2024 Age guidance 14+ Venue Studio Running time 1 hour and 20 minutes with no Interval Tickets Price Range £12 - £14 Description “I think of my body sometimes like it's stubborn. We're not good friends. Like it's a spooky hotel, and I'm a ghost haunting it. 'Cause you don't live in a hotel, you just pass through.” When Daphne is diagnosed with Premature Ovarian Insufficiency at the age of nineteen, her sister Christine steps in to help in the only way she knows how: by donating her eggs. For a while, the world seems corrected. But as the years go by – and Daphne sets out on the long road of IVF – the sisters' relationship begins to twist. Pennyroyal is a heartrending new play by Lucy Roslyn about sisterhood and motherhood, enduring love, and regrets many years in the making. Inspired by Edith Wharton's 1922 novella The Old Maid , it premiered at the Finborough Theatre, London, in 2022. This play runs at 1 hour and 20 minutes with No Interval. Reviews 5 Stars from Rick Bowen at Stagestruck who describes the play as "Exceptional, a must see" To read the full review, CLICK HERE: https://www.stagestruck.info/blog/2024/1/23/pennyroyal-lauriston-studio Gallery Trailer Trigger Warning This production contains very strong language and some upsetting themes including infertility and IVF Treatment. Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Bleak Expectations The story Charles Dickens might have written after drinking too much gin... Ran Sep 29, 2025 - Oct 4, 2025 Age guidance Venue Main House Running time TBC Tickets Price Range £13 - £18 Description The story Charles Dickens might have written after drinking too much gin… Follow half-orphan Pip's extraordinary exploits with sisters Pippa and Poppy and best friend Harry Biscuit, as they attempt to escape the calculating clutches of the dastardly Mr Gently Benevolent, defeat the hideous Hardthrasher siblings, and deflect disaster at every turn! Will evil be vanquished by virtue? Can love triumph over hate? Mark Evans' stage play Bleak Expectations is a hilarious, chaotic caper, featuring dastardly villains, preposterous names, pulse-quickening romances, heart-rending death scenes, and definitely, probably, hopefully a happy ending. Based on the award-winning BBC Radio 4 series, the play opened at The Watermill Theatre, Newbury, in 2022, directed by Caroline Leslie. It transferred to the Criterion Theatre in London's West End in 2023, where it featured a medley of many well-known actors and comedians. - Written by Mark Evans - Directed by Pete Brassington CAST Sir Philip Bin ... Robert Crumpton Agnes Bin/Flora Dies-Early ... Ros Greenwood Thomas Bin/Bakewell Havertwitch ... Hugh Everett Pip Bin ... Luke O’Hara Pippa Bin ... Ella Muscroft Poppy Bin/Ripely Fecund ... Fiona Primrose Gently Benevolent ... Jonathan Higgs Harry Biscuit ... Tim Cooper The Hardthrashers ... Rob Clyne Skinflint Parsimonious/Broadly Fecund ... Meg Brassington Reviews 4 Stars from Dan Grimes - North West End UK “…the success of a play like this relies massively on the quality of the performances and this very strong cast did not disappoint.” And to that we say… Harrumble!!!! Read the full review HERE "Director Pete Brassington ensures his is a production with plenty of pace and both he and the cast have a natural aptitude for comedy, a genre needed as never before" Rick Bowen - Stage Struck Read the full review HERE Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Of Mice and Men A classic story of enduring friendship and hope, with themes of economic migration and racism Ran May 8, 2025 - May 18, 2025 Age guidance Recommended: 12+ Venue Main House Running time TBC Tickets Price Range £10.50 - £16.50 Description Written by John Steinbeck Directed by Joseph Meighan “Guys like us, that work on ranches, are the loneliest guys in the world. They got no family. They don't belong no place...with us it ain't like that. We got a future. We got somebody to talk to that gives a damn about us.” George and Lennie are migrants with a dream; a dream of a better life, a place where they can belong, where Lennie feels safe and George can be somebody. But this is the Great Depression, not many dreams come true in a time where a few have plenty but most have nothing. When the friends take a job on Curly’s farm, tragedy unfolds leading to a heart-breaking decision. John Steinbeck’s classic novel is more than 80 years old, but with themes of economic migration, racism, prejudice and exclusion it remains a parable for our times. A story of enduring friendship and hope. Reviews Gallery Trailer Trigger Warning This production stays true to the original novel, exposing the depths of the characters and inviting conversations around difficult topics set against the brutality of the time. It contains sensitive content including topics that cover racism, ableism, sexism, violence, assault, murder, death, plus some strong and offensive language. Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Vardy v Rooney: The Wagatha Christie Trial Footballers’ wives drama which will keep you on the edge of your seat Ran Jun 2, 2025 - Jun 7, 2025 Age guidance 12+ Venue Main House Running time TBC Tickets Price Range £10.50 - £16.50 Description Adapted by Liz Hennessey Directed by Dan Ellis A story stranger than fiction that blurs the boundaries of tabloid scoop, court case and soap opera, The Wagatha Christie Trial explores privacy and celebrity in modern Britain. On 9 October 2019, Coleen Rooney publicly accused Rebekah Vardy of selling stories about her to The Sun. The four words "It's.......... Rebekah Vardy's account" sent shockwaves across British and global press. Nobody could have expected the social media scandal to grow so large. On 10 May 2022, the "Wagatha Christie" trial commenced. Over seven days, the libel court case saw Vardy and Rooney remark on each other's lives, with much of it documented heavily in the press. Only a handful of people witnessed what happened behind the closed doors of this footballers’ wives drama and now you can too in this hilarious (and slightly tacky) court room comedy! You'll be on the edge of your seat as you relive the high-profile case, filled with drama, intrigue, and scandal. Vardy V Rooney: The Wagatha Christie Trial was first performed at the Wyndham’s Theatre in the West End in 2022 before a UK and Ireland tour. Recommended: 12+ Warning: This production contains some strong language and adult themes. Reviews Gallery Trailer Trigger Warning This production contains some strong language and adult themes. Documents related to this Production View the Programme View the Advertising Poster

Online Streaming Ross & Rachel - By James Fritz Ran May 10, 2021 - May 15, 2021 Age guidance Venue Running time Tickets Price Range Description Filmed on stage at the Altrincham Garrick Playhouse. Streamed into your homes. Please note that a unique YouTube Link will be sent to you one hour before the start of the performance. Ross & Rachel . You know the ones. Will they? Won’t they? On. Off. On again. Off again. On a break. Vegas. Emma. “I got off the plane”... Ross & Rachel tells the mind-bending, heart-breaking story of what happens when a couple that was always meant to be together, gets together. And stays together. James Fritz’s play isn’t about Ross Geller and Rachel Green, the ultimate Friends-turned-lovers. But it’s not - not about them. A dark and uncompromising play that explores romance, expectation and mortality, and the idea of ‘happy-ever-after’ – sold to us by rom-coms and sitcoms, whether it’s Ross and Rachel or Romeo and Juliet – and how this affects our real-life relationships. Suitability: 14+ Contains strong language and adult themes which some viewers may find disturbing. ---------- No one told them life was gonna be this way... Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Lauriston Studio Bombshells Ran Sep 26, 2023 - Oct 1, 2023 Age guidance Venue Altrincham Garrick Studio Running time Tickets Price Range Description Six women on the edge - of greatness, of love, and their sanity. These monologues showcase six women balancing their inner and outer lives with humour, poignancy and depth. Meet Meryl who fears she is the world's worst mother; Tiggy who has taken refuge in her local cacti- appreciation society; Mary who refuses to be upstaged by her arch-nemesis; Theresa who couldn't be more excited to be in her wedding dress; Winsome who has grown tired of being 'one of the widows'; and, finally, Zoe who wants you to know that despite what you've heard, she's back and better than ever! Delve into each character's life as they bare their most urgent wishes and thoughts - at times hilarious and, at others, heart breaking. Bombshells tells riveting personal stories that everyone can find themselves in, for better or worse... Reviews Number 9 Reviews Following on from last Season’s successful all-LBGTQ+ productions, Altrincham Garrick Studio opens this year’s Season of all female themed plays with 'Bombshells' by Joanna Murray-Smith. Originally written as a one woman show, the play features six monologues; a schoolgirl, a bride, a hassled young mother, a widow, a suburban divorcee, and a has-been cabaret singer. Six stories, six ages of woman, six insights, six emotional states. I love a monologues structure. It allows the actor an intimacy of connection that isn’t usually experienced in a traditional play and for the audience it can be electric. If the quality of the writing and the quality of the performance are strong, Bingo! You have yourself a hit. Joanna Murray-Smith has, in these six monologues, create a very entertaining, humorous and contrasting work. Each woman has her own insight, her own experience, her own denial, her own victories and failures, her own fears and joys. First we meet Meryl (Eilidh Pollard) mother of three very young children. We wake with her at 6.07am when her crying baby starts the day and we stay with her for 24 hours until 6.07am the next morning when the whole routine (or lack of) starts again. She is hassled, harassed, tired and emotional. She is overwhelmed with love for her beautiful children and the endless repetition of the tasks of the day. She craves approval, acceptance, reassurance that she is a good mum, and coffee. She is filled with self-doubt and chastises herself as a selfish woman for ever considering her own needs; for ever being anything other than a slave to mother and wifehood. Pollard portrays well a loving woman who is under pressure. Her interactions with her children are well expressed and she uses her voice effectively and understands the rhythm and psyche of the character. I would have liked to have seen a more realistic handling of her ever present, milk demanding baby with a more realistic and believable baby prop. I think it would have allowed more moments of change of pace for her by utilising her breastfeeding regime and given contrast to the frantic pace of her day. Next we meet Tiggy. (Lindsay Barker) Shy, sad Tiggy. Poor lonely Tiggy. Abandoned, angry Tiggy. Her husband Harry has left her for a much younger woman and in response she has embraced the world of cacti and succulents by joining a local appreciation society. She gives talks about them in local community centres. She comes alive when speaking on this her specialist subject. Barker conveys a gentle, shy woman who is kind and thoughtful, sweet and gentle, but much like a cactus if you catch it the wrong way, a sharp, stabbing painful moment can occur at any time. There is a vulnerability about her that Barker portrays effectively. Young Mary O’Donnell (Ciara-Alexandra Booker) is the MOST talented girl in her school. She can sing and dance like no other and is hotly tipped to win the prestigious St Bridget’s Annual Talent Contest as she did last year, and the year before. When her nemesis Angela McTerry unexpectedly performs the very song and dance routine that Mary has been preparing, she has minutes to decide what to do as an alternative performance. It’s not a problem. She is talented, almost a professional, she will cope. If Meryl Streep can, she can. What unfolds is hilarious, well judged and sweetly psychopathic. Booker excels in this performance. Just like Les Dawson’s piano playing – you have to be pretty good to be able to do it that badly and Booker was THAT good. Theresa McTerry (Kim Armston) is The Bride. Today is the happiest day of her life. We see her prepare excitedly for her wedding telling us of how she has planned this moment since being a young girl. As she dresses herself for this, the most important day of her life, we share her excitement and anticipation. But as the moment comes and she steps into the ceremony her doubts and fears begin to emerge with great comedy. Turns out she hasn’t really thought much beyond the dress and Amston portrays this role with great humour and nicely timed focus. As the ceremony moves to the reception her state of mind declines and her desperation to escape her reality hits home. It really WAS all about the dress and her journey from giddy girl to desperate woman is laid bare. It is a nicely jugged and well paced performance Winsome (Sarat Broughton) is a widow. Her widowhood defines her as she copes with life following the death of her husband. She surrounds herself with the company of other widows and falls into a fixed routine of activity that seems to function as an anaesthetic to her pain and loss. When volunteering for a local Blind Society, reading books to it’s members, she meets Patrick, a much younger man. Gradually he seduces her and an awakening occurs that is both unexpected and beautiful. It takes some skill to perform a seduction alone on a stage and I must applaud Broughton for her portrayal. Her movement, vocal expression and nuanced performance was for me, impressive. Zoe Struthers (Annabel Fox) is a Diva. An ageing, alcoholic diva who is past her best. We witness her swansong, a final performance for her adoring fans. She is demanding, self pitying, deluded and drunk. She laps up the adoration and manipulates it to suit her many needs. A monologue which is styled with audience banter inserted between songs this could have been a final showstopper. For me, Fox did not quite deliver. Her tragic performance needed to be much bigger, bolder, drunker and more Diva-esque. Basically, more Liza Minelli. In conclusion, I did enjoy this show. The intimacy of this lovely studio worked very well for this piece of theatre and there was a lovely connection with an appreciative audience. Between the monologues, actors repositioned the stage for the next performer and for me this did not work and lacked directorial imagination. Connections could have been made using these moments and I felt clear opportunities were lost. This was a shame as there was some real talent amongst a generally good cast. The piece was entertaining and enjoyable. It was good. It could have been great. Reviewer - Lou Kershaw on - 27.9.23 Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production The Addams Family: Young@Part - A GAPA Academy Performance This production is being performed by GAPA our Youth Academy of children Ran Mar 17, 2025 - Mar 23, 2025 Age guidance Family Production Venue Main House Running time TBC Tickets Price Range £7 - £9 Description The Garrick Academy of Performing Arts presents The Addams Family - Young@Part This GAPA production is being performed by our Youth Academy of children aged between 5 - 18 years. Celebrate the wackiness in every family with this epic, hilarious Broadway musical! Wednesday Addams, the ultimate princess of darkness, has grown up and fallen in love with a sweet, smart young man from a respectable family whom her parents have never met. She confides in her father and begs him not to tell her mother. Now, Gomez Addams must do something he’s never done before– keep a secret from his beloved wife, Morticia. Everything will change for the whole family on the fateful night they host a dinner for Wednesday’s “normal” boyfriend and his parents. Monday 17th March 2025 at 7.30pm - GROUP 3 & 6 (Performers aged 14 - 18 years) Tuesday 18th March 2025 at 7.30pm- GROUP 2 & 5 (Performers aged 11 - 14) Wednesday 19th March 2025 at 7.30pm- GROUP 3 & 6 (Performers aged 14 - 18 years) Thursday 20th March 2025 at 7.30pm - GROUP 2 & 5 (Performers aged 11 - 14) Friday 21st March 2025 at 7.30pm - GROUP 3 & 6 (Performers aged 14 - 18 years) Saturday 22nd March 2025 at 2.30pm - GROUP 1, 4, 7 (Performers aged 5 - 11 years) Saturday 22nd March 2025 at 7.30pm - GROUP 2 & 5 (Performers aged 11 - 14 years) Sunday 23rd March 2025 at 2.30pm - GROUP 1, 4, 7 (Performers aged 5 - 11 years) Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production RELAXED PERFORMANCE of The Curious Incident of the Dog in the Night-Time RELAXED PERFORMANCE - A touching and bleakly humorous tale, performed by The Garrick Ensemble Ran Feb 9, 2025 Age guidance 12+ Venue Main House Running time TBC Tickets Price Range £10.50 - £12.50 Description Christopher, fifteen years old, stands beside Mrs Shears’ dead dog. It has been speared with a garden fork, it is seven minutes after midnight, and Christopher is under suspicion. He records each fact in the book he is writing to solve the mystery of who murdered Wellington. He has an extraordinary brain and is exceptional at maths, but he is ill-equipped to interpret everyday life. He has never ventured alone beyond the end of his road, he detests being touched, and he distrusts strangers. But Christopher’s detective work, forbidden by his father, takes him on a frightening journey that turns his world upside-down. Simon Stephens’ adaptation of Mark Haddon’s bestselling, award-winning novel, The Curious Incident of the Dog in the Night-Time offers a richly theatrical exploration of this touching and bleakly humorous tale. Age: 12 + Warning: This production contains themes and depictions that may be distressing to some audience members, including descriptions of physical and emotional abuse, discussions of mental health and disability, and strong language. The production also features loud noises and some moments of sensory intensity, reflecting the content of the novel and autistic experience. These will be heavily toned down or removed for the Relaxed Performance. WHAT IS A RELAXED PERFORMANCE? If you are a parent, guardian, or work with people with learning or sensory disabilities – such as those on the autism spectrum – you’ll know how difficult it can sometimes be for them to attend regular theatre performances; loud noises, lighting effects and large crowds can make stage shows overwhelming. At Altrincham Garrick Playhouse, we believe that everyone should be able to experience the magic and wonder of live theatre, and so we are proud to be producing a Relaxed Performance for THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME which will deliver the same theatrical experience but with an atmosphere and attitude in the auditorium that makes everyone feel comfortable and safe. Relaxed Performances are open to anyone who would benefit from a more relaxed performance environment. This may include children, young people and adults with neurodivergence such as autism, learning disabilities and other sensory or communication needs. WHAT TO EXPECT FROM OUR RELAXED PERFORMANCE: A number of adaptations will be made to the show to ensure a comfortable and enjoyable environment for everyone. These include: - Come and go from the auditorium as you wish, even during the show. - Express yourself as loudly as you like, or with physical movement, without judgement. - Access the Theatre and auditorium early. - Extra Staff on hand to support audiences during their time with us. - A quiet breakout space available before, during and after the performance. - Changes to the production’s lighting and sound including reducing the sound levels and removing any lighting that could be overpowering to lessen sensory overload. There’ll be no loud bangs during the performance. - Auditorium lighting will remain on throughout the performance. - Elements of surprise will be reduced. Altrincham Garrick Playhouse are proud to be supporting I AM with this production. At I AM , we’re dedicated to supporting autistic individuals to thrive, connect, and achieve their full potential. Based in the heart of Manchester, we provide tailored programmes, inclusive activities, and vital resources that empower autistic children, young people, and adults, as well as their families. Together, we’re building a more understanding and inclusive community - because every voice matters. For more information visit: https://i-am-autism.org.uk Reviews Gallery Trailer Trigger Warning Age: 12 + Warning: This production contains themes and depictions that may be distressing to some audience members, including descriptions of physical and emotional abuse, discussions of mental health and disability, and strong language. The production also features loud noises and some moments of sensory intensity, reflecting the content of the novel and autistic experience. These will be heavily toned down or removed for the Relaxed Performance. Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Let The Right One In A dark coming of age vampire love story, performed by The Garrick Ensemble. Ran Feb 5, 2024 - Feb 10, 2024 Age guidance 14+ Venue Main House Running time 2.5 hours (inc. 20 mins interval) Tickets Price Range £10 - £16 Description "Are you going to invite me in? …Can I come in?" Oskar is a bullied, lonely, teenage boy living with his mother on a housing estate at the edge of town, when a spate of sinister killings rocks the neighbourhood. Eli is the young girl who has just moved in next door. She doesn't go to school and never leaves the flat by day. Sensing in each other a kindred spirit, the two become devoted friends. What Oskar doesn't know is that Eli has been a teenager for a very long time… A dark and visceral coming-of-age vampire love story, based on the acclaimed novel by John Ajvide Lindqvist and cult film. Jack Thorne's adaptation of Let The Right One In premiered in June 2013 at the Dundee Rep Theatre in a production by the National Theatre of Scotland, before transferring to London's Royal Court Theatre in November 2013. It won the South Bank Sky Arts Award for Theatre in 2014. By arrangement with Marla Rubin Productions Ltd. This production is performed by THE GARRICK ENSEMBLE. The Garrick Ensemble is a company of 18 – 30 year old aspiring actors from Greater Manchester and Cheshire who perform one production each year as part of the Altrincham Garrick Playhouse Main House Season. The production will be directed by Artistic Director Joseph Meighan. The Garrick Ensemble aims to make theatre that is fresh, innovative and exciting. See the very best of local, up and coming talent before they move forward in the next stages of their careers in the Arts. Reviews 5 Stars from Rick Bowen at Stagestruck - “You simply must see this.” Read the full review HERE Gallery Trailer Trigger Warning This production contains loud noises, strong language and mature themes including the depiction of blood, extreme violence and bullying. Some scenes may make the audience jump. Not for the faint hearted. Documents related to this Production View the Programme View the Advertising Poster

Garrick Production The History Boys - By Alan Bennett Set in the 1980's, The History Boys is a coming of age story about a group of 6th formers. Ran Sep 16, 2024 - Sep 21, 2024 Age guidance 14 + Venue Main House Running time TBC Tickets Price Range £10.50 - £16.50 Description Written by Alan Bennett Directed by Su Mowat Set in the 1980's, The History Boys is the story of a group of bright, funny and unruly sixth-formers in pursuit of sex, sport and a place at university. Their maverick English teacher is at odds with the young and shrewd supply teacher, whilst their headmaster is obsessed with results and league tables. Staffroom rivalry and the anarchy of adolescence overflow, provoking not only universal questions about the nature of history and how it is taught but also questions about the purpose of education today. Their A Levels may be over, but the real learning has just begun… Celebrating it’s 20th Anniversary and hailed as “one of the finest plays Alan Bennett has ever written”, The History Boys opened at the National Theatre in 2004 to rave reviews, a sell-out run and went on became one of their biggest ever hits, winning over 30 major awards including the Olivier and Tony Awards for Best New Play. In a recent national survey this comic masterpiece was voted the nation’s favourite play. Reviews “Alan Bennett’s multi award winning play launches the Garrick’s season in spectacular fashion and the curtain call at the end made me feel I was at a pop concert. The noise, the out pouring of appreciation from the audience very nearly lifted the theatre roof off.” - Rick Bowen Read the full review by StageStruck https://www.stagestruck.info/blog “At its best, The History Boys is thought provoking and challenging. This production is just that….. Audiences still crave an accomplished The History Boys production. The Garrick Playhouse have, once again, delivered.” - Peter Ruddick North West End UK Gallery Trailer Trigger Warning This play contains strong language and adult themes, including sexual misconduct and discussions about sensitive historical events. Documents related to this Production View the Programme View the Advertising Poster

Garrick Academy Disney's Beauty and the Beast JR. An enchanting musical performed by The Garrick Academy of Performing Art Students (GAPA) Ran Mar 18, 2026 - Mar 22, 2026 Age guidance Venue Main House Running time Tickets Price Range £9 - £11 Description ✨ “BE OUR GUEST!” AT BEAUTY AND THE BEAST JR. ✨ 🌹 Performed by our talented GAPA Youth Academy, with each performance showcasing a different age group of students. Step into the enchanted world of Disney’s Beauty and the Beast JR. , a heartwarming 60-minute musical based on the beloved 1991 animated classic and the Tony®-nominated Broadway production. Join Belle, a bright and courageous young woman, as she discovers an enchanted castle and its mysterious master - the Beast, a prince trapped under a powerful spell. To break the enchantment, the Beast must learn to love and be loved in return… before the final petal falls. Along the way, Belle befriends the castle’s delightful enchanted staff, including a warm-hearted teapot, a dazzling candelabra and a rather anxious mantel clock. With their help, Belle and the Beast uncover a friendship and a love neither expected. Featuring iconic songs such as “Be Our Guest,” “Belle,” and favourites from the Broadway musical, this magical tale is perfect for audiences of all ages. 🌹 A story of courage, kindness, and believing in the beauty within — brought to life by our brilliant young performers. Don’t miss this joyful, family-friendly musical adventure! Performance Schedule Wednesday 18th March at 7.30pm: Group 3 - Students aged 14 - 18 years Thursday 19th March at 7.30pm: Group 6 - Students aged 14 - 18 years Friday 20th March at 7.30pm: Group 2 - Students aged 11 - 14 years Saturday 21st March (Matinee) at 2.30pm: Group 1 - Students aged 8 - 11 years, supported by our GAPA Minis aged 5 - 8 years Saturday 21st March (Evening) at 7.30pm: Group 5 - Students aged 11 - 14 years Sunday 22nd March (Matinee) at 2.30pm: Group 4 - Students aged 8 - 11 years, supported by our GAPA Minis aged 5 - 8 years Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Pomona Altrincham Garrick STUDIO 2025/26 Season - A Series of Manc Plays Ran Mar 24, 2026 - Mar 29, 2026 Age guidance 16+ Venue STUDIO Theatre Running time TBC Tickets Price Range £13 - £15 Description Written by Alastair McDowall Directed by Mark Goggins Step into the haunting depths of Manchester’s underbelly, where evil lurks and danger is around every corner. Welcome to Pomona —a place where dreams are overshadowed by darkness. Join Ollie on her desperate quest to find her sister, who has mysteriously vanished. As she navigates this treacherous world, she encounters a cast of unforgettable characters, each hiding secrets that twist reality in unexpected ways. In Pomona , nothing is as it seems. Here at the centre of everything, journeys end and nightmares are born. Age Guidance: 16+ Warning: this production strong and offensive language, and contains scenes that some audience members may find disturbing including violence, blood, kidnapping, death, forced pregnancy, human trafficking, and references to pornographic content, sexism, sexual assault, suicide, and abuse. Reviews Paul Wilcox - North West End UK “An unsettling, intellectually rich and unexpectedly beautiful production — and one that lingers long after the final moment.” “That Altrincham Garrick has chosen to stage such a challenging and unconventional work is notable in itself. That it does so with such clarity, confidence and imaginative flair is genuinely impressive.” Read the full review HERE Rick Bowen - Stagestruck "I’ve seen numerous musicals directed by Mark Goggins and productions of this quality remind me of just how multi-talented he is." Read the full review HERE Gallery Trailer Trigger Warning Warning: this production strong and offensive language, and contains scenes that some audience members may find disturbing including violence, blood, kidnapping, death, forced pregnancy, human trafficking, and references to pornographic content, sexism, sexual assault, suicide, and abus Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Translations The Irish Studio Season: A Drama about community, culture and language Ran Jun 10, 2025 - Jun 15, 2025 Age guidance 12+ Venue Altrincham Garrick Studio Running time TBC Tickets Price Range £12.50 - £14.50 Description Written by Brian Friel Directed by Charlie Tomlinson It’s August 1833. The pupils have gathered in a hedge-school in the townland of Baile Beag/Ballybeg; an Irish-speaking community in County Donegal which has become the unlikely focal point for a changing world. Progress is coming. Tensions are growing. There are plans for a new English-speaking national school and a recently arrived detachment of the Royal Engineers are making the first Ordnance Survey. For the purposes of cartography, the local Gaelic place names are to be recorded and rendered into English… Brian Friel’s modern masterpiece Translations examines the fractious relationship between people and nations through the lens of language and (mis)communication. Please contact our Box Office on 0161 928 1677 or email boxoffice@altrinchamgarrick.co.uk to book in your school or group (10 tickets or more). Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Ross and Rachel Ran May 17, 2022 - May 22, 2022 Age guidance Suitability: 14+ Venue Running time Tickets Price Range Description By James Fritz Directed by Carole Carr Performed by Fiona Primrose No one told them life was gonna be this way… Ross & Rachel . You know the ones. Will they? Won’t they? On. Off. On again. Off again. On a break. Vegas. Emma. “I got off the plane”… Ross & Rachel tells the mind-bending, heart-breaking story of what happens when a couple that was always meant to be together, gets together. And stays together. James Fritz’s play isn’t about Ross Geller and Rachel Green, the ultimate Friends-turned-lovers. But it’s not – not about them. A dark and uncompromising play that explores romance, expectation and mortality, and the idea of ‘happy-ever-after’ – sold to us by rom-coms and sitcoms, whether it’s Ross and Rachel or Romeo and Juliet – and how this affects our real-life relationships. Suitability: 14+ Contains strong language and adult themes which some viewers may find disturbing. Reviews Gallery Trailer Trigger Warning Contains strong language and adult themes which some viewers may find disturbing. Documents related to this Production View the Programme View the Advertising Poster

Garrick Production The Good Life Comedy stage play, based on the hugely popular sitcom Ran Jun 1, 2026 - Jun 7, 2026 Age guidance 10+ Venue Main House Running time TBC Tickets Price Range £13 - £18 Description When Tom and Barbara Good decide to exchange the pressures of the rat race for an alternative, more sustainable way of living, they set about turning their suburban home in Surbiton into a model of self-sufficiency. They grow their own fruit and veg, keep livestock in the garden, make their own clothes, and even generate their own electricity from manure. It's the good life for them – but not for Margo and Jerry Leadbetter, who live next door, and are desperately trying to maintain the Surbiton status quo. Jeremy Sams' stage play, based on the hugely popular sitcom by John Esmonde and Bob Larbey, reunites the well-loved characters (not forgetting Geraldine the goat) as they get themselves into and out of scrapes – some old, some new, all hilarious. Tapping into issues that resonate now more than ever, The Good Life is a witty reimagining of a television classic, with a wellyful of laughs that's sure to delight audiences everywhere. Reviews "... this is another example of the high-quality productions that have become synonymous with the Altrincham Garrick Playhouse." – Max Eden, North West End UK Read the full review HERE "You're sure to enjoy this slice of suburban silliness." – Rick Bowen, Stage Struck Read the full review HERE "Finally, a special mention should go to Geraldine the goat.... Her presence added an unexpected but highly amusing layer to the production and consistently drew audience attention." – Kathryn Gorton, Number 9 Read the full review HERE Gallery Trailer Trigger Warning This production contains mild language and adult themes. Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Dick Whittington - The Garrick Pantomime The purrrfect Christmas treat! Ran Dec 9, 2022 - Jan 2, 2023 Age guidance Venue Running time Tickets Price Range Description OUR FESTIVE SHOW FOR 2022/23 IS OUR PANTOMIME VERSION OF ‘DICK WHITTINGTON’ The Garrick Pantomime Paved With Gold! BOOKING NOW! Dick Whittington’s heading to that there London to seek his fame and fortune – he’s heard the streets are paved with gold! With his trusty cat by his side, he gets a job at Alderman Fitzwarren’s Store but the city is under attack from the most villainous vermin of them all; King Rat! With the help of his new love Alice, Fairy Bow Bells, Sarah the Cook and her silly son Idle Jack, will Dick be able to vanquish the vermin? Oh Yes he will! For this is a Garrick Pantomime after all! Book now for this purrfect Christmas treat – it’ll be a Whitting-tonne of fun! Reviews Rick Bowen at Stagestruck ALL good pantos live or die by their leads and in Conor Collins, who plays King Rat, the Garrick has an actor born to be a baddie. When I saw this. on its freezing cold opening night, Collins managed to provoke the audience into booing and hissing him with little effort on his part every time he walked onstage. Even big kids like me couldn’t resist the temptation to join in, even though us critics are meant to be a snooty, buttoned up bunch. At the other end of the spectrum there are the goodies. Ethan Beer as Dick and Hannah Dorothy as the evening’s love interest, Alice Fitzwarren. Unless you’ve had a sense of humour bypass you’ll find it impossible not to warm to Phil Edwards as Sarah the Cook and there’s a kooky bond between this panto natural and Daniel Ellis who plays his son, Idle Jack. I also really also enjoyed Bev Stuart Cole’s Fairy Bow Bells as the action careers towards it climax. It’s hard to believe Cole has been member at this theatre for more than 30 years, so fresh and invigorating is her performance. Tom Whalley’s script is a mixture of daft dad jokes and a healthy smattering of saucier lines which are aimed obviously at the adults and are sure to go over the heads of the kids. Pantos are a great way to introduce children to the theatre and there was dancing in the aisle during the musical numbers in the second half, courtesy of a group of tots who’d made it their mission to have a good time. Also, how good it was to escape from the pressures of modern life and enjoy an evening of unbridled fun. Until January 2. Tickets are available from 0161 928 1677 or www.altrinchamgarrick.co.uk Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production A Man of No Importance The Irish Studio Season: A Musical Comedy about an amdram group facing opposition from the Church Ran Mar 25, 2025 - Mar 30, 2025 Age guidance 12+ Venue Altrincham Garrick Studio Running time TBC Tickets Price Range £14.50 - £16.50 (Studio Musical) Description Book by Terrance McNally Music by Stephen Flaherty Lyrics by Lynn Ahrens Directed by Barry Purves In Dublin in 1964, bus conductor and Oscar Wilde fan Alfie has ambitions to stage Salome , despite the objections of the church hierarchy at St Imelda's, where his amateur theatre group is based. When a newcomer to town, Adele, joins his passengers, he realises he has found the right person for the title role and starts to assemble his cast. Meanwhile Alfie's sister Lily mistakes her brother's interest in Adele as romantic - she longs to have him off her hands so she can be free to marry. Little does Lily realise that Alfie's love "dare not speak its name" and the object of his affections is in fact bus driver Robbie. As opening night draws near, secrets come spilling out which threaten to shake this little community to its core. But camaraderie and the redeeming power of theatre offer a thread of hope in this story of friendship, forbidden love and finding our place in the world. Winner of the 2003 Outer Critics Circle Award for Best Musical, A Man Of No Importance is the second successful collaboration by the team of Terrence McNally, Lynn Ahrens and Stephen Flaherty, all of whom won Tony Awards for Ragtime . Reviews Rick Bowen - Stagestruck - 5 Stars Please visit: https://www.stagestruck.info/blog/2025/3/26/a-man-of-no-importance-lauriston-studio Gallery Trailer Trigger Warning This production contains depictions and themes of violence and homophobia and includes and mild language. Documents related to this Production View the Programme View the Advertising Poster

Visiting Production Jet Set Go! A high-flying British Musical Comedy Ran Jul 15, 2025 - Jul 19, 2025 Age guidance Venue Studio Running time TBC Tickets Price Range £14 - £16 Description Book and Lyrics by Jake Brunger Music and Lyrics by Pippa Cleary Directed by Richard Ross JET SET GO! Is a high-flying British musical comedy from the writers of ‘The Great British Bake Off Musical’ and ‘The Secret Diary of Adrian Mole Aged 13¾ The Musical’. Join Nicola and her fun-loving transatlantic cabin crew, as they sing up the aisles on a flight to New York you’ll never forget! Ready for take-off is new girl Melanie, who has trouble finding her feet in the air but catches the attention of lovable First Officer Paul. Fiery Puerto-Rican stewardess Julia continues her spicy love affair with arrogant pilot Jim, meanwhile Welsh Valley girl, Hayley is desperate not to be left on the shelf. Also onboard is outrageously camp Ryan who has the hots for fellow flight attendant, Richard. Unfortunately, he is more interested in the Italian sitting in 26C. Head flight attendant, Nicola is tasked to keep control of this larger than life crew – but is she getting too old for the drama? JET SET GO! is witty, tongue-in-cheek and full of catchy tunes. It ran at Edinburgh Fringe before transferring for two sell-out seasons in London. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production It's A Wonderful Life A joyful story of love, hope and community based on the critically acclaimed Christmas film Ran Nov 17, 2025 - Nov 23, 2025 Age guidance Venue Main House Running time TBC Tickets Price Range £14 - £19 Description “You want the moon? Just say the word, and I'll throw a lasso around it and pull it down” Christmas Eve, 1946, Bedford Falls. Down-on-his-luck banker George Bailey feels life has passed him by, and he's at the end of his rope… But when George's guardian angel pays him a visit, he's amazed to discover what life in his beloved town would be like without him. Maybe it's a wonderful life, after all? Based on the critically acclaimed Frank Capra movie, which is arguably the most popular Christmas film of all time, Mary Elliott Nelson's reimagining is a joyful story of love, hope and community. A perfect way to begin the Festive period! Adapted for the Stage by: Mary Ellott Nelson Director: Barry Purves Reviews Rick Bowen - Stage Struck "While I knew exactly what was coming in act two... I felt as moved as always. This is a tribute in no small part to director Barry Purves and Jonathan Higgs who shines as George, a character who is just as angelic as the wonderfully named Clarissa Oddbody..." "Pete Grimshaw’s atmospheric music for a production that will move all who see it..." "Not to be missed" Star rating – 4.5 out of 5 Read the full review HERE Gallery Trailer Trigger Warning This production contains themes of intense financial crisis and suicide, as well as discussions of hopelessness and feeling lost, suggestions of violence, alcohol abuse and distressing arguments. Ultimately, the production is a positive and uplifting navigation through a difficult time in the main characters life journey. Age Guidance: 10+ Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Charlie and the Chocolate Factory Escape to a world of pure imagination with our October Musical Ran Oct 23, 2025 - Nov 2, 2025 Age guidance 6+ Venue Main House Running time TBC Tickets Price Range £19 - £25 Description Escape to a world of pure imagination with ROALD DAHL’S Charlie and The Chocolate Factory – The Musical . The world-famous Willy Wonka is opening the gates to his mysterious factory… but only to a lucky few. Charlie Bucket, an imaginative boy with a knack for making something out of nothing, dreams of acquiring a golden ticket to tour Willy Wonka’s magical chocolate factory and can’t believe his luck when it actually happens! Fellow contest winners: Veruca Salt, Violet Beauregarde, Mike Teavee, and Augustus Gloop, have no idea what they're getting themselves into, as they each learn valuable lessons from Mr. Wonka. Nobody leaves the same way that they arrived… Discover a magical world full of amazement, innovation, sugary treats, and, of course, Oompa-Loompas! Based on the famous novel by Roald Dahl, Charlie and the Chocolate Factory features an original score from the multi awarding-winning songwriters of Hairspray (Music by Marc Shaiman with Lyrics by Shaiman and Scott Wittman and a Book by David Greig), blended with songs from the 1971 motion picture including "Candy Man," "I've Got a Golden Ticket," “The Oompa Loompa Song," and "Pure Imagination” (Leslie Bricusse and Anthony Newley). Every ticket is GOLDEN, so book yours today! Reviews North West End UK - 5 Stars! “The Garrick’s Charlie and the Chocolate Factory is quite simply, pure escapism and is a must for all ages… With a well-deserved standing ovation, this show is a must for any musical theatre lover.” - Angela Kelly Read the full review by NORTH WEST END CLICK HERE NUMBER 9. "...the Garrick's production is just flawless and superb. ...utterly brilliant from start to finish." - Alastair Zyggu Read the full review by NUMBER9 CLICK HERE Stage Struck "...eye popping, spellbinding and uplifting production of Roald Dahl’s timeless classic." "If you add a score that’s as delicious as one of Wonka’s chocolate bars its fair to say the Garrick has a huge musical hit on its hands." - Rick Bowen Read the full review by STAGE STRUCK CLICK HERE Gallery Trailer Trigger Warning This production contains flashing lights and smoke effects. Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Present Laughter (2022) Lighthearted Comedy Ran Feb 28, 2022 - Mar 5, 2022 Age guidance Venue Running time Tickets Price Range Description CANCELLED PRODUCTION Unfortunately, our production of “Present Laughter” by Noel Coward has had to be cancelled due to an illness within the cast. The illness is not related to Covid-19 and this does not affect any other production. If you have already booked tickets to see this production, we are terribly sorry to disappoint you as we know you will have been looking forward to your visit. Our Box Office staff will be contacting everyone to advise you of your options. Please do not contact us, we will contact you as soon as possible. We apologise for any inconvenience caused and thank you for your understanding. Best wishes, Sarah Reilly (Operations Director) & Joseph Meighan (Artistic Director) By Noel Coward Directed by Carole Carr At the centre of his own universe sits matinee idol Garry Essendine: suave, hedonistic and too old, says his wife, to be having numerous affairs. His life is spiralling out of control… He is plagued with worry about his looming theatrical tour of Africa, being middle aged, his receding hairline and the friends who bring their bizarre problems to him. Engulfed by an escalating identity crisis, as his sprawling myriad of relationships compete for his attention, Garry’s few remaining days at home are a chaotic whirlwind of love, sex, panic and soul-searching. Noël Coward’s Present Laughter premiered in the early years of the Second World War just as such privileged lives were threatened with fundamental social change but now this play is a surprisingly modern reflection on fame, desire and loneliness and, of course, is extremely funny! Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production George's Marvellous Medicine Phizz-whizzing Easter half term fun for all the Family! Ran Apr 7, 2022 - Apr 24, 2022 Age guidance 5+ Venue Running time Tickets Price Range Description By Roald Dahl Adapted by David Wood It’s the half term holiday and George Kranky is looking forward to a break from school when a letter from Grandma arrives announcing that she is coming to stay – that very day! Soon she is making George’s life miserable with spiteful comments and demands for doses of medicine! But one day, when his parents leave him alone with the grizzly old grunion, George takes his chance and sets about creating a brand new medicine to cure her of her cruelty. Little does he know that his perilous potion will be the start of a rather marvellous adventure… This will be Easter Half Term Mayhem at the Altrincham Garrick Playhouse! This imaginative and entertaining stage adaptation of Roald Dahl’s much loved children’s book is bursting with growing grannies, feathery farm animals and bags of frothbuggling family fun. Recommended 5+ Reviews FANTASTIC REVIEW - RICK BOWEN AT STAGESTRUCK WHILE I’m not one of those irritating people who witter on about ‘the good old days’, it was really refreshing to see children completely immersed in a form of entertainment that wasn’t screen based. And big kids like me enjoyed it, too. I been reviewing theatre for 30 years and this was the first time I’d ever seen - well, I’m not going to spoil the surprise for you. This production is also a triumph for the director/designer Sean Duvall for he has designed a set that smacks of fairytale charm and a talented team of puppeteers who successfully transport the audience to a world in which anything is possible. Poor George - played by an engaging Andy Withers - has his school holiday ruined when his grouchy old grandma comes to stay at his family’s farm. She really is a grump, snarling her orders at George and his oh so patient parents,played by Michael Gallagher and Christine Perry. Withers is an engaging and likeable George and instantly won over the youngsters in the audience as he hatches a plan to put the old battle axe well and truly in her place. The panto season may be eight months away but this show has that well known staple ingredient of the panto. Audience participation. But take comfort folks - the jokes are an awful lot better. Hannah Collman, far, far, far younger than the role she is playing, is really good value as Grandma, perfectly capturing her mannerisms and with a voice that could, quite easily, curdle milk. The world may be a bad place at the moment so what better than 90 minutes of good, clean fun to whisk us away from these unprecedented times? Until April 24. Tickets are available from 0161 928 1677 or www.altrinchamgarrick.co.uk . Star rating - 3.5 out of 5. Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Jack & The Beanstalk - The Garrick Pantomime This GIANT adventure is the pantomime you've BEAN waiting for! Ran Dec 6, 2024 - Jan 5, 2025 Age guidance 3+ Venue Main House Running time 2.5 hours (inc. 20 mins interval) Tickets Price Range £14 - £18 Description Our festive show for 2024/25 is our pantomime Jack & The Beanstalk ! The Garrick Panto is back and full of FEE, FIE, FOE, FUN !! Young Jack, his daft-as-a-brush brother, Silly Simon, and his long-suffering mother, Dame Trott, live in a tiny cottage in the shadow of the terrible giant, Blunderbore. With the rent overdue they have no choice but to sell their beloved cow, Daisy. After tricking the Trotts into selling her for a bag of worthless beans, the villainous giant's henchman – Fleshcreep - kidnaps the Princess for his master's supper. Will Jack be able to rescue Daisy and Princess Jill in time? Perhaps those beans aren't as worthless as they seemed ... Expect laughs, music, dance, special effects, dazzling costumes, stunning sets, magic beans and bundles of audience participation at the Altrincham Garrick Playhouse! This GIANT adventure is the pantomime you've BEAN waiting for! Reviews Peter Ruddick - North West End UK "Professional, gorgeous and delightful" Read the full review HERE Rick Bowen - StageStruck Read the full review HERE Gallery Trailer Trigger Warning Flashing lights and special effects, loud noises and pyrotechnics Documents related to this Production View the Programme View the Advertising Poster

Garrick Production The Audience Innovative, multi-award winning play by the acclaimed writer Peter Morgan Ran May 20, 2024 - May 25, 2024 Age guidance 10+ Venue Main House Running time 2.5 hours (inc. 20 mins interval) Tickets Price Range £10 - £16 Description “Every week the Queen of the United Kingdom has a private audience with her Prime Minister. It is not an obligation. It is a courtesy extended by the Prime Minister to bring her Majesty up to speed.” Spanning sixty years from the 1950s through to the 21st century, Peter Morgan’s The Audience vividly illustrates what might have happened between the late Queen Elizabeth II and her Prime Ministers behind closed doors during their weekly meetings. From young mother to grandmother, these private audiences chart the arc of the second Elizabethan Age. Politicians come and go through the revolving door of electoral politics, while Queen Elizabeth II remained constant, waiting to welcome her next Prime Minister. A creative mix of historical evidence, back room gossip and literary imaginings, this play is a witty, thought provoking and a highly entertaining piece of unmissable theatre. The Audience has received sell out runs in both London and on Broadway. Altrincham Garrick Playhouse are thrilled to present this multi-award winning play by the acclaimed writer Peter Morgan (“The Queen ” and Netflix’s “The Crown ”). Reviews Rick Bowen from Stagestruck describes 'The Audience' as "Stunning" Read the full review here: https://www.stagestruck.info/blog/2024/5/21/the-audience-altrincham-garrick Paul Wilcox from North West End UK describes 'The Audience' as a “…sumptuous and informative production sprinkled with excellent performances.” Read the full review here: https://northwestend.com/the-audience-altrincham-garrick-playhouse/?fbclid=IwZXh0bgNhZW0CMTEAAR2cYFmwDQs-aTXoHNexgWObyHa--NTlh_9jxNxKTwqojj3E3dYB0zrUy0M_aem_AXSz5EBZdHoPxBRAcxAtoVQLNMt27Csig-zOgZDaWqi9m2U_J7MXr6O-GuEzakcIpbx2prUkQ7YQFQq3SQacV88b Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Garrick Production Voices of Manchester Altrincham Garrick STUDIO 2025/26 Season - A Series of Manc Plays Ran Nov 11, 2025 - Nov 16, 2025 Age guidance Venue STUDIO Theatre Running time TBC Tickets Price Range £13 - £15 Description Six Tales from our City A New Play by local playwright Duncan Battman Commissioned by Joseph Meighan Directed by Duncan Battman Six Monologues. Six Mancs. A Tram. A Pub. The beating heart of the greatest City. Mad Fer It. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster

Lauriston Studio Constellations Ran Feb 1, 2022 - Feb 6, 2022 Age guidance Venue Running time Tickets Price Range Description "One drink. And if you never want to see me again you never have to see me again." A quantum physicist and a beekeeper meet at a barbeque. They hit it off, or perhaps they don’t. They go home together, or maybe they go their separate ways. In the multiverse, with every possible future ahead of them, a love of honey could make all the difference... Nick Payne ‘s beautiful and heartbreaking romance Constellations is a must see. Currently celebrating a new successful Revival at the Donmar Warehouse in London's West End, it originally opened at the Royal Court in 2012 before opening on Broadway in 2015. It is a play about about free will and friendship; it's about quantum multiverse theory, love and honey. This play is directed by Pete Brassington, and is played by two casts of two actors, who will be covering three nights each. Cast A will be performing Tuesday, Thursday and Saturday. Cast B will be performing Wednesday, Friday and Sunday nights. Reviews Gallery Trailer Trigger Warning Documents related to this Production View the Programme View the Advertising Poster